Alan Trezza wrote WE SUMMON THE DARKNESS, a horror-thriller set during the "Satanic Panic" craze of the 1980s. It was directed by Marc Meyers (MY FRIEND DAHMER) and starred Alexandra Daddario, Keean Johnson and Johnny Knoxville. The film made it’s US premiere at the 2019 Fantastic Fest film festival in Austin and was released on all digital outlets in early 2020. Alan also wrote the zombie-comedy BURYING THE EX, which was directed by horror icon Joe Dante (GREMLINS) and starred Anton Yelchin, Ashley Greene and Alexandra Daddario. The film premiered at the 2014 Venice Film Festival and received a theatrical run in the summer of 2015. Alan has sold scripts to Paramount Pictures and Miramax Films and is currently developing a LatinX-themed horror film and a supernatural-thriller TV series.

Kaye Singleton is an award-winning writer, producer, and actress that is well on her way to making her own footprint in this industry, or as the much-respected Tyler Perry would say, created her own seat at the table. As a multi-faceted creative talent, she is committed to telling culturally authentic stories for, about, and that explore, the beautifully diverse experiences of Black Women.To date, as an actress she has taken on a variety of roles on hit shows and films. She's best known for her series regular role beginning in Season 3 of Tyler Perry's The Oval on BET as Simone, the beautiful, smart, and cunning wife of the Vice President of the United States, and her Six Season recurring role as the long-suffering, loyal - but problematic - "Josie" on Saints & Sinners, BounceTV's #1 Show. She's also had memorable roles on Sistas (BET), Claws (TNT), Don't Waste Your Pretty (TV One), Tales (BET), American Soul (BET), and Dumplin (Netflix).In 2020, Kaye secured her first production deal as a first-time Showrunner and Creator for the highly-rated anthology series - Covenant'' which premiered on October 14th, 2021 on AMC's allblk. Covenant's unique take on bible stories is a stand out for the network as it's quoted to "create a world of thrilling, suspenseful drama where characters and stories of the bible are thrust into a vicious dystopia of present-day, real-life situations. Each episode will reimagine a classic story as it would take place in the modern world - challenging viewers to examine how sacred lessons of faith and love fit into today's society.Enjoy my epic conversation with Kaye Singleton.

Born in Indonesia and raised in Singapore, Margaret Kerrison received my Master of Fine Arts degree in Screenwriting from the University of Southern California School of Cinematic Arts. Her career spans television, film, digital media, games, brand storytelling, location-based entertainment, and immersive experiences.Margaret worked as a Story Lead, Story Consultant, and Writer for multiple projects around the world, including Star Wars: Galaxy’s Edge, Star Wars: Launch Bay, Hyperspace Mountain, Star Wars: Galactic Starcruiser, Avengers Campus, Guardians of the Galaxy: Cosmic Rewind, National Geographic HQ, NASA Kennedy Space Center Visitor Complex’s Journey to Mars: Explorers Wanted, Heineken Experience, StoryGarden by AMOREPACIFIC, and the Information and Communications Pavilion (Expo 2010 Shanghai).Margaret was the writer for five projects that received Themed Entertainment Association (THEA) Awards. She appeared in the Disney+ series Behind the Attraction, the Freeform television special Star Wars: Galaxy's Edge – Adventure Awaits, and the online educational program Imagineering in a Box. Margaret has been invited to speak at prestigious conferences and universities including SXSW, Star Wars Celebration, D23, IAAPA Expo, FMX Conference, University of Southern California, and Johns Hopkins University. Her projects have been featured around the world in The New York Times, Good Morning America, The Los Angeles Times, Entertainment Weekly, Wired magazine, and the official site for Star Wars. Margaret Kerrison was a Disney Imagineer from 2014-2021 and was recently featured in a blooloop article.Margaret is currently a Senior Experiential Creative Lead in Airbnb's Experiential Creative Product team.Enjoy my conversation with Margaret Kerrison.

I wanted to take a deep dive into the marketing side of screenwriting today because it is in fact, a necessity in the industry today. Unfortunately, not many writers bother themselves as much about marketing their work. While I have some course resources on the IFH Academy website to help writers pitch stories or to get past the gatekeepers and so on, I thought it would be favorable to have marketing and development exec, Felicity Wren on the show to delve into the subject. Felicity started off in this business as an actor and now is a producer and VP of Development at the International Screenwriters Association (ISA). ISA (Est 2008), is a screenwriters community and resource platform that allows branding, marketing screenplays to producers and provide learning resources for seasoned and new writers. To date, ISA subscribers include 5,104 Industry Pros, approximately 70,000 Screenwriters, and 8,039 resources for screenwriters. Definitely, a goldmine!Felicity trained academically across the performing arts sphere (writing, directing, acting technique, and script analysis). She pursued acting and appeared in films like Star Trek Into Darkness, The Battle of Hogwarts, Tales of Uplift and Moral Improvement, and more, but lost interest in the competitive reality and stress of waiting for the callback.So, she pivots. Alongside her partner, she launched a theater company, Unrestricted View (1999) in London that worked primarily with new professional creatives. A decade later, Felicity moved to Hollywood to seek the bigger dream.Some of Wren’s work includes short films like The Trap, Homeless Realtor, Who’s Who, The Force, and several others. At the ISA, she get’s to work directly with the Program Writers, and ISA Contest Winners, ensuring their projects get in front of eminent producers, managers, and agents in Hollywood.For screenwriters trying to sell a script, you have to know your voice and feel comfortable using it beyond your incredible writing. Understanding what you bring to the table is key in every profession. Of course. Coupling that with some marketing tools can propel you for higher success. That’s why this conversation is important.Enjoy my very informative conversation with Felicity Wren.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I had a fun chat with our guest today. We hit it off pre-interviewing, geeking out about James Cameron and his latest masterclass, and so much more. On the show this today is Will Hicks who is head of Screenwriting and production at Colorado Film School and an associate professor at the Community College of Aurora.Will had a start in producing and screenwriting earlier in his career until making the shift to teaching few years in --- appreciating more, the elements of studying the craft of form and purity in teaching that he feels are more rewarding.His commitment to academia led to publishing his book, The Screenwriter’s Workout, which we discuss lengthy in this interview. The Screenwriter’s Workout is a training program consisting of over 75 exercises and activities designed for screenwriters. It aims to help screenwriters explore their creativity and strengthen their storytelling skills.The book includes exercises on designing dynamic characters, exploring structure, creating stories, redefining conflict, analyzing the work, craft compelling loglines ad discovering interactive screenwriting.The 2021 Variety Entertainment Impact Report featured Hicks on its Top 50 Film Schools and Instructors from around the world list---revering his 100 plus professional credits nurturing some of the best talents in the country.Besides talking about Hick's career teaching screenwriting, we also do some surface character building and storytelling analysis of some famous films and writers. But also, the complexity of writing the end of a sustaining story for TV.Enjoy this conversation with Will Hicks.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

There’s always been a feel-good, easy-times nostalgia for the 80s and 90s TV shows. More so now that we sometimes feel overwhelmed by the plethora of shows we have to pick from. If you feel me then you will enjoy this conversation. Our guest today is the award-winning screen and television writer, professor, and best-selling author, Pamela Douglas. Pamela is a member of the Board of Directors of the Writers Guild of America and a USC School of Cinematics Arts tenure professor for screenwriting. She is credited for her writing on shows/series such as Star Trek: The Next Generation and The Ghostwriter (1992) to name a few.Aside from her awesome career as a screenwriter, she’s an international writer with multi-lingual adaptations of her books (German, Mandarin, Italian, French, Korean, and Spanish). Pamela packed her expertise in her 2018 revised fourth edition of her 2008 book 'Writing the TV Drama Series: How to Succeed as a Professional Writer in TV'.The book is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration. The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15 countries.As you will learn in this episode, Pamela’s passion for writing goes back to her childhood. Even though she’s dabbed in screenwriting for movies, she’s discovered throughout her career that television carries a bigger pull in terms of communicating ideas, stories, characters, life, and experience. Its essence allows for vertical story-telling, expansion, and continuity to reveal newer plots and characters.Star Trek: The Next Generation is a classic sci-fi series set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before - the exploration of the Milky Way galaxy.Ghostwriter is an American children's mystery television series that revolves around a circle of friends from Brooklyn who solve neighborhood crimes and mysteries as a team of young detectives with the help of a ghost named Ghostwriter who can only communicate through writing and words.Chatting with a seasoned screenwriter like Pamela, there is so much wealth of knowledge packed in every word. We talked about presentation reelers, the forex structure and her approach to it, and why she thinks The Wire is the best show of all time in terms of character, layering, and sterilized storytelling.Enjoy this conversation with Pamela Douglas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have best-selling author and screenwriter Eileen Cook. She is a multi-published, award-winning author with her novels appearing in nine languages. Her books have been optioned for film and TV.She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. She’s an instructor/mentor with The Creative Academy and Simon Fraser University Writer’s Studio Program where she loves helping other writers find their unique story to tell.Her best-selling book Create Story Conflict: How to increase tension in your writing & keep readers turning pages is a must-read for screenwriters. Here's a bit about the book:Conflict is essential to story—regardless of genre. The friction between what a character wants and the lengths they will go to reach that goal is what pulls readers through your book. Great conflict is what leaves readers cheering (or crying) at the end of a story. Using humor and her deep knowledge of human behavior, counselor and award-winning author Eileen Cook will guide you through the causes of conflict, the differences between internal and external conflict, and show you how conflict resolution techniques can be turned upside down to ramp up the tension in your book. Filled with practical tips, examples, and prompts, this is a craft book you’ll keep on your shelf to use again and again.Enjoy my conversation with Eileen Cook.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm super excited to bring you today's show. Today on the podcast we have best-selling author Will Storr. Will's latest book The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better is a deep dive into how story affects the brain. Here's a bit about the book:Who would we be without stories?Stories mold who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media.Storytelling is an essential part of what makes us human.There have been many attempts to understand what makes a good story – from Joseph Campbell’s well-worn theories about myth and archetype to recent attempts to crack the ‘Bestseller Code’. But few have used a scientific approach. This is curious, for if we are to truly understand storytelling in its grandest sense, we must first come to understand the ultimate storyteller – the human brain.In this scalpel-sharp, thought-provoking book, Will Storr demonstrates how master storytellers manipulate and compel us, leading us on a journey from the Hebrew scriptures to Mr. Men, from Booker Prize-winning literature to box set TV. Applying dazzling psychological research and cutting-edge neuroscience to the foundations of our myths and archetypes, he shows how we can use these tools to tell better stories – and make sense of our chaotic modern world.His TED Talk is a must-watch for all filmmakers and screenwriters. After interview hundreds of the world's thought-leaders on story it's rare for me to find a completely new way of looking at story. I can't tell you how fascinating this conversation is. If this episode doesn't spark an idea or two in your screenwriting I don't know what will.Enjoy my conversation with Will Storr.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Randall Jahnson is an American screenwriter and film producer. He was born on March 7, 1951, in Des Moines, Iowa, United States. Jahnson is best known for his work in the film industry, particularly as a screenwriter.Jahnson's notable credits include writing the screenplay for the 1989 film "The Mask," starring Jim Carrey. He also co-wrote the screenplay for the 1992 film "Dudes" and the 1998 film "The Doors," which is a biographical film about the rock band of the same name.In addition to his work as a screenwriter, Jahnson has worked on other aspects of film production. He served as a producer for the 1997 film "The Doors: When You're Strange," a documentary about the band, and was an executive producer for the 2009 film "The Spirit," directed by Frank Miller.Randall Jahnson has had a varied career in the film industry, working on both independent and mainstream projects. While he may not have the same level of name recognition as some other screenwriters, his contributions to the films he has worked on have left an impact on the industry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Heather Hale. Heather Hale’s new book Story Selling: How to Develop, Market, and Pitch Your Film & TV Projects helps you get your stories out of your head and onto the worldwide stage. From the inspiration and conception of all kinds of creative writing, through the development and refinement of all the elements, to navigating the legal, financial, physical production, distribution, and marketing labyrinths of the overlapping businesses of mass media, she explores how (and why) we write, co-create, share and monetize stories around the world today.Pitching is an art form that brings together content and communication channels. Regardless of What you’re pitching . . . Where, When and to Whom . . . the principles are universal. It’s How you pitch that matters ― and there are countless strategies that combine elements in different combinations.Heather's book details all of them, their construction and applications, in a fun and interactive way that inspires readers to create memorable and saleable pitches in order to get their projects made.Enjoy my conversation with Heather Hale.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Steve Kaplan is a well-known comedy writer, teacher, and consultant. He is the author of the book "The Hidden Tools of Comedy: The Serious Business of Being Funny," which is a popular resource for aspiring comedy writers. The book delves into the principles and techniques of comedy writing, offering insights and practical advice for creating humorous and engaging content.Steve Kaplan has been teaching comedy writing and performance for many years, and his expertise has made him a sought-after consultant in the entertainment industry. He has worked with numerous writers, actors, and directors, helping them develop their comedic skills and enhance their comedic projects. Kaplan's approach to comedy emphasizes the importance of understanding human nature, exploring characters' desires and obstacles, and using specific comedic techniques to elicit laughter.In addition to his book, Steve Kaplan has also conducted workshops, seminars, and lectures on comedy writing and has worked with various entertainment companies, including Disney, HBO, and DreamWorks Animation. He continues to be a respected figure in the field of comedy writing education.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jeff Schimmel began his Writing/Producing career in the 1980s while attending law school in Los Angeles. When not studying for the bar exam, Jeff wrote and sold his original Cold War spy thriller, Archangel, to Phoenix Entertainment Group. Soon after, Jeff was chosen by comedy legend Rodney Dangerfield and award-winning Writer/Director Harold Ramis to co-write the full-length Warner Brothers animated film, Rover Dangerfield. This led to a sports comedy screenplay assignment from Orion Pictures and 20th Century Fox, and Jeff’s first TV writing job as Story Editor on ABC’s top ten sitcoms, Full House.Next, Jeff co-wrote and produced The Schimmel Papers, a series of several short films for Fox TV's Sunday Comics, then went on to write for the groundbreaking, Emmy Award-winning sketch comedy series, In Living Color, worked as Story Editor on the WB network’s first-ever sitcom, then served as Writer and Producer on Laughing With The Presidents, NBC TV's final comedy special starring Bob Hope, with appearances by Presidents George Bush and Bill Clinton, actors Tom Selleck, Don Johnson, Tony Danza, Ann-Margret, Naomi Judd, and many more.In 2016, Jeff took over as Executive Producer of Fuse network’s music intensive Skee TV series, working with hip hop artists like Snoop Dogg, Tyler the Creator, Post Malone, and T.I. Also in the rap world, Jeff was credited as a producer on three multi-platinum selling CDs by Busta Rhymes. In 2017, Jeff’s book, “Maximum Screenwriting,” was released and has earned Amazon’s five-star rating. Jeff has appeared as a guest lecturer at L.A.’s famed Screenwriting Expo, is a popular speaker at prestigious universities and film schools, and has worked closely with the Writers Guild of America to protect the best interests of writers.25 COMMONLY ASKED QUESTIONS AND STRAIGHT ANSWERSThe entertainment industry is the toughest business around. To achieve success as a professional screenwriter, you will need every advantage you can get. A writer who faces readers, agents, producers, and creative executives are no different than a soldier going into combat. To have the best chance of survival, both would be wise to bring every weapon they can carry into the fight.This book is ammunition for the battles every screenwriter will face as it teaches: How to create a bulletproof outline, How to build and breathe life into compelling characters, How to defeat crippling procrastination, How to avoid being ripped off, and How to deal with a myriad of situations other books never mention.The one thing this book will not do is tell you what the proper margins are for a screenplay, where to place a parenthetical in dialogue or what is supposed to happen on page 30. There are dozens of books and free online lectures for that. Maximum Screenwriting was written for one reason only: to teach you what other books don’t and to tell you what other writers won’t.Enjoy my conversation with Jeff Schimmel.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market. Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Showrunning is a mysterious art form to many so I wanted to bringing he someone who can shine a light on what it takes to be one. Today on the show we have powerhouse show runner, writer, director, producer, and all-around good guy Steven Deknight. Best known for his work across the action, drama, and sci-fi genres on TV shows like Smallville, Spartacus, Daredevil, Buffy the Vampire Slayer, Angel, and Jupiter's Legacy.Realizing his strengths early on in his career, Steven is a jack-of-all-trades who studied acting at the onset of film school transitioned through to writing, playwright, and screenwriting. Buffy the Vampire Slayer was his big break - starting off as writer and story editor on the show, Deknight went on to produce 42 episodes of the Spin-off show, Angel.The vampire Angel, cursed with a soul, moves to Los Angeles and aids people with supernatural-related problems while questing for his own redemption.Steven went on to direct and co-executive produce 66 episodes of the 2001 show, Smallville which set a viewers rating record of 4.34 million viewers per episode and had an amazing 10 seasons run.The series goes along with Clark Kent through his struggles to find his place in the world as he learns to harness his alien powers for good and deals with the typical troubles of teenage life in Smallville, Kansas.In 2009, He briefly wrote, directed, and consulted on the short-lived Dollhouse series. Almost immediately after, Deknight got an offered to executive produce and write the hit sensation and everyone's guilty-pleasure, Spartacus.A fictional historical drama series inspired by, Spartacus, the show focused on Spartacus's obscure early life leading up to the beginning of historical records.We do a deep dive on how Steve brought the Marvel universe's darker and grittier character Daredevil to Netflix that help launch The Defenders superhero on the streaming giant.Blinded as a young boy, Matt Murdock fights injustice by day as a Lawyer and as a street-level superhero by night, in Hell's Kitchen, New York City.His feature-film directorial and writing debut Pacific Rim: Uprising. We go into the weeds on his experience bring a studio tentpole to the big screen while under extreme pressure and restraints.Steve was a blast to chat.Enjoy this conversation with Steve Deknight.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Chris Soth developed the “Mini-Movie Method” after years of success as a Hollywood screenwriter. Chris has multiple projects in development at major Hollywood studios. This master storyteller is also an expert in pitching and selling - necessary tools for a screenwriter in Hollywood.Chris holds an MFA in screenwriting and a BA in Dramatic Literature. He is the only seminar instructor whose work has been produced by a major Hollywood studio.MILLION-DOLLAR SCREENWRITING presents a method of story design that is easy to understand and easy to do, The Mini Movie Method! This is the key to unlocking your future as a working screenwriter in Hollywood. It turns writing into an effortless, step-by-step process and makes beginners into experts and experts into masters of the craft. The secret to successful screenwriting has finally arrived: The Mini-Movie Method!-THE MINI-MOVIE METHOD WAS INVENTED FOR MOVIES!-When the film was born story changed forever. Traditional “Three-Act Structure” was invented for the theater, but movies are shot, edited, and projected on “reels.” Each reel contains its own piece of the story, like chapters of a novel called “sequences” or “Mini-Movies.” The Mini-Movie Method is a way of “sequencing” your story that is specifically designed for movies, tailored to movies, and unique to movies because The Mini-Movie Method was CREATED for movies.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I’m taking a journey down the rabbit hole of screenwriting psychoanalysis with Professor William Indick, who is a psychology professor at William Paterson University in New Jersey, professor of psychology executive chair of faculty at Dowling College, and author of Psychology for Screenwriters.We take a nerdy dig into the world of psychology and how it affects writers, screenwriters, and characters. With some expert contextualization, William psychoanalyzes some of our favorite films and characters while also breaking down character archetypes and themes he has studied. How did it all start, you ask? Well, in 2003 he made the decision to incorporate more culturally relevant theories of personality instead of antiquated theories in his psychology classes by sorting references from famous films. Based on his students growing interested and fascination, William researched to find psychology textbooks about films, but none existed. So he wrote one instead. The book was published by Michael Wiese productions in 2004. Psychology For Screenwriters supports that screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought-provoking exercises, vivid film images, and hundreds of examples from classic movies.Basically, the book takes general psychology theories and applications and adapts them into helpful tools for screenwriters.He delves into various genre archetypal characters and themes that are repetitive in screenplays in the second edition of the book which will be out soon. Just this summer, William published his sixth book, Media Environments and Mental Disorder: The Psychology of Information Immersion. It deals a lot with narcissism, and the notion that all media is a mirror, and how we understand ourselves at a time when we're constantly being reflected in a million ways. The information environments that modern society requires us to master and engage in are based on literacy and digital communication. Mediated information not only passes through our brains, it alters and rewires them. Since our environment, to a large extent, is shaped by the way we perceive, understand, and communicate information, we can even think of mental disorders as symptoms of maladaptation to our media environments.This book uses this "media ecology" model to explore the effects of media on mental disorders.It traces the development of media from the most basic forms--the sights and sounds expressed by the human body--to the most technologically complex media created to date, showing how each medium of communication relates to specific mental disorders such as anxiety, depression, schizophrenia, and autism. As the digital age proceeds to envelop us in an environment of infinite and instantly accessible information, it's crucial to our own mental health to understand how the various forms of media influence and shape our minds and behaviors.My conversation with William was one of those discussions that you come out of, more informed than you went in.We had a blast.Enjoy my very informative conversation with William Indick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In today's show we have a returning champion Albert Hughes. Albert is a well-known American filmmaker. He is one half of the Hughes Brothers, a filmmaking duo consisting of Albert and his twin brother, Allen Hughes.The Hughes Brothers are known for their work in the film industry and have directed and produced a variety of films, often with a focus on gritty, urban themes. Some of their notable films include "Menace II Society" (1993), "Dead Presidents" (1995), "From Hell" (2001) , "The Book of Eli" (2010), "Broken City" (2013). Albert Hughes, along with his brother Allen, has made significant contributions to the world of cinema, and their work often explores complex and socially relevant themes.Albert's new film The Continental: From the World of John Wick - Set in 1970s New York City, The Continental explores the origin of the iconic hotel-for-assassins centerpiece of the John Wick universe seen through the eyes and action of a young Winston Scott.Please enjoy my conversation with Albert Hughes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead.After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode we have Racer Max and Rebel Rodriguez. The sons of the legendary filmmaker Robert Rodriguez and film producer Elizabeth Avellán. Racer, Rebel and I had an amazing conversation about what it was like being raised by two master filmmakers, what it was like to be on set, but also what they've learned along the way, what they are doing differently than their predecessors have, and the amazing work that they're doing on big projects like Hypnotic, We Are Heroes, and the latest in the Spy Kids franchise, Spy Kids: Armageddon.Please enjoy my conversation with Racer Max & Rebel Rodriguez.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Richard Walter was born on July 11, 1944, in New York City, New York, USA. He is a writer known for Group Marriage (1972), The Cinematographer (1969), and The Production Manager (1969). He has been married to Patricia Sandgrund since 1967.In 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.Richard is one of the few OG writers who have studied and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Brooks Elms has written more than 25 scripts over the term of his career for companies like Gold Circle Films, Base FX, and Broken Road. We connected through a mutual friend and I couldn’t wait to have him on the Bulletproof Screenwriting podcast. Elms is a member of the Writers Guild Of America and a part-time screenwriting instructor at UCLA Extension where he's shared his filmmaking and plot structuring skills with his students since 2016 through two classes he currently teaches; Story Analysis for Film & TV, and Story Development.You may have seen films and television series he's directed such as The Ultimate Fighter, Snapshots from a .500 Season, Montauk Highway, Drew, Trip and Zoey and So Happy Together.Elms have consulted with all levels of creatives across Hollywood, including studio directors, rewrites for the Oscar-winning writer while also writing and directing his own indie feature films. In his free time, Elms loves to coach other writers who have a burning ambition to deeply serve their audiences. We both should be working on a project of mine in the near future, so stay tuned.I’m always down for a good screenwriting 101 conversation and my interview with Brooks will not disappoint.Enjoy my conversation on how to become a professional screenwriter with Brooke Elms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Scott Myers is a screenwriter and educator known for his work in the film industry. He has written numerous screenplays and is the co-writer of the 2006 film "K-9: P.I." starring James Belushi. Myers is also the founder of the website Go Into The Story, which is a popular resource for aspiring screenwriters.Myers has been involved in the film industry for several decades and has worked as a screenwriter, script consultant, and script doctor. He has taught screenwriting at the University of North Carolina School of the Arts and has conducted screenwriting workshops and seminars around the world.In addition to his work as a screenwriter and educator, Myers has written extensively on the craft of screenwriting. His book "The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script" is a widely recognized resource in the field. He also regularly shares insights and advice for screenwriters on his blog, Go Into The Story.Scott Myers is a respected figure in the screenwriting community, known for his contributions to the field and his dedication to helping aspiring screenwriters improve their craft.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The impact that Blake Snyder's Save the Cat® book series has had on Hollywood screenwriting is incalculable. Rarely does a book change the way screenwriters approach story and structure. In his best-selling book, Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told, Blake Snyder provided 50 “beat sheets” to 50 films, mostly studio-made.Now his student, screenwriter and novelist Salva Rubio applies Blake’s principles to 50 independent, auteur, European, and cult films (again with 5 beat sheets for each of Blake’s 10 genres in the book Save the Cat!® Goes to the Indies: The Screenwriters Guide to 50 Films from the Masters.If you're a moviegoer, you'll discover a language to analyze film and understand how filmmakers can effectively reach audiences.If you're a writer, this book reveals how those who came before you tackled the same challenges you are facing with the films you want to write. Writing a “rom-com”? Check out the “Buddy Love” chapter for a “beat for beat” dissection of Before Sunrise, The Reader, Blue Is the Warmest Color, and more to see how Linklater and Krizan, David Hare, and Kechiche and Lacroix structured their films.Scripting a horror film? Read the “Monster in the House” section and discover how 28 Days Later and The Texas Chain Saw Massacre are the same movie – and what you need to do to write a scary story that keeps audiences on the edge of their seats.Want to execute a great mystery? Go to the “Whydunit” chapter and learn about the “dark turn” that’s essential to the heroes of The Big Lebowski, The French Connection, and Michael Clayton.Want your protagonist to go up against an evil “institution”? Consider how Mamet handled Glengarry Glen Ross and Tarantino's famed Pulp Fiction.Writing a “Superhero” story? See how Susannah Grant structured Erin Brockovich, Anderson & Baumbach worked out Fantastic Mr. Fox, and Gilliam & Stoppard & McKeown laid the foundation for Brazil.With these 50 beat sheets, you’ll see how “hitting the beats” creates stories that resonate the world over for these outstanding writers—and how you can follow in their footsteps.Salva Rubio is a novelist, screenwriter, and author.He has been nominated at the Spanish Goya Awards for Best Animation Feature. As a graphic novel writer, some of his works have been published in America, including Monet, Itinerant of Light (nominated for an Eisner Award), and The Photographer of Mauthausen. Salva is an associate member of the WGAW (Writers Guild of America, West) and a member of the Academia de las Artes y las Ciencias Cinematográficas de España.Enjoy my conversation with Salva Rubio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Since he was eighteen years old, Johnny Martin has been solely working in the film and television industry. He began his career as a stuntman, and within a relatively short period of time graduated to being a stunt coordinator and second-unit director. In those capacities, Johnny has worked on over 260 films, TV shows, and commercials, and even won the award for Best Stunt Coordinator of the Year for the film "Gone in 60 Seconds" and later receiving two nominations for an Emmy and one Screen Actors Guild award.In 2003, Johnny launched his own production company, MARTINI FILMS. In just the first year he produced three films under his banner and two of the films received SYFY Channel's "Premiere of the Year". In 2012 Martini Films was one of the first US companies to partner with China Film Group ("CFG") for the feature film "Urban Games", which was entirely shot in China and Korea. Since, Martini Films has produced 20 films for Lionsgate, Sony, Paramount, and Saban.In 2014 Johnny began his Directing debut on the horror film "Delirium" after winning three film festivals and receiving a theatrical, he was then hired in 2016 to direct "Vengeance: A Love Story", starring Nicholas Cage and Don Johnson and then following up with "Hangman", starring Al Pacino, Karl Urban and Brittany Snow and is now in post-production on "Alone" starring Donald Sutherland and Tyler Posey. On each of these films he has credited the late great Tony Scott for the many years of preparing him for his new venture. 2018 Johnny was invited to be a member of the Academy of Motion Picture Arts and Science.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have studio veteran, story consultant, and best-selling author of The Script Selling Game- 2nd edition: A Hollywood Insider's Look at Getting Your Script Sold and Produced Kathie Fong Yoneda.The Script-Selling Game is like having a mentor in the business who answers your questions and provides you with not only valuable information but real-life examples on how to maneuver your way through the Hollywood labyrinth. While the first edition focused mostly on film and television movies, the second edition includes a new chapter on animation and another on utilizing the Internet to market yourself and find new opportunities, plus an expansive section on submitting for television and cable.Kathie has worked in film and television for more than 30 years.She has held executive positions at Disney, Touchstone, Disney TV Animation, Paramount Pictures Television, and Island Pictures, specializing in development and story analysis of both live-action and animation projects.Kathie is an internationally known seminar leader on screenwriting and development and has conducted workshops in France, Germany, Austria, Spain, Ireland, Great Britain, Australia, Indonesia, Thailand, Singapore, and throughout the U.S. and Canada.Enjoy my conversation with Kathie Fong Yoneda.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Thunder Levin was born and raised in New York City, graduated from Hunter College High School, and received a BFA in Film from NYU before moving to Los Angeles at age 23. He credits the original Star Trek television series with opening his mind to both the wonders of science fiction and filmmaking as a child, while the original Star Wars solidified his desire to make movies when he grew up.Mutant Vampire Zombies from the 'Hood! (2008) starring C. Thomas Howell was Thunder's feature film directorial debut. This led to him writing and/or directing several films for production company The Asylum, including American Warships (2012) and AE: Apocalypse Earth (2013), culminating in the pop culture phenomenon Sharknado (2013). While continuing to write and direct feature films, he is also developing episodic television projects.Thunder is a lifelong sailor and car enthusiast who's recently taken up motorcycle riding. In addition to his film and television work, he is writing his first novel. He lives in Santa Monica, CA, but considers himself a "temporarily misassigned New Yorker". Thunder is his real name. Please don't ask why.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Kim Hudson grew up in the Yukon, a Hero’s daughter with a Cinderella Complex. Basically life taught her many of the things she needed to know to write this book. Kim spent the first half of her career exploring her masculine side, first as a field geologist and later as a federal land claims negotiator. Exploring her feminine side became important to her as she raised her two daughters. This lead me to study Writing for Film and Television at Vancouver Film School, and take courses on mythology, feminism and psychology including a Jungian Odyssey in Switzerland. This theory was developed by closely observing the archetypal expressions that are all around us in movies, music, television, advertisements and stories of personal growth, including her own. The Virgin’s Promise is her first book.The Virgin’s Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin’s Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin’s Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action.Please enjoy my conversation with Kim Hudson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Alvaro Rodriguez has been writing since childhood and, in fact, did his best work when he was 11. Without a movie camera in sight, Rodriguez relied on the written word and a Polaroid Button to storyboard the films in his head. A crash course in entertainment writing and editing at the University of Texas student newspaper and seminars in creative writing supplied more tools for the toolbox. When he riffed on a Spanish guitar figure as the hero's musical theme in cousin Robert Rodriguez's debut film, El Mariachi (1992) (Columbia Pictures, 1993), he began a collaboration that has lasted more than two decades.Rodriguez sold his first pitch to Dimension Films, a spaghetti-western prequel to the genre-bending vampire flick From Dusk Till Dawn (1996) called From Dusk Till Dawn 3: The Hangman's Daughter (1999) (Miramax/Dimension, 2000), which starred Marco Leonardi, Michael Parks, Sonia Braga, Rebecca Gayheart and Danny Trejo, with Robert Rodriguez and Quentin Tarantino producing.Rodriguez co-wrote the wishing-rock children's movie Shorts (2009) (Warner Brothers, 2009), starring James Spader, Jon Cryer, Leslie Mann, and William H. Macy, and followed that confection with the bloodier Machete (2010) (Fox, 2010) starring Danny Trejo, Jessica Alba, Michelle Rodriguez, Lindsay Lohan, Jeff Fahey, Don Johnson, and Robert De Niro. Both were directed by Robert Rodriguez.As of 2014, he is writing on the television series From Dusk Till Dawn: The Series (2014) for the El Rey Network, now in its second season, and is developing feature and television projects in the United States and Italy.A frequent panelist and presenter at the Austin Film Festival, he has also curated an "Epoca de Oro" Mexican film series at the Museum of South Texas History and has been a speaker at colleges and universities throughout the United States. His border-influenced short fiction has appeared in multiple publications, both physical and digital, including Mulholland Books/Popcorn Fiction, "Along the River" (2011), and the Bram Stoker Award-winning "After Death" (2013).This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have comedy legend, author, and writer Steve Kaplan. For years, Steve Kaplan has been the industry’s most sought-after expert on comedy. In addition to having taught at UCLA, NYU, Yale and other top universities, Steve created the HBO Workspace, the HBO New Writers Program and was co-founder and Artistic Director of Manhattan Punch Line Theatre. He has consulted and taught workshops at companies such as HBO, DreamWorks, Disney, Aardman Animation, Sony Pictures Network India, Globo Brazil, and others.In New York, Steve was co-founder and Artistic Director of Manhattan Punch Line Theatre, where he developed writers such as Peter Tolan(Analyze This, The Larry Sanders Show), writer and producer David Crane(Friends, Episodes), writer/producer Tracy Poust (Ugly Betty, Will & Grace), Michael Patrick King(Sex and The City, Will & Grace), David Ives(Venus in Fur), Howard Korder (Boardwalk Empire), David Fury(The Tick, Buffy, The Vampire Slayer), Lisa Loomer (The Waiting Room), Tom Donaghy (The Mentalist), Kenneth Lonergan (Manchester by the Sea)and Mark O’Donnell (Hairspray) and introduced such performers as Lewis Black, Mercedes Ruehl, Oliver Platt, Helen Slater, Fisher Stevens, Veanne Cox, Sam McMurray, Vickie Lewis, and Illeana Douglas.In Los Angeles, he created the HBO New Writers Project, discovering HBO Pictures screenwriter Will Scheffer (Big Love), and performer/writer Sandra Tsing Loh (Aliens in America),; and the HBO Workspace, a developmental workshop in Hollywood that introduced and presented performers such as Jack Black and Tenacious D, Kathy Griffin, Bob Odenkirk and David Cross (Mr. Show), Josh Malina and Paul F. Tompkins. At the Workspace, he was Executive Producer for the award-winning HBO Original Programming documentary DROP DEAD GORGEOUS. Steve has directed in regional theaters and Off-Broadway (including Sandra Tsing Loh’s ALIENS IN AMERICAat Second Stage).In addition to private coaching and one-on-one consultations, Steve has taught his Comedy Intensive workshops to thousands of students in the United States and countries around the world, including London, Toronto, Galway, Athens, Paris, Tel Aviv, Sydney, Melbourne, Rio, Munich, New Zealand, and Singapore. This year, he will be presenting seminars and workshops in Los Angeles, Brussels, London, and via Skype, Sweden.His new book The Comic Hero's Journey: Serious Story Structure for Fabulously Funny Films. I can't recommend it enough.A comic hero or heroine also goes on a journey, but for the comic hero, it’s often quite, quite different. The hero decides to go on the adventure; the comic hero often has no choice. The hero has a wise old man; the comic hero often meets an idiot who inadvertently says something that can teach him a thing or two. Steve Kaplan will show you the diverse paths that comedy takes in The Comic Hero’s Journey.This interview is EPIC! If you want to learn how to create "funny" in your screenplays or projects this episode is for you.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Klaus Badelt is a renowned German composer and music producer, celebrated for his extraordinary contributions to film scores and soundtracks. Born on June 12, 1967, in Frankfurt, Germany, Badelt's exceptional talent for music was evident from a young age.With an extensive background in classical training and a deep appreciation for various musical genres, Badelt's unique ability to fuse different styles allowed him to craft captivating and emotive compositions. His versatility enabled him to excel in multiple film genres, from epic adventures to intense dramas, leaving an indelible mark on Hollywood's cinematic landscape.Badelt gained global recognition for his work on the film "Pirates of the Caribbean: The Curse of the Black Pearl" (2003), where his evocative score, particularly the iconic theme "He's a Pirate," became an instant classic and remains a cherished part of film music history. This accomplishment solidified his status as one of the industry's leading composers.Throughout his illustrious career, Badelt collaborated with esteemed filmmakers, including Ridley Scott, Wolfgang Petersen, and Jerry Bruckheimer, earning critical acclaim for his exceptional artistry and ability to elevate storytelling through music.Beyond his film work, Klaus Badelt has also composed for video games, television shows, and concert performances, displaying his passion for creating immersive musical experiences in various mediums. With a diverse and impressive body of work, Badelt's influence on contemporary film scoring remains profound, inspiring aspiring musicians and leaving an enduring legacy in the world of music for screen and stage.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Hollywood Story/Career Consultant and former Studio Executive Jen Grisanti. Grisanti is also a Writing Instructor for Writers on the Verge at NBC, a former studio executive, a blogger for The Huffington Post and author of Story Line: Finding Gold in Your Life Story, TV Writing Tool Kit: How To Write a Script That Sells, and her recent book Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation.Over twenty years ago, Jen Grisanti started her career as an assistant to Aaron Spelling, who served as her mentor for 12 years.She quickly climbed the ranks and eventually ran Current Programs at Spelling Television Inc., covering all of Spelling’s shows including Beverly Hills, 90210, Melrose Place and Charmed. In 2004, Grisanti was promoted to Vice President of Current Programs at CBS/Paramount where she covered numerous shows including Medium, Numbers, NCIS, 4400 and Girlfriends.In January 2008, Grisanti launched Jen Grisanti Consultancy, Inc., a highly successful consulting firm dedicated to helping talented writers break into the industry. Drawing on her years of experience as a studio executive where she gave daily notes to executive producers/showrunners, Grisanti personally guides writers to shape their material, hone their pitches and focus their careers.Since launching her consulting firm, Jen Grisanti worked with over 1000 writers specializing in television, features, and novels. Due to her guidance, over ninety of her clients have staffed as writers on television shows, fifty-three have sold pilots, and six of those pilots have gone to series.Enjoy my conversation with Jen Grisanti.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

David F. Sandberg is a highly talented and innovative filmmaker who has left an indelible mark on the world of cinema. Born on January 21, 1981, in Jönköping, Sweden, Sandberg's passion for filmmaking began at a young age when he discovered his father's VHS camera. Little did he know that this simple encounter would shape his destiny.After completing his education, Sandberg embarked on a journey to fulfill his dream of becoming a filmmaker. He started by creating short films, which showcased his natural talent for storytelling and his ability to craft suspenseful and visually captivating narratives.One of his most notable early works was "Lights Out," a terrifying short film that gained widespread acclaim and eventually caught the attention of Hollywood producers.In 2016, Sandberg's career took a meteoric rise when he directed the feature-length adaptation of "Lights Out." The film received critical and commercial success, establishing him as a rising star in the horror genre. His mastery of building tension and crafting memorable scares earned him a reputation as a horror maestro.Not content to be confined to one genre, Sandberg continued to explore his creative range with the release of "Annabelle: Creation" (2017), a critically acclaimed addition to "The Conjuring" universe. The film further solidified his reputation as a director capable of delivering high-quality, spine-chilling experiences.What sets David F. Sandberg apart is his unique approach to filmmaking. He is known for his innovative use of lighting, practical effects, and well-paced storytelling. With each project, he shows an extraordinary ability to engage audiences emotionally while delivering an edge-of-the-seat experience.Sandberg's skills are not limited to the horror genre. In 2019, he took on the challenge of directing the superhero film "Shazam!" for the DC Extended Universe. His ability to blend humor, heart, and action into a cohesive and entertaining package earned him praise from both critics and fans, proving his versatility as a filmmaker.Beyond his talent as a director, David F. Sandberg is admired for his hands-on and collaborative approach to filmmaking. He maintains a strong presence on social media, sharing insights into his creative process and engaging with fans, making him a beloved figure in the industry.In a relatively short period, David F. Sandberg has established himself as a visionary filmmaker with a distinctive style. His commitment to storytelling, coupled with his technical prowess, promises a future filled with more captivating and thrilling cinematic experiences for audiences worldwide.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is screenwriter Allen Johnson. Allen has taken a unique path to become a working screenwriter. He has been able not only to sell ten screenplays but has been able to do it without an agent and living outside of Hollywood. Allen lives in South Carolina, not exactly a mecca for screenwriting. In this episode, we dive into how he was able to make a living writing screenplays and discuss his tips and tricks to get screenwriting gigs.[Some info on today's guest: Allen Johnson is a Screenwriter, Historic European Martial Artist, and a fight choreographer/stunt fighter. Allen has had several screenplays and stage plays produced with several more in development. He has trained in historic swordplay for over 15 years and has been involved with the Society of American Fight Directors for about 6 years.He also teaches numerous screenwriting classes, workshops, and panels, and has appeared as a guest speaker on writing as well as providing script coverage services to others. He continues to train in historic martial arts with the Palmetto Knights: Historic Steel Combat Team, based out of Columbia, South Carolina.Enjoy my inspirational conversation with Allen Johnson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Chad Archibald and Cody Calahan are Canadian film directors and producers known for their work in the horror genre. They have collaborated on several projects together, often through their production company, Black Fawn Films.Chad Archibald and Cody Calahan co-founded Black Fawn Films in 2007 with a focus on creating independent horror films. They have since produced and directed numerous feature films, gaining recognition in the Canadian horror scene.Some of their notable collaborations include: "Antisocial" (2013), "The Drownsman" (2014, "Bite" (2015), "Let Her Out" (2016), and "The Heretics" (2017).Chad Archibald and Cody Calahan have established themselves as prominent figures in the Canadian horror film industry, known for their unique storytelling and visually striking movies.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer and showrunner Michael Jamin. Michael has been writing for television since 1996. His many credits include Just Shoot Me, King of the Hill, Beavis & Butthead, Wilfred, Out of Practice, Rules of Engagement, Lopez and Tacoma FD.He’s also served as Executive Producer/Showrunner on Glenn Martin DDS, Maron, and Rhett & Link’s Buddy System. Michael currently lives in Los Angeles where he's working on a collection of personal essays to be released in 2020. Michael also launched a new course to help writers interested in working in streaming/television. It's called The Showrunner's Guide to TV Writing. Here's the pitch by Michael.I've watched a bunch of Masterclass videos. They feature amazingly talented writers talking about their craft. At $200, it's a great way to get exposed to their genius. My course is not about getting you exposed. And I want to do more than just inspire you. I do a lot of hand-holding in these lessons. I show you how to take a kernel of an idea, break it into a story with act breaks, then develop that story from outline to script.I lay out the exact process that I use every day to write stories that make people laugh and cry. It's about creating an easily managed structure so that the creative process isn't so daunting. You should continue to draw inspiration from the masters. I certainly do. But if you need more than just inspiration, I can be your guide.Enjoy my conversation with Michael Jamin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today is producer, director and screenwriter Marshall Herskovitz. Many of his production projects have been in partnership with his long-time filmmaking collaborator, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of ThirtySomething.Other projects he’s credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.[presto_player id=41018]The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick.The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001.It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.Marshall dropped all sorts of knowledge bombs on the tribe this week. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.Enjoy this conversation with Marshall Herskovitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

S.S. Wilson, the screenwriter of such films as Tremors and Short Circuit, has just finished his second novel Fraidy Cats. Wilson also wrote a book on special effects, stop-motion animation, PUPPETS, AND PEOPLE. In 1983 Wilson and Maddock sold their spec script SHORT CIRCUIT. Directed by John Badham, it was their first produced feature. In quick succession, they wrote SHORT CIRCUIT 2, BATTERIES NOT INCLUDED, GHOST DAD; and served as consultants on Steven Spielberg’s animated THE LAND BEFORE TIME.In 1990 they sold another spec, TREMORS, on which they also served as producers. Directed by fellow USC alum Ron Underwood and starring Kevin Bacon, Fred Ward, Michael Gross, and Reba McEntire, the film became a revered cult classic, spawning three sequels and a TV series. Wilson and Maddock joined with Nancy Roberts (producer of all the Tremors sequels) and Ron Underwood to form Stampede Entertainment in 1992. The first Stampede project was HEART AND SOULS at Universal, starring Robert Downey, Jr.The TREMORS franchise grew with Wilson debuting as a director on TREMORS 2: AFTERSHOCKS for Universal Family Home Entertainment. During the same time period, he and Maddock wrote the green-light draft of Warner Bros. 1999 tent pole release WILD WILD WEST, starring Will Smith.In 2001 it was TREMORS 3: BACK TO PERFECTION, with Stampede partner Brent Maddock directing and Wilson handling the second unit. 2004 saw both the debut of TREMORS: THE SERIES for the Sci-Fi Network (Wilson co-created and co-executive produced with Maddock and Roberts) and TREMORS 4: THE LEGEND BEGINS, with Wilson again at the helm.In addition to screenwriting, Wilson is branching out into fiction. His first book is an action-adventure tale Tucker’s Monster.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have screenwriter and best-selling author Alan Watt. Alan Watt is the author of The 90-Day Novel, Amazon’s #1 book on writing, as well as The 90-Day Rewrite: The Process of Revision and The 90-Day Screenplay: From Concept to Polish. He runs the publishing company, The 90-Day Novel Press which has also published The 90-Day Play. Watt has written screenplays for numerous production companies and is the author of the L.A. Times bestselling novel Diamond Dogs.He has taught everyone from award-winning authors to A-list screenwriters, USC business school students, journalists, poets, actors, professional athletes, war veterans, housewives, doctors, lawyers, maximum security prisoners, television showrunners, Emmy-winning directors, and first-time writers.Many of his students have gone on to successful careers, writing New York Times and International bestsellers, appearing on Oprah, winning major literary awards, becoming top screenwriters and television show-runners, and most importantly, developing a craft and methodology that delivers consistent results.We get into the weeds on how to write a screenplay in 90 days. Enjoy my talk with Alan Watt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Darious Britt is a filmmaker, YouTuber, and educator known for his work in the film and online video industry. He is popular for his YouTube channel "D4Darious," where he shares filmmaking tips, tutorials, and insights to help aspiring filmmakers improve their craft. On his channel, he covers various aspects of filmmaking, including screenwriting, cinematography, directing, and post-production.Darious Britt's approachable teaching style and informative content have earned him a significant following on YouTube, and he has become a source of inspiration and knowledge for many aspiring filmmakers and content creators. He has also collaborated with other creators and professionals in the industry to share their experiences and expertise with his audience.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Alexander Dinelaris is an Academy Award and Golden Globe winning screenwriter for "Birdman (or The Unexpected Virtue of Ignorance)", a co-producer on the three time Academy Award® winning film "The Revenant", and the book writer for the Broadway musical "On Your Feet! The story of Emilio and Gloria Estefan", as well as "The Bodyguard Musical" which began on the West End and now performs worldwide.He is the screenwriter and producer of the upcoming feature film, “Jekyll & Hyde” which he is readapting for the London stage. Alexander also wrote the screenplay for "Carmen" which was directed by Benjamin Millepied and premiered at the 2022 Toronto International Film Festival.film company, Lexicon, is currently developing "State of Motion", a story by Marco Perego Saldana, written by Alexander. Lexicon is also producing "In The Summers" written by Alessandra Lacorazza and "Consurgo", which was written by Alexander.He recently teamed with Grammy winner, Residente, to write a historical film about Puerto Rico. Alexander will be making his directorial debut with a film adaptation of his play, "Still Life" in January of 2024.Please enjoy my conversation with Alexander Dinelaris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Lucy V. Hay from Bang2Write. Lucy is an author and script editor, living in Devon with her husband, three children, and six cats. Lucy is the associate producer of Brit Thrillers Deviation (2012)and Assassin (2015) both starring Danny Dyer.In addition to script reading and writing her own novels, Lucy also blogs about the writing process, screenwriting, genre, careers and motivation and much more at her blog Bang2write, one of the most-hit writing sites in the UK.Enjoy my conversation with Lucy V. Hay.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Miles Chapman, the screenwriter behind the successful action franchise Escape Plan starring the legendary Sylvester Stallone. The premise was simple but great.When a structural-security authority finds himself set up and incarcerated in the world's most secret and secure prison, he has to use his skills to escape with help from the inside.Then add Sly and another legend, Arnold Schwarzenegger to the mix and you have action nirvana. Miles and I discuss how the project came to be, some extremely entertaining stories from the set and what it was like working with legends.The first Escape Plan was such a big international hit that the producers spawn off to more sequels, which Miles wrote as well.Enjoy my conversation with Miles Chapman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Brendan McCarthy studied Painting and Film at Chelsea school of Art under the celebrated British Pop Artist Patrick Caulfield.Brendan is one of the UK's most gifted graphic novelists. His ground-breaking comics of the early 80s (Strange Days, Skin, Rogan Gosh) as part of 'The British Invasion' paved the way for comics’ increasing popularity in Hollywood.He was also one of the pioneers of computer animation, creating the visuals for the 90s computer animated TV series ReBoot, the first long-form digital narrative that preceded Pixar and Dreamworks' later successes. He has spent more than 20 years working in Hollywood, and is the co-writer and a designer on Mad Max Fury Road.More recently, Brendan has created new graphic novels including Spider-Man Fever (for Marvel), Solo (for DC Comics) and Swimini Purpose, The Zaucer of Zilk and Dream Gang for independent US publishers. A best-selling retrospective collection of his classic comic book work was released last year, The Best of Milligan & McCarthy.Enjoy your journey into the mind of Brendan McCarthy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant. The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience.Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing. In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated.Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities. Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.Please enjoy my conversation with Susannah Grant.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jim Uhls is an American screenwriter best known for his work on the iconic film "Fight Club." Born in 1951 in the United States, Uhls began his career in the entertainment industry as a script reader and development executive. He worked his way up the ranks, honing his skills as a writer and developing a reputation for his unique voice and style.Uhls' big break came in the late 1990s when he was approached to adapt Chuck Palahniuk's novel "Fight Club" for the big screen.The project was seen as a risky and unconventional choice, but Uhls was drawn to the dark and satirical tone of the book, as well as its themes of individuality and rebellion.[presto_player id=155007]Working with director David Fincher, Uhls approached the writing process for "Fight Club" with a focus on staying true to the spirit of the novel while also adapting it for the screen. He spent months researching and studying the novel, immersing himself in the characters' world and exploring the story's deeper themes and meanings.One of the biggest challenges of adapting "Fight Club" for the screen was finding a way to translate the unconventional and fragmented structure of the novel into a cohesive and compelling film.To achieve this, Uhls worked closely with Fincher to develop a visual and narrative style that would capture the book's spirit while making it accessible to a wider audience.Uhls' hard work and dedication resulted in a film that was both a critical and commercial success. "Fight Club" was praised for its bold and innovative style, darkly humorous tone, and powerful themes of individuality and rebellion. The film has since become a cult classic, and Uhls' screenplay is widely regarded as one of the best adaptations of a novel to the screen.In addition to his work on "Fight Club," Uhls has also written and produced several other successful films and television shows. Despite his success, he remains humble and dedicated to his craft, always striving to push the boundaries of storytelling and create unique and impactful works of art.Overall, Jim Uhls is a talented and innovative writer who has significantly impacted the entertainment industry. His approach to the writing process, which emphasizes research, dedication, and a deep understanding of the source material, has earned him a reputation as one of the best screenwriters of his generation.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties.In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President’s Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI’s Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series.He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker’s Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles.Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens’ Conversations with the Great Moviemakers of Hollywood’s Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute’s renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.Please enjoy my conversation with George Stevens Jr.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Pat McGowan is a longtime Film & Video Creator from Ottawa, Canada. As with many in the “biz”, his career started as a musician, moved into audio post and then into directing, producing, shooting and editing. Until recently Pat was the owner/operator of inMotion.ca, a video production company in Ottawa & Toronto. Pat has a passion for wildlife videography and can be found in the Canadian Arctic looking for Polar bears, Narwhals, and Bowhead Whales.After a successful career spanning over two decades, Pat had an epiphany, and that led to the idea and creation of BlackBox Global. He wants nothing less than to change the relationships that creators have with each other and the global market so they can have better lives. He invites his fellow film & video peeps to join BlackBox and make the world a place where creators can be free to do what they love, own the content they make, and be fairly compensated.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jeremy Gardner is an American actor, writer, and director known for his work in the independent horror film "The Battery." He wrote, directed, and starred in the movie, which was released in 2012."The Battery" is a post-apocalyptic zombie film that gained critical acclaim for its character-driven approach and low-budget yet effective storytelling. Since then, Jeremy Gardner has continued to work in the film industry, both in front of and behind the camera.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have former studio executive turned screenwriting teacher and screenplay consultant Naomi Beaty. She is essentially an on-call development partner to screenwriters, producers, and directors at all levels. From those just starting out, to those firmly established and working in the industry today.She lived and worked in L.A. for over a decade, read thousands of scripts, and worked with hundreds of writers through one-on-one consulting, creating the Idea to Outline workshop, and teaching story structure for Save the Cat. I’ve worked with producers internationally and consulted on the 2016 Raindance Film Festival “Indie Film of the Year” winner, Selling Isobel.As a former development exec-in-training at Madonna and Guy Oseary’s Maverick Films, she worked on projects like Twilight, Percy Jackson and the Lightning Thief, and The Stanford Prison Experiment.In this episode, we get into the weeds about mistakes screenwriters make and what studios are looking for.Enjoy my talk with Naomi Beaty.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

David Allen is a productivity consultant and the author of the book "Getting Things Done: The Art of Stress-Free Productivity." He is widely recognized for his expertise in personal and organizational productivity and has developed the GTD (Getting Things Done) methodology.In his book, "Getting Things Done," Allen presents a system for managing and organizing tasks and projects to increase productivity and reduce stress. The GTD methodology focuses on capturing all tasks and commitments into an external system, clarifying their meaning and desired outcomes, organizing them effectively, reviewing and updating regularly, and taking appropriate actions. The book has gained significant popularity and has become a widely implemented system for personal and professional productivity.David Allen has been involved in coaching, training, and consulting with various individuals and organizations, including Fortune 500 companies and government agencies. He continues to speak and conduct workshops on productivity and personal development, sharing his insights and strategies to help individuals and teams enhance their effectiveness and achieve their goals.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show, we have storytelling guru John Bucher, who is a renowned strategist, communicator, and cultural mythologist based out of Hollywood, California. Disruptor named him one of the top 25 influencers in Virtual Reality in 2018.“John Bucher is an influencer. He’s one of our most prolific contributors.” — HBOHe is the author of six books, including the best-selling Storytelling for Virtual Reality, named by BookAuthority as one of the best storytelling books of all time. John has worked with companies including HBO, DC Comics, The History Channel, A24 Films, and The John Maxwell Leadership Foundation and served as a consultant and writer for numerous film, television, and Virtual Reality projects. Currently, he teaches writing and story courses as part of the Joseph Campbell Writers Room at Studio School in Los Angeles and at the LA Film Studies Center. He has spoken on five continents about using the power of story to reframe how products, individuals, organizations, cultures, and nations are viewed.John is a prolific writer.STORYTELLING FOR VIRTUAL REALITYStorytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling. Rather than examining purely the technical, the text focuses on the narrative and how stories can best be structured, created, and then told in virtual immersive spaces. Author John Bucher examines the timeless principles of storytelling and how they are being applied, transformed, and transcended in Virtual Reality. Interviews, conversations, and case studies with both pioneers and innovators in VR storytelling are featured, including industry leaders at LucasFilm, 20th Century Fox, Oculus, Insomniac Games, and Google.A BEST PRACTICE GUIDE TO SEX AND STORYTELLINGA great deal of storytelling in film and television involves narratives that include sexual situations and nudity. The increased amount of online and streaming content outlets has, in turn, increased the number of narratives that involve these once-taboo subjects. Often, even though directors and producers desire to handle such issues with professionalism, sets become awkward when producing these scenes. A Best Practice Guide to Sex and Storytelling serves as a helpful tool for guiding creators through these waters.MASTER OF THE CINEMATIC UNIVERSEMaster of the Cinematic Universe is a guide to the future of transmedia storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up-and-coming short-form media formats.STORYTELLING BY THE NUMBERSStorytelling By The Numbers is a collection of essays and articles that John Bucher has written for LA Screenwriter and a variety of other outlets. All are meant to strengthen storytellers and scriptwriters. Bucher examines trends and tropes found in current film and television and uses these examples to demonstrate how and why they work as storytelling devices. Writers from any genre, working with any type of narrative, can find jewels of wisdom and applicable nuggets for their own ideas. The collection also features ten powerful writing prompts to assist writers in creating or developing a script idea from a single character.Enjoy my conversation with John Bucher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Eric England is an American film director, writer, and producer. He is best known for his work in the horror genre, particularly for his 2013 film "Contracted." The film follows a young woman who contracts a mysterious sexually transmitted disease that begins to ravage her body in horrifying ways.In addition to "Contracted," England has directed several other horror films, including "Madison County" and "Josie." He has also directed episodes of the television series "Surviving Jack" and "The Rookie." England's work often explores themes of isolation, psychological trauma, and bodily horror, and he is known for his stylish visual approach to genre filmmaking.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have screenwriter, Michael Lucker. Michael is a writer, director, and producer with twenty years of experience creating film, television, animation and digital media. He began his career writing and directing television commercials while earning his undergraduate degree in broadcasting and film at Boston University’s College of Communication.Soon after he landed in Los Angeles working in production on series and specials for ABC, NBC, CBS and HBO before taking a job as assistant to Steven Spielberg at Amblin Entertainment on feature films Indiana Jones & the Last Crusade, Arachnophobia, Joe Vs. The Volcano, Always, Back To The Future II & III and Jurassic Park.He went onto serve in creative affairs at Hollywood Pictures where he worked on such movies as Crimson Tide, Terminal Velocity, Taking Care of Business and Straight Talk. Michael then embarked on a career as a screenwriter, helping pen more than twenty feature screenplays for Paramount, Disney, DreamWorks, Fox, and Universal, including Vampire In Brooklyn, Home On The Range, Good Intentions and Spirit: Stallion of the Cimarron, which was nominated for an Academy Award in 2002 as best animated feature.“You don’t have to be a writer of action films to benefit from Michael Lucker’s rock-solid screenwriting advice, but if you are an action writer… it is essential.” — John Baldecchi, Producer: Point Break, The Mexican, Conan the BarbarianHe also served as screenwriter on the animated sequels to Mulan, Lilo & Stitch, Emperor’s New Groove and 101 Dalmatians. An opportunity to serve as a creative consultant to Turner Entertainment took him home to Atlanta in 2007.He went onto work as a writer, director and executive producer with non-fiction production houses Encyclomedia, Shed Media, Crazy Legs Productions and Trailblazer Studios before launching his own production company, Lucky Dog Filmworks, which now serves as his home for creating film, television, and commercial content. In television, Michael has worked with Animal Planet, Cartoon Network, Travel Channel, History, Discovery, NBC, TBS, TLC, OWN, DIY, MSNBC, and A&E.His new book Crash! Boom! Bang! How to Write Action Movies. A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.Enjoy my conversation with Michael Lucker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is a filmmaker and Filmtrepreneur Michael Gallagher. Michael is one of the co-founders of Makers Studio. Makers Studios was the largest independent YouTube network in history. YouTube channels under Maker Studios have also collectively earned over 90 million subscribers and accumulated over 1.1 billion views monthly. On March 24, 2014, Maker Studios, Inc. agreed to sell itself to The Walt Disney Company for $500 million, rising to $950 million if financial milestones were met.Michael has leveraged his success as a YouTube filmmaker to become a full-blown feature film director. His latest film is Funny Story, a dramedy about a well-intentioned father who inadvertently wreaks havoc on the life of his estranged daughter when she invites him to her woodland wedding. Michael went on to direct smash hit films on Youtube like The Thinning Series and InstaFamous. He talks about the big mistakes he made distributing his first feature film Smiley, self-marketing his films, and lessons learned from building an audience on YouTube.Enjoy my conversation with Michael Gallagher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Daniel Stamm was born and raised in Hamburg, Germany, where as a teenager he was host of a radio show and editor of a youth magazine. He toured with a theater, studied drama and published a play before he went to Belfast, Northern Ireland, as a peace worker. Two years later he returned to Germany to go to film school and study screenwriting at the Filmakademie Baden-Wuerttemberg in Ludwigsburg. He wrote a TV movie which got nominated for Germany's most prestigious media award and directed a documentary on rock musician Nick Cave.Daniel moved to Los Angeles and graduated from the American Film Institute's directing program.His thesis film got nominated for the ASC award. In the following three years he made short films, wrote songs for local singers, sat on a film festival jury in Kosovo, became a certified hypnotist and hitch-hiked across the US. In 2008 Daniel's first feature film, 'A Necessary Death', premiered at SXSW in Austin, Texas, before winning the audience award at AFI Fest later the same year. His second feature, 'The Last Exorcism', premiered at the Los Angeles Film Fest in 2010, was distributed by Lionsgate and grossed over $65million worldwide. The film and/or its actors got nominated for the People's Choice Award, two Independent Spirit Awards and an MTV Movie Award. It won an Empire Award as well as awards in Sitges and Toronto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is a screenwriter, director, professor, and Secretary-Treasurer of the Writers Guild of America West Aaron Mendelsohn. He is best known for co-creating and co-writing the successful AIR BUD family film franchise, which sired eleven sequels and generated millions of dollars over the years. If you have kids then you probably already have seen an Air Bud spin-off film.Aaron has a number of projects in development including the drama pilot BAD MEDICINE with ITV America and the action-comedy ARMOR HERO with Alpha Pictures. His romantic comedy LIKE CATS & DOGS aired recently on the Hallmark Channel. He recently wrote the animated feature PRINCES for Warner Bros, the drama pilot THE ASSOCIATE for Sony, and the animated pilot HOODS for Cartoon Network.Other produced projects include the perennial ABC Family holiday movie THE 12 DATES OF CHRISTMAS, the Lifetime TV movie CHANGE OF HEART, the Fox TV series KINDRED: THE EMBRACED, the kid's TV pilot THE ADVENTURES OF TAXI DOG, the family feature THE THREE INVESTIGATORS: THE SECRET OF TERROR CASTLE, and the independent feature CHAPTER ZERO, which he also directed. Aaron has also written film and TV projects for Fox, New Line, Showtime, Paramount, the Spike Network, New Regency, Hasbro Studios, Bob Yari, Lightstorm, and Arnold Kopelson.Twenty years into a successful screenwriting career and he still loses his way in the thickets of story-breaking and script-writing. Aaron assembled The 11 Fundamental Questions: A Guide to a Better Screenplayto help guide his path, and they've been his road map ever since."This is a VERY smart way to deconstruct and demystify the job of screenwriting." – Billy Ray, Oscar-nominated screenwriter of "Captain Phillips"Starting out as a personal story-breaking method and evolving into a masterclass that Aaron has taught around the world, THE 11 FUNDAMENTAL QUESTIONS is now an ebook (newly revised and expanded for Amazon/Kindle) that shares the secrets of his successful technique. Simple and intuitive, each question in the book is strategically designed to elicit key story points, challenge lazy writing, and stimulate ideas.Wherever you are in the writing process, and whether you're writing for film, television, new media, or books, asking yourself the 11 FUNDAMENTAL QUESTIONS is a great way to enhance your creative process and sell more projects.This is a fun episode. Get ready to take some notes. Enjoy my conversation with Aaron Mendelsohn.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Rob Edwards has written two classic animated films for WALT DISNEY FEATURE ANIMATION, the Academy Award nominated Treasure Planet and the Academy Award and Golden Globe nominated The Princess and the Frog. He also consulted on Tangled, Wreck-it Ralph and Frozen. He penned AMULET for Warner Brother's and ANIMATED AMERICAN for Disney.Rob is currently writing projects for SHOWTIME, SONY, PARAMOUNT, and Chris Rock. Rob is also known for his work on the television shows "The Fresh Prince of Bel-Air", "Full House", "A Different World", "Roc", "In Living Color" and as the creator of "Out All Night." In 2012, Rob launched robedwards.net where he shares the tools he has developed over 30 years of writing professionally. He has taught and/or lectured for UCLA, Tisch School of the Arts at NYU, Syracuse University, Boston University, Howard University, The Organization of Black Screenwriters, CTN Expo, LMU, Digital Hollywood, The Scriptwriters Network, The Writers Store, University of California Riverside, Le Moyne College and others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the showrunning writing duo of Dan Hernandez and Benji Samit. They are responsible for bring iconic character Pikachu to the big screen. The film starred Ryan Reynolds.Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim, to find out what happened. Aiding in the investigation is Harry's former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.Easily one of my favorite projects they worked on is the Netflix show One Day at a Time. On that project they got to work with the television living legend Norman Lear.This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the life of Penelope, a newly single Army veteran, and her Cuban-American family, as they navigate the ups and downs of life. Now a nurse, Penelope is raising two strong-willed children.When faced with challenges, Penelope turns to her "old-school" mother, and her building manager, who has become an invaluable confidant. The series offers a contemporary take on what life looks like in both good and bad times, and how loved ones can help make it all worthwhile.On television, Hernandez and Samit have written for, The Tick, Super Fun Night and 1600 Penn. They were named in Paste Magazine's list of the top 28 comedy writers of 2018. In 2019, Samit and Hernandez signed a long-term deal with 20th Century Fox Television to develop, write and produce animated and live-action seriesWe discussed how they got their big break, how they approach the craft, the world of the writer's room and much more.Enjoy my conversation with Dan Hernandez and Benji Samit.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Danny Draven is an award-winning director and producer of genre films. After receiving his film degree in Boston, he moved to Hollywood and worked his way up through the ranks until he began producing and directing sci-fi/horror films for genre studio Full Moon Pictures (Puppet Master series, Trancers) where he cut his teeth before starting his own successful production/post-production company. He has also edited over 100 feature films, including films for Lionsgate, NBC Universal's Chiller TV, SyFy Channel and a series for Lifetime Network TV.He has worked with and been mentored by Hollywood veterans such as Master of Horror Stuart Gordon (Fortress, Re-Animator), legendary cinematographer Mac Ahlberg (Beverly Hills Cop 3), executive producer Harry Bring (X-Files, Criminal Minds) and executive producer Mark Ordesky (Lord of the Rings Trilogy). He is also the author of three published books on genre filmmaking and a member of the Producers Guild of AmericaThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is writer and showrunner, Daniel Knauf. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show Carnivale to HBO.The series, an intricate blend of meticulously researched period detail and secret-history fantasy, purported to tell the tale of what happened when the last two “Avatars”—superpowered beings of light and darkness—met in the United States on the eve of World War II. The series attracted a cult audience that remains devoted to this day, but a mass audience wasn’t sure what to make of the program, and HBO canceled it after two seasons, saying the show’s story was finished, in spite of Knauf’s plan for a six-season run.We go deep inside the writer's room, what it takes to be a showrunner and many of his misadventures in Hollyweird!Enjoy my conversation with Daniel Knauf.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Roger William Corman was born April 5, 1926, in Detroit, Michigan. Initially following in his father's footsteps, Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked a total of three days as an engineer at US Electrical Motors, which cemented his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually rising to the position of story analyst.After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer.He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history.With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.In the early 1960s he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop. He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainments.Those messages became more radical as the 1960s wound to a close and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics.Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. Among those he mentored are Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009 he was honored with an Academy Award for Lifetime Achievement.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever wondered what it is like screenwriting inside the Marvel and Studio machine? Wonder no further, today we have screenwriter and director Joe Cornish. Joe was one of the writer's on Marvel's Ant-Man. The English comedian and filmmaker burst onto the scene in 2011 with his very successful film directorial debut, Attack The Block, starring John Boyega, who played Moses, a low-level crook, teenage gang leader, an orphan looking for respect around the block. The British sci-fi comedy horror film centers on a teenage street gang who have to defend themselves and their block from predatory alien invaders on Guy Fawkes Night.Cornish and his comedy partner, Adam Buxton form the successful duo, Adam & Joe an ironic pop culture sketch show which gained a lot of success in the UK alongside Cornish’s long-term work in the UK TV entertainment industry. In 2011 he joined iconic directors, Peter Jackson and Steven Spielberg as a writer for the screenplay and story for the 3D animated action-adventure film, The Adventures of Tintin: The Secret of the Unicorn --- co-written alongside Edgar Wright and Steven Moffat.Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.This $135 million budget film grossed $374 million at the box office and received a plethora of nominations including Oscars for Best Original Score, a Golden Globe for Best Animated Feature Film, two BAFTA nominations for Best Animated Film and Best Special Visual Effects.Cornish co-wrote the screenplay for the Marvel Comic character, Ant-Man, along with Wright, Adam McKay, and Paul Rudd in 2015.Rudd, starring as Ant-Man is armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Similar to most Marvel Studio movies, the film carried a big budget of $169.3 million and grossed $519.3 million.His latest film, The Kid Who Would Be King (2019), which was written undirected by Cornish, joins a band of kids who embarks on an epic quest to thwart a medieval menace.Joe honestly, was extremely forthcoming and transparent about a lot of things; like what really happened behind the scenes on Ant-Man and what it's like to write inside the Marvel machine, working with filmmaking legends like Steven Spielberg and Peter Jackson. And we also discuss his craft, how he approaches screenwriting and directing, and much more.Enjoy this conversation with Joe Cornish.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Pat Flynn, the founder of Smart Passive Income (SPI), is a pioneering figure in the world of online business and digital marketing. His success story has inspired countless entrepreneurs to create their own passive income streams, and his educational resources have empowered individuals to achieve financial freedom. In this article, we will explore Pat Flynn's journey, his strategies for success, and the impact of Smart Passive Income on the digital landscape.Pat Flynn's story began in 2008 when he was laid off from his architecture job during the global financial crisis. Facing an uncertain future, Flynn decided to take matters into his own hands and started exploring ways to generate income online.He initially found success by creating a website called Green Exam Academy, which provided study materials for the LEED exam, an architecture industry certification. The site quickly gained traction, and Flynn realized the potential of passive income as he continued to earn money from the sales of his study materials even while he slept.In 2009, Flynn founded Smart Passive Income to share his experiences and teach others how to create their own online businesses. Through his blog, podcast, and various online courses, Flynn quickly became a trusted authority on digital entrepreneurship and passive income generation.Strategies for SuccessPat Flynn's success is rooted in several key strategies that he's consistently employed throughout his career. Some of these principles include:Transparency: Flynn has always been open about his successes and failures, sharing detailed income reports and case studies with his audience. This level of transparency has helped him build trust and credibility with his followers.Diversification: Flynn emphasizes the importance of diversifying income streams to protect against economic downturns or changes in consumer preferences. His own businesses reflect this, with income sources ranging from affiliate marketing and digital products to online courses and speaking engagements.Providing Value: Flynn is a firm believer in the idea that providing value to your audience is the key to long-term success. Through high-quality content and a genuine desire to help others, Flynn has cultivated a loyal following that continues to support his ventures.Continuous Learning: Flynn attributes much of his success to his commitment to learning and adapting to the ever-changing digital landscape. He regularly invests in his own education and encourages others to do the same.Over the years, Smart Passive Income has become a go-to resource for aspiring digital entrepreneurs. Pat Flynn's relatable story and clear, actionable advice have helped thousands of individuals create their own passive income streams and achieve financial independence. Flynn's influence extends beyond his website and podcast, as he has also authored books, spoken at conferences, and collaborated with other industry experts.In addition to inspiring others, Flynn's work has helped shape the digital marketing industry as a whole. His commitment to transparency and ethical marketing practices has set a standard for others to follow, fostering a more honest and authentic online business environment.Enjoy our conversation with Pat Flynn.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Craig Brewer (Director/Producer) began his career as a filmmaker in Memphis, Tennessee. While working at Barnes & Noble, he learned camera and editing techniques from books he purchased with his employee discount. In 2000, he made his first feature film, THE POOR & HUNGRY, which won Best Digital Feature at the 2000 Hollywood Film Festival. Brewer’s second film, HUSTLE & FLOW, starring Terrence Howard and Taraji P. Henson, was produced by Stephanie Allain and the late John Singleton. The film premiered at the 2005 Sundance Film Festival, winning the Audience Award for Best Feature. The film secured a record-breaking acquisition deal by Paramount Pictures and MTV Films. It garnered an Academy Award nomination for lead actor Terrence Howard and won the Academy Award for Best Original Song: Three 6 Mafia’s "It’s Hard Out Here for a Pimp." Brewer’s third film, BLACK SNACK MOAN, starred Samuel L. Jackson, Christina Ricci, and Justin Timberlake. The film premiered at the 2007 Sundance Film Festival and was released in theaters by Paramount Pictures.In 2011, Brewer directed the remake of FOOTLOOSE for Paramount and produced the concert documentary KATY PERRY: PART OF ME. Moving into Television, Brewer directed the pilot to TERRIERS, which ran for one season on FX. He then re-teamed with Terrence Howard and Taraji P. Henson, directing ten episodes on their hit TV series, EMPIRE. In 2018, Brewer began his collaboration with Eddie Murphy on two films. The first, DOLEMITE IS MY NAME, based on the life of Rudy Ray Moore, won The Critic’s Choice Award for Best Comedy, an NAACP Award for Best Independent Film, and earned Eddie Murphy a Golden Globe Nomination for Best Actor.Next was the highly anticipated sequel, COMING 2 AMERICA. The film was produced by Paramount and released by Amazon Studios in 2020, becoming the most streamed movie for Amazon ever.Enjoy my conversation with Craig Brewer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Oren Peli, an Israeli-American film producer, director, and screenwriter, is the creative genius behind the horror sensation Paranormal Activity. The movie single-handedly revolutionized the found-footage genre and spawned a successful franchise, all while being produced on a shoestring budget. In this article, we explore Peli's background, the making of Paranormal Activity, and its immense impact on the horror film industry.Oren had always been fascinated by the world of movies.After moving to the United States in his early twenties, Peli initially worked as a software programmer. However, his passion for films remained undiminished, and he soon turned his attention to filmmaking. With no prior experience, Peli embarked on an ambitious journey and created a movie that would leave a lasting impact on the horror genre.Enjoy our conversation with Oren Peli.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You’ve just boarded a plane. You’ve loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him–in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story.We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller.So how can you write a story that audiences will embrace?The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn’t want to hear it.Today's guest Matt Bird can help you. He is a screenwriter and the author of the best-selling book The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers.The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these:• Concept: Is the one-sentence description of your story uniquely appealing?• Character: Can your audience identify with your hero?• Structure and Plot: Is your story ruled by human nature?• Scene Work: Does each scene advance the plot and reveal character through emotional reactions?• Dialogue: Is your characters’ dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds?• Tone: Are you subtly setting, resetting, and upsetting expectations?• Theme: Are you using multiple ironies throughout the story to create meaning?To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both–and so much more–with The Secrets of Story.I dig into Matt's story system and breakdown the secrets of story.Enjoy my conversation with Matt Bird.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today we have a special CROSSOVER episode of the IFH Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.I wanted to bring this amazing episode to the IFH Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Being a podcaster now for over 600 episodes I've heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today's guest story is easily one of the most incredible and entertaining origin stories I've ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi. Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage. Unlike most writers/directors who go on to produce their debut films, Gervasi’s 1993 entry project wasn’t made until just three years ago.I promise you, Sacha spills every detail of the fascinating story of his encounter with Hervé Villechaize, the famous little person from shows like Fantasy Island and films like James Bond's The Man with the Golden Gun. Hervé was arguably one of the most famous people in the world in the late '70s and early 80's. Sacha sat with Herve in a marathon interview, and the connection they forge during their brief, yet impactful meet.[presto_player id=154803]After his life-changing encounter with the Fantasy Island star, which followed Hervé's abrupt and unfortunate suicide, Sacha was determined to get his story told in its entirety and justifiably. He ditched his mid-level journalism job in England and moved to Los Angeles to attend film school at UCLA after developing the script for My Dinner with Herve. While on the climb-up, Sacha wrote screenplays for The Big Tease (1999) and The Terminal (2004) which was directed by Steven Spielberg and starred Tom Hanks. The comedy-drama film grossed $219.4 million at the Box office with a $60 million budget and has become a holiday classic in the UK.Tom Hanks played an Eastern European tourist who unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there because he is denied entry into the United States and at the same time is unable to return to his native country because of a military coup.In 2008, Sacha made his documentary directorial debut and executive produced Anvil! The Story of Anvil. The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.He also directed the 2012 film Hitchcock, a story about the relationship between Alfred Hitchcock and his wife, Alma Reville during the filming of Psycho (1969). It starred Anthony Hopkins, Helen Mirren, and Scarlet Johansson. I also interviewed Sacha and an old friend of his, Iron Maiden heavy metal band singer, Bruce Dickinson on my new podcast, Next Level Soul that you have to catch up with if you are down for more knowledge bombs and cool stories from Sacha. That episode comes out on Saturday. Here's a bit on my new podcast Next Level Soul.The Next Level Soul Podcast is a self-help & spirituality podcast that asks the big questions about living and thriving in the world today by having candid and inspiring conversations with thought leaders from every walk of life. The show covers inspirational, motivational, spiritual, health-oriented, yoga, meditation, wellness, and many more topics. New episodes of Next Level Soul air every Saturday anywhere you listen to podcasts. Let's take your SOUL to the next level.Sasha is such an interesting human being, I had such a ball talking with him. We talk about the film business, his origin stories, his screenwriting craft, what he's doing now, and so much more.Enjoy my entertaining conversation with Sacha Gervasi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to YouTube in hopes of a big-time film producer sees it and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg.David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring, and scary all at the same time. He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema.The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about.When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out.The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie. After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box office with a $15 million budget.Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash.David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world.Enjoy my conversation with David F. Sandberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts.His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, is a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash. REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington). How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have screenwriter and producer Erik Bork. Erik Bork is a screenwriter best known for his work on the HBO miniseries Band of Brothers, From the Earth to the Moon, for which he wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.Erik has also sold series pitches (and written pilots) at NBC and FOX, worked on the writing staff for two primetime dramas, and written feature screenplays on assignment for companies like Universal, HBO, TNT, and Playtone. He teaches screenwriting for UCLA Extension, National University, and The Writers Store, and offers one-on-one consulting to writers.[Why don’t most scripts have the kind of success their writers' dream of? Because of problems with the basic idea for their story. Which the writer is usually unaware of. While story structure and scene writing choices do need to be top-notch, writers tend to rush into those parts of the writing process too quickly, without vetting their basic concept.This is a mistake professional rarely make because their agents and managers insist that ideas be run past them first. And this usually leads to serious notes and development before the outlining process even starts.The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction form an acronym for the word PROBLEM, since every story is really about one, at its core. Each chapter focuses on one of these seven deceptively simple-looking aspects of a strong story, which are anything but easy to master. Mr. Bork highlights his own struggles as a writer and his arrival at an understanding of how each of these elements works -- and how to know if one's idea really succeeds at each of them. A special section devoted to television writing (and its unique attributes) ends each chapter.Whatever your education and background in writing or story, this book and its unique focus contribute foundationally useful information not covered elsewhere -- which may be the missing piece that leads to greater results, both on the page and in the marketplace.Enjoy my conversation with Erik Bork.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today.Enjoy my conversation with Rene Amador.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have an author, writer, and former studio development, Danny Manus. Danny parlayed his career as a development executive in Hollywood to becoming an in-demand script consultant and founder of No BullScript Consulting.The author of No BS for Screenwriters: Advice from the Executive Perspective, which is now in its 2nd Edition, Danny was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine and was named one of Screencraft’s “25 People Screenwriters Should Follow on Twitter.”Danny has taken over 3000 pitches, written almost 250 articles on screenwriting for numerous websites and publications including ScriptMag, for which he is a columnist, and has been a judge for the PAGE Awards four years running. In this episode, I wanted to see what the perspective is from the other side of the desk.Enjoy my conversation with Danny Manus.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been trying to get today's guest on the show for months. Pilar Alessandra is an author, podcaster, and script consultant. She's the director of the popular writing program On The Page, author of The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time and host of the On the Page Podcast.Pilar started her career as Senior Story Analyst at DreamWorks SKG. In 2001, she opened the Los Angeles-based On the Page Writers’ Studio dedicated to teaching and consulting with screenwriters and TV writers at all levels.An in-demand speaker, she’s taught seminars at DreamWorks, Disney Animation, ABC, CBS, and the AFM and has traveled the world teaching in the UK, China, Poland, Vietnam, Colombia, Portugal, and South Africa.Pilar’s greatest accomplishment is the success of her students, many of whom have won top competitions such as the Nicholl Fellowship, are working on TV shows such as “The 100,” “Silicon Valley” and “Grey’s Anatomy,” and have sold feature films to major studios.Enjoy my conversation with Pilar Alessandra.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.His new film is Easter Sunday.Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire). Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault."When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In 2002, Jon Erwin founded a production company with his brother, Andrew. Their first ventures were commercials, documentaries, and music videos. The brothers soon were directing videos and producing concerts and television programs for platinum recording artists such as Amy Grant, Michael W. Smith, Casting Crowns, Switchfoot, Skillet, and others.They received 11 GMA Dove Awards nominations and 3 wins for Music Video of the Year. Jon and Andrew have also produced and directed several documentaries, including the multiple award-winning 9/11 story, THE CROSS AND THE TOWERS. In 2010, Jon and Andrew began exclusively developing dramatic feature films. In August 2018, they partnered with Kevin Downs and Tony Young to launch Kingdom Story Company, in an exclusive partnership with Lionsgate, which creates life-changing content from a variety of talented storytellers.Their features have all opened in the top-ten box office and they have received the coveted A+ CinemaScore® three times. Early hits include OCTOBER BABY, MOMS’ NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $86 million at the box office. Others include I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by the 2021 release of THE JESUS MUSIC, sharing the untold story of how Jesus Music transformed into the multi-billion-dollar industry of Christian Contemporary Music.AMERICAN UNDERDOG followed in 2021, which told the story of NFL MVP and Hall of Famer, Kurt Warner. JOHNNY CASH: THE REDEMPTION OF AN AMERICAN ICON, is a documentary that details the true story of a music legend’s spiritual quest and releases Dec 2022. Their latest film, JESUS REVOLUTION based on The Jesus Movement that changed the course of history and comes to theaters Feb 2023.Jon is also the author of the book Beyond Valor: A World War II Story of Extraordinary Heroism, Sacrificial Love, and a Race Against Time, which tells the amazing true story of his grandfather Red Erwin, who received the Congressional Medal of Honor in World War II. Beyond Valor was published in August 2020.Enjoy my conversation with Jon Erwin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have award-winning producer, film executive, educator, and industry story analyst Christopher Lockhart. Christopher is renowned for his script editing acumen. He has read over 60,000 screenplays. He is also an award-winning filmmaker and member of the WGA, PGA, and the Television Academy.Chris got his start at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr.He later moved to the venerable William Morris Agency, which merged with Endeavor to form WME. At WME Chris has worked on award-winning projects for A-list clients like Denzel Washington, Russel Crowe, and Rachel McAdams among others.Chris branched off into film producing with the cult horror hit The Collector and its sequel The Collection, which opened in the top ten American box-office. He wrote and produced the award winning documentary Most Valuable Players, which was acquired by Oprah Winfrey for her network. Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.As an educator, Lockhart shares his talent and 30+ years of industry experience as an adjunct professor at Screenwriting program and at UCLA.His writing workshop The Inside Pitch was filmed for Los Angeles television and earned him an Emmy Award nomination.Chris and I also teamed up for a new webinar from IFH Academy called How to Become a Hollywood Script Reader from Industry Insiders HOW TO BE A HOLLYWOOD READER is a webinar focusing on the secrets of one of Hollywood’s most vital and mysterious jobs.A reader evaluates screenplays and stories, practicing quality control through “coverage” – a written report that judges creative success. The reader wields huge influence that empowers Hollywood chiefs to greenlight film, television, and new media. This webinar examines the core components of coverage, how to write it, and provides tools and pro tips to navigate the reading profession – led by two preeminent Hollywood readers. By pulling back the curtain on this creative process, the webinar also gives writers, directors, actors, and producers a rare look inside the mind of those who decide the fate of their material. Chris prioritizes emotionality and his client's character role and development ahead of the overall story solidity. He shared some tips for new writers, some lessons learned from bad scripts, what goes on behind the agency curtain and the blessing of untapping a story's best version from re-writes.Enjoy my conversation with Christopher Lockhart.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

There's no con more satisfying and lucrative than finding a way to make a living as a screenwriter. And Ted Griffin is a man who knows a good con.Anyone who tried to follow the clever criminal head games he built into his screenplays for Ocean's 11 and Ridley Scott's Matchstick Men knows not to trust this guy - except when he talks about screenwriting, which he does with great humor and insight in this enlightening interview.The conversation ranges from his early work on Ravenous and Ocean's 11 through the unexpected pitfalls of trying to direct his first film, Rumor Has It. He was scheduled to make his directorial debut with Rumor Has It..., for which he had written the original screenplay, but was replaced by Rob Reiner 12 days after principal filming began.He did a rewrite of the Ashton Kutcher film Killers. He moved into television by creating Terriers for FX. Griffin played Agent Hughes in The Wolf of Wall Street.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry.Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.To watch Ted Griffin's amazing episode go to The Dialog Series on IFHTV.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have million-dollar spec screenplay writer, director, showrunner, and author Jeffrey Alan Schechter. Jeff has been beating up stories for over twenty years. He is a WGA, WGC, Emmy, and BAFTA-nominated writer, a Gemini award-winning producer, director, and a million-dollar spec screenplay writer.Jeff’s first credits were in action films such as BLOODSPORT II, THE TOWER, and STREETKNIGHT. Turning to his love of family films, Jeff sold his spec screenplay LITTLE BIGFOOT to Working Title Films and then did a rewrite on THE AMAZING PANDA ADVENTURE for Warner Brothers which led to him working on DENNIS THE MENACE STRIKES AGAIN.Jeff followed this with another rewrite, this time for Warner Brothers’ IT TAKES TWO. Following this, Jeff’s spec screenplay STANLEY’S CUP was bought by Walt Disney Pictures in a deal worth over a million dollars.Jeff next rewrote I’LL BE HOME FOR CHRISTMAS for the Walt Disney Company and wrote the TV movie BRINK! For the Disney Channel and for which he was nominated for the Writer’s Guild of America Award for Outstanding Television writing.Jeff also wrote THE OTHER ME for the Disney Channel as well as BEETHOVEN’S 3RD for Universal Studios.[presto_player id=154698]In television, Jeff has written and executive story edited dozens of episodes for series such as THE FAMOUS JETT JACKSON, ANIMORPHS, MARTIN MYSTERY, TOTALLY SPIES, TEAM GALAXY, GET ED, FREEFONIX, DI-GATA DEFENDERS, HOT WHEELS BATTLE FORCE 5, and JANE AND THE DRAGON. He’s written both DTV productions for the Care Bears; JOURNEY TO JOKE-A-LOT and THE BIG WISH MOVIE, the latter for which he was nominated for a 2005 Writer’s Guild of Canada Award.Jeff was an executive story editor and director on the Hit Discovery Kids/NBC series STRANGE DAYS AT BLAKE HOLSEY HIGH (aka BLACK HOLE HIGH) for which his work was nominated for two Emmy Awards for Outstanding Writing as well as a BAFTA Award for Best International Series. Most recently, Jeff created and was the showrunner of the sci-fi procedural drama Stitchersfor Freeform which ran for three seasons and which took place in the proverbial ten minutes in the future.In publishing, Jeff is a co-founder of the award-winning ebook publisher PadWorx Digital Media, and his book My Story Can Beat Up Your Story: Ten Ways to Toughen Up Your Screenplay from Opening Hook to Knockout Punch was published by Michael Wiese Books. Jeff is hip-deep in several other screenplays, television series, book projects, and software ventures. In his spare time, he’s married and has 4 kids.Enjoy my conversation with Jeffrey Alan Schechter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Kevin Goetz has been at the center of what Hollywood calls the ‘movie research’ industry for more than thirty years and his position in the entertainment world is quite unique. Named one of the most powerful and influential people in Southern California by The Los Angeles Times Magazine, Goetz became one of the leading advisors, researchers, and focus group moderators over two decades before starting his own firm, Screen Engine/ASI out of his living room.Today, his research firm is a multi-million-dollar company that employs over 300 people worldwide where he works alongside the major film studio chiefs, decision-makers, network and streaming platform executives. The insights produced by his firm touch every aspect of entertainment and television content creation from selection, acquisition, casting, and production, to post-production, marketing, and distribution.Goetz recently wrote the book, Audience•ology: How Moviegoers Shape the Films We Love about an important aspect of his business—audience test screenings. His podcast, Don’t Kill the Messenger, brings this book to life with filmmaker interviews discussing filmmaking, their films, and how audiences have impacted their final cuts.Goetz has also produced twelve movies and brings both a marketing and filmmaking perspective to the interpretation of his research analysis. Kevin Goetz is a member of the Academy of Motion Picture Arts and Sciences and several other distinguished organizations including the Television Academy and the Producers Guild of America. He is a board member of five charitable organizations as part of his philanthropic endeavors and resides in Beverly Hills with his husband, Neil, and their labradoodle, Kasha. Please enjoy my conversation with Kevin Goetz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show, we have million-dollar screenwriter Diane Drake. Her produced original scripts include ONLY YOU, starring Robert Downey, Jr. and Marisa Tomei, and WHAT WOMEN WANT, starring Mel Gibson. Her original script for ONLY YOU sold for $1 million, and WHAT WOMEN WANT is the second highest-grossing romantic comedy of all time (Box Office Mojo).In addition, both films have recently been remade in China, featuring major Chinese stars. And WHAT WOMEN WANT has recently been remade by Paramount Pictures as WHAT MEN WANT, with Taraji Henson starring in the Mel Gibson role.Diane, who is a member of the Writers Guild of America, recently authored her first book, Get Your Story Straight, a step-by-step guide to writing your screenplay.She has taught screenwriting through UCLA Extension Writers’ Program and now offers story consulting and her own guided online course via her website.Diane has also been a speaker/instructor for The Austin Film Festival, the Atlanta Film Festival, the Rocaberti Writers Retreat in Dordogne, France, the American Film Market, Scriptwriters Network, Phoenix Screenwriters Association, Stowe Story Labs, Romance Writers of America, Oklahoma Writers Federation, University Club, Storyboard Development Group and the Writers Store, among others; and a judge for the Humanitas Prize, the Austin Film Festival and the UCLA Writers Program.In this episode, we get into the nitty-gritty of being a screenwriter in Hollywood. Diane is very open about her experiences, the good and the terrible. If you want to be a working screenwriter in Hollywood, then get ready to take notes.Enjoy my eye-opening conversation with Diane Drake.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Marc Forster is a German-born filmmaker and screenwriter. He is best known for directing the films Monster's Ball (2001), Finding Neverland (2004), Stay (2005), Stranger than Fiction (2006), The Kite Runner (2007), Quantum of Solace (2008), and World War Z (2013).His breakthrough film was Monster's Ball (2001), in which he directed Halle Berry in her Academy Award-winning performance; the film also starred Billy Bob Thornton, Heath Ledger, and Peter Boyle. His next film, Finding Neverland (2004), was based on the life of author J.M. Barrie. The film was nominated for five Golden Globe Awards and seven Academy Awards, including Best Picture and Best Actor for Johnny Depp.Forster also directed the twenty-second James Bond film, Quantum of Solace. In 2013 he directed the film adaptation of the novel World War Z, starring Brad Pitt.His latest film is the remarkable A Man Called Otto.Based on the # 1 New York Times bestseller “A Man Called Ove,” A Man Called Otto tells the story of Otto Anderson (Tom Hanks), a grump who no longer sees purpose in his life following the loss of his wife. Otto is ready to end it all, but his plans are interrupted when a lively young family moves in next door, and he meets his match in quick-witted Marisol. She challenges him to see life differently, leading to an unlikely friendship that turns his world around.A heartwarming and funny story about love, loss, and life, A Man Called Otto shows that family can sometimes be found in the most unexpected places. A Man Called Otto stars Tom Hanks (Philadelphia, Forrest Gump, Cast Away), Mariana Treviño (Club the Cuervos), Rachel Keller (Fargo) and Manuel Garcia-Rulfo (The Magnificent Seven). The screenplay is written by Academy Award® nominee David Magee (Best Adapted Screenplay, Life of Pi, 2012; Best Adapted Screenplay, Finding Neverland, 2004) based upon the best-selling novel “A Man Called Ove” by Fredrik Backman, and the film A Man Called Ove by Hannes Holm. The film is being produced by Fredrik Wikström Nicastro, Rita Wilson, Tom Hanks, and Gary Goetzman.Enjoy my conversation with Marc Forster.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is screenwriter Paul Gulino. Paul is the author of The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies.Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter.In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script.With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.Screenwriting, he says, isn't a craft you can learn from a book."The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work."There must be something to that. Or at least it's worked for screenwriter Paul Gulino.Enjoy my conversation with Paul Gulino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have producer Daniel Sollinger. Daniel and I have fought in the same indie film trenches for years. I had the pleasure of working with him on multiple occassion over the past 1o years.He has a new film coming out called Clean, starring Academy Award® Winner Arian Brody.Tormented by a past life, garbage man Clean (Adrien Brody) attempts a life of quiet redemption. But when his good intentions mark him a target of a local crime boss (Glenn Fleshler), Clean is forced to reconcile with the violence of his past. The film also stars Richie Merritt, Chandler Ari DuPont, Mykelti Williamson, RZA, Michelle Wilson, and John Bianco. It is written by Paul Solet and Adrien Brody. Clean, directed by Paul Solet, arrives in theaters, On Demand, and digital on January 28, 2022.Daniel and I discuss the brutal truth on producing and making indie films in today world.The conversation is full of real-world stories, advice and lessons to help you on your path. Enjoy!!!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

At age five, Bruce Rubin had a spiritual experience playing in a sandbox in the middle of the afternoon. The sun disappeared, and a dense night sky appeared in its place. Infinite galaxies were swirling in the vastness of his own head, and he sensed the entire universe was contained within him. He knew instantly he was one with all there was. In the years that followed, Bruce became an Oscar-winning screenwriter, a spiritual teacher, and, most recently, a photographer. Each aspect of his life has been a conscious effort to explore and reveal what he learned in that sandbox.Bruce was born in the middle of WWII and raised in Detroit, Michigan, the son of Sondra and Jimmy Rubin. He has a younger brother and sister, Gary and Marci. There was very little remarkable about him. He wanted to be an actor, writer, and director but had no talent to speak of. In 1965 he took a massive (and accidental) overdose of LSD and began a journey that lasted between 3 and 4 billion years. When he returned, he knew he would have stories to tell. He also knew he needed to find a teacher, so he hitchhiked around the world for nearly two years in search of one. After living in ashrams in India and in a Tibetan monastery in Kathmandu, he met his teacher Rudi in New York City just blocks from where he had begun his journey. Rudi taught a meditation practice that became the foundation for Bruce’s spiritual life. He has meditated every day since. Bruce’s screenwriting career began late in his life. Earlier, he had been an assistant film editor for the NBC Nightly News and Curator and Head of the Film Department at the Whitney Museum in New York. When Rudi died, Bruce gave up his museum career to continue his spiritual practice with a disciple of Rudi’s in Bloomington, Indiana. While there, he was also writing movies, twice locking himself in a hotel room and refusing to emerge without a finished script. He also began teaching meditation to an expanding community of fellow seekers and continues holding classes to this day. After 44 years of daily meditation, Bruce experienced what is referred to as a spiritual awakening. For him, it was a revelation that no one could awaken. The illusion of a separate ego dissolved and left him in a state of extraordinary emptiness and inexplicable expansion. It was a profound step in a journey that began in a sandbox and continues to this moment. Bruce continues to share his evolving experience with his students. His talks can be found on YouTube and on his site. Recently, he also discovered photography as an unexpected opportunity for communicating his spiritual vision. The result of always having an iPhone in his pocket, he describes this new phase in his creative life as the discovery of seeing. As Bruce explains, “The mystery and magic of the world are not hidden. It is under our feet, on old walls, and in rusting garbage cans. The beauty, the wonder, never ends.”Please enjoy my conversation with Bruce Joel Rubin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode, you get a FREE PREVIEW of the IFH Books release of Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End by Karl Iglesias. Enjoy!When reading a story, there are three kinds of feelings: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, which requires writing that engages the reader emotionally.In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes.Now, he breaks new ground by focusing on the psychology of the reader.Based on his acclaimed classes at UCLA Extension, Writing for Emotional Impact goes beyond the basics and argues that Hollywood is in the emotion-delivery business, selling emotional experiences packaged in movies and TV shows.Karl not only encourages you to deliver emotional impact on as many pages as possible, he shows you how, offering you hundreds of dramatic techniques to take your writing to the professional level.In this audiobook, you will learn:Over 40 techniques to humanize a character for instant empathyThe seven essential storytelling emotionsOver 70 techniques to create themOver 50 ways to craft powerful scenes, including the emotional paletteOver 30 techniques to shape your words and energize your narrative descriptionThe most common dialogue flaws and fixes for eachOver 60 techniques to craft dynamic dialogue that snaps, crackles, and pops off the pageNot only does Karl Iglesias "get" emotion, but he also shares insider secrets for moving the reader from tears to laughter and everywhere in between.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it. In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa. By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry. He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever thought to yourself as you were watching a movie"I've seen this somewhere before."Well, today's guest Chris Vander Kaay, breaks down the formulaic and predictable glory that is Hollywood filmmaking and how to avoid it.His new book Spoiler Alert!: The Badass Book of Movie Plots: Why We All Love Hollywood Cliches takes 38 mainstream movie genres, from ‘Teen Sex Comedy’ and ‘Buddy Action Comedy’ to ‘Film Noir Detective Thriller’ and ‘Alien Invasion Thriller’, and through detailed illustrations reveals what makes them so hilariously recognizable: the key lines of dialogue, the essential visuals, the crucial characters and the indispensable cast, scenes, and props.So grab some popcorn and buckle up for a laugh-out-loud ride through the wonderful world of cliché!Please enjoy my conversation with Chris Vander Kaay.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Academy and Emmy Award-winning writer/director/producer Alan Ball is among our generation’s most important creative voices. Born in Atlanta, Ball studied Theatre Arts at Florida State University. In March 2000, AMERICAN BEAUTY, Ball’s first screenplay to get produced, won five Academy Awards, including Best Picture and Best Original Screenplay.Ball went on to create and executive produce the groundbreaking HBO drama SIX FEET UNDER. The series ran for five seasons and received two Golden Globes, six Emmys, and an Emmy and DGA Award for Ball’s direction of the pilot.Ball made his feature film directorial debut with TOWELHEAD, distributed by Warner Independent Pictures. In 2008, Ball continued his successful collaboration with HBO by creating and executive producing the series TRUE BLOOD.The series received two Golden Globe nominations for Best Television Drama Series, as well as an Emmy nomination for Outstanding Drama Series, a Producer’s Guild nomination, and a Grammy soundtrack nomination for Ball.Then, in 2018, he created, and executive produced HERE AND NOW for HBO. Most recently, in 2020, Ball wrote, directed, and produced UNCLE FRANK for Amazon Studios, which was nominated for an Emmy.Please enjoy my conversation with Alan Ball.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Scott Copper (Director, Screenwriter, Producer) made his feature film directorial debut in 2009 with Fox Searchlight’s Oscar-winning CRAZY HEART, which he also wrote and produced. The film, which starred Jeff Bridges, Maggie Gyllenhaal, Colin Farrell and Robert Duvall, earned three Academy Award nominations, winning for Best Actor (Bridges) and Best Original Song (T Bone Burnett and Ryan Bingham). Cooper won an Independent Spirit Award for Best First Feature and earned WGA, USC Scripter and Independent Spirit Award nominations, for his screenplay.Cooper’s follow-up was the Leonardo DiCaprio/Ridley Scott-produced OUT OF THE FURNACE, starring Christian Bale, Woody Harrelson, Casey Affleck, Zoë Saldana, Forest Whitaker and Sam Shepard. For his work as writer, director and producer, Cooper won the Best Debut and Second Film Award at the 2013 Rome Film Festival, where he was also nominated for a Golden Marc’Aurelio Award. Next was Cooper’s 2015 Warner Bros. gangster film BLACK MASS, which Cooper both directed and produced and which made its worldwide debut at the Venice International Film Festival.The box-office hit garnered wins from critics associations across the country, and earned lead actor Johnny Depp the Desert Palm Achievement Award at the Palm Springs International Film Festival, as well as a Best Actor nomination from the Screen Actors Guild. In 2017, Cooper’s western epic HOSTILES debuted at both the Telluride Film Festival and Toronto International Film Festivals, earning widespread critical acclaim. The film reunited Cooper with his OUT OF THE FURNACE star Christian Bale and featured performances from Rosamund Pike, Wes Studi, Jesse Plemons, Rory Cochrane and Ben Foster. Cooper followed this up with ANTLERS, an exploration of yet another genre in the Guillermo Del Toro-produced horror film. Searchlight released the film to acclaim in October 2021.Most recently, Cooper re-teamed for the third time with Bale on THE PALE BLUE EYE, an adaptation of Louis Bayard’s novel of the same name. The film tells the story of a series of murders at the United States Military Academy at West Point in 1830 and a cadet the world would later come to know as Edgar Allan Poe. Robert Duvall, Gillian Anderson, Timothy Spall, Toby Jones and Harry Melling round out the cast. The Netflix film will debut in Fall of 2022. Born in Virginia, Cooper now resides in Los Angeles.Please enjoy my conversation with Scott Copper.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Cassian Elwes began his producing career with 1984's Oxford Blues, starring Rob Lowe and Ally Sheedy, and has enjoyed continuing success in film. His earlier roles include Men at Work with Emilio Estevez and Charlie Sheen, The Chase with Charlie Sheen, Kristy Swanson, and Henry Rollins, and The Dark Backward with Judd Nelson, Bill Paxton, and Rob Lowe.In 1989 he produced the independent film Never on Tuesday, which featured a cast of cameos including Charlie Sheen, Emilio Estevez, Judd Nelson, Nicolas Cage, and Cary Elwes.The Hollywood Reporter has said that Elwes was "involved in a virtual who's who of every great independent film of the last ten years." with films such as Thank You for Smoking, Half Nelson, and Frozen River (the last two of which garnered Oscar nominations for Ryan Gosling and Melissa Leo, respectively)."What people lose sight of," Elwes said to Screen International, "is that these films cost a tenth of the films that they competed against at the Academy Awards.The privilege was the recognition." Elwes is an expert in the field of arranging financing and distribution for independent films, having done so for 283 films during his tenure at William Morris Independent.Since leaving William Morris Independent, Elwes has been involved in arranging financing and distribution for 23 films, including Lawless, directed by John Hillcoat (The Road), starring Shia LaBeouf and Tom Hardy, and the thriller The Paperboy, directed by Lee Daniels (Precious), starring Matthew McConaughey and Zac Efron.Elwes produced the period drama The Butler, which was directed by Lee Daniels and featured an ensemble cast, including Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda, Terrence Howard, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Robin Williams, among others.He also produced Dallas Buyers Club starring Matthew McConaughey and Jennifer Garner, Ain't Them Bodies Saints starring Rooney Mara, Casey Affleck, Ben Foster, and Hateship, Loveship starring Kristen Wiig, Guy Pearce, Hailee Steinfeld, and Nick Nolte.On 29 October 2013, Elwes launched the Cassian Elwes Independent Screenwriter Fellowship, in conjunction with The Black List, to award one writer an all-expenses-paid trip to the 2014 Sundance Film Festival and mentorship from Elwes. Elwes and The Black List plan to award the fellowship annually.Please enjoy my conversation with Cassian Elwes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever wanted to know what happens behind the scenes at Hollywood's major production companies and studios? How do new screenplays get read, approved and pass on by the script reader? What are the politics behind the scenes that make it almost impossible for a screenplay to make it through the Hollywood System?Today on the show, we have a former development executive, current script coverage reader, and professional screenwriter. He asked to remain anonymous, so I just refer to him as Deepthroat. Yes, I know that's a bit on the nose, but we both thought the Cloak and Dagger angle would be funny. He is a screenwriter that has worked in both television and features, a sought-after script doctor (he's worked on some MAJOR studio films), and a script coverage specialist.Deepthroat spills the beans on the inner workings of some of the biggest studios in Hollywood. He discusses how an idea he presented to his boss years ago was once stolen from him within the system and was turned into a successful property and shares tips on how to impress those studio readers that are the gatekeepers to getting your screenplay sold and produced.He is one of the amazing script coverage specialists I have worked with at Bulletproof Script Coverage.Deepthroat agreed to do this interview to help screenwriters try to break into the business. He's tired of seeing so many talented writers get eaten up by the system.The information in this interview is raw and real and will give you a much clearer idea of what happens behind the scenes in Hollywood. If you enjoy this episode, please share it with as many screenwriters and filmmakers as you can. We need to get this information out there.Enjoy my revealing conversation with DEEPTHROAT.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show, we have screenwriters David Diamond and David Weissman. Their credits include studios' movies like Family Man, Evolution, Old Dogs, and When in Rome. We discuss their adventures in the screenwriting trade, working with studios, and their new book Bulletproof: Writing Scripts that Don't Get Shot Down.The team of Diamond and Weissman has been writing movies and mentoring filmmakers for decades. In this practical guide, they take the aspiring writer by the hand and guide them through the logistics and tools of writing an attention-grabbing, audience-pleasing screenplay. Readers will learn the interests and needs of managers, agents, producers, executives, financiers, directors, and actors. Diamond and Weissman attribute their phenomenal success to a career-long focus on the motives and priorities of film sponsors and benefactors.Whether it’s a theatrical release or a streaming movie, a major, big-budget tent pole, or an intimate, character-driven indie drama, Diamond and Weissman apply their time-tested approach. This fresh way of thinking will resonate with writers, industry professionals, and cinephiles excited to peek under the hood at what makes their favorite films tick.Bulletproof: Writing Scripts that Don't Get Shot Down is the rare screenwriting instructional penned by authors with both massive credits and decades of business experience.Enjoy my conversation with David Diamond and David Weissman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories come to life.We have 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit they followed up with the embattled Mallrats. The film was not well received and did no money at the box-office. Kevin and Scott were essentially discarded and called a one hit wonders. For most filmmakers that would be all she wrote but not for Kevin and Scott.They decided to go back to their roots and make another low budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.I had ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane and much more.Enjoy my conversation with Scott Mosier.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Vanessa and Joseph Winter are a writer/director duo best known for their critically acclaimed SXSW midnighter “Deadstream,” a horror comedy coming to Shudder in October. They also wrote and directed a segment of the highly anticipated V/H/S/99 which will have its world premiere at the Toronto International Film Festival.Their feature debut, Deadstream, has been getting rave reviews since it debuted at SXSW (it’s at 91% on Rotten Tomatoes). The film is about a disgraced internet personality who tries to win back followers by live-streaming himself alone at a haunted house. The whole thing takes place in real-time and is a found-footage style film with the bonkers horror-comedy feel of early Sam Raimi. It’s a funny satire of social personalities and a creepy, supernatural flick. It impressively balances the mixture of tones.They also have a segment in the latest entry to the V/H/S/ series, V/H/S/99. It premiered at TIFF, with many critics citing their segment “To Hell And Back” as a highlight. Like Deadstream, it mixes horror with comedy and is filled with horrific, practical creatures.Vanessa and Joseph met in film school and have worked together ever since. Before shifting to focus on writing/directing/acting, the duo cut their teeth doing everything from art direction to score composition to costumes to production design to editing. They have an interesting story about getting these projects off the ground that feels like a great fit for the podcast. Joseph also listens to Indie Film Hustle and was excited to be part of the show!Please enjoy my conversation with Vanessa & Joseph Winter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is screenwriter Geoffrey D. Calhoun. Geoffery is the author of the #1 best-selling screenwriting book The Guide For Every Screenwriter: From Synopsis to Subplots: The Secrets of Screenwriting Revealed.Screenwriting made simple. The Guide for Every Screenwriter is one of the most efficient instruction manuals on the craft. This book cuts past the verbose film school expository, and gets straight to work, delivering sample-driven outlines and templates that anyone can follow. It is quick to apply to your work and serves as a side-by-side checklist for the writing process. This is the book for anyone looking to write a screenplay and for any professional needing a refresher. Whether you are learning how to write a screenplay or are a veteran screenwriter, this is the perfect tool for you. This book reveals the mysteries of screenwriting from concept development, subplots, to format and beyond by using easy to follow templates and examples.Geoffrey D. Calhoun (Heroes from Heaven - S.O.S. - Lily) is the founder of WeFixYourScript.com where he and his team mentor indie filmmakers and support them with all aspects of screenwriting from concept to development, polishing a script, one on one consultation, and even write for hire. Geoffrey is a multi-award-winning screenwriter and is sought out as a script consultant and a re-writer for various stages of development and production. He is the director of the Script Summit Screenplay Contest which is listed as one of the biggest Screenplay Competitions by The Script Lab.He is known for his fast-paced thrillers but has also won awards for comedies and dramas. He has received honors in several film festivals and contests including the Louis Mitchell Award for Excellence in Writing. In 2017 Geoffrey was listed as a Top 100 Indie Writer in the World. He believes everyone is a writer at heart and has dedicated himself to help others learn the craft. His seminars are designed to break down the mysteries of screenwriting by using easy to follow templates, outlines, and modern popular films as examples.Enjoy my inspirational conversation with Geoffrey D. Calhoun.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

CHRISTMAS BONUS:My book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business has become an Amazon Best Seller. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.Here's a bit of what Rise of the Filmtrepreneur has to offer:It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Michael Damian is an award-winning actor, singer, director, writer, and producer. He first gained recognition for his 18-year run in the role of rock star Danny Romalotti on the #1-rated daytime television drama, THE YOUNG AND THE RESTLESS. On the stage front, Damian starred as “Joseph” in the Broadway production of the Andrew Lloyd Webber/Tim Rice musical JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, which broke box office records in both Los Angeles and on Broadway and earned Damian a Grammy nomination. In addition to his Broadway career, Damian has released five albums and has had eight Top 40 hits, including the smash single “Rock On,” which shot up the Billboard music charts landing at #1 and garnering Damian two gold records. Damian won the BMI Song-writing Award for his hit single, “Was It Nothing at All,” and has also written and produced songs for the soundtracks of A PRINCESS FOR CHRISTMAS, FLICKA 2, FLICKA: COUNTRY PRIDE, MARLEY & ME: THE PUPPY YEARS and SWEETER SIDE OF LIFE.Damian has also enjoyed a prolific career behind the camera and has co-written/directed/produced 15 films and television movies. He is a filmmaking partner with his wife Janeen Damian and most recently co-wrote, directed and produced Hallmark’s #1 movie of the year for 2020, CHRISTMAS WALTZ. Some of his other recent credits include the feature film HIGH STRUNG FREE DANCE and its predecessor, HIGH STRUNG, Lionsgate’s holiday romantic comedy, A PRINCESS FOR CHRISTMAS, which starred Sir Roger Moore and Sam Heughan (Outlander) and launched Hallmark’s smash hit Princess Christmas franchise. Janeen Damian is an American writer, director, and producer of film and television. Together with her husband, Michael Damian she has made 15 feature films and TV movies. This year she co-wrote and produced the #1 add-supported cable movie of the year for 2020, CHRISTMAS WALTZ. She also co-wrote and produced the award- winning feature films HIGH STRUNG and HIGH STRUNG FREE DANCE which were released theatrically worldwide and distributed by Sony and Disney. Ms. Damian also co-wrote and produced A PRINCESS FOR CHRISTMAS starring Sam Heughan and Sir Roger Moore and distributed by Lionsgate and received Hallmark’s highest ratings for the year launching their original Christmas Princess franchise.The Damians went on to co-write A ROYAL CHRISTMAS and A CROWN FOR CHRISTMAS. All three films air annually on Hallmark’s power rotation with continued high ratings. Some of Ms. Damian’s other Filmmaking credits include 20th Century Fox’s MARLEY & ME THE PUPPY YEARS and the popular reboot of the Flicka franchise, FLICKA 2 and FLICKA COUNTRY PRIDE starring Clint Black and MOONDANCE ALEXANDER, which starred Don Johnson and garnered Ms. Damian best screenplay honors at L.A. Femme Film Festival. She also co-wrote and produced THE SWEETER SIDE OF LIFE, starring Katherine Morris and James Best. LOVE BY DESIGN starring Jane Seymour and David Oakes, and the award-winning independent feature film HOT TAMALE starring Jason Priestly and Randy Spelling. She co-directed the TV Pilot RED EYE for France’s #1 television broadcaster, TF1. She also co-directed the award-winning film FINDERS KEEPERS starring James Best. The Damians went on to co-write A CROWN FOR CHRISTMAS and A ROYAL CHRISTMAS.Damian also directed three films for 20th Century Fox: FLICKA 2, MARLEY & ME: THE PUPPY YEARS (which he also wrote), and FLICKA: COUNTRY PRIDE starring Clint Black. He directed, wrote, and produced the feature film MOONDANCE ALEXANDER, which was also released by 20th Century Fox, and romantic comedies SWEETER SIDE OF LIFE and LOVE BY DESIGN. Damian also co-wrote, directed, and produced the indie crime comedy HOT TAMALE and co-wrote and co-directed the television pilot Red Eye for France’s TF1 network, which he also starred in. Falling for Christmas is about a young, newly engaged heiress who has a skiing accident the days before Christmas. After she is diagnosed with amnesia, she finds herself in the care of the handsome cabin owner and his daughter.Enjoy my conversation with Janeen and Michael Damian.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.His new book, Anatomy of Genres, is NOW Available!A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers who want to succeed professionally must write the stories these businesses want to buy. Simply put, the storytelling game is won by mastering the structure of genres.The Anatomy of Genres: How Story Forms Explain the Way the World Works is the legendary writing teacher John Truby’s step-by-step guide to understanding and using the basic building blocks of the story world. He details the three ironclad rules of successful genre writing and analyzes more than a dozen major genres and the essential plot events, or “beats,” that define each of them. As he shows, the ability to combine these beats correctly separates stories that sell from those that don’t. Truby also reveals how a single story can combine elements of different genres and how the best writers use this technique to craft unforgettable stories that stand out from the crowd.Just as Truby’s first book, The Anatomy of Story, changed the way writers develop stories, The Anatomy of Genres will enhance their quality and expand the impact they have on the world.Enjoy my conversation with John Truby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jariko Denman was born in Washington DC and as a military brat grew up all over the world. In 1997 he enlisted in the US Army. After basic training and Airborne School he completed the assessment and selection process for the 75th Ranger Regiment and was assigned to the 2nd Ranger Battalion at Ft Lewis Washington. Jariko went on to serve in the Ranger Regiment for 15 and a half years. Jariko deployed to combat 15 times in Iraq and Afghanistan from 2002-2012 as a Weapons Squad Leader, Rifle Platoon Sergeant, and Ranger Company First Sergeant amounting to 54 months of total combat experience as part of a Joint Special Operations Task Force.Jariko Retired from active duty in 2017 after four years as the Senior Military Science Instructor at St. John's University in New York City and now lives in Los Angeles. Since Retiring he has advised on several major motion pictures, national ad campaigns, and television series' as well as continuing to train and work within government and tactical industries.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today, is expert storytelling educator, author, and UCLA professor, Richard Walter--- bestselling author of Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing.  He recently retired as Professor and Interim Dean of the UCLA School of Theater, Film, and Television where, for more than forty years, he chaired the graduate program in screenwriting.The amazing thing about Richard is he has been the instructor of some of the most amazing screenwriters in Hollywood history. A handful of them has been on the show, including Sacha Gervasi, Jim Uhls, the writer of Fight Club, and Paul Castro, just to name a few. He's written scripts for major studios, television networks, and even wrote the earliest drafts of George Lucas's American Graffiti. Talking to Richard in this conversation was essentially sitting front row at a masterclass of storytelling and screenwriting.It was an absolute treat talking to Richard. Not only has his work been appreciated in the US but in other parts of the world, conducting lectures in London, Paris, Jerusalem, Madrid, Rio de Janeiro, Mexico City, Beijing, Shanghai, Sydney, and Hong Kong.He complains that L.A. has relentless good weather which he says, ‘Is not writing weather’, yet, in 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.Richard is one of the few OG writers who have studied, and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.It contains highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script and sell it.Besides his outstanding career, we chatted about his love for Spike Lee films, we talked about screenplay structuring and many more. It's been an absolute treat talking with Richard.Enjoy this epic conversation with Richard Walter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now.  I can't tell you how fun it was talking to Ian and Eshom.We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.Enjoy my conversation with filmmakers Ian and Eshom Nelms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Josh David Jordan is a Texas filmmaker, director, actor and artist. Starting off as an actor, He appeared in several feature films, as well as the sitcom, SCRUBS. He began to slowly transition myself behind the lens. Josh worked on MTV featured music videos for the Polyphonic Spree, Rhett Miller of the Old 97's and many more.After premiering his short film, SAM AND GUS, and winning several film festival awards, along with audience awards, Josh decided to write and direct his first full length feature film, THIS WORLD WON'T BREAK, which won 14 film festival awards, received distribution, theatrical release, dvd and on every platform. Josh recently directed Joshua Ray Walkers hit single and directed the live spot on The Late Show with Jimmy Fallon. Currently in preproduction for the feature film El Tonto Por Cristo.Enjoy my conversation with Josh David Jordan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today guest is author, publisher, and producer Ken Atchity. Ken recently produced the global blockbuster (Jason Statham) and is the founder of Story Merchant. Ken wrote the best-seller Sell Your Story to Hollywood: Writer's Pocket Guide to the Business of Show Business. I wanted Ken on the show to discuss the business side of screenwriting, a part of the industry that isn't spoken about enough. We also discuss the "story market."Here some background on Ken.In 1976, Atchity founded L/A House, Inc., a consulting, translation, book, television, and film development and production company whose clients included the Getty Museum and the US Postal Service. L/A House began by extending Atchity's teaching of creative writing to manuscript consultation and soon moved on to publishing with the production of Follies, a magazine covering creativity, and CQ: Contemporary Quarterly; Poetry and Art of which he was editor. In the 1980s L/A House moved into television, with a syndicated television pilot of BreakThrough! of which Atchity was executive producer and co-writer.In 1985, L/A House began development of a set of video/TV romance film projects entitled Shades of Love, which became 16 full-length films, produced in 1986–87 with Atchity as executive producer, that aired throughout the world, distributed by Lorimar, Astral-Bellevue-Pathe, Manson International, and Warner Brothers International, nominated for Canada's Gemini Award; in the U.S. they premiered on Cinemax-HBO.In 1989 he sold L/A House and founded AEI (Atchity Editorial/Entertainment International), a literary management and motion picture production company. Atchity sold Steve Alten’s Meg to Bantam-Doubleday at auction in a $2.2M deal; and then to Disney, partnered with Zide-Perry, for $1.2 (later, to Newline Pictures for a similar price). Incorporated in 1996, its name was changed to Atchity Entertainment International, Inc. in 2005.In 2006, he and manager-partner Fred Griffin of Houston's Griffin Partners along with a group of investors from Louisiana and Texas, acquired The Louisiana Wave Studio, LLC in Shreveport, Louisiana from Walt Disney Productions. The LWS is the only tank specifically designed to make waves for motion pictures in North America. Films produced at the LWS include The Guardian, Mayday—Bering Sea, Shark Night 3D, Streets of Blood, and I Love You, Philip Morris; along with numerous government and industrial films.In 2011 Atchity was nominated for an Emmy for producing The Kennedy Detail (Discovery) based on their clients' Jerry Blaine and Lisa McCubbin's New York Times bestselling book by the same title published by Gallery/Simon & Schuster in 2010. AEI's films include Joe Somebody (Tim Allen, Julie Bowen), Life Or Something Like It (Angelina Jolie, Edward Burns), and The MEG (Jason Statham).In 2010, Atchity also founded Atchity Productions and Story Merchant.Enjoy my conversation with Ken Atchity.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Now let's get into today's AMAZING guest. We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.Franco is a well of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.Here's a bit about today's guest.Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and "Paid" starring Corbin Bernsen and Tom Conti.  Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery. He also is currently shooting Michael Mann’s biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher’s The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher’s passion project Mank, chronicling the screenwriter Herman Mankiewicz’s turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt’s meticulous and striking black and white recreation of the period’s aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher’s hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have award-winning screenwriter, actor, director, producer, sketch comedian Rick Najera. Rick is also an author, playwright, coach and national speaker with an expansive portfolio of credits in all forms of entertainment.From starring in films with Sidney Poitier, George Clooney and most recently Mario Lopez, to writing sketch comedy for Jim Carrey and Jamie Foxx, Najera is best known for starring on Broadway in his award-winning, self-penned stageplay, Latinologues, directed by comedy legend Cheech Marin. Najera is only one of three Latinos to ever write and star in their own play on Broadway.As a screenwriter, Najera has written dozens of scripts for TV, film and the stage, starting out in the industry as a staff writer on the groundbreaking urban comedy series, In Living Color, for which he wrote more than 30 episodes. Najera went on to write for Townsend TV (10 episodes), MAD TV (47 episodes), East Los High – a Hulu original (21 episodes) and more.He penned the feature film Nothing Like the Holidays starring Debra Messing, Alfred Molina, John Leguizamo and Luis Guzman, which won him an ALMA Award. Najera learned from great writers like Spike Lee, Quentin Tarantino and Scorsese to “write what you know’ and has been a pioneer in Hollywood telling his American experience, from a Latino perspective.Rick and I discuss the raw truth about working in Hollywood, writing comedy, working with greats like Jim Carrey and Jamie Foxx and much more. This is a entertaining and informative episode. Get ready to take notes.Enjoy my conversation with Rick Najera.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween.  Dean is credited as director of photography on five Back To The Future films and Jurassic Park.The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place. The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily. We talk more about this in our chat.Enjoy my conversation with Dean Cundey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Matt Stawski is a Grammy-nominated filmmaker and director of Nickelodeon’s Blue’s Big City Adventure, an original feature-length Blue’s Clues & You! movie, premiering Nov. 18 exclusively on Paramount+. Marking Stawski’s first feature film, Blue’s Big City Adventure is a sing-and-dance-along musical spectacular for the whole family, featuring all-new songs and choreography with the show’s beloved hosts–Josh (Josh Dela Cruz), Steve (Steve Burns) and Joe (Donovan Patton)—and fan-favorite animated characters. The movie also features BD Wong, Ali Stroker, Taboo, Alex Winter, Phillipa Soo, and Steven Pasquale's special star appearances.On A trip to New York City, Josh and Blue get help from Steve and Joe, but a greedy man plots to make the Big Apple his own, and he hasn't learned to share. With Blue on the trail, She must go on an adventure and save her friends and NYC before it's too late.Born and raised in Detroit, Mich., Stawski began his career “borrowing” truckloads of gear from his local TV station and filming punk bands with his friends.  After attending Columbia College Chicago, he immediately moved to Los Angeles, where he began directing music videos full-time. From 2006-2019, he directed videos for a wide array of artists, including CeeLo Green’s epic video “F**K You,” which garnered Stawski a Grammy Award nomination; “Hey, Soul Sister” for Train, as well as Fall Out Boy, The Wanted, Ne-Yo, Paramore, Fifth Harmony, Snoop Dogg and more. During that time, Stawski also began working in television, filming pilots for Awesomeness and Nickelodeon.Stawski is currently in development on an original horror film titled Monster Mash with Universal Pictures. In his free time, he gets lost in the Sierra mountains, practices close-up magic, and hosts a secret horror movie drive-in at an undisclosed location.Enjoy my conversation with Matt Stawski.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Austin Trunick is a Connecticut-based film historian and author of The Cannon Film Guide, a series of books about the beloved (and infamous) '80s b-movie studio, Cannon Films. He also serves as an editor for the nationally-distributed music and entertainment magazine.Under the Radar. He has written about movies and pop culture for Mental Floss and Consequence of Sound.Enjoy my conversation with Austin Trunick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So today we are going to go down the rabbit hole of NFTs. What the heck is an NFT. It is a Non Fungible Token. Basically, an NFT is a completely original digital file or a digital collectable which is registered on a blockchain ledger just like any cryptocurrency. But unlike cryptocurrency, like Bitcoin or Ethereum, an NFT is totally unique and because it lives on the blockchain it verifies who is the rightful owner of this one-of-a-kind digital collectable file.In February 2021, digital artist Peebles sold a digital artwork for $69.3 million at auction. You heard correctly almost $70 million for a digital file. The founder of Twitter, Jack Dorsey, sold his very first tweet as an NFT for $2.9 million.It took me a minute to understand what these things were and then it clicked. NFTs are digital baseball cards, comic books, Garbage Pail Kids or Pokemon cards. They are just a digital version and in many ways better because you know exactly how many copies exist.The NBA is sell "moments" as NFTs through NBA Top Shots. Basically, they are selling highlight clips as NFT and they are killing it. Fans of the NBA are gobbling these NFTs as fast as they are released. I really think there is now one doing NFTs better than the NBA right now.Musicians are having amazing success selling NFTs directly to their fans. This is turning the established music industry on its head. NFTs are essentially killing off the middle man. No more label, just a direct relationship with the artist's fans.The other amazing thin about NFTs is that the artist continues to make money on every sale of the NFT forever. Let me explain. When an artist creates a NFT by minting it. Minting is the process of create the digital file (NFT) and placing it on the blockchain. The artist then sets the residual percentage every time the NFT sells.So if I mint a short film and sell it for $500. I get $500. Now, if the new owner sells it 2 years from now for $10,000 I get 10% of that sale. Every time that NFT is resold I get my cut. All transactions transparent. All on the blockchain.So how can filmmakers make money? There are so many options because NFTs are in their infancy. Everyone is trying  to figure out how to use them  in indie film. Some ideas are:Selling the distribution rights to the entire film, like Kevin Smith is doing with is latest film KilljoySelling the distribution rights to your film in shares like the indie film LotawanaCreate  an NFT to a short film to finance itSell NFT collectables from the filmFund raise your film's budget with NFTsThese are just some ideas. I decide to throw my hat in the ring and created an experiment. I minted a few NFTs for my first short film BROKEN and some "legacy NFTs" of the first ever filmmaking tutorials ever uploaded to YouTube. Here is the description of one of the NFTs.This NFT is called Muzzle Flash Breakdown and is one of the first filmmaking tutorials to ever be uploaded to YouTube. It was uploaded on August 28, 2006 by filmmaker, author and Indie Film Hustle Podcast host Alex Ferrari from his 2005 award-winning short film BROKEN. It was taken from the best-selling DVD of the film. That DVD was one of the first indie short films to ever create a massive collection of tutorials and making of videos that explained how to make a low-budget independent film with off-the-shelf software and digital consumer cameras.  This is part of a limited series of filmmaking tutorials that were uploaded to YouTube from the short film BROKEN. All the videos were uploaded and released on the same day in 2006. The external link attached to this NFT will show the original upload to YouTube.Link: https://www.youtube.com/watch?v=yFPoBZY5BrAWhen you purchase this NFT you will also gain access to the short film BROKEN, the entire collection of tutorials and commentary tracks via private link and passcode. You will also receive the original QuickTime file that was uploaded to YouTube.To access my NFTs go to: www.ifhnft.comI released three of 6 of the total filmmaking tutorials I uploaded on YouTune back in Aug 2006. If these sell out I'll upload the rest and maybe some of my other popular short films I directed over the years. I wanted to give you an example of what an independent film NFT looked like and this is totally an experiment to see what happens.Maybe I'll never sell an NFT, maybe I sell  them three years from now or maybe they will sell out in 15 min. Who knows. What I am excited about is the potential of what this could mean for the indie filmmaking community.In this episode I break down everything you need to know about NFTs, how to make money with them and more. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Away along with some of its longest-running television series including The Outer Limits.Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts."Imagination is more important than knowledge. For while knowledge defines all we currently know and understand, imagination points to all we might yet discover and create."- Albert EinsteinI had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.Enjoy my eye-opening conversation with Pen Densham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Linda Nelson began her career as an international investment banker, IT executive an entertainment real estate developer.  After meeting Michael Madison, she pivoted into the movie business finally realizing her artistic potential.   As an Executive Producer on NSYNC, she quickly realized that she was interested in being more "hands on" and was the DP for her next film, SHIFTED.As a Producer on DELIVERED she was finally able to gain experience in all aspects of the financing, development, production and distribution phases of moviemaking.  In 2007, she co-founded Indie Rights with Michael Madison and has been active in distribution every since. Indie Rights now has a diverse catalog of more than 1,200 films and exhibits annually at Cannes and AFM.  The company enjoys direct relationships with all major streaming platforms.Enjoy this conversation with Linda Nelson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Hollywood Directing: How to Choose the Right Lens for Your ShotOn today's episode, I wanted to give you a sneak peek of one of the best selling filmmaking courses on Udemy right now, Hollywood Film & Television Directing Masterclass with former guest and master film instructor Gil Bettman. On the show, you'll hear a lesson on how you can AMP UP your static shots by the choosing the right lenses.Enjoy!LINKS AND RESOURCES MENTIONED IN THIS EPISODEBuy This is Megon iTunesHollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)Indie Film Syndicate Membership - First Month FREESPONSORSDirecting Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)Werner Herzog's Filmmaking MasterClassAaron Sorkin Screenwriting Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!To share your thoughts:Leave a note in the comment section below.Share this show on Twitter, Facebook, or Pinterest.To help the show:Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.Subscribe to the Podcast on iTunes,  Stitcher, Soundcloud or via RSSFilmmaking ResourcesFilmmaking Hacks: Filmmaking Master Course Directing Actors Film Workshop USC Film School's ONLY Online Course: Directing the Actor This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've spoken to many people in the film business over the years but today's guest is one of the hardest working craftsman I've had the pleasure of sitting down with. Today on the show we have screenwriter, producer and director, Mark L. Smith. If you look at his IMDB you'll see a list of 15 projects at various stages of development. He's come a long way from entering the Hollywood scene some 15 years ago with his fear-striking horror screenwriting and directorial debut, Séance in 2006.Read Mark L. Smith's ScreenplaysMark stumbled onto writing as a hobby during off-seasons at his family’s ranch where he worked after college. Self-taught, some workshops and an inventory of specs later, his path crossed Mel Gibson’s - who bought Smith’s first-ever script written in 2001.From then onwards, he’s been credited for successful writing and producing for hits like The Revenant (2015) and Overlord (2018) and The Midnight Sky which was just released in 2020, starring the incomparable, George Clooney.In Overload, a small group of American soldiers finds horror behind enemy lines on the eve of D-Day.While producing his directorial debut horror, film Séance, with friend of the show and veteran producer Suzanne Lyons, Smith was also a writer on Vacancy in 2006. You will hear more in the interview of his experience navigating the world of filmmaking on both sets, as a rookie, and the village of support he received.Vacancy follows the unfortunate adventure of a married couple who becomes stranded at an isolated motel and finds hidden video cameras in their room. They soon realize that unless they escape, they'll be the next victims of a snuff film.After Vacancy, many horror projects started to open up for Smith. He worked those for a while until it felt old and he had the urge to do something different. That's when he co-wrote the revisionist western script for The Revenant with legendary director, Alejandro Gonzalez Iñárritu.  The film was based in part on Michael Punke’s 2002 novel by the same title. You can watch the remarkable Making of documentary of The Revenant here.Starring Leonardo DiCaprio, Tom Hardy, Will Poulter, and Domhnall Gleeson, the story sets in the 1820s, where a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.The twist and turns that caused delayed production of the film and its eventual success will pique your interest. The Revenant became an instant commercial and artistic success. It grossed $533 million worldwide, earned 11 Oscar nominations, 3 Golden Globe awards, and 5 BAFTA awardsMark recently wrote The Midnight Sky that released last year, starring George Clooney. It is a screen adaptation of Lily Brooks-Dalton’s novel, ‘Goodmorning, Midnight’ which is a post-apocalyptic tale that follows a lonely scientist in the Arctic, as he races to stop Sully and her fellow astronauts from returning home to a mysterious global catastrophe.I had an absolute ball speaking to Mark. He's one of the hardest working screenwriters in Hollywood. We discuss everything from The Revenant, genius-level tips on how to adapt a book to the screen to what it was like work with Quentin Tarantino on the Star Trek script that has yet to be made. If you pray, please pray to the Hollywood Gods that Mark and Quentin's Star Trek gangster film sees the light of day.Enjoy this conversation with Mark L. Smith.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After over 20 years of achieving what he thought were his dreams of being a headlining touring comedian and actor, Kyle Cease suddenly discovered that the belief “When something happens, I will be happy” is a complete lie. Following the calling of his heart, he decided to quit his stand-up career at its peak, and now—as a transformational comedian and New York Times bestselling author of I Hope I Screw This Up—he brings his one-of-a-kind wisdom to sold-out audiences around the world and reaches millions online.Kyle Cease has made more than 100 different TV and movie appearances, including 10 Things I Hate About You, Not Another Teen Movie, Jimmy Kimmel Live, The Late Late Show With Craig Ferguson, Chelsea Lately, The Martin Short Show, Comics Unleashed, and numerous VH1 shows. He has two #1 Comedy Central specials to his credit and, in 2009, Kyle earned the #1 ranking on Comedy Central’s Stand-up Showdown.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscar® nominee Jeff Cronenweth A.S.C. Cronenweth worked as a loader and 2nd assistant before graduating high school, and then enrolled in film school at USC where he studied cinematography. Among his classmates were John Schwartzman and Robert Brinkmann, as well as [director] Philip Joanou.After graduation, Cronenweth resumed working with his father, joining a core camera team that included operators John Toll and Dan Lerner, and 1st assistants Bing Sokolsky and Art Schwab.Jeff worked with father Jordan Cronenweth (cinematographer most notable for Blade Runner) as a camera loader and second assistant camera during high school, working his way up to first assistant camera and then camera operator until the mid-1990s.Moving up to first assistant, Cronenweth began working with Toll, who was just beginning his work as a cameraman, and veteran Sven Nykvist."I couldn't have learned from better people than John, Sven and my father,"Cronenweth relates."They were all soft-spoken, but very tenacious in achieving their goals. It was a great experience to watch them, learn set etiquette and see how they delegated responsibilities and dealt with producers and crews. I did six pictures with my father and eight pictures with Sven." [From American Cinematographer Magazine.]The first major motion picture where he acted as a DP was on David Fincher's masterpiece Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, and Gone Girl.Enjoy my conversation with Jeff Cronenweth A.S.C.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Christine Chen is an Academy qualified film producer, director and co-author of Get Reelisms. She fell in love with capturing images and telling stories through film the first time she got her hands on an early addition VHS camcorder in 1993. Christine’s love of film turned into a life-long passion for writing and directing.Christine has a B.A. from Rice University as well as a MBA from the University of Texas McCombs. Christine's films have been showcased at festivals such as Hollyshorts, New Orleans Film Festival, and Fantasia Film Festival. Christine’s recent feature, Erzulie had a limited theatrical run in May 2022 and is now available on VOD starting June 14, 2022 through Kamikaze Dogfight Films and Gravitas Ventures.Enjoy my conversation with Christine Chen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Terrence Martin is known for his films Holes (2003), Get Away If You Can (2022) and The Donner Party (2009).His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.Enjoy my conversation with Terrence Martin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm excited to talk to a fellow low-budget independent filmmaker today. Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions. Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc. Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.The story is about a  teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meets Craven and decided to make a comedy-romance film called Together (1971).Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny's Orphans (1978) and Here Come the Tigers (1978) .Struggling in Hollywood Cunningham saw John Carpenter's Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films. Friday the 13th (1980) was a shocking, gory and violent film about camp counselors being slashed by a killer and had Betsy Palmer in the lead role. Little did Cunningham know that Friday the 13th would have never ending sequels. Cunningham gladly avoided all of them and Friday the 13th remains one of the most popular horror films in history. Instead Cunningham wanted to make it big when he brought a best-selling novel to the screen, A Stranger Is Watching (1982) with Rip Torn, but it was a disappointment. Cunningham went downhill with the over sexed teen comedy Spring Break (1983) and The New Kids (1985). Cunningham then produced House (1985) and several of its sequels. Cunningham next entered the world of underwater terrors after The Abyss (1989) was released. Cunningham did a follow up called DeepStar Six (1989), but it was a flop, however it beat another 1989 underwater thriller Leviathan (1989) at box office receipts.Cunningham was finished with directing and moved on to producing films and teaching. He produced The Horror Show (1989), My Boyfriend's Back (1993) and Friday the 13th's last sequel Jason Goes to Hell: The Final Friday (1993). Cunningham then did yet another follow up to Friday the 13th with Jason X (2001).Enjoy my conversation with Sean Cunningham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

IFH - American Film Market 2022 Badge Giveaway Contest!! AFM Badge giveaway - Two Executive Plus Badges. It's a full 5-day badge with access to all the panels. https://americanfilmmarket.com/badges-prices/ that sell for $995 each. Below are rules: M𝘶𝘴𝘵 𝘣𝘦 18+ 𝘵𝘰 𝘦𝘯𝘵𝘦𝘳. 𝘖𝘱𝘦𝘯 𝘵𝘰 𝘜.𝘚. 𝘙𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘰𝘯𝘭𝘺. E𝘢𝘤𝘩 𝘸𝘪𝘯𝘯𝘦𝘳 𝘸𝘪𝘭𝘭 𝘳𝘦𝘤𝘦𝘪𝘷𝘦 𝘰𝘯𝘦 𝘈𝘍𝘔 2022 𝘌𝘹𝘦𝘤𝘶𝘵𝘪𝘷𝘦 𝘗𝘭𝘶𝘴 𝘉𝘢𝘥𝘨𝘦 𝘵𝘰 𝘢𝘵𝘵𝘦𝘯𝘥 𝘢𝘵 𝘸𝘪𝘯𝘯𝘦𝘳’𝘴 𝘰𝘸𝘯 𝘦𝘹𝘱𝘦𝘯𝘴𝘦 𝘢𝘯𝘥 𝘱𝘦𝘳 𝘈𝘍𝘔 𝘎𝘶𝘪𝘥𝘦𝘭𝘪𝘯𝘦𝘴. 𝘕𝘰 𝘱𝘶𝘳𝘤𝘩𝘢𝘴𝘦 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘺, 𝘷𝘰𝘪𝘥 𝘸𝘩𝘦𝘳𝘦 𝘱𝘳𝘰𝘩𝘪𝘣𝘪𝘵𝘦𝘥. Open to ALL IFH Tribe members. Submit to support@indiefilmhustle.com why you and your film deserves to get one of these coveted Badges that cost $995 each.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations. He’s renowned for his classic screen adaptation of Stephen King’s books like Sleepwalkers (1992), The Shinning and The Stand. and creator of 2005, Masters of Horror series.The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s. It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo SanchezWho hasn't heard of the now legendary indie film rags to riches tale of  The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.Enjoy my conversation with Eduardo Sanchez.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Matthew Gentile is an award-winning filmmaker based in Los Angeles.He most recently wrote and directed his first feature, AMERICAN MURDERER: a true-crime drama about a charismatic conman who became the FBI’s most unlikely and elusive top ten fugitive. Photographed in Utah during the height of the pandemic, AMERICAN MURDERER stars Tom Pelphrey, Ryan Phillippe, Idina Menzel, Jacki Weaver, Shantel Vansanten, Paul Schneider, Moises Arias, and Kevin Corrigan. Traveling Picture Show Company produced the film with Gigi Films, Productivity Media Inc, and Radiant Films International.  A graduate of the directing program at the AFI Conservatory, Matthew’s thesis films FRONTMAN (which won 12 awards including the Student Emmy for Best Directing), and LAWMAN played over 100 festivals worldwide.A Brooklyn native, Matthew holds a BA in English & Film Studies from Connecticut College and an MFA in Directing from the American Film Institute.Please enjoy my conversation with Matthew Gentile.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr.Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.Please enjoy my conversation with Stephen Simon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.Enjoy my eye-opening conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

With a deft ability to balance both half-hour single camera comedies and one-hour dramas, Pete Chatmon has directed over 50 episodes of television including HBO Max’s The Flight Attendant, Insecure, Silicon Valley, and Love Life, Netflix’s You, ABC’s Grey’s Anatomy and Black-ish, Starz’ Blindspotting, FX’s It’s Always Sunny in Philadelphia, and the Apple TV+ series Mythic Quest. He is in development on The Education of Matt Barnes with Showtime, for which he will direct the pilot and serve as executive producer and is currently co-executive producer and producing director on Reasonable Doubt, the first project to be produced via Hulu’s Onyx Collective.His debut feature as writer/director, Premium, starred Dorian Missick, Zoe Saldana, and Hill Harper, and premiered on Showtime after a limited theatrical run. Chatmon also wrote, produced, and directed 761st, a documentary on the first Black tank battalion in WWII, narrated by Andre Braugher. Through TheDirector, his Digital Studio, he has directed, shot, and edited content for advertising agencies and Fortune 500 brands. Chatmon’s career began in 2001 with the Sundance selection of his NYU thesis film, 3D, starring Kerry Washington. His most recent short film, BlackCard, premiered on HBO, and his narrative podcast, Wednesday Morning, engaged voters around the 2020 election. His podcast, Let’s Shoot! with Pete Chatmon is available on YouTube, iTunes, and all podcast platforms. In January 2022 his book, Transitions: A Director’s Journey + Motivational Handbook was released by Michael Wiese ProductionsEnjoy my conversation with Pete Chatmon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Alrik Bursell is a filmmaker, producer, cinematographer, editor and director. His been working in video production for over 10 years and worked on everything from feature films, to broadcast commercials to DVD instructional videos, if those even exist any more.Alrik's first feature film The Alternate was shot in the winter of 2019, did it’s film festival run playing over 20 film festivals and winning 15 awards worldwide, and have secured worldwide distribution for the film, which is coming out in the USA/Canada in September 2022.His new film The Alternate follows Jake, a videographer who discovers a portal to another dimension in which he has everything he has always wanted: the perfect version of his wife Kris, the filmmaking career of his dreams, and the daughter he never had.Jake quickly starts traveling back and forth between these two worlds - spying on his other self, falling in love with the alternate Kris, and getting to know his daughter. Jake soon sees that his alternate is not as perfect as he seems and decides to change places with the alternate Jake and take the good life for himself.Please enjoy my conversation with Alrik Bursell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Damon Thomas is well known for making documentaries. He's documentaries includes Pulp Fiction, Reservoir Dogs and David Beckham: A Footballer's Story. He also directed the hit shows Killing Eve (2018), Beethoven (2005) and Dracula (2020).His latest film "My Best Friend's Exorcism" is a 2022 American supernatural comedy horror film from a screenplay by Jenna Lamia, based on the 2016 novel of the same name by Grady Hendrix. In 1988 best friends Abby and Gretchen navigate boys, pop culture and a paranormal force clinging to Gretchen. With help from a mall exorcist, Abby is determined to compel the demon back to the pits of hell -- if it doesn't kill Gretchen first.The film stars Elsie Fisher, Amiah Miller, Cathy Ang and Rachel Ogechi Kanu. The film was released on Prime Video on September 30, 2022.Enjoy my conversation with Damon Thomas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Guy Edward Pearce was born 5 October, 1967 in Cambridgeshire, England, UK to Margaret Anne and Stuart Graham Pearce. His father was born in Auckland, New Zealand, to English and Scottish parents, while Guy's mother is English. Pearce and his family initially traveled to Australia for two years, after his father was offered the position of Chief test pilot for the Australian Government. Guy was just 3-years-old. After deciding to stay in Australia and settling in the Victorian city of Geelong, Guy's father was killed 5 years later in an aircraft test flight, leaving Guy's mother, a schoolteacher, to care for him and his older sister, Tracy.Having little interest in subjects at school like math or science, Guy favored art, drama and music. He joined local theatre groups at a young age and appeared in such productions as "The King and I", "Fiddler on the Roof" and "The Wizard of Oz". In 1985, just two days after his final high school exam, Guy started a four-year stint as "Mike Young" on the popular Aussie soap Neighbours (1985). At age 20, Guy appeared in his first film, Heaven Tonight (1990), then, after a string of appearances in film, television and on the stage, he won the role of an outrageous drag queen in The Adventures of Priscilla, Queen of the Desert (1994).Most recently, he has amazed film critics and audiences, alike, with his magnificent performances in L.A. Confidential (1997), Memento (2000), The Proposition (2005), Factory Girl (2006), The Hurt Locker (2008), The King's Speech (2010) and the HBO mini-series, Mildred Pierce (2011). Next to acting, Guy has had a life-long passion for music and songwriting.Guy likes to keep his private life very private. He lives in Melbourne, Australia, which is also where he married his childhood sweetheart, Kate Mestitz in March 1997.His latest film The Infernal Machine is a psychological thriller feature film, written and directed by Andrew Hunt. The film released on September 23, 2022.Bruce Cogburn, a reclusive and controversial author of the famed book "The Infernal Machine," is drawn out of hiding when he begins to receive endless letters from an obsessive fan. What ensues is a dangerous labyrinth as Bruce searches for the person behind the cryptic messages, forcing him to confront his past and ultimately reveal the truth behind the book.Please enjoy my amazing conversation with Guy Pearce.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Christopher Debiec is an award-winning writer/producer/executive with an impressive thirty-three-year track record in all aspects of the entertainment industry.Chris began his film and television career in Orlando, Florida working on a wide variety of commercials, music videos, television programs and feature films. Some of his credits include Sylvester Stallone’s Oscar and The Crow for Miramax. In 1995 Chris relocated to Los Angeles to work on the film The Devil’s Advocate, followed by Mad City for Warner Brothers, The Out of Towners for Paramount Studios, and the ground breaking “first of its kind” live-action animation Dinosaur for Walt Disney Studios.In November of 2000, Chris spent six months in war torn, poverty-stricken Cambodia, as the Production Supervisor on Matt Dillon’s directorial film debut City of Ghosts for MGM/UA.From 2000-2005, Chris was called on by Academy Award-winning writer/director/producer, James Cameron to supervise production for Earthship Productions. The company produced the two-hour LIVE broadcast event entitled Last Mysteries of Titanic, the groundbreaking documentary Expedition: Bismarck for The Discovery Channel, as well as the 3D/HD IMAX films Aliens of the Deep & Ghosts of the Abyss for Walt Disney Pictures. Earthship was nominated for six Emmys winning one for their production of Expedition: Bismarck.In 2010, Chris was recruited as Vice President of Production at Entertainment One Television (eOne). He spearheaded the alternative programming division for cable and network distributors such as Syfy, CW, WETV, BET, MTV, A&E, Discovery Channel, Oxygen and Fox Sports just to name a few. Chris was responsible for the successful development and execution of all pre-production, production, post production and delivery of all eOne projects.In 2017, Chris was contracted to create and Executive Produce a 2-hour documentary for NBC Sports and the United States Olympic Committee entitled - Scouting Camp: The Next Olympic Hopeful. With rave reviews and multiple award nominations, soon after Chris went back with the Cameron family - this time as Chief Content Officer for a start-up Tech/ 3-D Entertainment company called Human Health Organization owned by brothers John and James Cameron.In 2019, Chris was the Production Executive for Leyline/A24’s The Green Knight, a feature film which shot on location in Ireland for 5 months in 2019. Directed by David Lowery starring Dev Patel, Alicia Vikander, Joel Egerton, Sean Harris, Kate Dickie and Ralph Enison.In 2020, the world turned upside down by the pandemic causing the Cameron family to pivot the Human Health Organization into a Covid-19 PPE and testing company. Chris, as COO, oversaw all testing and PPE protocols since May of 2020. HHO has tested over 1500 productions including A-list actors, Film and TV Studios and streaming companies.Currently, as CEO of newly formed Civilized Entertainment, Chris has built an award-winning studio focusing on the development and production of content directly related to Science, Technology, Environment, Art, Space, Expedition, Exploration, Medical and Historical Events.Enjoy my conversation with Chris Debiec.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg. John has been named by American critic Roger Ebert as"one of the few genuinely independent American filmmakers",which John modestly denies![presto_player id=46221]John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.John Sayles is an example of someone who supports the independent film movement. John's films Lone Star (1996) and Matewan (1987) were both nominated for the Academy Award for Best Picture and John himself has been nominated twice for the Academy Award for Best Original Screenplay.John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Aitch Alberto is a writer/director born and raised in Miami, Florida. She is a Sundance Episodic Lab fellow, recipient of a Skowhegan Artist Residency, a Yaddo fellowship, a Latino Screenwriting Project Fellowship, and an alumnus of the Outfest Screenwriting Lab. Aitch has written on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and WBTV.She also served as a writer on AppleTV+’s BAFTA and Film Independent Nominated anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Most recently, Aitch has adapted and directed the award-winning young adult novel ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE with Lin-Manuel Miranda and Eugenio Debrez producing, from Limelight.Aristotle and Dante Discover the Secrets of the Universe is a 2022 coming-of-age romantic film that is an adaptation of the 2012 novel of the same name by Benjamin Alire Sáenz. Aristotle and Dante had it premiere at the 47th Toronto Film Festival on September 9, 2022.She has been included on The Black List's inaugural Latinx List, as well as the Tracking Board's Hit List and Young & Hungry List, and NALIP's list of "Latinx Directors You Should Know". Aitch has most recently been featured on Variety’s 10 Directors To Watch for 2022 and Indiewire’s 22 Rising Female Filmmakers to watch in 2022.Enjoy my conversation with Aitch Alberto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This is one of the most insane stories I've ever had on the show, and I have a small part in making it happen. In 2008, Sacha Gervasi made his documentary directorial debut and executive produced Anvil! The Story of Anvil. Anvil! The Story of Anvil is a 2008 Canadian rockumentary film about the Canadian heavy metal band Anvil. The film is directed by screenwriter Sacha Gervasi, in his directorial debut, and features interviews with other musicians who have been influenced by the band, including Slash, Tom Araya, Lemmy, Scott Ian, and Lars Ulrich.The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.I was invite to a screening at Sacha's house to watch Anvil in 35mm. After the film I told Sacha you should rerelease it to the world because the planet needs this film right now. Well he did just that and man did he ever.Anvil! The Story of Anvil! LA Premiere & Live Anvil show hosted by Steve-O!The World premiere of the new Anvil! The Story of Anvil! film restoration in LA at The Saban on September 22nd followed by a LIVE performance from ANVIL with special guests and host Steve-O!For FREE Tickets click here and send a video testimonial on how IFH or BPS has changed your filmmaking journey: support@indiefilmhustle.comEnjoy my entertaining conversation with Sacha Gervasi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.Today on the show we have producer Elizabeth Avellán. Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more. Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After earning an MFA in film at Columbia University, he began his career as the writer & director of the independent film The Daytrippers, which would earn him a Golden Camera nomination at the Cannes Film Festival for best first feature film. He then went on to direct the Judd Apatow-produced hit comedy Superbad, and then followed it up with critically praised Adventureland, which he also wrote and received an Independent Spirit Award nomination for Best Screenplay. The film starred an ensemble cast who would go on to become some of today's most sought-after actors, including Kristen Stewart, Jess Eisenberg, Bill Hader, Ryan Reynolds, and Kristen Wiig.Other film projects include Paul, starring Simon Pegg and Nick Frost, Clear History, starring Larry David, and Keeping Up With The Joneses, starring Jon Hamm, Zach Galifianakis, and Isla Fisher.For television, Mottola directed the pilot of FX’s DAVE and is an executive producer on the show. He also directed the pilot of HBO’s The Newsroom, which earned him a DGA Award nomination. His other TV directorial credits include episodes of the The Comeback, Arrested Development, Undeclared, and The Dangerous Book For Boys.His new film is Confess, Fletch.In this delightful comedy romp, Jon Hamm stars as the roguishly charming and endlessly troublesome Fletch, who becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.Starring: Jon Hamm, Roy Wood Jr., Annie Mumolo, Ayden Mayeri, Lorenzo Izzo, Kyle MacLachlan, Marcia Gay Harden, John SlatteryPlease enjoy my conversation with Greg Mottola.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Michael Ryan started his career working in the TV industry for Sir Lew Grade’s UK company, ITC. In 1978 he formed J&M Entertainment with a colleague, a distribution sales agent for independent films. As J&M grew, it developed its business model to also take responsibility for financing new films & providing production finance.In 1980 Ryan and J&M were founder members of the American Film Marketing Association (AFMA) – later to be renamed Independent Film & Television Alliance (IFTA) – which was formed to provide an annual film market based in Los Angeles. Michael served two terms as Chairman of IFTA (2004-2008) and another three terms from 2015-2021.In 2000, Ryan partnered with Guy Collins. Between them they have financed, sold and produced over 200 films, including The Wild Geese, The English Patient, The General, Whats Eating Gilbert Grape, The Osterman Weekend, the Highlander series, Planet 51 and more recently, at GFM Films with Fred Hedman, Toei Animations Harlock, Absolutely Anything starring Simon Pegg and Simon West-directed action thriller Stratton starring Dominic Cooper. On July 15, 2022, GFM’s Paws of Fury: The Legend of Hank, an independently financed and produced animated feature is based on Mel Brooks iconic Blazing Saddles that launched as a project by GFM Films at AFM in 2014, was released across 4,500 U.S. screens by Paramount.Please enjoy my conversation with Michael Ryan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm so excited to have on the show this week Dov Simens, founder of Hollywood Film Institute. He created the remarkable 2 Day Film School and has launched the careers of Quentin Tarantino, Chris Nolan, Spike Lee, Kevin Smith, Queen Latifah, Guy Ritchie & more.Dov's teaching style is entertaining, in your face and straight from the street. Real world, practical film education. Sit back and prepared to be schooled in the ways of Jedi Film Teacher Dov Simens.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Mark W. Travis acclaimed as "the director’s director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world’s leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.Mark’s television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.Mark’s unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor’s Workshop, Hollywood Film Institute.JAPAN: Film & Media Lab and Vantan Film School.GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.POLAND: The Film Farm in Kotla.ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.FRANCE: The Cannes Film Festival,NETHERLANDS: The Maurits Binger Institute.UKRAINE: HSU in Kiev, OIFF in Odessa;RUSSIA: International Film Actors Workshop,IRELAND: FAS Screen Training Ireland,NORWAY: The Norwegian Film School,DENMARK: The National Film School ofDenmark,SPAIN: afilm International Film Workshops,CZECH REPUBLIC: FAMU Academy of Film and Television.Mark has served as a Creative Consultant on several feature films including: Here’s Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR’S BAG OF TRICKS will be published in September 2011.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Matt Eskandari immigrated to the United States as a child with his family, following the Iranian revolution. He is an alumnus of the University of Southern California, and would direct several award-winning shorts; including "The Taking" (Screamfest Award for Best Student Short). The film propelled him to nationwide exposure when he was chosen by Steven Spielberg and Mark Burnett; from a pool of 12,000 candidates, to participate in the Fox filmmaker competition 'On the Lot.'Matt would go on to make his feature directorial debut with the psychological thriller "Victim." The controversial work was distributed by Ifc Films for theatrical release and hailed by Ain't it Cool News as, "a thinking man's Saw" and "both original and disturbing." Eskandari's next feature, "The Gauntlet," starring international stars Bai Ling and Dustin Nguyen was produced and shot entirely in China. It was one of the first China/US co-productions recognized by the Beijing Film Bureau and after a successful worldwide festival run was distributed as "Game of Assassins" by Lionsgate StudiosMatt's third feature, the self-contained swimming pool thriller "12 Feet Deep," starring Tobin Bell and Alexandra Park was praised by critics as, "a tensely directed hidden gem that will leave you struggling to breathe," and has gone on to become the single top selling title for MarVista - having amassed a record 40 million trailer views in its first months release.Inspired by true events, sisters Bree and Jonna get trapped beneath the fiberglass cover of an Olympic sized public pool after it closes for the holiday weekend. They find themselves at the mercy of the night janitor, Clara, who sees the trapped sisters as an opportunity to solve a few problems of her own.Coming from a unique cultural perspective and honing his directorial craft in genre films, Eskandari is ready to use his distinct voice to embark into a further exploration of human nature and delve into the relevant fears and themes of our modern day world.His latest film is "Wire Room" and has been said that this will be Bruce Willis' last film before his retirement.Action legend Bruce Willis comes out with guns blazing as Shane Mueller, a Homeland Security agent who runs the Wire Room, a high-tech command center surveilling the most dangerous criminals. New recruit Justin Rosa (Kevin Dillon, “Entourage”) must monitor arms-smuggling cartel member Eddie Flynn — and keep him alive at all costs. When a SWAT team descends on Flynn’s home, Rosa breaks protocol and contacts the gangster directly to save his life. As gunmen break into the Wire Room and chaos erupts, Mueller and Rosa make a final, desperate stand against the corrupt agents and officials who seek to destroy evidence and kill them both.Enjoy my conversation with Matt Eskandari.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete.The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.Enjoy my inspiring conversation with Elliot and Zander Weaver.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So insane and talent Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self distributing his remarkable debut film Monsters of Man. After getting offered bad and predatory distribution deals he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money Making Business. When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film.After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars.I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"In this conversation Mark is completely transparent on how he made millions with his film. He also reveals not only his successes but also some failures he dealt with along the way. This is truly a one in a decade indie film experiment that you now have access to see how it was done.Enjoy my conversation with Mark Toia.Here's the synopsis of Monsters of Man:A robotics company teams up with a corrupt CIA agent trying to position themselves to win a lucrative military contract. They illegally airdrop 4 prototype robots into the middle of the infamous Golden triangle to perform a live field test on unsuspecting drug lords that the world will never miss. Volunteer doctors witness the murder of a village and become the targets.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jessica Thompson is an Emmy-nominated filmmaker who made her feature writer-directorial debut with "The Light of the Moon". The film won the Audience Award for Best Narrative Film at the SXSW Film Festival. "The Light of the Moon", starring Stephanie Beatriz (Brooklyn Nine-Nine, In The Heights, Encanto), enjoyed a limited theatrical release to sold-out screens in both New York and Los Angeles and heralds a 97% Rotten Tomatoes score. Critics called the film "harrowingly effective" (Variety), "honest and complex" (The Hollywood Reporter), and Film Inquiry stated, "for any filmmaker this would be an unmitigated triumph, but for a first time filmmaker this is revelatory."Jess was the lead director on Showtime's original series, "The End", produced by the Academy Award-winning See-Saw Films (The Power of the Dog, The King's Speech). "The End" is a dramedy, told through three generations of a dysfunctional family who are trying to die with dignity, live with none, and make it count. The series received five-star reviews from The Guardian and The Times.In 2021, Jess directed her second feature, "The Invitation", a Sony Picture's thriller-horror, written by herself and Blair Butler. It will have a worldwide cinematic release on August 26th, 2022.After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the unsettling intentions behind their sinful generosity.In 2010, Jess founded Stedfast Productions, a collective of visual storytellers who use film to explore the complexity of the human story.Jess is an Australian filmmaker who resides in Los Angeles. She is repped by CAA, Kaplan/Perrone Entertainment, and Independent Talent Group (UK).Enjoy my conversation with Jessica M. Thompson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994.The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States.The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards.With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School.While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooperand Lady Gagabrought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Aliand Taraji P. Henson.The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft.Enjoy my conversation with Eric Roth.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

DAVID S. GOYER has earned a reputation for telling character-driven stories adapted from the otherworldly realms of superheroes, fantasy and the supernatural. His breakout came in 1998 when he wrote the action hit BLADE starring Wesley Snipes, based on the Marvel Comics vampire hunter. Since then, he’s solidified himself as writer and producer who elevates genre driven stories to the next level.Most recently, Goyer Executive Produced and served as Showrunner for one of the year’s most epic series, FOUNDATION, which premiered on Apple TV+. Based on Isaac Asimov’s iconic novels, Goyer’s sensibilities brought this world to life with his unique tone.On the film side, Goyer produced the Sundance hit THE NIGHT HOUSE, starring Rebecca Hall, as well as the Scott Derrickson film ANTLERS. Both films are being released by Searchlight this fall. Goyer also produced THE TOMORROW WAR, starring Chris Pratt for Skydance and Amazon.Previously, Goyer scripted and collaborated with Christopher Nolan on the story for the Superman feature MAN OF STEEL. Goyer also worked with Nolan on the mega-hit DARK KNIGHT trilogy, starting with the screenplay for BATMAN BEGINS. Goyer went on to team with Nolan on the story for the billion-dollar blockbuster THE DARK KNIGHT for which they received a Writers Guild of America Award nomination for Best Adapted Screenplay, followed by the story’s conclusion in THE DARK KNIGHT RISES. Additionally, Goyer co-wrote and produced BATMAN V. SUPERMAN, which broke the record for biggest March opening weekend in box office history.In 2002, Goyer made his feature film directorial debut with the drama ZIGZAG for which he also wrote the screenplay, based on the acclaimed novel by Landon Napoleon.  His other directing credits include THE INVISIBLE starring Justin Chatwin and Marcia Gay Harden, and the hit supernatural thriller THE UNBORN, based on his own original screenplay and starring Odette Annable and Gary Oldman. In the same year wrote 2002’s BLADE II on which he also served as an executive producer. In 2004, he directed, wrote and produced the last of the trilogy, BLADE: TRINITY.In addition to screenwriting, Goyer made his debut in video games with the story for the smash hit “Call of Duty: Black Ops,” and penned the story for its blockbuster follow up, “Call of Duty: Black Ops 2” as well as Black Ops: Cold War. Goyer also wrote and executive-produced the groundbreaking VR series VADER IMMORTAL for Lucasfilm and Oculus.In Television, Goyer’s work includes the series DA VINCI’S DEMONS, for which he served as Creator, Director, and Executive Producer, focusing on the life of Leonardo da Vinci; CONSTANTINE, KRYPTON; and the cult classic FLASHFORWARD. Goyer also co-wrote the pilot and serves as executive producer for Neil Gaiman’s SANDMAN, which is currently filming in London.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.To watch the rest of this amazing series go to The Dialog Series on IFHTV.Enjoy this conversation with David S. Goyer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jason Satterlund has been writing and directing films for about 100 years. He's directed multiple award-winning feature films and, in 2021, he wrote and directed 28 episodes of television. His latest feature film, The Abandon, just sold to Lionsgate is will be seen in theaters across North America.His Star Wars film, Kenobi, clocked one million views in 24 hours, and landed on Steven Soderbergh's watch list. This resulted in a cover page article in the New York Time's arts section, making him an official nerd. When he isn't busting his hump on his own projects, he enjoys teaching filmmaking workshops and shaping the filmmakers of the future.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Steve Pink's career as a writer, producer, and director is inextricably linked to his pal John Cusack. Pink co-wrote the screenplay for the 1997 black comedy "Grosse Pointe Blank," where Cusack played a deadpan assassin, and also worked on the adaptation of Nick Hornby's novel "High Fidelity," which was made into a film for Cusack in 2000.Pink had co-producer credits on both movies, and, in 2010, he finally directed Cusack in the '80s flashback comedy "Hot Tub Time Machine." Pink got his start as an actor in the Cusack movie "The Sure Thing" in '85; he also appeared in "Grosse Pointe Blank" and played a limo driver in the comedy "America's Sweethearts," where Cusack was paired with Julia Roberts and Catherine Zeta-Jones. Fittingly.Pink has worked as a co-executive producer on the TV series "Entourage," a tribute to male friendship in show business, and he has stepped up as producer on the Tom Cruise vehicle "Knight and Day."His new film is The Wheel.Albee and Walker, a young couple on the brink of divorce, rent a mountain getaway to save their fledgling marriage. Before long, their personal drama creates tension between their newly engaged AirBnB hosts -- Ben & Carly — leaving us to wonder if either couples’ relationships will survive the weekend. Cast: Amber Midthunder, Taylor Gray, Bethany Anne Lind, Nelson Lee, Carly Nykanen, Kevin Pasdon. Available on DIGITAL and ON DEMAND, July 22nd.Enjoy my conversation with Steve Pink.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Katie Aselton. She is an acclaimed actor and filmmaker based in Los Angeles. She may be best known for her starring role as Jenny in the FX comedy “The League.” Aselton can next be seen in Bill Burr’s comedy Old Dads. She was recently seen in The Unholy, opposite Jeffrey Dean Morgan, and appeared in Tiller Russell’s Silk Road, with Jason Clarke. Aselton was also seen in the second season of the hit Apple + series “The Morning Show.”Aselton’s breakout acting role came in the indie darling The Puffy Chair, directed by Mark and Jay Duplass. The film was nominated for two Independent Spirit Awards. Aselton’s other feature credits include Book Club, Father Figures, She Dies Tomorrow, Synchronic and Bombshell. Her small-screen work includes “Legion,” “Animals,” “Togetherness,” “Curb Your Enthusiasm,” “Veep,” “The Office,” “Room 104” and “Casual.”Aselton made her directorial debut with The Freebie, in which she also stars. The film premiered to much critical acclaim at the 2010 Sundance Film Festival and was released theatrically by Phase 4. She also directed and starred in the survivor thriller Black Rock, opposite Kate Bosworth and Lake Bell. The film premiered at the 2012 Sundance Film Festival and was released by LD Entertainment.Katie's new film is Mack & Rita starring the legendary Diane Keaton.When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita” (Oscar winner Diane Keaton). Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack (Dustin Milligan). A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.Enjoy my conversation with Katie Aselton.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Imagine you are in film school and you make a student film. Then that student film get's seen by Steven Spielberg and he calls you into his office to offer you a deal to direct a feature film version of that short. Well, that is exactly how today's guest go his start.On the show we have the legendary writer/director Kevin Reynolds. Kevin directed the world-wide blockbuster Robin Hood: Prince of Thieves, the epic Rapa Nui, and the infamous and misunderstood Waterworld.Kevin Reynolds made his big career leap from election lawyer and political speechwriter to pursue his childhood passion for writing - enrolling into film school at the University of Southern California.In 1980, Reynolds’s debut film Proof landed him a shot right out of USC to work with Steven Spielberg. The film was later produced as Fandango in 1985, written and directed by Reynolds.Five college buddies from the University of Texas circa 1971 embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures in Vietnam and otherwise.In 1991, Reynolds directed the $48 million action-adventure film of the time, Robin Hood: Prince of Thieves, that grossed $390 million worldwide. This action-filled fan favorite follows Robin and his Moorish companion’s adventure to England and his fight back against the Sheriff of Nottingham’s tyranny.He followed up Robin Hood with the epic Rapa Nui. The film the love between the representatives of two warring tribes changes the balance of power on the whole of the famous Easter Island. The film failed to find an audience in it's initial release but has since become a cult favorite.His next directorial outing is the legendary Waterworld starring Kevin Costner. Waterworld was labeled the most expensive movie ever made ($175 million), until Titanic dethroned it a few years later. The press said it was the biggest flop of all time as well but nothing could be farther from the truth.When the film was finally released it made $264 million worldwide. The film went on to become one of the most valuable IPs in the Universal Studios library. The company created a theme park out of the film that has last over 25 years in multiple parks around the world and has generated hundreds of millions of dollars for Universal.In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.Reynolds’s critically acclaimed historical adventure film adaptation of The Count of Monte Cristo novel in 2002, which starred versatile actor James Caviezel, was a remarkable comeback project after a five-year hiatus. The film is about revenge after a man, falsely accused by three jealous friends, sought to avenge his wasted years of somewhat imprisonment serving a wealthy Italian cleric.Kevin and I discuss the highs and lows of directing in Hollywood, working with Steve Spielberg, his ever changing relationship with friend Kevin Coster, how he dealt with directing Waterworld and so much more.Enjoy my conversation with Kevin Reynolds.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Henry Joost and Rel Schulman are a directing and writing team, producers and best friends. They founded the New York City production company Supermarché in 2007. Their most recent feature, SECRET HEADQUARTERS, premiers summer 2022 on Paramount+ and stars Owen Wilson, Michael Peña and Walker Scobell. The film is produced by Jerry Bruckheimer Films..In 2020 Henry and Rel directed PROJECT POWER, a Netflix sci-fi action film starring Jamie Foxx and Joseph Gordon Levitt. The film debuted at #1 in over 90 countries. It held the #1 spot in the USA for over 2 weeks. It remains one of Netflix’s top ten original features of all time.Their first feature documentary, CATFISH, premiered at the 2010 Sundance film festival where it received critical acclaim and went on to a nationwide release. Their second feature, PARANORMAL ACTIVITY 3, released by Paramount Pictures, opened to rave reviews and had the highest grossing horror opening weekend in history. Their second film in the franchise, PARANORMAL ACTIVITY 4 was released in October, 2012, and the two combined have grossed $350 million. Henry and Rel directed two films in 2016: NERVE, a summer hit released by Lionsgate, starring Emma Roberts and Dave Franco; and VIRAL, a prescient low budget horror movie with Blumhouse, starring Sofia Black-D'Elia. They also executive produced the 2016 Sundance Film Festival hit WHITE GIRL, directed by Elizabeth Wood, which was acquired by Netflix for worldwide distribution.Henry and Rel are executive producers on the long running series CATFISH: The TV Show, now in it’s 8th season, and have directed dozens of commercials and short films for companies like Nike, Google, Facebook, and Vogue. They directed the short film A BRIEF HISTORY OF JOHN BALDESSARI, commissioned by LACMA, narrated by Tom Waits, which has been screened at over 100 film festivals worldwide. Henry and Rel’s Google commercial DEAR SOPHIE was named Time magazine's Best Commercial of the Year in 2011. In 2020 they fulfilled a lifelong dream of directing the season opening short film for the NEW YORK KNICKS.Henry, Rel, and their in-house producer Orlee-Rose Strauss maintain an active development slate. Features in the works include: an adaptation of Capcom's MEGA MAN which they wrote and are directing for Netflix; an adaptation of Edward Abbey's novel THE MONKEY WRENCH GANG, produced by Ed Pressman, which they wrote and are directing. They are also signed on to direct a bio-pic about KEITH ADAMS, the deaf football coach who made history leading an all-deaf high school football team to an undefeated season against all-hearing teams. The film is being written by Josh Feldman, and produced by Freddy Wexler, DJ Kurs and Eryn Brown.Enjoy my conversation with Henry Joost and Rel Schulman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

JJ "Loco" Perry spent the last 25 years as a Stunt Coordinator and Second Unit Director, directing and designing action for talent such as Dwayne Johnson, Tom Hardy, Jason Statham, Keanu Reeves and Will Smith. A member of the prestigious 87Eleven Action Design, Perry previously collaborated with directors such as Ang Lee, Justin Lin, Chad Stahelski, F. Gary Gray, Spike Lee and Paul Feig – which prepared him for his feature directorial debut on DAY SHIFT.Perry has trained additional actors for stunts such as Gina Carano (HAYWIRE), Gerard Butler (300), Milla Jovovich (ULTRAVIOLET), Hugh Jackman (X-MEN ORIGINS: WOLVERINE) and Kiefer Sutherland (“24”).  He’s also worked with Joss Whedon on ANGEL and FIREFLY and Mike Norris on WALKER, TEXAS RANGER.Perry was nominated for a SAG Award in 2009 for Outstanding Performance by a Stunt Ensemble for IRON MAN and nominated for a World Stunt Award in 2013 for SAFE and won in 2004 for Best Overall Stunt in THE RUNDOWN.After graduating high school, Perry served in the Army’s 82nd Airborne Corps.  He started his martial arts training in 1975 and began stunt-work after he got out of the Army. He has had over 24 years of martial arts training and has a 5th-degree black belt in Tae Kwon Do, a 2nd-degree on Hapkido and has experience with all kinds of weapons. He got his black belt for Tae Kwon Do at the age of 12 and competed from the age of 7 till 24. Besides martial arts, Perry is also skilled in cycling, rodeo and weightlifting.  He is the co-founder of Taekwondo West martial arts schools in Inglewood, California, and Venice, California.J.J. PERRY’s directorial debut, DAY SHIFT, is an action-comedy that begins a new franchise for Netflix starring Jamie Foxx, Snoop Dogg and Dave Franco. DAY SHIFT follows a hard-working blue-collar dad (Fox) who just wants to provide a good life for his daughter.  But his mundane San Fernando Valley pool cleaning job is a front for his real source of income, hunting and killing vampires as part of an international union of vampire hunters. DAY SHIFT premieres on NETFLIX August 12, 2022.Enjoy my conversation with JJ "Loco" Perry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film. Today's guest is Australian filmmaker Mark Toia who created the insane indie sci-fi action film Monsters of Man.After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI on a million-dollar+ indie film without any major bankable stars.I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt-out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit-hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"To get the most bang for his buck Mark shot the film in Cambodia. He was able to hire an amazing local crew while also capturing the breath-taking locations, and culture that the country had to offer. The production value was off the charts.This is a once in a lifetime Filmtrepreneur experiment. Can a multi-million dollar sci-fi, action indie film be self-distributed successfully? We will find out. Mark agreed to keep me updated on the progress of the film and come back next year to tell the tribe how it all went.I can't be more excited to share this episode with you guys. Enjoy my inspiring conversation with Mark Toia.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever wanted to learn how to write a screenplay fast? I know I do. This is why I invited on the show award-winning producer/director, best-selling author, film festival organizer and public speaker, Jeff Bollow.He is the author of Writing FAST: How to Write Anything with Lightning Speed. Jeff Bollow began as an actor at age 12 in his native Los Angeles (credits include Don't Tell Mom the Babysitter's Dead and TV's Columbo) before working nearly every job in production, from camera to sound to lighting — and including jobs in development, post-production, and distribution.Jeff has worked on feature films, TV series, commercials, music videos, radio, and corporate productions for companies such as Universal, Castle Rock, Propaganda Films, DNA and the Oxygen Network.After migrating to New Zealand, where he directed television for TV3 and co-founded the Big Mountain Short Film Festival, he moved to Australia, where he launched Embryo Films. Through his company, Jeff has reviewed over 20,000 project submissions and has edited, assessed and/or mentored over 350 projects. He has script doctored in Singapore, Australia, NZ, and the US; and has conducted over 80 live weekend workshops to over 1200 writers in 9 cities in 5 countries, with a unanimous "recommend" approval rating.His students have been optioned, produced and won (and placed) in competitions worldwide. He designed FAST Screenplay in 2004 and began officially building it in November 2009. It was finally completed in July 2016, nearly 7 years later. Alongside it, he created the FASTscreenplay YouTube Channel, which now includes over 30 detailed and insightful free videos to encourage writers and screenwriters around the world.In May 2015, Jeff Bollow delivered his first TED Talk, "Expand Your Imagination... Exponentially" at TEDxDocklands in Melbourne, Australia, to prepare for the next phase of the larger plan. Jeff's aim is to build an independent film studio that inspires creativity worldwide, to help prepare humanity for the dramatic changes our future holds. When he's not busy helping writers with FAST Screenplay, he is working on a new book, developing a television series, and planning two feature film projects. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.His new film is Easter Sunday.Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).  Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault."When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese’s documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we’ve learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and ChairThe Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature. Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Jill Chamberlain has helped thousands of writers find their stories. She has consulted on projects for major studios, for small independents, and for many, many spec screenwriters.Jill’s Nutshell Technique for screenplay story structure has been praised throughout Hollywood. Producer Callum Greene (Star Wars Episode 9, Crimson Peak, and The Hobbit: The Desolation of Smaug) said “the Nutshell Technique is like the Rosetta Stone: it cracks the code behind why we love the movies that we love. It goes way beyond tired old beat sheet ‘formulas’ and instead guides you to organically write the story you want to tell.”Jill's screenplay story structure guide, The Nutshell Technique: Crack the Secret of Successful Screenwriting, was an instant classic upon its release in 2016. Of the over 3,000 books on screenwriting on Amazon, The Nutshell Technique: Crack the Secret of Successful Screenwriting is one of the highest rated ones. It’s on the syllabus for film schools across the world including the world renowned screenwriting program at Columbia University.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon’t shoot with any more than a three-man crewActor’s use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We made it to 600 Episodes! Thank you all for the support over the years. Here's to 600 more! Today's guest is action director Simon West.Simon West is a British film director and producer. His films include “CON AIR” starring Nicholas Cage, “THE GENERAL'S DAUGHTER” starring John Travolta and “LARA CROFT: TOMB RAIDER” starring Angelina Jolie. West is the only live action director ever whose first three 3 films all grossed over $100m at the US box office. West also served as an executive producer on the Oscar nominated “BLACK HAWK DOWN”.His television company has produced 6 TV pilots for US TV including acclaimed series such as Fox’s “KEEN EDDIE”, the CBS series “CLOSE TO HOME”, Fox’s “HUMAN TARGET” and the NBC series “THE CAPE”.West directed the action packed remake of “THE MECHANIC” starring Jason Statham and Ben Foster and “THE EXPENDABLES 2” starring almost every action star in the movie world. This film grossed over $300m in worldwide box office.West’s film titled “SKYFIRE” was one of the largest films ever made in China and opened number one at the box office there in 2019. His latest film “LEGEND HUNTERS” will be released in May 2021. Recently, West served as a judge for the 2019 Beijing International Film Festival and was a guest speaker at the 22nd Shanghai International Film Festival to advise the Chinese film industry on standardization.West is currently in post-production on “Boundless – Sin Limites”, which marks the 500th anniversary of the first circumnavigation of the globe by Ferdinand Magellan and Juan Sebastian Elcano. The Amazon project was shot in Spain and The Dominican Republic.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Originally from Philadelphia, David attended that city’s “Fame” high school, Creative And Performing Arts, where his classmates included QuestLove and Boyz II Men. He then graduated from Parsons School of Design in New York, and worked as a graphic designer for ad agencies, designed book covers, movie posters, and indie film titles.He impulsively moved to Los Angeles in 2000 and became a stand-up comic for a while, performing at The Improv, The Vancouver Comedy Festival, and in sketches on “The Late Late Show With Craig Ferguson” and “The Showbiz Show with David Spade”. But he tired of comedy clubs after a few years and focused on writing instead. In 2006, his “Will & Grace” spec made it to the semi-finals of the Warner Bros. Comedy Workshop.Switching to drama, he optioned the book “Minamata” (and the life rights of the author), about the experiences of journalist W. Eugene Smith photographing mercury poisoning victims in Japan. He wrote the screenplay in six weeks, and it got him a literary manager. Then Johnny Depp’s company came on board to produce with Depp himself as the star. Filming on MINAMATA completed in the Spring of ’19, with an expected release in Fall 2021. “Minamata” premiered at the Berlin Film Festival in 2020 and has since been picked up by Samuel Goldwyn Films for domestic distribution. It also stars Bill Nighy, Hiroyuki Sanada, Tadanobu Asano, and the singer Katherine Jenkins.His follow up, DREAMERS (based on the book John Lennon Vs. The US), is about John Lennon’s immigration battle with the Nixon administration which legally set the stage (many years later) for DACA/The Dream Act. David was recently hired by the director of “Minamata”, Andrew Levitas, to rewrite a script about the two brothers who owned Adidas and Puma and who battled each other for decades. That project, “Adidas V Puma”, is currently out to actors and mentioned in “The Hollywood Reporter” in early March 2021.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have been on a major role lately on the podcast and this episode keep that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion of theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer. Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss ho he made the jump from a low budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world and much more. Prepare to take notes on this one tribe. Enjoy my conversation with Edward Zwick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.Multi Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should read if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool to those who have, or plan to, attend a college or university film school. Your Complete Guide To (Independent) Filmmaking.An in-depth, no holds barred look at making movies from ‘concept to delivery’ in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking. Learn invaluable industry secrets from top to bottom and discover the truth about independent film distribution as the lid is torn off the many myths surrounding sales agents and today’s release platforms that are certain to open reader’s eyes - and ruffle a few feathers!If you are a filmmaker do yourself a favor and pick up his book What You Don’t Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Kim Adelman began her producing career with the indie feature, Just Friends. She then launched the Fox Movie Channel's short film program, where the 19 shorts she produced won 30+ awards and played over 150 film festivals worldwide, including the Sundance Film Festival four years in a row.Kim Adelman currently teaches Low Budget Filmmaking  at UCLA Extension and Cinema Production II at Mount Saint Mary University. In 2014, she was named UCLA Extension's Entertainment Studies Instructor of the Year.  In 2016, she won its Distinguished Instructor Award.In addition to guest lecturing at UC Irvine, Cal State Fullerton, and Cal State Los Angeles, she has also taught filmmaking workshops across the US, Canada, and New Zealand. Most recently she led creative writing workshops for kids at UCLA’s Hammer Museum via 826LA and filmmaking for teens at Pasadena’s Norton Simon Museum.Over the past two decades, Ms. Adelman has also reported extensively on festivals and short films for Indiewire, co-programmed the American Cinematheque's annual Focus on Female Directors short film screening series for fifteen years, and co-founded FFC: the Female Filmmaking Collective.  She has also been a jury member and/or a panel moderator at numerous international film festivals, including Sundance Next and the Los Angeles Film Festival during its final year.Her short film book, Making it Big in Shorts, is on its third edition and has been published internationally in Spanish and Mandarin.  The three pop culture books she wrote for Penguin Random House are The Girls Guide to Elvis, The Girls Guide to Country, and The Ultimate Guide to Chick Flicks. which was also published in Japanese.She has recorded a five-part educational podcast on independent filmmaking for UCLA Extension and co-hosted the 15-episode movie adaptation podcast Book to Screen, available on iTunes. She has also appeared as cinema expert in the ARTE documentary From Weepies to Chick Flicks, E!'s Hollywood & Sex special, and the DVD extras for Love Me Tender and Ghost.  She was profiled for Women Transforming Media and appeared onKim Adelman was also Director of On Air Creative Production for Style Network until that network shut down. She has worked at multiple cable networks including FX/FXM, E!, G4, PopTV, the Game Show Network, and Cinevault.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team.Joe follow that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Joe latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more.Getting ready to take an adrenaline-fueled ride with Joe Carnahan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Naren Shankar is the Executive Producer/Showrunner of the critically acclaimed television adaptation of the international best-seller science fiction novel series, The Expanse, an Amazon Prime Original Series from Alcon Television Studios.Naren spent eight seasons as a Writer-Executive Producer and Co- Showrunner of the most-watched show in the world, CSI:Crime Scene Investigation. In 2011 he helped launch NBC's Grimm as a Writer- Executive Producer.Prior to CSI, Naren was an Executive Producer on the SyFy Channel cult hit series Farscape for The Jim Henson Company, and spent three seasons as a writer-producer on Showtime's The Outer Limits.Naren began his career as a writer and science consultant for Star Trek: The Next Generation, and he holds a PhD in Applied Physics & Electrical Engineering from Cornell University.Naren has been honored with multiple Emmy nominations for Best Series, a WGA Award nomination for CSI's two-hour event "Grave Danger" directed by Quentin Tarantino, and has received WGC and Saturn Awards for The Outer Limits, CSI, and Farscape. The Expanse won a Hugo Award for "Leviathan Wakes" in 2017 and was nominated in 2019 for "Abaddon's Gate."This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Dean Fleischer Camp is the award-winning filmmaker and New York Times-bestselling author who created viral sensation MARCEL THE SHELL WITH SHOES ON. Since appearing on Filmmaker Magazine’s 25 New Faces of Independent Film in 2011, Camp’s work has been profiled in virtually every major American media outlet. In 2018, his first feature FRAUD was released to widespread controversy and acclaim, described as a "brilliantly provocative”(Filmmaker) and “exhilarating”(Sight+Sound) “masterwork”(Documentary Magazine) that “pushes the boundaries of documentary”(Variety).His first scripted feature, an adaptation of MARCEL THE SHELL WITH SHOES ON starring Jenny Slate, Isabella Rossellini and Rosa Salazar, is slated for a 2022 theatrical release via A24. He has directed for Comedy Central, HBO, TBS, Adult Swim and Disney Interactive. Commercial clients include Atlassian, Pop-Tarts, Clearasil, Maltesers, and many others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender. Enjoy my epic conversation with Oliver Stone.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

At sixteen years old, Shane had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.His new film is Double Threat.After skimming money from the mob, a, well-trained fighter, Natasha (Danielle C. Ryan), finds herself on the run with a kind, naïve accountant, Jimmy (Matthew Lawrence) whose life is about to get more thrilling than he could ever imagine.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director, producer, screenwriter, actor and YouTube sensation Darious Britt I had the pleasure of meeting Darious at the Mammoth Film Festival. At the festival, we were snowed in and pretty much stuck in our hotel. We sat down and talked for hours about indie film, his journey, my journey, the state of indie film, fear, setting goals and so much more.I knew I had to have him on the show to talk shop. What you are about to listen to is a DEEP DIVE into the psychology of a standard indie filmmaker. We break down the brutal and raw truth of what it takes to make it in today's world.We also discuss how to build and engage with an audience. His amazing channel D4Darious is a MUST for any and all filmmakers. I've been a fan of his work for years. I love his approach and teaching style. Here's a bit about the man.He attended film school at the University of Arizona and graduated in May of 2012 with a bachelors in Media production. He toured his short film “Seafood Tester” to four international film festivals including the Oscar-qualifying Aspen Shorts fest in 2012.Darious created the youtube channel D4Darious, in August of 2013 and it has since grown to over 340,000 subscribers and over 10 million views in five years.He has toured his first feature film “Unsound” on the film festival circuit screening at over 20 international film festivals, winning 7 awards including best director at The Pan African Film Festival in 2015. He loves telling stories and helping other filmmakers learn the craft to reach their highest potential as storytellers.Now I warn you, this episode runs nearly two hours but I promise you it will be worth it. I lost count of how many knowledge bombs went off in this episode. Prepare to get your mind BLOWN and enjoy my conversation with Darious Britt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Aram Rappaport is filmmaker based in New York. Originally from Los Angeles, he began writing, directing and producing in his late teens including the one-take experimental film HELIX starring Alexa Vega.He later adapted, produced and directed Max Berry's acclaimed novel into the film SYRUP starring Amber Heard, Shiloh Fernandez and Kellan Lutz and wrote, produced and directed the original film THE CRASH starring John Leguizmao, Frank Grillo, Minnie Driver and Dianna Agron.THE GREEN VEIL is his first episodic project. He also runs the hybrid creative agency / production studio The Boathouse for which he's created and directed campaigns for such brands as Apple, Netflix, Victoria's Secret and SingleCare amongst others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

If you are a filmmaker that want to sell your movie to the marketplace then this is MUST listen to conversation. Today on the show we have John Kim, Founder and CEO of Deep C Digital Distribution.With 25+ years of sales and marketing experience, John has sold over 3,000 independent and major studio movies and TV shows to all the major digital, cable, and retail platforms. As Vice President of Digital Distribution at Paramount, he managed the Digital Sales Team and digital account relationships. Prior to this experience, he spent 10 years at Paramount and Disney managing over $1 Billion dollars of DVD/Blu-ray catalog business. Before entering the home entertainment industry, he served as a Brand Manager at Nabisco and a Marketing Director at Mattel.Recently, John co-founded with Tyler Maddox, Voices Film Foundation (VFF), a nonprofit corporation uniting all people of color in the entertainment industry. John is a graduate of Yale University and has an MBA from the Kellogg Management School of Business at Northwestern University.This is, by far, one of the most important conversations I have ever had on the show. Get ready to take notes. Enjoy my conversation with John Kim.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Oscar® Winner Russell Carpenter A.S.C. - Shooting Blockbusters, Titanic & James CameronI can't tell you how excited I am about today's guest. I sat down with the legendary and Oscar® Winning Cinematographer Russell Carpenter A.S.C. Russell has been shooting blockbusters for over 40 years and has shot films like Ant-Man,  xXx: Return of Xander Cage, Charlie's Angels, The Negotiator, True Lies, Monster-in-Law and classic 90's action flicks like Hard Target, The Perfect Weapon, and Death Warrant.He won the Oscar® for his cinematography on the second highest-grossing film of all time, Titanic. We go down the rabbit hole on shooting Titanic, working with James Cameron, crazy Hollywood stories, how he approaches each project and much more. This episode is a treasure chest of behind the scenes stories and cinematic techniques from the highest levels of Hollywood.Get ready to be entertained and have your mind blown. Enjoy my epic conversation with Russell Carpenter A.S.C.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Alex Lehmann is the writer, director, and producer of “Acidman” starring Dianna Agron and Thomas Haden Church. He also directed the highly anticipated Black List feature, “Meet Cute,” produced by Weed Road, and starring Pete Davidson and Kaley Cuoco.A narrative and documentary filmmaker, Lehmann's films include Netflix's dramatic comedies “Paddleton,” starring Mark Duplass and Ray Romano, which premiered at Sundance in 2019, and “Blue Jay,” his narrative feature debut, starring Sarah Paulson and Mark Duplass. It premiered at TIFF in 2016 to critical acclaim. His HBO docu-series, On Tour with Asperger's Are Us is an extrapolation of his original feature doc Asperger's Are Us.Lehmann’s work explores the themes of selfless love, friendship, and how a little vulnerability can connect us all.His new film is ACIDMAN.Maggie (Dianna Agron) arrives at a small, run-down house in the middle of nowhere to find it defaced by big orange letters reading ACIDMAN and learns that this is the locals' nickname for her reclusive father (Thomas Haden Church). After a decade apart, Maggie's offhand explanation for her visit is that she just wanted to check in on him, but this doesn't ring true considering how difficult he was to find. The two awkwardly want to get to know one another (Dad seems more comfortable talking through his dog Migo, or through Bobby, Maggie's childhood sock puppet friend), but are at the same time scared about what increasing familiarity will bring.After Dad reluctantly brings her on one of his nighttime outings, Maggie realizes that his obsession with UFOs and communicating with extraterrestrial beings has only intensified over the years. She struggles to understand him, his single-mindedness and deteriorating mental health, all the while with her own life-changing news to share. Letting their relationship ebb and flow through anger, silly jokes, tender gestures, and sadness, director Alex Lehmann leads the film in a beautiful meditation on the cyclical nature of parenthood and the longing for connection.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Sean Baker: 'Tangerine' How to Shoot a Sundance Hit on Your iPhoneI've recently been looking and studying alternative shoot methods to shoot a feature film. One name that keeps coming up is Sean Baker. His ground-breaking film Tangerine made more noise at the Sundance Film Festival  than the winner that year. The film was also produced by the indie film legends, Jay and Mark Duplass.Tangerine was shot completely on an iPhone. Yes, an iPhone. The great thing was that after his Sundance screening no one in the audience or at the film festival knew that the film was shot on an iPhone.What I respect about Sean Baker as a filmmaker is that he didn't focus on the technology when promoting his film, he let the story, actors and film speak for itself. If you haven't seen Tangerine you are missing out. Take a look at the RED BAND trailer below.I wanted to put together a post that highlighted what can be done with minimal filmmaking tech and a great story. Sean Baker has definitely what can be done in today's filmmaking world.Below are a ton of videos explaining the process Sean Baker and his director of photography Radium Cheung, HKSC went through making Tangerine, as well as a bunch of video explaining tips and tricks on how to turn your something you shot on an iPhone into cinematic gold. Enjoy my conversation with Sean Baker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Sean Mullin is an award-winning filmmaker.  His critically-acclaimed feature film debut as a writer/director — Amira & Sam — won the top prize at numerous festivals and was distributed theatrically by Drafthouse Films. He’s the co-writer/co-producer of the film, Semper Fi – alongside Oscar-nominated director Henry-Alex Rubin (Murderball) and Oscar-nominated producer David Lancaster (Whiplash).  Lionsgate released the film theatrically in 2019. He’s the writer/director of a feature-length documentary – Kings of Beer – about the world’s most intense brewmaster competition, which was released theatrically in 2019.  He’s the writer/director of It Ain’t Over - a feature-length documentary about baseball legend, Yogi Berra – which will be released in 2022.Prior to his filmmaking career, Sean served in the military. He was stationed in Germany as an army officer, but finished his time as a Captain in the New York Army National Guard – where he was a first responder on September 11th, 2001. For several months, he spent his days working as the Officer in Charge of the soldiers stationed at Ground Zero – and his nights performing stand-up comedy.Sean holds an MFA from Columbia University and a B.S. from The United States Military Academy at West Point. He is a member of the Writers Guild of America (WGA), as well as the Producers Guild of America (PGA).  Sean is represented by UTA. He resides in Los Angeles, where he runs Five By Eight Productions and is a guest lecturer at USC, AFI and West Point.Lawrence Peter “Yogi” Berra is one of baseball’s greatest. He amassed ten World Series rings, 3 MVP awards and 18 All-Star Game appearances. He caught the only perfect game in World Series history. Yet for many his deserved stature was overshadowed by his simply being himself and being more recognized more for his unique personality, TV commercial appearances and unforgettable “Yogi-isms,” initially head-scratching philosophical nuggets that make a lot more sense the more you think about them. In telling the whole story, It Ain’t Over gives Berra his due in following the life of a savvy, commanding, bad-ball hitting catcher with a squat frame but also a D-Day veteran, loving husband and father and, yes, product endorser and originator (mostly) of his own brand of proverbs now ingrained into everyday life.Granddaughter Lindsay Berra tells his story along with his sons, former Yankee teammates, players he managed, writers, broadcasters, and admirers (such as Billy Crystal), plus photos and footage on and off the diamond. Berra famously said,“I’d be pretty dumb if I started being something I’m not,”and It Ain’t Over lovingly makes clear he stayed who he was for the benefit of baseball and everyone else.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Kyra Sedgwick is an award-winning actress, producer and director. She is best known for her Emmy and Golden Globe-winning role as Deputy Chief Brenda Leigh Johnson on the TNT crime drama “The Closer” and most recently starred on the ABC comedy “Call Your Mother.” She recently directed the feature film SPACE ODDITY, which stars Kyle Allen and Alexandra Shipp.In 2018, Sedgwick received a DGA nomination for her directorial debut with the feature STORY OF A GIRL. She then helmed the short film GIRLS WEEKEND, which premiered at the 2019 Sundance Film Festival. She has directed episodes of “Grace & Frankie,” “City on a Hill”, “Ray Donovan,” “Brooklyn Nine-Nine” (on which she also had a recurring role) and many others.Her film roles include THE EDGE OF SEVENTEEN, THE POSSESSION, THE GAME PLAN, SECONDHAND LIONS, WHAT’S COOKING, PHENOMENON, HEART AND SOULS, SOMETHING TO TALK ABOUT, BORN ON THE FOURTH OF JULY and SINGLES.Planets and lives collide in this Kyra Sedgwick-directed feature. Alex (Kyle Allen) longs to travel to outer space and finally gets the opportunity to do so thanks to a privately-funded Mars colonization program. In the midst of his rigorous preparation, he meets Daisy (Alexandra Shipp), the new girl in town who’s trying to start over. The two wayward souls connect in unexpected ways, both of them harboring secrets that they’re desperately trying to overcome. However, when questions about the legitimacy of the program and the future of his parents’ flower farm begin to crop up, Alex finds himself questioning whether it’s easier to confront his past or fly away into the stars.In a time where nihilism about the Earth’s future is rampant, it can be difficult to find optimism about what comes next. However, Space Oddity is a heartwarming film that encourages living life to the fullest with those you love the mostThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm truly PISSED OFF guys and am tired of seeing my fellow indie filmmakers and artist struggle to make a living doing what they love. I decided to put together a lists of steps that every indie filmmaker needs to do in order to thrive in the film business.Since this website is call INDIE FILM HUSTLE the terminology I'll be using will be aimed at filmmaking or screenwriting but all of these concepts can be applied to any art form.PLEASE NOTE: If you were to ever listen to a podcast of mine, this is the one. I'll be laying out the steps in the article but I go MUCH DEEPER into each one on the podcast. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Cameron Van Hoy is a veteran in the entertainment industry. After a stint acting, he wrote and produced films such as Treasure of the Black Jaguar, Tooken, and Sharkproof. He really came into his own producing the hit horror comedy Tragedy Girls, which hit theaters around the world and has gone on to become a cult classic.His debut directorial feature, Flinch, was released early this year to great acclaim and theatrical distribution before finding a digital home with the tech giants of Amazon, Apple, and Google. The film continues to accumulate a loyal following and Van Hoy has an affinity for gritty stories documenting love, family and crime in an epic and timeless way.Cameron created the indie film called Flinch that was are released and franchised via NFTs. It’s a controversial method, but we are aiming to be trailblazers of the industry and help mitigate the controversy surrounding NFTs by releasing it with a solid foundation. It stars Daniel Zovatto, Tilda Cobham-Hervey, Cathy Moriarty, Tom Segura, Buddy Duress, David Proval, Steven Bauer, Michael Drayer and more. It is a crime thriller that tells the story of a young hitman who lives with his mother and a girl who witnesses them commit a murder. The backbone of any film growing a supporting audience is the community behind it. NFTs survive and thrive off of their communities. We are creating 9,999 original art pieces that are representative of characters in the universe. Community members will have the opportunity to purchase these for a set amount each. The funds from these NFTs will go into making the sequel to Flinch. Upon selling all of the NFTs, the film immediately goes into preproduction. A dedicated audience of nearly 10,000 have an interest in ensuring the film succeeds. Those who hold these NFTs can be verified and are rewarded for doing so. After parties with the cast and crew, special Q&As with the director, early access to the script, visits to set during shooting, and red carpet premiers. They gain exclusivity. Additionally, as a reward, 50% of the income generated from the movie will go into a shared community wallet. The NFT holders can vote on how to use these funds. They can use it to market and promote the film, create additional IP (comic books, TV shows, etc.), or whatever else they want to do with it! It gives holders “skin in the game” of the art and movies they love.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Chris Riley is a screenwriter whose first film, After The Truth, an award-winning courtroom thriller written with his wife and professional partner, Kathy, sparked international controversy in 1999 when it was released in Germany.Other credits include 25 To Life, a dramatic thriller for Junction Entertainment and Touchstone Pictures; The Other White House, a political thriller for Sean Connery’s Fountainbridge Films and Intermedia; Aces, an action-adventure romance for Paramount Pictures; and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network. A veteran of the Warner Bros. script department, Riley is the author of The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style. He serves as professor of film at John Paul the Great Catholic University in San Diego and previously taught in the MFA program in writing for screen and television at Pepperdine University.He served as creative director at Yellow Line Studio where he executive produced the web series Bump+ and produced the feature Red Line. He is a founding partner of the online Story Masters Film Academy.His new book is The Defining Moment How Writers and Actors Build Characters.Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character’s formation that they create a distinct boundary of before and after, moments without which the character couldn’t exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves.Features:The first in-depth study of the essential principles that will redefine the way storytellers understand their characters and themselves.Essential insights into the forces that create characterDozens of examples of character-defining moments from film, television, theater and literatureAn exploration of pivotol moments: birth, death, discovery, decision-making, injury and healingAn examination of how writers and actors employ defining moments in their deepest and most unforgettable worksInsights into how directors, editors, cinematographers and composers dramatize key momentsPractical exercises for defining and redefining characterTips for discovering the moments that matter mostDeeply personal stories from the authors’ lives to illustrate the variety of moments that define us.For every storyteller, no matter their medium, The Defining Moment will redefine the way they understand their characters and themselves.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Prior to that, Dan directed the award-winning, critically-acclaimed feature Bernard and Huey, scripted by Oscar/Pulitzer-winner Jules Feiffer, and starring Oscar-winner Jim Rash and David Koechner which screened in over 30 film festivals on 5 continents, had a nationwide US theatrical release, and sold to over 49 countries. Dan is the author of the bestselling non-fiction book The Cheerful Subversive’s Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution from Focal Press/Routledge.The fully updated, post-pandemic 2nd Edition starting selling on July 6, 2021 and hit #1 on Amazon's New Releases chart. His film Between Us, an award-winning feature starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries, and got a 50+ city theatrical release in the US, and sold to 144 countries, plus screening on Netflix, Showtime, Starz and all digital outlets.Dan was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival. His film Open House prompted the Academy Awards to controversially rewrite their rules on the Best Original Musical category. Mirvish also co-wrote his bestselling, critically-acclaimed novel I Am Martin Eisenstadt based on the fake McCain advisor who took credit for Sarah Palin not knowing Africa was a continent.A former speechwriter for U.S. Sen. Tom Harkin, Dan has a master's degree from USC film school, is a member of the Directors Guild of America, has guest lectured at more than 45 film schools and universities and was named as one of Variety's Top 50 Creatives to Watch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Courtney Lauren Penn co-founded and runs the multi-faceted production company Renegade Entertainment with her co-founder Thomas Jane. Courtney oversees content: producing film, series and hybrid new media projects alongside Jane. Renegade is a pioneering outfit that has been among the most active production labels since launching in late 2019. The company is active in several verticals – feature films, streaming and TV series, and comic book and graphic novel publishing and production.Since its inception, Renegade has produced a slew of independent feature films, a short form comedy series, a television and streaming 8 episode series for the ABC in Australia and IMDBtv/Amazon alongside AGC Television, is currently in production on a comic book series THE LYCAN for ComiXology Originals at Amazon; 3 features the duo produced releasing in 2022 and in pre-production on several films for 2022.The first film the duo executive produced was the western thriller THE LAST SON, starring Thomas Jane, Sam Worthington, Colson Baker (Machine Gun Kelly) (released December 2021), followed by horror comedy SLAYERS, starring Abigail Breslin, Thomas Jane and Malin Akerman (releasing September 2022). Courtney and Jane further produced DIG starring Emile Hirsche, Thomas Jane and Harlow Jane, bowing in June 2022, as well as MURDER AT YELLOWSTONE CITY, starring Richard Dreyfuss, Gabriel Byrne, Isaiah Mustafa, and Thomas Jane, set to premiere June 24, 2022. The company just wrapped on ONE RANGER for Lionsgate in March 2022.Among the myriad projects currently being developed by Courtney and Jane is the long-awaited adaptation of Stephen King’s FROM A BUICK 8. The duo have a large slate including several best-selling novels they are in development on. Adopting a material-first, platform agnostic philosophy, Courtney embraces the growing disruption in the entertainment ecosystem and together with Jane have built a selective slate of compelling stories and edgy material with global commercial appeal. She takes a transmedia approach to cultivating IP and collaborating with gifted storytellers and partners to build out her company’s diverse content slate.Courtney attended the University of Pennsylvania and subsequently studied Filmmaking and Direction at NYU’s Tisch School for the Arts. She is a former National Chess Champion, Top 50 Women’s Chess Player, Visiting Committee Member of Hematologic Oncology at the Dana Farber Institute, Platinum Member of New York Women in Film & Television, Member of the Producers’ Council of the Producers Guild of America, and proud mother to her son. Courtney began her career in sell-side mergers and acquisitions and corporate restructuring on Wall Street.Renegade participates annually in charitable giving to institutions who directly participate in “research to bedside” care for children with cancer and vulnerable children in high conflict zones. In March 2022, Courtney & Jaime King teamed up and used Instagram to promote the booking of AIRBNB’s in conflict zones in the Ukraine as a means of getting funds directly to the people mid-conflict.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were greenlit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends.Marta’s expansive and successful career includes creator, director, EP and showrunner credits on a number of television series, films, digital series and projects. In 2015, Kauffman started her production company, Okay Goodnight, with industry veteran Robbie Tollin and Hannah KS Canter.Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix’s longest-running original ever. The series has received multiple Emmy and SAG nominations and is premiering the final episodes of its seventh and last season later this year. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix.Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety’s TV Producers Impact Report for consecutive years in 2019 and 2020. Okay Goodnight and Kauffman currently have numerous projects in various stages of development at multiple networks.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Thomas Jane is a prolific actor, director, and producer, with extensive credits including the series The Expanse and Hung, and the features The Punisher, 61, The Predator and Boogie Nights. Jane recently starred in in the hit thriller The Vanished, and his film Run Hide Fight world premiered at the 77th Venice Film Festival. Jane will next be seen in the anticipated drama series Troppo for IMDb TV/Amazon, based on the bestselling novel by Candice Fox, which he is also executive producing via his Renegade Entertainment banner.Jane founded the production company Renegade Entertainment with Courtney Lauren Penn in 2019. Since its inception, Renegade has produced the soon to be released features Murder at Yellowstone City, starring Jane, Gabriel Byrne, and Isaiah Mustafa; Dig, starring Jane, Emile Hirsch, and Harlow Jane; The Last Son, starring Jane, Sam Worthington and Colson Baker; and Slayers, starring Jane, Abigail Breslin and Malin Akerman.Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, Dreamcatcher, and The Mist.Jane is a writer and director, directing one of the first-ever natively shot films in 3D, the noir thriller Dark Country, as well as the celebrated season 5 episode “Mother” of his hit series The Expanse. He founded the graphic novel company RAW Studios in 2011.Thomas recently opened up his new production company Renegade Entertainment.Thomas Jane and Courtney Lauren Penn’s Renegade Entertainment has been prolific since launching late in 2019. Since the start of the pandemic the company has completed production on Murder at Emigrant Gulch, starring Gabriel Byrne, Isaiah Mustafa, and Thomas Jane; Dig, starring Thomas Jane, Harlow Jane, and Emile Hirsch; The Last Son, starring Thomas Jane, Sam Worthington, and Colson Baker; and Slayers, starring Abigail Breslin, Thomas Jane, and Malin Akerman.Renegade is in production on their first scripted series Troppo, based on the bestselling novel by Candice Fox. Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, The Mist, and Dreamcatcher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode you get a FREE PREVIEW of the IFH Books release of I Made A Short Film Now WTF Do I Do With It audio book on Audible.Written by award-winning filmmaker Clarissa Jacobson, I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.What Others Are Saying:"I Made a Short Film Now WTF Do I Do With It is jam-packed with first-hand knowledge, tips, and secrets on how to enter film festivals, promote your movie, and achieve your wildest filmmaking dreams. It’s required reading for every indie filmmaker who wants to gain an audience, stand out on the festival circuit, and work towards a career as a filmmaker." -- Film Daily"Ultimately, Clarissa’s book is a very thoughtful reflection on her experiences making and marketing her successful and hilarious horror comedy “Lunch Ladies.” This reflection is a wonderful knew resource for filmmakers who are making or have already completed a new short film, but are looking for some help maximizing its audience-seeking potential." -- Horrible Imaginings Film Festival blogThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Adam Schomer is a conscious filmmaker, president of i2i Productions and is known for going to extreme lengths to follow stories that empower us. Feature documentaries include THE HIGHEST PASS (2012), THE POLYGON (2014), ONE LITTLE PILL (2015). WOMEN OF THE WHITE BUFFALO (2022) and the #1 iTunes Best-Seller and NETFLIX hit, HEAL (2017).His recent docuseries is a heart pounding and spirit driven quest to find freedom on motorcycles in the Himalayas, THE ROAD TO DHARMA (2020) and its companion online course for Living a Life of Freedom. In addition to making films, he has been a documentary distribution consultant for select films including CHASING THE PRESENT and produced their online summit as well as the online summits for FANTASTIC FUNGI and HEAL.Adam is also a certified Master Sattva Yoga and Meditation Teacher, and really Adam has this history of using pilgrimage and life’s adventures to reveal deeper truths. His company i2i Productions mission is to Unite Through Wisdom and Entertainment.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Steven Kane is an American television and theater writer, producer and director.Personal Life: Steve Kane was born in Cherry Hill, New Jersey, where he graduated from Cherry Hill High School West as a proud member of the 1985 and 1986 New Jersey Knowledge Bowl Championship Teams. His rock band, Next Century, almost came in third in back to back "Battle of the Bands" contests (Kane played key-tar) but he did manage to win consecutive "Best Director" awards in the school's annual One Act Play festival. He also had a girlfriend.Flush with these early successes, Kane went on to major in English and French at the University of Pennsylvania before attending graduate film school at the University of Southern California. His USC Masters Thesis, a short film entitled Heroic Symphony, garnered awards at film festivals around the country. He had several girlfriends during this time.Career: Kane got his start in the entertainment industry writing and directing independent film and theater. His first feature film, The Doghouse, won Best Director at the NY Indy Film Festival. His collection of One Act plays, Out of Your Mind, had a successful run in Los Angeles at the GuerriLA Theater.His television credits as a writer and producer include The Closer (for which he received an Edgar Nomination), Major Crimes, Alias, NCIS, and Without a Trace, as well as comedies American Dad and Curb Your Enthusiasm. From 2012-2018, he served as Creator, Executive Producer, and show runner of TNT's The Last Ship, a post-apocalyptic drama based on William Brinkley's novel of the same name.In 2019, it was announced that Steven would join the HALO series at Showtime as Showrunner, Head Writer, and Executive Producer.Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future. In a war for humanity's very survival, our deadliest weapon is our greatest hope.See Master Chief, Cortana, the Covenant, and the other Spartans of Silver Team more in this epic trailer for the new Paramount+ Original Series, Halo. Find the Halo, win the war. Stream the premiere of the new original series Halo on Thursday, Mar. 24, exclusively on Paramount+.In its adaptation for Paramount+, HALO will take place in the universe that first came to be in 2001 with the launch of Xbox®’s first “Halo” game. Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, HALO the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.The series stars Pablo Schreiber (the Master Chief, Spartan John-117), Natascha McElhone (Dr. Halsey), Jen Taylor (Cortana), Bokeem Woodbine (Soren-066), Shabana Azmi (Admiral Margaret Parangosky), Natasha Culzac (Riz-028), Olive Gray (Miranda Keyes), Yerin Ha (Kwan Ha Boo), Bentley Kalu (Vannak-134), Kate Kennedy (Kai-125), Charlie Murphy (Makee) and Danny Sapani (Captain Jacob Keyes).This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

David Klein, A.S.C. (born December 1972) is an American cinematographer known for working with director Kevin Smith on the films Clerks, Mallrats, Chasing Amy, Clerks II, Zack and Miri Make a Porno, Cop Out, Red State.[presto_player id=136962]Klein, a member of the American Society of Cinematographers, was the director of photography for True Blood on HBO and for Homeland on Showtime. Klein was hired for the latter position beginning with Homeland's third season, taking over cinematographer duties from Nelson Cragg who had served as the series' director of photography for two seasons.In 2020, Klein served as the cinematographer on Season 2, Episode 6 of The Mandalorian, titled "Chapter 14: The Tragedy" which was directed by Robert Rodriguez. He will also serve as cinematographer on multiple episodes of The Book of Boba Fett.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Adam Scorgie’s plan A has always been to work hard, be humble and take chances; and it has worked tremendously to date. A father of 3, a loving husband and an acclaimed documentarian, Adam has an astonishing ability to balance his relentless work schedule and his invaluable family time.Born in Trail, British Columbia, Adam has also spent time living in Australia, Singapore and the Unites States of America. Primarily growing up in BC’s Okanagan Valley, Adam was inspired to move to New York City, where he spent 3 years studying film and television at the renowned William Esper Studios in Manhattan.Upon his return to Canada, Adam invested every dollar he had to produce his first feature documentary, ‘The Union: The Business Behind Getting High’. ‘The Union’ exceeded all expectations by being selected to 33 film festivals, where it won several best feature documentary awards.The success of ‘The Union’ demanded a follow up, which lead to the crowd-funded sequel, ‘The Culture High’. Upon request in 2012, the film, which focused on the war on drugs, would go on to screen for government officials in Canada’s Parliament Hill during the country’s preliminary steps to legalizing marijuana nationwide. Adam was very fortunate to be a two-time guest on Joe Rogan’s to talk about the impact of both films.Being a Golden Glove boxer in his teenage years, Adam’s interest in hand-to-hand combat lead him to spend 8 years developing ‘Ice Guardians’, a film examining the enforcer role in the NHL. Adam’s high school was also home to many players for the WHL’s Kelowna Rockets, which opened the door to conversations with NHLers such as Stanley Cup Champion Scott Parker.After many years of production, the film premiered to rave reviews in 2016 - the film landed at Netflix, where it can still be streamed worldwide.To date, Adam has produced 12 feature films, with another two feature documentaries currently in various stages of production ‘Breaking Olympia’ and “Direct to Dolph: An American Dream” along with a three-part doc-series also in production titled “Thunder: The Life & Death of Arturo Gatti” it’s safe to say Adam and Score G Productions has been able to stay busy during the global pandemic.Adam is a shining example of how powerful a person can be by simply putting in the work every day in order to achieve their dreams. His leadership and loyalty to his team has ensured that his future films guarantee to impress and inspire those who watch them.Creative Hustle Key NFT Give AwayAdam and his partner Shane are doing a limited run of 999 early-supporter NFTs that offer a ton of utility and access to our team and documentary stars, as well as lots of chances to win super unique filmmaking experiences; all expenses paid.Phase 1In April 2022 we launch the Creative Hustler Key – a collection of 999 early-supporter membership tokens handcrafted by our 3D designer and brimming with community access and rare experiential giveaways.Phase 2We bring the community more behind the scenes than ever before, continuing to reward those who hold a Creative Hustler Key, while announcing new opportunities to connect with ScoreG documentary talent.Phase 3As legacy media becomes more centralized, we see the growing possibilities of decentralization in Web3. In Phase III we will break the conventional model of film financing, bypass the gatekeepers, and fund future projects through Web3, giving creative freedom back to artists and opportunity for the community to be more involved than ever before.Indie Film Hustle is giving away two NFTs to the IFH Tribe. All you need to do is go to The Creative Hustler Key NFT Giveaway and sign up for one of our FREE masterclasses. The winner will be chosen at random. The winner will be announced next week.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have screenwriter Brian Nelson. Nelson holds degrees from Yale University and from UCLA. He worked as a drama instructor at Langley High School in McLean, Virginia in the early 1980s, where he taught Gilmore Girls actress Lauren Graham, Little Miss Sunshine screenwriter Michael Arndt, and UCLA screenwriting instructor Brian David Price.Nelson's numerous writing credits include episodes of the television series Lois & Clark: The New Adventures of Superman, Gene Roddenberry's Earth: Final Conflict, JAG and the Disney television series' So Weird and In a Heartbeat as well as the feature film Hard Candy. He also wrote the play "Overlooked" and co-wrote the script for the vampire film 30 Days of Night, which was released in late 2007 and helmed by Hard Candy director David Slade.Nelson wrote the script for the M. Night Shyamalan-produced thriller Devil. Nelson wrote episodes 3 and 8 of the Netflix original series Altered Carbon, as well as executive-producing the show.His new project is Agent Stroker.AGENT STOKER is a paranormal thriller – part Raymond Chandler, part Philip K. Dick, and all macabre all the time. AGENT STOKER is the love child of The Shadow and Black Mirror, it’s “The X-Files with a drinking problem.”AGENT STOKER is the tale of a wounded man working for the Night Brigade, tracking data points that might just indicate coming apocalypse. AGENT STOKER is scripted supernatural fiction created by Chris Conner and Brian Nelson (both from Altered Carbon). Brian and I had on heck on a fun time talking shop. Enjoy my conversation with Brian Nelson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Miranda Bailey is a prolific producer, actor and director, known for producing high quality independent films. Her passion for bringing compelling, well-crafted stories to the screen has been the driving force in her distinguished 15-year filmmaking career. Bailey has produced over 20 films, among them the Oscar®-nominated THE SQUID AND THE WHALE and the Spirit Award-winning THE DIARY OF A TEENAGE GIRL, as well as James Gunn’s SUPER, the Sundance hit SWISS ARMY MAN, the critically acclaimed NORMAN and the indie hit DON’T THINK TWICE.Bailey’s directorial narrative feature debut BEING FRANK, an offbeat family drama/comedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and was theatrically released June 2019. She assembled a decorated cast including Grammy-nominated comedian, actor, writer, producer and New York Times best-selling author Jim Gaffigan, two-time Emmy winning actress Anna Gunn, Samantha Mathis and Logan Miller. Karen Kehela Sherwood of Imagine Entertainment produced the film alongside Amanda Marshall of Bailey’s Cold Iron Pictures. Bailey’s made her documentary debut GREENLIT – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Bailey’s second documentary, THE PATHOLOGICAL OPTIMIST, the film was released theatrically by The Film Arcade and on VOD by Gravitas. In 2018, Bailey teamed with Gurl.com co-founder Rebecca Odes to launch CherryPicks, a groundbreaking aggregate movie review and rating service by female critics for the female audience. The site went live in 2019 and over 800 female critics are subscribed to provide their reviews on the site.A production powerhouse, Bailey’s Cold Iron Pictures has amassed an extensive list of critical and commercial successes, including SWISS ARMY MAN, starring Golden Globe-nominee Paul Dano and Daniel Radcliffe, theatrically released by A24.  DON’T THINK TWICE, directed by Mike Birbiglia, starring Gillian Jacobs and produced with Ira Glass (This American Life) was distributed by The Film Arcade. NORMAN, directed by Joseph Cedar (BEAUFORD, a Foreign Language Film Oscar nominee), premiered at the Toronto International Film Festival and was released by Sony Classics. Bailey also produced I DO…UNTIL I DON’T, directed by and starring Lake Bell and Ed Helms. Additionally, in 2019, she produced the Sundance hit documentary, THE UNTITLED AMAZINGThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Get ready for on heck of a ride. Today on the show we have screenwriter Rich Wilkes.Wilkes' major-studio debut was as screenwriter of the 1994 film Airheads. The story revolves around a group of loser musicians called The Lone Rangers who take a radio station hostage to get their song played on the radio. Airheads was directed by Michael Lehmann and distributed by 20th Century Fox.This was followed by a co-writer credit (alongside director James Melkonian) for the 1994 comedy The Stoned Age, set in the stoner subculture of Southern California during the 1970s.The same writing and directing team then collaborated with The Jerky Boys to create the 1995 production The Jerky Boys: The Movie, featuring the eponymous comedians (self-described as "low-lifes from Queens") as New York City youths who get into trouble with the Mafia when one of their prank calls leads them into a money laundering business.Wilkes is credited as the sole screenwriter for the 2002 action-adventure film XXX and a "based on characters created by" credit as being as the creator of the XXX franchise.Wilkes co-wrote the Mötley Crüe biopic The Dirt, based on the New York Times bestselling book by Neil Strauss and Mötley Crüe. The film took 17 years to get made. David Fincher was initially attached to direct in 2004, followed by Larry Charles in 2008.Rich and I had a raw conversation about what it is really like to be a screenwriter in Hollywood, warts and all. This episode should be reqired listening for any screenwriter thinking of getting into the Hollywood screenwriting game.Enjoy my eye-opening conversation with Rich Wilkes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director and screenwriter J. Mills Goodloe.J. Mills Goodloe grew up in Fort Lauderdale, Florida and attended Southern Methodist University in Dallas, Texas. He began his career at Warner Brothers working for director Richard Donner. Goodloe worked from 1992 to 1995 as Donner's assistant on Lethal Weapon 3 and Maverick, both starring Mel Gibson, then segued into producing where he developed and produced Assassins starring Sylvester Stallone, Antonio Banderas and Julianne Moore.In 1996, Goodloe produced Conspiracy Theory, once again starring Mel Gibson, along with Julia Roberts, and Lethal Weapon 4, the fourth installment of the billion dollar grossing Lethal Weapon series.In 2001, Goodloe wrote and directed A Gentleman's Game starring Gary Sinise, Dylan Baker and Philip Baker Hall. In 2005, Goodloe wrote the adaptation for the John Grisham novel Bleachers for Revolution Studios. Goodloe also co-wrote the screenplay for the inspirational sports film Pride, released theatrically by Lionsgate and starring Terrence Howard and Bernie Mac.In 2014, Goodloe's adaptation of Nicholas Sparks' novel Best of Mewent into production, starring Michelle Monaghan and James Marsden and directed by Michael Hoffman.Based on the bestselling novel by acclaimed author Nicholas Sparks, The Best of Me tells the story of Dawson and Amanda, two former high school sweethearts who find themselves reunited after 20 years apart, when they return to their small town for the funeral of a beloved friend. Their bittersweet reunion reignites the love they've never forgotten, but soon they discover the forces that drove them apart twenty years ago live on, posing even more serious threats today. Spanning decades, this epic love story captures the enduring power of our first true love, and the wrenching choices we face when confronted with elusive second chances.In 2013, Academy Award nominated director Hany Abu-Assad was hired to direct Goodloe's screenplay Mountain Between Us, a Twentieth Century Fox project based upon the novel by Charles Martin.In the Spring of 2014, Goodloe's original screenplay Age of Adaline began principal photography, starring Harrison Ford, Blake Lively and directed by Lee Toland Krieger. The film will be released by Lionsgate in the Spring of 2015.After miraculously remaining 29 years old for almost eight decades, Adaline Bowman (Blake Lively) has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones (Michiel Huisman) reignites her passion for life and romance. When a weekend with his parents (Harrison Ford and Kathy Baker) threatens to uncover the truth, Adaline makes a decision that will change her life forever.In 2014, Sony Studios hired Goodloe to write the screenplay Christian the Lion with Neil Moritz' Original Film producing. His other projects include a scripted drama for Bravo Television called All the Pretty Faces which he and Jennifer Garner are producing.Enjoy my conversation with J. Mills Goodloe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, actor and director Sonja O'Hara. You might recognize here from my feature film On the Corner of Ego and Desire where she played an insane director at Sundance.Sonja O’Hara is an Emmy-nominated queer writer, director and actor represented by WME and Management 360. She was chosen as one of the “10 Filmmakers To Watch” by Independent Magazine, selected by a jury from MovieMaker Magazine, the Sundance Institute and Austin Film Festival. (Past recipients include Barry Jenkins of MOONLIGHT.)Sonja just directed two back to back features which are currently completing post-production: MID-CENTURY, a provocative thriller starring Stephan Lang (DON'T BREATHE) and two time Academy Award® nominee Bruce Dern, produced by Jeremy Walton (THE INVENTOR with Marion Cotillard), and ROOT LETTER, an adaptation of the popular Japanese PlayStation game, written by Tribeca Film Festival Narrative Prize winner David Ebeltoft and starring Danny Ramirez of THE FALCON AND THE WINTER SOLDIER.Sonja also created and directed the Webby award winning series DOOMSDAY which was nominated for the 2021 Daytime Emmy Awards. For DOOMSDAY, she was awarded the “Best Director” prize out of 4000 submissions at The New York Television Festival. Sonja sold her original series ASTRAL to Adaptive Studios.I wanted to have her on the show to discuss not only her directing career but also wanted to discuss her remarkable story on how she financed DOOMSDAY...she sold her eggs! This is easily the most unique film financing method I'd ever heard of. She made a film about her experience called Ovum.An offbeat young actress who will do anything for a part, ends up giving up a part of herself when her method acting exercise goes too far and she ends up selling her eggs.Enjoy my conversation with the remarkable filmmaker Sonja O'Hara.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Award-winning playwright and co-writer of Pixar’s TURNING RED, Julia Cho was born and raised in the arid suburbs of Southern California and Arizona. After a fairly uneventful childhood, she unexpectedly discovered theater as a teen and subsequently foiled her parents’ expectations of a life of respectability and normalcy.Disney and Pixar’s “Turning Red” introduces Mei Lee (voice of Rosalie Chiang), a confident, dorky 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter—an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren’t enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda! Directed by Academy Award® winner Domee Shi (Pixar short “Bao”) and produced by Lindsey Collins.Instead, armed with an MFA in writing from NYU and a prestigious fellowship at The Juilliard School, Julia launched herself into the New York theater scene. She soon landed residencies at the Sundance Lab and New Dramatists and productions at high-profile theaters in NYC and across the country. Memorable productions include “The Language Archive” (winner of the Susan Smith Blackburn Award), “Aubergine” and “Office Hour.” For her body of work, she received the 2020 Windham-Campbell Literary Prize for Drama which wrote: “Alternately lyrical and sharp, rigorous and whimsical, Cho’s plays demand that we listen.”Alongside her theatrics, Cho has also cultivated a career as a writer and producer of a broad range of television shows from cult sci-fi (“Fringe”) to character-driven drama (“Big Love,” “Halt and Catch Fire”). She also adapted the critically-acclaimed novel The Madonnas of Echo Park for HBO and Starz, which showcased her ability to transform eloquent fiction into dynamic and propulsive narrative.Driven by keen curiosity and a passion for language, Julia strives to create work that expands our worlds and sparks our deepest empathies. She’s currently under commission for South Coast Repertory to write a new play and is a Co-Executive Producer for the Amazon series, “Paper Girls.” In other words, she’s following a movie about four thirteen-year-old girls with a series about four twelve-year-old girls. A project about four eleven-year-old girls is forthcoming.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer and director Krystin Ver Linden. She has always steered the course of her career and her life with her love for film, and it shows through her work. She was recently chosen as one of Variety’s2022 “10 Directors to Watch,” a coveted honor. Ver Linden’s script Ride sold to Lionsgate with Joey Soloway attached to direct and was featured on the Black List. She went on to sell numerous scripts as well as the pitch Love in Vain, an unconventional biopic centering around blues music pioneer Robert Johnson. The pitch is set up at Paramount with Lorenzo di Bonaventura, Mike Menchel and multiple-Grammy-winning recording artist Lionel Richie producing.Her new film is Alice. Alice (Keke Palmer) yearns for freedom as an enslaved person on a rural Georgia plantation. After a violent clash with its brutal and disturbed owner, Paul (Jonny Lee Miller), she flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering the year is actually 1973. Rescued on the roadside by a disillusioned political activist named Frank (Common), Alice quickly comprehends the lies that have kept her in bondage and the promise of Black liberation. Inspired by true events, Alice is a modern empowerment story tracing Alice’s journey through the post-Civil Rights Era American South.We discuss how she got Quentin Tarantino became her mentor and much more. Enjoy my inspiring conversation with Krystin Ver Linden. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It is an absolute thrill to have Jack Epps Jr. on the show today. The award-winning writer, USC Cinematic Arts professor and filmmaker is a member of the Writer's Guild of America and the Academy of Motion Picture Arts and Sciences. He’s best known for writing Top Gun, The Secret of My Success, Turner & Hooch, and Anaconda 1997 screenplay. Jack first became involved in making films while doing his undergraduate at Michigan State University. Inspired by a student film festival, Epps made his first film the following semester which became Pig vs. Freaks that was later titled Off Sides.Top Gun was Epps’ big break. He partnered with Jim Cash who was his screenwriting professor at Michigan State University, to write several projects and Top Gun was one of those screenplays. Top Gun’s success was seismic. It became a box office number one grossing $ 357.1 million on a $ 15 million budget while also stacking several accolades including an Academy Award, Golden Globes, and a number of other international film awards. As students at the United States Navy's elite fighter weapons school compete to be the best in the class, one daring young pilot (Tom Cruise) learns a few things from a civilian instructor that are not taught in the classroom.Epps is credited for the original screenplay in the sequel, Top Gun: Maverick which will be released this November.Epps shares co-writing credits with Jim Cash and Hans Bauer for the screenplay of the Anaconda adventure horror film series of 1997 and 2004. The first story follows a National Geographic film crew in the Amazon Rainforest that is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.While the first film did not receive critical acclamation, it grossed $136.8 million worldwide against a budget of $45 million.In the second film, Anaconda: The Hunt for the Blood Orchid, the premise is quite similar. A scientific expedition team of researchers set for an expedition into the Southeast Asian tropical island of Borneo, to search for a sacred flower for which they believe will bring humans to a longer and healthier life, but soon become stalked and hunted by the deadly giant anacondas inhabiting the island.Here is a clip of Gordon (Morris Chestnut) after being paralyzed from a spider bite, who comes face to face with death.These are some classics and I couldn’t wait to chat with Jack about his creative journey---from his work as a cinematographer and an assistant cameraman on various local productions, to his love for writing or reviewing romantic comedies films like Viva Rock Vegas, and Sister Act.Let's dig in, shall we? Enjoy this conversation with Jack Epps.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Eli Horowitz is the co-creator/co-showrunner of HOMECOMING, both the Gimlet podcast and Amazon series, which stars Julia Roberts and Janelle Monae. He received a WGA nomination for the series in 2019. Previously, he co-created of The Silent History, an innovative digital novel; The Clock Without a Face, a treasure-hunt mystery; and Everything You Know Is Pong, an illustrated cultural history of table tennis. He was the managing editor and publisher of McSweeney’s. He was born in Virginia and now lives in Northern California.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, producer, actor, director and Emmy® winning show runner Danny Strong.Danny started his career as an actor in numerous classic films and TV shows such as Buffy The Vampire Slayer and Gilmore Girls, then transitioned into screenwriting, exploding onto the scene with his 2007 script Recount which was #1 on the Hollywood Blacklist and became an award winning HBO Film.Since then he has become a prolific film and TV writer, director and producer, garnering numerous awards for various projects, including two Emmys, a Golden Globe, two WGA awards, a PGA Award, and the Peabody Award.Through out his career he has shown a wide range and versatility moving between mediums and genres with films like the political docudramas Recount and Game Change, the civil rights epic The Butler and the big budget action blockbusters Hunger Games: Mockingjay (Part I and II).He co-created the smash hit TV show Empire which won him the NAACP Image Award and he produced the civil rights drama The Best of Enemies starring Taraji P. Henson and Sam Rockwell. He has also written numerous theater projects having made his theatrical debut with a new book to the musical Chess that premiered at the Kennedy Center.Strong transitioned into directing with several episodes of Empire. He made his feature directorial debut with Rebel in the Rye that premiered at the Sundance Film Festival and was distributed by IFC Films.Over the years he has continued his acting career with recurring roles in many highly acclaimed TV shows including Mad Men, Girls, Justified, Billions and The Right Stuff. He grew up in Manhattan Beach, California and attended the USC School of Dramatic Arts.Enjoy my enlightening conversation with Danny Strong.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Simone Bartesaghi is an Italian award-winning filmmaker who has been recognized by the Directors Guild of America (DGA) and AMPTP (Alliance of Motion Picture and Television Producer) as an artist with "Extraordinary Ability in Directing”.At the age of 24 Simone received his Master’s Degree in Economics at the University of Pisa, Italy. Three years later he established a successful Consulting Company specializing in Corporate Organization and Planning. In 2001 he gave up his thriving career to pursue his childhood dream.Two years later he won several prizes as the Writer/Director of short films, but the highest recognition came when he won the first and second place at the Milan International Film Festival, and became the recipient of both the Top and second Award, TWO Scholarships for THE LOS ANGELES FILM SCHOOL.Only four years after his arrival in the United States, he directed his first feature film DOWNSTREAM, that acquired a theatrical release and also received the prestigious Accolade Award.Simone's second feature RUN, a 3D film that he wrote and directed, has won several prizes including Best Screenplay and Best Emerging Director and is distributed in USA by Millennium. The movie is about the new discipline Parkour (Freerunning) with a rich cast including Eric Roberts (The Dark Knight), Adrian Pasdar (Heroes), Kelsey Chow (Pair of Kings) and William Moseley (Chronicles of Narnia).Simone’s accomplishments and communicative skills have been recognized by many educational organization around the world and he is now an Adjunct Professor in Filmmaking at the prestigious Santa Monica College.Simone is also a published author with his book "The Director's Six Senses", an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. The Director’s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It’s based on the premise that a director is a storyteller 24/7 and must be aware of the “truth” that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the “directorial senses” in order to be able to tell a story in the most effective way.Enjoy my conversation with Simone Bartesaghi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

NFTs are all the rage today but how can indie filmmakers use them to generate revenue? I did an entire episode dedicated to NFT and Indie Films last year and it is, by far, one of the most downloaded episodes ever.Today on the show we have a filmmaker and creator that was able to raise $2 million for a brand new IP using NFTs. His name is Arel Avellino. His brother and him launched an NFT collection called Strange Clan and raised $2 million dollars in sales of the NFTs which has basically helped kickstart the launch of the Strange Clan IP.Arel told me:As someone who is in the film space, I know you know how challenging launching a new IP is which is why so many of our movies today are recycled IPs, spin offs, sequels, and relaunches of old IPs that were successful. I'm not sure if I've heard you talk about this yet on your show, but crypto is an incredibly powerful tool for funding new IPs because it is transparent, gives your audience huge exposure to the success of the project, and allows for a deeper level of community engagement.He wants to see more filmmakers coming to the space and taking advantage of the innovations of crypto without getting sunk by the hype.Enjoy my enlightening conversation with Arel Avellino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show, we have actor, writer, director Brian Petsos. Brian is the writer director of the new film, "Big Gold Brick" starring Andy Garcia, Oscar Isaac, Megan Fox and Lucy Hale just to name a few.After graduating from art school, Brian Petsos eventually began acting and improvising. While in the conservatory at Chicago’s famed SecondCity, he started writing; and later he began making films. Since leaving Chicago for New York City, he has carefully expanded his repertoire to include varying works that he has written, directed, produced, performed in, or some combination thereof.Petsos started his company, A Saboteur, with the mission of producing innovative, original, boundary - pushing films that challenge traditional expectations and underline artistic integrity. His work has run the gamut, from short form content on HBO and spots for commercial clients, to full - length feature films and writing scripts for major studios.But today he is primarily focused on writing, directing, and producing his own distinctly flavored work. Petsos's highly anticipated feature debut, BIG GOLD BRICK, will be released by Samuel Goldwyn Films in North America in winter of 2022.The film recounts the story of fledgling writer Samuel Liston (Emory Cohen) and his experiences with Floyd Deveraux (Academy Award nominee Andy Garcia), the enigmatic middle - aged father of two who enlists Samuel to write his biography.Golden Globe winner Oscar Isaac, Megan Fox, Lucy Hale, and Shiloh Fernandez round out this incredible cast in key supporting roles. The film was written and directed by Petsos, and produced by Petsos and Greg Lauritano under Petsos’s A Saboteur banner, with Executive Producers Isaac and Kristen Wiig.Prior to BIG GOLD BRICK, Petsos wrote, directed, and produced the highly lauded LIGHTNINGFACE (starring Isaac, executive produced by Isaac and Wiig; lightningface.com). The film was an Official Selection of over 30 festivals around the world — including the 60th edition of the BFI London Film Festival, among other high lights.It received a Best Actor nomination for Isaac at the 2017 Vaughan International Film Festival and a nomination for Best Narrative Comedy at the 2016 Miami short Film Festival, and it was the winner of both the Vortex Grand Prize at the 2016 Rhode I sland International Film Festival and Best Short Film at the 2016 Filmfestival Kitzbühel.The film premiered online in summer of 2017 as a highly coveted Vimeo Staff Pick and received an abundance of press coverage — from The Hollywood Reporter to The Huffin gton Post, from Indiewire to /Film, to Slate, BuzzFeed, Gizmodo, Film Threat, Nerdist, and many other outlets globally — which ignited virulent enthusiasm and a continuing flurry of social media chatter.Film School Rejects referred to it as, “Quite simply one of the most intriguing short films of 2017,” adding that, “if LIGHTNINGFACE is eligible for an Oscar Nomination...the other contenders should look out.”Brian and I had a very raw and open conversation about how difficult it was to get this project.Big Gold Brick recounts the story of fledgling writer Samuel Liston and his experiences with Floyd Deveraux, the enigmatic middle-aged father of two who enlists Samuel to write his biography. But the circumstances that lead up to this arrangement in the first place are quite astonishing—and efforts to write the biography are quickly stymied by ensuing chaos in this darkly comedic, genre-bending film.We really get into the weeds about how difficult it was for them to get it going off the ground. Just because he had major talent involved doesn't mean that it got any easier getting the budget together and so many other little gems.Enjoy my conversation with Brian Petsos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion RB Botto. For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Reinaldo Marcus Green is a writer, director, and producer. He most recently directed the critically acclaimed Warner Brothers film King Richard starring Will Smith. The film is nominated for Best Picture at the Critics Choice Awards, was named one of the Top 10 Films of the Year by both AFI, the National Board of Review and an Academy Award® nomination for Best Picture.[presto_player id=110177]Based on the true story that will inspire the world, Warner Bros. Pictures’ “King Richard follows the journey of Richard Williams, an undeterred father instrumental in raising two of the most extraordinarily gifted athletes of all time, who will end up changing the sport of tennis forever. Two-time Oscar nominee Will Smith (“Ali,” “The Pursuit of Happyness,” “Bad Boys for Life”) stars as Richard, under the direction of Reinaldo Marcus Green (“Monsters and Men”).Driven by a clear vision of their future and using unconventional methods, Richard has a plan that will take Venus and Serena Williams from the streets of Compton, California to the global stage as legendary icons. The profoundly moving film shows the power of family, perseverance and unwavering belief as a means to achieve the impossible and impact the world.Aunjanue Ellis (“If Beale Street Could Talk,” TV’s “Quantico”) plays the girls’ mom, Oracene “Brandi” Williams, Saniyya Sidney (“Hidden Figures,” “Fences”) stars as Venus Williams, Demi Singleton (TV’s “Godfather of Harlem”) stars as Serena Williams, with Tony Goldwyn (the “Divergent” series, TV’s “Scandal”) as coach Paul Cohen and Jon Bernthal (upcoming “The Many Saints of Newark,” “Ford v Ferrari”) as coach Rick Macci.The ensemble also includes Andy Bean (“IT Chapter Two”), Kevin Dunn (the “Transformers” films, HBO’s “Veep”) and Craig Tate (“Greyhound”).Green directed “King Richard” from a screenplay written by Zach Baylin. The producers were Tim White and Trevor White under their Star Thrower Entertainment banner, and Will Smith under his Westbrook banner.Isha Price, Serena Williams, Venus Williams, James Lassiter, Jada Pinkett Smith, Adam Merims, Lynn Harris, Allan Mandelbaum, Jon Mone and Peter Dodd served as the executive producers.The behind-the-scenes creative team includes Oscar-winning director of photography Robert Elswit (“There Will Be Blood”), production designers Wynn Thomas (“Da 5 Bloods,” “Hidden Figures”) and William Arnold (“The Hate U Give”), Oscar-nominated editor Pamela Martin (“The Fighter”), and two-time Oscar-nominated costume designer Sharen Davis (“Dreamgirls,” “Ray”).[presto_player id=110180]His first feature, Monsters and Men had its world premiere at the 2018 Sundance Film Festival. The film received a Special Jury Prize for Outstanding First Feature. Reinaldo directed the first three episodes of the Netflix series, Top Boy, executive produced by Drake and SpringHill Entertainment.His sophomore feature Joe Bell, starring Mark Wahlberg, premiered at TIFF 2020 and was distributed by Amazon and Roadside Attractions. He is currently in post-production on the upcoming HBO Limited Series We Own This City. Reinaldo directed all of the episodes of the series, written and executive produced by David Simon and George Pelecanos. Following, Reinaldo is attached to write and direct the upcoming Bob Marley biopic at Paramount.Enjoy my conversation with Reinaldo Marcus Green.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have producer Daniel Sollinger. Daniel and I have fought in the same indie film trenches for years. I had the pleasure of working with him on multiple occassion over the past 1o years.He has a new film coming out called Clean, starring Academy Award® Winner Arian Brody.Tormented by a past life, garbage man Clean (Adrien Brody) attempts a life of quiet redemption. But when his good intentions mark him a target of a local crime boss (Glenn Fleshler), Clean is forced to reconcile with the violence of his past. The film also stars Richie Merritt, Chandler Ari DuPont, Mykelti Williamson, RZA, Michelle Wilson, and John Bianco. It is written by Paul Solet and Adrien Brody. Clean, directed by Paul Solet, arrives in theaters, On Demand, and digital on January 28, 2022.Daniel and I discuss the brutal truth on producing and making indie films in today world.The conversation is full of real-world stories, advice and lessons to help you on your path. Enjoy!!!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker Ryan Templeton. Ryan has been developing a "Frankenstein" self-distribution model for the ever-changing filmmaking landscape. Though this interview was recorded before the pandemic it seemed almost Nostradamus-like in its tone.Ryan and I discuss the changing Hollywood landscape and how indie filmmakers can take advantage of new opportunities that are being created in the vacuum left by the studio model of doing business.Enjoy my conversation with Ryan Templeton.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, producer, and director Josef Kubota Wladyka.Josef Kubota Wladyka’s debut feature film, Manos Sucias, won Best New Narrative Director at the 2014 Tribeca Film Festival and was nominated for two Independent Spirit Awards, Best First Feature and Best Editing.[presto_player id=104851]Josef has also directed episodes of the acclaimed television shows, Narcos, Fear the Walking Dead, and The Terror. Residing in Brooklyn, New York, Josef holds an MFA from New York University's Graduate Film Program and was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. He remains committed to making socially conscious genre films.[presto_player id=104843]Kaylee “K.O.” Uppashaw, a mixed Indigenous boxer, prepares for a championship fight. Her hands are wrapped, gloves taped shut, and face greased. She pounds the mitts with her trainer, Brick. The room echoes with the strength of each hit. She’s preparing for the boxing match of her life. The crowd roars in the distance as the sounds crescendo into a fever pitch— Kaylee wakes up in a women’s shelter from a wishful dream of a life she once had.This is her reality. A boxer struggling to pick up the pieces of her life. After her shift working at a diner, Brick drives her to a clandestine rendezvous. They meet a P.I. who presents evidence that Weeta, Kaylee’s younger sister who disappeared two years ago, is possibly alive and circulating in a trafficking network.He tells her a time and place to plug herself into this dangerous world in hopes of finding her sister. Kaylee agrees and sets off on a dark and treacherous journey. Her strength and determination are tested as Kaylee fights the real fight of her life—to find Weeta and make her family whole again.Enjoy my conversation with Josef Kubota Wladyka.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have entrepreneur and filmmaker Michael D. Ratner.Michael founded OBB Pictures in 2016 and under his leadership the company has grown into OBB Media, an award winning production company and studio with divisions in film, TV, digital, podcasts, branded content, and social good.In addition to running OBB and expanding the business, Ratner continues to act as a multi-hyphenate leading creative on OBB’s marquee projects. Ratner recently directed and executive produced the Amazon Studios Justin Bieber: Our World film.Justin Bieber: Our World takes viewers backstage, onstage and into the private world of the global superstar as he prepares for a record-breaking New Year’s Eve 2020 concert. After a three-year hiatus from a full concert, Bieber delivers an electrifying performance on the rooftop of the Beverly Hilton Hotel for 240 invited guests —and millions of fans across the globe watching via livestream. Produced and directed by award-winning filmmaker Michael D. Ratner, the94minute documentary follows Bieber and his team for the month leading up to the show as they rehearse and construct a monumental stage set. The film also captures personal self-shot moments between Bieber and his wife Hailey through the artist’s own lens.Earlier that year, he directed and executive produced the critically acclaimed SXSW 2021 opening night headlining film Demi Lovato: Dancing with the Devil.Demi Lovato holds nothing back in this powerful four part documentary series exploring every aspect that led to their nearly fatal overdose in 2018, and her awakenings in the aftermath. Director Michael D. Ratner is granted unprecedented access to the superstar’s personal and musical journey during the most trying time of their life as they unearth prior traumas and discovers the importance of physical, emotional, and mental health. Far deeper than an inside look beyond the celebrity surface, this is an intimate portrait of addiction, and the process of healing and empowerment.Prior to that, the Justin Bieber: Seasons docuseries, which broke the record for YouTube Originals as the most-viewed premiere ever globally. These projects focus on helping to normalize and foster dialogue around mental health, conversations around self worth, and supporting causes for social good.Ratner is also the creator, showrunner, director and executive producer of Cold as Balls, the comedy series starring Kevin Hart, which has garnered over 1.8 billion viewers to date and just wrapped its fifth season, and is available on Peacock. Ratner executive produced and directed on &Music for Quibi, and executive produced The Harder Way for ESPN+.He directed and produced Justin Bieber’s music video Intentions, which featured Bieber and Quavo highlighting the stories of 3 Los Angeles women’s struggles, and launched the Intentions Fund. Ratner also co-directed the music video for Dancing With The Devil, alongside Demi Lovato, which was the lead single from their last studio album. Both music videos were nominated for VMAs.Prior to that, Ratner served as executive producer and director on OBB’s Historical Roasts for Netflix. Ratner has also produced and/or directed a number of films that have premiered at Sundance, Tribeca, and SXSW, including Gonzo @ the Derby for ESPN’s acclaimed 30 for 30 series, which followed Hunter S. Thompson’s trip to the Kentucky Derby and is narrated by Sean Penn.Ratner has been recognized by Variety Hollywood’s Creative New Leaders list as well as Forbes 30 Under 30 Hollywood & Entertainment. Prior to that, Ratner graduated summa cum laude from the University of Pennsylvania and went on to receive a Master of Fine Arts in film directing, writing, and producing from New York University’s Tisch School of the Arts.Enjoy my inspiring conversation with Michael D. Ratner.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have film producers Jason Armstrong and Rob Goodrich.Armstrong and Goodrich founded Walk Like A Duck Entertainment, a film production company that develops and produces high quality scripted and non-scripted content.With a combined 30+ years in the entertainment industry, Armstrong and Goodrich have held positions in all aspects of production with a focus on IP acquisition, development, packaging and raising capital.The company has forced strong and supportive relationships with filmmakers and talent, advising and collaborating through all aspects of production.Jason and Rob are currently in pre-production on Andy Armstrong’s SQUEALER, and recently completed production on the following films: SLAYERS (starring Abigail Breslin, Malin Akerman, Thomas Jane), DIG (starring Thomas Jane, Emile Hirsch, Liana Liberato), SKELLY (starring Brian Cox, Torrey Devitto, John Palladino), and SALVATION (Claire Forlani, Thomas Jane, Skeet Ulrich, Theo Rossi, Ashley Moore).They have also acquired life rights of John Fairfax, an adventurer who crossed both the Atlantic and the Pacific Oceans in a rowboat, which they’re currently developing with Tiffany Fairfax, widow of John Fairfax.Armstrong and Goodrich puts a premium value on developing creative and strategic partnerships across sales, distribution, co-production and post-production companies. The trajectory of a project varies on a case by case basis, Armstrong and Goodrich are uniquely positioned to manage all aspects of a projects lifespan.As music, publishing and sync-licensing continue to establish increasing revenue streams and relevance in a financial model for a film or TV series, they have established 6 To Midnight Music, an ASCAP / BMI affiliate with a Co-Publishing deal with BMG Music, headed by Walk Like A Duck Entertainment partner, Cameron Goodrich.Film producers Jason Armstrong and Rob Goodrich have created a way to produce profitable feature films in record speed durning one of the craziest and uncertain times in film history. I sat down with both producers to see how they are doing what they are doing, how they ramped up so fast and how they are making money with there system. Enjoy my conversation with Jason Armstrong and Rob Goodrich.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today we have the award-winning actress, director, producer, entrepreneur and activist by the name of Eva Longoria.Eva Longoria has long established herself as one of the most sought after television directors in Hollywood. Named by Variety as one of their most anticipated directors of 2021, Longoria continues to hone her craft, seek new projects, and expand opportunities for others by paving the way for future women and minority producers, directors and industry leaders in Hollywood and beyond.Her strong work ethic coupled with her passion for storytelling has led to a pivotal moment as she prepares for the release of her feature film directorial debut with Flamin’ Hot. She recently wrapped production for the highly anticipated Searchlight biopic about the story of Richard Montañez and the spicy Flamin’ Hot Cheetos snack for which she beat out multiple high profile film directors vying for the job.Eva became well known worldwide thanks to Desperate Housewives, where she played a main character, Gabrielle Solis.In my journeys as a colorist, VFX and post production supervisor  I had the pleasure of working on a film Eva starred and produced Without Men years ago. I had a ball working on it.The women of a remote Latin American town are forced to pick up the pieces and remake their world when all the town's men are forcibly recruited by communist guerrillas. The only men left in town for years are the priest and Julio who was disguised as a woman.As an trailblazing actress, director, producer, entrepreneur and activist, Eva Longoria has become one the most significant trailblazers behind the camera. For over a decade, she has been directing and choosing projects that have purpose and are focused on elevating the stories of the Latinx and other underrepresented communities.Eva past television directing credits include the ESPN 30 for 30 documentary Versus, as well as episodes of Ashley Garcia: Genius In Love, Grand Hotel, Black-ish, The Mick, LA to Vegas, Jane the Virgin, Telenovela, Devious Maids, Latinos Living the Dream, and the short films Out of the Blue and A Proper Send-Off.She was also nominated for a 2021 Daytime Emmy for her directing work on Ashley Garcia: Genius In Love.As a Global Brand Ambassador for L’Oreal Paris for over 15 years, Longoria has become a frequent director of the brand’s commercials, she recently upped the ante by self-directing the first ever hair color TV commercial created at home on a smartphone at the start of the COVID-19 pandemic.Eva has also contributed writing to publications on the subject of education. She also has a contract with L'Oreal and has been named one of the most beautiful people. Her latest documentary La Guerra Civil is in this year's Sundance Film Festival.This feature-length documentary follows the epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican-Americans. A chronicle of a battle that was more than a boxing rivalry, and examining a fascinating slice of the Latino experience in the process.Here some of why Eva took on this film:“In the Mexican and Mexican-American communities, boxing is so much more than a sport. It is a cultural expression of who we are. The 1996 “Ultimate Glory” fight between Julio César Chávez and Oscar De La Hoya will forever be an iconic memory in our lifetimes. At the time, Chávez was a Mexican national hero entering the 100th professional fight of his career and De La Hoya was a Mexican-American boxer about to enter his prime.Given the distinct differences between these two men and their respective fandoms, nowhere has a rivalry been more intense while also transcending borders to bring everybody together to root for the art of boxing. Many of these same issues of cultural identity dramatically parallel what we are dealing with in our world 25 years later.This is why I wanted to tell this story: to remind people that we can find commonalities amid our differences to bring us back together.”Eva and I discuss her struggles coming up as an actress, transitioning into directing and producing and her new film La Guerra Civil.Enjoy my conversation with Eva Longoria Bastón. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, producer and director Brad Silberling. I had the pleasure of meeting Brad back in 2005 at my first Sundance Film Festival. He was very kind with his time and gave me some great advice.His feature films include City of Angels starring Meg Ryan and Nicholas Cage, Moonlight Mile, starring Jake Gyllenhaal, Dustin Hoffman and Susan Sarandon; Lemony Snickett’s A Series of Unfortunate Events, starring Jim Carrey and Meryl Streep; 10 Items of Less starring Morgan Freeman, Land of The Lost starring Will Ferrell, as well as his debut film, the family classic Casper, produced by Steven Spielberg.In television, his growing stable of hit series include the critically acclaimed comedy Jane The Virgin as well as the period drama Reign, contemporary reboots Dynasty and Charmed, and the new Disney Plus series Diary of A Future President. He is a graduate of the UCLA School of Theater Film and Television where he earned his masters degree in production, following his bachelor’s degree in English from UC Santa Barbara.Brad and I had an amazing talk about the business, warts and all, what it was like having Steven Spielberg as a mentor and how he built his directing career.Enjoy my conversation with Brad Silberling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Julian Higgins is a Los Angeles-based director, writer, and producer. His first feature, GOD'S COUNTRY – a neo-Western thriller starring Thandiwe Newton – will premiere at the 2022 Sundance Film Festival.Julian’s short films have screened around the globe and won dozens of prizes, including the gold medal Student Academy Award, two Student Emmy Awards, and the grand prize of Ron Howard’s “Project Imagination” Contest. His most recent short, WINTER LIGHT, was a top ten finalist for the Oscar.A New Hampshire native, Julian holds a BFA in Film from Emerson College and an MFA in Directing from the American Film Institute. He currently teaches directing at both institutions.Based on a short story by acclaimed author James Lee Burke, God’s Country is a character-driven thriller set in the snowy wilderness of the American West. Thandiwe Newton plays Sandra Guidry, a Black professor living and working in a rural college town. She’s also grieving her recently-deceased mother, for whom she'd served as primary caretaker. On the day of the burial, Sandra discovers a mysterious red truck parked in her driveway.She soon learns it belongs to a pair of local hunters seeking to enter the forest behind her house. Sandra turns them away politely but firmly – her experience tells her these are not the sort of men to welcome freely into her world. But they won’t take no for an answer, and soon Sandra finds herself drawn into an escalating battle of wills that puts her most deeply-held values to the test.Enjoy my conversation with Julian Higgins.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well Sundance 2022 has begun and so has our coverage. Today on the show we have writer/director Chloe Okuno. Chloe is a graduate of UC Berkeley with a masters degree from the American Film Institute Conservatory. There she received the Franklin J. Shaffner Fellow Award, and directed the award-winning horror short film SLUT. Her recent work includes writing a remake of “Audrey Rose” for Orion Pictures and writing and directing a segment of the anthology series V/H/S/94.She's the director of this year's Sundance feature film Watcher. Julia joins her husband when he relocates to his family’s native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied. One night, people-watching from her picture window, she spots a vague figure in an adjacent building, who seems to be looking back at her. Soon after, while alone at a local movie theater, Julia’s sense of being watched intensifies, and she becomes certain she’s being followed — could it be the same unknown neighbor? Meanwhile, a serial killer known as The Spider stalks the city.Below iIn making “Watcher,” I wanted to capture a kind of constant, uncomfortable dread that accompanies many women throughout their lives- one that is expressed through the character of Julia. Julia moves into this apartment building with her husband and quickly begins to believe she is being watched.She recognizes that the Watcher is a threat. She feels it very clearly- even if it’s difficult to articulate the extent of that threat to the people around her. It’s a situation that’s probably quite familiar to most women. We experience the world in a different way than men and then when we try to express that experience, we’re often doubted- written off as paranoid, irrational, or overly sensitive… which in turn can make us begin to doubt ourselves. This has always been at the core of a story that in other ways has evolved greatly since I was first hired to direct it in 2017. Initially, the script was set in New York City, but when it became clear that we would be shooting the movie in Romania, I decided to rewrite it to take place in Bucharest.There are times as a filmmaker where practical limitations end up being creatively very freeing- unlocking something great when you’re willing to embrace the unexpected. This was one of those times. Suddenly, Julia’s experience as a foreigner in this new city heightens all her other feelings of unease and uncertainty.She finds herself increasingly isolated- largely unable to speak the language and therefore alienated from everyone around her. There were of course natural (sometimes uncomfortable) parallels shooting the movie on location in Romania: unable to speak the language, oftentimes sequestered in a hotel room amidst the raging pandemic, and occasionally fighting against the doubt that surrounds you as a woman working in a male dominated profession.Fortunately, life didn’t fully imitate art. I finished the movie without any nightmarish descent into Watcher-style darkness, content with the hope that all of the tension found its way on screen. The filmmakers I admire are the ones who are able to create a language for emotion through their craft, translating what they feel into a form that other people can see and experience for themselves.For Watcher I was inspired by the work of David Fincher, Sofia Coppola, Satoshi Kon, Roman Polanski, Krzysztof Kieslowski, and Mary Harron- filmmakers who have excelled at translating fear, loneliness, and alienation. The hope is always that there will be someone else who can empathize- telling stories so that we can take comfort in the recognition of ourselves in others. As a person filled with seemingly endless anxieties, making films is the best- and possibly the only- way I’ve found to confront them.I’ve done my best to portray them honestly in this film, and I can only hope that those who have experienced similar fears and anxieties will find solace in the knowledge that they are not alone. Enjoy my conversation with Chloe Okuno.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have prolific indie filmmaker Jared Cohn.Jared Cohn is a film/TV director, writer, and producer based in Los Angeles, CA. He has directed over 40 films that have been produced and distributed by major studios and production companies such as Netflix, Hulu, Showtime, Syfy, Lifetime, and many more.His works have been released theatrically and he has won numerous awards and has been featured in GQ, New York Times, LA times, Variety, The Hollywood Reporter, Deadline and many other press outlets. I wanted to have Jared on the show to discuss his process, his origin story and what it was like directing over 20 films for the legendary film studio Asylum Films.His new film is Deadlock starring Bruce Willis.Bruce Willis stars as Ron Whitlock, a wanted criminal leading a team of mercenaries on a mission of vengeance. Convinced that the government is working against them, the merciless group brutally seizes an energy plant and holds everyone inside hostage. With a nearby town on the brink of massive flooding and destruction, it’s up to one retired elite army ranger Mack Karr (Patrick Muldoon) to save thousands of innocent lives before it’s too late.Enjoy my very entertaining conversation with Jared Cohn.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Adrian Martinez.Adrian Martinez has over 100 television and film credits including several standout sidekick roles - “The Secret Life of Walter Mitty,” opposite Ben Stiller, “Casa de mi Padre,” opposite ‘Mexican’ Will Ferrell, “I feel Pretty,” as Amy Schumer‘s office buddy, ‘Mason,’ and as ‘Elliot’ the dog catcher in the CGI and live-action re-imagining of Disney’s Lady and the Tramp.Adrian also co-stared with Will Smith and Margot Robbie in the film Focus.Will Smith stars as Nicky, a seasoned master of misdirection who becomes romantically involved with novice con artist Jess (Margot Robbie). As he’s teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of the high stakes racecar circuit. In the midst of Nicky’s latest, very dangerous scheme, she throws his plans for a loop…and the consummate con man off his game.On the television front, Adrian recently starred in ABC’s crime drama series “Stumptown” alongside Cobie Smulders, Jake Johnson, and Michael Ealy, and in the CBS all access comedy, “No Activity,” produced by Will Ferrell and Funny or Die. Adrian was also a series regular playing computer hacker, ‘Dumont’ in “The Blacklist: Redemption,” on NBC, opposite Famke Janssen and Ryan Eggold.Adrian’s directorial debut, “iGilbert,” a drama he wrote starring himself, Dascha Polanco (“Orange is the New Black”) and Raul Castillo (”Looking”) was recently released by Gravitas Features and currently available on demand and in select theaters.iGilbert is a future fairytale about being seen and feeling unseen. Gilbert feels isolated from the world, life, and people, and is starving for human connection, as he reaches for his cellphone to connect with the world, with dangerous consequences.“There is beauty among the broken in writer/ director Adrian Martinez’s iGilbert, a dreamlike ode to human connection at a time in which our phones keep us safely cradled in our own bubble of safety….”  — Filmthreat.com Enjoy my conversation with Adrian Martinez.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You are in for a treat today. We have legendary 80's action director Sam Firstenberg. At a young age Sam began to "create" movies to entertain his friends. Horrifying his mother, he would cut up books, stringing together the pictures and rolling them up. He would then put the roll into a box with a cut out window, shine a flashlight from behind, and manually pull the roll, revealing the pictures through the window in sequence.Sometimes he would plan a special show in which his sister narrated the "film" based on a script Sam would concoct, and his father would accompany on the violin. As he grew up he found a hobby in photography and by high school had turned his bedroom into a darkroom where he would earn pocket money by developing pictures for his friends.After serving three years in the Israeli army, Sam came to the US in 1971, began to study and work in films, and culminated his studies with “One More Chance," the graduate film thesis which turned into a feature-length film."After Golan bailed us out, our film premiered at the Cannes Film Festival in 1981, then went on to become the official US entry at the prestigious Locarno Film Festival   in Switzerland, and won a Silver Plaque at the 17th Annual Chicago Film Festival. This film became my calling card, and launched my career." recalls Sam.By then Menahem Golan and Yoram Globus had acquired Cannon Films. They hired Sam to direct “Revenge of the Ninja." Sam knew nothing about martial arts, but learned quickly and the film, which starred Sho Kosugi, was shot in Salt Lake City, Utah. Distributed by MGM to a great box-office bonanza, it set the stage for Sam's next directing assignment, “Ninja III - The Domination," also starring Kosugi. The film was shot in Phoenix, Arizona and was also tremendously successful.Both Ninja films directed by Sam were sequels to the highly successful “Enter the Ninja” directed by Golan. "Then came a pleasant opportunity," Sam smiles. "Golan wanted me to direct ' Breakin 2 - Electric Boogaloo," another sequel, which then made me the king of sequels, but also gave me a break from directing Ninja action films."In fact, each of the sequels directed by Firstenberg resulted in better reviews and box office draws than the originals. “Breakin 2 - Electric Boogaloo " was a musical that featured major dance production numbers, filmed in Los Angeles. Distributed by TRI-STAR it was critically acclaimed; and a box office success, one of the reviews hailed it as "The most exuberant musical of the decade."Soon after the release of " Breakin 2 - Electric Boogaloo " Sam was on his way to the Philippines to direct "American Ninja" a major action picture starring Michael Dudikoff and Steve James, who would team up with Sam for two additional motion pictures, "Avenging Force," shot in New Orleans and the swamps of Louisiana, and "American Ninja II"        ’Avenging Force’ was one of the most physically grueling productions I ever worked on,"comments Sam."We spent days and nights in water, mud up to our waists, with snakes crawling between our legs."The film opened to rave reviews. The LA Times called Firstenberg "... a rockin' young action director who's pulled off a series of rave up pictures for Cannon including ' American Ninja ' and ' Electric Boogaloo,' and now in ' Avenging Force ' shows off his savvy style, which combines a keen sense of pacing with brawny punch...it marks the emergence of a truly gifted movie talent."The next picture for Sam was “Riverbend”, a controversial drama with Steve James and Margaret Avery from "The Color Purple." The picture explored race relations in 1966 Georgia, and was an opportunity for Firstenberg to work with strong dramatic material. In sharp contrast, Sam's next picture was an all-out comedy, “The Day We Met,” which proved to him that his directorial talents were easily extended."Delta Force   III” came next, a military action picture with Nick Cassavettes, Eric Douglas, Mike Norris, and Matthew Penn, and was followed with a breakthrough approach to martial arts in “American Samurai” introducing hot young martial artists David Bradley and Marc Dacascos.  Firstenberg then got his first taste of TV work with a nighttime crime show for CBS, directing six episodes of “Sweating Bullets"With the creation of Nu Image, principles Avi Lerner and Danny Dimbort recruited Firstenberg to direct their first production, "Cyborg Cop," and then the sequel, "Cyborg Soldier," both sci-fi action flicks with David Bradley. In addition, Firstenberg completed with Bradley and Frank Zagarino the action picture "Blood Warrior." Next came “Operation Delta Force” a military style action / adventure with Ernie Hudson, Jeff Fahey, Joe Lara, Frank Zagarino, and Hall Halbrok.1997 brought Firstenberg to explore new directorial areas; “McCinsey’s Island” is a comedy for children, a treasure hunt movie with Hulk Hogan, Robert Vaughn, and Grace Jones, and “Motel Blue” with Sean Young, Soleil Moon Frye, and Seymour Cassel, is a psychological thriller with two women in the lead.Sam and I had an amazing conversation about all things Cannon Films, Ninjas, Break Dancing and 80's action films. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscar® nominated filmmaker Joe Wright.Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters. This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.Enjoy my enlightening conversation with Joe Wright.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg. He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide.  Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie. Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing. A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck.The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg’s latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple. Following almost a decade’s worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe. In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman’s film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards. In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp. On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide. In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney’s Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture). In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.” In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others. In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg’s fourteenth film to open number one at the box office. In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain. In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access.  Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks. You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every once in a while I have a conversation on this show that blows my mind, this episode did just that. Today on the show we have Oscar® Nominated producer Chris Moore. He produced films like Good Will Hunting, American Pie, Waiting, The Adjustment Bureau, and Manchester by the Sea. Chris' profile grew from his appearance as the producer on the early 2000's filmmaker reality show Project: Greenlight.I have a short, and I mean short, history with Project: Greenlight but that's another story. After graduating from college, Chris Moore moved to Los Angeles after sometime working in the mailroom of a major agency he got promoted to literary agent. He championed projects like: The Stoned Age, PCU, Airheads, Last Action Hero, and My Girl. When Chris' agency was acquired by ICM, he left and became an indie film producer. With some friends, he raised the budget to produce the indie film Glory Daze, which starred an unknown Matt Damon. Damon turned down the leading role in favor of paid work on another paid project but introduced him to his friend Ben Affleck, who ultimately starred in Glory Daze.Afterward, Affleck and Damon wrote the screenplay for what would become the Oscar® winning Good Will Hunting, and they asked Chris help them produce the film that was directed by Gus Van Sant.Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence.His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.Chris and I had a remarkable conversation about how to produce films in today eco-system. We also discuss what it's like working in the studio system, some of the issues he has with the system, how filmmakers are treated, and so much more. This an EPIC 2-hour conversation full of knowledge and truth bombs so prepare to take some notes.Enjoy my conversation with Chris Moore.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have one-half of the writing team that wrote the record-breaking Marvel film Spider-Man: No Way Home, Erik Sommers.For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.In addition Sommers co-wrote scripts for Spider-Man: Homecoming, Ant-Man and the Wasp, Spider-Man: Far From Home, The Lego Batman Movie and Jumanji: Welcome to the Jungle with Chris McKenna. Erik started his career in television and wrote on the ground-breaking show Community under show runner Dan Harmon (Rick and Morty).Erik tells me how working with Dan changed how he wrote and how he uses Dan Harmon's Story Circle in his writing today.We discuss how he got the Spider-man gig, how he writes with his partner Chris, what it's like working inside the Marvel Studios machine and dealing with the pressure of writing Spider-Man.I watched the new Spider-Man and I have to say it's the best Spider-Man film yet. Get ready to have your nostalgia heart-strings pulled in the best way possible. Erik and Chris did a fantastic job writing the stand-alone film, while still weaving in the larger MCU narrative, not an easy thing to do.Enjoy my conversation with Erik Sommers.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director Daedalus Howell. Daedalus' film Pill Head is the definition of being a Filmtrepreneur. So much, in fact,​ I used his film as a case study in my book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business. The method he used was the "regional cinema model." This mode; is based around developing, producing and distributing a film project targeted to the niche audience of a geographic area. He essentially made an Art House film for his hometown.Pill Head was entirely a hometown affair — from discounted permits to merchant buy-in and a recent theatrical release through a consortium of local exhibitors (no four-walling!) accompanied by tons of local press.In this interview, we go deep into the regional cinema model, how he creates multiple revenue streams and how he got that group of local theater owners to four wall his film for free. Enjoy my inspirational conversation with Daedalus Howell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

As filmmakers we all have challenges to make our films. Today's guest had to deal with obstacles that most of us would never have to. We have on the show filmmaker Tzvi Friedman and he has on heck of a story to tell.  Tzvi is a writer and director based in NYC. He was born and raised in an ultra-religious community where almost all cinema was contraband. Growing up he secretly watched countless movies under his covers and sneaking off to the cinemas. At 18 he started making films, becoming a social outcast, but that didn't stop him.He has since directed multiple short films. At 21 he crowdfunded $10,000 dollars and made his first feature Man. Tortured by his inability to feel emotional or physical pain, a man finds murder to be his only respite - until he meets a lonely woman whose compassion awakens something inside.After he finished shooting the film, by some miracle, veteran producer Cary Woods (Swingers, Scream, Godzilla, and Rudy) discovered his film and jumped on as an executive producer to help Tzvi finish the film.Enjoy my inspirational conversation with Tzvi Friedman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So you made a short film, now WTF do you do? Today guest is filmmaker Clarissa Jacobson and she is the perfect person to guide you through the rough waters of getting your short film out to the world.Clarissa is the writer, producer and creator of the multi-award-winning comedy/horror short - Lunch Ladies - based on her feature. The film garnered forty-five awards and is distributed all over the world.Her follow up short - A Very Important Film - also got distribution. Her optioned feature screenplay, Land of Milk and Honey, is in development with Elizabeth Avellan and Gisberg Bermudez.In addition, Clarissa wrote a book – I Made a Short Film Now WTF Do I Do With It: A Guide to Film Festivals, Promotion, and Surviving the RideI Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.Enjoy my conversation with Clarissa Jacobson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

NEW YEARS BONUS:My book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business has become an Amazon Best Seller. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.Here's a bit of what Rise of the Filmtrepreneur has to offer:It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Jerry Goehring and Patty Carver. They are the founders of Saltbox TV.Saltbox TV is the first-ever streaming service dedicated to connecting older adults with diverse, informative, and engaging programming. Through a simple and user-friendly platform, Saltbox TV welcomes even those with no technical experience. Saltbox TV hosts various programs from music, faith, classic film & television, lifelong learning, wellness, documentaries, arts and crafts, Saltbox Originals, and everything in between.This is the Senior streaming service I represent. They have an incredible mission and great programming for seniors. They’re just moving into original programming and currently developing their first reality show SILVER STARS. Attached is a sheet that highlights that current programming which includes financial assistance, health & wellness, exercise, general entertainment, etc.The real topic here is ageism, the lack of entertainment focused on this demo from content to devices…SALTBOX has made some incredible partnerships with players in the sr industry from pre-loading Saltbox onto tablets for seniors, playing on closed circuits TV at senior homes, and deals with Roku, Firestick, etc.In this episode we discuss the power of niche audience, how to serve them, how to build and audience and much more. Enjoy my conversation Jerry Goehring and Patty Carver.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

CHRISTMAS BONUSAfter months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscars® winning costume designer Janty Yates.Janty Yates has had a collaborative relationship with Ridley Scott since the great success of Gladiator in 2000, for which she won an Academy Award®, one of the eight Oscars® garnered by the film.She was also nominated for a BAFTA, a Golden Satellite and a Saturn Award. She has also had CDG nominations for De-lovely and for The Martian, a Golden Satellite nomination for De-lovely and a Goya nomination for Kingdom of Heaven.Yates is a frequent collaborator with Scott, having worked on thirteen films with him in addition to Gladiator, including: Hannibal (2001); Kingdom of Heaven (2005); American Gangster (2007); Body of Lies (2008); Robin Hood (2010), for which she received a Saturn Award nomination and her fourth Satellite Award nomination; Prometheus (2012), Exodus: Gods and Kings (2014),  and The Martian (2015). Her most recent films with Scott include the epic historical drama film The Last Duel and the biographical crime drama film House of Gucci, both released in 2021.The historical epic is a cinematic and thought-provoking drama set in the midst of the Hundred Years War that explores the ubiquitous power of men, the frailty of justice and the strength and courage of one woman willing to stand alone in the service of truth. Based on actual events, the film unravels long-held assumptions about France's last sanctioned duel between Jean de Carrouges and Jacques Le Gris, two friends turned bitter rivals.Carrouges is a respected knight known for his bravery and skill on the battlefield. Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. When Carrouges' wife, Marguerite, is viciously assaulted by Le Gris, a charge he denies, she refuses to stay silent, stepping forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy.The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands. The film is based on Eric Jager's book "The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France."It is produced and directed by Ridley Scott, Kevin J. Walsh ("Manchester by the Sea"), Jennifer Fox ("Nightcrawler"), Nicole Holofcener, Matt Damon, Ben Affleck with Kevin Halloran ("Ford v Ferrari"), Drew Vinton ("Promised Land"), Madison Ainley ("Justice League") serving as executive producers.You can watch The Last Duel through popular video-on-demand (VOD) retailers like Amazon Prime Video, Vudu, Apple TV (iTunes), Microsoft Movies, and YouTube.Enjoy my conversation with Janty Yates. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker Leroy Kincaide.With over 15 years’ experience in the entertainment industry, both in front of and behind the camera, Leroy has featured on shows created by companies such as ITV, BBC, WWE and PARAMOUNT.Before turning his creative hand to the film industry, Leroy was one of the UK’s top professional Wrestlers, holding a heavyweight championship and at the peak of his career had a televised match on WWE’s SMACKDOWN at the O2 arena.It was around this point in his life, Leroy realised that he wanted to be the creator of his own destiny, so after what was looking to be a very promising future in the wrestling business, he found his true passion for the film industry, and decided to embark on becoming a film director.Wanting to express his storytelling creativity, he founded Nocturnal Pictures in 2014 and has since written and directed several short films, music videos, and has successfully completed his debut feature film The Last Rite.A medical student suffering from sleep paralysis finds herself plagued by a demonic entity, after moving in with her boyfriend.With a distinctive style, dark vision and thought evoking take on story narrative, Leroy is currently building a slate of genre movies fitting for what his imagination can create in a dark cinematic universe.Following the success of the world premiere of The Last Rite, Leroy was nominated for the Screen International “Genre Rising Star” Award for his debut feature film.Enjoy my inspiring conversation with Leroy Kincaide.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

CHRISTMAS THROWBACK: I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have legendary film producer Cary Woods. Cary Woods is a film producer best known for producing worldwide blockbusters such as Scream and Godzilla, the beloved independent films Kids, Cop Land, and Gummo, and modern classics like Rudy and Swingers.Woods is also responsible for producing the breakthrough features of such notable directors as James Mangold, Doug Liman, M. Night Shyamalan, Alexander Payne, Harmony Korine, and Larry Clark, as well as the screenwriting debuts of Jon Favreau, Kevin Williamson, and Scott Rosenberg.Woods' filmography features a lineup of A-List actors, including: Robert Downey, Jr., Robert De Niro, Sylvester Stallone, Marisa Tomei, Christopher Walken, Harvey Keitel, Mike Myers, Laura Dern, Heather Graham, Ray Liotta, Burt Reynolds, Drew Barrymore, Matthew Broderick, Courteney Cox, Timothy Hutton, Andy Garcia, Neve Campbell, Sean Astin, Michael Rapaport, Jean Reno, and Steve Buscemi.Born and raised in the Bronx, Woods graduated from the USC Gould School of Law before beginning his career at the William Morris Agency (now WME). As an agent, Woods represented - and in many cases introduced audiences to - the likes of Gus Van Sant, Uma Thurman, Jennifer Connelly, Milla Jovovich, Charlie Sheen, Matt Dillon, Todd Solondz, and most prominently, Gregory Peck.At WMA, Woods also represented many of the industry's most successful stand-up comedians including Sam Kinison, Andrew Dice Clay, Gilbert Gottfried, Sandra Bernhard, Tommy Davidson, and Jackie Mason.After developing the Indie favorites Heathers and Drugstore Cowboy as an agent, Woods accepted a position at Sony Pictures Entertainment (the parent company of Columbia Pictures and TriStar Pictures) as a Vice President - Office of the Chairman, reporting directly to Peter Guber. Woods later segued to a production deal at Sony, resulting in the release of a succession of iconic films, including So I Married An Axe Murderer, Rudy, Only You, and Threesome.After starting his own production company - Independent Pictures - the explosive release of the 1995 cultural phenomenon Kids (starring then-newcomers Rosario Dawson and Chloe Sevigny) began a streak of culturally significant, critically-acclaimed independent films produced by Woods under his banner.The next few years saw the releases of Citizen Ruth (the first film from future two-time Oscar winner Alexander Payne), Beautiful Girls (which introduced American audiences to Natalie Portman), and Swingers (springboarding Vince Vaughn to comedy mega-stardom).His 1996 film Scream (the most successful film of "Master of Horror" Wes Craven's career) marked a turning point for the entire genre, grossing over $170 million and setting a box office record that would stand for 22 years. The film instantly and single-handedly pivoted horror toward postmodernism, spawning a massive billion-dollar franchise (consisting of successful sequels, a TV series, toys, and Halloween costumes), as well as inspiring countless knock-offs in the years since.Gummo - the directorial debut of Kids' screenwriter Harmony Korine - received the FIPRESCI Prize at the 1997 Venice Film Festival. Bernando Bertolucci, the famed director of Last Tango in Paris, praised the film, calling it "The one revolutionary film of the late 20th century."In 1998, the first US-produced entry of the iconic Godzilla film franchise would become Woods' and Independent Pictures' single highest-grossing film, earning nearly $400 million.Woods would go on to serve as co-Chairman, and Chief Creative Officer of Plum TV, in which he was a founding partner. Broadcasting in the nation's most affluent markets (i.e. Aspen, the Hamptons, Miami Beach), the luxury lifestyle network would go on to earn eight Emmy Awards.Enjoy my conversation with Cary Woods.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have legendary actor Lance Henriksen. I had the pleasure of work with Lance on my film Red Princess Blues: Genesis and if was a surreal experience.Lance has been in over 300 films through-out his remarkable career.He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pumpkinhead, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean-Claude Van Damme and Steven Seagal.He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Sidney Lumet, Francois Truffaut, John Huston, Walter Hill, David Fincher, John Woo, Jim Jarmusch and Sam Raimi, but this is just skimming the surface.An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope.He played Awful Knoffel in the TNT original movie EVIL KNIEVEL, directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed Awful Knoffel in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium, Fox-TV's critically acclaimed series created by Chris Carter (The X-Files).His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star."Henriksen was born in New York City. His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor.Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's Three Plays of the Sea. One of his first film appearances was as an FBI agent in Sidney Lumet's DOG DAY AFTERNOON, followed by parts in Lumet's NETWORK and PRINCE OF THE CITY.He then appeared in Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND with Richard Dreyfuss and François Truffaut, DAMIEN: OMEN II and in Philip Kaufman's THE RIGHT STUFF, in which he played Mercury astronaut Capt. Wally Schirra.James Cameron cast Henriksen in his first directorial effort, PIRANHA II: THE SPAWNING, then used him again in THE TERMINATOR and as the android Bishop in the sci-fi classic ALIENS. Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western THE QUICK AND THE DEAD.Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's NEAR DARK, in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film THE DAY LINCOLN WAS SHOT.In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today.His new film is called Alpha Rift.Nolan Parthmore was just a regular guy, hanging with friends, working his game store, flirting with his co-worker, then one day, destiny came calling. A courier delivers a mysterious antique helmet with no note or description. When Nolan puts it on, his whole world changes. The helmet comes to life and calls out to an evil demon, Lord Dragsmere, who was imprisoned by Nolan's deceased father.Nolan soon discovers he is next in the bloodline, heir to The Nobleman, destined to become a hero whether he wants to be or not. Since the Dark Ages, the Noblemen have been guardians against the 13 Devil's Apostles: dark forces escaped from hell and let loose upon on earth. Generations later, it's the heirs of these original knights that possess the power to open the Alpha Rift:the only defense against these supernatural foes.Enjoy my conversation with Lance Henriksen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscar® nominee Jeff Cronenweth A.S.C. Cronenweth worked as a loader and 2nd assistant before graduating high school, and then enrolled in film school at USC where he studied cinematography. Among his classmates were John Schwartzman and Robert Brinkmann, as well as [director] Philip Joanou.After graduation, Cronenweth resumed working with his father, joining a core camera team that included operators John Toll and Dan Lerner, and 1st assistants Bing Sokolsky and Art Schwab.Jeff worked with father Jordan Cronenweth (cinematographer most notable for Blade Runner) as a camera loader and second assistant camera during high school, working his way up to first assistant camera and then camera operator until the mid-1990s.Moving up to first assistant, Cronenweth began working with Toll, who was just beginning his work as a cameraman, and veteran Sven Nykvist."I couldn't have learned from better people than John, Sven and my father,"Cronenweth relates."They were all soft-spoken, but very tenacious in achieving their goals. It was a great experience to watch them, learn set etiquette and see how they delegated responsibilities and dealt with producers and crews. I did six pictures with my father and eight pictures with Sven." [From American Cinematographer Magazine.]The first major motion picture where he acted as a DP was on David Fincher's masterpiece Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, and Gone Girl.Enjoy my conversation with Jeff Cronenweth A.S.C.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You are in for a treat today. We have returning champion writer/director Sean Baker. Sean Baker is a writer, director, producer and editor who has made seven independent feature films over the course of the past two decades. His most recent film was the award-winning The Florida Project (2017) which premiered at the Cannes Film Festival and was released by A24 in the U.S. Among the many accolades the film received -- including an Oscar nomination for Willem Dafoe for Best Supporting Actor -- Sean was named Best Director by the New York Film Critics Circle.His previous film Tangerine (2015) premiered at the Sundance Film Festival and won an Independent Spirit and two Gotham Awards. Starlet (2012) was the winner of the Robert Altman Independent Spirit Award and his previous two features, Take Out (2004) and Prince of Broadway (2008), were both nominated for the John Cassavetes Independent Spirit Award.His remarkable new film is Red Rocket. The audacious new film from writer- director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny, humane portrait of a uniquely American hustler and a hometown that barely tolerates him.I watched Red Rocket and I have to tell you it's one of the best films I've seen this year. Sean and I discuss his creative process, how he shot Red Rocket with a 10 person crew and a very limited budget, during COVID. Red Rocket opens today in theaters. Enjoy my conversation with Sean Baker. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director Nora Fingscheidt.Nora Fingscheidt was born in 1983 in Germany and spent her youth partly in Argentina. From 2003 onward she participated in the development of the self-organized film school filmArche in Berlin. At the same time, she completed her training as an acting coach under Sigrid Andersson. Nora studied fiction directing at the Film Academy Baden-Württemberg. Her graduation film, the full-length documentary WITHOUT THIS WORLD about a conservative Mennonite colony in Argentina, won the Max Ophüls Prize and First Steps Award in 2017.Her narrative film debut, SYSTEM CRASHER, premiered at Berlinale 2019, where it won a Silver Bear (Alfred Bauer Award), won eight German Film Awards and many international awards. SYSTEM CRASHER was Germany’s entry for the Oscars in 2020. She continues to work both in documentary and narrative, as well as with full-length films and shorts.Nora directed her new film THE UNFORGIVABLE starring Sandra Bullock which will premiere on Netflix December 2021.Released from prison after serving a sentence for a violent crime, Ruth Slater (Academy Award-winner Sandra Bullock) re-enters a society that refuses to forgive her past. Although she feels a pull to the place she once called home, only harsh judgment awaits her there.Ruth’s only hope for redemption is in finding her estranged younger sister Katie (Aisling Franciosi), who she was forced to leave behind. In her quest to reunite with Katie and adjust to life on the outside, Ruth encounters obstacles she expects and those she never saw coming from those whose lives are disrupted by her release.Bullock produces along with Academy Award winner Graham King(Bohemian Rhapsody, Traffic) and stars alongside Vincent D’Onofrio, Jon Bernthal, Richard Thomas, Linda Emond, Aisling Franciosi, Rob Morgan, Emma Nelson, Will Pullen, Thomas Guiry and Viola Davis.Enjoy my conversation with Nora Fingscheidt. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, director and producer Lissette Feliciano. She is a Tribeca Film Institute AT&T Untold Stories grant recipient, was named as one of Shoot Magazine's new directors to watch, and has served as an ambassador for The Wraps Power Women Summit.Her production company Look at the Moon Pictures develops original content that shines a hero's lens on underrepresented groups, joining the ranks of creators filling the market gap in storytelling for a new young multicultural audience.Under Lissette's leadership, Look at the Moon was among the first production companies to mandate 50% BIPOC representation across leadership positions on and off-camera - a metric they are proud to consistently achieve. An avid supporter of young women’s education, she sits on several committees for an all-girls high school serving low-income students in her hometown of the Mission District of San Francisco.Her latest film projects is Women is Losers.In 1960s San Francisco, a once-promising catholic school girl, Celina Guerrera, sets out to rise above the oppression of poverty and invest in a future for herself that sets new precedents for the time.The film was produced independently and picked up by HBOMax as a major release on its platform. A true cinderella story. We discuss how she financed the film, her struggles with production, getting her amazing cast and much more.Get ready to be inspired. Enjoy my conversation with Lissette Feliciano.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This week I had the pleasure of sitting down with writer, producer, former studio executive and diversity thought leader Kelly Edwards. Many of us want to be able to pitch our shows to a network or studio but just don't know how the game is played. Kelly not only knows how the game is played she wrote a book on how to do it.Her new book is The Executive Chair: A Writer’s Guide to TV Series Development. To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls.The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions. Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script."There are a million ways to break into Hollywood. Your journey will be unique to you. Meet all the people. Work all the angles. But most of all, enjoy the ride." - Kelly EdwardsKelly Edwards recently transitioned from inside the network ranks into a writing and producing deal with HBO under her Edwardian Pictures banner.In her former executive role, she oversaw all of the emerging artists programs for HBO, HBOMax, and Turner. The pilots she produced through the HBOAccess Writing and Directing fellowships have screened at major film festivals including Tribeca and SXSW, and garnered multiple awards.Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.Edwards’ career spans both television and film. Early in her career, she worked as a creative executive in features at both Disney and Sony under such talents as Garry Marshall and Laura Ziskin. After moving to television, she served as a senior executive at FOX where she developed LIVING SINGLE, CLUELESS, and THE WILD THORNBERRYS. While heading up UPN’s Comedy division as the SVP of Comedy Development she developed GIRLFRIENDS, THE PARKERS, and MALCOLM IN THE MIDDLE.In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives in TV, Film, Digital, as well as assistants, all designed to connect current and future industry executives with one another.Kelly and I had an amazing conversation about the business, how to pitch a television project to a studio, and much more. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we go through the good, the bad and the ugly of being an indie filmmakers. On the show we have filmmaker Adam White. We discuss the making of his new film Funny Thing About. We discuss financing, casting, how he got Jon Heder (Napoleon Dynamite) to say yes to a supporting role in a romcom, shooting an ensemble cast during the pandemic, how we were filming the movie without having all of the funding in hand, securing distribution and much more. It's a pretty insane story.Samantha Banks is a successful business with a handsome fiancee. But over one crazy Thanksgiving Holiday with her scheming family, her whole world is thrown into a tailspin when they invite her ex-boyfriend, "the one that got away."We also discuss how he financed his first feature Inspired Guns and when that was a box office flop he lost everything including his house. It took seven years for him to bounce back and make another feature. The last thing Elder Fisher expects when he and his brand new companion, Elder Johnson, hit the streets of New York is a couple of seemingly golden prospects. But dimwitted brothers Roger and Larry, low-level Mafioso, think the two Mormon missionaries who approach them have been sent by the “Boss” to deliver their next assignment.So the brothers are willing to listen to anything the young men in dark suits have to say—including a message of salvation—even if Elder Johnson is the most overconfident and underprepared missionary to ever attempt to preach the word of God. Soon the witless brothers are searching through the Book of Mormon in a quest to find a hidden message.But as the missionaries and Roger and Larry continue to meet for discussions, both the mafia and the FBI have their sights set on Elders Fisher and Johnson. The mob thinks the missionaries are FBI; and the FBI believes the young men are hitmen on a mission—and both groups want the elders out of the picture. The Elders come to realize they must rely on each other to survive this case of mistaken identity.Enjoy my conversation with Adam White.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Stephen Beres is an Emmy award-winning producer and technologist who currently serves Senior Vice President of Production Operations at HBO & HBO Max, where he leads a bi-coastal team of production and post professionals that help create record-setting television shows like Westworld and Game of Thrones. He also spearheaded the network’s shift from film to digital filmmaking, starting with Game of Thrones.Before leading the Studio and Production Service groups, Steve served as HBO's Production Technology Architect and was responsible for smoothly transitioning HBO from film capture into the file-based world. Steve graduated with a Film Degree from Full Sail University (FYI, I graduated from Full Sail as well).We have an entertaining and eye-opening conversation on how one of the biggest networks in the world handle workflow from the camera to the final stream on HBOMax. Enjoy my conversation with Stephen Beres.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

As we get older it seems that we lose tough with our inner child. We lose touch with that remarkable creative engine. Filmmakers like Steven Spielberg and Guillermo del Toro have figured out a way to not only stay in contact with his inner child but also not lose his sense of wonder.Today's guest will be helping us tap into out own sense of wonder that can help you on your creative path. We have on the show author, entrepreneur and human potential expert Jeffery Davis.Jeff approach's life and work as a quest. Everything he does – from building a thriving business to writing books to serving as a branding strategist to designing live Brand Artistry Labs to delivering keynotes to guiding his two girls’ through childhood – are part and parcel of the same quest for integrity, meaning, and making.But like most quests, mine has been neither easy nor straightforward.He has deliberately sought a life of meaning and making since he was 19 and declared in his private notebook that he would become a writer and preserve my imagination.In his 20s, he co-founded The Walden Institute, devoted to studying  human potential through the intersections of neuroscience, existential psychology, and the literary arts. By age 31, though, he was all intellect and drive with a shrinking heart and vanishing imagination.I get to work with top-notch change-makers, and that includes our team of creative renegades at Tracking Wonder consultancy – our boutique consultancy focused on brand story identity, strategy, and asset development.Tracking wonder is not kid’s stuff. It’s radical grown-up stuff.Jeff lives with these burning questions that shape his days:How does Story change us?How is creating a signature brand with integrity a meaningful, creative endeavor?How is wonder the source of every human being’s original creative genius?How are building a family and building a business part and parcel of living a life of making meaning, projects, a livelihood, and a difference?The result has culminated in this quest for tracking wonder.His new book is called Tracking Wonder: Reclaiming a Life of Meaning and Possibility in a World Obsessed with Productivity.Discover how the lost art of wonder can help you cultivate greater creativity, resilience, meaning, and joy as you bring your greatest contributions to life.Beyond grit, focus, and 10,000 hours lies a surprising advantage that all creatives have—wonder. Far from child’s play, wonder is the one radical quality that has led exemplary people from all walks of life to move toward the fruition of their deepest dreams and wildest endeavors—and it can do so for you, too.“Wonder is a quiet disruptor of unseen biases,” writes Jeffrey Davis. “It dissolves our habitual ways of seeing and thinking so that we may glimpse anew the beauty of what is real, true, and possible.” Rich with wisdom, inspiring stories, and practical tools, Tracking Wonder invites us to explore how the lost art of wonder can inspire a life of greater joy, possibility, and purpose. You’ll discover:The six facets of wonder—key qualities to help you cultivate the art of wonder in your work, relationships, and lifeHow wonder can help us fertilize creativity, sustain the motivation to pursue big ideas, navigate uncertainty and crises, deepen our relationships, and more.The biases against wonder—moving beyond societal and internalized resistance to our inherent giftsWhy experiencing wonder isn’t really about achieving goals—though that happens—but about how we live each dayInspiring stories of people whose experiences of wonder helped them move through the unthinkable to create extraordinary livesPractical exercises, tools, and reflections to help you begin your own practice of tracking wonderA refreshing counter-voice to the exhausting narrative hyper-productivity, Tracking Wonder is a welcome guide for experiencing more meaning and joy in the present moment as you bring your greatest contributions to life.If you are stuck or just need a jump start to your creative process then get ready to take some notes.Enjoy my "wonder" filled conversation with Jeffery Davis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show is producer and director Robert Alexander. ROBERT ALEXANDER is a self-taught filmmaker and photographer, Emmy Award®-winning director and executive producer whose creative work spans film, television and advertising.After making his directorial debut with HBO’s The Shop, featuring LeBron James, Barak Obama, and Maverick Carter, Alexander has emerged as a creative to watch with his highly inventive, visceral and raw approach to storytelling. Outside of his feature work, he is a talented commercial helmer with work on campaigns for top brands such as Nike, Alaska Airlines and Kia.Alexander is originally from Michigan but came of age in Brooklyn, New York, and currently resides in Los Angeles, where he is the CEO of Hardware Agency, a premium creative agency specializing in film, television and advertising work.In 2009, Scott Mescudi aka Kid Cudi released his debut LP, Man on the Moon: The End of Day. A genrebending album that broke barriers by featuring songs dealing with depression, anxiety and loneliness, it resonated deeply with young listeners and launched Cudi as a musical star and cultural hero. Director Robert Alexander’s A Man Named Scott explores Cudi’s journey over a decade of creative choices, struggles and breakthroughs, making music that continues to move and empower his millions of fans around the world.Enjoy my conversation with Robert Alexander. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans, Sons of the Prophet and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award and is a two-time Pulitzer Prize finalist.Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021. He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which was released by Sony Picture Classics.His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award, and Hull-Warriner Award. Stephen and I have a great conversation on how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process and much more. Erik Blake gathers three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. As darkness falls and eerie things go bump in the night, the group's deepest fears are laid bare.Enjoy my conversation with Stephen Karam.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Who are you going to call? Yup that is right, we have on the show today to co-writer of the new installment in the Ghostbusters universe, Gil Kenan.From director Jason Reitman and producer Ivan Reitman, comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Jason Reitman & Gil Kenan.Now Gil isn't just an accomplished writer but also an Oscar nominated filmmaker (Best Animated Film) for the animation classic Monster House (2006). He also wrote and directed, Poltergeist (2015) and City of Ember (2008) and the new Netflix film A Boy Called Christmas.In ordinary young boy called Nikolas sets out on an extraordinary adventure into the snowy north in search of his father who is on a quest to discover the fabled village of the elves, Elfhelm. Taking with him a headstrong reindeer called Blitzen and a loyal pet mouse, Nikolas soon meets his destiny in this magical, comic and endearing story that proves nothing is impossible. A BOY CALLED CHRISTMAS, on Netflix Nov. 24 in select territories.Gil and I had a great conversation about working with Jason and his dad Ivan Reitman on bring Ghostbusters back to life, the pressure of playing in the Ghostbuster universe and lessons learned from his journey in Hollywood.BTW, I had the pleasure of watching Ghostbusters: Afterlife and all I can say is if you like the originals you're going to love it. Enjoy my conversation with Gil Kenan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Oscar® nominated documentarians Betsy West & Julie Cohen.Betsy West (Director/Producer) is an Academy Award®-nominated Emmy winning director/producer of RBG (Magnolia, Participant, CNN Films, 2018), along with Julie Cohen. Most recently, she and Cohen directed My Name is Pauli Murray (Participant/Amazon Studios), which premiered at the Sundance Film Festival in 2021.Betsy was executive producer of the MAKERS PBS/AOL documentary and digital series about the modern women’s movement, and the feature documentary The Lavender Scare (PBS, 2019). As an ABC News producer and executive producer of the documentary series Turning Point, she won 21 Emmy awards. Betsy is the Fred W. Friendly Professor Emerita at Columbia Journalism School.Julie Cohen (Director/Producer) is the Academy Award® nominated, Emmy winning director and producer of RBG (Magnolia, Participant, CNN Films, 2018) along with Betsy West. Her film My Name is Pauli Murray, also directed with West, premiered at the 2021 Sundance Film Festival.Previous films she’s directed include The Sturgeon Queens (7th Art Releasing; Berlinale, 2015; Best of the Fest, San Francisco Jewish Film Festival), and Ndiphilela Ukucula: I Live to Sing (2014 New York Emmy Award for Best Arts Program).Before she started making documentaries, Julie was a longtime staff producer for NBC News. She's been an enthusiastic amateur cook and baker ever since her parents bought her a Cuisinart for her bat mitzvah in the 1970s.Their current film is called JULIA. The film tells the remarkable story of the groundbreaking cookbook author and television superstar who forever changed the way Americans think about food, about television, and even about women.Using a treasure trove of never-before-seen archival video, personal still photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the documentary will trace Julia Child’s surprising path, from her struggles to create and publish the revolutionary ‘instant’ classic Mastering the Art of French Cooking (1961, Knopf Doubleday Publishing Group), to her empowering personal story of a woman in her 50s, finding her calling as an unlikely television sensation.[presto_player id=50611]This is the first feature-length documentary solely devoted to Julia Child, and will illuminate her casual upheaval of the male-dominated culinary and television worlds.Almost single-handedly, Julia Child upended the mythology that women could not hold their own at the highest levels of creative gastronomy, and that the only women Americans wanted to see on TV were young, submissive, and conventionally beautiful.JULIA is produced with the full cooperation of Julia Child’s friends, family, and the Julia Child Foundation.  It follows the highly-acclaimed documentary, RBG, executive produced by CNN Films, directed and produced by West and Cohen through their company Storyville Films, and edited by Carla Gutierrez, who will also edit JULIA.The film comes out Nov 12 in-theatres NY/LA followed by nationwide expansion.In this episode we not only discuss the making of Julia and RBG but also cover how they approach documentary, the craft of tell stories and much more. Enjoy my conversation with Betsy West & Julie Cohen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.Today on the show we have producer Elizabeth Avellán. Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more. Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Being a podcaster now for over 600 episodes I've heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today's guest story is easily one of the most incredible and entertaining origin stories I've ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi.Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage.  Unlike most writers/directors who go on to produce their debut films, Gervasi’s 1993 entry project wasn’t made until just three years ago. I promise you, Sacha spills every detail of the fascinating story of his encounter with Hervé Villechaize, the famous little person from shows like Fantasy Island and films like James Bond's The Man with the Golden Gun. Hervé was arguably one of the most famous people in the world in the late '70s and early 80's. Sacha sat with Herve in a marathon interview, and the connection they forge during their brief, yet impactful meet.After his life-changing encounter with the Fantasy Island star, which followed Hervé's abrupt and unfortunate suicide, Sacha was determined to get his story told in its entirety and justifiably.  He ditched his mid-level journalism job in England and moved to Los Angeles to attend film school at UCLA after developing the script for My Dinner with Herve. While on the climb-up, Sacha wrote screenplays for The Big Tease (1999) and The Terminal (2004) which was directed by Steven Spielberg and starred Tom Hanks. The comedy-drama film grossed $219.4 million at the Box office with a $60 million budget and has become a holiday classic in the UK.Tom Hanks played an Eastern European tourist who unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there because he is denied entry into the United States and at the same time is unable to return to his native country because of a military coup.In 2008, Sacha made his documentary directorial debut and executive produced Anvil! The Story of Anvil. The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.He also directed the 2012 film Hitchcock, a story about the relationship between Alfred Hitchcock and his wife, Alma Reville during the filming of Psycho (1969). It starred Anthony Hopkins, Helen Mirren, and Scarlet Johansson. Sasha is such an interesting human being, I had such a ball talking with him.  We talk about the film business, his origin stories, his screenwriting craft, what he's doing now, and so much more.Enjoy my entertaining conversation with Sacha Gervasi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg. John has been named by American critic Roger Ebert as"one of the few genuinely independent American filmmakers",which John modestly denies![presto_player id=46221]John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.John Sayles is an example of someone who supports the independent film movement. John's films Lone Star (1996) and Matewan (1987) were both nominated for the Academy Award for Best Picture and John himself has been nominated twice for the Academy Award for Best Original Screenplay.John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling old battle stories, which are always very entertaining. It is a whole other world when a director says, ‘CUT!’ to the final scene and the elves of film production, EDITORS, get to work. While I am curious to hear Geal’s stories from behind the scenes, I would like to focus first on her new book, Editing for Directors: A Guide for Creative Collaboration which was released in August of 2021. This is her fifth publication which shares tools and lessons from her expert experience in film production/editing. Gael has been nominated twice for the Cable Emmy award for comedy editing and has taught editing practices and history at Loyola Marymount University and California State Universities at Long Beach, Los Angeles, and Northridge.Editing for Directors: A Guide for Creative Collaboration focuses on how directors should be working with editors. It guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book:Describes the artistic, organizational, and technical skills editors bring to the party; with tools on what directors should look for when hiring an editor and the best ways to work with an editor; It further explains how and why directors should plan for editing before they shoot a frame. An entire chapter is devoted to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing while defining and discussing cutting-room terms, practices, and workflows.Gael filmography credits her editing on wonderful 90s television shows like Max Headroom, Deep Dark Secrets, A Mom for Christmas, Family Matters, and The Very Retail Christmas. Some of her other books include Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know and Cut by Cut: Editing Your Film or Video.It’s always fun to hear unique stories from seasoned technicians and the huge technological revolution or evolution their line of work has had to face as well as their adaptation processes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today is the well-regarded screenwriting lecturer, story consultant, and eminent author, Robert McKee. Reputable for his globally-renowned ‘Story Seminars’ that cover the principles and styles of storytelling. I read his book years ago and refer to it often. I discovered McKee after watching the brilliant film Adaptation by the remarkable Charlie Kaufman. Kaufman literally wrote him into the script as a character. McKee's character was portrayed by the Emmy Award-winning actor Brian Cox.If you haven't heard of Robert McKee then you're in for treat. Robert McKee is what is considered a "guru of gurus" in the screenwriting and storytelling world.He has lectured on storytelling for three decades, and his book Story: Substance, Structure, Style and the Principles of Screenwriting (FREE AUDIO BOOK VERSIONS HERE) is a "screenwriters' bible". It’s also become the bible for TV writers, and entertainment executives, and their assistants.McKee’s former students include 67 Academy Award winners, 200+ Emmy Award winners, 100+ Writers Guild of America Award winners, and 52 Directors Guild of America Award winners.Some of his "Story Seminar" alumnae including Oscar® Winners Peter Jackson, Julia Roberts, John Cleese,  Geoffrey Rush, Paul Haggis, Akiva Goldsman, William Goldman, and Jane Capon, among many others.McKee’s work has shaped the way Hollywood movies have been written for years. Particularly, Story: Substance, Structure, Style and the Principles of Screenwriting, written in 1997. A very resourceful guide for screenwriters. In Story, he expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. More than 100 big-name screenwriters have benefitted from his seminars at one point or another.Many of you might have been introduced to McKee's work in the film Adaptation,where the great Brian Coxportrayed him. This is how I began my journey into McKee's game-changing book Story: Substance, Structure, Style and the Principles of Screenwriting.Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald (Nicolas Cage). While struggling to adapt "The Orchid Thief," by Susan Orlean (Meryl Streep), Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.My interview covered discussion on McKee’s latest book which is linked below, Character: The Art of Role and Cast Design for Page, Stage, and Screen. And a combination of his other books Dialogue: the Art of Verbal Action for Stage, Page,and Screen, andStorynomics: Story-Driven Marketing in the Post-Advertising World, which are both linked in the show notes.This interview felt like a free pass to one of McKee's sold out seminars --- packed with knowledge bombs.Absorb as much knowledge as you can because it come fast and hard. Enjoy this conversation with Robert McKee.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

If you have ever been interested in directing television or a series on Netflix then this is the episode for you. Today on the show we have legendary television director Dan Attias.Dan has worked as a director in the film and television industry for 37 years. As a director of series television he has received the Directors Guild of America award for outstanding direction of dramatic television and has been nominated for multiple Emmy awards for his comedy directing. He continues to work on some of the most celebrated and critically acclaimed American television shows, including Homeland, The Americans, The Marvelous Mrs. Maisel, Billions, and The Boys.Previously he has directed The Sopranos, The Wire, Six Feet Under, True Blood, Entourage, The Killing, The Walking Dead, True Detective, Ray Donovan, Bloodline, Friday Night Lights, Northern Exposure, House, Lost, Alias, among many others. His first professional directing assignment was the feature film, Stephen King’s Silver Bullet, produced by Dino DeLaurentiis. Dan started his career studying acting, then worked as an assistant director under Steen Spielberg on E.T. The Extraterrestrial, Airplane!, One From the Heart and several other feature films.He has taught acting and directing workshops in the United States, and has appeared as a guest speaker at festivals in Italy, Brazil, Greece, Mexico and Canada. Before working in the film and television industry, Dan was enrolled in a Ph.D. program in English literature at U.C.L.A., then transferred to the Theater Arts Department where he earned an M.F.A. in film production.His new book Directing Great Television: Inside TV’s New Golden Age dives deep into his career, techniques and amazing behind the scenes stories of some of the best television shows in history.Sharing his own process honed over a decades-long career, Emmy-nominated director Dan Attias brings you into the actual experience of directing series television. Whether it’s the high-stakes pressure of solving a last-minute problem on set, or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time.Offering a fundamental focus on story, and eschewing industry language for plain talk, Attias offers in-depth guidance how best to work with actors, how to “speak” through the camera, how to work with a showrunner, and how to be ready for the many ways a director will be challenged, large and small. Directing Great Television is a fascinating window into television’s best shows, compelling to directors and non-directors alike.Attias’s book transcends other filmmaking guides by detailing his journey to a surprising place of self-discovery, one with applications beyond entertainment.Enjoy my conversation with Dan Attias.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we welcome back to the show Jonathan Wolf, Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market (AFM).The American Film Market is the most efficient film acquisition, development, and networking event in the world. Unlike a film festival, AFM is a marketplace where production and distribution deals are closed. More than US$1 billion in deals are sealed every year — on both completed films and those in every stage of development and production.Over 7,000 industry professionals from more than 70 countries converge in Santa Monica every November. They include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.At AFM, participants can discover the entire global catalog of available films and projects, attend 50+ world-class conferences, roundtables, and presentations, and connect with the independent film community’s decision-makers, all in one convenient location without the distraction of a film festival.The American Film Market 2021 will go on during this crazy time but not how you might think. AFM will be conducted completely online.I'll also be speaking at this year's AFM with my good friend and film distributor Linda Nelson on November 3, 2021, at 9am PST.Jonathan and I discuss how to sell your film on today's ever-changing world.Enjoy my conversation with Johnathan Wolf  from the American Film Market.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

HALLOWEEN BONUS from my other show Bulletproof Screenwriting.Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.Enjoy my spooky conversation with Jeffrey Reddick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

HALLOWEEN BONUS from my other show Bulletproof Screenwriting.I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations. He’s renowned for his screen adaptations of Stephen King’s books like Sleepwalkers (1992) , and creator of 2005, Masters of Horror series.The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s. It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho which comes out tomorrow.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, director and actress Carlson Young. Carlson is the creator of the new film The Blazing World.Decades after the accidental drowning of her twin sister, a self-destructive young woman (Carlson Young) returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Through an epic journey down the darkest corridors of her imagination, she tries to exorcise the demons pushing her closer and closer to the edge.The Blazing World premiered at the Sundance Film Festival 2021 to rave reviews. We discuss the difficult process of bringing this personal film to the screen, how she used a short to get the feature film made, how she got financing, shooting durning COVID and much more.Enjoy my conversation with Carlson Young.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I am excited to have back on the show legendary writer, director Alex Proyas. The last time he was here, we discussed his career, working within the studio system, dealing with insane interference in his creative vision, why he was shooting short films. At the time, his movie, The Heretic Foundation, and his misadventures in Hollyweird had just been released.I've been following all the cool stuff he's been working on social media,  his shorts, etc. I'm thrilled for him. It's nice seeing an artist creating and not waiting for someone to permit them to make.For those of you who are not familiar with Alex Proyas's work, he is the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, iRobot, and Mask of the Evil Apparition.iRobot was directed by Proyas, written by Akiva Goldsman and Jeff Vintar. The 2004 Box Office $346 million grossed film received mixed reviews. It starred Will Smith and was a technophobic cop in 2035 who went on to investigate a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.Today, we are talking more about his new streaming platform VIDIVERSE. I really wanted to promote what you're doing because I know it's coming from a great place. I need to promote what you're doing because I know it's coming from a great place.VIDIVERSE is a new streaming platform that offers a non-exclusive destination for streaming curated content of all kinds. In time, the platform will partner with creators to help produce content.Most independent filmmakers are getting away from Youtube, and that was the inspiration behind Proyas's VIDIVERSE. YouTube seems to have developed stricter policies about who derives any income from content. Even though a few people manage overtime to beat the algorithm, most creators get very few views. Independent creators to continue building through the platform. Vimeo, and others that similarly target filmmakers ease the streaming challenge. Still, there's nothing between those two ends of the spectrum because YouTube seems to soak it all up through advertising. So, someone like Proyas, who has moved effortlessly between helming TV commercials and music videos to feature films, understands the demand for more targeted platforms and fair revenue distribution models. This is what he intends to develop with VIDIVERSE.Alex also gave us an EXCLUSIVE UPDATE on the development of his Dark City streaming series. This was a fun conversation.Please enjoy our guest, Alex Proyas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I read an article the other day about a filmmaker who spent the better part of a decade trying to finish a movie due to unforeseen circumstances and spiral depression. I was immediately intrigued because that's part of the package that this line of work comes with that we don't talk about as much. So, I brought on the award-winning filmmaker and writer Lucas McNelly to talk about his movie, Upcountry, and how depression affects his life and creativity. Lucas McNelly has written and directed such feel-good projects as Blanc de Blanc, A Year Without Rent, L'Attente, Gravida, Maine Noire, and Indies for Indies series. He currently works as Director of Films and Assistant to Marla Singer at Long Winter Soap Company.While his interest was initially in sports broadcasting like basketball and baseball, he pivot to filmmaking in his sophomore year of college after winning a students' film festival by happenstance.The production of his 2021 movie, UpCountry, took almost a decade to complete. Lucas wrote and directed Upcountry--- a true labor of time and passion because he came to the brink of losing this project.The movie plot is about a group of friends from New York City who hires a guide to take them on a fishing trip deep in the woods of northern Maine. But, when the guide takes all their gear, they find themselves stranded in the middle of nowhere.He goes in-depth about the process and all the curveballs he dealt with over the decade. Perseverance is one word I can use to describe Lucas's story and the making of Upcountry, but you have to listen to be your own judge. He has another upcoming project, Maine Noire; you can check out on his website--- you can find all the details in the show notes below.Not to give too much away, let's dig into my interview with Lucas McNelly.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It was a pleasure having today's guest on because, as a self-proclaimed hustler, I recognize another when I see one, and for the best part of his career, Joseph Alexandre has hustled hard in this line of business. My guest today is director, writer, and producer Joseph Alexandre. He is most known for films like The Starck Club Documentary-The Final Cut, Back Home Years Ago: The Real Casino, and The Early Inauguration.He's made his way in the indie filmmaking world with shorts and documentary shorts. We do talk about his 2021 short, Ralphie's Blue. But we dive more into his career and how shorts have played a massive part in generating revenue. Joe used a lot of filmtrepreneur methods---way before I ever wrote the book.He's written, produced, and directed the pilot for the reality TV show, The Body Shop Cop, which focuses on Rocco Avellini, owner/operator of Wreck Check Car Scan Centers, which provides consumers with vital consultations for Auto body collision repair and diminished value.Joe's filmography includes, Split Screen TV show, The Devil Takes a Holiday and almost a dozen others.Ralphie's 'Blue', which he wrote, directed, and stars in is the story of a hapless but likable, regular guy named Ralph Monti, a man with two strikes against him. One, he works nights and weekends as an umpire, but he can't seem to get past little league. Two, it takes him a fistful of meds every day just to keep it together. Ralph's game takes a dramatic turn when he meets Chase, the charismatic leader of a "men's group." Chase takes Ralph under his wing, introducing him to his group - The Order - at a weekend retreat in the mountains. Ralph encounters a committed band of dangerous white nationalists, more accurately, White Supremacists. (Ironic, because Ralph has a black girlfriend, but Chase has an "alternative" approach to Ralph's medication, which proves tantalizing to Ralphie.) Chase intends to shape Ralph into a dangerous weapon to be used by The Order as part of their plan of attack. Can Ralph help foil the event before it's too late?His work is featured on the SVOD platform Fandor. You can stream them exclusively on there.Enjoy my conversation with Joseph Alexandre.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm excited to talk to a fellow low-budget independent filmmaker today. Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions. Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc. Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.The story is about a  teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today. As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV. Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards. Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!Let’s get into the chat, shall we?Enjoy my entertaining conversation with David Chase.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I am pleased to have on the show this today, the gracious Rebecca Eskreis. Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she’s surpassed her childhood dream.Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society’s Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor’s Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released by Cinedigm in the fall of 2021.As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too. Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes’s online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme. Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films include Noodling, The Wicked Waltz, The Argument, etc.Please enjoy my conversation with Rebecca Eskreis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today, we are going to be talking all about one of my favorite topics; how to raise money to get our films made. I think every filmmaker wants to know how to make or get money for their films. But it becomes very challenging.My guest is an expert fundraiser, film financing consultant, facilitator, and author, Morrie Warshawski. He’s facilitated a lot of fundraising throughout his 35 years career and has authored Shaking the Money Tree: The Art of Getting Grants and Donations for Film & Video, and The Fundraising Houseparty: How to Party with a Purpose and Raise Money for Your Cause. Shaking The Money Tree demystifies the art of fundraising for independent film and video projects for students, emerging, and seasoned media makers.Morrie has assisted artists, filmmakers, and non-profit organizations with strategic planning, organizational development, and marketing across the entertainment and other sectors. Some of his clients are Habitat for Humanity, The National Endowment for the Arts, and Western States Arts Federation.I really wanted to talk about the mistake filmmakers make when trying to fundraise. Morrie seemed like the right guy for the job and he delivered.It was interesting learning that Morrie initially studied at USC in hopes of going into filmmaking but ended up majoring in English. And followed on with an MA in English and the graduate Writers Workshop at the University of Iowa. He started working with independent videographers and filmmakers through the Bay Area video coalition in San Francisco and that's when he transitioned to fundraising.Morrie was generous with knowledge bombs and tips we all need when it comes to fundraising.He highlights in this interview how vital it is for filmmakers on the look for donors to have good comportment --- the basis of presenting oneself to the world. Another component is, understanding why they're doing the work and having a strong feeling that the work you're making must be made. And lastly, understanding where your strengths lie, and how you can surround yourself with workarounds for your deficits.Our conversation was pretty much enlightening and fun. Check the show notes for links to learn more about the work Morrie does and his books.Get a notebook and pen to jolt down gems and enjoy my conversation with Morrie Warshawski.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

My guest today has done it all. He’s gone from cinematography on small-budget indie films to $200 million-plus projects which is literally goals for many in this line of business. Director and cinematographer, Shane Hurlbut's thirty-plus experience and success as a storyteller is categorically innovative to the craft and inspiring for other filmmakers.Shane's latest film Love Hard is set for digital release via Netflix this November. This romantic comedy is about a young woman in Los Angeles who falls for a man on a dating app and travels to his East Coast hometown to surprise him for Christmas but discovers that she's been catfished. Her crush actually does live in the same town, and the guy who duped her offers to set them up if she pretends to be his girlfriend for the holidays.He’s an esteemed member of the Academy of Motion Picture Arts and Sciences and the American Society of Cinematographers. The ASC recognized Shane’s work very early on in his carrier from his film The Rat Pack and he was one of their youngest cinematographer nominees. Shane Co-founded the Hurlbut Academy alongside his wife and business partner, Lydia Hurlbut. Their platform offers professional online filmmaking education and mentoring materials, curated by other filmmakers. This interactive library has collaborated with filmmakers to develop about 50 Courses, 400+ Lessons, and 700+ hours of instruction videos.Some of the top projects he’s worked on include Drumline, We Are Marshall, Terminator Salvation, Act Of Valor, and Game Of Thrones.The highly acclaimed HBO series, Game of Thrones was hailed for its spectacular cinematography. Outstanding, if you will. In 2012, Shane served as director of photography for their Game of Thrones: You Win or You Die - Inside the HBO Series that was an interview for major cast and crew members. Wherein, characters, families, kingdoms, and plots were explained with an in-depth look at season one. And what viewers could expect from season two. Some of Shane’s work includes NetFlix’s Rim of The World, Holidate, There Is No Place Like Home, Fathers, and Daughters, the pilot episode for SyFy's Resident Alien, and Disney+ original film Safety.Safety was inspired by the true story of Ray-Ray McElrathbey, the film follows a freshman football player for Clemson University who secretly raised his younger brother on campus after his home life became too unsteady.His passion for filmmaking goes back to his childhood.  Like the cool kid he still is, Shane did morning announcements at our high school and DJ for a local radio station. As you can imagine, he started doing dances, proms, and homecoming across the local upstate New York area. He earned part of his education at a small community college where he fell in love with radio, TV production, and so forth. A scholarship to study film at Emerson College in Boston sealed the deal for Shane.In 2002, Shane’s box office hit film, Drumline became a major splash. Nick Cannon stars as a young drummer who enters the fictional Atlanta A&T University and bumps heads with the leader of his new school's drum section. A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.Enjoy my entertaining conversation with Shane Hurlbut.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The Purge franchise is one of the most iconic dystopian action horror series of all time and the man behind it, James DeMonaco is not stopping anytime soon.Jame is our guest today and even though we talk a great deal about the various Purge films he’s either written or directed, which are all fan favorites, we start off with his most recently released film, This Is The Night, that was digitally released on September 21, 2021, after a prior theater release on Sep 17, 2021.This Is The Night, drama stars Frank Grillo, Lucius Hoyos, Jonah Hauer-King, Bobby Cannavale, and Naomi Watts. It is set in the summer of 1982 Staten Island with the release of Rocky III as its backdrop. The story tells of an average teen who embarks on a quest in his Rocky Balboa-obsessed town that swirls in his family members. Watts and Grillo will play with his parents. His family must confront its greatest challenges and the family realizes that the only way to live is like there's no tomorrow.I have tons of questions for James in this interview, which I am sure you, my tribe will appreciate. I have been a fan of some of his work but clueless he had written other top-ranked films on my list, it came as an exciting shock to discover more that James has written, directed, or produced. Besides screenwriting, directing, and producing projects like the Purge movies,  he’s also written for TV and gets credit for writing The Negotiator, Staten Island, Jack, and Assault on Precinct 13.  As a child of 5 years old, he would beg his more for a pass to watch the 4:30 ABC network movies and would visit the cinema often. At seven years old, he went to see, Apocalypse at the cinema and that changed everything for him. Leaving that theater with the desire to be part of that experience of whatever happened on the screen. Through screenwriting, he landed his first production gig with director Francis Coppola, for the 1996 movie, Jack, starring Robin Williams. The inspiration for The Purge was birthed during James’s time living in Paris and Canada. It came mainly, from his relationship against guns even though he had grown up around cops. The experience in Europe and Canada, in general, were the complete opposites he had observed. This was around the time mass shootings in America were on the rise in the early 2000s. Combined with an aftermath dark thought from a road rage incident curious about what it would be like if we all had a day pass, turned into a masterpiece original screenplay. But dressed in a science fiction dystopian world. The Purge: Anarchy - A couple is driving home when their car breaks down just as the Purge commences. Meanwhile, a police sergeant goes out into the streets to get revenge on the man who killed his son, and a mother and daughter run from their home after assailants destroy it. The five people meet up as they attempt to survive the night in Los Angeles.It was challenging to find someone willing to finance a ‘nihilistic’ and ‘un-American movie life The Purge. James and his partners got about fifty rejections because of how dark the script seemed.   Until finally with help from Jason Blum who said it was a great fit for his low-budget horror model on his deal with Universal Studios, to be produced by Blumhouse Productions and Platinum Dunes.The studio took a shot at it and the first Purge movie in 2013 albeit on a $3 million budget, grossed $89.3 million. The film starred Ethan Hawke, Lena Headey, Adelaide Kane, and Max Burkholder as members of a wealthy family who find themselves endangered by a gang of murderers during the annual Purge, a night during which all crime, including murder, is temporarily legal.The franchise includes The Purge: Anarchy( 2014), The Purge: Election Year (2016), a prequel, The First Purge (2018), The Purge TV series(2018 to 2019), and The Forever Purge (2021).There is a sixth Purge movie in the works. And the franchise has grossed overall over $450 million against a combined production budget of $53 million.We go deep in the weeds on these projects and James’s writing process.Enjoy my conversation with James DeMonaco.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween.  Dean is credited as director of photography on five Back To The Future films and Jurassic Park.The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place. The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily. We talk more about this in our chat.Enjoy my conversation with Dean Cundey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After 500 episodes I need a break. To celebrate this insane milestone we are flipping the script. Many of you in the IFH Tribe have asked me to have someone interview me on the show.So I asked my long-time friend and current IFH Show appearance record holder (he's been on the show 13 times) writer, producer, actor and [REDACTED] come in and take hosting duties for me. [REDACTED] and I sit-down to look back at 500 episodes of Indie Film Hustle.[REDACTED] asks deep questions about my journey with Indie Film Hustle and the podcast. If you have heard any other episodes with [REDACTED] you'll know that they were EPIC and this episode was no exception. [REDACTED] digs deep so I really think you will enjoy this episode.I also reveal some BIG NEWS. Indie Film Hustle has relocated cross-country to a new company location. I get into why I decided to move out of Los Angeles and much more. Here's to another 500 episode of Indie Film Hustle Podcast. Thank you all for continue to allow me to serve you and do what I love.Thanks to my friend, [REDACTED] for interviewing me.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a  feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it. In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa. By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry. He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary. Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes. Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds. Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone. It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films. Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide. Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between. Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green. It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.Enjoy my entertaining conversation with Chris Sparling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This week I brought on the show, playwright, screenwriter, director, and actor, John Pollono.  I wanted to go down the road a little bit about his remarkable journey in the business which expands across theatre and short films. John is one of the founders of the Jabberwocky Theatre Company in 2004 which became the Rogue Machine Theatre in 2008 where he produced his earlier plays. His big break came with his screenplay for the acclaimed biographical drama film, Stronger which premiered at the 2017 Toronto International Film Festival.The screenplay, based on Bauman's memoir Stronger, was number two on the Black List (most-liked "motion picture screenplays not yet produced) in 2016.Stronger, starring multiple award-winning actors, Jake Gyllenhaal, is the inspiring real-life story of Jeff Bauman --- an ordinary man who captured the hearts of his city and the world to become a symbol of hope after surviving but losing his legs in the 2013 Boston Marathon bombing and must adjust to his new life.This project came along for John right after signing with Los Angelos - based Creative Artists Agency. Producers, Alex Young and Todd Lieberman were already familiar with Pollono’s work. And they were on the hunt for something. That was when adapting Stronger became a prospect. At the time, the book was not yet published so he had a chance to review the unpublished book. Producer Scott Silver was looking to mentor a more junior writer for the Stronger film and fortuitously, John was a good fit having grown up 20 minutes from where the characters take place, he was the best candidate for the job. So, with a follow-up pitch, the book’s film adaptation screenplay was sold to Lionsgate.Writing Stronger (the film) was a double success for Pollono. Not only was he mentored directly by the incredible Scott Silver and receiving writing directions about theme, structure, etc, but the project brought him some notoriety as well by topping number two on the blacklist a year before production. That script made a big enough splash for his career.Besides Stronger, Pollono is known for writing Small Engine Repair (the play and its film adaptation), Lost Girls (2013 and 2015) Off-Broadway release, Second Of Rules (the play), Lost and Found (2006), Razorback (play, staged in 2008) and his one-act Illuminati play which won Best Play at the 2010 Network One-Act Festival in New York City.  In his career in front of the camera, Pollono made appearances on shows like Grey’s Anatomy, recurring roles on Mob City and NBC's This Is Us TV series, and have worked professionally in entertainment Public RelationsPollono’s love for stories and movies dates back to being a kid who was also a voracious reader -- reading every Stephen King book there is. He picked up short story writing at a pretty young age. Obviously, he had a sort of knack for storytelling and started pursuing that path and passion to become a filmmaker and has been fortunate to shadow so many directors who I really admire in the business.He earned a Bachelor of Arts in 1994 from the University of New Hampshire and did two semesters of film school at NYU on an exchange. His experience in New York City, being surrounded by such a diverse group of artists was the biggest epiphany of his life that helped him decide his filmmaking career.He's guest-starred in the television series, How I Met Your Mother and has had smaller acting credits on film and stage.In 2021 he wrote and directed the black comedy-drama, Small Engine Repair which will premiere this September. The film is based on Pollono's play of the same name. I can not recommend this film enough. It is easily one of the best films I've seen in 2021. Events spin wildly out of control when three lifelong friends agree to do a favor on behalf of the brash young woman they all adore. It follows lifelong friends Frank (John Pollono), Swaino (Jon Bernthal), and Packie (Shea Whigham) who share a love of the Red Sox, rowdy bars, and Frank’s teenaged daughter Crystal (Bravo). But when Frank invites his pals to a whiskey-fueled evening and asks them to do a favor on behalf of the brash young woman they all adore, events spin wildly out of control in this exploration of brotherhood, class struggle, and toxic masculinity.This interview was a pretty cool conversation and I did not hold back getting John to share all the gems of the business he’s learned and fun questions like what it’s like working with Frank Darabont and working on the new Hulk Hogan movie currently in production.Enjoy my conversation with John Pollono.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Back in 1981, the action-adventure movie Raiders Lost Ark was a fan favorite for many. But the ultimate fans were a teenage trio who kind of took it a little bit further.At age 12 and 11, in the summer of 1981, our guest today, director, Eric Zala, and friends devoted what turned out to be seven years of their childhood to shooting a shot-by-shot adaptation of Steven Spielberg’s, Raiders of the Lost Ark. Driven only by their fandom with no idea about editing, sound, or movie making, Eric, Chris Strompolos, and Jayson Lamb finished the film (except for the blown-up plane scene) and even had a hometown premiere.Years later, after studying at NYU film school, Eli Roth got a hold of a copy of the film, showed it to Steven Spielberg, and the rest is history. The guys decided to finalize the project with their new recognition by shooting the final scene they had abandoned.Director Jeremy Coon and Tim Skousen joined them to document their adventure. In 2015, The Raider! The Story Of The Greatest Fan Film Made documentary was released.Eric has credits on other films like An Early Twilight (1993) and Medal of Honor: Rising Sun (2003). After all these years, Eric’s start to indie filmmaking remains a fascinating dream-coming-through story. It was hilarious hearing about the making Raiders adaptation and their parents' reactions. Enjoy my entertaining conversation with Eric Zala.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guests today are developers, Zach Lona and Anthony Gibson.Zach is the founder of Chicago-based company, Eleusinian Productions studio that invented the Patronized Self-Distribution (PSD) model. The Patronized self-distribution (PSD) uses NFTs essentially as an alternative distribution model from traditional distribution. It hoists and redefines the status of independent films to that of fine art while targeting the film’s specific audience (art collectors/patrons). After finishing up his feature mockumentary film directorial debut, He Who Lives In Hidden Lakes, at the end of 2020, and being reluctant to go the normal distribution route, Zach sought an alternative and along with his team, invented the PSD model earlier this year. The fanatic beliefs of an internet mystic, a cult leader, and a rookie cop who went rogue are tested on the hunt for the "Hidden Man" -- an elusive forest-dwelling cryptid that terrorizes their idyllic suburb.He Who Lives In Hidden Lakes is now listed as Eleusinian Production’s first NFT auction on OpenSea NFT online marketplace. The NFT model is a huge incentive for filmmakers because the increase in viewers will lead to an increase in passive income and NFT value.As you can tell, this is a deep dive topic. So, I wanted to bring them to the show to talk about how all of it works. Efficient ways to implement PSD, Who really benefits from PSD models, and more.Enjoy my entertaining conversation with Anthony and Zach.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The crippling student debt crisis in America threatens college the financial freedom of many students. According to Forbes 2020 student loan debt statistics, there are 45 million borrowers who collectively owe nearly $1.6 trillion in student loan debt in the U.S. and student loan debt is now the second-highest consumer debt category - behind only mortgage debt.I was introduced to filmmaker, Zack Morrison’s plight when I read an amazing article in the Wall Street Journal about his $ 300,000 student loan debt from Columbia University film school.Zack is a short film director and writer. Some of his work include Everything's Fine: A Panic Attack in D Major and Captain Cyborg.Everything's Fine: A Panic Attack in D Major is a musical comedy about a woman at the onset of her quarter-life crisis and her existential journey through the various stages of anxiety in song and dance.Captain Cyborg tells the story of a young boy with a hyperactive imagination who creates a superhero alter-ego in order to confront bullying at school. Unfortunately for Jake, the lines between reality and fantasy start to blur, and he is forced to make a decision that will change his life forever.This was Zack's big second-semester project at Columbia University's MFA Film program. It began as a script swap process where everyone signs on to direct someone else's story as an exercise in collaboration and adaptation.Zack’s passion for filmmaking goes back to eight years old after being inspired by a Steven Spielberg lego movie game He followed through by doing his BSc at Rutgers and his graduate in film at Columbia University. We get into the deep of his choices to attend an Ivy League school for film, the accumulation of debt, and how that has impacted his life. You can watch Zack’s short films on his website or his youtube channel --- you can find the links in the show notes below. Let’s get this conversation started.Enjoy my conversation with Zack Morrison.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I am delighted to have as a guest on the show today, Filmmaker, comedian and podcaster, Heather Turman. She’s the creator and writer of the feature film, Stuck, starring Joel McHale, Heather Matarazzo, and SNL’s Chris Redd. And host of the Indie Women Podcast on Youtube.Darby finds herself in trouble with the law and is sentenced to house arrest. Now she must serve 30 days in the home she used to share with her ex-boyfriend, which he now shares with his new fiancee.Heather has appeared in films like La-la Land, or the 2019 TV series, The Room Actors: Where are they now. At age 18, Heather moved to Los Angeles to pursue her passion for entertainment. And she’s since built a successful career as a comedian, writer, and producer --- one that has taken her touring to over 75 cities across the USA.She is an LA Westside Showdown two times top-finalist and has appeared on the FOX series Laughs and the Seed & Spark original Everything Is Fine! stand-up comedy special.She is most known for writing, producing, and directing the hilarious original web series, Conversations with Future Stars which you should check out.Heather shared with me in the interview that she discovered the IFH podcast at the beginning of the pandemic and binged every episode. Now, this is particularly special to me that she recognized and enjoyed the wealth of knowledge the show provides. So, having to sit down with her is an absolute full-circle moment.I was thrilled to have had such a raw and transparent conversation about her experience with her.Enjoy my hilarious conversation with Heather Turman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have on today, one of the best rom-com and comedy writers and filmmakers of all time. I've been a fan of many of his films growing up, specifically, Father of The Bride. Now that I have two daughters of my own, it is fondly scary to rewatch it.Charles Shyer is an award-winning director, screenwriter, and producer whose work includes some of the best fuzzy-feel good films of all time. He is the director and writer of the 1991 comedy film, Father of the Bride starring Steve Martin, Diane Keaton, Kimberly Williams (in her film debut), etc. Martin, a businessman, and owner of an athletic shoe company finds out his daughter is getting married, he finds himself reluctant to let go and goes on a spiral. The film grossed $129 million and has had two sequels of it made in 1995 and 2020.He wrote and co-produced one of the most pivotal films in Lindsey Lohan’s career, The Parent Trap (1998). It captured the story of identical twins Annie and Hallie (played by Lohan), separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.People fell in love with the movie and Lohan’s exceptional performance, leading to an instant box-office success with a $92.1 million gross. There are but few writers who are able to master the craft of romantic comedy, and Charles Shyer is one. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), the Father of the Bride sequels, The Affair of the Necklace (2001), etc.Shyer directed Baby Boom and co-wrote it with his long-time writing partner, Nancy Meyers in 1987. It stars Diane Keaton who discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as an inheritance. Like most of his films, this too was a box office success. All this happened after he made the switch at the start of his career in the industry, from pursuing directing to writing and landing a gig on the 1970 TV series, The Odd Couple. Where Shyer eventually worked his way up to head writer and associate producer, writing about twenty-four episodes of the show. In our conversation, Shyer tackled the making of some of his well-known films and the changing writing culture in Hollywood. It’s always a good fun day at the office when I can chat up with folks like Charles. Enjoy my chat with Charles Shyer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We're getting deep into the weeds on Italian director and screenwriter, Ferdinando Cito Filomarino American cinema debut film, Beckett, which I absolutely enjoyed! Beckett stars the incomparable John David Washington and Swedish actress, Alicia Vikander. This action thriller follows an American tourist (Beckett) who had been in a tragic car accident in Greece and suddenly finds himself at the center of a dangerous political conspiracy and on the run for his life. He sets to reach the USA embassy to clear his name. Elements of romance and questions of political power are rolled up into a 90-minute manhunt. Beckett's world premiere was at the Aug 2021 74th Locarno Film Festival and is now distributed exclusively on Netflix.Filomarino talks about the cultural diversity on set - having seven languages spoken. I assume that would include, English, Italian, Greek, Swedish, etc. I was fascinated by the film’s meticulously crafted visual elements and screenplay. Filomarino’s work may be new to American screens, but he’s gained notoriety in European cinema directing or writing on films like The Other Man, Academy award-winning 2017, coming-of-age romantic drama, Call Me by Your Name (Second Unit Director). The story sets in a 1980s rural Northern Italy --- romance blossoms between a seventeen-year-old Jewish Italian, Elio, and a 24-year-old research assistant, Oliver, who’s living with the family over the summer to help Elio’s father, archaeology professor with his academic paperwork.Filomarino shadowed Call Me By Your Name's director, Luca Guadagnino while working the second unit on the film and forge a good professional relationship which led to a collaboration in 2010. He was fortunate to have Luca produce his directorial debut, Diarchy in 2010. Diarchy is a Locarno and Sundance Film Festival award-winning short film. Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.We also chatted about Richard Eyre's, The Other Man, fresh out of university, and how that experience prepared him for his own films. We know that experience is the best teacher, so I am always down for hearing knowledge bombs filmmakers learn from other filmmakers in this line of business. Sort of like an unofficial masterclass. Go watch Beckett! But first, enjoy my conversation with Ferdinando Cito Filomarino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I had the pleasure of watching acclaimed director, Edson Oda's knockout feature directorial debut, Nine Days. And I absolutely loved it. With the COVID shock, the world has experienced and still going through, this film centers the conversation of existentialism and depicts it quite distinctly. Oda's supernatural drama film, Nine Days was shot at the peak of the Pandemic in isolated Utah, starred Black Panther's star, Winston Duke, Zazie Beetz, Benedict Wong, Tony Hale, Bill Skarsgård, David Rysdahl, and Arianna Ortiz.The film is about an interviewer named Will, who spends his days in a remote outpost watching the live POV on TVs of people going about their lives. He interviews five unborn souls to determine which one can be given life on Earth, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates - unborn souls - arrive at Will's to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma, a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.Oda who is a Sundance Screenwriters Lab Alumni took the film home (to Sundance) and premiered Nine Days there in January 2020. It went on to win the Waldo Salt Screenwriting Award in February of 2020 and earned two Independent Spirits Awards nominations.The Japanese-Brazilian director and writer made his start in São Paulo advertising scene and later completed his master’s at USC in Film and Production. Oda has produced and directed several films, commercials, and music videos. In 2013, he directed and wrote a short film, Malaria which is about a young mercenary who is hired to kill Death. Malaria combines Origami, Kirigami, Timelapse, nankin illustration, Comic Books and Western Cinema.Besides top-notch commercials for companies like Philips, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda, Nokia, he's also a Latin Grammy-nominated director for best music video Tempos de Maracujá.Nine Days was released in the US on July 30th, 2021 and I am excited to see how well-received it is about to become. I am predicting it may even win an Academy Award. Yes. It is that fantastic!Enjoy my conversation with Edson Oda.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Cinematographers are really the directors of images while directors are the authors of the performances. Evidently, the collaboration between these two important persons on set with a shared vision and respect influences the work environment and (the ultimate result) the film, a great deal. We’re inspired this week by cinematographer, and author, Jacqueline B. Frost’s book, Cinematography For Directors: A Guide For Creative Collaboration.She compiled her 30+ expertise in cinematography and production into this book. Its 2nd edition was published in March 2020. The book is a handbook for directors and aspiring filmmakers who want to get the best visuals for their films while establishing a collaborative relationship with their cinematographer. Through interviews with current ASC cinematographers, and a balance between technical, aesthetic, and historical context, this book guides the director into a powerful collaboration with their closest on-set ally. Topics include selecting a cinematographer, collectively discussing the script, choosing an appropriate visual style for a film, color palette, film, and digital formats, lenses, camera movement, genres, and postproduction processes―including the digital intermediate (DI). Interwoven are quotes from working ASC cinematographers.From my own experience directing and working cinematography a few times, it is no secret that the relationship between a director and his cinematographer must be intuitive and non-contradicting. A quick sit down to break down the script, vision and general approach makes the work way easier for every party. Frost’s background in fine arts, photography, and cinematography--- merged, has made it easier for her to spot the crevices in approaches or the lack thereof pertaining to DP, and head of images that have been the detriment of many projects.Cinematography for her is a long-time love of the image and the endless learning process that was ignited when she pursued her graduate degree. To date, she’s taught cinematography, film, and documentary production at UCLA and through shorter courses and produced over 20 feature films and documentaries. We cover several themes from Frost’s book including what directors need to know about aesthetics of lenses, focal length, and its depth of field. Our conversation was definitely like a mini masterclass on cinematography and Jacqueline was a goldmine of knowledge.Enjoy my conversation with Jacqueline B. Frost.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Learning about new and improved ways to navigate archaic structures in our line of business is always very interesting. So, this week, I wanted to take you on a deep dive into blockchain entertainment financing- refined by entrepreneurs and producers Kim Jackson and Jake Craven of Breaker.io.Kim is a member of the International Academy of Television Arts & Sciences, co-Owner of SingularDTV, and CEO of its umbrella company, Breaker Studios, where Jake also works as Vice President of Content Partnerships.Breaker, founded in 2017, is a leading blockchain development and services company in the Media & Entertainment industry. It provides an innovative, intuitive, and user-friendly end-to-end royalty management platform for independent creators and distributors. Simply put, it uses blockchain and cloud-based technology to enable creators to maximize their revenue by automating revenue collection, backend accounting, and royalty payments while ensuring transparent reporting. I discovered Breaker when I stumbled upon Alex Winter’s award-winning feature-length documentary Trust Machine: The Story Of Blockchain produced by Kim. The film explains how Blockchain technology is already being used to change the world, fighting income inequality, the refugee crisis, and world hunger. If you are new to Blockchain or have felt overwhelmed by all the information Google threw at you in an attempt to learn the rudimentary theory of Blockchain and cryptocurrency, check out Vinay Gupta's 'A Brief History of Blockchain, Kim referenced during our chat.Breaker's concept is definitely the future of entertainment finance and, dare I say, global financial transacting. Being ahead of its time, Breaker is introducing products that allow for media revenue and royalty to be tracked via blockchain technology, which allows for an open-source network of data.Basically, Breaker provides a better model for instantaneous recording and eliminating mistrust, especially for independent companies that want to sustain a business and revenue model for themselves.I wish we had more time to continue the conversation because it was packed with filmtrepreneurial and blockchain knowledge bombs, and we could all do with the extra crash course. But I made sure to ask many important questions for you guys from today’s experts.So, enjoy my conversation with Kim Jackson and Jake Craven.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In today’s episode, we take you back to the late 90s and early 80s hip-hop and skateboarding culture in New York City with director Jeremy Elkin’s new documentary, ‘All The Streets Are Silent: The Convergence of Hip Hop and Skateboarding.’In the late 80s and early 90s, the streets of downtown Manhattan were the site of a collision between two vibrant subcultures: skateboarding and hip hop. All the Streets Are Silent brings to life the magic of that time and the convergence that created a style and visual language that would have an outsized and enduring cultural effect. From the DJ booths and dance floors of the Mars nightclub to the founding of brands like Supreme, this convergence would lay the foundation for modern street style. Paris Is Burning meets Larry Clark’s KIDS, All the Streets Are Silent is a love letter to New York—examining race, society, fashion, and street culture.Jeremy is the founder of Elkin Editions---an independent video production studio under which he’s done production, writing, cinematography, and directing. He’s most notable for his 2015 hot topic directorial debut, Call Me Caitlyn, and a second unit director on recording artist, Demi Lovato’s 2017 documentary, Simply Complicated. The documentary gives a personal and intimate look into Demi Lovato's life as not only a regular 25-year-old but also one of the biggest pop stars in the world.I thoroughly enjoyed watching All The Streets Are Silent. It gives one all the good nostalgic feels while also provoking current socio-cultural consciousness.Enjoy my chat with Jeremy Elkin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've said many times before on the show, sometimes you just don't know what impact these conversations will have when I put out an episode. I mean, it's just me with a mic in a room with a Yoda statue behind me. I’m honored to have on the show today, a long-time IFH tribe member who has appreciated and utilized the knowledge bombs we share on here. I’m glad to have on the show today, New Zealand director and writer, Guy Pigden.After years of working with several production companies in the UK and freelancing in New Zealand, Pigden wrote his directorial debut feature film in 2011, I Survived a Zombie Holocaust, with a grant from the New Zealand Film Commission in 2011. The film was nominated for Best Feature Film Screenplay and Best Emerging Writer by the New Zealand Writers Guild in 2015.  I Survived a Zombie Holocaust is a zombie horror-comedy about a young runner, on a Zombie film set, who ends up having a set day from hell when real Zombies overrun the set.Pigden has written and directed a couple of TV series and films since his breakout comedy-horror feature including Asylum, Harrow, Older, No Caller ID, etc.Filmmaking and storytelling had always been a passion for Pigden. At 16 years old he shot his first short film, on an eight-millimeter camera camcorder. He moved to London where he landed jobs as a runner, script reading, and writing.Once he felt much more confident in his understanding and skills as a writer, it was time to make his transition to the dream. Being a director. Pigden returned to New Zealand and freelanced directing and writing.After the release and performance of his first feature film, Guy sought out means to grow revenue from low-budget indie filmmaking----particularly the business aspect of the industry. He found his answers here at the Indie Film Hustle and from my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Profitable Business. Everything from making deals, to the actual journey. With these tools, he was able to make a turn-around with his second film.Just this year Guy directed and wrote his latest comedy show, Immi the Vegan which you should check out. Immi the Vegan dreams of finding a good vegan man and gaining the confidence to perform her songs in front of a live audience. But lately, her dates have mistaken her for a vegetarian or tried to send her photos of their meat and two veg.It was humbling learning of how impactful Guy found our work here at IFH and knowing that what we do here is serving bigger purposes, glad to be of service.Guy is raw and transparent on the horrible distribution deal he got into on his film and shares how you can avoid the mistakes he made on his filmmaking journey.Please enjoy my conversation with Guy Pigden.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today is a triple threat. Actress, filmmaker, and writer, Zoe Lister-Jones, who made headways in 2017 with her all-female crew directorial debut, Band Aid. The decision was inspired to foster new creative experiences amidst the staggering inequity on sets.A couple who can't stop fighting embarks on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.  The comedy-drama film, starring Zoe, Jesse Williams, and her New Girl co-star, Hannah Simone premiered at the 2017 Sundance Festival. Some of Zoe’s most known acting roles include some of your favorite sitcoms like New Girl, Whitney, or Life In Pieces. I have watched Life in Pieces with my family many times and it remains a favorite. Zoe’s love for performing and writing goes back to high school which set the foundation for a scholarship ride in NYU. Even though the film is what she’s most known for now, Zoe has a background in music and theater. In 2009 she co-wrote and produced, her first screenplay, Breaking Upwards with Daryl Wein on a $ 15,000 budget. The film explores a young New York couple who, battling codependency, strategizes their own breakup. Operating on a thin budget like that turned the experience into a crash course or a production management Bootcamp in filmmaking for her and Daryl as described during our chat. A couple more production gigs later and she was ready for the director’s chair. Last year, Zoe wrote, directed, and produced the sequel to The Craft (1996), a supernatural horror titled, The Craft: Legacy. A group of high school students forms a coven of witches.Wein and Zoe paired up again to bring a Sundance 2021 official selection cinematic experience to our isolated-covid-locked-down screens with what is described as a serene apocalyptic comedy, How It Ends. Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way.It was chill and fun chatting about Zoe’s indie filmmaking journey and navigating the minefields of live sets. Please enjoy my conversation with Zoe Lister-Jones.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

On the mic, today is 80s horror icon Michael Myers, also known as, Nick Castle who is also a director, writer, and actor - notable for directing The Last Starfighter (1984), Major Payne (1995), and Escape from New York (1981) among others.Nick’s fictional character, Micheal Myers, in the Box Office $255 million-grossing Halloween film is possibly one of his most well-known roles that have been strongly supported by fans for years. He appears in the 1978 Halloween film as a young boy who murders his elder sister, Judith Myers. The same role is reprised fifteen years later in the sequel where he returns home to Haddonfield to murder more teenagers. In 1986 he wrote and directed the heartwarming fantasy drama film, The Boy Who Could Fly which tells the story of an autistic boy who dreams of flying and touching everyone he meets, including a new family who has moved in after their father dies.Filmmaking came naturally to Nick for a host of reasons. For one he grew up in a showbiz family. His father choreographed musical comedy films, while an uncle of his worked as a lighting designer on movie sets. At a tender age, his dad introduced him to entertainment through smaller roles in front of the camera and summer internships behind the scenes. There he grew a fondness for directing which inspired him to pursue film school at USC.Notoriety came quickly for Nick. Along with collegemates, Carpenter, Rokos, Longenecker, and Johnston, Nick worked cinematography and co-wrote The Resurrection of Broncho Billy - a short film they created while still in college that blew up and entered the academy consideration and won the academy award for live-action short film in 1970. Nick and Carpenter reunited and worked together again on Carpenter’s 1974 sci-fi comedy, Darkstar, which follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.In 1984, Nick made his second directorial film which was quite groundbreaking. The Last Starfighter, became one of the earliest films to incorporate extensive CGI. The plot centers around video game expert Alex Rogan who, after achieving a high score on Starfighter, meets the game's designer and is recruited to fight a war in space. He’s transported to another planet only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack. Its popularity resulted in several non-film adaptations of the story in musicals, books, comics, games, etcNick was making innovative films long before most of the more popular guys came along. It is appropriate to consider his 80s sci-fi films as pioneering. Please enjoy my fun conversation with Nick Castle.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today, we are hearing from one of the cultural influencers of the 90s film industry, and that’s non-other but Gary Goldstein, producer of the iconic rom-com, Pretty Woman, starring Richard Gere, and Julia Roberts.A man in a legal but hurtful business needs an escort for some social events and hires a beautiful prostitute he meets... only to fall in love. The film's story centers on down-on-her-luck Hollywood sex worker Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him.Pretty Woman was most of your introduction to Gary's work, but mine was Cannibal Women in the Avocado Jungle of Death. I know. After all these years, the title still makes me chuckle. Years later, I would reference the title to people. And in case you were curious, Gary goes into the movie title origin story in this interview. Gary films have generated well over one billion dollars - consistent box office hits. Pretty Woman, for example, grossed $463.4 million - more than 30 times its budget. After the massive success of Pretty Woman, Gary collaborated once more with his filmmaking partner, writer, Jonathan Lawton to produce the action thriller, Under Seige in 1992. Like Pretty Woman, this too performed successfully at the box office and critically - including an Academy Award nomination. An ex-Navy Seal turned cook is the only person who can stop a group of terrorists when they seize control of a U.S. battleshipAs an undergraduate student, Gary briefly did talent scouting for Columbia Records and is credited for producing music concerts and cabarets for Berkeley, where he studied.After college, he practiced law briefly as a criminal defense attorney in San Francisco. Soon, he lost interest in the legal field and sought out a passion. Film and TV became the apparent choice since he had lots of friends who were in the business he could learn from. A year later, Gary opened up a management company where he put his talent scouting skills and experience to work. There, he worked with writers and directors. By cosmic aligning, he met the young brilliant writer, Jonathan Lawton who wrote the script that became Pretty Woman. In 2013 he authored Conquering Hollywood: The Screenwriter's Blueprint for Career Success, which is a compilation of strategies to help anyone; whether looking to sell a spec script, option a screenplay, land a writing assignment and get hired, attract an agent, or manager of your dreams...or get a producer to take a meeting with you.Gary blessed us with knowledge bombs in this interview, including tips on entrepreneurship and film as a business.Enjoy my conversation with Gary Goldstein.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today is 80s star, multiple-awards film, and theater actor, and activist, Edward James Olmos. Olmos's roles in films or TV shows like Stand and Deliver, Battlestar Galactica, broadway musical and film Zoot Suit, Blade Runner as detective Gaff, and many others are some of the most memorable of all time and he's still dominating our screens. While I could not resist talking about his iconic roles over several decades, we mainly discussed Olmos’ new must-see film, Chasing Wonders.The picturesque Australian/British drama was the official selection at the Adelaide film festival in 2020. The beautiful cinematography of the film was shot over a five years period to authentically capture the coming of age story by screenwriter, Judy Morris. Chasing Wonders is a story of hope, possibility adventure, and overcoming your past - a heart-warming story of a young boy, who, encouraged by his grandfather (Olmos) to live a life of hope and possibility, takes off on the adventure of a lifetime to find the magical Emu Plains. His journey through the lush landscapes of Australia and Spain leads him to the heart of the human condition – learning to acknowledge the complexity of what comes before us but struggling not to be defined by the past.The Hollywood Walk of Famer earned an Academy nomination for Best Actor in the 1988 drama, Stand and Deliver. He gave a stellar lead performance as Bolivian- American educator Jaime Alfonso Escalante Gutiérrez. Olmos filmography is quite extensive. Literally, the man has stayed booked and busy since 1974. He’s appeared in over 130 films, TV shows, and plays.One of his outstanding roles is perhaps,  Lieutenant Martin Castillo in the Miami Vice (1984) as a series regular. A fan-favorite for sure. But if we do talk about Lieutenant Castillo we must mention Olmos’ role as Detective Gaff in Blade Runner (1982) and a brief reprise in the sequel Blade Runner 2049 (2017).Gaff is the Los Angeles police officer who detains and escorts Deckard (Harrison Ford) throughout his mission as a ‘Blade Runner’ to track down bioengineered humanoids known as replicants and terminally "retire" them.Olmos showed the world his versatility in both the Broadway play and film adaptation of the musical comedy, Zoot Suit. The story weaves the real-life events of the Sleepy Lagoon murder trial - resulting in the racially fueled Zoot Suit Riots throughout Los Angeles. Olmos portrays El Pachuco, an idealized Zoot Suiter, who functions as narrator throughout the story and serves as Henry's conscience in both adaptations.Honestly, I could go on and on down Olmos' filmography, but we can’t spotlight all of his other spectacular films right now. So, let’s get into this interview, shall we?This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I promise the title of today’s episode is not clickbait. Our guest, Wayne Godfrey is a British film producer, CEO of fintech platform, Purely Capital, and expert film financier who’ve raised nearly $325 million for more than 120 independent feature films. Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they've experienced.He’s credited as executive producer for numerous independent feature films, including , The Man Who Invented Christmas, Robert Rodriguez's Sin City, Martin Scorsese's Silence and Joe Carnahan's Boss Level. An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment - a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.Some of his other key production credits include The Foreigner.THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller from the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love -- his teenage daughter -- is taken from him in a senseless act of politically-motivated terrorism.In his relentless search for the identity of the terrorists, Quan is forced into a cat- and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.It was really cool getting Wayne’s perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film’s success right out of the gate. I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn't speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.Enjoy my eye-opening conversation with Wayne Godfrey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Let me introduce to you all, filmmaker and award-winning film-preneur, Greg Hemmings - Chief storyteller and CEO of Hemmings House Pictures limited.   I wanted to address the serious problem of verbal abuse interns and other crew persons face on film sets from directors, producers, or others in charge.Why would I invite a CEO to discuss this topic? Well, Gerg’s company, Hemmings House Pictures creates content that inspires positive action. Their essence is to spread kindness and positivity within the work environment and through the content they produce. One example is the heartfelt music film When You Are Wild: A Day in the Life of J. Willis Pratt, which shows the power of friendship and how a community rallied together to help one of their own.The moral model of Hemmings House Pictures is one that many in the industry can learn from. Hemmings has produced and directed countless documentaries, branded content, and commercials, featuring some of the most inspiring stories. One of which is his 2021 documentary, Sistema Revolution - a video case study that explores the impact that the Hemmings House Pictures documentary "Sistema Revolution" had on a community.Besides film and commercial production, Hemmings Film Pictures also curates courses to employ other filmmakers to create positive social change.  Without further ado, let’s get into it. Enjoy my conversation with Greg Hemmings.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Now, I was scanning the web the other day, and I came across a book about the making of Quentin Tarantino's first feature film. Quite fascinated that someone took the time to dig into the unreleased, My Best Friend's Birthday, which I've spoken about a bit on my podcast and also written a couple of articles about the film. So, as per usual, I invited the author, Andy Rausch to the show to talk a bit more about his book. Before this interview, I did not know that Andy has spent years interviewing other prominent industry names and has authored over forty non-fiction on specific works of established entertainment contributors. Writing forty books is no small feat.Some of Rausch’s publications include Turning Points in Film History (2004), The Films of Martin Scorsese and Robert De Niro (2010), Making Movies with Orson Welles, a Gary Graver memoir, and Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (2008).But today, l would like to get into the weeds on Rausch’s 2019, My Best Friend's Birthday: The Making of a Quentin Tarantino Film book, which is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino’s minimum-wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy.Check out the show notes below for links to some of Andy’s other books, all available on Amazon.Enjoy my chat with writer, Andy Rausch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Let’s pivot a bit, shall we? I have with me today, entertainment triple threat, Iliza Shlesinger. The award-winning standup comedian, actor, writer, producer, and author, is one of the most natural entertainers there is, out here. The Girl Logic author has not allowed the pandemic to slow her down. She’s appeared in eight films between 2020 until now and executive produced her six-part series, The Iliza Shlesinger Sketch Show.  A secret world filled with absurd characters, insight into the female experience, and irreverent yet poignant social commentary. Shlesinger’s comedic genius has catalysized her very successful career - currently streaming five specials on Netflix, including her 2018 masterpiece, Elder Millennial which remains a top contender on Netflix’s 2021 best standup comedy specials list.Besides being known as a phenomenal comedian, Shlesinger shared more strength and fearlessness in her 2018 book Gil Logic: The Genius and the Absurdity to empower other women and girls. Girl Logic is a characteristically female way of thinking that appears contradictory and circuitous but is actually a complicated and highly evolved way of looking at the world. The fact is, whether you're obsessing over his last text or the most important meeting of your career, your Girl Logic serves a purpose: It helps push you, question what you want, and clarify what will make you a happier, better person. Girl Logic can be every confident woman's secret weapon, and this book shows you how to wield it.You can catch more of her on the Ask Iliza Anything - Podcast. Don’t you just love getting an extra dose of content from some of your favorite entertainers via podcasts? I know you do. That’s why you are here..Enjoy my entertaining conversation with Iliza Shlesinger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been working on a new podcast for sometime now. Introduction Next Level Soul. The podcast that asks the big questions about living, evolving and thriving in the world today. The show attempts to answer those questions by having candid and inspiring conversations with thought leaders from every walk of life.Global icon, musician, and animal rights activist, Moby(né, Richard Melville Hall) has lived many lives right before the gazes and judgment of the world. Self-discovery is a continual process that each time, when done right, unravels a new purpose and even newer challenges. This conversation is about the rise and fall of ego, fame, fortune, self-destruction, and eventually self-rediscovery and redemption.Moby came onto the entertainment scene with his 1991 single, ‘Go’ --- the start of a remarkable critical and commercial success. He went on to sell over 20 million records globally; especially with his 1999 album ‘Play’. In the interview, Moby describes the success of the PLAY album as unanticipated. Each track on the record was licensed to films, television shows, and commercials making it one of the most licensed albums in history.The accomplishments brought in a wave, and he rode it. Alcohol and drugs became part of that wave, even missing his mother’s funeral because he was passed out drunk in bed.Moby’s journey to healing, self-peace, and sobriety has not been all unicorns and rainbows. In spite of living the dream life and having the world at his feet, the peak of his career was a period when he suffered deep depression. He sought to turn the course of his fears into a vision of purpose. By, regaining control of his life - sobering up since 2008, finding spirituality that works for him, and crystalizing his imperfect, yet extraordinary life and career in his new documentary, Moby Doc.Moby doc is the creative, offbeat, wry, music-filled chronicle of an eventful life examined. filled with existential discussions, extraordinary concert footage, deep cuts from 30 years of moby’s music, unconventional narrative, quirky animation, rare clips, and thoughts from moby’s friend David Lynch, it’s a vibrant, eclectic conversation between a man and his past. as music and a commitment to veganism and animal rights guide him, moby delves into himself to share honestly what he’s gone through, what it might mean to others, how he turned confusion about life into the beauty of art…and why the answers to some of the deepest questions we can ask as human beings may not be found in the way we’re actually living.It was an honor to have this conversation with this remarkable artist and human being. Please, enjoy my sit-down with the iconic, Moby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today, RJ Cutler opened up 2021 with his raw, emotional and remarkable new documentary Billie Eilish: The World's a Little Blurry. He’s a phenomenal documentary and TV director and producer with nearly thirty years of experience in the business. The $2 million dollars documentary film which was directed, written, and produced by Cutler centered around singer-songwriter teen sensation and Grammy Award artist, Billie Eilish --- Revealing the creation process of Eilish's debut studio album ‘When We All Fall Asleep, Where Do We Go?’The very intimate telling of Eillish’s solid support system and family, navigating the ropes of the music fame as a young artist depicted unconventionally and astoundingly.From college, Cutler started off as a theater director in New York for nine years until he transitioned to filmmaking in 1993 with his debut film, The War Room. The film follows James Carville and George Stephanopoulos, at first during the New Hampshire primary, and then mostly in Little Rock, Arkansas, at the Clinton campaign headquarters. Producing the film, he was able to combine his journalism and theater directing backgrounds. It turned out to be a great success and earned an Oscar award.He’s taken on great subject matters and big presences in his documentaries; the likes of legendary John Belushi, Anna Wintour, or Dick Cheney.Belushi, released in 2020, examines the too-short life of comedian, actor and musician, John Belushi, original SNL cast member, using previously unheard audiotapes recorded shortly after John Belushi's death.Cutler credits his storytelling to the ability to connect the subject to the processes. People’s desire to have their story told, especially in documentaries, transcends the technicalities of making a documentary.Other well-known films or shows from Cutler are, The September Issue (2009), Thin (2006), and Dear… (2020)Dear... profiles game-changing icons and the people whose lives they’ve inspired.Inspired by Apple’s groundbreaking “Dear Apple” ad for the Apple Watch, Dear... is an inventive approach to biographies of the influential people who are shaping culture and society today using letters that fans have written to them. Dear... focuses on key moments from subjects’ lives and their work that has profoundly impacted not only the individuals who have written letters, but the world at large.All episodes are available to watch now on the Apple TV app with an Apple TV+ subscription.We talked a lot about Cutler's journey in the industry and how he landed the project to direct the first TELL ALL of the coolest 19-year-old in the US right now.Enjoy my enlightening conversation with RJ Cutler.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The film industry had to adjust a lot since the hit of COVID. Thanks to streaming services, the hit wasn’t as volatile as could be. Now that society seems to be reaching the end of the pandemic, the future of the filmmaking and film experience post-COVID has become part of the conversation. To help us explore the subject, I have on the show today, seasoned filmtrepreneur and award-winning producer, Anne Marie Gillen.Anne Marie is the CEO of Gillen Group--- an entertainment consulting firm in Los Angeles. Production-wise, she’s credited for producing commercially and critically successful films and television shows. Coupled with an international network of studios, distributors, and talent, one may call her, The Plug.During the stages and succession of my career, she's ranked C-suite executive positions at big entertainment companies like Development & Production at Entertainment Business Group, Electric Shadow Productions, and Revelations Entertainment.Her comedy-drama film, Fried Green Tomatoes produced in 1991, is an all-time classic and stands to have been a Box office success. It grossed $119.4 million on an $11 million budget and was nominated for two Academy Awards. The film tells the story of a housewife, Evelyn Couch, unhappy with her marriage, befriends an elderly lady in a nursing home, and is enthralled by the tales she tells of people she used to know. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny. Here's a clip from the film:Anne Marie compiled her business expertise in the industry and her production experience to write The Producer’s Business Handbook (2010, 3rd edition). The book was followed by her next film, Parallel Man: Infinite Pursuit, in 2014. Chased by commandos, Agent Nick Morgan is on the run in the multiverse! To escape, he jumps between parallel Earths including a polluted industrial hellscape, a planet where dinosaurs evolved into humanoids, and a fungi world with giant mushrooms.You corporate minds will definitely enjoy this interview.I’ve linked Anne Marie’s book, The Business of Show Business for Creatives, in the show notes for you to check out. Enjoy my conversation with Anne Marie Gillen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Not many of us get to tick off ‘sailing around the world’ off our dream to-do list. But our guests today, Brady Trautman and partner, Alex Blue, have been living their ultimate best life at sea for the last ten-plus years while creating video content for their business, Cruisers Academy. The adventure began with Florida natives Brady and his older brother, Brain, with whom he initially started the youtube channel, Sailing Vessel Delos, back in 2008. It wasn’t until 2012 they received their first check from Youtube, which was basically ‘bear money.’  Soon after, they joined Patreon. Eight sailors, filmmakers, and adventurers pile into a 48 ft sailboat with the goal of exploring and capturing the beauty of Svalbard, the northernmost settlement in the world, only 600 miles from the North Pole. The sailing expedition brings 24 hours of sunlight, dangerous glacial ice flows, and up-close encounters with polar bears, beluga whales, walrus' and much more! After 2.5 years of post-production and over 2000 hours of editing, it's time to bring YOU our biggest project yet!Alex, a media student running her film and photo company shooting on party boats across South America, joined the Delox crew in 2017 on a sail across the Atlantic to South Africa. Alex’s valuable skills helped tell their story of adventure and friendships, dreams more skillfully. SV Delos has sailed 45 countries and over 70,000 ocean miles since 2008. Ever wondered what goes into making a documentary series? Well here's a behind-the-scenes look at how the 80 North Series was created! Andy Schell invited us to be on his podcast which was the perfect opportunity to film the chat, share some sneak peeks, and relive funny stories from our sailing expedition in the Arctic Circle.Finding your niche in the film or creative space, in general, can be a struggle, especially since it is becoming more and more competitive by the second. But the Delos crew modeled their business to service a niche audience and have created multiple revenue streams from sailing around the world and doing what everybody wants to do.Due to the COVID pandemic, Alex and Brady have halted sailing for over a year now. They have had to adjust production strategy by outsourcing editing and diversifying their output.Six months ago, the couple, along with a business partner, Sean, launched the Cruisers Academy---offering sailing lessons, charters, and they released a four-part docu-series, 80° North. It is a compilation of two years worth of videos honoring the beauty of the sea and their journeys. Enjoy my fun conversation with Brady Trautman and Alex Blue.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After working in the IFH labs for the first part of 2021 I can finally announce what it is. May I introduce Indie Film Hustle's FILMMAKER PROCESS?Filmmaker Process offers comprehensive professional services for hire to help filmmakers and screenwriters, working at any budget level, get their film project to the finish line. I wanted to put the much-needed services filmmakers need but rarely have access to all under one roof.Filmmakers and screenwriters usually could only get access to these services if they "knew someone." Here are the services and products Filmmaker Process gives you access to:- Pitch Decks- Budget and Scheduling- Domestic and International Sales Estimates- Legal Contracts and Form Templates- Indie Film Investor Package- Consulting and Coaching- Script Coverage- Post Production Services- Trailer Editing- Poster, VOD, and DVD/Blu-Ray Artwork- Film Deliverables (Both Physical and Legal)- Production PayrollIn this episode, I go over what each service is and how you can use it to get your film project to the finish line.For more info go to: www.filmmakerprocess.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

If you’ve already listened to my last episode on NFT, then this one will feel like a bonus. But for those of you who haven’t, we explored a new territory this week in indie film and blockchain. My guests today are the filmmakers, Trevor Hawkins, and Nathan Kincaid, pioneers of the first-ever film sold as a non-fungible token, Lotawana. Which will be released soon. A monotonous life has pushed the unfulfilled Forrest (Todd Blubaugh) to a voyage of self-discovery by living amongst nature aboard his sailboat, Lorelei, on an alluring Missouri lake. Soon he catches wind of the rebellious and free-spirited Everly (Nicola Collie) and their idealistic dreams align. This thrilling and thought-provoking romantic journey follows the wanderlust couple as they are confronted by the challenges of their unconventional chosen path.The Kansas City natives have worked extensively in commercials and short film production; often in partnership. Their decision to put Lotawana up as an NFT as an experiment was encouraged after a crash course on NTF from Trevor’s brother-in-law. They were trying to figure out distribution and financing of their next film amid COVID. Nathan and Trevor saw the path as viable stream to generate revenue and attention for their indie film. In thirty days they have seen a massive return of five times their production budget. There’s no denying that NTFs might just become a brave new world that will change the playing field for all creatives. Especially for digital artists. It’s unclear what the future of NTFs will be, yet is an adventurous avenue for filmmakers to explore, interpret and utilize in ways that add value to their art and its ownership.The guys and I didn’t talk only NFT in this conversation. You will hear a bit about the soul-crushing challenges of shooting commercials, the filmmaker’s ultimate best investment - lenses, and much more. Enjoy my informative conversation with Trevor Hawkins and Nathan Kincaid.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So today we are going to go down the rabbit hole of NFTs. What the heck is an NFT. It is a Non Fungible Token. Basically, an NFT is a completely original digital file or a digital collectable which is registered on a blockchain ledger just like any cryptocurrency. But unlike cryptocurrency, like Bitcoin or Ethereum, an NFT is totally unique and because it lives on the blockchain it verifies who is the rightful owner of this one-of-a-kind digital collectable file.In February 2021, digital artist Peebles sold a digital artwork for $69.3 million at auction. You heard correctly almost $70 million for a digital file. The founder of Twitter, Jack Dorsey, sold his very first tweet as an NFT for $2.9 million.It took me a minute to understand what these things were and then it clicked. NFTs are digital baseball cards, comic books, Garbage Pail Kids or Pokemon cards. They are just a digital version and in many ways better because you know exactly how many copies exist.The NBA is sell "moments" as NFTs through NBA Top Shots. Basically, they are selling highlight clips as NFT and they are killing it. Fans of the NBA are gobbling these NFTs as fast as they are released. I really think there is now one doing NFTs better than the NBA right now.Musicians are having amazing success selling NFTs directly to their fans. This is turning the established music industry on its head. NFTs are essentially killing off the middle man. No more label, just a direct relationship with the artist's fans.The other amazing thin about NFTs is that the artist continues to make money on every sale of the NFT forever. Let me explain. When an artist creates a NFT by minting it. Minting is the process of create the digital file (NFT) and placing it on the blockchain. The artist then sets the residual percentage every time the NFT sells.So if I mint a short film and sell it for $500. I get $500. Now, if the new owner sells it 2 years from now for $10,000 I get 10% of that sale. Every time that NFT is resold I get my cut. All transactions transparent. All on the blockchain.So how can filmmakers make money? There are so many options because NFTs are in their infancy. Everyone is trying  to figure out how to use them  in indie film. Some ideas are:Selling the distribution rights to the entire film, like Kevin Smith is doing with is latest film KilljoySelling the distribution rights to your film in shares like the indie film LotawanaCreate  an NFT to a short film to finance itSell NFT collectables from the filmFund raise your film's budget with NFTsThese are just some ideas. I decide to throw my hat in the ring and created an experiment. I minted a few NFTs for my first short film BROKEN and some "legacy NFTs" of the first ever filmmaking tutorials ever uploaded to YouTube. Here is the description of one of the NFTs.This NFT is called Muzzle Flash Breakdown and is one of the first filmmaking tutorials to ever be uploaded to YouTube. It was uploaded on August 28, 2006 by filmmaker, author and Indie Film Hustle Podcast host Alex Ferrari from his 2005 award-winning short film BROKEN. It was taken from the best-selling DVD of the film. That DVD was one of the first indie short films to ever create a massive collection of tutorials and making of videos that explained how to make a low-budget independent film with off-the-shelf software and digital consumer cameras.  This is part of a limited series of filmmaking tutorials that were uploaded to YouTube from the short film BROKEN. All the videos were uploaded and released on the same day in 2006. The external link attached to this NFT will show the original upload to YouTube.Link: https://www.youtube.com/watch?v=yFPoBZY5BrAWhen you purchase this NFT you will also gain access to the short film BROKEN, the entire collection of tutorials and commentary tracks via private link and passcode. You will also receive the original QuickTime file that was uploaded to YouTube.To access my NFTs go to: www.ifhnft.comI released three of 6 of the total filmmaking tutorials I uploaded on YouTune back in Aug 2006. If these sell out I'll upload the rest and maybe some of my other popular short films I directed over the years. I wanted to give you an example of what an independent film NFT looked like and this is totally an experiment to see what happens.Maybe I'll never sell an NFT, maybe I sell  them three years from now or maybe they will sell out in 15 min. Who knows. What I am excited about is the potential of what this could mean for the indie filmmaking community.In this episode I break down everything you need to know about NFTs, how to make money with them and more. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guests this week are stars from the early 2000s teen drama television hit show, One Tree Hill, James Lafferty, and Stephen Colletti. The buzz the show had was undeniable, and if you were a fan of the show, then you would be glad to know that your favorite characters, Nathan Scott and Chase Adams have a new project together and they talk all about it in this week’s episode. But first, a summary of our guests’ track records in the industry. Both James and Steven landed their first acting gigs in their late teens and have since expanded their skills to writing, producing, and directing. James, started out as a series regular on One Tree Hill in 2003, having appraised one of the lead roles of the show for which he was nominated four times by the Teen Choice Awards. Actor and television personality. Stephen joined as a regular after recurring his role as Chase Adams since the show’s premiere.Half-brothers Lucas and Nathan Scott trade between kinship and rivalry both on the basketball court and in the hearts of their friends in the small, but not so quiet town of Tree Hill, North Carolina. Here’s a first look at the characters in its pilot episode:Steven has consistently worked in film and television hosting MTV specials Beach House, Spring break and the VMAs backstage live among others. He’s made appearances on TV shows MTV reality television series Laguna Beach: The Real Orange County, VH1 2013 romance drama, Hit The Floor, and Taylor Swift’s White Horse music video. Between 2009 to 2012, James began testing out the directing pond. He directed four episodes of the nine season run of One Tree Hill and five episodes of The Royals, which he played another lead role on. In 2016, he briefly graced our screens in six episodes of Underground, the series, as Kyle Risdin.With the country on the brink of Civil War, the struggle for freedom is more dangerous than ever. Underground follows the story of American heroes and their moving journey to freedom.The guys creatively reunited in to create an original comedy television series, Everyone Is Doing Great that’s streaming on Hulu. They co-directed, produced and wrote the show.  What was remarkable was that the sold an independently produced show to a major streamer, which never happens. We dive in on how they were able to do that. The seven episodes show follows Seth and Jeremy, two guys who enjoyed relative success from 'Eternal', a hit television vampire drama. Five years after their show has ended, they lean on each other as they struggle to reclaim their previous level of success and relevance, awkwardly navigating the perils of life and love amidst a humorously painful coming of age.  I had lots of laughs with these two and can’t wait for you to listen.Enjoy my conversation with James Lafferty & Stephen Colletti.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I am a huge fan of today’s guest. Since seeing one of her first documentaries, I was transfixed by her power of storytelling. Our guest is an Emmy and Peabody award-winning documentary filmmaker, Lynn Novick---a formidable and respected PBS documentary filmmaker with thirty-plus years of experience in the business.Her archival mini and docu-series documentaries bring historically true events to the big screen alongside her filmmaking partner, Ken Burns. You’ve most likely seen some of her landmark documentary films. The likes of Vietnam (2017), TV Mini-Series documentary The Civil War (1990), College Behind Bars (2019), eighteen hours mini-series, Baseball (2010), and many more.Just this year, the pair premiered their latest co-produced and co-directed three parts documentary on PBD---recapitulating the life, loves, and labors of Ernest Hemingway. The series explores the painstaking process through which Hemingway created some of the most important works of fiction in American letters. Novick is an experienced-learned documentary filmmaker. In the mid-1980s, she applied to film school but did not pursue that lane when she couldn’t find a documentary filmmaking-specific program. Instead, she sought out apprenticeships. Starting at the PBS station in New York City WNET, for six months. And then worked for Bill Moyers as an assistant producer on a series of projects, including her debut production in 1994 with Joseph Campbell and the Power of Myth, followed by A World of Ideas with Bill Moyers, etc. The Civil War is a comprehensive survey of the American Civil War.Novick’s decades-long collaboration with Ken Burns emerged in 1989 and has led to the co-production of a number of renowned docu-series.  First, there was the highly acclaimed ‘The Civil War’ which traced the course of the U.S. Civil War from the abolitionist movement through all the major battles to the death of President Lincoln and the beginnings of Reconstruction.Her vast experience as a researcher comes in handy on these kinds of projects, she explains during our convo. She won an Emmy Award in 1994 for producing the Baseball documentary and won a Peabody Award in 1998 for her co-directing and co-producing of Frank Lloyd Wright's documentary. Baseball covers the history of the sport with major topics including Afro-American players, player/team owner relations, and the resilience of the game.Other must mention include multi-Emmy nominations documentary ‘Prohibition’, The Vietnam War, Jazz, and Novick’s first solo directing, College Behind Bars (2019). College Behind Bars explores urgent questions like What is the essence of prisons? Who in America has access to educational opportunities? Six years in the making, the series immerses viewers in the inspiring and transformational journey of a small group of incarcerated men and women serving time for serious crimes, as they try to earn college degrees in one of the most rigorous prison education programs in America – the Bard Prison Initiative (BPI)Novick is one of those filmmakers who have combed through an obscene amount of knowledge and understanding of documentary films. I have a feeling you will enjoy this chat as much as I did.Enjoy my conversation with Lynn Novick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I have been a fan of today’s guest since I first saw his mind-blowing film, Night Watch years ago. Timur Bekmambetov is an established director, producer, and writer who has built a name for himself both in his home country, Russia, and here in the U.S., making films, music videos, and commercials. At first glance at his film, I became obsessed with Timur’s work and his filmmaking style.He is the producer and director of Day Watch (2006), Wanted (2008), Abraham Lincoln Vampire Hunter (2012), Profile ( 2021) and many many more.Timur is a jack of all trade. His journey in the industry started with theater production design and soon he got the directing bug. While honing his directing skills, he took up producing which then led to movie production.  One of my favorite of his films is the genre bending Wanted, starring Angelina Jolie, James McCovey and Morgan Freeman.Wesley Gibson (James McAvoy) is an office worker whose life is going nowhere. After his estranged father is murdered, he meets Fox (Angelina Jolie), who recruits him into the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan (Morgan Freeman), the Fraternity's leader, teach Wesley to tap into dormant powers. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.Abraham Lincoln is reinvented as a vampire-killing president in this Timur Bekmambetov-directed action picture starring Benjamin Walker, Mary Elizabeth Winstead, Rufus Sewell, and Dominic Cooper. Pride and Prejudice and Zombies author Seth Grahame-Smith adapts his own book for 20th Century Fox. Tim Burton produces alongside Bekmambetov and Jim Lemley.Timur's latest project is Profile. The film was initially released in Russia in 2018 and is set to be released in the US on May 14, 2021.Based on Anna Erelle's non-fiction book, In The Skin of a Jihadist, the film contextualizes our digital life and fears. It explores the role of digital spaces in the recruitment of young European Women by ISIS. British journalist, Amy Whittaker sets on this investigation by creating a Facebook profile under the alias of Melody Nelson along with a persona online of a woman who has recently converted to Islam. The results are thrilling and eye-opening.Profile was shot in a new film language called Screenlife.What is Screenlife?Screenlife is a new format of visual content that has grown from independent projects to full-length, world-renowned films, documentaries and TV shows. Its main idea is that everything that the viewer sees happens on the computer, tablet or smartphone screen. All the events unfold directly on the screen of your device. Instead of film set — there’s a desktop, instead of protagonist’s actions — a cursor.If you are involved in video production, cinema or even video games, Screenlife is a new expressive environment for you, the potential of which is yet to be discovered. Before your eyes, there will be new tools to work with, such as the screenlife recorder.Bekmambetov produced the Screenlife film Unfriended, in which the action takes place on the screens of protagonists’ computers. With a budget of only $1 million, the movie raised $64 million at the box office worldwide. This new film language is extremely exciting. Timur and I discuss Screenlife, his visual style, his directing process, Hollywood politics and much more.Enjoy my conversation with Timur Bekmambetov.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today’s guest on the show is Scottish award-winning filmmaker, and writer, Ben Sharrock, known for his Cannes Official Selection 2020 feature film, Limbo, and Pikadero, among others. Ben’s unique visually captivating films are inspired by middle eastern and northern European cinema. Interpreting middle eastern character in his films as he does in some of his recent work stems from an academic background in Middle East Cinema, Fine Arts, and working advertising in Dubai. The rooted connection --- learning and understanding these cultures carved a for Ben, a unique cinematic voice in the industry.Sharrock and his producing and life partner, Irune Gurtubai founded their production company, Caravan Cinemas under which they premiered their first film, Pikadero at the 2015 San Sebastian International Film Festival. A penniless, young couple has trouble consummating their fledgling relationship in their parents' homes, forcing their relationship into question as they try to break free from the shackles of a crumbling economy.The film which had initially gone by Patata Tortilla was Sharrock and Gurtubai’s Screen Academy Scotland graduation film. They won two awards at the Zurich Film Festival in 2015, Michael Powell Award for Best British Feature Film at the Edinburgh International Film Festival 2016, and two BAFTA awards that year for new Talent Best Drama and Best Screenplay.The recognition of Pikadero made it easier to get funding to write the screenplay for Limbo which came out in 2020.Ben directed and wrote the original screenplay for Limbo---a wry and poignant observation of the refugee experience which follows Omar, a promising musician and Syrian refugee who is separated from his family, stuck on a remote Scottish island awaiting the fate of his asylum request. Ben approaches the sensitive issues of refugees' dehumanization and orientalism in this film with absurd humor and honesty. The film was nominated at this year’s BAFTA for Best British Film, Best debut and best international Feature Film for the GoldenEye.I truly had a fun time geeking out on a tandem with Ben about film lenses, and cameras and learning of his film influences and transferred skills from his career in advertising to filmmaking. Enjoy my conversation with Ben Sharrock.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

There are performers that impact your life without you even knowing it and today's guest fits that bill. On the show we have comedic genius, multi-award-winning actor, writer, producer, director, and television host, Billy Crystal. We’ve seen Billy’s versatile work across all areas in the entertainment world, stand-up, improv, Broadway, behind and in front of the camera, feature films, television, live stages like SNL, and animated movies. It's fascinating how much the man has done over the span of his career---and his lengthy IMDB page is only the tip of the iceberg.Billy’s career took off for his role in the 70's sitcom SOAP, where he played a gay character, Jodie Dallas. This launched him into box office hits such as When Harry Met Sally, City Slickers, Analyze This and the kids favorite, Mike Wazowski in Monsters, Inc. just to name a few. Aside from hosting the Oscars® a record nine times and being only one step away from an EGOT, he’s a philanthropist. Billy, along with Whoopi Goldberg and the late Robin Williams created the annual fundraiser stand-up comedy show, Comic Relief, in 1986 that has over the years, raised over $60 million to support the homeless. The late 80s and early 90s were a really magical time for Billy's career. He had the box office hits Running Scared and Throw Momma from the Train. He had scene stealing parts in the classics This is Spinal Tap and The Princess Bride. There’s the 1989 box office smash hit When Harry Met Sally, starring Billy alongside Meg Ryan and Carrie Fisher. The story follows Harry and Sally who had known each other for years, and are very good friends, but they fear sex would ruin the friendship.You can’t talk about Billy Crystal classics without mentioning City Slickers for which he won a Golden Globes award for Best Actor in a Motion Picture Musical/Comedy. On the verge of turning 40, an unhappy Manhattan yuppie is roped into joining his two friends on a cattle drive in the southwest.Billy's interest in entertainment started way before college. But his decision to go to NYU put some goals into place for him. He was a member of an improv/comedy group at college and soon he started to host solo standup shows. By 1978, he landed his first starring feature film role in Rabbit Test in which he starred with Joan Rivers. Towards the end of the 90s, Billy joined iconic Robert De Niro and Lisa Kudrow in the box blockbuster hit Analyze This and its sequel to the Analyze That.Billy’s work transcend generations and Gen Z is his newest fandom; distinctively for his role in Monster Inc. and Monsters University, Mike Wazowski. Monsters University revisits the relationship between Mike Wazowski and James P. "Sully" Sullivan during their days at Monsters University, when they weren't necessarily the best of friends.Billy will reprise his role as Mike Wazowski in the Monsters at Work Disney+ series that is set for release later this year.One defining element of Billy’s work, be it writing, acting or directing is that the pulls from real-life experiences and balances funny and hard conversations effortlessly. Having started out in the business since he was 20 years old, it is absolutely thrilling to watch how he’s knitted together diverse platforms and filed into a accomplished career. This Friday, May 7th, Billy’s newest film, in which he wrote and directed, Here Today, stars himself and the incredibly funny, Tiffany Haddish, will be released only in theaters. These two make a seamless pairing and their chemistry is oh so charming. The intergenerational teaming of Billy and Tiffany tells a love story that is of friendship, support, and empathy. I absolutely LOVED the film. Do yourself a favor and go out and catch this gem of a film. When veteran comedy writer Charlie Burnz meets New York street singer Emma Payge, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.Billy has always been there to make me laugh, in good times and bad. I can not tell you what and honor and thrill it was getting to sit-down and speak to a filmmaker, writer and actor that has meant so much to me in my life.Enjoy my entertaining conversation with Billy Crystal.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have on the show this week, film director, bestselling futurist author, speaker, and actor, David Simpson. You’ve probably stumbled upon his 1.7 million views TEDx presentation ‘Our Post-Human Future’, on Youtube. If not, no worries. This is your chance to get to know the talented storyteller that is David.  He’s written a number of brilliant sci-fi futurist books since his twenties, including the popular ‘Post-Human’ six-part book series, Dawn of the Singularity (The Singularity Saga), The A.I. Chronicles, among others.As a child, David aspired to be a novelist. So his journey led him to study creative writing at the University of British Columbia where he was exposed to screenplay writing and structure. His structural versatility can be seen so brilliantly in his work's visual and technical aesthetics.On the come up, his first short film project was a really small crew of his wife and a camera assistant, including himself. That humble start is common in our line of business---undoubtedly some of the fondest memories for indie filmmakers. David recently shifted to film with his debut feature film, Dangerous to Know (2020). It is a psychological thriller adaptation of his forthcoming novel of the same title. The film is told across the intersecting and intertwining lives of three characters, exploring mental illness and how it affects not just the sufferer, but all those that the person’s life touches as well. A troubled young woman recovers from a suicide attempt in a secluded cabin, but when a series of unexplained and terrifying incidents occur, she realizes someone-or something-has a far darker future planned for her.Meanwhile, his first film adaptation, Post Human was released in 2015. Post-Human draws back the curtain on the Post-Human world where everyone is immortal, has onboard mental "mind's eye" computers, nanotechnology can make your every dream a reality, and thanks to the magnetic targeted fusion implants every post-human has, everyone can fly.But there's a dark side to this brave new world. Surveillance. Every post-human is monitored from the inside out, and the one artificial superintelligence running the show might be on the verge of making its first big mistake.It was an absolute honor chatting it up with David and going on a tandem about 90s film gadgets.Enjoy my entertaining conversation with David Simpson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This week, I wanted to pick the brain of a brilliant filmmaker, Mike Dion. Mike is an award-winning filmmaker, marketing strategist, and multimedia storyteller who has made a living over the last 20+ years applying all the tools needed by a filmtrepreneur. He's found his niche creating documentaries of adventurous brevets and transcontinental cycling races across the US, Mexico, and CanadaMike has produced globally distributed feature-length projects like Hair I Go Again (2016), Inspired to Ride, Reveal The Path, Where The Yellowstone Goes, and Ride the Divide that can be streamed across major platforms like Netflix, Amazon, and iTunes. On June 7, 2014, forty-five cyclists from around the world set out on the inaugural Trans Am Bike Race, following the famed TransAmerica Trail. Their mission is to cover 4,233 miles in one enormous stage race, traversing through ten states in a transcontinental adventure of epic proportions. Inspired to Ride follows a handful of cyclists from around the world as they race unsupported in the inaugural year, with four cinematographers, cameras flying in the sky, and GoPro’s galore. Mike produced the Inspired to Ride documentary in 2015.Here's a peak of Mike's latest documentary, Hair We Go Again: Facing a midlife crossroads, two longtime friends risk everything as they set out to fulfill their dreams of achieving rock & roll stardom. The first and last chances happen only once as their improbable journey is chronicled in the feature-length documentary, Hair I Go Again.One of the reasons I invited Mike on the show was to have him share what he's doing, how he's selling content, what's making money, and what's not making money. In 2008, he created Mike Dion Productions which original content like films, strategy, and branded content for social media, marketing, etc.In 2012,  he paired with his producing partner, Hunter Weeks for his directorial debut documentary film, Reveal the Path---A genre-defying adventure film that contemplates what it means to live an inspired life using the bicycle as a mechanism to explore, dream and discover.In true Mike Dion niche-storytelling fashion, one of his first producer/editor gigs was the award-winning feature film about the Tour Divide Race in 2010 titled, Ride the Divide. The film weaves the story of three characters' experiences with immense mountain beauty and small-town culture as they attempt to pedal from Banff, Canada to a small, dusty crossing on the Mexican border.The Tour Divide Race is basically a mountain bike race that traverses over 2700 miles along the Great Divide Mountain Bike Route.The COVID pandemic has required everyone to profoundly change how we budget, prep, and produce a feature film or television show project in order to work safely and effectively. So this is a very educational episode if you are looking to learn how to safely shoot a feature film during COVID and how to make money from it.Enjoy my informative conversation with Mike Dion.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

On the show, today is an indie film director, and CEO of Unstable Ground multi-media company, Justin McConnell.  Even though he’s known for his work in post-production, Justin has also directed and written projects like Clapboard Jungle, Skull World, Lifechangers, and Galaxy of Horrors across the sci-fi-horror and documentary genres.Justin is a man who wears many hats; his multi-media company, Unstable Ground, which he has been running successfully for the last 22 years specializes non-exclusively in film and television production. The main reason I wanted him to come on the show was to discuss his new documentary called Clapboard Jungle, which explores the painful and brutal journey of a filmmaker trying and the movie-making process. I absolutely loved the documentary. It’s in a great tradition of films about making movies sort of a love letter to independent filmmakers.Clapboard Jungle, directed by Justin in 2020, is a documentary that follows five years in the life and career of an independent filmmaker, supported by dozens of interviews, posing one question: how does an indie filmmaker survive in the current film business.Clapboard Jungle was birthed from his lacking for such resource at the start of his career in the industry and launched onto developing the project/thought after directing and writing his 2013 documentary, Skull World, which follows two years in the life of Greg Sommer, aka Skull Man, as he builds the Canadian chapter of Box Wars, an international underground movement of cardboard-based combat.Talking about horror, he wrote and directed a fantastic yet disturbing horror feature film, Lifechanger in 2018 that is about a homicidal shapeshifter who is obsessed with reconnecting with the woman he once loved. To cheat death, he leaps from one body to the next, stealing the form of his murdered victims. And with each new identity, he circles closer and closer to her, looking to wind his way back into her life and her arms, no matter the cost.Clapboard Jungle is a MUST WATCH FILM for all filmmakers. It shows you the raw truth behind the dream of being a filmmaker.Enjoy my eye-opening conversation with Justin McConnell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Get ready to go down the rabbit hole of 80's action cinema. I sat with an iconic 80s & 90s action film director, writer, and producer this week - Sheldon Lettich brought to our screens some epic actors and fighters like Jean-Claude Van Damme and Sylvester Stallone. He’s the trailblazing director and writer of Lionheart (1990), Bloodsport (1988), Rambo III (1988), and the Cold War drama, Russkies that first introduced us to the phenomenon that is Joaquin Phoenix. An Ex-French Soldier begins participating in underground street fights in order to make money for his brother's family. Lettich’s experience as a Vietnam veteran has inspired much of his films and plays throughout his career. Paired with his academic background in photography and cinematography, he bulldozed the action film scene with other classics like The Order, Double Impact, and The Last Patrol.Between 1983 to 1987, Lettich wrote and directed a couple of short films that did not pick up as much. The following year, he wrote and the martial arts classic, Bloodsport - inspired by tall tales from Frank Dux that Lettich became a famous name in Hollywood. The film also launched Jean-Claude’s career, the star of Bloodsport who played Frank Dux, an American martial artist serving in the military, who decides to leave the army to compete in a martial arts tournament in Hong Kong where fights to the death can occur.If you love Street Fighter and Mortal Kombat then you have Sheldon to thank. Bloodsport was the first time you have multiple fighters, from around the world, with unique styles fighting in a tournament.The commercial success of Bloodsport, which grossed $50 million on a $2.3 million budget catalyst more trailblazing films. Lettich signed an overall deal immediately with White Eagle Productions that led to his collaboration, co-writing Rambo III alongside Sylvester Stallone in 1988. The movie was a HIT for the Box office. It outperformed his previous project, grossing $189 million on its $63 million budget. One thing I discovered speaking to Sheldon is that Bloodsport was NOT A TRUE STORY. The person that the film was based on, Frank Dux, was apparently a brilliant storyteller. There were lawsuits, books written, just and absolute mess. Either way the film is a masterpiece of 80's action cinema.Another classic in Sheldon's canon was the highly anticipated sequel, Rambo III starring Sylvester Stallone. Rambo mounts a one-man mission to rescue his friend Colonel Trautman from the clutches of the formidable invading Soviet forces in Afghanistan.Lettich reunited with his friend, Jean-Claude in 1990 for the fan-favorite, Lionheart. This time directing and as a co-writer. He approached the project to allow Jean-Claude to display versatility, compassion, and rises beyond the "Karate Guy", now that he had become a household name. The film made $24.3 million on a $6million budget and became popular amongst his films.The two, Lettich and Van Damme, immediately followed up with their third of several collaborations, Double Impact in 1991 with Jean-Claude playing a set of twin brothers who were separated when their parents were murdered but 25 years later they re-unite in order to avenge their parents' death.Like their initial projects, this one too became a critical and commercial hit.It was a nostalgic thrill chatting with Sheldon about these movies that are part of the beautiful tapestry that is 80's action cinema.Enjoy this throwback entertaining conversation with Sheldon Lettich.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Get ready for a crazy ride! On the show this week we have indie filmmaker and screenwriter, Kevin Lewis. He’s been active on the scene and directed several indie films between 1996 to the present. Kevin's vastest film is the trippy indie (soon to be a cult classic) feature, Willy’s Wonderland, starring the legendary Nicolas Cage. Lewis has definitely paid his dues. He started out making films in Highschool with his VHS and Super 8 comers. Between the short film releases amongst his peers earlier on, to internships at Columbia Pictures, he was in the right position to secure a scholarship into USC Film School where he graduated from. The Method, Lewis’ directorial debut was his first feature film right out of college. It is about four guys' college life centered around a theater production of a bank robbery and how to make it better.In 2003, he directed and wrote Malibu Springbreak, about two Arizonan girls who headed out to the Malibu beaches for a spring break of partying and fun in the sun.He met an actor on the set, Jeremy Daniel Davis who didn’t play a big role in the film, but Lewis stood up to producers and kept Davis scene. Fast forward to some years later, Davis joined the production team of a project he was working on at the time and the two kept in contact. The universe realigned and Davis popped up with the script of Willy’s Wonderland for Lewis out of the blue. This cosmic aligning of a movie, Willy’s Wonderland was directed by Kevin and released in Feb 2021, after his thirteen years filmmaking sabbatical.The action-comedy horror film stars Academy Award® Winner Nicolas Cage - A quiet drifter who is tricked into a janitorial job at the now condemned Willy's Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics. Fists fly, kicks land, titans clash -- and only one side will make it out alive.Get ready for a wild ride. Enjoy my entertaining conversation with Kevin Lewis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW.  Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990).  She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have actor, producer, and director Kevin Sorbo. Kevin spent 3 years traveling around the world, modeling for print ads and appearing in over 150 commercials, before becoming a full-fledged international TV star when he was cast as the lead role in the immensely popular series, Hercules: The Legendary Journeys.In the mid-90s, Hercules became the most-watched television show in the world. Kevin also guest-starred as Hercules in episodes of the successful spin-off series Xena: Warrior Princess as well as providing his voice to the animated Hercules films.In 1997 Kevin accepted his first leading film role in the fantasy action feature Kull the Conquerer.Kevin guest-starred on the sitcom Two and a Half Men and played a recurring role on the final season of The O.C. One glimpse at Kevin's IMDB and it's clear that this hard-working actor takes no breaks! In addition to his work onscreen, Kevin now also produces films, recently serving as Executive Producer and star of the movie Abel's Field.Kevin recently authored the widely praised book, True Strength, which recounts the painful recovery from serious health setbacks that changed his life during his Hercules years.We discuss what he looks for in movies today, his years on Hercules and Andromeda, directing indie films and how he too was a victim of Hollywood accounting when it came time to get paid backend on Hercules: The Legendary Journeys.Enjoy my eye-opening and entertaining conversation with Kevin Sorbo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have independent film producer, author, and sales consultant Alec Trachtenberg. With over a decade of experience building and managing the sales teams of some of the most cutting-edge technology startups, Alec has worked with major companies, such as Airbnb, Sony Pictures, Netflix, and Amazon. He has directly generated millions of dollars in revenue for a variety of companies in the technology and entertainment sectors, including Surkus, MomentFeed, and Entercom.He has taken his sales knowledge and skills and written and published Lights, Camera, Sell: Sales Techniques for Independent Filmmakers. Here's a bit about the book. Film producer and sales consultant Alec Trachtenberg argues that one must adopt a sales mindset in order to be successful as an independent filmmaker. By highlighting a variety of sales strategies that have worked for him in the world of startup technology companies, Alec shows how you can use the same sales strategies in every stage of filmmaking.Whether you are a budding freelance cinematographer searching for your next gig, a first-time director ready to shoot your first feature-film, or an indie producer acquiring funding for your next project, Lights, Camera, Sell will teach you how to succeed through strategic sales techniques used by cutting-edge tech startup companies. Walking you through the five stages of the sales process, Alec shows you relevant case studies involving a variety of scenarios in the low-budget independent filmmaking process. Alec will teach you how to:Prospect a screenwriter and option a feature-length screenplayLead a discovery call with a prospective domestic distributorDemonstrate value with a powerful pitch deck to a financierClose a deal with a non-union actor by creating an initial talent agreement outlineResolve conflicts with crew members by understanding the principles of relationship successLights, Camera, Sell will debunk the negative myths surrounding salespeople formed by our media and society, reveal best practices on asking the right questions, explain how to present your ideas and services in a compelling way, and more.Enjoy my conversation with Alec Trachtenberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Many of the tribe know that I spent thousands of hours working in a mom and pop video store throughout my high school years. This is why I'm so excited to bring you today's show. We have Taylor Morden, director, and producer of the nostalgia documentary, The Last Blockbuster (2020).The Last Blockbuster is a fun, nostalgic feature length documentary film about the rise and fall of Blockbuster video and how one small town store managed to outlast a corporate giant.In 2017, when Morden started filming the Blockbuster documentary, there were only 13 blockbusters around the United States. You need to listen to him recount the moment he got the idea to produce The Last Blockbuster and all the ways the universe aligned for this project. We talked a great deal about his distribution plan, the challenges indie filmmakers face, and his company PopMotion Pictures.He also directed Pick It Up!, aSka in the ‘90s chronicles the rise and fall of Third Wave Ska music in the US of the 1990s.Enjoy my nostalgic conversation with Taylor Morden.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

On the show, today is academy award-winning documentary and film director, and producer, Kevin Macdonald. He is one of few directors who dance the line of film and documentary seamlessly. He directed documentaries like Whitney (2018), crowdsourced documentary - Life in a Day (2011), Marley (2012), among others.He is famously known for his 2006 drama film, The Last King of Scotland, starring Oscar winning best actor, Forest Whitaker. Kevin has made a huge name for himself and his work over his 27 years in the industry - dabbling in commercials, films and documentaries.As a boy, his granddad, Emeric Pressburger who was a legendary filmmaker in the 1940s  lit his passion for filmmaking. When his grandfather passed, Kevin wrote a biography in 1994 about his grandad’s life journey, titled, ‘ The Life and Death of a Screenwriter’, which he later made into a documentary ‘The Making of an Englishman’ (1995). This was the start to him becoming a documentary maker.In 1999 he directed the Box office hit and Oscar-winning documentary, One Day in September, which is about the 1972 Munich Olympic Games massacre, featuring a lengthy interview with Jamal Al-Gashey, the last known survivor of the Munich terrorists.This project catapulted his career big time. He then made the adventure-docudrama, Touching the Void, another critically acclaimed film that won Best British Film at the 2003 BAFTA. The true story of two climbers and their perilous journey up the west face of Siula Grande in the Peruvian Andes in 1985.Kevin’s directorial debut on a film was the Oscar® winning, The Last King of Scotland. It is an adaptation of Giles Foden's 1998 novel by the same title. This historical drama which also carries a political thriller genre received riveting reviews and performed exceptionally - both commercially and critically.  Forest Whitaker's performance stole the show and earned him an Oscar for Best Actor. This $6million budget film grossed $48.4million at the Box Office and has an 87% rating on Rotten Tomatoes.The story details the brutal reign of Ugandan dictator Idi Amin as seen through the eyes of his personal physician. James McAvoy stars as the doctor who slowly realizes that he is trapped in an inescapable nightmare, and Forest Whitaker assumes the role of the notorious despot.In commemoration of Youtube’s fifth anniversary, Macdonald was hired to direct and produce the very unique film, the Life in a Day (2011) documentary. It was crowdsourced from 80,000 Youtubers and regular people all over the world sharing their life in one day. The film serves as a time capsule to show future generations what it was like to be alive on July 24, 2010. The completed film debuted at Sundance in early 2011In February of this year, Kevin's latest film, The Mauritanian was released in the US. He explains in this interview that it was a very difficult subject matter to tackle. The entire movie was shot in two locations. Both in South Africa and in Mauritania.The Mauritanian is a suspense legal-drama based on the 2015 memoir Guantánamo Diary by Mohamedou Ould Salahi, a true story of Salahi's experience of being held for fourteen years without charge in the Guantanamo Bay detention camp. The film stars Jodie Foster, Tahar Rahim, Shailene Woodley, and Benedict Cumberbatch.You going to really enjoy this conversation. We dig into the nitty-gritty of documentary structuring, tales of directing huge movie stars, and navigating the Hollywood machine.Enjoy my conversation with Kevin Macdonald.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I’m always looking for success stories in the film business to study and analyze. Edward Burns (The Brothers McMullan) Robert Rodriguez (El Mariachi), Kevin Smith (Clerks), and Oren Peli (Paranormal Activity) come to mind. I’m sure many of you are familiar with the cult indie film classic The Boondock Saints but many of you might not know the crazy story of its writer and director Troy Duffy.Well, prepare to get you mind BLOWN. I had an EXCLUSIVE discussion with Troy this week, and let's say, he did not hold back. Nothing was off-limits - from his instant rise to fame to the smeary fate he met - getting blacklisted, all of it. He wanted to set the record straight because there is always another side to the story, and what better side to hear than that of the man who lived this brutal Hollywood adventure?Of course there is two sides to every story. Troy took full responsibility for what he did and said in the documentary but as I told him editing can be a bitch. The filmmakers amplified the negative, manufactured storylines and really damaged Troy's film career. I mean the film made Troy look insane. Troy and I dive into the deep end of the pool in this conversation. He revealed things he never had before. We discuss the making of Overnight, his interactions with the now disgraced Harvey Weinstein and where he sees himself going from here.Enjoy my eye-opening and entertaining as hell conversation with Troy Duffy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

On the show today is LA native, music artist, filmtrepreneur, filmmaker and actor, Robert Schwartzman. Robert comes from a long line of musicians and film talents. He’s related to industry names like Nicolas Cage (cousin), Sophia Coppola (cousin), Jason Schwartzman (brother), Francis Ford Coppola (uncle), etc. Growing up with these influencers, he ultimately went the same route - acting, studying film editing, and directing music videos. His career tipped slightly towards his passion for musical he became the lead singer, songwriter, and guitarist of the band Rooney.We did a deep dive into Robert’s newest venture, AltaVOD, a self-distribution platform for feature films. It’s a split structure, direct-to-consumer video-on-demand platform that eliminates the middleman (buyer) to support creators directly. I put Robert to the test and asked him hard questions about AltaVOD and he passed with flying colors. When he is not building tech companies to help filmmakers, Robert has been known to act a bit. He began his acting career in Sophia Coppola’s short film Lick the Star and her directorial debut The Virgin Suicides. Even though these were Robert’s first acting experiences, he had already learned much about behind-the-camera technical skills. He shadowed and learned from Sophia and other relatives as much as he could.A clique of school girls devise a secret plan that they code-name "Lick the Star".The Virgin Suicides is about a group of male friends who become obsessed with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid-1970s.In 2001, director Gary Marshell offered Roberts a role on box office success, The Princess Diaries as Michael Moscovitz, Lilly's older brother, harbors romantic feelings for Mia (Anne Hathaway).Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.He's utilized his music career to produce soundtracks for shows like Late Night With Seth Meyers, Pretty Little Liars, Switched At Birthed, Demi Lovato: Live at Wembley Arena, Princess Diaries, and many others.It was cool chatting with Robert and bringing you guys (tribe) new avenues and resources to share your work cost-effectively. Enjoy my conversation with Robert Schwartzman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories come to life.We have 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit they followed up with the embattled Mallrats. The film was not well received and did no money at the box-office. Kevin and Scott were essentially discarded and called a one hit wonders. For most filmmakers that would be all she wrote but not for Kevin and Scott.They decided to go back to their roots and make another low budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.I had ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane and much more.Enjoy my conversation with Scott Mosier.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest on today's episode is Emmy award-winning filmmaker, actor, Filmtrepreneur, best -selling author, and instructor Shane Stanley. Shane's been in the business way before he could walk. He started off as a child actor at 9 months old when his father, who was a working actor volunteered him for national TV commercials, starring in commercials and films and even going on to win his first two Emmy Awards at age 16  and 19 for his role in the Desperate Passage (1987) series.Along with his outstanding talents in front of the camera, Stanley also had an eye out for the producer's seat. He learned and honed camera and editorial skills and could comfortably find his way around behind the camera by age 10, and has since clocked directing, production, editing, and acting credits for over 58 shows, films, commercials, and music videos.In 2001, he launched his production company, Visual Arts Entertainment under which he executive produced culture hits like the sports drama, and Box Office #1, Gridiron Gang starring Dwayne 'the Rock' Johnson as lead, and critically acclaimed film, A Sight for Sore Eyes which was Shane's directorial debut.The film won several awards in 2004. It bagged a Special Jury Award at WorldFest Houston, won two Telly Awards for Outstanding Achievement in Film & Television as well as winning top honors at the International Family Film Festival, and ultimately won dozens of prestigious awards, and was invited to screen at Cannes Film Festival in 2005.Shane's latest book, What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, offers a wealth of knowledge for anyone who wants an entertainment industry insider's professional guidance on how to create a movie. I loved the book so much I decide to publish the audiobook version through my company IFH Books. The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.Shane is a wealth of information and he drops some MAJOR knowledge bombs on the tribe in this conversation. If you are a filmmaker do yourself a favor and pick up his book What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.Get ready to take notes and enjoy my conversation with Shane Stanley.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I have an epic conversation in store for you all today. Our guest is an Oscar-nominated screenwriter, filmmaker, John Lee Hancock. While working as a lawyer by day back in 1986, John moonlighted as a screenwriter, writing script after script. His spec script A Perfect World caught the eye of Steven Spielberg and eventually was directed by Clint Eastwood. After that success he went on to direct the crowd pleasing The Rookie. After the box-office success of The Rookie, John tackled the epic story of The Alamo.Hancock’s famous five-year hiatus comeback film, The Blind Side, an adaptation of Micheal Lewis’s 2006 book, The Blind Side: Evolution of a Game yield and performed outstandingly. The film received countless major awards nominations including an Academy Award nomination for Best Picture and a win for Best Actress for Sandra Bullock.The Blind Side is the story of Michael Oher, a homeless and traumatized boy who became an All-American football player and first-round NFL draft pick with the help of a caring woman and her family.The Blind Side went on to make $309.2 million internationally on a $29 million budget. Not too bad.He shared how he usually starts with loose plots and very quickly thereafter, allows the process to becomes about the characters and then let the characters inform the plot.Just this year, Hancock released his latest HBO Max neo-noir crime thriller, The Little Things, starring Academy Award winners and heavyweights Denzel Washington, Rami Malek, and Jared Leto.I had a ball talking with John about filmmaking, how he almost broke Steven Spielberg's Rosebud prop from Citizen Kane when they first met, and so much more. He really goes into detail about his creative process, how he was able to navigate Hollywood, how to deal with the highs and lows of the business and so much more.Enjoy my conversation with John Lee Hancock.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon’t shoot with any more than a three-man crewActor’s use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Our guest today is no stranger to the show. Ben Yennie was my very first guest on the podcast and he returned this week to discuss the current state affairs of film distribution and his newest venture, Mutiny Pictures which is a full-service film distribution firm.Ben Yennie is an author, film distributor, and producer rep with a high offer rate on films he’s represented at the American Film Market. After forging a successful career as a producer rep for some of Hollywood big talent names in the biz, he opted to go the distribution route. He is also the author of The Guerrilla Rep: American Film Market Distribution Success on No Budget, The First ever book on Film Markets and used as a text at about 10 film schools.Mutiny Pictures was launched in June 2020 to build transparent, modern development, sales, and distribution relationships with big pay-TV providers, and physical media retailers - prioritizing diverse filmmakers and stories to help move the industry into the world post-COVID-19. There are rapid changes affecting film distribution via theaters for independent filmmakers amidst COVID. Adjustment to new distribution models is a top issue these days.We discussed the proliferation of virtual cinemas (PVOD) and building infrastructures towards that focus because theaters can not survive these COVID times and they may not meet head-to-head with VODs post-covid. So how can independent filmmakers adopt and better position themselves to the evolution of film distribution?Enjoy my conversation with Ben Yennie.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Raising money for independent films is the number one pain point for almost every filmmaker in the world. A buzz world so many producers hear now a days in "film tax credits."  These tax credits are magical and it's like money falling from the sky but how do they work? How can indie filmmakers get their hands on these greenbacks?Hopefully this episode will make that struggle a bit easier. On the show today we have tax credit guru  Zachary Tarica, CEO of The Forest Road Company and Chairman of the Board & Chief Investment Officer at Forest Road Acquisition Corp.The Forest Road Company (FRC) is a vertically integrated, specialty finance platform catering to the entertainment industry. Through tax credit lending, servicing, and brokerage, the team of finance professionals, tax credit experts, and lawyers work to empower responsible creators with the resources they need to bring their best work to life. The company went public on the New York Stock Exchange on Nov 2020.In its three years of business, Forest Road has remarkably funded over 150 projects in film and TV through tax credits and raised a staggering $300 million capital - working with state and federal officials and filmmakers to build independent filmmakers competition with big studio films.Zachary had previously built a career in the private equity business. So when he was introduced to the filmtrepreneur side of the industry, he saw an opportunity to capitalize on a cost-effective, double-win, where filmmakers would avoid the bad distribution deals and States would benefit from the jobs created.I consider this episode as one of the ultimate film business talks. With the challenges COVID has caused to every industry, the film industry is dealing with hurdles of the high replacement costs to make movies.Being able to properly get allotted film tax credits is a massive advantage. Zachary shares prime investor insider knowledge and resources in this conversation that will blow your mind. And of course, you have to hear his hilarious story of how he discovered the Indie Film Hustle Podcast and my book Rise of the Filmtrepreneur.Enjoy my conversation with Zachary Tarica.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have been on a major role lately on the podcast and this episode keep that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion of theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer. Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss ho he made the jump from a low budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world and much more. Prepare to take notes on this one tribe. Enjoy my conversation with Edward Zwick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this age of streaming platforms, knowing your distribution route and audience's comfortable viewing habits as filmmakers is crucial. Today on the show returning champion and film industry data analyst ninja, Stephen Follows, breakdowns the build-up process and goal of his newly-launched data analysis platform, VOD Clickstream. The first phase of Stephen's VOD Clickstream is an independent research of Netflix streaming history between 2016-2019 of two-third billion data points that reveal what folks have been watching on Netflix. The research provides insights into the streaming sector by anonymizing browsers and users' history through a plugin to analyze clickstream data from Netflix. Being an entrepreneur himself, he explores, through this project, the future of VOD Clickstream's impact on independent filmmaking and creating a feedback loop with the audience to gauge films and television shows performances.Stephen and I discuss the interlink between the upswing of film and television content and the growth of streaming platforms and the challenges this situation poses for indie films to succeed on these platforms.Enjoy my conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Imagine you are in film school and you make a student film. Then that student film get's seen by Steven Spielberg and he calls you into his office to offer you a deal to direct a feature film version of that short. Well, that is exactly how today's guest go his start.On the show we have the legendary writer/director Kevin Reynolds. Kevin directed the world-wide blockbuster Robin Hood: Prince of Thieves, the epic Rapa Nui, and the infamous and misunderstood Waterworld.Kevin Reynolds made his big career leap from election lawyer and political speechwriter to pursue his childhood passion for writing - enrolling into film school at the University of Southern California.In 1980, Reynolds’s debut film Proof landed him a shot right out of USC to work with Steven Spielberg. The film was later produced as Fandango in 1985, written and directed by Reynolds.Five college buddies from the University of Texas circa 1971 embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures in Vietnam and otherwise.In 1991, Reynolds directed the $48 million action-adventure film of the time, Robin Hood: Prince of Thieves, that grossed $390 million worldwide. This action-filled fan favorite follows Robin and his Moorish companion’s adventure to England and his fight back against the Sheriff of Nottingham’s tyranny.He followed up Robin Hood with the epic Rapa Nui. The film the love between the representatives of two warring tribes changes the balance of power on the whole of the famous Easter Island. The film failed to find an audience in it's initial release but has since become a cult favorite.His next directorial outing is the legendary Waterworld starring Kevin Costner. Waterworld was labeled the most expensive movie ever made ($175 million), until Titanic dethroned it a few years later. The press said it was the biggest flop of all time as well but nothing could be farther from the truth.When the film was finally released it made $264 million worldwide. The film went on to become one of the most valuable IPs in the Universal Studios library. The company created a theme park out of the film that has last over 25 years in multiple parks around the world and has generated hundreds of millions of dollars for Universal.In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.Reynolds’s critically acclaimed historical adventure film adaptation of The Count of Monte Cristo novel in 2002, which starred versatile actor James Caviezel, was a remarkable comeback project after a five-year hiatus. The film is about revenge after a man, falsely accused by three jealous friends, sought to avenge his wasted years of somewhat imprisonment serving a wealthy Italian cleric.Kevin and I discuss the highs and lows of directing in Hollywood, working with Steve Spielberg, his ever changing relationship with friend Kevin Coster, how he dealt with directing Waterworld and so much more.Enjoy my conversation with Kevin Reynolds.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have attorney and film distribution expert Orly Ravid. Orly is committed to helping artistically and intellectually rigorous and important films reach their respective audiences via a financial model that is sustainable for filmmakers.Having established the theatrical, festival, digital distribution and educational services, presently at TFC, Orly works primarily on distribution, sales/licensing and contract/negotiation services with a focus on new media digital distribution. She also oversees theatrical releases, the various educational services, and the organizational overall.Called a “big picture” thinker, Orly founded The Film Collaborative in response to a dominant and overarching structure that favors middlemen, not filmmakers. She is passionate about protecting filmmakers’ rights and revenues as much as she is about good film.Having worked in the film business for two decades, Orly’s past experience ranges from programming to all aspects of the business of film. Orly and discuss the current state of distribution, what the future holds and how not to get ripped off by a predatory film distributor.Enjoy my conversation with Orly Ravid.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team.Joe follow that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Joe latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more.Getting ready to take an adrenaline-fueled ride with Joe Carnahan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete.The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.Enjoy my inspiring conversation with Elliot and Zander Weaver.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to Youtube in hopes of a big time film producer sees to and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg.David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring and scary all at the same time.  He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema.The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about.When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out.The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie.After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box-office with a $15 million budget.Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash.David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world.Enjoy my conversation with David F. Sandberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have commercial filmmaking guru and all-around nice guy Jordan Brady. Jordan Brady began as a stand-up comedian touring nightclubs and colleges across America. A 100% self-taught filmmaker, he’s directed four narrative feature films, three full documentaries and over 1200 national & regional commercials and Maria Bamford’s acclaimed Netflix Comedy Special. Click for more about my feature films.Jordan directs advertising campaigns for brands and agencies from all over the world. Given his background, it’s no surprise he has directed comedy giants as Will Ferrell, Kevin Hart, Keegan-Michael Key, Rory Scovel and more. Other notable celebrities include international star Arnold Schwarzenegger and country music legend Brad Paisley, campaigns starring actress Kathryn Hahn for Chrysler and Lamorne Morris for Buick.Equally as nimble with visual effects, he’s shot over 50 sleight-of-hand magic trick spots for Toyota Saatchi Los Angeles that effortless combine in-camera and digital trickery.Notable advertising awards include multiple Clios, National Gold, ADDY’s, Gold Promax Award, One Show, D Show, Pencil, AICP Awards, and more. Mr. Brady’s work is routinely spotlighted on AdWeek, Ads of The World and Agency Spy.In 2016, Jordan completed his passion project; a feature documentary trilogy on what its takes to be a stand-up comedian. “I AM COMIC” stars Louis CK (pre-pervert) Sarah Silverman, Leslie Jones and more. 2014’s aptly titled “I AM ROAD COMIC” stars Pete Holmes and Marc Maron. The most gripping film of his career is “I AM BATTLE COMIC”. Filming took Brady to Afghanistan, Kuwait and undisclosed parts of the Middle East where he performed stand-up comedy for our troops stationed there.In his spare time, Mr. Brady hosts the popular weekly filmmaking podcast RESPECT THE PROCESS, described as “The Rosetta Stone of filmmaking” and teaches Commercial Directing Bootcamp.Enjoy my conversation with Jordan Brady.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode we welcome filmmaker Jon Gustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult film shoots in modern film history.When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves.Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision.I'm also honor to announce that you can watch Wrath of Gods on Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one.Enjoy my conversation with Jon Gustafsson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I've called this dream the lottery ticket mentally. I always say that someone wins wins the lottery every week somewhere.Well today's guest is that lottery ticket winner. Today on the show we have writer/director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents is what broke the record.The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival.When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.I've always wanted to know what it was like to be a fly on the wall durning a bidding war at Sundance. In today's episode I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books.Enjoy my conversation with Max Barbakow.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have producer Bradley Gallo. His production company, Amasia Entertainment, behind the upcoming Wild Mountain Thyme, starring Emily Blunt, Christopher Walken, Jon Hamm, and Jamie Dornan.His 2019’s Official Sundance Selection Them That Follow, starring Olivia Coleman, Jim Gaffigan, Walton Goggins, Kaitlyn Dever, Lewis Pullman, Alice Englert, and Thomas Mann is now on Showtime.Amasia has also recently acquired the rights to the Green Hornet franchise.Bradley's other credits include Mr. Right with Anna Kendrick and Sam Rockwell (available on Netflix); The Call with Halle Berry; and Careful What You Wish For with Nick Jonas and Dermot Mulroney.Bradley and I discuss the ever-changing film marketplace, how he is positioning his new project to adapt to the new rules of the game and much more.Enjoy my conversation with Bradley Gallo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Linda Nelson from Indie Rights. Linda and her partner Michael Madison have been a shinning light for filmmakers in the dark world of film distribution. With the distribution landscape changing almost weekly, I wanted to bring Linda on to shed some light on the ever shifting marketplace.Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies.  They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide.Known for innovation.  SHIFTED, their first digital feature,  was the first movie on Amazon’s UnBox (the predecessor of Amazon Video)  and was used by Amazon to promote their platform for over five years. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with.We discuss the realities of film distribution, what filmmakers need to know, and what is selling today. We also throw a cold-bucket of water on filmmaker so they can snap out of delusion and better position themselves for success.Enjoy my eye-opening conversation with Linda Nelson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little known rapper named Tupac Shakur. These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. Albert followed up that success with Dead Presidents (1995).On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger than life experience.An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!Enjoy my EPIC conversation with Albert Hughes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker and author Josh Folan. He's a writer/director/editor/producer/actor – though not necessarily in that order – that began professionally making things people watch on screens in 2005, prior to which he studied finance at The Ohio State University.Filmmaking highlights since founding NYEH Entertainment in 2008 include 2018 Hamptons/Woodstock/Napa selection Ask For Jane, 2017 SXSW audience award winner The Light of the Moon, 2015 Slamdance selection BODY, 2015 Raindance selection The Lives of Hamilton Fish, 2016 SOHO Int’l selection and 2017 Queens World best screenplay nominee catch 22: based on the unwritten story by seanie sugrue,His new book, Still Filmmaking, the Hard Way, is a detailed recounting of the step-by-step process of the development, production, and distribution of three micro-budget feature films with one critical commonality – producer and fifteen-year independent filmmaking veteran Josh Folan.Josh walks the reader through each and every painstaking step of the making of three sub-$250,000 USD films featured in the case study – Ask For Jane, Love Is Dead!, catch 22 – while explaining, scrutinizing, and contrasting the experience in a voice intended to entertain, not lecture.The experience of producing sixteen feature films and a bevy of short, episodic, and commercial projects inform the words herein, across which countless mistakes and learning experiences were had by the author. Still Filmmaking, the Hard Way offers readers the opportunity to learn this laundry list of lessons at a tiny fraction of the cost of crippling your own film’s micro-budget.Enjoy my conversation with Josh Folan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director, Youtuber, and founder of the legendary Filmmaker IQ John Hess. I have been a huge fan of John's for quite some time. The videos he creates for Filmmaker IQ are, by far, some of the best and most informative film education on Youtube.Here's John's explanation of Filmmaker IQ is. Filmmaker IQ (which also goes by the aliases Who?, FilmmakerIQ.com, and FIQ to evade debt collectors) is worshiped by no less than five monotheistic religions on Earth despite their petulant childish behavior, persistent meddling in the space-time continuum, and clear bipolar disorder. FIQ is the largest black hole of film knowledge in the universe.With over 3.4 billion courses on subjects such as Ways to successfully acquire both armrests at a movie theater, Why do all the evil people in Star Wars have a British accent? and Martin Scorsese’s Eyebrows. FIQ’s video lectures are hailed by educators, non-educators as well as people who are against the concept of education on moral grounds.John and I geek out over cameras, post, and filmmaking in general. If you haven't watched his videos you are missing out. They are a must for any serious filmmaker. Enjoy my conversation with John Hess.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director Raja Gosnell. He directed comedy classics like Big Momma's House starring Martin Lawrence, Never Been Kissed starring Drew Barrymore, and Yours, Mine & Ours starring Dennis Quaid.Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box-office.Raja wasn't always a director, he started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.For Chris Columbus he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall, and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he choose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?Enjoy my conversation with Raja Gosnell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In my on-going series on COVID film production, I speak to creator/showrunner Colleen Krantz. She is the creator of the new series Complete Bull. The show is about a young animal scientist who must decide if she will join her family’s livestock insemination business in her fighting-to-stay-alive Midwest hometown, even as the community is torn at the seams debating whether to become a “receiving community” in the government’s forced relocation of first-generation immigrants.When she was shooting her show her production was one of only 24 SAG productions filming in the entire country. In this conversation, we discuss how she had to rewrite the script to include some nontraditional filming locations, how she dealt with negative attitudes from old-school Hollywood people because she was filming in a rural area, and what techniques she used to keep herself and her cast/crew safe during production.One of my favorite parts of the conversation is when we discuss how she was chewed out by an actress's manager, and I quote:“ You have no business trying to do this from the middle of Iowa.“I hope listening to Colleen's story can help you run a safe film production during these crazy times. Enjoy my conversation with Colleen Krantz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Kyle Prohaska. Kyle is a Facebook Marketing Ninja. Kyle also specializes in promoting and marketing indie films.He also has created insane followings for his own films. Check out this 1,000,000 follower Facebook page he created for his film Standing Firm. Get ready to take some MASSIVE notes on this special episode. Enjoy my epic conversation with Kyle Prohaska.I wanted to bring Kyle back on the show to discuss a new system he is using to generate real money for filmmakers using Facebook ads. The problem I've always had using Facebook to promote indie films is ROI or Return on Investment. It didn't make sense to me to spend twenty dollars to promote a $2.99 rental or worse a free watch on Amazon Prime.Kyle has figured out a way to not only get a massive ROI on money spent but to also bring awareness to the film. If you are using or are thinking of using Facebook ads to sell your film this is the episode for you. Get ready to have your mind BLOWN!Enjoy my conversation with Kyle Prohaska.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Peter Rader. Peter has been working with his wife Paola di Florio to help filmmakers connect with audiences and generate revenue for their projects.The story of how they self-distributed their run-away hit AWAKE: The Life of Yogananda from booking theaters to SVOD is remarkable. They did it all on their own and the film has been viewed by millions. I wanted to bring Peter back on the show to discuss how they are distributing film during COVID, methods for audience building, social media marketing, release strategy, and much more.Peter has worked as a film and television writer for 20 years. His first script, Waterworld, was produced by Universal in 1995. He has developed numerous projects for other studios, and industry leaders such as Steven Spielberg, Dino De Laurentiis, and John Davis.On today's show, we are discussing the new film Infinite Potential: The Life and Ideas of David Bohm, which his company is helping to self distribute in the hybrid model.“Infinite Potential: The Life and Ideas of David Bohm” is a feature documentary about the man Einstein called his “spiritual son” and the Dalai Lama his “science guru.” A brilliant physicist and explorer of Consciousness, Bohm’s incredible insights into the underlying nature of reality and the profound interconnectedness of the Universe and our place within it are truly transformational.Enjoy my conversation with Peter Rader.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been getting asked almost daily if filmmakers should submit to film festivals during the pandemic since most festivals are moving online? Well, I went straight to an expert to discuss this.On the show today I have one of the leading authorities on film festivals, Chris Holland from Film Festival Secrets.com. Chris is a 20-year veteran of film festivals, journalism, marketing, distribution and literally wrote the book on the subject, Film Festival Secrets: A Handbook For Independent Filmmakers.If you are a listener of the show you also know that Chris and I created a FREE Podcast Series called the Film Festival Hacks Podcast. Chris and I discuss the pros and cons of submitting to film festivals in today's world, what value film festivals have in the current marketplace, and if festivals can bounce back after the brutal hit they took from COVID.Enjoy my conversation with Chris Holland.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Happy New Year IFH Tribe! We are starting 2021 with a bang. Today on the show with have Zack Arnold, an award-winning Hollywood film & television editor (Cobra Kai, Burn Notice, Empire, Shooter, Glee), member of the American Cinema Editors, a documentary director GO FAR: The Christopher Rush Story, narrated by Mark Hamill), and creator of the Optimize Yourself program and podcast.Zach has been working on the #1 Netflix show Cobra Kai since season 2. If you haven't heard of Cobra Kai here's the skinny.Thirty-four years after the events of the 1984 All Valley Karate Tournament, a down-and-out Johnny Lawrence seeks redemption by reopening the infamous Cobra Kai dojo, reigniting his rivalry with a now-successful Daniel LaRusso.Zack and I talk about Cobra Kai, how he became a healthy editor, what it was like working on some of the top shows on television, and how he retired early from editing, except Cobra Kai, of course, to run his own lucrative online business helping creatives optimize themselves.Enjoy my conversation with Zack Arnold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, 2020 has been one hell of a year. Our industry has been turned upside down and inside out. The way business is done in Hollywood has been changed forever. There has been so much pain and suffering this year. People lost their jobs.Legendary companies that were thought to be unbreakable filed for bankruptcy. The mear act of being on set became a highly dangerous occupation. So many beloved filmmakers and actors passed away. Film festivals closed their doors. Movie theaters giants shut their doors, some for good. COVID-19 devasted not only our business but the world.2020 just f**king sucked!With all that said I see a light of hope on the horizon. Like every New Years before Jan 1 brings with it a new hope, an opportunity to improve things, and for your life to be better than before. 2021 has a lot of pressure on it for sure. I know so many tribe members have had a rough go of it but the only thing we can do is to take charge of what you can control.You might not be able to control the world, the virus, your employer, or the economy. But you can control what you do on a daily basis, how you act, how you think. You can think everything sucks and there's no hope for you or your dreams or you can think that you have the power to change where you are in life right now.Every dream, every success story started with one thought, I CAN DO THIS. As Henery Ford once said"If you think you can do a thing or think you can't do a thing, you're right."The power of your own thoughts is so much more mighty than you think. Trust me I speak from experience. Looking back on my life I realized that in the roughest moments my thoughts were destructive and when I was experiencing great successes my thoughts were constructive. Whatever you focus on grows so if I were you I'd focus on the positive and not the negative.This year I came to a profound truth that the key to success is to help others. The moment I launched Indie Film Hustle my life began to change. The more I helped others the better my life became. The opportunities I had been chasing for decades just started showing up at my door. Don't get me wrong, as you know I hustled like crazy but not on getting things for myself as much as providing value to other people. As Les Brown said“Help others achieve their dreams and you will achieve yours.”In 2021 make it a goal to help others with their dreams and I promise you that things in your life will change, it did for me. In 2020 I released my second feature film On the Corner of Ego and Desire, created BulletproofScreenwriting.tv, my premium online education platform IFH Academy, launched the IFH Podcast Network and multiple podcasts including The Filmmaking Motivation Podcast, The Directors Series Podcast, Inside the Screenwriter's Mind Podcast, and spoke to legendary filmmakers and screenwriters on my shows like Oliver Stone, Barry Sonnenfeld, Alex Proyas, James V. Hart, and John Badham just to name a few.And most importantly I was inspired by you the Indie Film Hustle and Bulletproof Screenwriting Tribes. Your stories of overcoming obstacles, massive successes, and following your dreams moved me. Getting emails and messages from around the world gave me hope that yes we are in tough times but even with all that you, the tribe, continues to move forward like an unstoppable creative force.In 2021 we will try, fail, and try again because remember..."Failure is simply the opportunity to begin again, this time more intelligently." - Henry FordThe more you might fail the closer you are to succeeding. I'll be trying a ton of new things in the new year and hope they will be a success but am ready if they don't live up to my expectations.In 2021 I'll be launching a couple of new companies, partnering with amazing new instructors for IFH Academy, releasing my new book, adding amazing new content to Indie Film Hustle TV, publishing new audiobooks through IFH Books, producing a few new podcasts for the IFH Podcast Network, and developing new websites to further help filmmakers and screenwriters follow their dreams.I want you to write down what you want to accomplish in 2021 and what steps you will be taking every day to get those goals. Do you want to set a goal of one or two screenplays a year as Oliver Stone does? Do you want to direct your first feature film? What needed tools do you want to put in your toolbox? What need skills do you want to learn to make you a more dangerous and knowledgeable filmmaker or screenwriter?After speaking to hundreds of the industry's most successful artists and business people I found they all had one thing in common, they never gave up! They all just kept going no matter what. Oliver Stone had the script for Platoon in his pocket for years before someone produced it. James V. Hart was in his forties when he had his breakout with Hook and Dracula. Barry Sonnenfeld went from shooting adult films to having his movies gross almost $2.5 billion worldwide.Every successful person you look up to failed and failed often on their way to success. They never gave up and you shouldn't either. Every no is one step closer to a yes. I wish all of you an amazing 2021 and don't forget to keep that hustle going and keep that dream alive!Be well, stay safe, and Happy New Year.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender. Enjoy my epic conversation with Oliver Stone.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

CHRISTMAS THROWBACK: I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So many IFH Tribe members have reached out to me to ask if I could help or guide them on how to shoot an indie feature film or series during COVID-19. So I decided to release a series of interviews with filmmakers who have done just that.First up is filmmaker Austin Williams. Austin was shooting his new feature Red Stone in the middle of COVID before anyone in our business knew what to do. The film had a respectable $500,000 budget.In this conversation, we discuss the methods he used to keep everyone safe on set, how he dealt with SAG, and the costs associated with dealing with COVID safety measures. Enjoy my conversation with Austin Williams.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show I have a good friend and fellow podcaster, Giles Alderson. Giles is not only a podcaster but a successful filmmaker, producer, and screenwriter. I've been on The Filmmaker's Podcast a couple of times now and I just love talking shop with him.  One day we got to talking and he told me the crazy story of his debut film Arthur & Merlin: Knights of Camelot, which cost over a million dollars.He also directed, written & produced the psychological horror feature film ‘The Dare’ made for Nu-Image (Expendables, Hellboy) and B2Y Productions starring Richard Brake (31, Batman Begins), Alexandra Evans ((Redistributors), Bart Edwards (Fantastic Beasts), Richard Short (Vinyl, Public Enemies), Robert Maaser (M.I 5 Rogue Nation)I had to have him on the show to share his misadventures in making a million-dollar debut feature film. Get ready for one whale of a tale.  Enjoy my conversation with Giles Alderson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion film producer and distributor Shaked Berenson. Shaked has been on the show a few times now and each time he brings a wealth of knowledge bombs to the tribe. Shaked launched his new company called The Horror Collective, whose mission is to foster a community of independent horror filmmakers and connect their films to fans, all done transparently and fairly. We provide direct distribution combined with a cost-effective, high-impact festival, marketing, and release strategy. The Horror Collective aims to bring your film to the right audience.Shaked Berenson produced, and executive produced 22 features and two television series including many horror and cult favorites such as TURBO KID (2015), BIG ASS SPIDER! (2013), THE AGGRESSION SCALE (2012) and most recently, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT (2019), EXTRA ORDINARY (2019), PRETENDING I’M A SUPERMAN - THE TONY HAWK VIDEO GAME STORY (2020), and THE LODGERS (2018).In this episode, Shaked and I discuss the realities of film distribution in today's world, why most indie films fail to make money, why many film distributors screw over filmmakers, and how filmmakers can better position their films for the marketplace. The RAW TRUTH that Shaked and I discuss is not for the faint of heart but I truly hope it helps filmmakers better understand the marketplace they are entering.Enjoy my eye-opening conversation with Shaked Berenson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Earth: The Fall of Syria and the Rise of ISIS. He has since covered the water crisis in Flint, Michigan, drug trafficking, and homelessness in Philadelphia. He quickly established a unique ability to capture the human experience through "cinema verité."  His unfettered access to and intimacy with his characters creates a seamless veneer between the filmmaker and subject.After getting much need experience in the field he decided it was time to tell larger stories. His first outing as a feature film director, Higher Love, won him the top award at the Slamdance Film Festival. To finance his film he pulled a page out of Robert Rodriguez's playbook and sold his blood plasma to finance his film.Hasan's filmmaking journey is inspiring to say the least. He is using cinema to tell stories that will hopefully change the way people think. Higher Love is available on all major VOD platforms. His current project focuses on the Yazidi Genocide in Iraq.Enjoy my conversation with Hasan Oswald.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now.  I can't tell you how fun it was talking to Ian and Eshom.We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.Enjoy my conversation with filmmakers Ian and Eshom Nelms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I can't be more excited to bring you this episode. On today's show, we have the legendary writer/director Alex Proyas, the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, and I, Robot.Alex Proyas had a huge influence on my filmmaking life. The Crow was one of those films I watch a thousand times, in the theater, when I was in film school. He began his filmmaking career working in music videos with the likes of Sting, INXS, and Fleetwood Mac before getting the opportunity to direct The Crow. That film was one of the first modern comic adaptations but as Alex puts it..."The Crow was my anti-comic book movie." - Alex ProyasBoth The Crow and Dark City had such a HUGE influence on films and filmmakers for years after their initial releases.Alex's films are visually dazzling and have the voice of a true artist. You can see a direct line from his genre-defining work to films like The Matrix, Alita: Battle Angel, Equilibrium, Underworld, The Dark Knight, Inception, and many others.I feel Alex's contributions to the visual aesthetics of modern cinema have been extremely undervalued. Director's like Christopher Nolan point at Alex's films as inspiration when he was putting together The Dark Knight Trilogy. The Matrix has Dark City visuals and style oozing from the screen.Alex and I discuss his career, working within the studio system, dealing with insane interference in his creative vision, why he is shooting short films at this stage of his career, his new film studio The Heretic Foundation, and his misadventures in Hollyweird.He has also launched a YouTube channel called Mystery Clock Cinema where he showcases his short films and amazing filmmaking tutorials, philosophies, and live streams.Prepared to be inspired. Enjoy my thoroughly entertaining conversation with filmmaker Alex Proyas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have veteran cinematographer Jayson Crothers. Jayson had shot two dozen independent features before he joined the NBCUniversal hit show Chicago Fire in 2013.  After serving as the 2nd unit DoP for 38 episodes during seasons 2 & 3 he was asked to helm the show.  Serving as the sole DoP from seasons 4 to 6, he shot 74 episodes of the series for Dick Wolf. He also did additional photography for the backdoor pilot of Chicago Med.In 2019 Jayson photographed three features - the World War 2 true story drama Axis Sally, directed by Michael Polish, starring Al Pacino and Mitch Pileggi, the romantic comedy The Thing About Harry, directed by Peter Paige, and the hurricane action film Force of Nature, also directed by Michael Polish, starring Mel Gibson, Emile Hirsch, and Kate Bosworth.In between these films he also shot additional photography for the Starz series P-Valley as well as 2nd Unit for the Netflix feature Malibu Rescue - The Next Wave.In addition to his work being seen theatrically and on television, it’s also been seen across the festival circuit at SXSW, Tribeca, and Camerimage to name a few. Jayson also served as the Technical Editor for the acclaimed book on cinematography and lighting, A Shot In The Dark.In this episode, we discuss his career, how to get the most out of low budget cinematography, and much more.Enjoy my conversation with Jayson Crothers.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low budget feature films and uploads them to Amazon Prime. He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content.Enjoy my conversation with J. Horton.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm so excited to bring this episode to the IFH Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood's biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING,  SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.“No one has a job in our business until you type ‘the end’.” — James V. HartDracula has a special place in my heart as it is one of the major influences that made me become a filmmaker.James has served on the faculty of the Columbia University Graduate Film program. Served as mentor and advisor at the Austin Writer’s Ranch, Sundance Film Labs, and the Equinoxe-Europe Writing Workshops for over 20 years in 11 countries. Hart has also conducted the Puglia Experience for writers and producers held in the Puglia region in Italy.During the making of Dracula Francis Ford Coppola called James up and told him he hated everything about the story and the movie they had shot. James sat down with Francis and beat up the film and story. Frustrated that this happened, James set out to develop a tool that could help him map out the screenplay's emotion before they ever start shooting.  The HART CHART was born.Originally launched online at the 2015 Austin Film Festival, James has developed a proven story mapping tool for serious writers working in television, film, novels, plays, and other literary forms, with a guarantee you will never face a blank page again.James and I discuss THE HARTCHART, his journeys in Hollywood, how he became a 20-year overnight success, what it was like working with master filmmakers like Coppola, Speilberg, and Zemeckis, and how he breakdowns a blockbuster story idea.This is one episode for the record books. Enjoy my conversation with James V. Hart.CROSSOVER: Bulletproof Screenwriting PodcastThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Filmmaking during these crazy times is tough, if not impossible in some areas. Imagine acting on a set in the age of COVID-19. I wanted to bring a veteran actor on the show to discuss how these insane times are affecting actors and I could think of no better person than 25+ year acting vet Joseph Reitman. Many of you might recognize him as the co-star of my first feature film This is Meg. Joe is best known for playing the villain in Happy!, Money Monster, Lady in the Water', Clueless, Jay and Silent Bob Strike Back, and The Perfect Storm. We sit down in this episode and discuss how SAG is handling COVID-19, what it's like being on set, and what the future holds for film production as we know it. This is a very entertaining and informative show.Enjoy my conversation with Joseph Reitman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The pandemic has upended the film industries in a way we will be feeling for years to come. Not only are film festivals in limbo and scrambling to figure out how to move forward but film markets like Cannes and Berlin are as well. Today on the show we welcome back to the show Jonathan Wolf, Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market (AFM).The American Film Market is the most efficient film acquisition, development, and networking event in the world. Unlike a film festival, AFM is a marketplace where production and distribution deals are closed. More than US$1 billion in deals are sealed every year — on both completed films and those in every stage of development and production.Over 7,000 industry professionals from more than 70 countries converge in Santa Monica every November. They include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.At AFM, participants can discover the entire global catalog of available films and projects, attend 50+ world-class conferences, roundtables, and presentations, and connect with the independent film community’s decision-makers, all in one convenient location without the distraction of a film festival.The American Film Market 2020 will go on during this crazy time but not how you might think. AFM will be conducted completely online.I'll also be speaking at this year's AFM with my good friend and film financing expert Franco Sama on November 10, 2021, at 2 pm PST.Jonathan and I discuss how the distribution landscape will change in the coming months and years, how the theatrical exhibition business will bounce back, the explosion of streaming services, and how the AFM will look in the future. Enjoy my conversation with Johnathan Wolf from the American Film Market.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today. Enjoy my conversation with Rene Amador.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have 17 time Emmy Award-winning filmmaker Jeff MacIntyre. Jeff is the director of the new film The Great Cookie Comeback. Famous Wally Amos introduced us to his famous cookie in 1975. It was love at first bite! 🍪 Then...he lost it all to a big corporation. For 30 years, Wally’s been hustling to get it back. At 82, facing huge personal and financial challenges, can he make his new cookie as famous as his first? Nobody deserves a Great Cookie Comeback like Wally Amos!Jeff wanted to be completely transparent on what he did right and wrong on his self-distribution adventures. He decides to create a 45 min+ mini-doc explain the good, the bad, and the ugly.I reached out to Jeff so he could share his story with the tribe. If you are thinking of self-distributing your film this is an episode you will not want to miss. Enjoy my conversation with Jeff MacIntyre.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we welcome back returning champion the legendary director John Badham. If you didn't already know John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80's hits like War Games, Short Circuit, & Stakeout to 90's action classics like Bird on a Wire, Point of No Return, Nick of Time, and Drop Zone.John's second edition of his second book continues with more stories from filmmakers and actors working in TV, movies, and streaming content.John Badham on Directing also includes sections detailing methods for working with action and suspense, hallmarks of Badham's Filmography, as well as a 12 step "Director's Checklist" for comprehensively analyzing any scene and how best to approach it with your actors.Sit down and get ready to take a TON of notes on this epic conversation with John Badham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been thinking about doing this podcast for a long time. In the tradition of Why Filmmakers are Always So Damn Broke & What They Can Do to Change It this episode is going to be a cold bucket of water over your head if you are not ready for it. In the insane world we are all living in today, filmmakers need to break out of the mindset that we are living in the golden age of indie cinema.The rules have changed dramatically since the 90s and even more so in the last 8 months of the COVID pandemic. The rules aren't the only thing that has changed but the game has as well. The film distribution infrastructure is broken and has been broken for many decades. It is not set up to help filmmakers make money. It is purely designed to put more money into the pockets of film distributors.I have written extensively about this in my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. I want to put together one of my hard truths episodes to help filmmakers better understand the indie film marketplace and how to best position themselves to actually make money.There is so much talk about new cameras, lenses, rigs, post-production software, and other more interesting aspects of the filmmaking process but when it comes to selling and making money with movies filmmakers rely on old information that is no longer relevant in the current marketplace. I hope this episode empowers you to not only make more movies but to also make money while doing it.Strap yourself in because for some of you it will be a rough episode to listen to. Be well, stay safe, and keep that hustle going.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker Anderson Cowen. Anderson and I met through a mutual friend in Los Angeles. When I first met Anderson he was a deer in the headlights when it came to selling an indie film into the marketplace. His film is called Groupers. It's about a grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool.Needless to say, Anderson went on an adventure getting this film into the marketplace. I wanted to share his journey with the tribe and I hope you grab some lessons of want to do and more importantly what NOT to do when making and selling a film.Enjoy my conversation with Anderson Cowen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, producer, director, actor, and Filmtrepreneur Steven Luke. Steven and I discuss how he attaches bankable movie stars like Dolph Lundgren, Mickey Rourke, Chuck Liddell, James Cromwell, Sam Worthington, Tom Berenger, Ron Perlman, and Billy Zane to his independent films. We also discuss his misadventures in film distribution, how he presells his films and if he actually makes any money with film distributors.Steven also has a Filmtrepreneur mind when it comes to his film productions. He has found his niche, war films. Understanding his niche market he uses the films he produces to advertise his company Man the Line. It is the internet’s number one source at recreating war!Man the Line is a small South Dakota business offering original militaria and quality reproduction uniforms and headgear for collectors, reenactors, and film productions. By doing this Steven has created additional revenue streams for himself by using his films. This is the Filmtrepreneur way.Enjoy my conversation with Steven Luke.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film. Today's guest is Australian filmmaker Mark Toia who created the insane indie sci-fi action film Monsters of Man.After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI on a million-dollar+ indie film without any major bankable stars.I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt-out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit-hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"To get the most bang for his buck Mark shot the film in Cambodia. He was able to hire an amazing local crew while also capturing the breath-taking locations, and culture that the country had to offer. The production value was off the charts.This is a once in a lifetime Filmtrepreneur experiment. Can a multi-million dollar sci-fi, action indie film be self-distributed successfully? We will find out. Mark agreed to keep me updated on the progress of the film and come back next year to tell the tribe how it all went.I can't be more excited to share this episode with you guys. Enjoy my inspiring conversation with Mark Toia.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Welcome to the SNEAK PEAK of THE DIRECTORS SERIES PODCAST, a show dedicated to appreciating and deconstructing the work of contemporary and classic film directors. In the show, we breakdown the careers of film directors like Christopher Nolan, Stanley Kubrick, Quentin Tarantino, David Fincher, The Coen Brothers, and Paul Thomas Anderson just to name a few. From their early works and short films to their blockbuster achievements and Oscar glory.In season one we will be deconstructing Christopher Nolan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director Martin Villeneuve. Martin is the filmmaker behind the impossibly epic Canadian sci-fi film Mars et Avril (Mars and Avril). Martin didn't have the $100 million+ budget needed to produce a film of this epic size. He used his skills, hustle, and passion to bring the film to life.His TEDTalk is an absolute must for any filmmaker who wants to get the filmmaking juices flowing. In this inspiring talk, he explains the various ways he overcame financial and logistical constraints to produce his unique and inventive vision of the future in Mars and Avril.And I know you are all wondering, yes Martin is the younger brother of famed director Denis Villeneuve. It was a pleasure chatting with Martin. He is truly an inspiration. Enjoy my conversation with Martin Villeneuve.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmakers Bob and Margie Rose. They are the creators of the new film InstaBAND. InstaBAND is a film about today's music artist and their hustle to try and achieve music stardom in a streaming world that no longer buys music. Featuring bands from across the country, InstaBAND offers an inside look into today's music industry.I wanted to have Bob and Margie on the show to discuss the lesson indie filmmakers can learn from indie musicians. I've been saying for years now that if you want to see what is going to happen to the indie film marketplace just look at the music industry. From the devaluation of media to creators going on the road and sell ancillary products and services to make a living with their art.If you that the time to look you can learn these lessons and apply them to indie film. Enjoy my conversation with Bob and Margie Rose. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker and Filmtrepreneur Patrick Solomon. Patrick is the mastermind behind the celebrated film Finding Joe.Finding Joe is an exploration of famed Mythologist Joseph Campbell's studies and their continuing impact on our culture. Through interviews with visionaries from a variety of fields interwoven with enactments of classic tales by a sweet and motley group of kids, the film navigates the stages of what Campbell dubbed The Hero's Journey: the challenges, the fears, the dragons, the battles, and the return home as a changed person."WE MUST BE WILLING TO GET RID OF THE LIFE WE'VE PLANNED SO AS TO HAVE THE LIFE THAT IS WAITING FOR US" - JOSEPH CAMPBELLRooted in deeply personal accounts and timeless stories, Finding Joe shows how Campbell's work is relevant and essential in today's world and how it provides a narrative for how to live a fully realized life-or as Campbell would simply state, how to "follow your bliss".I saw Finding Joe years ago and it just blew me away. This is why I was so excited to include the film in the IFHTV Streaming Service. Patrick and I sit down and discuss his film, his distribution journey, and how he used the Filmtrepreneur method to squeeze every drop of revenue out of the film. Enjoy my conversation with Patrick Solomon. Proud Member of the IFH Podcast Network (http://www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV release. Some of his projects have screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals.His film is Death of a Fool. A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality.Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD.Enjoy my conversation with Ismael Gomez. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Emily Best. Emily is the founder and CEO of the crowdfunding platform Seed&Spark, which she started with a group of independent creators after the challenges and lessons of producing my first feature film, Like the Water. "Storytelling can change the world – when everyone can see themselves reflected in the stories we share, we empower all people to take part in shaping how we see our past, our present and our future." - Emily BestI wanted to have her back on the show to talk about the state of indie film and how filmmakers can survive and thrive in the future. I recorded this interview before COVID-19, just around the time TUGG went under.We have a spirited conversation about the future and how the mindset of filmmakers needs to change to make it in the future. Enjoy my conversation with Emily Best. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director Grant Pichla who shot the time travel feature film Making Time in two days. Making Time's 110 pages were shot in just two crazy, fast-paced days, separated by 7 months and a house renovation.After traveling back in time, a divorced workaholic must repeat his past footsteps in order to return to an unaltered present but struggles when it means re-proposing to his ex-wife. How'd they shot​ a full movie in 2 days? This documentary series explains it all.This remarkable documentary is available on Indie Film Hustle TV. Grant and I discuss the insanity of shooting a film in two days, how he came up with this crazy idea, and what it took to put this beast together. Enjoy my conversation with Grant Pichla. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, we made it. #400! I couldn't have imagined that when I started this little podcast back in 2015 that we would ever get here. I say "we" because I couldn't have done it with the IFH Tribe's love and support over the years. I am humbled, grateful, and honored to have the privilege to serve you all. Thank you for everything guys.As promised I wanted to make this episode special and today's guest will do just that. We have filmmaker and founder of the legendary Film Riot Ryan Connelly. Ryan launched Film Riot on Youtube back in 2006 and has been helping indie filmmakers create killer VFX for their films ever since.Ryan has shot over 15 short films and has taken his followers on the journey of how he made them. I've been a big fan of Ryan's for a long time and just love what he has created with Film Riot. Hustle respects HUSTLE!We discuss so much in this conversation. From creating Film Riot to when he'll make his first feature film to how our industry will survive the Coronavirus. I just loved having Ryan on the show.Enjoy my EPIC conversation with Ryan Connelly. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!- Never stop chasing that dream that is burning in your belly.- Your limitation—it's only your imagination.- Push yourself, because no one else is going to do it for you.- Sometimes later becomes never.- Great things never come from comfort zones.- Success doesn't just find you.Share this with a filmmaker that needs to hear it.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have award-winning filmmaker, actress, author, speaker, women in film activist and force of nature Naomi McDougall Jones. Many of the IFH Tribe might remember Naomi from her first appearance on the show talking about her distribution adventures with her film Bite Me. You can listen to that episode here: Making Money Self Distributing Your Indie Film with Naomi McDougall JonesBite Me, is a subversive romantic comedy about a real-life vampire and the IRS agent who audits her. The film premiered at Cinequest, won Best Feature Film at VTXIFF, and then went on to the innovative, paradigm-shifting Joyful Vampire Tour of America in summer 2019, a 51-screening, 40-city, three-month, RV-fueled eventized tour that involved Joyful Vampire Balls, capes, a docu-series and a whole lot of joy. Naomi's first book, The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood, is now available wherever books are sold in hardcover, audiobook, and e-book. It debuted as the #1 New Release on Amazon. It is a brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard.Naomi has been a vocal advocate for bringing gender parity to film, both on and off-screen. She has spoken at film festivals and conferences around the world and written extensively on this subject. Naomi's TEDTalk on these issues and what to do about them, "What it's Like to Be a Woman in Hollywood, has been viewed over a million times. Enjoy my eye-opening conversation with Naomi Mcdougall Jones. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The IFH Podcast Network makes it easy for you to discover, connect, and engage with industry-leading filmmaking and screenwriting podcasts, all in one place. We curate the best podcasts that will help you on your filmmaking and screenwriting journey. You can listen to any of our shows on your favorite podcast platform. #IndieFilmUnitewww.ifhpodcastnetwork.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!- Never stop chasing that dream that is burning in your belly.- Your limitation—it's only your imagination.- Push yourself, because no one else is going to do it for you.- Sometimes later becomes never.- Great things never come from comfort zones.- Success doesn't just find you.Share this with a filmmaker that needs to hear it.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!- Never stop chasing that dream that is burning in your belly.- Your limitation—it's only your imagination.- Push yourself, because no one else is going to do it for you.- Sometimes later becomes never.- Great things never come from comfort zones.- Success doesn't just find you.Share this with a filmmaker that needs to hear it.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Welcome to the Filmmaking Motivation Podcast with Alex Ferrari is a podcast dedicated to helping you get off your butt and make it happen for yourself. We all need a push on our filmmaking journey from time to time and this show does just that. Filmmaker and host Alex Ferrari (who also hosts The Indie Film Hustle, Filmtrepreneur, and Bulletproof Screenwriting Podcasts) drops weekly episodes that are part inspirational, part motivational, part raw truth bomb and part kick in the butt. These short motivational episodes will help you kick start your day. Never stop chasing that filmmaking or screenwriting dream. The world needs to hear your voice. It is your responsibility to put it out into the world. Keep on hustling!Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have low-budget visual effects master Kevin Good. Kevin is a freelance cinematographer, VFX artist, and director. He has worked on diverse projects from creating television pilots for Fox Television Studios to shooting interactive feature-length films for the U.S. Army.His work has been featured in the Independent TV Festival in Los Angeles, the New York Television Festival, the Cannes Film Festival, the Edinburgh International TV Festival, the Festival Internacional de Televisão in Rio de Janeiro, the Boston International Film Festival, and others. Kevin now balances his time between teaching at Boston University’s Center for Digital Imaging Arts, freelance production work, and developing his own crazy projects, many of which are featured on his site.Kevin Good’s debut feature, Dinner with the Alchemist premieres at the Chinese Theatre in Hollywood as part of the Dances With Films festival. Dinner with the Alchemist is a masterclass in low-budget filmmaking and using visual effects to create scale and production value.Enjoy my eye-opening conversation with Kevin Good. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It was brought to my attention that there are predatory film aggregators and distributors out there selling promises that they don't intend to keep.Yes, I know shocking.Specifically, I came across a few film aggregators, and use the term "aggregator" extremely loosely, that were promising filmmakers that if they use their service they could guarantee their film would be placed on Netflix, Hulu, Tubi, etc."THIS IS 100% BS!"In this episode, I'll breakdown the predatory tactics they use and will follow the money so you can see how the sausage is made using this scam.Some of these "aggregators" have no experience in film aggregation AT ALL. No history working with filmmakers. I mean they just buy a URL, open shop, use a fancy website and promise indie filmmakers the world. You need to do your homework. You need to ask around to see if you can find anyone who has done business with them. You can reach out to the amazing community of indie filmmakers over at the Private Facebook Group: Protect Yourself from Predatory Film Distributors/Aggregators and see if they have any insight.It's just not predatory aggregators, we can't forget the predatory film distributors.  These companies promise you this and that but never deliver. If it's not in the agreement it doesn't matter what they tell you. DO YOUR HOMEWORK. Speak to a qualified entertainment attorney with an expertise in film distribution.As I stated last year when the economic situation in the world changes predatory film aggregators and distributors will become more and more desperate.Stay vigilante out there tribe. Sharks are around every corner.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm so excited to bring this episode to the IFH Tribe I can barely contain myself. Today on the show we have ex-distributor turned filmmaker Jeff Deverett. Jeff reached out to me after reading my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. He wanted to tell me that the book hit the nail on the head and that my film distribution chapter was right on.I came to find out that he was an ex-distributor and had was on that side of the business for 20 years.  We got to talking and I asked if he would come on the show and spill the beans on:How a bad distribution deal is structuredWhy the entire film distribution business is systemically designed to screw the filmmakerHow a distributor negotiates a deal from his point of viewHow to follow the moneyWhat a filmmaker needs to do NOT to get taken advantage ofAfter this episode, you will know "where the bodies are buried."  As Jeff said on the show"It's not the film distributors want to screw over filmmakers is it just happens organically."We also go into his Filmtrepreneurial business model. He has directed seven feature films, three of which are currently playing on Netflix. He self-distributes all his films. Jeff is a producer, director, writer, and actor known for Full Out 2: You Got This! (2020), ism (2019), The Samuel Project (2018), Kiss & Cry (2017), Full Out (2015), King of the Camp (2008), and My Brother's Keeper (2004). Jeff's successful film and TV career began with distribution with New World Entertainment, Astral Communications, Anchor Bay Entertainment, and his own company, Deverett Media Group.This episode is going to be EPIC. Sit back and get ready to have your mind blown. Enjoy my conversation with Jeff Deverett.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

DVD is dead! Not so fast. Today's guest is filmmaker Jeff Santo who has been making major money selling DVDs of his indie films for years.Jeff has been an indie filmmaker for over 20 years. After been ripped off by a predatory film distributor on his first film he came back with a vengeance with his second film This Old Cub. He turned that film into a big success selling over 40,000 DVDs on my own website, marketing my film directly to his niche audience where he sold a total of 85,000 DVDs.He repeated the process with his next film, Dead In 5 Heartbeats, which is a fictional feature based on the successful novel by Sonny Barger. The film was successfully released in a 14 city theatre tour, independently, in April 2013. Quickly followed by the 2 disc DVD release, selling in over 70 countries worldwide, and now released digitally on iTunes, Vudu, Google Play, and Sony Playstation platforms worldwide; swiftly becoming a cult classic amongst the motorcycle culture. He also sold over 30,000 DVDs world-wide, even when DVDs were supposedly a dead format.If you do not have a niche film you got no shot today! This is the Filmtrepreneur way.Jeff and I get into it in this episode, discussing his methods and techniques. Enjoy my conversation with Jeff Santo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been preaching from the top of the Filmtrepreneur mountain for a while now that filmmakers need to build multiple revenue streams from their projects besides just the traditional renting and sales of the film. In my book Rise of the Filmtrepreneur, I discuss the revenue stream of online courses and classes.You can either sell courses on your own site and drive traffic to them or you can place your courses on existing market places like Udemy and Skillshare that have huge audiences that you can sell to.I join Skillshare a few years ago and started putting up courses on the platform. My profile grew and grew where I became a leader in the filmmaking education space on the platform with over 5800+ students, close to 1400 followers and over 100,000+ minutes watched. I was doing so well on the platform that Skillshare actually reached out to me on multiple occasions to discuss my company creating exclusive education for its platform. Things were going great until they weren't.Well back in Dec 2019, when the world wasn't the insane bizarro version of itself that it is today, all of my courses were abruptly ripped off the platform without warning. I was floored. I contacted Skillshare multiple times and never heard back. When I finally heard back they said I had violated their terms of service.They never gave me a warning nor did they give me an opportunity to fix any "issues" they had with my courses. It's crazy. One side of the company is asking me to produce more content for Skillshare while the other side shuts down all of my courses.I later found out that I was not alone and that Skillshare purged hundreds of instructors without warning violating their own terms of service. You can read about that here.I wanted to share the entire story of what happened in this podcast as a warning to all Filmtrepreneurs that depend solely on other platforms for their income. If you play in someones else's sandbox you need to play by their rules. I explain everything in the episode. Enjoy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker and author Jon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills.  As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997.  After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.Jon authored his first book, entitled Filmmaking for Change: Make Films That Transform the World, which was ground-breaking in the space.Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.Enjoy my conversation with Jon Fitzgerald.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show returning 2-time champion, writer and filmmaker Joshua Caldwell. Joshua has been on the show twice before and both his episodes went viral.Well, he's back to talk about his new film INFAMOUS starring Bella Thorne, Jake Manley, Amber Riley, and former guest on the show Todd Jenkins.Arielle, a young woman who lives in a small Florida town, is stuck. Arielle has always wanted more: fame, popularity, and admiration. But when she falls for a recently paroled young criminal named Dean, she drags him back into a life of danger, learning that posting their criminal exploits on social media is an easy way to viral fame. They embark on a dangerous adventure together that leads to robbery, cop chases, and murder.Joshua and I speak about how he used his micro-budget skillset on a much larger budget. We also touch uponReleasing his film during COVID-19Working with movie stars on an indie budgetThe development processWorking with a studioShooting the entire film in 22 daysCOVID-19 and the future of our businessWorking with tighter creative restraintsSince INFAMOUS is coming out to theaters right in the middle of COVID-19, his distributor decided to pump the film out to drive-in theaters. Let's see what happens.Prepare for some knowledge bombs. Enjoy my conversation with Joshua Caldwell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have host, filmmaker, entrepreneur, and president of Aputure Ted Sim. Ted is the host of the Indy Mogul Podcast and Youtube Channel. He took over the reins of the legendary Indy Mogul Youtube channel last year and has really created some amazing content.Ted Sim is a Los Angeles filmmaker, originally from Baltimore, MD. Though he has been living in California since 2009, he has traveled to over 45 different countries for work and to meet with local filmmakers from all around the world. He is an alumnus of UCLA's Film Program and is passionate about education.In 2014, Ted started working as President of Aputure USA. Aputure is a cinema technology company that designs and manufactures high-end lighting solutions and filmmaking equipment for digital creators. Ted and I talk shop, lighting, and making it in the film business. I love Aputure lights so much that I exclusively used them in the making on my last feature film On the Corner of Ego and Desire.I had a ball talking shop with Ted. This episode is going to be fun. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

A good friend and returning champion Stephen Follows wrote an amazing article discussing the future of Hollywood distribution. I asked him to jump back on the show to discuss. Here's a bit of the article.Change in the film industry is often an extremely gradual process. The views of those involved tend to be entrenched and hard to shift. Therefore, how the film industry will operate one year can reasonably be expected to be very close to that of the year before.Not so in 2020. The current COVID-19 pandemic has forced a number of huge changes upon the sector over a matter of days. Cinemas are shut, productions are on hiatus and almost everyone is at home watching TV and VOD content.In order to take the industry’s temperature at these uncertain times, I teamed up with Screendollars to interview 363 film professionals. We focused on the domestic market (i.e. the USA and Canada) and asked a range of questions about their views on the current changes and what they think a post-lockdown future may bring.We have a very eye-opening discussion about the future of Hollywood distribution, movie theaters, VOD, Trolls 2, and more. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm very excited to bring this episode to the IFH Tribe. Today on the show we have filmmaker, Filmtrepreneur, and self-distribution expert Steven Lewis Simpson. Steven has been able to generate hundreds of thousands in revenue for his film Neither Wolf Nor Dog without ever releasing it online. He made all his money self-distributing theatrically. Not only in the US but worldwide.In conversation we discuss how we, as filmmakers, can create our own creative reality, even in an industry as inaccessible as the film business. No-one has ever attempted the pan-European distribution he doing or released the way I have in the US. That amazes me as it seems so obvious. The key thing is that, people don't want to try what has never been done.Neither Wolf Nor Dog is one of the most culturally important American films in years and stars a 95-year-old Lakota elder who takes the audience into a contemporary landscape and reveals the echoes of the massive American Genocide that they still feel today. Not exactly a blockbuster-style film.At eighteen, Steven Lewis Simpson was Britain’s youngest stockbroker and trader. Four years later he moved to Hollywood to work at legendary Hollywood producer, Roger Corman’s studio. At twenty-three, he directed his award-winning first feature film, Ties.He recently theatrically self-distributed his sixth feature film, Neither Wolf Nor Dog, as he saw the few independent films that actually found distributors in the US were being poorly released. As a result of his re-imagining the theatrical distribution model, his film became the most successful self-distributed film in some time.The film achieved the longest theatrical run of any 2017 release in the USA – a wider release than the last two Palme d'Or winners and often out-grossing blockbusters when head to head, even though he had no distribution experience. He even has a new masterclass that can help you on your path.This episode might just change the way you look at making money with your film. Steven is a true Filmtrepreneur. Please enjoy my eye-opening conversation with Steven Lewis Simpson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every day I wake up and feel like I'm living in the "Upside Down" from Stranger Things. We are living in a once in a generation event and the world will never be the same. The film industry, like so many others, is taking it on the chin, and COVID-19 is the fist that is doing the punching.Our entire industry can't wait for a vaccine and effect treatment to re-open. The economic toll is too great for the millions of film industry workers, not to mention the thousands of support companies that make a living off the industry. Everyone in Hollywood has been scrambling to put together safety guidelines to put people back to work in a safe way."We can’t sit around for 18 months waiting for a vaccine. We have to find a way out without pharmaceuticals, and that’s repeat testing, taking people out of circulation, and then contact tracing, so it’s an interesting analogy."- Elizabeth “Betz” Halloran, Center for Inference and Dynamics of Infectious DiseasesAs indie filmmakers, we too need to figure out how to keep that film engine going but in a safe and responsible way. I was riding around my neighborhood in Los Angeles yesterday and I saw a group on young filmmakers shooting an indie film. They were NOT social distancing. They DID NOT have masks on, not even the crew. They were shooting like the world hadn't changed at all.I do understand the want and need to keep shooting. Trust I do, but it is irresponsible for you to endanger yourself, your talent, your crew, or anyone because of a lack of basic precautionary measures.This is why I decide to address this issue because I know indie filmmakers are going to shoot regardless of the risks. I don't want our artist passion to hurt anyone so I've gathered a collection of multiple film production safety guidelines from around Hollywood and the world as a potential blueprint for indie film productions.There is no perfect way to protect everyone that is part of film production from COVID-19. The balance of staying home to protect yourself and not making money to pay your bills is a very delicate one.If you absolutely need to put a film production together to shoot any kind of content please be safe and responsible about it. I hope the ideas I laid out here and in the podcast can help you come back in a safe way. No one should feel unsafe on a film set.Please share this article and podcast episode with your filmmaking colleagues. Be well and stay safe out there.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today I welcome back returning champion award-winning cinematographer Suki Medencevic A.S.C. I brought Suki back on the show to discuss Covid-19 and what Hollywood will look like after it passes, how to approach low-budget filmmaking from the cinematography side, and his game-changing cinematography course Light and Face - The Art of Cinematography from IFH Academy.This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Suki attended the renowned National Film School (FAMU), Prague, Czech Republic, where he earned a Master’s Degree with Honors in cinematography. Shortly thereafter, he went to the USA looking for his big break. Since his first feature film shoot in 1994, he has been working steadily in the film industry, making numerous features and made-for-TV films, television shows, commercials, and documentaries including American Horror Story for FX.He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, and he recently completed The History of Imagineering for Disney+.In 2010, he became a member of the American Cinematographers Society (ASC), the world’s most prestigious cinematographers’ organization.I can't tell you how excited I am to bring this interview to you.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, I've been busy during this quarantine. I was racking my brain on how I could provide more value to the Tribe so I create the IFH Academy. The IFH Academy is the home of exclusive online courses on filmmaking, screenwriting, film distribution, cinematography, and more.I wanted to bring you the best film education I could so I partnered with industry powerhouses like award-winning film producer Suzanne Lyons, master cinematographer Suki Medencevic, A.S.C, and screenwriting guru and best-selling author Geoffrey D. Calhoun.Check out Suki's game-changing cinematography course Light and Face - The Art of Cinematography.This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Taught by award-winning cinematographer Suki Medencevic A.S.C.Along with these great instructors I'll be creating exclusive courses as well. After getting bombarded with requests to create this course I finally took action to bring it to you, the Tribe. My first course out of the gate with be: Film Distribution [Confidentail] - The Insiders Look at How to Get Your Film Distributed. This course will be the course I wish I had when I was trying to sell my first film. It will cover how to protect yourself from predatory film distributors and aggregators, what to look for in a distribution agreement, VOD Myths, film deliverables, working with sales agents and producers reps, film markets, and much more.If you are a budding filmmaker/producer and want to learn how to produce a low-budget film then Suzanne's Lyons course The Complete Indie Film Producing Workshop is for you.Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong.Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you. This workshop is unique in that it will literally guide you through the entire process of making your film. If you are a screenwriter we have you covered as well. Screenwriting guru and best-selling author Geoffrey D. Calhoun and I teamed up to create The Screenwriter's Guide to Formatting.Don't let formatting derail your screenplay. Learn how to format your screenplay in the Hollywood Standard. The course walks you through how to properly format your screenplay in the Hollywood standard. We breakdown formatting for the feature film, 30min multi-cam/single-cam television show, documentary, split-screen, scriptments, and the one-hour television drama.Geoffery and I are working on more screenwriting courses cover structure, development, dialog, characters, and more.As you can see I've been busy. I plan to create a Filmtrepreneur Masterclass as well as many more exclusive courses for IFH Academy. So if you are quarantined at home right now, and let's face it you probably are, there is no better time to start adding tools to your toolbox.I truly hope these courses can help you on your filmmaking or screenwriting path. I have big plans for IFH Academy. New courses, world-class instructors, and much more. Take a look around the site and let me know what you think.Be well and stay safe out there. As always keep that hustle going and keep that dream alive. I'll talk to you soon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Simon Swart. Swart has diverse experience in all areas of film production and distribution by virtue of his 30+ years as a leading studio executive at Warner Brothers, The Walt Disney Studios, and most recently 20th Century Fox.  Swart left Fox to focus on producing with his film credits including 6 Below and the most profitable Indie release of 2018 I Can Only Imagine ($83 million box-offices) among others.  He brings with him a variety of global strategic partnerships in multi-window distribution.In addition to launching worldwide franchises, he championed and created new distribution markets as the market shifted to new formats (DVD, digital) and seized the opportunity to create a service organization offering distribution services to competitive smaller studios. This third-party distribution model started with Artisan/Lionsgate and grew to include MGM, Relativity, DreamWorks, and Miramax, generating substantial fees and greater efficiency.Enjoy my conversation with Simon Swart.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

He's back! The all-time returning champion and my brother from another mother RB Botto from Stage 32 returns to the show to discuss the raw truth about what is happening and will happen to our industry post COVID-19.The world is obviously upside down and the film industry is being affected in ways that many do not even see yet. From changing customer habits to giant companies folding under the pressure of change. Both RB and I have been keeping our ear to the grindstone and what we are hearing is a bit disturbing but yet hopeful, especially for the indie filmmaker/producer.When there is uncertainty and chaos in an industry, there is opportunity. Doors that were slammed shut before not are wide open. You just need to be ready for the shot when it comes. Like every other time, RB is on the show this to is an EPIC over 2-hour conversation but trust me it is worth listening to all of it.We cover the future of film festivals, film markets, Quibi, what film production will look like moving forward, film distribution, predators to look out for, and yes Tiger King as well. Things do look bleak but there is a ton of hope for the indie filmmaker in the new film industry that will be forming in the next six months.Get ready for my conversation with RB Botto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I can't tell you how excited I am for today's episode. I had the pleasure to speak to the legendary director Barry Sonnenfeld. We discuss his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events. We also chat about the time he shot nine porno films in nine days. That story alone is worth the price of admission.This EPIC conversation is almost two hours and had me on the floor laughing one minute and in absolute shock the next. This is by far one of my favorite interviews I have ever done on the show.So sit back, grab a drink and enjoy my conversation with Barry Sonnenfeld.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today is a sad day guys. My dear friend and fellow filmmaking podcaster Scott McMahon is closing up shop. Scott runs Filmtrooper.com and has been a beacon of hope for indie filmmakers for over 6 years. Scott wrote the best-selling book How to Make and Sell Your Film Online and Survive the Hollywood Implosion While Doing It. Scott decided to have me on his last episode of the Filmtrooper Podcast. We had an EPIC conversation about what both of us had learned all the years we were running our websites and podcasts. The information was so great I wanted to share it with the IFH Tribe.We also discuss the current and future state of the film industry, how indie filmmakers should prepare for the coming changes and we discuss the three paths you can take as a filmmaker. Scott explains what he'll be doing after Film Trooper and in the future.Get ready for a great interview with my friend and ever-lasting Film Tropper Scott McMahon. Stay safe out there.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Many filmmakers thinking is based on two months ago. They believe that the world will go back to exactly how it was before on this pandemic blows over. That might be true and I truly hope it does but hope alone will not pay the rent. Our industry is going through an unprecedented shift. We as filmmakers need to start thinking about how we can pivot your business, skills, knowledge into the new reality that we are living in and very well might be in for some time to come. You have to think about what your customer needs are right now and address them. The companies that are sitting on the sidelines fearful of making any moves will be left behind. You as filmmakers need to change your mindsets. Prepare for the worst and hope for the best. Entire new industries will rise from this turmoil and if you are smart you will be ready to be a part of the new world.In this episode, I breakdown some side hustles that will help filmmakers and screenwriters not only survive the pandemic but thrive in the new world we will be walking into.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Now let's get into today's AMAZING guest. We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.Franco is a well of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.Here's a bit about today's guest.Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and "Paid" starring Corbin Bernsen and Tom Conti.  Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

It has been a crazy few days in the world, my friends. With film productions being shut down around the world, movie theaters sitting empty, and film festivals/events canceling because of the Coronavirus pandemic it might feel like the end of days. Hell, there's even a locust outbreak in Africa, no seriously!I even canceled my Make Your Movie Bootcamp out of concern for my students. I wanted to do a follow-up episode updating the tribe on what is going on, how it will affect them and what they can do during these insane times. I also answer questions I've been getting from the IFH Tribe. I go over:Should I submit to film festivals now?If I had a screening for my film what do I do?Can I get my money back from SXSW and other film festivals for canceling?Can movie theater chains take this hit?Will some studios and distribution companies be able to weather this storm?Tips on what to do while staying homeThere’s a lot of fear and uncertainty out there. Stay informed and stay safe. Sit back, pull up another stiff drink and take a listen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We are living in a crazy world, my friends. I wanted to do an episode on the effect the Coronavirus is having, not only on the film industry at large but also on how it will affect the indie filmmaker. With major events canceled like SXSW, MIPTV, and Cinequest, indie filmmakers are already feeling the effect. Twenty four of the largest theater owners in China have pulled out of CinemaCon, the largest convention of international theatrical exhibitors. Is the Cannes Film Festival and Market next?Production has stopped on Mission Impossible 7, which was shooting in Italy and the extremely popular The Amazing Race reality show has been suspended. The new James Bond film No Time to Die has been pushed until Nov 2020. Disney's Mulan, which is a love letter to the Chinese market has canceled it's China premiere and the release date in the US is up in the air.The Chinese box office has been at a standstill. 70,000 screens have been closed since January with no word when they will open. This has cost $2 billion in lost revenue to the Chinese and world film industry. The worldwide box office has lost $4 billion to date and growing each day. The theatrical box office was down 26.6% vs 2018 and this could be a MAJOR nail in the coffin of an already vulnerable theatrical business. We are in crazy times, my tribe.In this episode, I go over how this event is affecting indie filmmakers, what they can do to prepare, adjust and/or pivot in the coming weeks and months. It has never been more important for filmmakers to adopt the Filmtrepreneurial Method. Diversification of revenue streams is the only way filmmakers can hedge their bets in the uncertain times ahead.Sit back, pull up a stiff drink and take a listen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show I continue my series on Predatory Film Distributors. An IFH Tribe member reached out to me to let me know about a scam that she almost fell for. If she hadn't reached out to a very experienced entertainment attorney, she would have lost $90,000. I'm calling this The Minimum Guarantee Scam.  I reveal the scam on the show and discuss how you can protect yourself. Stay safe out there. Things are getting scary. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Filmtrepreneur Mark Harris. Mark is a self-taught filmmaker. His movies have been distributed by major distributors and he's self-distributed many of his earlier films and sold hundreds of thousands of copies in the US and overseas. Mark was born and raised in the Englewood community of Chicago.The same community Bermic Mac, Jennifer Hudson, Lorraine Hansberry, Janet Hubert, and Derek Rose are from. Mark is the Founder of 1555Filmworks a film production company that produces feature films and he's the Founder of the Englewood International Film Festival. Englewood is known as one of the most dangerous places to live in the United States. The crime rate, although reported most frequently, can not overshadow the hope for the future of this Chicago area. The goal of The Englewood International Film Festival is to change the imaging and condition of the people in Englewood.I had a ball talking shop with Mark. Without a doubt, he is an Indie Film Hustler and the living embodiment of a Filmtrepreneur.Enjoy my inspiring conversation with Mark Harris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director Josh Stifter. Josh was chosen as one of the directors to attempt to make a $7000 feature film using the El Mariachi style made famous by legendary filmmaker Robert Rodriguez. The show was called Rebel Without a Crew: The Series and it premiered on Robert's network El Rey.Josh and I talk indie film shop, what it was like working with Robert Rodriguez and his adventures making a $7000 indie film while cameras were capturing every single second of on-set action.Enjoy my conversation with Josh Stifter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Partnering with an honest film distributor can be a great part of any Filmtrepreneurial Blueprint. The problem is finding said "honest" distributor can be challenging. Finding an honest film distributor is like finding a unicorn, I know they are out there but they are rare. Yes, I know unicorns don't exist but you get what I'm trying to say.By design, the world of film distribution is shrouded in mystery. The key to the continued success of predatory film distributors is the silence of filmmakers and keeping "real" numbers behind lock and key. Today on the show we have two filmmakers who decided to come forward to break the silence.Kerry Carlock & Nick Lund-Ulrich are the filmmakers behind ARMSTRONG, which is about a rookie EMT and her partner pick up a wounded superhero and are pulled into his mission to save Los Angeles from a sinister organization.These brave filmmakers break down the numbers, the creative challenges of working with a distributor and much more. You can see a major difference in the artwork the filmmakers designed above to the way the company decided to market the film in the trailer artwork. Unless you have it stated in the contract you will lose the way your film is marketed and sold to the public.If you ever wanted to take a peek behind the curtain on a bad distribution experience get ready to take some notes. Enjoy my conversation with Kerry Carlock & Nick Lund-Ulrich.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've spoken about predatory film distributors before on the show (The Dark Underbelly of Predatory Film Distributors – BEWARE!) but I just discovered how some of these scumbags have figured out how to absolutely screw over filmmakers using a legal loophole. It's called the Bankrupt Reboot Distribution Scam.Here's how they do it. A predatory film distributor will prey on desperate indie filmmakers and will try to obtain the rights to as many low budget indie films as they can, usually for no money upfront in a short period of time. Let's say 1-2 years, if not faster. During that time they sell-off the rights in one big transaction to a bunch of different platforms, outlets, streaming, foreign agents, etc.Now here's the rub, rather than actually paying filmmakers what they are owed, the distributor files for bankruptcy protection, which is extremely easy to do in the United States. So you must be asking"If the distributor goes bankrupt, what happened to the rights of all those films?"Glad you asked. These bottom dwellers go to the bankruptcy court hearing and then buy back all the rights to the catalog of films from their own bankrupt company. The court has no other choice because that is how the bankruptcy law is written and there's no one else there to buy these assets.These bastards then form a new company and assign the newly purchased film catalog to themselves through that company. Now they are no longer legally obligated to pay the filmmakers (or anyone else they owe money to). So they own the film you killed yourself to make for pennies on the dollars and they never have to pay you a thing.This is made possible because of the original contract the filmmaker signed, which has a clause absolving them of that in the event of bankruptcy. Then to add insult to injury when the rights they originally sold off expire, they re-sell them again.These predators run this scam over and over and over with new companies formed each time. This is an extremely profitable business model. It's not ethical but it is legal.In this episode, I breakdown a case study of how one of these predatory film distributors pulled this off and I also go over how you can protect yourself. Make sure you take some notes because this episode is a doozy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I don't know if something is in the air but things are getting rougher for indie filmmakers every day. I received a call today from a few filmmakers who are having major issues with the on-demand theatrical booking company TUGG, Inc. It seems that the company has shut its doors and left filmmakers in the dark.If you have read my new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business, you know that I wrote an entire chapter highlighting TUGG and the amazing case study of the film Touch the Wall. These filmmakers made over $700K using Tugg. They have been working well with the independent film community for years so this call was a bit surprising.While speaking to a friend of the show and producer of Chris Sharpe, I started digging to see what I could find out. After doing some searches I found out that all of Tugg's social media accounts had been closed but their website is still up but so was Distribber's if you remember. I called their 866 customer support number but only got a machine. This is exactly what happened with Distribber. A company trying to close quietly.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Sundance-winning producer Jonathan Baker. His new film Sylvie's Love is the talk of Sundance 2020. Sylvie's Love is an upcoming American drama film, written and directed by Eugene Ashe. It stars Tessa Thompson, Nnamdi Asomugha, Ryan Michelle Bathe, Regé-Jean Page, Aja Naomi King, and Eva Longoria. It will have its world premiere at the Sundance Film Festival on January 27, 2020.Jonathan is a wealth of information. In the episode, I pick his brain on what it was like winning the audience award at Sundance, how the indie film market place is changing, and much more. His last Sundance-winning film was Crown Heights which was later sold to Amazon Studios.Enjoy my conversation with Jonathan Baker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In today's new film economy it is getting tougher and tougher for independent filmmakers to make a living with their films. The entire industry is changing faster than anyone can keep track of. Even film distribution companies are struggling to make sense of the new world. The traditional golden gooses of DVD, Blu-Ray, foreign sales, and big upfront guarantees are dying a slow and miserable death.And if that wasn't tough enough internet pirates are bootlegging indie films as fast as they are released. My latest film On the Corner of Ego and Desire was on the pirate boards within hours of its release. I didn't even think of looking for this because I never thought in a million years pirates would be interested in an indie film that cost $3000, was extremely niche and had no star power at all. I was very wrong. Here's what I learned.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I've been working on this for a long time guys and here it is. The Make Your Movie Bootcamp! I wanted to bring my 25+ years of experience to a live Bootcamp experience. This Two-Day Bootcamp will be held March 28-29, 2020 in Burbank, CA at the Hilton Garden Suites in Downtown Burbank.Who is the Make Your Movie Bootcamp for?A filmmaker wanting to make the leap to making their first feature filmAn established filmmaker who wants to learn the "Dark Arts" of micro-budget filmmakingScreenwriters who want to finally produce that screenplay that has been sitting on their desktopAny filmmaker who wants to learn how to generate revenue with their feature film or video contentHere are some of the things you will learn at the Make Your Movie Bootcamp>> Ideas:Learn how to flesh out your ideas into a marketable film project.>> Screenwriting Process:We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.>> Finding Money:Alternate ways to raise money for your film.>> Directing Your Film:I breakdown methods and techniques that will jump-start your directing journey.>> Post Production Workflows:Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.>> Filmtrepreneur® Training:On day two I will breakdown the concepts and case studies presented in my book Rise of the Filmtrepreneur®. We will go over creating revenue streams from your indie film, thinking outside the box when it comes to how you prep for your film and much more.>> Marketing and Building an Audience:Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.>> Submitting to Film Festivals:Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.>> Self Distribution Models:I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.>> Avoid Predatory Film Distributors:It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.>> Revenue Streams:I do a deep dive into how to create multiple revenue streams from your indie film.>> Breaking Through Your Fear:I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.>> PLUS:Surprise film industry heavy hitters will come in to Guest Speak and answer questions. I've made it easy for you to choose your adventure.DAY 1: I will be breaking down my micro-budget filmmaking method and help you jump start your feature film. DAY 2: I will be training you in the Filmtrepreneur® Method. Showing you how to generate revenue with your feature film.  You can purchase a ticket to just day 1 or day 2 or purchase a weekend pass and unlock all the BONUSES like a FREE year membership to Indie Film Hustle TV and much more.Spaces are limited so it will first come, first serve. If you are interested act now. Go to www.mymbootcamp.com to sign up!Make 2020 the year you make it happen for yourself! I hope to see you all there!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today guest is the legendary writer and educator Judith Weston. Her book Directing Actors: Creating Memorable Performances for Film & TelevisionandThe Film Director's Intuition: Script Analysis and Rehearsal Techniques is a must-read for any film director.Judith consults one-on-one with directors and writer-directors of film and television as they prepare to bring their projects to life. Some of her students include Alejandro Iñárritu, director of The Revenant, Academy Award winner for Best Director, and Birdman, Academy Award winner for Best Picture and Best Director; Ava DuVernay, nominated for 16 Emmys and six Critics Choice Awards, and Selma, nominated for Best Picture Oscar; Steve McQueen, director of Best Picture Academy Award winner12 Years a Slave; Taika Waititi, writer-director of Jojo Rabbit, Thor Ragnarok, Hunt for the Wilderpeople and many more.Literally thousands of film and television directors, screenwriters, writer-directors, and actors around the world have attended Judith's workshops or consulted with her in preparation for their projects. Judith's reputation and influence are international and well-established.After 30 years of teaching workshops and classes, Judith, in 2015, closed her studio space and shifted her focus to one-on-one consultation for directors and writer-directors.Her ground-breaking book Directing Actors was published in 1996. Judith's second book, The Film Director's Intuition, was published in 2003. Both books are written from the point of view of film directors. And directors all over the world have come to rely on them. But so many others have told me they have found them helpful—screenwriters, actors, professionals in film, television, photography, theater—and really anyone who wants to live creatively. She recently undertook a thorough revision and updating of her signature work, Directing Actors (FREE AUDIOBOOK VERSION), in order to make it available as an Audiobook. Judith herself is the narrator.Enjoy my insightful conversation with Judith Weston.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I can't believe another year has gone by. 2019 was one for the record books. So many things happened to me and to the IFH Tribe this year. In this episode, I breakdown this past year IFH style and also give you a large dose of TOUGH LOVE to get you revved up for 2020.Don’t wake up Dec 31, 2020, and say"Damn I just lost another year."Don’t let anything stop you from making your dream come true. Don’t let people tell you you can’t do it. People told me I was crazy for jumping into this business. Be smart, educate yourself as much as humanly possible and go for it. Don’t be that angry and bitter filmmaker. Don’t wake up when you are 70 and wished you would’ve taken a shot and your dream. Why haven’t you taken the steps needed to make your dream come true? Let 2020 be the YEAR OF THE FILMTREPRENEUR. Take the power back. Take control of your own destiny and make it happen for yourself.I also go over what to expect from all the companies from IFH Industries. IFH, IFHTV, Bulletproof Screenwriting, and Filmtrepreneur. If you thought I did a lot in 2019 you ain't seen nothing yet. Strap in for the episode you need to listen to get your 2020 off to a great start.Happy New Year to the entire IFH Tribe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have minimalist filmmaking guru Matt D'Avella. I had the pleasure of being on Matt's podcast The GroundUp Show back in 2017 when he was still a young and up and coming podcaster.One day I turned around and saw that Matt had built a following of over 2 million followers on Youtube. It was official, he was a Youtube star. Matt was able to build this business using his filmmaking toolbox. Before his Youtube fame, he directed an amazing documentary called Minimalism. That film went onto to run on Netflix and was sold around the world.Matt and I discuss his filmmaking, building and marketing his Youtube channel and what it's like being a minimalist filmmaker. Enjoy my minimal but EPIC conversation with Matt D'Avella.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, it's that time of year again when filmmakers around the world get that dreaded rejection letter from the Sundance Film Festival. Did you read that, 14,200 submissions? Getting into Sundance is a lottery ticket for sure but it isn't as important as it used to be. Here's what Mark Duplass wrote about it:Annual Sundance Film Festival rejection reminder: Sundance is awesome, but Sundance is not everything. So many incredible films don't make the cut. Don't let it get you down. If you believe in your film, keep pushing forward. There are so many new ways to get it there. Good luck! - Mark DuplassMy indie films have played in over 500 international film festivals around the world and it has been a great experience and I've even been to a few big festivals like Raindance and Cinequest. I've also been rejected by EVERY major film festival in the world. SXSW, Berlin, Cannes, Toronto, AFI and the list goes on.Film festivals are great. I loved them so much my recent film, which got that Sundance rejection email,  On the Corner of Ego and Desire, was a love letter to film festivals, Sundance and Independent filmmakers everywhere.You have to understand that film festivals are not the only way to get your films out there anymore. Sure, getting into Sundance would be AMAZING but alas it wasn't meant to be and you know what...it's OK. This should stop you from moving forward on your filmmaking journey. Festivals are run by people with tastes and opinions. Those tastes might not be in line with your tastes and that's OK.Maybe you made an amazing film but there were three other films about the same subject so they had to flip a coin. I decided to make this episode as a therapy session for any filmmaker who has been rejected from Sundance or any film festivals.I hope it helps. KEEP ON HUSTLIN' NO MATTER WHAT! Keep that dream ALIVE.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The streaming wars have their first casualties and of course, it is indie filmmakers. Amazon announces that they would drop their already low per hour streaming rate from .06¢ to .01¢ in North America. When this news hit the indie film world went nuts. Why would Amazon punish creators like this?Well, there's good news and bad news. The bad news is Amazon dropped their per hour streaming rate from .06¢ to .01¢ but the good news is they raise the maximum possible rate to .12¢ per hour. Check out the chart belowAmazon did this to weed out all the low-quality content that is uploaded tot he platform. The higher quality content will be rewarded while the lower is punished. This is the way Amazon wants to proceed. As I stated in my book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business, "If you play in someone else's sandbox you need to play by their rules."This is why it's more important than ever to control your own revenue streams. In this episode,​ I go into detail on why Amazon made this move, its​ main business model and how indie filmmakers can better position themselves in the Amazon marketplace.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The day is finally here. My new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business is finally out. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.Here's a bit of what Rise of the Filmtrepreneur has to offer:It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's episode is a big one guys. You need to brace yourself. The film marketplace is going through a major shift. It is as big as when we went from Black and white films to color or adding sound to movies. Movies industry is changing from a product-based business (DVDs, Blu-Rays) to a service-based business (streaming services). Spotify and other music streaming services have devalued music down to basically worthless. What used to cost you $17.99 for one album of 1 or 2 hits and a bunch of songs you didn’t want now cost fractions of a penny from your monthly membership.On Spotify, an artist needs around 337,000 plays to earn $1472 a month (the monthly minimum wage. Amazon Prime pays .6¢ per hour viewed. Streaming platforms are paying less and less and the indie budget seems to be going up and up. This business model is not sustainable.Companies like Disney, Amazon, and Apple have a business model that will ensure their survival in the new film economy. Because their main business is not making movies. They use media as marketing vehicles selling other products and services. Disney’s revenue is broken down like this 42% is Media Networks (licensing ESPN, Disney Channel, FX Networks, etc to cable and streaming platforms. 28% is Parks and resorts. 15% is studio entertainment and 9% is consumer goods and interactive entertainment. Disney generates $36,220,000 a day. Disney+ is a HUGE sign on where the film industry is going. It has 10,000,000 subscribers so far. The direct to consumer model, killing the middle man (DVD manufactures, Cable channels, movie theater chains). The old way is dying and entire sub-industries are trying to hold on for dear life to the status quo. Movies theaters are struggling. At the American Film Market. I heard many distributors tell me the theatrical was not a growth industry anymore. The devaluation of movies and series began with YouTube (the FREE version of Spotify for videos). A generation was raised on getting video content for free whenever they want. Movies and series fell into that well. Then Netflix gave us the ability to watch films and series as part of a small monthly fee. We no longer had to wait for weeks to watch the full seasons of our favorite show and suffer through commercials, we could binge an entire show in a few days, commercial-free. Now with so many streaming services available why would you buy or rent a film if it will be available on a streaming service in a few weeks. The other big problem is the volume of content. Indie films (along with studio films) are being dumped into a marketplace in an ocean of content. It’s basic economics, the more quantity of a product that is on a shelf the shelf, the cheaper it is. It’s supply and demand. How can an indie filmmaker survive in this new film economy?Niche down and focus your work on a specific audience that you can reach or cultivate. Become a filmtrepreneur. Musicians have begun focusing on building themselves as a brand and using their music as advertising to sell ancillary products and get sponsorships. Indie filmmakers can do this as well when focusing on a niche audience. Piracy is a HUGE problem for all media industries, books, music, and movies. Steve Jobs said“You can’t stop piracy, you can only compete with it.”It’s much harder to pirate a t-shirt, course, niche service or sponsorship. You need to think outside the box. The business is changing whether you like it or not. If you do not change the way you think about filmmaking you will not survive. You can sit there and complain. You can sit there and try to hold on to the good ol days. You can sit there and talk about how things should be or you can adjust and pivot your approach to making and selling your films or end up like Blockbuster Video, Toys R Us, Circuit City, Virgin Records, and a many other corporation corpses of companies and people who did not change with the times. I do a deep dive and go farther into this in the podcast and share ways to make your film projects thrive in this new world. I hope this episode opens your eyes to the current marketplace for indie films.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I know the title of this show is bold but in the course of this podcast I will explain what I see happening in the traditional film distribution model. My trip to this year to the American Film Market was extremely educational. I met some amazing people, industry insiders, and tribe members. I did, however, spoke to many film distributors and sales agents and discover a truth that I had suspected for a long time now, traditional film distribution is dying.Film distributors are having as hard of a time trying to generate revenue with their film libraries as filmmakers are getting their films sold. The world is changing. Many filmmakers are producing films for the 90’s and early 2000’s marketplace. Both filmmakers and distributors have little or no understanding of what today’s customer wants or how to get it to them while still making money.In this episode I discuss:• The DVD/Home Video Crash• The Streaming Wars• AVOD• How film distributors are becoming more predatory out of desperation• The world of data/niche driven cinema• Cutting out the middlemen• The Googlfication of the movie industry• Foreign markets• The shortage of talent in the film industry, according to the streaming platforms• Why Netflix paid $200 million for The Irishman• How the indie filmmaker can survive and thrive in the new world of filmmaking• and much moreWarning: This episode will be mind-blowing so please brace yourself. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the legendary indie film champion, Chris Gore. Chris is the founder of Film Threat, a magazine that's mission is to champion indie filmmakers while giving the middle finger to the Hollywood establishment. In this episode, Chris and I speak about the glorious 90's indie film scene, his time being a part of the geek channel G4, his new documentary Attack of the Doc and the state of indie film today.I've been a fan of Chris' for years. I even ran into him on my first trip to Sundance back in 2005. Chris also wrote the guerrilla guide to marketing and selling an indie film, Chris Gore's Ultimate Film Festival Survival Guide, 4th edition: The Essential Companion for Filmmakers and Festival-Goers.If you love indie films then you will love this episode. Enjoy my conversation with Chris Gore.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Jonathan Wolf, the managing director of the American Film Market or AFM as it's known. The AFM has gone through many changes over the years. In recent years the world of film distribution has been turned upside down and AFM has been changing along with it. I have the honor to be moderating a panel on Micro-Budget Filmmaking at this year's AFM. The times they are a-changing​. I sit down at talk Netflix, streaming, OTT, self-distribution and how you can screen your film to hundreds of potential buyers at the AFM.Jonathan Wolf is Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market® (AFM®). The Independent Film & Television Alliance is the global trade association of independent producers and distributors of motion picture and television programming. Headquartered in Los Angeles, the organization represents and provides significant entertainment industry services to 125 member companies from 20 countries.Since his appointment in 1998, Mr. Wolf has guided the growth and repositioning of the American Film Market (AFM), the world’s largest film market. A pivotal destination for independent filmmakers and business people from all over the world, the AFM is a global marketplace where more than $1 billion in motion picture production and distribution deals are closed each year.The eight-day Market hosts more than 8,000 industry professionals and screens more than 306feature films. Participants come from over 80 countries and include acquisition and development executives, agents, attorneys, directors, distributors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.If you want to sell your film then get ready to take some notes. Enjoy my conversation with Johnathan Wolf from the American Film Market.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker Cody Meirick. Cody is the director of the documentary Scary Stories, based on the wildly popular book series Scary Stories To Tell in the Dark. We discuss how he leveraged an underserved niche audience, how he piggy-backed off the major studio release of the narrative version and how he was able to get access to the key players in this niche.Enjoy my "scary" conversation with Cody Meirick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.Enjoy my eye-opening conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What is "Hybrid Distribution?"Hybrid distribution is the state-of-the-art model more and more filmmakers are using to succeed. It enables them to have unprecedented access to audiences, to maintain overall control of their distribution, and to receive a significantly larger share of revenues.Today on the show we have a legend in the ultra-low budget indie film world, Peter Broderick. He coined the term Hybrid Distribution in his seminal article Declaration of Independence: The Ten Principles of Hybrid Distribution. Peter also wrote a​ very informative article detailing ways filmmakers can deal with the Distribber debacle and protect themselves if a distributor goes bankrupt.Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.Enjoy my eye-opening conversation with Peter Broderick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I wanted to release this Facebook LIVE event to the tribe to give them some MAJOR updates on the Distribber/Go Digital debacle. I was on the phone for two hours with Seth Freeman of Glass Ratner, the firm handing the liquidation. I do some mythbusting and drop some painful truth bombs in the episode.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Todd Jenkins, the filmmaker behind the new horror film Cherokee Creek. Todd went through hell making his film but when he finally finished it and put it out in the world then the fit hit the shan.Todd decided to self distribute his film using, the now bankrupt, film aggregator Distribber/Go Digital. As many of you know the Distribber debacle has caused many filmmakers horrific pain and stress. After the hard journey to bring his film to life only to have his first check taken from him by a company that goes bankrupt is BRUTAL.At this point, he hasn't even gotten his film back from Distribber/Go Digital and is losing money every day. We talk about how this company is hurting so many filmmakers but I wanted to put a face to the pain. I wanted to bring Todd on the show to share his story with the tribe. Making indie films is tough enough with companies like Distribber/Go Digital hurting filmmakers.Cherokee Creek is an 80's style raunchy horror-comedy about a bachelor party in the woods that turns deadly when the ultimate party animal Bigfoot shows up and crashes it. Equal parts vulgar, gore and dark comedy Cherokee Creek is a can't miss tale of debauchery and sasquatchian horror.Enjoy my conversation with Todd Jenkins.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker David Willis. Willis is the first producer in the United States to raise over $1 million and make a feature film by using Equity Crowdfunding. Equity Crowdfunding is a new, disruptive method of fundraising in the United States, from a law that went into effect in 2016, opening a whole new avenue for filmmakers to make their ideas reality. And it's working. Movies are getting made this way.Equity Crowdfunding (officially called Regulation Crowdfunding, or Reg CF) can be used to finance almost any new or existing business. Unlike Kickstarter or Indiegogo, Reg CF campaigns do not focus on donations from friends and family, but instead on the hundreds of thousands of interested investors already on approved platforms. Because of this, the average Reg CF campaign is almost twice as likely to be successful and raises more than eleven times the average Kickstarter campaign -- if you do it right.David is running an Equity Crowdfunding Masterclass. No one who has successfully raised money using Equity Crowdfunding has ever given a step-by-step masterclass like this, showing exactly how they did it. He'll teach you how you can also go from zero to over $1M in investments in six months as he did.Check it out: Equity Crowdfunding Masterclass (DISCOUNT CODE: HUSTLE) to get $100 off the class.Enjoy my conversation with David Willis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I have a treat for you today. On the show we have filmmaker and podcaster Alrik Bursell from the podcast Making Movies is HARD! I've had the pleasure on be on his show before and have another episode coming up in Nov where I talk about Rise of the Filmtrepreneur.“Who am I to even have a podcast? Why is my opinion more valid than anyone else? In some ways it’s not, but that’s also kind of the point. We’re just two examples of people making movies in our own ways. We’re not any more special than any other filmmaker. There’s nothing about us that makes us any different or unique. We’re just doing it. And I think that’s the point, just go out and do it, make your movies. And these are the struggles that we face and this is how we’re trying to overcome them.” – Alrik Bursell Episode 87In this episode, we talk indie filmmaking, crowdfunding, distribution, the Distribber Debacle and much more. We also discuss his cool new film The Alternate.Enjoy my conversation with Alrik Bursell.​This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The legendary Oscar-nominated actor Robert Forster has passed away. I had the honor of working with Robert on one of my films, Red Princess Blues. He supplied some remarkable narration that set up my film perfectly. He was easily one of the most professional and talented actors I have ever worked with; a professional of the greatest caliber.He will always hold a special place in my heart because of not only working with him on my film but because his interview was to the first episode on the Indie Film Hustle Podcast. In our interview, he dishes out amazing advice to young actors, directors and human beings alike. He even tells us his favorite Quentin Tarantino on the set direction he got on the set of Jackie Brown; worth it’s waiting in gold.Robert was a working actor for decades, appearing in a classic film like Medium Cool, the iconic John Huston’s Reflections in a Golden Eye, 80’s action classic Delta Force  and Disney’s The Black Hole.He was ​nominated for an Academy Award for Best Supporting Actor in 1997 for Quentin Tarantino’s Jackie Brown, which he credits with reviving his career. Since then Robert has been on fire in the second half of his career, appearing in The Descendants, Like Mike; Mulholland Drive; Me, Myself, & Irene; Lucky Number Slevin and Firewall, just to name a few.I also have to mention his run on Breaking Bad. He just nails those last two episodes as Walt’s relocation/make me disappear guy. Just amazing. As you can tell I’m a big fan of Robert’s.Robert said that when his career was at its lowest ebb, he had what he called an "epiphany.""It was the simple one," he said, "when you realize, 'You know what? You're not dead yet, Bob. You can win it in the late innings. You've still got the late innings, but you can't quit. Never quit.' "You will be missed, Robert. Rest in Peace.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have film producer, distribution expert, and today's "go-to" authority of how to get a film to market, Jerome Courshon. He has broken open the "exclusive club" of successful independent producers with his innovative 3-Day Program, "THE SECRETS TO DISTRIBUTION: Get Your Movie Distributed Now!"A producer in his own right (he secured a profitable distribution deal with Warner Bros. on his very first indie movie), Courshon is called upon by many sources for his savvy. From beginning to veteran producers, as well as the press, they contact him regularly to gain access to his unparalleled expertise and invaluable knowledge.Regarded as one of the world's chief experts in distribution, he tracks the ever-changing film industry distribution markets to present relevant, trending and successful strategies in his lectures, classes and 3-Day Program. His ultimate goal for every filmmaker? Get your movie or documentary to the marketplace successfully.Citing his own personal journeys of releasing films and working with distributors, Courshon highlights the many obstacles & challenges filmmakers face today -- and how to overcome them. His teachings also pack powerful messages on how to stay in the game for the long haul. At the heart of every lesson on distribution is a focus on "what works and what doesn't" in reaching your audience.We also discuss the current Distribber disaster and how it is affecting indie filmmakers today and in the future. This is a masterclass in film distribution so buckle up and enjoy my conversation with Jerome Courshon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Ever wanted to know how to build a large following on social media? Today's guest Brendan Kane was able to get over 1 million followers in 30 days. His new book, One Million Followers: How I Built a Massive Social Following in 30 Days breaks down how he was able to achieve such a feat. Brendan Kane is a growth hacker for Fortune 500 corporations, brands and celebrities. He thrives on helping brands systematically find and engage new audiences who reward relevant content, products, ​and services with their attention and spend.Over 60 billion online messages are sent on digital platforms every day, and only a select few succeed in the mad scramble for customer attention.This means that the question for anyone who wants to gain mass exposure for their transformative content, business, or brand or connect with audiences around the globe is no longer if they should use social media but how to best take advantage of the numerous different platforms.How can you make a significant impact in the digital world and stand out among all the noise?Digital strategist and “growth hacker” Brendan Kane has the answer and will show you how—in 30 days or less. A wizard of the social media sphere, Kane has built online platforms for A-listers including Taylor Swift and Rihanna. He’s advised brands such as MTV, Skechers, Vice and IKEA on how to establish and grow their digital audience and engagement. Kane has spent his career discovering the best tools to turn any no-name into a top influencer simply by speaking into a camera or publishing a popular blog—and now he’ll share his secrets with you.In One Million Followers, Kane will teach you how to gain an authentic, dedicated, and diverse online following from scratch; create personal, unique, and valuable content that will engage your core audience; and build a multi-media brand through platforms like Facebook, Instagram, YouTube, Snapchat, and LinkedIn.Enjoy my conversation with Brendan Kane.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today we are going to BLOW THE LID off this entire Distribber/Film Aggregator mess. Today's guest is Joe Dain from Terror Films. Joe has been on the frontlines of this Distribber debacle and has been affected in a large way. He had many films placed through Ditribber and has been working diligently to save the films he has placed through Distribber. Joe wrote an amazing guest post speaking the real issue facing filmmakers in the shadow of what has happened with Distribber. During his journeys, he has discovered many interesting bits of information about the going on's of Distribber in the final months and lays out a few "what ifs" that are extremely interesting.Be ready for a lively conversation about Go Digital/Distibber, Film Aggregators, Predatory Film distributors, where filmmakers are making money today with their films, what platforms do avoid, and much, much more.Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode, I lay out the future of making money in independent filmmaking as I see it. The old legacy model of making and movie and handing it over to a distributor doesn't work anymore. A new model needs to be created and I hope the method I go over in this show will help you generate multiple revenue streams from your film projects. I also warn you about many concerning issues I see in today's revenue model for filmmakers and how you can insulate yourself from them moving forward.Take notes because this episode is PACKED with knowledge bombs. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

First of all, we made it to 350 episodes. HOLY CRAP! Thank you all for all the love and support that you have given me, this show and Indie Film Hustle in general. To celebrate I'm launching the first-ever MAKE YOUR MOVIE BOOTCAMP. The Bootcamp is a LIVE two-day intensive designed to show you how to make, market and sell a feature film. I've been working on this for months and I finally get to release it to the world.I wanted to create a workshop that could jump-start people on their filmmaking career but with my flavor of course. Below is a fraction of what I'll be diving into at the Bootcamp.Ideas: Learn how to flesh out your ideas into a marketable film project.Screenwriting Process: We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.Finding Money: Alternate ways to raise money for your film.Crowdfunding: Discuss the dos and don'ts of what makes a successful campaign.Directing Your Film: I breakdown methods and techniques that will jump-start your directing journey.Post Production Workflows: Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.Marketing and Building an Audience: Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.Submitting to Film Festivals: Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.Self Distribution Models: I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.Avoid Predatory Film Distributors: It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.Revenue Streams: I do a deep dive into how to create multiple revenue streams from your indie film.Breaking Through Your Fear: I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.PLUS: Two Surprise film industry heavy hitters will come into Guest Speak and answer questions.Why Do You Need This Bootcamp?Jump Start Your Feature FilmIt takes a lot of time and energy to get a feature film off the ground, but it doesn't have too. I shot my first film in 8 days and completed the entire process, from idea to final product, within 3 months. The film went on to be sold internationally and was licensed by Hulu. I will teach you the techniques I used to make this happen.Marketing and Audience BuildingIn today's world if you do not understand how to get your indie film in front of the right customers you are dead in the water. I've built a large platform with millions of eyeballs. I will teach you my secret sauce for audience building.Avoid Distribution PitfallsThere are a lot of predatory film distributors in the industry today that are all too happy to take advantage of you. If you are not careful you could end up making a non-tax deductible donation to one of these sharks and loss your film for 15 years. I will show you how to avoid these snakes and how to find a good distributor to partner with.Actually, Make Money with Your FilmI will discuss the Filmtrepreneur® Method of filmmaking. Thinking more like an entrepreneurial filmmaker is imperative moving forward in the business. Creating multiple revenue and passive income streams from your film projects is the key to a sustainable career.The MAKE YOUR MOVIE BOOTCAMP will be taking place Oct 26 &27 in Burbank, CA at the Hilton Garden Inn in downtown Burbank. If you want to get 20% off the ticket price CLICK HERE.This will be EPIC. When you finish this Bootcamp you will be ready to make, market and sell your feature film. I go over the details in this episode so take a listen and I hope to meet you in person at the MAKE YOUR MOVIE BOOTCAMP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

oday on the show I have Klaus Badelt. We do a deep dive into the state of independent film and self-distribution. We also discuss the Distribber debacle and how filmmakers can get access to their films back from Distribber.Klaus is not only a tech entrepreneur he also writes the occasional score for feature films including The Thin Red Line, The Prince of Egypt, Gladiator, and Pirates of the Caribbean: The Curse of the Black Pearl.He also founded Filmhub, a unique way to distribute your indie film. Filmhub allows filmmakers to upload your film for free, while streaming channels discover, order, and stream your work - worldwide. Once revenue starts flowing, 80% goes to you. No deductions or fees. That's it.Enjoy my epic conversation with Klaus Badelt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas, distributed worldwide by Vertical Ent. for 10 theater release this past June and originated as a pitch for Rebel Without a Crew TV show and was turned down so I made it myselfRob formed a cast from high-level B-list stars, fostered relationships with distributors before shooting, and focused on production value without losing sight of the story.  Trying to recoup budget rather than use the festival circuit to find an audience he did not submit the film to any major festivals, we discuss the pros and cons of that strategy.He was 22 when I started developing the project and wanted THE LAST WHISTLE to lead him to a place where he could build a filmmaking business model that could sustain his filmmaking goals.Enjoy my conversation with Rob Smat.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

There are a few filmmaking books that have made as big of an impact on the craft of directing like today's guest's Film Directing: Shot by Shot: Visualizing from Concept to Screen, written by director Steve Katz.Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then il-lustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.Enjoy my conversation with Steve Katz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode, I ask the question do film aggregators make sense anymore? Does it make sense for every indie film? I also discuss the larger problem that the Distribber meltdown has shown us about the entire film agreeation business. This is an eye opening show.I also give you updates on the Distribber debacle and bring you the latest information from the frontline.Take a listen. I hope this helps!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode, I update filmmakers on the emergency situation going on with the film aggregator Distribber. In last weeks episode, I spoke a bit about what is going on with this company. After that show I kept getting emails, messages, and tweets of filmmakers telling me their horror stories of no one return email, no people picking up calls, nonpayments​ for months and so on. I'm in the same situation with my film This is Meg.I decided to dig deep into the problem and find out what the hell is going on. I breakdown everything I know about what is happening and give you a few ways to protect yourself and your film.Also, their website www.distribber.com is still live but DO NOT SUBMIT YOUR FILM. They would just be taking the money and not providing a service. Take a listen. I hope this helps!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show is one take filmmaker Gavin Michael Booth. Gavin is obsessed with one take movies, music videos and real-time filmmaking in general. His latest film is Last Call. Shot in two true single takes, filmed simultaneously in two different parts of a city, Last Call, is a real-time​ feature presented in split-screen​ showcasing both ends of a wrong number phone call that has the potential to save a life. The film's music was also conducted and recorded live to picture.Gavin Michael Booth is an award-winning​ filmmaker hailing from Toronto, Canada. He works as a writer, director, producer​, ​ and editor. His film THE SCAREHOUSE was distributed by NBC/Universal (USA) and D Films (Canada) (currently available on Amazon Prime & Showtime) with international releasing including the Philippines, UK, Australia, Germany and more. The Scarehouse won Best Feature at the New York City Horror Film Festival. Booth was recently nominated for two videos of the Year awards for Canadian Country Music as well as Director of the Year by Now Magazine.In October 2015 Booth broke new filmmaking ground teaming up with producer Jason Blum (The Purge, Get Out) to create the world’s first movie broadcast live using Twitter’s Periscope App. BLUMHOUSE'S FIFTEEN was a success with worldwide media coverage.He is also co-writer of Sony's DEAD RUSH, another Canadian produced feature. His short film ARE YOU MY MOMMY is currently on the festival circuit, taking awards home from several fests. Booth has worked with top entertainers in the music industry with music videos and documentary projects for Eminem’s D-12, The Tea Party, SYML, Third Eye Blind, Vanessa Carlton and more. These projects have aired on global television as well as appeared on best-selling DVDs and Enhanced CDs released by major labels.Enjoy my conversation with Gavin Michael Booth.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I'm pissed off guys. I'm tired of getting emails, messages, and calls from filmmakers who have been or are going to get taken advantage of by a traditional film distributor. THIS NEEDS TO STOP! So many filmmakers have been taken advantage of by predatory film distributors over the years that is has become a punchline. It's not funny.These predatory film distributors are destroying the lives of filmmakers. I know filmmakers with families that extended themselves financially to make their films. Then once they sign on the dotted line with a predatory film distributor never heard from them again. This poor filmmaker has little to no recourse. They basically made a non-tax deductible donation to the distributor.It's disgusting and it needs to stop. In this episode, I expose a lot of tricks these predatory film distributors use to con and steal from filmmakers. I also talk about some other options filmmakers have and discuss what a good film distributor looks like. I even call out one of the good guys in the film distributor game.Even self distribution is not safe. I’ve been a big supporter of the film aggregator Distribber over the years because they were of great help releasing my film This is Meg. But many of the people I worked with there have left the company. The Distribber I promoted for years is not the same company that is in business today. I have been hearing way too many stories about filmmakers not getting paid, can't get anyone to return their calls, and I just need to call this out. I NO LONGER recommend the ANY filmmaker use Distribber to self distribute their film. This is just a taste of what you can expect to hear in this episode. I truly hope this helps filmmakers out there and please spread the word.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today episode is probably one of the most important shows I have released in some time. On the show is filmmaker Naomi McDougall Jones the writer, actress and producer behind the indie film Bite Me, a subversive romantic comedy about a real-life vampire and the IRS agent who audits them. The filmmakers of Bite Me have decided to take a radical approach to distribute their film: they're doing it themselves. For 3 months, they traveled in an RV around the U.S. and screening the film wherever they can - be it a theater, a bar, or someone's living room. Not only did they tour around the country like carnies they also documented their entire process with a docu-series. EVERY FILMMAKER NEEDS TO WATCH THIS SERIES. It is mandatory for every IFH Tribe member. I've never said this before so take it seriously​. It will save you a ton of pain and suffering. Naomi is so open, raw and honest about her experience. Get ready for one heck of an interview.  Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every once in a while I come across a filmmaker who is just a bit crazier than I am. This is true for writer/director Gaelan Connell who's film Blood Sand and Gold is a true indie film miracle. This mad man decided to raise $250,000 (much of which was out of pocket) and go off and make a big budget action film, just one problem he didn't have a big budget.Yes, I know $250K is a lot of money but it's not enough for what Gaelan Connell was attempting to do. Check this out, Blood Sand and Gold was shot over the course of 58 days across 5 countries and 4 continents! It has Jason Bourne/James Bond-style​ action. I mean it's nuts.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

As promised in this episode, I bring to you the live recording of my workshop from the 2019 HollyShorts! Film Festival on audience building and surviving the film industry with my brotha from another mutha RB Botto from Stage32.com. We discuss the best way to build an audience online, do's and dont's, and tips on surviving the film industry from two filmmakers with a ton of shrapnel. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have all been there. A film project that just goes on and on and doesn't seem to have an end in site. While you are waiting for the punishment to finish your life starts to take a downward spiral into a blackhole. You look up and five years have passed and you wondered what the hell happened? That is exactly what happen to today guest filmmaker Theo Hogben.Theo reached out to me to tell me his story in an almost 2000 word email, by the way please do not send me long emails I just don't have the time to read them. For whatever reason I started read his email and his story of his five year odyssey making his short film, A Most Savage Beast, caught my ear. His journey down the dark rabbit-hole of filmmaking is a story I know many members of the IFH Tribe have gone or are going through right now.I hope his story will inspire you to start or finish that film you've always wanted to do. To finish the screenplay you've been noodling around with for years. Get up off your butt and make it happen for yourself. Theo's story is one of a phoenix rising. We all get knocked down but this business is all about how hard you can get hit and keep moving forward.Enjoy my conversation with Theo Hogben.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all have gone through it, a project falls apart after months if not years of you working on it. It has happened to me so many times I lost count. I based my book Shooting for the Mob on my biggest and most painful failure. In this episode, I share my experience on how to deal with a dream crushing event. "ALL filmmaking careers are forged by the failures you have in this business."You need to understand that EVERY FILMMAKER at EVERY LEVEL has gone or is going through a project falling apart. Let's discuss how we can deal with this and keep moving forward towards our filmmaking dream. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest, filmmaker Hari Mitar Khalsa, figured out how to pay off $30,000 in student debt in 11 months working as a freelance videographer and editor. We go into a deep dive on his methods, habits and tips on how you can pay that student debt off fast.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode I  speak to prolific film producer/writer/director Mike Feifer. Mike has directed over 70 films and produced over 100 feature films.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In today's world, personal branding is more important than ever. I wanted to discuss what personal branding is, how to go about it and examples of how other world-famous filmmakers branded themselves. What is the definition of personal branding?Personal branding is the practice of marketing people and their careers as brands. It is an ongoing process of developing and maintaining a reputation and impression of an individual, group, or organization. Whereas some self-help practices focus on self-improvement, personal branding defines success as a form of self-packaging. The term is thought to have originated from an article written by Tom Peters in 1997. In Be, Your Own Brand, first published in 1999, marketers David McNally and Karl Speak wrote: "Your brand is a perception or emotion, maintained by somebody other than you, that describes the total experience of having a relationship with you."Individuals sometimes associate personal names or pseudonyms with their businesses. Celebrities may also leverage their social status to support organizations for financial or social gain. For example, Kim Kardashian endorses brands and products through her media influence. - WikipediaI also discuss why I legally changed my name to Alex Ferrari when I was 18 years old. I hope you start thinking of not only what your personal brand is but also how to build it. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, producer, and actor Nick Sinakis. Nick and his writing partner created the film My Best Friend's Famous, an indie film produced for under $10,000 and made it entirely out of his apartment. He acted, co-wrote, produced and edited the film while his writing partner directed, produced and scored the film.Through a little HUSTLE (haha couldn't help myself) he managed to attract to the film MINDY STERLING (most known as Frau Farbissina from Austin Powers, Goldbergs) as well as OSCAR® NOMINEE RYAN O''NEAL (Love Story, Barry Lyndon).  The rest of the cast is rounded out with DAVID ROSS PATERSON (Saving Mr. Banks, Benjamin Button, Frost Nixon) as well as some young up and coming comedians.I wanted him on the show to, first of all, find out how he attracted his cast for such an indie film, to discuss how he was able to make his film look much bigger than a $10k indie and what he learned from Indie Film Hustle that helped him along his journey making his film.Enjoy my conversation with Nick Psinakis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have a special episode today. I wanted to discuss a topic that NEVER gets discussed until minutes before the cameras begin to roll, shooting sex scenes. Loving making or sex scenes are like walking through a field of landmines. I've shot these kinds of scenes in my life and it's​ just uncomfortable for everyone on set. Today we have a guest who literally wrote a book on the subject, John Bucher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the chairman of the legendary Cooke Optics empire. For over 100 years, Cooke has been at the center​ of the filmmaking business. We've been listening to the community of which we are apart​. We lead by introducing new products such as /i Technology, and we remember our success is built on a simple idea - do what the filmmaker needs.Enjoy my conversation with Les Zellan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have filmmaker Andrew Kortschak. In today’s digital age, where ‘releasing’ a film involves putting it on Vimeo, new filmmakers often struggle to rise above the noise and break into the exclusive industry.Andrew has a unique approach to this problem and in fact joined forces with a Silicon Valley venture capitalist to build End Cue like a tech startup: via a bi-coastal incubator model where directors cut their teeth and build their portfolios doing commercial work. On such alum of this approach is Jon Watts - Andrew co-produced his NBR award-winning film Cop Car before he’d go on to direct Spiderman: Homecoming.To further address the pain-points of young producers, End Cue even sprouted groundbreaking Artificial Intelligence (AI) technology to save time during the scriptwriting process. This was a fascinating conversation. Enjoy my talk with Andrew Kortschak.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is Filmtrepreneur Luke Neumann. Luke has taken a very interesting filmmaking path. He runs a very popular YouTube channel with over 140,000 subscribers. On his channel, you'll see DIY film tutorials, filmmaking tips and tricks, aerial drone videos, short films and vlogs presented in 4K/UHD, 4K/60fps and 8K. What makes him a Filmtrepreneur is that he leveraged his audience and created multiple revenue streams.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

After months of preparation, it's finally here, The Filmtrepreneur Podcast! After the success of the Indie Film Hustle Podcast and the Bulletproof Screenwriting Podcast, I felt there was another area of the filmmaking process that I could help filmmakers with, how to actually make money with their films. Filmtrepreneur was born.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie's Angels, Charlie's Angels: Full Throttle, Big Fish, Charlie, ​and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire. He hosts the popular screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog and develops screenwriter-targeted software called​ Highland 2.5 through his company, Quote-Unquote Apps.Enjoy my conversation with John August.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film.  His stories are not on filled with knowledge bombs but are entertaining as hell. "Wally Got Wasted" is like "The Hangover" meets "Weekend at Bernie's." It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.Enjoy my entertaining conversation with Adam William Ward.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the is one of the bravest indie filmmakers I've ever had the pleasure of meeting, writer/director Benjamin Gilmour. His film Jirga was shot with a tw0 person crew, a Sony A7s Camera he purchased at a local camera shop and an ever-changing​ screenplay. Did I mention he shot this film in Afghanistan​?Three years after an Australian army helicopter raid on a small village led to the killing of an unarmed man, former Australian soldier Mike (Sam Smith) returns to Afghanistan to find the victim’s family. He sets off on a perilous journey over a terrain where both the Taliban and ISIS are active. Mike is determined to make amends and so puts his life in the hands of the Jirga – the village justice system. Jirga is screening in US cinemas in AugustThis unconventional film about the war in Afghanistan became Australia's submission for the Oscar's Foreign Language category in 2019. As we spoke on this episode my mouth keeps​​ dropping on the floor. One issue​ after another, with crazy stories and life-threating​g situations this episode has it all. I dont't want to hear any excuses. If you want to make your film you find a way to do it.Enjoy my inspirational conversation with Benjamin Gilmour.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon).Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that are guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years, the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors, and writers use the Travis Technique, it’s not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Here's some info on Mark Travis:Mark Travis is regarded by Hollywood’s top brass and international film professionals as the world’s leading authority on the art and craft of film directing.  All of his techniques stem from the pursuit of organic authentic performances that are deeply felt by audiences.He is currently on the faculty of HFF (Munich), HSU (Kiev) and has taught at AFI, UCLA, The Binger Institute (Amsterdam), PU (Pixar University), FAS Screen Training Ireland and many other internationally acclaimed institutions and film schools.  He has served as He has served as a directorial and creative consultant to Mark Rydell, George Tillman, Cyrus Nowrasteh, and dozens of Independent filmmakers in Hollywood and internationally.  He is respected and recommended by top actors such as Beau Bridges, Henry Winkler, and Bill Pullman.Enjoy my conversation with Mark Travis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a film and television actor, producer and director as well as CEO of Silver Sail Entertainment and Mammoth Film Festival. SSE was created during the industry strike of 2008 with a concentration on cultivating professional media content without sacrificing the integrity and artistic vision of the content creators themselves.Tanner has since produced various projects including a travel show, award-winning short films, award-winning documentaries, commercials, music videos and multiple seasons of a web-based television series. His feature film producer credits include critically acclaimed 'Hellion" starring Aaron Paul and Juliette Lewis, and 'Legend of Hell's Gate,' which he also wrote, directed and starred in alongside Eric Balfour, Henry Thomas, Jenna Dewan Tatum, Summer Glau, Kevin Alejandro, and Lou Taylor Pucci. Mammoth Film Festival was named by the press as "the biggest first-year film festival ever created" in 2018.In early 2015, Tanner Beard entered into a four-film partnership with iconic Oscar Nominated Director Terrance Malick and producer Sarah Green. 'Knight of Cups' stars Christian Bale, Ryan Gosling, Cate Blanchett, Michael Fassbender, and Natalie Portman. The only documentary of the partnership, 'Voyage of Time,' was produced alongside Brad Pitt, who also narrates the film. It recently premiered at the Venice Film Festival and had its North American Premiere at the Toronto International Film Festival.Enjoy my conversation with Tanner Beard.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion director Alex Lehmann. I asked him back on the show to discuss his new Netflix film Paddleton starring indie film legend Mark Duplass and Ray Ramano. Paddleton is about an unlikely friendship between two misfit neighbors becomes an unexpectedly emotional journey when one of them is diagnosed with terminal cancer.I know, it sounds hilarious. The film is beautiful, touching an actually pretty funny. I wanted Alex to come back on the show (Listen here to Alex's first appearance​ on the show) to discuss the process of working with Mark Duplass and Ray Ramano and to breakdown how a Netflix feature film is shot using a Scriptment and not a traditional screenplay.We also discuss his other amazing film Asperger's Are Us and how making that passion project led​ to him working with Mark. This is an inspirational talk​ with some knowledge bombs thrown in. Enjoy my conversation with the talented and ever humble Alex Lehmann. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So I'm conducting an experiment. Can the IFH Tribe and I get some of the most amazing filmmakers in history on the IFH Podcast? Well, let's see if we can make that dream come true. There is a list of filmmakers and screenwriters I would love to have as guests on the show. This list is pretty ambitious but hell if you are going to dream DREAM BIG. If anyone out in the Indie Film Hustle Tribe knows or has a way to contact any of these amazing filmmakers please email me at ifhsubmissions@gmail.com I know this might be a pipe dream but wouldn't it be astonishing if one or more of these filmmakers actually came on the show to share their filmmaking and/or screenwriting knowledge? I want to prove to everyone listening that if you want your dream to come true then you need to put it out into the universe and have the courage to do so. Like I said, this is just an experiment but man wouldn't be cool? Here's my humble list.Dream Directing GuestsRobert RodriguezQuentin TarantinoSteven SpielbergJames CameronMartin ScorseseDavid FincherChristopher NolanKevin SmithPT AndersonFrancis Ford CoppolaSteven SoderberghGeorge LucasGuillermo del TorroJJ AbramsRon HowardSpike LeeDavid LynchRichard LinklaterMark and Jay DuplassLena DunhamTim BurtonMel BrooksDream Screenwriting GuestsAaron SorkinJoss WhedonShane BlackRobert McKeeDream Producer GuestsRobert EvansJerry BruckheimerGale Anne HurdKathleen KennedyFrank MarshallBrain GrazierI know there are so many other amazing filmmakers out there that I would love to have on the show so the faster we can fill this list up the faster I can come up with the next list. LOL.Email me at ifhsubmissions@gmail.com if you have the ability to reach any of these guests. Please share on social media and help get the word out. Thank you for your help IFH Tribe. Let's see what happens = )This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We all tell ourselves negative stories. I'm not good enough. I can't write that. I can't direct a feature film. These stories are killing us day in and day out. It took me 20+ years to finally change the story I was telling myself about being able to direct a feature film. When I finally changed that negative story I was able to make This is Meg, self-distributed it and even sold the film to Hulu and overseas. Once you change the stories you tell yourself you will change your life. In this episode, I do a deep dive into the negative stories we tell ourselves as filmmakers, screenwriters, and creatives. Buckle up. There are a TON of truth bombs in this episode! This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What if someone could read over 12,000 scripts that were read by professional script readers, who gave the scripts an overall score as well as scores for specific factors including plot, dialogue, characterization, theme, and voice. Then looked for connections and correlations to discover what professional script readers think a good screenplay looks like. Well, today on the show I have that man, Stephen Follows.It's a monster of a report -- 65 pages to be exact -- that examines data from over 12,000 screenplays - mostly written by amateurs, but some of them written by professionals and major Hollywood actors.  Using rigorous data analysis methodologies, Stephen and his team found some fascinating correlations.  Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The New Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington.I just love Stephen and his amazing ability to crunch numbers for the benefit of the filmmaking community. He's truly doing God's work. Get ready to go down the rabbit hole and see what makes a great screenplay.Enjoy my conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we Sven Pape. Sven is an A.C.E. Award-nominated editor who cut for James Cameron, Mark Weber, Joseph Gordon-Levitt, and James Franco. We get into the weeds on editing, storytelling, the business of editing and much more. Oh, did I mention Sven worked with James Cameron for three years? We definitely​ go into that. Sven Pape's YouTube Channel This Guys Edit is an awesome resource for filmmakers and editors alike. Enjoy my conversation with Sven Pape.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In this episode, we discuss proving your doubters wrong. Proving to yourself that if you have a dream and you have some hustle then damn it you can do it. Why are people so scared of your success? We get into it. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along their filmmaking or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these video help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Are you a bitter and angry filmmaker? Do you hate on other filmmaker's success? Be honest! Then I hate to tell you but you are a Hater. On this episode, we dive into the mindset of being a bitter and angry filmmaker. I was bitter for most of my filmmaking career. Every time a new, young filmmaker would come into my edit suite with their $3 million indie film I'd say to myself... "Why did he get a shot? I'm as good as him. I've been busting my ass for years and no one is giving me any chances. This is some BS!"It took me years to break free of that mindset. It was only hurting me and my filmmaking career. This episode might be the cold bucket of water over your head that you have been needing. Getting ready for it. And if you are not that bitter and angry filmmaker then please share it with that bitter filmmaker in your life cause we ALL have one of those in our circle of filmmaking friends. Enjoy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever had a near-death experience that changed the direction of your life? Today's guest has. Mike Pecci is a filmmaker with a unique path. With over 18 years of experience, Mike has cemented a name for himself not only as a photographer and music video director but as an abstractly edgy filmmaker who is undeniably devoted to the art of storytelling. His characters are the faces of his work - passionate, emotional, and distorted stories are the basis for some of Mike's most well-received films.His ability to touch audiences through his films is a credit to his commitment to understanding humanity. The work has an emotional quality that can both frighten and pull you in, playing off the darkest chasms of the human condition. ​Mike's story is inspirational, to say the least. I also love the aesthetics of his work and his ability to produce INSANE sizzle reels for films he wants to pitch.He also has a bit of cult status for directing a Punisher Fan FIlm that Marvel shut down. You can find out more about that project here. From his near death experience and his sizzle reels to his shorts and commercial work, Mike Pecci has a ton to talk about and we get into it for this episode. Oh did I mention he also hosts a killer podcast called "In Love with the Process Podcast?" I'll be a guest on his show very soon.Enjoy my EPIC conversation with Mike Pecci.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Ben Yennie. Been has the honor of being the very first guest I ever recorded for the IFH Podcast. He is a wealth of information so get ready to take some notes. As Founder and CEO of Guerrilla Rep Media, where I've gotten distribution deals for more than 8 films, that will soon be appearing on Starz and other major outlets across the globe.Ben is also the Founder and Executive Director of Producer Foundry, as well as Producer of more than 50 events on film finance and distribution.  He's worked with people like Lew Horowitz, the inventor of Indiefilm Gap Financing, Jeff Dowd, Executive Producer of Blood Simple, Fern Gully, and inspiration for “The Dude” from the Big Lebowski. Ben co-founded Global Film Ventures, screened business plans and advised the Film Angels and is the former chapter leader for the San Francisco, New York, Los Angeles, and Vancouver Chapters of the Institute for International Film Financing.  And screened business plans for the Film Angels.Ben has also worked in the tech industry. Co-Founder of ProductionNext, a new set of next-generation tools designed specifically for the Movie industry.  Previously, he's been VP of Sales for Taal, a Mobile video interview platform for the hospitality industry.He is also the author of The Guerrilla Rep: American Film Market Distribution Success on No Budget, The First ever book on Film Markets and used as a text at about 10 film schools.  He has also contributed to Office for One, a Sole Proprietor survival guide, and is the author of the upcoming book "The Entrepreneurial Filmmaker."  He also manages the blogs for ProducerFoundry.com and TheGuerrillaRep.com.Enjoy my conversation with Ben Yennie.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along their filmmaking or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these video help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

For anyone who wasn't able to make it out to my talk at the Chinese Theater a few weeks ago you are in luck. I recorded it LIVE so I could bring it to the IFH Tribe. If you want to watch the talk check out the video below but if you are on a commute or can't watch it sit back and enjoy my velvety voice, well just enjoy. The talk is about how not to follow your filmmaking dream. The mistakes I made and why I sold my soul to the devil to make my filmmaking dream to come true. I go in deep on my story from Shooting for the Mob. I speak about things I never discussed in public before so you are in for a treat. I hope this helps a few of the IFH Tribe out and serves as a warning of what NOT to do. Here some info on the book that inspired my talk.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob.From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is."As a young, aspiring director chasing his dream, the author half-falls and half-skids down the rabbit hole of becoming trapped by his "angel investor" -- into an impossible situation, filled with shady characters, shockingly incompetent unprofessionals and money that seems to fly away as it is allegedly secured. This is the ultimate "How-Not-To" primer for beginning directors -- and, for everyone else, a yarn to enjoy for its dark-edged hilarity." - Jim Uhls (Screenwriter of Fight Club)Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have directors Megan Petersen & Hannah Black. They are the winners of the Seed and Spark/Duplass Brother Hometown Heros Contest. Here more about this remarkable contest.Join us for an opportunity to have your feature film executive produced by Duplass Brothers Productions, Salem Street Entertainment, and UnLTD Productions and be eligible for a total of $50,000 in no-interest loans for your narrative or documentary feature. Whether you’re from a small town, the suburbs or a special corner of a major city, now is the time to bring your hometown-centered story to the screen.Their film is called DROUGHT.Join Sam, her Autistic brother Carl, estranged sister Lillian & friend Lewis, as they try to navigate life in a small town. It's 1993 and the south is in the worst drought in history but Carl is fascinated by weather. Hoping for a better life, they steal an ice-cream truck to become storm chasers.We sit down and discuss all things indie film, what it was like to direct this film while having the guidance of indie film legends like Jay and Mark Duplass. Enjoy my inspirational conversation with Megan Petersen & Hannah Black.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along with their filmmaking and/or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the legendary Linda Segar. Linda was one of my first ever interviews back when I launched Indie Film Hustle and her episode is by far one of the most popular ever. Here's some info on our lovely guest.In 1981, Linda Seger created and defined the career of Script Consultant. She based her business on a method for analyzing scripts that she had developed for her doctoral dissertation project. Since then, she has consulted on over 2,000 scripts including over 50 produced feature films and over 35 produced television projects. Linda was the consultant for Peter Jackson’s breakthrough film, Brain Dead and for Roland Emmerich’s breakthrough film, Universal Soldier.She was the script consultant on Pasttime and Picture Bride–both winners of the Audience Favorite Award at the Sundance Film Festival–as well as for the films The Long Walk Home, The Neverending Story II, Luther, Romero, and television movies and mini-series including The Bridge, the Danish-Swedish mini-series (now playing in the US).Other clients include Ray Bradbury who said, “Linda’s technique is a light to see by,” William Kelley, Linda Lavin, and production companies, film studios, producers, directors, and writers from over 33 countries.Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field. Here new book The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers.Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible “blueprint” for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.“A very thorough and fascinating look at the whole filmmaking process – the art and the craft. Highly readable and interesting for filmmakers or beginners with a special emphasis on the power of collaboration. A well-researched​ insider’s guide – like taking the hand of accomplished filmmakers and learning from the best.”- Ron Howard, Oscar-Winning Director and Co-Founder of Imagine EntertainmentEnjoy my knowledge bomb filled conversation with Linda Seger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have 17-year-old scriptwriter and filmmaker Jonathan Perry who directed a large budget short film titled SUBNIVEAN which will debut on Amazon Prime June 12, 2019, making Perry the youngest director on any streaming service. I know, it's crazy.After filming SUBNIVEAN in December of 2018, Perry and his team of producers wrote a nine-page appeal which was submitted to Amazon. Amazon accepted Perry’s appeal and formed a partnership with Perry. Perry’s partnership with Amazon includes the release of SUBNIVEAN on the Amazon Prime streaming platform, as well as coverage of select advertising costs. Additionally, Perry partnered with EDM band ODESZA for promotional sound mixing.Once offered a large sum of money for his script titled SUBNIVEAN, Perry decided SUBNIVEAN may be his golden ticket into directing his first large budget feature film. Perry, still hard at work on SUBNIVEAN, doesn’t plan on taking any breaks after the Amazon release. Recently, Perry has signed with a Hollywood director and union members for his upcoming 2020 film with a starting budget of 1.5 million.Director Jonathan Perry is from Sandusky, Ohio and began his early career in the film industry four years ago when he began writing scripts online for other filmmakers by selling the copyright to his work. Now, this is the part that blew me away, after writing nearly 40 scripts over the course of two years, Perry made a total of nearly $10,000. We go deep in how he did this and you will be surprised at his journey.The film SUBNIVEAN introduces the viewer to two young brothers and their troubled relationship. Perry states in a film synopsis,“After a vicious chase home from gathering firewood, an innocent boy unknowingly leads his brother to fall through an isolated pond. The boy has to accept and use his twisted hallucinations of hatred as his only hope to break the ice and save his brother in time or die trying.”Enjoy my inspirational conversation with Jonathan Perry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Seriously, on today's episode, I get RAW and REAL with the tribe. This is by far one of the most impactful episodes I've ever recorded. Truth bombs will be dropped. Hearts may be broken. The purpose of this episode is to force you to confront some real and raw truths about your filmmaking journey. My hope is to help you not turn your filmmaking dreams into filmmaking nightmares.These are questions that I have asked myself on multiple occasions. These questions have helped me refine and sharpen my filmmaking dream. I hope it does the same for you. Prepare yourself. Don't say I didn't warn you. = )This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today we have a very special episode of the Indie Film Hustle Podcast. My guest is coming from an undisclosed location somewhere in Los Angeles. His code name is BORIS: The Cinematographer. We changed his voice and image for his protection. Boris was my cinematographer on the film I almost directed for the mob. I met him while prepping the infamous feature film discussed in my book Shooting for the Mob. If you want to learn more about the story of the book take a listen to this podcast. (http://indiefilmhustle.com/shooting-for-the-mob-alex-ferrari/)I asked Boris, an industry-recognized cinematographer if he would be willing to do an interview on his experience working with Jimmy the gangster, the craziness that happened all those years ago and what it was like being in the center of that filmmaking tornado with me.Boris jumped at the chance but he asked that we change his voice to protect his identity. He doesn't want to put himself out there at this time. Trust me you are going to love this episode.Boris lets loose on all things Shooting for the Mob and even tells me stories I didn't know about. If you want to know what it's like trying to shot an indie feature film for a bi-polar, egomaniacal gangster then perk up those ears cause you are going to love this extremely entertaining episode.Enjoy my EPIC conversation with BORIS - The Cinematographer.Here's a summary on the book: A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? Alex did. By the way, did we mention that this story is based on true events? no, seriously it is.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is Paul Dudbridge, author of Making Your First Blockbuster: Write It. Film It. Blow it Up! Paul Dudbridge is a British director, producer, cinematographer, ​and educator, making feature films, television, commercials, and music videos. Paul started producing at the age of 11 when he roped in his father to shoot his first short film. When the resulting footage didn’t match up to what he had seen in his head, Paul decided to go behind the camera himself, and from there the whole notion of making films; directing, scripts, shots and angles started to come about. With over 20 years of​ experience in the business, Paul has numerous film and television credits to his name. His first broadcast credits include producing and directing ITV’s The Christmas Storybook, featuring legendary actor Joss Ackland, as well as directing music promos for MTV. His work as a cinematographer includes the action thriller By Any Name based on the best-selling book by Katherine John. As a producer and director, he helmed the science-fiction series Horizon, which went on to win a number of awards at international film festivals, as well as earning Paul a Best Drama Director nomination at the Royal Television Society (WoE) awards in 2016. When not filming, Paul guest lectures at various universities and colleges around the country. Most recently, he ran the Writing and Directing module for the Master's​ course at the University of Bristo​, taught Cinematography at Falmouth Film School, and Advanced Cinematography workshops for BECTU, the UK’s media and entertainment trade union. Enjoy my conversation with Paul Dudbridge.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today I wanted to discuss the concept of "Fake it till you make it. There are a lot of misconceptions on how to do it properly, when you should or shouldn't do and if it's ever a good idea. I can tell you that without faking it till you make it I wouldn't have gotten anywhere in the film business. Without creating opportunities for yourself it can be impossible to get a leg up in the business.“You must be the person you have never had the courage to be. Gradually, you will discover that you are that person, but until you can see this clearly, you must pretend and invent.”― Paulo CoelhoI discuss the proper way to fake it till you make it without hurting yourself, your reputation or anyone around you. There is an art to it, trust me. I tell Fake it till you make it stories from my own career, Oscar winners and the mythical story on how Steven Speilberg got his start. Guess what, he faked it too. This will be an eye-opening episode. Still back and enjoy.If you find value in this episode please share it with someone who needs to hear it. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's show is going to be EPIC. Our guest is Matthew Helderman, CEO, and Co-Founder of Buffalo 8 and the BondIt Company. Buffalo 8 operates seven core divisions: development, production, post-production, distribution, client management, marketing, and creative branding services with accolades from the Sundance, Berlin, Toronto, Tribeca, and SXSW festivals.At Buffalo 8, Matthew is endlessly passionate about creative storytelling, media technology, and the business of entertainment in equal quotients; we are the fusion of entrepreneurial ethos and quality content creation with a unified ambition to provide first-class service. With a background rooted in media production, finance, and digital technology he leads the team of both businesses on a daily basis.We get DEEP into the weeds on how to raise money for indie films, how to approach investors, what companies like him are looking for and so much more. I learn a ton for this conversation and I know you will as well. Get ready to have your mind blown.Enjoy my conversation with Matthew Helderman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have an amazing and inspirational story from filmmaker and entrepreneur Antonio Pantoja. Antonio is an​ Indie Film Hustle School graduate, as he puts it. He has been listening to the podcast since the beginning and has used everything he has learned​ to build up his career and finally direct his first feature film One Must Fall.Antonio's story is one of the most inspirational stories I've had on the show. Coming from being homeless on the streets to building up a production company, photography business and directing career. He personifies H U S T L E.He is proof that if you have the will, positive mindset and the hustle you can make anything happen for yourself in life! If you need some motivation or inspiration then take a listen to this interview.Enjoy my inspirational conversation with Antonio Pantoja.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the Stock Footage Yoda James Forsher. James has nearly forty years of experience in producing, writing, and directing documentaries and television commercials. Forsher's productions, ranging from half-hour shows to feature-length documentaries, have aired on the Discovery Channel, The Movie Channel, Cinemax, A & E, and PBS.Forsher's productions range from this year's hour-long show Elvis and the Girl from Vienna back to his 1977 documentary Conrad Hilton: Insight into a Giant. Forsher has also taught film and video production at the college and university level for nearly two decades directed the broadcast program at California State University, East Bay, and has taught communication courses as a Fulbright Scholar in Europe.His new book Stock Footage + Everything Under the Sun: Using Archival Material to Make Your Good Film Great is the bible of stock footage. It is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader.Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work.Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film.Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints.If you ever wanted to know how to get, use or sell stock and archival footage for your film get ready to take notes. Enjoy my conversation with James Forsher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Before we begin I need to reveal a truth to you."The Matrix is not a movie, it's a documentary"Believe it or not, this is true. Our internal operating system in our mind was programmed years ago when we were children. That programming runs our life through the subconscious. Don't believe me?Did you drive a car today?Did you brush your teeth?Did you think about walking to the kitchen to make breakfast?Did you think about breathing or making sure your heart beats?Probably not. You would be exhaust mentally if you had to think about all of this every day. This is all run by our operating system (aka the subconscious), the problem is many of us are still running Windows 95. In this episode, I go deep down the rabbit hole and discuss how our subconscious can and does stop us from achieving not only our filmmaking dreams but how it affects all areas of our lives. I discuss how my life changed dramatically when I discovered this and made those upgrades. I also go over the two ways you can upgrade the old operating system in your head. “This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes.” - MorpheusLet's all take that Red Pill and see how deep the rabbit-hole goes. Get ready to have your mind blown, literally. Enjoy!If you find value in this episode please share it with someone who needs to hear it. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I had the pleasure of speaking to the legendary Xzibit at the Mammoth Film Festival last month. Why is a rapper on the podcast you may ask? Well not only is Xzibit a rapper, actor, and producer but he’s also a director as well. His new indie film/series is called BROKEN GROUND.“BROKEN GROUND” is the semi-autobiographical story of James Savage, a man who went to prison, lost his promising career, and now wants to transform into a better man.We discuss his work with some of the greatest directors working today, his approach to directing and what fear he broke through to make the jump in his career. It’s an eye-opening discussion. Enjoy my conversation with Xzibit.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Over the years I have mentioned my meditation practice and how important it is in my daily routine on the show. Many of the IFH Tribe have asked me to do an entire episode on meditation and the importance it has in the creative process. Today is that day.In this episode, I go over:My personal meditation practiceWhy it's impossible to CLEAR YOUR MINDHow to embrace your minds inner voiceHow science view meditationWhat actually happens to your brain when you meditateHow meditation can make you more creativeI discuss practical everyday uses for meditation in your creative life. Some of my greatest ideas and thoughts have come to me during my meditations. I'll also teach you how to meditate for 10-15 min to start and then over time, you can grow your practice to 1-2 hours a day like I do. Once you start meditating it becomes addictive.Get ready to open your creative channels to full flow. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have a good friend of mine, producer's rep Glen Reynolds of Circus Road Films. With 21 years in the indie film biz, he has produced 20 films and sold over 500 films. He founded Circus Road Film in 2006. Glen is also a producer, known for Blood and Bone (2009), Becoming and Conversations with Other Women (2005)Glen has been around the block and has seen a lot in the indie film space. We met because of my scathing commentary on producer's reps in one of my very first podcast episode.We get into the weeds on how to hire a producer's rep and/or sales agent, film festival strategies​ what to look out for and how to choose the right one for your project. Enjoy my conversation with Glen Reynolds.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director, producer, screenwriter, actor and YouTube sensation Darious Britt I had the pleasure of meeting Darious at the Mammoth Film Festival. At the festival, we were snowed in and pretty much stuck in our hotel. We sat down and talked for hours about indie film, his journey, my journey, the state of indie film, fear, setting goals and so much more.I knew I had to have him on the show to talk shop. What you are about to listen to is a DEEP DIVE into the psychology of a standard indie filmmaker. We break down the brutal and raw truth of what it takes to make it in today's world.We also discuss how to build and engage with an audience. His amazing channel D4Darious is a MUST for any and all filmmakers. I've been a fan of his work for years. I love his approach and teaching style. Here's a bit about the man.He attended film school at the University of Arizona and graduated in May of 2012 with a bachelors in Media production. He toured his short film “Seafood Tester” to four international film festivals including the Oscar-qualifying Aspen Shorts fest in 2012.Darious created the youtube channel D4Darious, in August of 2013 and it has since grown to over 340,000 subscribers and over 10 million views in five years.He has toured his first feature film “Unsound” on the film festival circuit screening at over 20 international film festivals, winning 7 awards including best director at The Pan African Film Festival in 2015. He loves telling stories and helping other filmmakers learn the craft to reach their highest potential as storytellers.Now I warn you, this episode runs nearly two hours but I promise you it will be worth it. I lost count of how many knowledge bombs went off in this episode. Prepare to get your mind BLOWN and enjoy my conversation with Darious Britt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have director and entrepreneur Jakob Owens. Jakob is a visual director based in Los Angeles California. He began directing music videos while still in film school at ASU. He began traveling to California so much for shoots that after graduation he made the leap to LA and has been directing music videos, commercials, and short films ever since. He is also the creator and owner of TheBuffNerds Youtube channel which has accumulated over 230+ million views and almost 800K + subscribers.His work has been displayed on all of the major music television networks such as MTV, VH1, BET, REVOLT and more. He has collaborated and worked with artists such as Chris Brown, Wale, Jesse McCartney, Chamillionaire,  Nick Carter, The Braxton Sisters, iLoveMemphis, Dawin, Futuristic, KYLE, K. Roosevelt, Dizzy Wright, and much more.Among his music video endeavors, Jakob is an avid world traveler. He travels the globe creating "Travel Films" of the various destinations he visits.Jakob's built a very strong social media fan base and following. He currently sells manuals and various filmmaking related products he has created to followers spanning across the world who hope to one day create videos like Jakob himself.Jakob has really built one heck of an empire for himself. I wanted him to come on the show to share his knowledge, experience and tips on how the IFH Tribe can build up their own filmmaking empire.Enjoy my conversation with Jakob Owens.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

I can't believe we are here. Episode #300. It is truly remarkable that the show has landed at this point. When I started the Indie Film Hustle Podcast over 3 1/2 years ago I never dreamed the show would be so well received by the filmmaking community. I am truly humbled. I plan to continue creating amazing content for the IFH Tribe for the years to come. Thank you all for all your support and well wishes. Now on today's show, I want to tackle the thing that stops many filmmakers and screenwriters dead in their tracks on the journey to follow their dreams...FEAR! Fear is a disease that is not only plaguing the filmmaking community but people around the world from all walks of life. "The Cave you fear to enter holds the treasure you seek" - Joseph CampbellIn this episode, I go down my road with fear, how it stops me and caused me so much pain on my journey. I also discuss techniques that can liberate you from fear so you can focus your energy on creating the life and career you want and deserve. Strap in boys and girls this ride might get a bit bumpy but like any rollercoaster, you will make it safely to the end. You can live your dreams or you can live your fears? The choice is yours. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have the legendary and Emmy Winning cinematographer Michael Goi A.S.C.Michael Goi has compiled over 70 narrative credits, including films for cinema and television screens such as "American Horror Story," "Glee," "Salem" and "The Town That Dreaded Sundown." He has received Emmy nominations for "Glee", "My Name Is Earl" and "American Horror Story." He was nominated for the American Society of Cinematographers (ASC) Outstanding Achievement Award for the telefilms "The Fixer" and "Judas" and for the pilot "The New Normal" and the mini-series "American Horror Story: Asylum". He also wrote and directed the dramatic feature film "Megan Is Missing" about the subject of internet predators, and several episodes of "American Horror Story" and other shows.Michael Goi is a past president of the American Society of Cinematographers, serves on the Board Of Governors of the ASC, and is the editor of the 10th Edition of the ASC Manual. He was made an Honorary Member of the Indian Society Of Cinematographers (ISC) in 2010 for his efforts to increase international collaboration and communication amongst the world's cinematography organizations. Michael has appeared as a guest speaker at the American Film Institute, the University of Southern California, Walt Disney Animation Studios (for whom he demonstrated ice and snow lighting concepts for animators working on the film "Frozen,"), CineGear, IBC, and many other international industry events. He is a member of the National Executive Board of the International Cinematographers Guild, the Directors Guild Of America, the Academy Of Television Arts And Sciences and the Academy Of Motion Picture Arts And Sciences. He regularly mentors students for various industry programs. An unrepentant movie buff, he has been known to spend all night in his home theater watching selections from the over 18,000 films in his collection.We really get into the weeds on his process, shooting every kind of film and that insane movie collection he has. Enjoy my conversation with Michael Goi A.S.C.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Noam KrollToday on the show we have the writer, director, post guru, and podcaster Noam Kroll. Noam has directed a killer micro-budget feature film called Shadows on the Road. In this episode, we discuss how he shot this extreme micro-budget film and still made it look gorgeous. Noam also runs a great podcast and blog that helps indie filmmakers. You can find links to his sites below in the show notes. Here's a bit about Shadows on the Road.After potentially killing her attacker in the midst of a violent altercation, Zoe - a runaway youth - befriends Silver, a charming beach dweller, who offers to drive her to the Mexican border and help her make an escape. As their journey unfolds, the blossoming relationship between the two is threatened by Zoe’s dark past, which not only haunts her but puts both of their lives in jeopardy.Here's some more info on Noam Kroll:Noam Kroll is an LA-based filmmaker here to share my thoughts, experience, and perspective on all things film with you. He has worked in the film and television industry in many different capacities over the years, but primarily as a director, cinematographer, and colorist. He got his start by writing and directing his own short film content which led him to work on music videos, advertising campaigns, and eventually feature film work.Noam's approach to filmmaking has always been quite hands on given my background in cinematography and post-production, which has led him to DP and edit many of his own projects. While he continually develops his own passion projects, Noam also spent much of his time assisting other filmmakers in the creation of their films. Through his production company, Creative Rebellion.  Enjoy my conversation with Noam Kroll.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today we will tackle the toxic filmmaker mindset. That screenwriting mindset. That artist mindset. We discuss the mindset. How the beliefs we have stop and derail our dreams and life. So many of us have belief systems that limit us. Today we are going to break this down and give you some tools to reprogram yourself into the person and filmmaker you want to be. "To have results that very few people have you have to start doing things that very few people do."Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer​/director Jen McGowan on the show. We discuss the state of women directors in Indie FIlm, her new film Rust Creek and what it is really like to be a female director, from her perspective in today's world.Jen McGowan is a director based in Los Angeles. Her first feature KELLY & CAL (Juliette Lewis & Cybill Shepherd) premiered at SXSW where she won the Gamechanger Award. The film was released theatrically by IFC Films to rave reviews. McGowan got her start with award-winning short films, CONFESSIONS OF A LATE BLOOMER and TOUCH, both of which played at over a hundred festivals worldwide. TOUCH qualified for the Oscar when it won the Florida Film Festival.McGowan studied directing in the MFA program at USC where she was honored with a scholarship from Women in Film and a grant from The Caucus Foundation. She received her BFA in Acting at NYU’s Tisch School of the Arts, studying under David Mamet, Bill Macy & Sam Shepard at the Atlantic Theatre. She is the creator of filmpowered.com, an international skill-sharing, networking & jobs resource for professional women in film and television.With nearly 2,500 active members, Film Powered was named Best in LA by LA Weekly, is part of the Sundance Women’s Initiative Resource and was featured in Forbes. A Film Independent Fellow, a finalist for the Clint Eastwood Filmmakers Award, recipient of the AWD Breakout Award for Excellence in Directing and one of Vulture’s Women Directors Hollywood Should Be Hiring, she was named one of 50 Women Who Will Change the World in Media & Entertainment by the Take the Lead Foundation.The tv series she created, Angelica, about the last remaining abortion clinic in a small Midwest town was one of twelve series selected from 4,000 submissions and the only American project for the MIPTV In Development program at Cannes 2018. McGowan’s second feature film, the survival thriller, RUST CREEK, is being released in theaters January 2019 by IFC Midnight.Enjoy my eye-opening conversation about the state of women directors in indie film with Jen McGowan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

What are you willing to sacrifice to make your dreams come true? How bad do you want it? These are the questions I'll be discussing in today's episode. If you are looking for something to get you revved up look no further. This is my "tough love" episode. I keep running into filmmakers and people in the business who just like to talk or hide behind excuses. I have two things to say about that.Life doesn’t care. The film business doesn’t care.There are 24 hours in a day. I breakdown 24 hours and I promise you will find out that you have, at least, 4-6 hours a day to dedicate to your craft and dream. Yes, even for those who have a 2-hour commute, work 8 hours and has a family. The power to make your dream to become a reality is only in your hands. No one else's! I really hope this episode lights that fire in your belly to make your dream come true.Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today I'm talking about marketing! Yup, marketing. If you, as indie filmmakers, do not understand branding, marketing, and social media YOU WILL NOT MAKE IT IN THE BUSINESS. I really want to get through to you guys. I've been consulting more and more filmmakers lately and I see there is a MAJOR disconnect between filmmakers and understanding the basics of branding (whether personal, company or project), marketing, and social media.In this episode I'll be discussing:Tribe or Audience BuildingBrand Marketing vs. Directing MarketingUnderstanding your smallest viable audienceBrand BuildingBuilding Your Personal BrandDiscovering how you can love the GRIND or your journeyChoosing platforms to build your brandContent creationAlso below are six books that will help you along your path to understanding these basic concepts. I truly hope that you find value in this episode. The understanding, at a basic level, of branding, marketing, and social media is not a luxury but a necessity in today's and tomorrow's world.  Don't get left behind. I want every single #IFHTribe member to make there dream come true, to build a better life for themselves and to love their own journey towards their goals.Warning: this episode might make you think about stuff so beware! Enjoy and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects. I just love what the team at Soundstripe is doing so I've partnered with them. Soundstripe is now the OFFICIAL SOUND LIBRARY OF INDIE FILM HUSTLE.As part of the #IFHTribe, you get an exclusive DISCOUNT CODE: IFH (10% OFF MEMBERSHIP). Click here to check Soundstripe out.I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.Enjoy my conversation with Chris Small from Soundstripe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have writer, director, author, actor, and all-around indie film pioneer Mark Polish. His new film Headlock (aka Against the Clock, more on that later in the interview)  is out in theaters and VOD.Also, do yourself a favor and read his amazing filmmaking book The Declaration of Independent Filmmaking which is easily one of my favorite filmmaking books of all time. Mark and I discuss his career, the challenges of maintaining your creative vision and working within and out of the Hollywood system. We also discuss how Sundance has radically changed over the years and some of his horror stories when shooting and distributing his films.Enjoy my epic conversation with Mark Polish.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

You must be saying,Wait? What? You want to give me $30,000 to make a web series?Yup, that is exactly what I want to do. I've partnered with Filmaka.com to launch an amazing Web Series Filmmaking Competition.We are launching cross-platform Web Series filmmaking competition, sourcing diverse ideas & pitches. Filmaka & Indie Film Hustle will select and award the Web Series competition winner with a production budget for completion of the winning series.HOW IT WORKS:Filmaka members have three weeks to submit written Pitches only for the 3-5 minute pilot of an original web series they want to create based on the prompt: THE HUSTLE.After the Pitch competition closes, up to four (4) winners will be given $5000 each to shoot their Short/Pilot which is their pilot for an original web series. The winners will have eight weeks to submit their Short along with nine (9) written Scripts, that together make up a ten-episode web series. Of the up to four (4) submissions, one winner will be awarded $25,000 to produce their original web series.THE PITCH:The Pitch and/or the Scripts should be as detailed as possible so that Filmaka executives have a clear vision of the web series the Member wants to create. Character lists, an overall summary of the web series, storyboards and scene sketches may be included as part of the Member's submission. While there is no limit to the number of pages for the Pitch or Scripts, it is important to remember that the produced version of the Pitch or Script will only be three (3) to five (5) minutes in length.Who is Filmaka?Filmaka is a digital platform for aspiring filmmakers to showcase their talents, compete for opportunities, and build their careers globally. Filmaka currently partners with MarVista Entertainment in a pact to source new and diverse talent through an ongoing pitch forum aiming to aggregate original & unique story ideas. Filmaka’s partnerships also include Riverstone Pictures, with whom they hold a feature film funding pact for the winner of Filmaka’s Final Competition.Through the platforms numerous competitions and production budget prizes, Filmaka creates opportunities for filmmakers without traditional access into Hollywood. Films that are submitted to Filmaka are seen, judged, and selected by a jury of top tier professionals in the entertainment industry and by fellow Filmaka members. At Filmaka, aspiring filmmakers from across the world can connect, collaborate, and compete for a wide range of professional opportunities.I can't tell you how excited I am to bring this opportunity to the IFH Tribe.To submit just go to Filmaka.comIt has been a dream of mine to be able to give this kind of access to the tribe. I can't wait to see what you guys submit. Also the winner's pilots and series will be available to view on Indie Film Hustle TV.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The teasing is over. Here it is, I've written a book and not just any book but a book about the craziest and darkest time in my life. Read below to get the skinny on what I'm talking about.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves. As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself. The book will be released on Jan 31st, 2019 on Amazon and we will roll it out around the country soon after that. I plan to do a signing book tour with talks and possibly workshops around the US and then hopefully overseas as well.If you want to sign up for the Shooting for the Mob LAUNCH TEAM email at ifhsubmissions@gmail.com. As part of the launch team, you'll get access to me, we'll have a private Facebook Group and you can see how I market and release this book, which is similar to how you would release an indie film. For more info on the book go to:Shooting for the Mob - (Sign Up for Exclusive Videos and Content)I also want to give a big shoutout to my brotha-in-arms Dan Cregan for designing such an amazing cover. Thank you so much for your support. More to come!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever had writer's block? We all have at one point or another and it sucks! Today's guest, Matthew Kalil, has the cure. He has written a new book called The [easyazon_link identifier="1615932860" locale="US" tag="whatisbroke-20"]Three Wells of Screenwriting[/easyazon_link]. Working from a writer’s perspective, the book explores these Three Wells and helps you consciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.I had such a ball with Matthew that I had to make it a crossover episode with the Bulletproof Screenplay Podcast. Enjoy my conversation with Matthew Kalil.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Welcome to 2019 IFH Tribe! Last year was one hell of a ride for IFH. I shot a feature, On the Corner of Ego and Desire, which is coming out in the next few months. I launched the world's first streaming service dedicated to filmmakers and screenwriters Indie Film Hustle TV and I also wrote a book called Shooting for the Mob, more on that on the next episode. Needless to say, 2018 was a crazy year for me and the IFH Tribe.On today's episode, I discuss ideas and tactics to help you reach your goals in 2019. I also go over how goals without a plan are just wishes and how you can change that. I want 2019 to be that best year of your life. I hope this episode can help you start this year's journey off on the right foot. Ask yourself the questions,"How bad do you want it? What are you willing to do to make your dream come true?"Once you answer those questions for yourself then you can get down to the business of making your dream come true. Get ready for an inspirational kick in the butt. Happy New Year, now let's get to work!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Merry Christmas and Happy Holidays to everyone in the IFH Tribe and beyond. I wanted to do an episode on this subject for a long time."You are the average of the five people you spend most of your time with." - Jim RohnI wish I had someone to tell me this early on my filmmaking journey. In this episode, I go over what happened to me when I was starting out, how my friends affected me and my ability to move forward in my career and what happened to me when I moved to Los Angeles over a decade ago. I discuss how the people around you affect you on a personal, professional and even spiritual level.I really hope you find some value in this episode. Happy Holidays and keep on hustlin'.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

If you ever wanted to learn how to get your local town, group or community behind your indie film this is the show for you. Today's guest did just that, writer/director Josh Doke got his entire town of Goodland, Kansas to support his film through crowdfunding, production resources and finally distribution.Goodland was filmed in his hometown of about 4,000 people in Western Kansas and he included as many locals as he could in order to help bring the project to life. We used all practical locations, had vehicles, tractors, props, and costumes donated. He was able to buy a 1990 Crown Vic for $1 from a local car dealership who wanted to help out, and then he repainted it to be a cop car - complete with a donated light bar from the local sheriff's office. The City of Goodland shut down streets, turned electricity on in abandoned buildings, and pretty much gave him free rein over the town while he was in production.Off-screen, people donated meals, lodged cast, and crew, and in return, everyone was welcome to come on set and watch the filmmaking process if they wanted to.Then, when it came time to screen the film, he screened in the local, one-screen theater for two weeks and became the best-attended feature of 2017. Because of that Goodland was held over for an additional week - doing more business locally in our third week than Thor Ragnarok did in its entire run.These are just a few examples of how this film was able to come to life and eventually get distribution, have a small theatrical run, be released on Amazon, Spectrum, Xfinity, etc., get a streaming deal with a premium cable network, and have the DVD released in Walmart.This is an extremely inspiring story. Enjoy my conversation with Josh Doke!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show I have iPhone filmmaking master and TEDTalk Speaker Jason Van Genderen. I've wanted to have Jason on the podcast for a long time. He is a true inspiration to anyone who wants to pick up a camera and tell a story. He has made an industry out of professional shooting with iPhones for corporate clients, on commercials, music videos, and short films. Here's some more info on our guest.No script, storyboard or crew. No exposure to focus controls. A resolution of 640 x 480 pixels and a total memory of just 160MB. That was Jason’s unexpected entry into the global filmmaking stage back in 2008.‘Mankind is No Island’ went on to win numerous prestigious accolades at film festivals around the globe and was one of the very first exemplary​ films to champion a whole new emerging medium of iPhone filmmaking.With screenings and awards from Tropfest NY, Aspen Shortsfest, Palm Springs, San Francisco Short Film Festival, Edinburgh International Film Festival right through to Sundance London, Jason’s made mobile stories that matter, becoming an unexpected voice for marginalized or emerging storytellers. It’s the very reason he proudly labels himself a Filmbreaker.An equally passionate educator, Jason’s talks have inspired audiences from TEDx Newy to the Aspen Ideas Festival; from countless televisions, how appearances to keynote addresses at film schools and festivals. His masterclass workshops continue to inspire both beginners and seasoned professionals alike. Jason Van Genderen has also consulted and collaborated with some of the world’s largest imaging brands, from Sony and Nokia to Nikon and currently Apple Australia. This year he also commenced an on-air role presenting guest segments on Channel 7’s ‘Get Arty’ children show, and has recently consulted to 7 West Media Group on broadcast applications for smartphone technology.When your introduction to puberty is selling pet rocks and wearing a back brace, you'd have to hope that the ability to think creatively comes naturally. For Jason, his life of creative problem solving was seeded by 20 years hard labor in the advertising & design industry... before turning his hand to short films. His reputation for quick thinking under challenging circumstances saw him carve an early niche, being a four-time winner in the 24-hour in-camera film festival The Shoot Out.Always a custodian of content over craft, in 2008 he experimented with filming on his mobile phone, making a short with no script, storyboard, actors, narration or budget. 'Mankind is no Island' went on to win Tropfest NY and numerous other accolades globally, by breaking every rule in the book. His unorthodox approach to filtering story with low-tech simplicity has seen him in demand internationally as a presenter on pocket filmmaking.There are NO MORE EXCUSES ANYMORE. You can tell your story with what's in your pocket.Enjoy my conversation with Jason Van Genderen!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guests are Oscar® Nominated writer/director Paola di Florio & and producer Peter Rader. They worked on one of my favorite documentaries in recent years called AWAKE: The Life of Yogananda.The film is an unconventional biography about the Hindu Swami who brought yoga and meditation to the West in the 1920s. Paramahansa Yogananda authored the spiritual classic “Autobiography of a Yogi” which has sold millions of copies worldwide and is a go-to book for seekers, philosophers, and yoga enthusiasts today. (Apparently, it was the only book that Steve Jobs had on his iPad.) By personalizing his own quest for enlightenment and sharing his struggles along the path, Yogananda made ancient Vedic teachings accessible to a modern audience, attracting many followers and inspiring the millions who practice yoga today.The story of how they self-distributed the film from booking theaters to SVOD is remarkable. They did it all on their own and the film has been viewed by millions. I wanted to bring them on the show to discuss their methods for audience building, social media marketing, release stradigy and much more. If you want to the IFH Video Podcast version of this interview goto: IFHTV Video Podcast - Building an Audience for Your Indie Film with Paola di Florio & Peter RaderEnjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

First off thank you for all the support that the IFH Tribe has given to IFHTV. It has been overwelling and that's why I'm so busy acquiring​ and producing amazing new content for you every month.I'll be doing these posts one a month to tell you all about the new releases I have in store for you on Indie Film Hustle TV. I've been a busy beaver and December will have over 20 hours of new content for your streaming pleasure. Also, I'd like to announce IFHTV is now available on Apple TV, Roku and Amazon TV Apps. Just go to the platforms and do a search for "Indie Film Hustle TV" and our app will pop up.Let's get to it.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, it's that time of year again when filmmakers around the world get that dreaded rejection letter from the Sundance Film Festival. Below is my rejection email:RE:  On the Corner of Ego and DesireDear Alex,On behalf of the entire Programming team for the Sundance Film Festival, thank you for allowing us to consider your film for the 2019 edition of the Festival. Unfortunately, we were unable to include it in our program this year. Ultimately, we are forced to make many difficult decisions throughout our process, and we consider ourselves lucky to have the opportunity to view the latest work from the independent creative community.We received a record number of submissions this year (over 14,200), and the number of worthy projects submitted to us is far higher than the number of slots available in our Festival program. The level of quality displayed in the projects we receive is higher each and every year, so it is never an easy process. We wish you the best of luck with your film going forward and we are excited see more of your work in the future.Sincerely,John CooperDirector, Sundance Film FestivalDid you read that, 14,200 submissions? Getting into Sundance is a lottery ticket for sure but it isn't as important as it used to be. Here's what Mark Duplass wrote about it:Annual Sundance Film Festival rejection reminder: Sundance is awesome, but Sundance is not everything. So many incredible films don't make the cut. Don't let it get you down. If you believe in your film, keep pushing forward. There are so many new ways to get it there. Good luck! - Mark DuplassMy indie films have played in over 500 international film festival around the world and it has been a great experience and I've even been in a few big festivals like Raindance and Cinequest. I've also been rejected by EVERY major film festival in the world. SXSW, Berlin, Cannes, Toronto, AFI and the list goes on.Film festivals are great. I loved them so much my recent film, which got that Sundance rejection email,  On the Corner of Ego and Desire, was a love letter to film festivals, Sundance and Independent filmmakers everywhere.You have to understand that film festivals are not the only way to get your films out there anymore. Sure, getting into Sundance would be AMAZING but alas it wasn't meant to be and you know what...it's OK. This should stop you from moving forward on your filmmaking journey. Festivals are run by people with tastes and opinions. Those tastes might not be in line with your tastes and that's OK.Maybe you made an amazing film but there were three other films about the same subject so they had to flip a coin. I decided to make this episode as a therapy session for any filmmaker who has been rejected from Sundance or any film festivals.I hope it helps. KEEP ON HUSTLIN' NO MATTER WHAT! Keep that dream ALIVE.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is returning champion writer/director Diane Bell. Diane and I go way back. I had the pleasure of working on her first feature film OBSELIDIA, which won two awards at Sundance. The film makes it's IFHTV Premiere this week. Here's a bit about Diane.Diane Bell is a screenwriter and director. Made for less than $150k, her first feature film, OBSELIDIA, premiered in Dramatic Competition at Sundance and won two awards. The film went on to win further awards at festivals around the world, and to be nominated for two prestigious Independent Spirit Awards. Her second film, BLEEDING HEART, a drama starring Jessica Biel and Zosia Mamet, premiered at the Tribeca Film Festival and is widely available. She is currently in post on her third feature, OF DUST AND BONES.She has written numerous commissioned and optioned scripts, including two with renowned director John McTiernan (the director of Die Hard and The Hunt for Red October). In addition to writing and directing films, Diane with her producing partner Chris Byrne is a founder of the Rebel Heart Film Workshop program, in which she teaches step by step how to make a standout indie film. She also teaches at Denver's Lighthouse Writer's Workshop. She is passionate about sharing her knowledge and honest experiences of filmmaking so that up and coming filmmakers can make better movies and create sustainable careers.“The biggest advice I can give you for your shoot, if you want to make a standout film, is to be fully present in the moment when you are filming.” – Diane BellIn her quest to help filmmakers follow their dreams she has written a new book called Shooting From the Heart: Successful Filmmaking from a Sundance Rebel.If you dream of making a movie but don't know where to start or you're afraid that your film will end up being yet another unseen indie, this is the book for you. Based on the real-life experiences of Sundance award-winning screenwriter/director Diane Bell, SHOOT FROM THE HEART will guide you through the process of making an indie film successfully ― from writing a stand-out script to raising finance, from getting the most out of your shoot to planning a profitable release.Broken down into sixteen essential steps, this book provides you with a clear, actionable, real-world plan for turning your filmmaking dream into your reality. The method in this book is available to anyone, anywhere. You don't need a ton of money or industry connections, you just need to be willing to do the work of each step.In this book, you'll find ass-kicking inspiration and motivational tips for the long journey filmmaking is, as well as the practical knowledge and insider's information you need to make it happen. SHOOT FROM THE HEART will empower you to trust your creative instincts and leave you with no excuses for not making the best film you can. This guide is the only one you need if you seriously want to stop talking about making movies and actually make a great one. At the end of each chapter, Diane provides a thoughtful reminder to her readers:“Be grateful for the journey you are on.”We discuss her Sundance experience, her horrible Hollywood experience after Sundance and so much more. Enjoy my inspirational conversation with Diane Bell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is actor/writer/director James Morosini. His film Threesomething is a micro-budget film that he jumped off a cliff to make. With this being his first feature film as a director he definitely had some misadventures. In this interview,​ we go into the details of his journey making and distributing his film. We also discuss how he made a clip from the film go viral on YouTube. Zoe, Charlie, and Isaac spend a night flirting with the idea of a threesome... until it finally happens and all hell breaks loose. While two fall deeply in love, two test their sexual limits. They each discover fantasies they never thought they had and try things they never thought they would. This sexy comedy will make you squirm with its hilarious awkwardness and challenge your ideas of sex, love, and friendship.In the show notes James wrote an amazing article detailing his misadventures so when you are do listen to the interview the article is required reading.Enjoy my conversation with James Morosini.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is returning champion Brad Olsen, director of the documentary Off the Tracks. This time we discuss his misadventure in distribution. After meeting over 40 traditional distributors Brad decided the best path for his film was self-distribution​. I've always said that self-distribution​ is not for everyone but with Off the Tracks it makes perfect sense. We discuss how he got the word out of his film, got in the press that was in his niche and how he engaged with the audience he was trying to reach. We talk numbers, success, ​and failures. It's a pretty eye-opening interview. So if you are thinking of self-distributing​g your indie film take a listen to this episode first. Enjoy my conversation with Brad Olsen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Black Friday week is finally here. I wanted to do something special for the IFH Tribe this week so I decided to create a special sale for you guys. Between Today and Cyber Monday, if you sign up for Indie Film Hustle TV receive another FREE MONTH to give to someone else at no additional charge.All you need to do is sign up for IFHTV and we'll email you a nice e-gift card you can give to your friend, colleague, family or anyone you like.Head over to Indie Film Hustle TV and sign up. We have a TON of new feature films, docs, courses, and interviews. I'll be releasing a December IFHTV Update soon with all the new content we have planned for you. Happy Black Friday week and Turkey Day! This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is Brad Olsen, director of the documentary Off the Tracks. If you don't know the story about the major debacle that was the release of Apple's Final Cut Pro X get ready to jump into the deep end of editing lore. In 2011 Apple ended Final Cut Pro as we knew it and started over with a brand new video editing application: Final Cut Pro X. The disruption from this change is still being felt by the film, television, and video industries to this day. With misinformation running amok, Off The Tracks aims to clear the air once and for all. Industry insiders discuss Apple's controversial decision to redesign the video editing application Final Cut Pro.This documentary explores why the release of Final Cut Pro X upset video editors and how the software is being used today. Off the Tracks features exclusive interviews with the creative professionals who use the software and the developers who created it. Why did Apple make Final Cut Pro X?I love this documentary about Final Cut Pro X so much I had to have it on Indie Film Hustle TV. Brad not only loved the idea but he also agreed to jump on the show to discuss why he decided to make a doc about a piece of editing software. He's laughing all the way to the bank.Enjoy my conversation with Brad Olsen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

So many members of the IFH Tribe always ask me on what my daily routine looks like. I decided to not only share my daily routine but also give you tips on how to create your own daily routine. I found that once I created this routine my life started to change. I wanted to share with you what I do every day to make Indie Film Hustle and IFHTV going and growing.4:30 am - Wake up and get ready for the day4:45 am - Drink my protein shake and drink water5:00 am - Hit the Gym for 1-2 hours of working out (most days just one hour)6:30 am - 8:00 am: Help my wife with the morning routine8:00 am - 6:00 pm: Start my IFH dayAnswer EmailsPrep for interviewsInterviewsWrite BlogsCreate IFHTV ContentSocial Media MarketingWithin the day I set aside 2 hours for meditation (extremely important)6:00 pm - 8:00 pm: Family Time8:00 pm - 9:30 pm: TV and Wife Time9:40 pm - SleepTip: I drink over a gallon of water a day. This helps with so many things I can't even tell you.In this episode, I go into great detail on my routine and give you a bunch of tips on how to create a daily routine to help you achieve your dreams.Thanks again for all the support and happy streaming!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have an author, filmmaker and screenwriter Willaim Dickerson. William is the author of the book DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter).William Dickerson is an award-winning screenwriter, director, and author, whose debut feature film, Detour, was released theatrically and On-Demand worldwide. He has a Master of Fine Arts from the American Film Institute and teaches Directing at the New York Film Academy.William and I had a great conversation on how he put together his micro-budget feature. We go deep into the process so get ready to take notes.Enjoy my conversation with Willaim Dickerson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today is the day. IFHTV is LIVE! Go check it out at www.indiefilmhustle.tv. It's taken me months getting this ready for you and I hope you love it as much as I do. It has been a dream of mine to have a place where filmmakers, screenwriters and content creators could go to get their "fix" of filmmaking behind the scenes, interviews, documentaries, online education, and feature films. This has truly been a labor of love. Here's what you can expect from Indie Film Hustle TV.IFHTV will be the world's first Netflix meets Masterclass style streaming services dedicated to filmmakers, screenwriters and content creators. Thousands of videos to help you on your filmmaking and screenwriting journey. IFHTV is available worldwide and will be accessible on over 1000 devices including, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player. Coming soon iOS devices and Android devices Apps.So what are you waiting for? Head over to www.ifhtv.com, kick the tires and let me know what you think. Please send feedback to ifhsubmission@gmail.com. I really want to make IFHTV the best it can be and I need your feedback.Price is $10.99/month or $120.00/year. After Feb 1st it goes up to the normal price of $13.99/mth and $150/yr so if you are interested sign up now to get that limited time price for the life of your subscription. Go to www.ifhtv.com.Thanks again for all the support and happy streaming!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion Linda Nelson from Indie Rights. I wanted to bring Linda back to discuss how much the distribution game has changed in the three years since she was last on the show. We also discuss the American Film Market and how to work it properly.Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies.  They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide.Known for innovation.  SHIFTED, their first digital feature,  was the first movie on Amazon's UnBox (the predecessor of Amazon Video)  and was used by Amazon to promote their platform for over five years.  DELIVERED was the first independent feature to edit and master a 4K movie using Adobe CS5.   Articles in Variety, HDVideoPro and an Adobe Success Story followed. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with.Linda Nelson began her career as an international investment banker, IT executive an entertainment real estate developer.  After meeting Michael Madison, she pivoted into the movie business finally realizing her artistic potential.   As an Executive Producer on NSYNC, she quickly realized that she was interested in being more "hands-on" and was the DP for her next film, SHIFTED.  As a Producer on DELIVERED, she was finally able to gain experience in all aspects of the financing, development, production and distribution phases of moviemaking.I can't recommend Indie Rights highly enough. If you have a feature film that needs distribution do yourself a favor and check them out. Enjoy my eye-opening conversation with Linda Nelson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Are movie theaters dead? Every summer there is a barrage of articles announcing the death of the movie theater experience. Those articles state the new generation is not interested in going to the movies anymore, that they stream everything.This kind of rhetoric has been spouted off since television was invented. Then it was VHS, then DVDs and not streaming. Movie theaters have always been able to find a happy home and compliment the new movie screening technology of the day. Today on the show we have Phil Contrino from N.A.T.O,  the National Association of  Theatre Owners. Phil and I discuss the movie-going experience. What theaters are doing right and where they can improve. We also discuss what place indie films have in the modern day movie theater experience.I've always had a ​love for the movies. It's like a church for me. Whenever I've been in a tough place in my life I go to the movies to escape, think and see what comes to me. It's almost meditative. I truly hope they'll always be a form of the communal movie going experience and I have a feeling there will be.​ Enjoy my conversation with Phil Contrino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

For years now I've been preaching how filmmakers need to create ancillary products for their indie films. (listen to this episode for more on that.) Today's guest has done an amazing job at doing just that. Drew Marvick is the writer/director of the 80's style horror indie film Pool Party Massacre.Drew not only made his film, which took over a year to complete, but decided to target his core audience and sell amazing assortments​​ of products based on his film. The audience ate it up. Drew and I break down how he came up with his marketing plan, how he sources his classic VHSs, where he had that killer poster made, his sales numbers and how the hell he had an action figured made for a low budget horror film. BTW, check out the amazing artwork he had designed for Pool Party Massacre.Enjoy my eye-opening conversation with Drew Marvick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I've ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well.Enjoy my conversation with Natalia Leite.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have documentarian, Susan Kucera. Here new film Living in the Future's Past stars Academy Award® winner Jeff Bridges.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The wait is over! This is what I've been working on for months. May I introduce you to IFHTV (Indie Film Hustle TV), the world's first streaming service dedicated to filmmakers, screenwriters, creatives and content creators.I wanted to create a place where film creatives and storytellers could be informed and inspired, no matter where you lived in the world. When I was younger I would hunt for any content on filmmaking, behind the scenes, screenwriting, etc. Combing through DVDs, Laserdiscs and even VHS.IFHTV is the natural evolution of Indie Film Hustle. My mission is to help as many creatives, filmmakers and screenwriters on their artist path. I hope to grow the platform into a Netflix-style place for people to learn and be inspired.IFHTV will not only be an educational platform but it will also stream content covering the film business, acting, filmmaking, post-production, screenwriting, storytelling:Feature FilmsDocumentariesSeriesDocumentary FilmmakingSocial Media and MarketingDistributionCinematographyFilm HistoryExclusive InterviewsExclusive IFHTV Original Content and ShowsInspirational Films as wellIFHTV will launch worldwide November 1, 2018. It will be accessible on over 1000 devices including iOS devices, Android devices, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player.The launch special will be $10.99 for 90 days. On Feb 1, 20,19 the price will go to $13.99. Take a listen to this episode to get all the low down on what I'm doing with IFHTV, including content, films, and documentaries we'll be launch with. Thanks for your support and I really hope you love IFHTV as much as I do.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Have you ever been in a job you hate? Would you leave a stable job to follow your dream? Meet producer, director and actor Drew Waters. He did just that. Drew became an entrepreneur with three retail businesses and a commercial/residential construction company with partners. One day he woke up at the age of 30 and realized I wasn't fulfilled with what he was doing, so he thought back to the moment he was the happiest.That moment turned out to be a time, nearly ten years earlier when he was in Japan and was shooting a commercial. That realization led him to the decision to pursue a career in the entertainment industry.The next week he sold the companies to his partner and started acting/directing /producing. His first film was a D horror movie made for $3,500 That sold and was followed up by another D horror film that was made for $1,500.From there he made a 30k film in 10 days that sold to a distributor for a 50k MG.  Now after 14 years, 60+ acting credits, 7 produced films later and working with some of the best people in the business, he opened his own production company Argentum Entertainment. Together with his producing partner, he created, directed, produced his first $2m film called New Life. Following a limited theatrical release, it now has worldwide distribution and is selling well.I wanted to have Drew on to tell his story of how to follow your dream no matter what. He took a gambled and it paid off.Enjoy my inspirational conversation with Drew Waters.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

LET'S GET READY TO RUMBLE, self-distribution vs traditional distribution!!! I wanted to finally create an HONEST resource for indie filmmakers to learn the TRUTH about both forms of distributing their films.I get into the weeds on this one and talk about my experience self-distributing my film, This is Meg, what my experience was working with multiple domestic and international distribution companies and give examples on how and why self-distribution is a great path just not for every film.It's a knowledge bomb packed episode so get ready to take some notes. Knowledge is power. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have returning champion producer Suzanne Lyons. Suzanne was one of my first guests (IFH 015) on the podcast. Her episodes are some of my most downloaded episodes so I had to have her back on to talk shop.Suzanne will go over a ton of information on how to produce an indie feature film. She covers:The dos and don'ts of Low Budget FilmmakingWhat is Soft Prep?ContractsWorking with unionsThe hell of deliverablesand much moreWe also discuss Suzanne's new course Indie Film Producing Masterclass:Here's some info on the Indie Film Producing Masterclass:Have you ever wondered what it really takes to produce an independent film? How raise money, dealing with contracts, SAG agreements and putting together sales presentations for investors? Then this masterclass is for you.Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong? Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you.In this Mastermind workshop, you’ll learn from her experience and benefit from her success. Suzanne will take you through a structured crystal, clear step by step process that will actually make low budget filmmaking easy and fun!This workshop is unique in that it will literally guide you through the entire process of making your film. From her own hands-on experience, she will be addressing every detailed facet of filmmaking.“Suzanne has that rare ability to combine artistic creativity and smart business sense… she’s proven that by taking a SAG ultra-low budget and somehow squeezing out a quality film that looks like it cost a million!” Academy Award® Winner Mark L. Smith, Writer/Director “Séance” Writer, “The Revenant”“Suzanne is brilliant… take her workshop and put her suggestions to work and you’ll be amazed at the extraordinary results you’ll produce.” Ross Grayson Bell, Producer “Fight Club”From option a screenplay, development, designing your business plan, opening your film company, hiring your line producer and director. Finessing your budget, schedule and film timeline. Being smart about contracts and paperwork. Casting and working with actors. The details of pre, principle, and post, choosing your sales agent, preparing for film delivery and festivals, and so so so much more.You'll also get a BONUS PACK of the real world used contracts, agreements and business plans word and PDF worth over thousands.Enjoy my conversation with producer Suzanne Lyons.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

As promised today's guest is Jamie Adams, the writer/director of the new film Alright Now starring (Cobie Smulders, “How I Met Your Mother, Avengers”) You can listen to her interview here. I wanted to chat with Jamie because he has made a career of shooting feature films fast, cheap and completely improv.As you all know I shot my first two features, This is Meg and On the Corner of Ego and Desire, using the same style and techniques. They're not a ton of film directors shooting features films like this, let alone films with major movie stars in them, so I had to have him on to discuss his process.in this interview Jamie breaks down:- How he was able to cast Cobie Smulders- What his process is when writing the scriptment- How he works with actors- How he covers a scene and much moreHere's a bit about the film:ALRIGHT NOW follows Joanne (Cobie Smulders, “How I Met Your Mother, Avengers”) a rock musician who drunkenly enrolls in college after she breaks up with her boyfriend and her band falls apart. Convinced she will give the youngsters a run for their money, Joanne is shocked to discover that no one knows who she is and they could care less about her rock star past. Completely improvised and Directed by Jamie Adams (Black Mountain Poets), ALRIGHT NOW is a feel-good comedy about love, life and the search for new beginnings.Enjoy my conversation with writer/director Jamie Adams.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest is actress Cobie Smulders. You may recognize Cobie from blockbuster films like The Avengers, The Avengers: Age of Ultron, Captain America: Winter Soldier and Jack Reacher: Never Go Back. She'll also be in the new Spidey film Spider-Man: Far from Home. I've been a fan of Cobie's for a while now. Her ability to jump from mega-blockbuster to ultra-low budget indie film has always fascinated me.One of the main reasons I wanted to chat with Cobie was to discuss her new film Alright Now. What makes her new film unique is that it was shot 100% Improv-style, just like I shot my film This is Meg and On the Corner of Ego and Desire. I wanted to see why an actress used to shooting big studio tentpoles would be attracted to making a low budget improv indie in the UK. What was her experience being out there acting with no net. Also what it was like working with Jamie Adams (who will be a guest in the show soon), the writer/director of Alright Now. Here's a bit about the film:ALRIGHT NOW follows Joanne (Cobie Smulders, “How I Met Your Mother, Avengers”) a rock musician who drunkenly enrolls in college after she breaks up with her boyfriend and her band falls apart. Convinced she will give the youngsters a run for their money, Joanne is shocked to discover that no one knows who she is and they could care less about her rock star past. Completely improvised and Directed by Jamie Adams (Black Mountain Poets), ALRIGHT NOW is a feel-good comedy about love, life and the search for new beginnings.Enjoy my conversation with actress Cobie Smulders.Alright Now is out Sept 9th on VOD from Gravitas Ventures. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

On today's episode, I go over my top ten books that ROCKED my world! I get asked all the time what are a few books I could recommend. So I decided to just put a list together of these books. The books on the list have transformed me into the person I am today.  They have opened my mind, showed me new ideas, changed the way I thought about life and most importantly shook the foundations of my existence. Enjoy and may you find value in this list, my friends. Now get to reading!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today's guest gough, from Berrnuts Productions, really doesn't let anything get in his way. When the rest of us are making excuses on why we can't do this or that this legally BLIND director is making films he wants to make. You heard correctly, gough is legally blind and yet he's a prolific film director running a production company, with employees I might add, and doing it his way. He has shot 14 short films and 1 feature film.He's a true inspiration to any filmmaker out there who says they can't do it. When you listen to his story you will see what an amazing journey he has had to get to this point.Here's a bit on gough and his company:Beernuts Productions is Australia’s most exciting and innovative production company. Founded by gough in 2006, Beernuts Productions has set out to prove itself as a prolific producer of contemporary, cutting-edge and award-winning cinema, television, downloads and books with a wide range of topics and projects to be undertaken.“I Will Not Go Quietly” was Beernuts Productions first feature film project, a documentary discussing the important topics of mental health and disability. gough is the first legally blind person to write, produce, edit, direct and star in a feature filmmaking this project a world first. Since then gough has gone on to write, produce and direct many other projects, including a number of films, audio downloads, and books. Beernuts Productions has worked with some of Australia’s finest actors, artists, and production crew, helping make all content on the Beernuts Productions website world class.Beernuts Productions also has numerous other projects in development and prides itself on its diversity and challenging range of topics and projects were undertaken, clearly demonstrating Beernuts Productions skills, fortitude and determination to entertain no matter the genre.Enjoy my inspirational conversation with filmmaker gough.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Well, I finally have news for all of you IFH Tribe members who have been asking what the heck is going on with On the Corner of Ego and Desire. Our film has been accepted to the Raindance Film Festival in London, England. It will be the UK Premiere of Ego and Desire. Raindance is the largest and most prestigious film festival in all of the United Kingdom and we can't be more excited to be a part of it.I wanted to do this quick bonus episode for the IFH Tribe to show you all that dreams do come true. You can do it. You have to follow your dreams if not why are we here?This is the first stop of hopefully many for On the Corner of Ego and Desire. Congratulations to the entire cast and crew. More updates to come soon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today episode is a CROSSOVER between the IFH Podcast and the Bulletproof Screenplay Podcast. I do this every 6-8 weeks when I find a guest that would be great on both podcasts. On this episode, we have Michael Tucker from Lessons from the Screenplay. LFTS is a YouTube channel that analyzes movie scripts to examine exactly how and why they are so good at telling their stories.I’ve become a HUGE fan of what Micahel is doing and wanted to have him on the show to drop some knowledge bombs on both tribes!Enjoy my conversation with Michael Tucker from Lessons from the Screenplay.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

Today on the show we have an OG in the online filmmaking education space, Griffin Hammond. I've followed Griffin for years and was so excited to sit down and talk shop with him. Griffin Hammond is a documentary filmmaker in New York City, known for producing DIY filmmaking tutorials for indie filmmakers, and his award-winning documentary Sriracha. We discuss how he made over $90,000 with a documentary short film.In 2014, Griffin moved from Bloomington, Illinois to New York City to cover the U.S. presidential election for the Bloomberg Television/MSNBC show With All Due Respect.The University of Southern California and the U.S. State Department named Griffin a Film Envoy for the 2017 American Film Showcase—a cultural diplomacy program that sends independent filmmakers around the world to teach.Previously, he worked for YouTube Next Lab, as executive producer of the YouTube channel Indy Mogul, and started his career as a video producer and social media strategist at State Farm Insurance.Griffin Hammond studied film at New York University, earned a Masters in Communication from Illinois State University, taught video production at Millikin University, and produced an online course—Shooting Documentary Short Films.Enjoy my conversation with Griffin Hammond.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement