Today on the show we have entrepreneur and filmmaker Michael D. Ratner.Michael founded OBB Pictures in 2016 and under his leadership the company has grown into OBB Media, an award winning production company and studio with divisions in film, TV, digital, podcasts, branded content, and social good.In addition to running OBB and expanding the business, Ratner continues to act as a multi-hyphenate leading creative on OBB’s marquee projects. Ratner recently directed and executive produced the Amazon Studios Justin Bieber: Our World film.Enjoy my inspiring conversation with Michael D. Ratner.

Adam Schomer is a conscious filmmaker, president of i2i Productions and is known for going to extreme lengths to follow stories that empower us. Feature documentaries include THE HIGHEST PASS (2012), THE POLYGON (2014), ONE LITTLE PILL (2015). WOMEN OF THE WHITE BUFFALO (2022) and the #1 iTunes Best-Seller and NETFLIX hit, HEAL (2017).His recent docuseries is a heart pounding and spirit driven quest to find freedom on motorcycles in the Himalayas, THE ROAD TO DHARMA (2020) and its companion online course for Living a Life of Freedom. In addition to making films, he has been a documentary distribution consultant for select films including CHASING THE PRESENT and produced their online summit as well as the online summits for FANTASTIC FUNGI and HEAL.Adam is also a certified Master Sattva Yoga and Meditation Teacher, and really Adam has this history of using pilgrimage and life’s adventures to reveal deeper truths. His company i2i Productions mission is to Unite Through Wisdom and Entertainment.Please enjoy my conversation with Adam Schomer.

As filmmakers we all have challenges to make our films. Today's guest had to deal with obstacles that most of us would never have to. We have on the show filmmaker Tzvi Friedman and he has on heck of a story to tell.Tzvi is a writer and director based in NYC. He was born and raised in an ultra-religious community where almost all cinema was contraband. Growing up he secretly watched countless movies under his covers and sneaking off to the cinemas.At 18 he started making films, becoming a social outcast, but that didn't stop him.He has since directed multiple short films. At 21 he crowdfunded $10,000 dollars and made his first feature Man.Tortured by his inability to feel emotional or physical pain, a man finds murder to be his only respite - until he meets a lonely woman whose compassion awakens something inside.After he finished shooting the film, by some miracle, veteran producer Cary Woods (Swingers, Scream, Godzilla, and Rudy) discovered his film and jumped on as an executive producer to help Tzvi finish the film.Enjoy my inspirational conversation with Tzvi Friedman.

Matt Stawski is a Grammy-nominated filmmaker and director of Nickelodeon’s Blue’s Big City Adventure, an original feature-length Blue’s Clues & You! movie, premiering Nov. 18 exclusively on Paramount+. Marking Stawski’s first feature film, Blue’s Big City Adventure is a sing-and-dance-along musical spectacular for the whole family, featuring all-new songs and choreography with the show’s beloved hosts–Josh (Josh Dela Cruz), Steve (Steve Burns) and Joe (Donovan Patton)—and fan-favorite animated characters. The movie also features BD Wong, Ali Stroker, Taboo, Alex Winter, Phillipa Soo, and Steven Pasquale's special star appearances.On A trip to New York City, Josh and Blue get help from Steve and Joe, but a greedy man plots to make the Big Apple his own and he hasn't learned to share, With Blue on the trail, She must go on an adventure and save her friends and NYC before it's too late.Born and raised in Detroit, Mich., Stawski began his career “borrowing” truckloads of gear from his local TV station and filming punk bands with his friends. After attending Columbia College Chicago, he immediately moved to Los Angeles, where he began directing music videos full-time. From 2006-2019, he directed videos for a wide array of artists, including CeeLo Green’s epic video “F**K You,” which garnered Stawski a Grammy Award nomination; “Hey, Soul Sister” for Train, as well as Fall Out Boy, The Wanted, Ne-Yo, Paramore, Fifth Harmony, Snoop Dogg and more. During that time, Stawski also began working in television, filming pilots for Awesomeness and Nickelodeon.Stawski is currently in development on an original horror film titled Monster Mash with Universal Pictures. In his free time, he gets lost in the Sierra mountains, practices close-up magic, and hosts a secret horror movie drive-in at an undisclosed location.Enjoy my conversation with Matt Stawski.

Terrence Martin is known for his films Holes (2003), Get Away If You Can (2022) and The Donner Party (2009).His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.Enjoy my conversation with Terrence Martin.

Chad Archibald and Cody Calahan are Canadian film directors and producers known for their work in the horror genre. They have collaborated on several projects together, often through their production company, Black Fawn Films.Chad Archibald and Cody Calahan co-founded Black Fawn Films in 2007 with a focus on creating independent horror films. They have since produced and directed numerous feature films, gaining recognition in the Canadian horror scene.Some of their notable collaborations include: "Antisocial" (2013), "The Drownsman" (2014, "Bite" (2015), "Let Her Out" (2016), and "The Heretics" (2017).Chad Archibald and Cody Calahan have established themselves as prominent figures in the Canadian horror film industry, known for their unique storytelling and visually striking movies.

Klaus Badelt is a renowned German composer and music producer, celebrated for his extraordinary contributions to film scores and soundtracks. Born on June 12, 1967, in Frankfurt, Germany, Badelt's exceptional talent for music was evident from a young age.With an extensive background in classical training and a deep appreciation for various musical genres, Badelt's unique ability to fuse different styles allowed him to craft captivating and emotive compositions. His versatility enabled him to excel in multiple film genres, from epic adventures to intense dramas, leaving an indelible mark on Hollywood's cinematic landscape.Badelt gained global recognition for his work on the film "Pirates of the Caribbean: The Curse of the Black Pearl" (2003), where his evocative score, particularly the iconic theme "He's a Pirate," became an instant classic and remains a cherished part of film music history.This accomplishment solidified his status as one of the industry's leading composers.Throughout his illustrious career, Badelt collaborated with esteemed filmmakers, including Ridley Scott, Wolfgang Petersen, and Jerry Bruckheimer, earning critical acclaim for his exceptional artistry and ability to elevate storytelling through music.Beyond his film work, Klaus Badelt has also composed for video games, television shows, and concert performances, displaying his passion for creating immersive musical experiences in various mediums. With a diverse and impressive body of work, Badelt's influence on contemporary film scoring remains profound, inspiring aspiring musicians and leaving an enduring legacy in the world of music for screen and stage.

Scott Copper (Director, Screenwriter, Producer) made his feature film directorial debut in 2009 with Fox Searchlight’s Oscar-winning CRAZY HEART, which he also wrote and produced. The film, which starred Jeff Bridges, Maggie Gyllenhaal, Colin Farrell and Robert Duvall, earned three Academy Award nominations, winning for Best Actor (Bridges) and Best Original Song (T Bone Burnett and Ryan Bingham). Cooper won an Independent Spirit Award for Best First Feature and earned WGA, USC Scripter and Independent Spirit Award nominations, for his screenplay.Cooper’s follow-up was the Leonardo DiCaprio/Ridley Scott-produced OUT OF THE FURNACE, starring Christian Bale, Woody Harrelson, Casey Affleck, Zoë Saldana, Forest Whitaker and Sam Shepard. For his work as writer, director and producer, Cooper won the Best Debut and Second Film Award at the 2013 Rome Film Festival, where he was also nominated for a Golden Marc’Aurelio Award. Next was Cooper’s 2015 Warner Bros. gangster film BLACK MASS, which Cooper both directed and produced and which made its worldwide debut at the Venice International Film Festival.The box-office hit garnered wins from critics associations across the country, and earned lead actor Johnny Depp the Desert Palm Achievement Award at the Palm Springs International Film Festival, as well as a Best Actor nomination from the Screen Actors Guild. In 2017, Cooper’s western epic HOSTILES debuted at both the Telluride Film Festival and Toronto International Film Festivals, earning widespread critical acclaim. The film reunited Cooper with his OUT OF THE FURNACE star Christian Bale and featured performances from Rosamund Pike, Wes Studi, Jesse Plemons, Rory Cochrane and Ben Foster. Cooper followed this up with ANTLERS, an exploration of yet another genre in the Guillermo Del Toro-produced horror film. Searchlight released the film to acclaim in October 2021.Most recently, Cooper re-teamed for the third time with Bale on THE PALE BLUE EYE, an adaptation of Louis Bayard’s novel of the same name. The film tells the story of a series of murders at the United States Military Academy at West Point in 1830 and a cadet the world would later come to know as Edgar Allan Poe. Robert Duvall, Gillian Anderson, Timothy Spall, Toby Jones and Harry Melling round out the cast. The Netflix film will debut in Fall of 2022. Born in Virginia, Cooper now resides in Los Angeles.Please enjoy my conversation with Scott Copper.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Marc Forster is a German-born filmmaker and screenwriter. He is best known for directing the films Monster's Ball (2001), Finding Neverland (2004), Stay (2005), Stranger than Fiction (2006), The Kite Runner (2007), Quantum of Solace (2008), and World War Z (2013).His breakthrough film was Monster's Ball (2001), in which he directed Halle Berry in her Academy Award-winning performance; the film also starred Billy Bob Thornton, Heath Ledger, and Peter Boyle. His next film, Finding Neverland (2004), was based on the life of author J.M. Barrie.The film was nominated for five Golden Globe Awards and seven Academy Awards, including Best Picture and Best Actor for Johnny Depp.Forster also directed the twenty-second James Bond film, Quantum of Solace. In 2013 he directed the film adaptation of the novel World War Z, starring Brad Pitt.His latest film is the remarkable A Man Called Otto.Based on the # 1 New York Times bestseller “A Man Called Ove,” A Man Called Otto tells the story of Otto Anderson (Tom Hanks), a grump who no longer sees purpose in his life following the loss of his wife. Otto is ready to end it all, but his plans are interrupted when a lively young family moves in next door, and he meets his match in quick-witted Marisol. She challenges him to see life differently, leading to an unlikely friendship that turns his world around. A heartwarming and funny story about love, loss, and life, A Man Called Otto shows that family can sometimes be found in the most unexpected places. A Man Called Otto stars Tom Hanks (Philadelphia, Forrest Gump, Cast Away), Mariana Treviño (Club the Cuervos), Rachel Keller (Fargo) and Manuel Garcia-Rulfo (The Magnificent Seven). The screenplay is written by Academy Award® nominee David Magee (Best Adapted Screenplay, Life of Pi, 2012; Best Adapted Screenplay, Finding Neverland, 2004) based upon the best-selling novel “A Man Called Ove” by Fredrik Backman, and the film A Man Called Ove by Hannes Holm. The film is being produced by Fredrik Wikström Nicastro, Rita Wilson, Tom Hanks, and Gary Goetzman.Enjoy my conversation with Marc Forster.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Michael Damian is an award-winning actor, singer, director, writer, and producer. He first gained recognition for his 18-year run in the role of rock star Danny Romalotti on the #1-rated daytime television drama, THE YOUNG AND THE RESTLESS. On the stage front, Damian starred as “Joseph” in the Broadway production of the Andrew Lloyd Webber/Tim Rice musical JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, which broke box office records in both Los Angeles and on Broadway and earned Damian a Grammy nomination.In addition to his Broadway career, Damian has released five albums and has had eight Top 40 hits, including the smash single “Rock On,” which shot up the Billboard music charts landing at #1 and garnering Damian two gold records.Damian won the BMI Song-writing Award for his hit single, “Was It Nothing at All,” and has also written and produced songs for the soundtracks of A PRINCESS FOR CHRISTMAS, FLICKA 2, FLICKA: COUNTRY PRIDE, MARLEY & ME: THE PUPPY YEARS and SWEETER SIDE OF LIFE. Damian has also enjoyed a prolific career behind the camera and has co-written/directed/produced 15 films and television movies.He is a filmmaking partner with his wife Janeen Damian and most recently co-wrote, directed and produced Hallmark’s #1 movie of the year for 2020, CHRISTMAS WALTZ. Some of his other recent credits include the feature film HIGH STRUNG FREE DANCE and its predecessor, HIGH STRUNG, Lionsgate’s holiday romantic comedy, A PRINCESS FOR CHRISTMAS, which starred Sir Roger Moore and Sam Heughan (Outlander) and launched Hallmark’s smash hit Princess Christmas franchise.Janeen Damian is an American writer, director, and producer of film and television. Together with her husband, Michael Damian she has made 15 feature films and TV movies. This year she co-wrote and produced the #1 add-supported cable movie of the year for 2020, CHRISTMAS WALTZ. She also co-wrote and produced the award- winning feature films HIGH STRUNG and HIGH STRUNG FREE DANCE which were released theatrically worldwide and distributed by Sony and Disney. Ms. Damian also co-wrote and produced A PRINCESS FOR CHRISTMAS starring Sam Heughan and Sir Roger Moore and distributed by Lionsgate and received Hallmark’s highest ratings for the year launching their original Christmas Princess franchise. The Damians went on to co-write A ROYAL CHRISTMAS and A CROWN FOR CHRISTMAS.All three films air annually on Hallmark’s power rotation with continued high ratings.Some of Ms. Damian’s other Filmmaking credits include 20th Century Fox’s MARLEY & ME THE PUPPY YEARS and the popular reboot of the Flicka franchise, FLICKA 2 and FLICKA COUNTRY PRIDE starring Clint Black and MOONDANCE ALEXANDER, which starred Don Johnson and garnered Ms. Damian best screenplay honors at L.A. Femme Film Festival.She also co-wrote and produced THE SWEETER SIDE OF LIFE, starring Katherine Morris and James Best. LOVE BY DESIGN starring Jane Seymour and David Oakes, and the award-winning independent feature film HOT TAMALE starring Jason Priestly and Randy Spelling. She co-directed the TV Pilot RED EYE for France’s #1 television broadcaster, TF1. She also co-directed the award-winning film FINDERS KEEPERS starring James Best.The Damians went on to co-write A CROWN FOR CHRISTMAS and A ROYAL CHRISTMAS. Damian also directed three films for 20th Century Fox: FLICKA 2, MARLEY & ME: THE PUPPY YEARS (which he also wrote), and FLICKA: COUNTRY PRIDE starring Clint Black.He directed, wrote, and produced the feature film MOONDANCE ALEXANDER, which was also released by 20th Century Fox, and romantic comedies SWEETER SIDE OF LIFE and LOVE BY DESIGN. Damian also co-wrote, directed, and produced the indie crime comedy HOT TAMALE and co-wrote and co-directed the television pilot Red Eye for France’s TF1 network, which he also starred in.Falling for Christmas is about a young, newly engaged heiress who has a skiing accident the days before Christmas. After she is diagnosed with amnesia, she finds herself in the care of the handsome cabin owner and his daughter.Enjoy my conversation with Janeen and Michael Damian.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Kevin Goetz has been at the center of what Hollywood calls the ‘movie research’ industry for more than thirty years and his position in the entertainment world is quite unique. Named one of the most powerful and influential people in Southern California by The Los Angeles Times Magazine, Goetz became one of the leading advisors, researchers, and focus group moderators over two decades before starting his own firm, Screen Engine/ASI out of his living room. Today, his research firm is a multi-million-dollar company that employs over 300 people worldwide where he works alongside the major film studio chiefs, decision-makers, network and streaming platform executives. The insights produced by his firm touch every aspect of entertainment and television content creation from selection, acquisition, casting, and production, to post-production, marketing, and distribution. Goetz recently wrote the book, Audience•ology: How Moviegoers Shape the Films We Love about an important aspect of his business—audience test screenings. His podcast, Don’t Kill the Messenger, brings this book to life with filmmaker interviews discussing filmmaking, their films, and how audiences have impacted their final cuts. Goetz has also produced twelve movies and brings both a marketing and filmmaking perspective to the interpretation of his research analysis. Kevin Goetz is a member of the Academy of Motion Picture Arts and Sciences and several other distinguished organizations including the Television Academy and the Producers Guild of America. He is a board member of five charitable organizations as part of his philanthropic endeavors and resides in Beverly Hills with his husband, Neil, and their labradoodle, Kasha. Please enjoy my conversation with Kevin Goetz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year.They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEEDS TO STOP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I am excited to have back on the show legendary writer, director Alex Proyas.The last time he was here, we discussed his career, working within the studio system, dealing with insane interference in his creative vision, why he was shooting short films. At the time, his movie, The Heretic Foundation, and his misadventures in Hollyweird had just been released.I've been following all the cool stuff he's been working on social media, his shorts, etc. I'm thrilled for him. It's nice seeing an artist creating and not waiting for someone to permit them to make.For those of you who are not familiar with Alex Proyas's work, he is the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, iRobot, and Mask of the Evil Apparition.iRobot was directed by Proyas, written by Akiva Goldsman and Jeff Vintar. The 2004 Box Office $346 million grossed film received mixed reviews. It starred Will Smith and was a technophobic cop in 2035 who went on to investigate a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.Today, we are talking more about his new streaming platform VIDIVERSE. I really wanted to promote what you're doing because I know it's coming from a great place. I need to promote what you're doing because I know it's coming from a great place.VIDIVERSE is a new streaming platform that offers a non-exclusive destination for streaming curated content of all kinds. In time, the platform will partner with creators to help produce content.Most independent filmmakers are getting away from Youtube, and that was the inspiration behind Proyas's VIDIVERSE. YouTube seems to have developed stricter policies about who derives any income from content. Even though a few people manage overtime to beat the algorithm, most creators get very few views. Independent creators to continue building through the platform. Vimeo, and others that similarly target filmmakers ease the streaming challenge. Still, there's nothing between those two ends of the spectrum because YouTube seems to soak it all up through advertising. So, someone like Proyas, who has moved effortlessly between helming TV commercials and music videos to feature films, understands the demand for more targeted platforms and fair revenue distribution models. This is what he intends to develop with VIDIVERSE.Alex also gave us an EXCLUSIVE UPDATE on the development of his Dark City streaming series. This was a fun conversation.Please enjoy our guest, Alex Proyas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Alex Lehmann is the writer, director, and producer of “Acidman” starring Dianna Agron and Thomas Haden Church. He also directed the highly anticipated Black List feature, “Meet Cute,” produced by Weed Road, and starring Pete Davidson and Kaley Cuoco.A narrative and documentary filmmaker, Lehmann's films include Netflix's dramatic comedies “Paddleton,” starring Mark Duplass and Ray Romano, which premiered at Sundance in 2019, and “Blue Jay,” his narrative feature debut, starring Sarah Paulson and Mark Duplass. It premiered at TIFF in 2016 to critical acclaim. His HBO docu-series, On Tour with Asperger's Are Us is an extrapolation of his original feature doc Asperger's Are Us.Lehmann’s work explores the themes of selfless love, friendship, and how a little vulnerability can connect us all.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Steve Kaplan is a renowned comedy consultant and author of "The Hidden Tools of Comedy," a book that delves into the mechanics of comedy and the psychology behind humor. He has adapted Joseph Campbell's Hero's Journey framework to comedy writing in a way that helps writers understand how to create engaging and funny stories.In Steve Kaplan's approach to Comedy's Hero's Journey, the focus is on using humor to engage the audience and enhance the storytelling process. This framework helps comedy writers understand how to create funny and relatable characters and situations while still following the classic Hero's Journey structure.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I can’t tell you how excited I am about today’s guest. I sat down with the legendary and Oscar® Winning Cinematographer Russell Carpenter ASC. Russell has been shooting blockbusters for over 40 years and has shot films like Ant-Man, xXx: Return of Xander Cage, Charlie’s Angels, The Negotiator, True Lies, Monster-in-Law and classic 90’s action flicks like Hard Target, The Perfect Weapon, and Death Warrant.He won the Oscar® for his cinematography on the second highest-grossing film of all time, Titanic. We go down the rabbit hole on shooting Titanic, working with James Cameron, crazy Hollywood stories, how he approaches each project and much more. This episode is a treasure chest of behind the scenes stories and cinematic techniques from the highest levels of Hollywood.Get ready to be entertained and have your mind blown.Enjoy my epic conversation with Russell Carpenter A.S.C.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Pat McGowan is a longtime Film & Video Creator from Ottawa, Canada. As with many in the “biz”, his career started as a musician, moved into audio post and then into directing, producing, shooting and editing. Until recently Pat was the owner/operator of inMotion.ca, a video production company in Ottawa & Toronto. Pat has a passion for wildlife videography and can be found in the Canadian Arctic looking for Polar bears, Narwhals, and Bowhead Whales.After a successful career spanning over two decades, Pat had an epiphany, and that led to the idea and creation of BlackBox Global. He wants nothing less than to change the relationships that creators have with each other and the global market so they can have better lives. He invites his fellow film & video peeps to join BlackBox and make the world a place where creators can be free to do what they love, own the content they make, and be fairly compensated.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have a true legend from the film business, director John Badham. John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80’s hits like War Games, Short Circuit & Stakeout to 90’s action classics like Bird on a Wire, Point of No Return, Nick of Time and Drop Zone.John Badham has not only continued directing but is involved with some of the most cutting-edge television show being made today. John is also the author of two books John Badham On Directing: Notes from the Set of Saturday Night Fever, War Games, and More and I’ll Be in My Trailer: The Creative Wars Between Directors and ActorsHe’s also is a Tenured Film Professor at Chapman University in Los Angeles. I can’t tell you what a thrill it was to sit down and pick John’s brain. He’s been directing for close to five decades. His wealth of knowledge and experience is remarkable.Sit down and get ready to take a TON of notes on this epic conversation with John Badham. When you are done listening to the episode take a listen to the video below.It’s awesome and very helpful to ANYONE who wants to direct.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Ever wanted to learn the dark craft of being able to pitch your story idea successfully? Stephanie Palmer has made it her life’s mission to help people do just that. Stephanie Palmer is a former MGM Pictures executive and best-selling author of the book “Good in a Room: How To Sell Yourself (And Your Ideas) And Win Over Any Audience”Stephanie Palmer was the Director of Creative Affairs for MGM where she supervised the acquisition, development, and production of feature films. During my time at MGM, she was named by The Hollywood Reporter as one of the “Top 35 Executives Under 35.” Prior to MGM, she worked at Jerry Bruckheimer Films.She has heard thousands of pitches. She knows how to and how not to pitch your screenplay or story idea. She worked on films like Legally Blonde, Armageddon, Con Air and was even on an intern on Titanic, there’s a very inserting story there.Learn how to pitch your screenplay like a pro with Stephanie Palmer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is a filmmaker and Filmtrepreneur Michael Gallagher. Michael is one of the co-founders of Makers Studio. Makers Studios was the largest independent YouTube network in history. YouTube channels under Maker Studios have also collectively earned over 90 million subscribers and accumulated over 1.1 billion views monthly. On March 24, 2014, Maker Studios, Inc. agreed to sell itself to The Walt Disney Company for $500 million, rising to $950 million if financial milestones were met.Michael has leveraged his success as a YouTube filmmaker to become a full-blown feature film director. His latest film is Funny Story, a dramedy about a well-intentioned father who inadvertently wreaks havoc on the life of his estranged daughter when she invites him to her woodland wedding. Michael went on to direct smash hit films on Youtube like The Thinning Series and InstaFamous. He talks about the big mistakes he made distributing his first feature film Smiley, self-marketing his films, and lessons learned from building an audience on YouTube.Enjoy my conversation with Michael Gallagher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In this episode, we have Racer Max and Rebel Rodriguez. The sons of the legendary filmmaker Robert Rodriguez and film producer Elizabeth Avellán. Racer, Rebel, and I had an amazing conversation about what it was like being raised by two master filmmakers, what it was like to be on set, but also what they've learned along the way, what they are doing differently than their predecessors have, and the amazing work that they're doing on big projects like Hypnotic, We Are Heroes, and the latest in the Spy Kids franchise, Spy Kids: Armageddon.Spy Kids: Armageddon: The children of the world's greatest secret agents unwittingly help a powerful game developer unleash a computer virus that gives him control of all technology, leading them to become spies themselves to save their parents and the world.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In today's show we have a returning champion Albert Hughes. Albert is a well-known American filmmaker. He is one half of the Hughes Brothers, a filmmaking duo consisting of Albert and his twin brother, Allen Hughes. The Hughes Brothers are known for their work in the film industry and have directed and produced a variety of films, often with a focus on gritty, urban themes.Some of their notable films include "Menace II Society" (1993), "Dead Presidents" (1995), "From Hell" (2001) , "The Book of Eli" (2010), "Broken City" (2013). Albert Hughes, along with his brother Allen, has made significant contributions to the world of cinema, and their work often explores complex and socially relevant themes.Albert's new film The Continental: From the World of John Wick - Set in 1970s New York City, The Continental explores the origin of the iconic hotel-for-assassins centerpiece of the John Wick universe seen through the eyes and action of a young Winston Scott.Please enjoy my conversation with Albert Hughes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Neil Landau is a screenwriter, author, and professor known for his work in the field of film and television. He has written screenplays for various film and television projects and has also authored several books related to screenwriting and storytelling.Some of his notable works include:"Don't Tell Mom the Babysitter's Dead" (1991) - Landau co-wrote the screenplay for this comedy film, which became a cult classic."Melrose Place" (TV Series) - He worked as a writer and producer on the popular television series "Melrose Place."Teaching and Writing - Neil Landau is also known for his contributions to screenwriting education. He has taught screenwriting at institutions like the University of California, Los Angeles (UCLA) and has written books on the subject, including "101 Things I Learned in Film School" and "The Screenwriter's Roadmap."Neil Landau's work in both the creative and educational aspects of screenwriting has made him a respected figure in the entertainment industry, particularly in the realm of screenwriting and storytelling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Corey Mandell is a screenwriter and screenwriting instructor known for his work in the entertainment industry. He has worked as a screenwriter, script consultant, and writing coach. While he may not be as widely recognized as some Hollywood screenwriters, he has gained a reputation for his expertise in helping aspiring screenwriters develop their skills and craft.Corey Mandell has offered various screenwriting courses and workshops, and he has coached many writers in their pursuit of creating compelling screenplays. His teachings often focus on character development, storytelling techniques, and the practical aspects of screenwriting.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese’s documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we’ve learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature.Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).Please enjoy my conversation with Margaret Bodde.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Rob Edwards has written two classic animated films for WALT DISNEY FEATURE ANIMATION, the Academy Award-nominated Treasure Planet and the Academy Award and Golden Globe-nominated The Princess and the Frog. He also consulted on Tangled, Wreck-it Ralph, and Frozen. He penned AMULET for Warner Brothers and ANIMATED AMERICAN for Disney.Rob is currently writing projects for SHOWTIME, SONY, PARAMOUNT, and Chris Rock. Rob is also known for his work on the television shows "The Fresh Prince of Bel-Air," "Full House," "A Different World," "Roc," "In Living Color," and as the creator of "Out All Night." In 2012, Rob launched robedwards.net, where he shares the tools he has developed over 30 years of writing professionally.He has taught and/or lectured for UCLA, Tisch School of the Arts at NYU, Syracuse University, Boston University, Howard University, The Organization of Black Screenwriters, CTN Expo, LMU, Digital Hollywood, The Scriptwriters Network, The Writers Store, University of California Riverside, Le Moyne College and others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Simon West is a British film director and producer. His films include “CON AIR” starring Nicholas Cage, “THE GENERAL'S DAUGHTER” starring John Travolta and “LARA CROFT: TOMB RAIDER” starring Angelina Jolie. West is the only live action director ever whose first three 3 films all grossed over $100m at the US box office. West also served as an executive producer on the Oscar nominated “BLACK HAWK DOWN”.His television company has produced 6 TV pilots for US TV including acclaimed series such as Fox’s “KEEN EDDIE”, the CBS series “CLOSE TO HOME”, Fox’s “HUMAN TARGET” and the NBC series “THE CAPE”. West directed the action packed remake of “THE MECHANIC” starring Jason Statham and Ben Foster and “THE EXPENDABLES 2” starring almost every action star in the movie world. This film grossed over $300m in worldwide box office. West’s film titled “SKYFIRE” was one of the largest films ever made in China and opened number one at the box office there in 2019. His latest film “LEGEND HUNTERS” will be released in May 2021.Recently, West served as a judge for the 2019 Beijing International Film Festival and was a guest speaker at the 22nd Shanghai International Film Festival to advise the Chinese film industry on standardization.West is currently in post-production on “Boundless – Sin Limites”, which marks the 500th anniversary of the first circumnavigation of the globe by Ferdinand Magellan and Juan Sebastian Elcano. The Amazon project was shot in Spain and The Dominican Republic.Please enjoy my conversation with Simon West.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Eric England is an American film director, writer, and producer. He is best known for his work in the horror genre, particularly for his 2013 film "Contracted." The film follows a young woman who contracts a mysterious sexually transmitted disease that begins to ravage her body in horrifying ways.In addition to "Contracted," England has directed several other horror films, including "Madison County" and "Josie." He has also directed episodes of the television series "Surviving Jack" and "The Rookie." England's work often explores themes of isolation, psychological trauma, and bodily horror, and he is known for his stylish visual approach to genre filmmaking.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Kim Adelman began her producing career with the indie feature, Just Friends. She then launched the Fox Movie Channel's short film program, where the 19 shorts she produced won 30+ awards and played over 150 film festivals worldwide, including the Sundance Film Festival four years in a row.Kim Adelman currently teaches Low Budget Filmmaking at UCLA Extension and Cinema Production II at Mount Saint Mary University. In 2014, she was named UCLA Extension's Entertainment Studies Instructor of the Year. In 2016, she won its Distinguished Instructor Award.In addition to guest lecturing at UC Irvine, Cal State Fullerton, and Cal State Los Angeles, she has also taught filmmaking workshops across the US, Canada, and New Zealand. Most recently she led creative writing workshops for kids at UCLA’s Hammer Museum via 826LA and filmmaking for teens at Pasadena’s Norton Simon Museum.Over the past two decades, Ms. Adelman has also reported extensively on festivals and short films for Indiewire, co-programmed the American Cinematheque's annual Focus on Female Directors short film screening series for fifteen years, and co-founded FFC: the Female Filmmaking Collective. She has also been a jury member and/or a panel moderator at numerous international film festivals, including Sundance Next and the Los Angeles Film Festival during its final year.Her short film book, Making it Big in Shorts, is on its third edition and has been published internationally in Spanish and Mandarin. The three pop culture books she wrote for Penguin Random House are The Girls Guide to Elvis, The Girls Guide to Country, and The Ultimate Guide to Chick Flicks. which was also published in Japanese.She has recorded a five-part educational podcast on independent filmmaking for UCLA Extension and co-hosted the 15-episode movie adaptation podcast Book to Screen, available on iTunes. She has also appeared as cinema expert in the ARTE documentary From Weepies to Chick Flicks, E!'s Hollywood & Sex special, and the DVD extras for Love Me Tender and Ghost. She was profiled for Women Transforming Media and appeared onKim Adelman was also Director of On Air Creative Production for Style Network until that network shut down. She has worked at multiple cable networks including FX/FXM, E!, G4, PopTV, the Game Show Network, and Cinevault.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Danny Draven is an award-winning director and producer of genre films. After receiving his film degree in Boston, he moved to Hollywood and worked his way up through the ranks until he began producing and directing sci-fi/horror films for genre studio Full Moon Pictures (Puppet Master series, Trancers), where he cut his teeth before starting his own successful production/post-production company. He has also edited over 100 feature films, including films for Lionsgate, NBC Universal's Chiller TV, SyFy Channel and a series for Lifetime Network TV.He has worked with and been mentored by Hollywood veterans such as Master of Horror Stuart Gordon (Fortress, Re-Animator), legendary cinematographer Mac Ahlberg (Beverly Hills Cop 3), executive producer Harry Bring (X-Files, Criminal Minds) and executive producer Mark Ordesky (Lord of the Rings Trilogy). He is also the author of three published books on genre filmmaking and a member of the Producers Guild of America.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

JJ "Loco" Perry spent the last 25 years as a Stunt Coordinator and Second Unit Director, directing and designing action for talent such as Dwayne Johnson, Tom Hardy, Jason Statham, Keanu Reeves and Will Smith. A member of the prestigious 87Eleven Action Design, Perry previously collaborated with directors such as Ang Lee, Justin Lin, Chad Stahelski, F. Gary Gray, Spike Lee and Paul Feig – which prepared him for his feature directorial debut on DAY SHIFT.Perry has trained additional actors for stunts such as Gina Carano (HAYWIRE), Gerard Butler (300), Milla Jovovich (ULTRAVIOLET), Hugh Jackman (X-MEN ORIGINS: WOLVERINE) and Kiefer Sutherland (“24”). He’s also worked with Joss Whedon on ANGEL and FIREFLY and Mike Norris on WALKER, TEXAS RANGER.Perry was nominated for a SAG Award in 2009 for Outstanding Performance by a Stunt Ensemble for IRON MAN and nominated for a World Stunt Award in 2013 for SAFE and won in 2004 for Best Overall Stunt in THE RUNDOWN.After graduating high school, Perry served in the Army’s 82nd Airborne Corps. He started his martial arts training in 1975 and began stunt-work after he got out of the Army. He has had over 24 years of martial arts training and has a 5th-degree black belt in Tae Kwon Do, a 2nd-degree on Hapkido and has experience with all kinds of weapons. He got his black belt for Tae Kwon Do at the age of 12 and competed from the age of 7 till 24. Besides martial arts, Perry is also skilled in cycling, rodeo and weightlifting. He is the co-founder of Taekwondo West martial arts schools in Inglewood, California, and Venice, California.J.J. PERRY’s directorial debut, DAY SHIFT, is an action-comedy that begins a new franchise for Netflix starring Jamie Foxx, Snoop Dogg and Dave Franco. DAY SHIFT follows a hard-working blue-collar dad (Fox) who just wants to provide a good life for his daughter. But his mundane San Fernando Valley pool cleaning job is a front for his real source of income, hunting and killing vampires as part of an international union of vampire hunters. Take a quick inside look on the making of Day Shift.Enjoy my conversation with JJ "Loco" Perry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Tom Benedek is a screenwriter known for his work in the film industry. He was born on March 16, 1949, in Los Angeles, California, USA. Benedek has written several screenplays for movies across various genres. One of his notable works includes co-writing the screenplay for the 1984 science fiction film "Cocoon," directed by Ron Howard."Cocoon" was a critical and commercial success and received two Academy Awards for Best Supporting Actor and Best Visual Effects. The film tells the story of a group of elderly individuals who discover an alien life force that rejuvenates them, leading to a series of life-changing events.In addition to his work on "Cocoon," Tom Benedek has written other screenplays and worked on various projects in the entertainment industry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have director, Youtuber, and founder of the legendary Filmmaker IQ John Hess. I have been a huge fan of John's for quite some time. The videos he creates for Filmmaker IQ are, by far, some of the best and most informative film education on Youtube.Here's John's explanation of what Filmmaker IQ is.Filmmaker IQ (which also goes by the aliases Who?, FilmmakerIQ.com, and FIQ to evade debt collectors) is worshiped by no less than five monotheistic religions on Earth despite their petulant childish behavior, persistent meddling in the space-time continuum, and clear bipolar disorder.FIQ is the largest black hole of film knowledge in the universe.With over 3.4 billion courses on subjects such as Ways to successfully acquire both armrests at a movie theater, Why do all the evil people in Star Wars have a British accent? and Martin Scorsese’s Eyebrows. FIQ’s video lectures are hailed by educators, non-educators as well as people who are against the concept of education on moral grounds.John and I geek out over cameras, posts, and filmmaking in general. If you haven't watched his videos you are missing out. They are a must for any serious filmmaker.Enjoy my conversation with John Hess.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Pat Flynn, the founder of Smart Passive Income (SPI), is a pioneering figure in the world of online business and digital marketing. His success story has inspired countless entrepreneurs to create their own passive income streams, and his educational resources have empowered individuals to achieve financial freedom. In this article, we will explore Pat Flynn's journey, his strategies for success, and the impact of Smart Passive Income on the digital landscape.Pat Flynn's story began in 2008 when he was laid off from his architecture job during the global financial crisis. Facing an uncertain future, Flynn decided to take matters into his own hands and started exploring ways to generate income online. He initially found success by creating a website called Green Exam Academy, which provided study materials for the LEED exam, an architecture industry certification. The site quickly gained traction, and Flynn realized the potential of passive income as he continued to earn money from the sales of his study materials even while he slept.In 2009, Flynn founded Smart Passive Income to share his experiences and teach others how to create their own online businesses. Through his blog, podcast, and various online courses, Flynn quickly became a trusted authority on digital entrepreneurship and passive income generation.Please enjoy my conversation with Pat Flynn.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties. In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President’s Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI’s Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series. He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker’s Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles. Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens’ Conversations with the Great Moviemakers of Hollywood’s Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute’s renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.Please enjoy my conversation with George Stevens Jr.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no budget, no stars, and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realizing they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.Inspired by Amblin-era adventure, set over one night and against the backdrop of a World-changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and break down the set every night. The film took 5 years to complete.The pure insanity of these filmmakers is awe-inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.Enjoy my inspiring conversation with Elliot and Zander Weaver.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Daniel Stamm was born and raised in Hamburg, Germany, where as a teenager, he was the host of a radio show and editor of a youth magazine. He toured with a theater, studied drama, and published a play before he went to Belfast, Northern Ireland, as a peace worker. Two years later, he returned to Germany to go to film school and study screenwriting at the Filmakademie Baden-Wuerttemberg in Ludwigsburg.He wrote a TV movie that got nominated for Germany's most prestigious media award and directed a documentary on rock musician Nick Cave.Daniel moved to Los Angeles and graduated from the American Film Institute's directing program. His thesis film got nominated for the ASC Award. In the following three years, he made short films, wrote songs for local singers, sat on a film festival jury in Kosovo, became a certified hypnotist, and hitch-hiked across the US. In 2008 Daniel's first feature film, 'A Necessary Death,' premiered at SXSW in Austin, Texas, before winning the audience award at AFI Fest later the same year.His second feature, 'The Last Exorcism,' premiered at the Los Angeles Film Fest in 2010, was distributed by Lionsgate, and grossed over $65 million worldwide. The film and/or its actors got nominated for the People's Choice Award, two Independent Spirit Awards, and an MTV Movie Award. It won an Empire Award as well as awards in Sitges and Toronto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have independent film producer, author, and sales consultant Alec Trachtenberg. With over a decade of experience building and managing the sales teams of some of the most cutting-edge technology startups, Alec has worked with major companies, such as Airbnb, Sony Pictures, Netflix, and Amazon. He has directly generated millions of dollars in revenue for a variety of companies in the technology and entertainment sectors, including Surkus, MomentFeed, and Entercom.He has taken his sales knowledge and skills and written and published Lights, Camera, Sell: Sales Techniques for Independent Filmmakers. Here's a bit about the book. Film producer and sales consultant Alec Trachtenberg argues that one must adopt a sales mindset in order to be successful as an independent filmmaker.By highlighting a variety of sales strategies that have worked for him in the world of startup technology companies, Alec shows how you can use the same sales strategies in every stage of filmmaking.Whether you are a budding freelance cinematographer searching for your next gig, a first-time director ready to shoot your first feature film, or an indie producer acquiring funding for your next project, Lights, Camera, Sell will teach you how to succeed through strategic sales techniques used by cutting-edge tech startup companies. Walking you through the five stages of the sales process, Alec shows you relevant case studies involving a variety of scenarios in the low-budget independent filmmaking process. Alec will teach you how to:Prospect a screenwriter and option a feature-length screenplayLead a discovery call with a prospective domestic distributorDemonstrate value with a powerful pitch deck to a financierClose a deal with a non-union actor by creating an initial talent agreement outlineResolve conflicts with crew members by understanding the principles of relationship successLights, Camera, Sell will debunk the negative myths surrounding salespeople formed by our media and society, reveal best practices on asking the right questions, explain how to present your ideas and services in a compelling way, and more.Enjoy my conversation with Alec Trachtenberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered.That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy.Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute. Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jeremy Gardner is an American actor, writer, and director known for his work in the independent horror film "The Battery." He wrote, directed, and starred in the movie, which was released in 2012."The Battery" is a post-apocalyptic zombie film that gained critical acclaim for its character-driven approach and low-budget yet effective storytelling. Since then, Jeremy Gardner has continued to work in the film industry, both in front of and behind the camera.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have actor, producer, and director Kevin Sorbo. Kevin spent 3 years traveling around the world, modeling for print ads and appearing in over 150 commercials, before becoming a full-fledged international TV star when he was cast as the lead role in the immensely popular series, Hercules: The Legendary Journeys.In the mid-90s, Hercules became the most-watched television show in the world.Kevin also guest-starred as Hercules in episodes of the successful spin-off series Xena: Warrior Princess as well as providing his voice to the animated Hercules films.In 1997 Kevin accepted his first leading film role in the fantasy action feature Kull the Conquerer.Kevin guest-starred on the sitcom Two and a Half Men and played a recurring role in the final season of The O.C. One glimpse at Kevin's IMDB and it's clear that this hard-working actor takes no breaks! In addition to his work onscreen, Kevin now also produces films, recently serving as Executive Producer and star of the movie Abel's Field.Kevin recently authored the widely praised book, True Strength, which recounts the painful recovery from serious health setbacks that changed his life during his Hercules years.We discuss what he looks for in movies today, his years on Hercules and Andromeda, directing indie films and how he too was a victim of Hollywood accounting when it came time to get paid backend on Hercules: The Legendary Journeys.Enjoy my eye-opening and entertaining conversation with Kevin Sorbo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

David Allen is a productivity consultant and the author of the book "Getting Things Done: The Art of Stress-Free Productivity." He is widely recognized for his expertise in personal and organizational productivity and has developed the GTD (Getting Things Done) methodology.In his book, "Getting Things Done," Allen presents a system for managing and organizing tasks and projects to increase productivity and reduce stress.The GTD methodology focuses on capturing all tasks and commitments into an external system, clarifying their meaning and desired outcomes, organizing them effectively, reviewing and updating regularly, and taking appropriate actions. The book has gained significant popularity and has become a widely implemented system for personal and professional productivity.David Allen has been involved in coaching, training, and consulting with various individuals and organizations, including Fortune 500 companies and government agencies.He continues to speak and conduct workshops on productivity and personal development, sharing his insights and strategies to help individuals and teams enhance their effectiveness and achieve their goals.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Not many of us get to tick off ‘sailing around the world’ off our dream to-do list. But our guests today, Brady Trautman and partner, Alex Blue, have been living their ultimate best life at sea for the last ten-plus years while creating video content for their business, Cruisers Academy. The adventure began with Florida natives Brady and his older brother, Brain, with whom he initially started the youtube channel, Sailing Vessel Delos, back in 2008. It wasn’t until 2012 they received their first check from Youtube, which was basically ‘bear money.’ Soon after, they joined Patreon. Eight sailors, filmmakers, and adventurers pile into a 48 ft sailboat with the goal of exploring and capturing the beauty of Svalbard, the northernmost settlement in the world, only 600 miles from the North Pole. The sailing expedition brings 24 hours of sunlight, dangerous glacial ice flows, and up-close encounters with polar bears, beluga whales, walrus' and much more! After 2.5 years of post-production and over 2000 hours of editing, it's time to bring YOU our biggest project yet!Alex, a media student running her film and photo company shooting on party boats across South America, joined the Delox crew in 2017 on a sail across the Atlantic to South Africa. Alex’s valuable skills helped tell their story of adventure and friendships, dreams more skillfully. SV Delos has sailed 45 countries and over 70,000 ocean miles since 2008.Ever wondered what goes into making a documentary series? Well here's a behind-the-scenes look at how the 80 North Series was created! Andy Schell invited us to be on his podcast which was the perfect opportunity to film the chat, share some sneak peeks, and relive funny stories from our sailing expedition in the Arctic Circle.Finding your niche in the film or creative space, in general, can be a struggle, especially since it is becoming more and more competitive by the second. But the Delos crew modeled their business to service a niche audience and have created multiple revenue streams from sailing around the world and doing what everybody wants to do.Due to the COVID pandemic, Alex and Brady have halted sailing for over a year now. They have had to adjust production strategy by outsourcing editing and diversifying their output.Six months ago, the couple, along with a business partner, Sean, launched the Cruisers Academy---offering sailing lessons, charters, and they released a four-part docu-series, 80° North. It is a compilation of two years worth of videos honoring the beauty of the sea and their journeys. Enjoy my fun conversation with Brady Trautman and Alex Blue.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Roger William Corman was born in Detroit, Michigan, on April 5, 1926. Initially following in his father's footsteps, Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked three days as an engineer at US Electrical Motors, cementing his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually becoming a story analyst.After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital, and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP). With Corman as its major talent behind the camera, it would become one of the most successful independent studios in cinema history.With no formal training, Corman first took to the director's chair with Five Guns West (1955) and, over the next 15 years, directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957 and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.In the early 1960s, he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop.He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainment.Those messages became more radical as the 1960s wound to a close, and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut, and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, and New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit.Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema," and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. He mentored Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante, and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009 he was honored with an Academy Award for Lifetime Achievement.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I promise the title of today’s episode is not clickbait.Our guest, Wayne Godfrey is a British film producer, CEO of Fintech platform, Purely Capital, and expert film financier who’ve raised nearly $325 million for more than 120 independent feature films.Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they’ve experienced. He’s credited as executive producer for numerous independent feature films, including, The Man Who Invented Christmas, Robert Rodriguez‘s Sin City, Martin Scorsese‘s Silence, and Joe Carnahan’s Boss Level. An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment – a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.Some of his other key production credits include The Foreigner.THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller by the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love — his teenage daughter — is taken from him in a senseless act of politically motivated terrorism.In his relentless search for the identity of the terrorists, Quan is forced into a cat-and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.It was really cool getting Wayne’s perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film’s success right out of the gate.I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn’t speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.Enjoy my eye-opening conversation with Wayne Godfrey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead. After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

How do you sell a movie to Netflix, this episode will give you a bit of insight. We're getting deep into the weeds on Italian director and screenwriter, Ferdinando Cito Filomarino American cinema debut film, Beckett, which I absolutely enjoyed! Beckett stars the incomparable John David Washington and Swedish actress, Alicia Vikander. This action thriller follows an American tourist (Beckett) who had been in a tragic car accident in Greece and suddenly finds himself at the center of a dangerous political conspiracy and on the run for his life. He sets to reach the USA embassy to clear his name. Elements of romance and questions of political power are rolled up into a 90-minute manhunt. Beckett's world premiere was at the Aug 2021 74th Locarno Film Festival and is now distributed exclusively on Netflix.Filomarino talks about the cultural diversity on set - having seven languages spoken. I assume that would include, English, Italian, Greek, Swedish, etc. I was fascinated by the film’s meticulously crafted visual elements and screenplay. Filomarino’s work may be new to American screens, but he’s gained notoriety in European cinema directing or writing on films like The Other Man, Academy award-winning 2017, coming-of-age romantic drama, Call Me by Your Name (Second Unit Director). The story sets in a 1980s rural Northern Italy --- romance blossoms between a seventeen-year-old Jewish Italian, Elio, and a 24-year-old research assistant, Oliver, who’s living with the family over the summer to help Elio’s father, archaeology professor with his academic paperwork. Call Me By Your Name.Filomarino shadowed Call Me By Your Name's director, Luca Guadagnino while working the second unit on the film and forge a good professional relationship which led to a collaboration in 2010. He was fortunate to have Luca produce his directorial debut, Diarchy in 2010. Diarchy is a Locarno and Sundance Film Festival award-winning short film. Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.We also chatted about Richard Eyre's, The Other Man, fresh out of university, and how that experience prepared him for his own films. We know that experience is the best teacher, so I am always down for hearing knowledge bombs filmmakers learn from other filmmakers in this line of business. Sort of like an unofficial masterclass. Go watch Beckett! But first, enjoy my conversation with Ferdinando Cito Filomarino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Randall Jahnson is an American screenwriter and film producer. He was born on March 7, 1951, in Des Moines, Iowa, United States. Jahnson is best known for his work in the film industry, particularly as a screenwriter.Jahnson's notable credits include writing the screenplay for the 1989 film "The Mask," starring Jim Carrey. He also co-wrote the screenplay for the 1992 film "Dudes" and the 1998 film "The Doors," which is a biographical film about the rock band of the same name.In addition to his work as a screenwriter, Jahnson has worked on other aspects of film production. He served as a producer for the 1997 film "The Doors: When You're Strange," a documentary about the band, and was an executive producer for the 2009 film "The Spirit," directed by Frank Miller.Randall Jahnson has had a varied career in the film industry, working on both independent and mainstream projects. While he may not have the same level of name recognition as some other screenwriters, his contributions to the films he has worked on have left an impact on the industry.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Alexander Dinelaris is an Academy Award and Golden Globe winning screenwriter for "Birdman (or The Unexpected Virtue of Ignorance)", a co-producer on the three time Academy Award® winning film "The Revenant", and the book writer for the Broadway musical "On Your Feet! The story of Emilio and Gloria Estefan", as well as "The Bodyguard Musical" which began on the West End and now performs worldwide.He is the screenwriter and producer of the upcoming feature film, “Jekyll & Hyde” which he is readapting for the London stage. Alexander also wrote the screenplay for "Carmen" which was directed by Benjamin Millepied and premiered at the 2022 Toronto International Film Festival.His film company, Lexicon, is currently developing "State of Motion", a story by Marco Perego Saldana, written by Alexander. Lexicon is also producing "In The Summers" written by Alessandra Lacorazza and "Consurgo", which was written by Alexander.He recently teamed with Grammy winner, Residente, to write a historical film about Puerto Rico. Alexander will be making his directorial debut with a film adaptation of his play, "Still Life" in January of 2024.Please enjoy my conversation with Alexander Dinelaris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Now, I was scanning the web the other day, and I came across a book about the making of Quentin Tarantino‘s first feature film. Quite fascinated that someone took the time to dig into the unreleased, My Best Friend’s Birthday, which I’ve spoken about a bit on my podcast and also written a couple of articles about the film. So, as per usual, I invited the author, Andy Rausch to the show to talk a bit more about his book.Before this interview, I did not know that Andy has spent years interviewing other prominent industry names and has authored over forty non-fiction on specific works of established entertainment contributors.Writing forty books is no small feat.Some of Rausch’s publications include Turning Points in Film History (2004), The Films of Martin Scorsese and Robert De Niro (2010), Making Movies with Orson Welles, a Gary Graver memoir, and Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (2008).But today, l would like to get into the weeds on Rausch’s 2019, My Best Friend’s Birthday: The Making of a Quentin Tarantino Film book, which is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino’s minimum-wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy.Check out the show notes below for links to some of Andy’s other books, all available on Amazon.Enjoy my chat with writer, Andy Rausch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Oren Peli, an Israeli-American film producer, director, and screenwriter, is the creative genius behind the horror sensation Paranormal Activity. The movie single-handedly revolutionized the found-footage genre and spawned a successful franchise, all while being produced on a shoestring budget. In this article, we explore Peli's background, the making of Paranormal Activity, and its immense impact on the horror film industry.Oren had always been fascinated by the world of movies. After moving to the United States in his early twenties, Peli initially worked as a software programmer. However, his passion for films remained undiminished, and he soon turned his attention to filmmaking. With no prior experience, Peli embarked on an ambitious journey and created a movie that would leave a lasting impact on the horror genre.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Scott Myers is a screenwriter and educator known for his work in the film industry. He has written numerous screenplays and is the co-writer of the 2006 film "K-9: P.I." starring James Belushi. Myers is also the founder of the website Go Into The Story, which is a popular resource for aspiring screenwriters.Myers has been involved in the film industry for several decades and has worked as a screenwriter, script consultant, and script doctor.He has taught screenwriting at the University of North Carolina School of the Arts and has conducted screenwriting workshops and seminars around the world.In addition to his work as a screenwriter and educator, Myers has written extensively on the craft of screenwriting. His book "The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script" is a widely recognized resource in the field. He also regularly shares insights and advice for screenwriters on his blog, Go Into The Story.Scott Myers is a respected figure in the screenwriting community, known for his contributions to the field and his dedication to helping aspiring screenwriters improve their craft.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer/director Chloe Okuno.Chloe is a graduate of UC Berkeley with a masters degree from the American Film Institute Conservatory. There she received the Franklin J. Shaffner Fellow Award, and directed the award-winning horror short film SLUT.Her recent work includes writing a remake of “Audrey Rose” for Orion Pictures and writing and directing a segment of the anthology series V/H/S/94. She's the director of this year's Sundance feature film Watcher.Julia joins her husband when he relocates to his family’s native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied. One night, people-watching from her picture window, she spots a vague figure in an adjacent building, who seems to be looking back at her. Soon after, while alone at a local movie theater, Julia’s sense of being watched intensifies, and she becomes certain she’s being followed — could it be the same unknown neighbor? Meanwhile, a serial killer known as The Spider stalks the city.Below is the story of making The Watcher from Chloe's POV.In making “Watcher,” I wanted to capture a kind of constant, uncomfortable dread that accompanies many women throughout their lives- one that is expressed through the character of Julia. Julia moves into this apartment building with her husband and quickly begins to believe she is being watched. She recognizes that the Watcher is a threat. She feels it very clearly- even if it’s difficult to articulate the extent of that threat to the people around her. It’s a situation that’s probably quite familiar to most women. We experience the world in a different way than men and then when we try to express that experience, we’re often doubted- written off as paranoid, irrational, or overly sensitive… which in turn can make us begin to doubt ourselves. This has always been at the core of a story that in other ways has evolved greatly since I was first hired to direct it in 2017. Initially, the script was set in New York City, but when it became clear that we would be shooting the movie in Romania, I decided to rewrite it to take place in Bucharest.There are times as a filmmaker where practical limitations end up being creatively very freeing- unlocking something great when you’re willing to embrace the unexpected. This was one of those times.Suddenly, Julia’s experience as a foreigner in this new city heightens all her other feelings of unease and uncertainty. She finds herself increasingly isolated- largely unable to speak the language and therefore alienated from everyone around her. There were of course natural (sometimes uncomfortable) parallels shooting the movie on location in Romania: unable to speak the language, oftentimes sequestered in a hotel room amidst the raging pandemic, and occasionally fighting against the doubt that surrounds you as a woman working in a male dominated profession. Fortunately, life didn’t fully imitate art. I finished the movie without any nightmarish descent into Watcher-style darkness, content with the hope that all of the tension found its way on screen. The filmmakers I admire are the ones who are able to create a language for emotion through their craft, translating what they feel into a form that other people can see and experience for themselves.For Watcher I was inspired by the work of David Fincher, Sofia Coppola, Satoshi Kon, Roman Polanski, Krzysztof Kieslowski, and Mary Harron- filmmakers who have excelled at translating fear, loneliness, and alienation. The hope is always that there will be someone else who can empathize- telling stories so that we can take comfort in the recognition of ourselves in others. As a person filled with seemingly endless anxieties, making films is the best- and possibly the only- way I’ve found to confront them. I’ve done my best to portray them honestly in this film, and I can only hope that those who have experienced similar fears and anxieties will find solace in the knowledge that they are not alone. Enjoy my conversation with Chloe Okuno.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Alvaro Rodriguez has been writing since childhood and, in fact, did his best work when he was 11. Without a movie camera in sight, Rodriguez relied on the written word and a Polaroid Button to storyboard the films in his head. A crash course in entertainment writing and editing at the University of Texas student newspaper and seminars in creative writing supplied more tools for the toolbox. When he riffed on a Spanish guitar figure as the hero's musical theme in cousin Robert Rodriguez's debut film, El Mariachi (1992) (Columbia Pictures, 1993), he began a collaboration that has lasted more than two decades.Rodriguez sold his first pitch to Dimension Films, a spaghetti-western prequel to the genre-bending vampire flick From Dusk Till Dawn (1996) called From Dusk Till Dawn 3: The Hangman's Daughter (1999) (Miramax/Dimension, 2000), which starred Marco Leonardi, Michael Parks, Sonia Braga, Rebecca Gayheart and Danny Trejo, with Robert Rodriguez and Quentin Tarantino producing.Rodriguez co-wrote the wishing-rock children's movie Shorts (2009) (Warner Brothers, 2009), starring James Spader, Jon Cryer, Leslie Mann, and William H. Macy, and followed that confection with the bloodier Machete (2010) (Fox, 2010) starring Danny Trejo, Jessica Alba, Michelle Rodriguez, Lindsay Lohan, Jeff Fahey, Don Johnson, and Robert De Niro. Both were directed by Robert Rodriguez.]As of 2014, he is writing on the television series From Dusk Till Dawn: The Series (2014) for the El Rey Network, now in its second season, and is developing feature and television projects in the United States and Italy.A frequent panelist and presenter at the Austin Film Festival, he has also curated an "Epoca de Oro" Mexican film series at the Museum of South Texas History and has been a speaker at colleges and universities throughout the United States. His border-influenced short fiction has appeared in multiple publications, both physical and digital, including Mulholland Books/Popcorn Fiction, "Along the River" (2011), and the Bram Stoker Award-winning "After Death" (2013).This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

So you made a short film, now WTF do you do? Today guest is filmmaker Clarissa Jacobson and she is the perfect person to guide you through the rough waters of getting your short film out to the world.Clarissa is the writer, producer and creator of the multi-award-winning comedy/horror short - Lunch Ladies - based on her feature. The film garnered forty-five awards and is distributed all over the world.Her follow up short - A Very Important Film - also got distribution. Her optioned feature screenplay, Land of Milk and Honey, is in development with Elizabeth Avellan and Gisberg Bermudez.In addition, Clarissa wrote a book – I Made a Short Film Now WTF Do I Do With It: A Guide to Film Festivals, Promotion, and Surviving the Ride.I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!IMade A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.Get a FREE copy of the audiobook I Made a Short Film Now WTF Do I Do, released by Indie Film Hustle Books.Enjoy my conversation with Clarissa Jacobson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant.The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience. Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing.In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated. Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities.Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.Please enjoy my conversation with Susannah Grant.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Steve Kaplan is a well-known comedy writer, teacher, and consultant. He is the author of the book "The Hidden Tools of Comedy: The Serious Business of Being Funny," which is a popular resource for aspiring comedy writers. The book delves into the principles and techniques of comedy writing, offering insights and practical advice for creating humorous and engaging content.Steve Kaplan has been teaching comedy writing and performance for many years, and his expertise has made him a sought-after consultant in the entertainment industry. He has worked with numerous writers, actors, and directors, helping them develop their comedic skills and enhance their comedic projects. Kaplan's approach to comedy emphasizes the importance of understanding human nature, exploring characters' desires and obstacles, and using specific comedic techniques to elicit laughter.In addition to his book, Steve Kaplan has also conducted workshops, seminars, and lectures on comedy writing and has worked with various entertainment companies, including Disney, HBO, and DreamWorks Animation. He continues to be a respected figure in the field of comedy writing education.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Thunder Levin was born and raised in New York City, graduated from Hunter College High School, and received a BFA in Film from NYU before moving to Los Angeles at age 23. He credits the original Star Trek television series with opening his mind to both the wonders of science fiction and filmmaking as a child, while the original Star Wars solidified his desire to make movies when he grew up.Mutant Vampire Zombies from the 'Hood! (2008) starring C. Thomas Howell was Thunder's feature film directorial debut. This led to him writing and/or directing several films for production company The Asylum, including American Warships (2012) and AE: Apocalypse Earth (2013), culminating in the pop culture phenomenon Sharknado (2013). While continuing to write and direct feature films, he is also developing episodic television projects.Thunder is a lifelong sailor and car enthusiast who's recently taken up motorcycle riding. In addition to his film and television work, he is writing his first novel. He lives in Santa Monica, CA, but considers himself a "temporarily misassigned New Yorker". Thunder is his real name. Please don't ask why.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no budget, no stars, and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization.Realizing they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.Inspired by Amblin-era adventure, set over one night and against the backdrop of a World-changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with. You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and break down the set every night. The film took 5 years to complete.The pure insanity of these filmmakers is awe-inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.Enjoy my inspiring conversation with Elliot and Zander Weaver.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Richard Walter was born on July 11, 1944 in New York City, New York, USA. He is a writer, known for Group Marriage (1972), The Cinematographer (1969) and The Production Manager (1969). He has been married to Patricia Sandgrund since 1967.In 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.Richard is one of the few OG writers who have studied, and taught through the evolutive eras of screenplays and screenwriting in Hollywood.With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show I have a good friend and fellow podcaster, Giles Alderson. Giles is not only a podcaster but a successful filmmaker, producer, and screenwriter. I've been on The Filmmaker's Podcast a couple of times now and I just love talking shop with him. One day we got to talking and he told me the crazy story of his debut film The Dare, which cost over a million dollars.The Dare starred Richard Brake (31, Batman Begins), Alexandra Evans (Redistributors), Bart Edwards (Fantastic Beasts), Richard Short (Vinyl, Public Enemies), Robert Maaser (M.I 5 Rogue Nation).Giles Alderson has recently locked a picture on his directed historical action feature Arthur & Merlin: Knights of Camelot for Signature Ent and Picture Perfect. Starring Richard Short (Macbeth) Stella Stocker (The Good Liar) and Richard Brake (Game of Thrones).I had to have him on the show to share his misadventures in making a million-dollar debut feature film.Get ready for one whale of a tale.Enjoy my conversation with Giles Alderson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles.Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market.Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Chris Soth developed the “Mini-Movie Method” after years of success as a Hollywood screenwriter. Chris has multiple projects in development at major Hollywood studios. This master story teller is also an expert in pitching and selling - necessary tools for a screenwriter in Hollywood.Chris holds an MFA in screenwriting and a BA in Dramatic Literature. He is the only seminar instructor whose work has been produced by a major Hollywood studio.MILLION-DOLLAR SCREENWRITING presents a method of story design that is easy to understand and easy to do, The Mini Movie Method! This is the key to unlocking your future as a working screenwriter in Hollywood. It turns writing into an effortless, step-by-step process, makes beginners into experts and experts into masters of the craft. The secret to successful screenwriting has finally arrived:The Mini-Movie Method!-THE MINI-MOVIE METHOD WAS INVENTED FOR MOVIES!-When film was born story changed forever. Traditional “Three-Act Structure” was invented for the theater, but movies are shot, edited and projected on “reels”. Each reel contains its own piece of the story, like chapters of a novel, called “sequences” or “Mini-Movies”. The Mini-Movie Method is a way of “sequencing” your story that is specifically designed for movies, tailored to movies, unique to movies, because The Mini-Movie Method was CREATED for movies.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode, we welcome filmmaker Jon Gustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult films shoots in modern film history.When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications, and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves.Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane-force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision.I'm also honored to announce that you can watch Wrath of Gods on the Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one.Enjoy my conversation with Jon Gustafsson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

S.S. Wilson, the screenwriter of such films as Tremors and Short Circuit, has just finished his second novel Fraidy Cats. Wilson also wrote a book on special effects, stop-motion animation, PUPPETS, AND PEOPLE. In 1983 Wilson and Maddock sold their spec script SHORT CIRCUIT. Directed by John Badham, it was their first produced feature. In quick succession, they wrote SHORT CIRCUIT 2, BATTERIES NOT INCLUDED, GHOST DAD; and served as consultants on Steven Spielberg’s animated THE LAND BEFORE TIME.In 1990 they sold another spec, TREMORS, on which they also served as producers. Directed by fellow USC alum Ron Underwood and starring Kevin Bacon, Fred Ward, Michael Gross, and Reba McEntire, the film became a revered cult classic, spawning three sequels and a TV series. Wilson and Maddock joined with Nancy Roberts (producer of all the Tremors sequels) and Ron Underwood to form Stampede Entertainment in 1992. The first Stampede project was HEART AND SOULS at Universal, starring Robert Downey, Jr.The TREMORS franchise grew with Wilson debuting as a director on TREMORS 2: AFTERSHOCKS for Universal Family Home Entertainment. During the same time period, he and Maddock wrote the green-light draft of Warner Bros. 1999 tent pole release WILD WILD WEST, starring Will Smith.In 2001 it was TREMORS 3: BACK TO PERFECTION, with Stampede partner Brent Maddock directing and Wilson handling the second unit. 2004 saw both the debut of TREMORS: THE SERIES for the Sci-Fi Network (Wilson co-created and co-executive produced with Maddock and Roberts) and TREMORS 4: THE LEGEND BEGINS, with Wilson again at the helm.In addition to screenwriting, Wilson is branching out into fiction. His first book is an action-adventure tale Tucker’s Monster.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Craig Brewer (Director/Producer) began his career as a filmmaker in Memphis, Tennessee. While working at Barnes & Noble, he learned camera and editing techniques from books he purchased with his employee discount. In 2000, he made his first feature film, THE POOR & HUNGRY, which won Best Digital Feature at the 2000 Hollywood Film Festival.Brewer’s second film, HUSTLE & FLOW, starring Terrence Howard and Taraji P. Henson, was produced by Stephanie Allain and the late John Singleton. The film premiered at the 2005 Sundance Film Festival, winning the Audience Award for Best Feature. The film secured a record-breaking acquisition deal by Paramount Pictures and MTV Films. It garnered an Academy Award nomination for lead actor Terrence Howard and won the Academy Award for Best Original Song: Three 6 Mafia’s "It’s Hard Out Here for a Pimp."Brewer’s third film, BLACK SNACK MOAN, starred Samuel L. Jackson, Christina Ricci, and Justin Timberlake. The film premiered at the 2007 Sundance Film Festival and was released in theaters by Paramount Pictures. In 2011, Brewer directed the remake of FOOTLOOSE for Paramount and produced the concert documentary KATY PERRY: PART OF ME. Moving into Television, Brewer directed the pilot to TERRIERS, which ran for one season on FX. He then re-teamed with Terrence Howard and Taraji P. Henson, directing ten episodes on their hit TV series, EMPIRE.In 2018, Brewer began his collaboration with Eddie Murphy on two films. The first, DOLEMITE IS MY NAME, based on the life of Rudy Ray Moore, won The Critic’s Choice Award for Best Comedy, an NAACP Award for Best Independent Film, and earned Eddie Murphy a Golden Globe Nomination for Best Actor.Next was the highly anticipated sequel, COMING 2 AMERICA. The film was produced by Paramount and released by Amazon Studios in 2020, becoming the most streamed movie for Amazon ever.Enjoy my conversation with Craig Brewer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jim Uhls is an American screenwriter best known for his work on the iconic film "Fight Club." Born in 1951 in the United States, Uhls began his career in the entertainment industry as a script reader and development executive. He worked his way up the ranks, honing his skills as a writer and developing a reputation for his unique voice and style.Uhls' big break came in the late 1990s when he was approached to adapt Chuck Palahniuk's novel "Fight Club" for the big screen. The project was seen as a risky and unconventional choice, but Uhls was drawn to the dark and satirical tone of the book, as well as its themes of individuality and rebellion.Working with director David Fincher, Uhls approached the writing process for "Fight Club" with a focus on staying true to the spirit of the novel while also adapting it for the screen. He spent months researching and studying the novel, immersing himself in the characters' world and exploring the story's deeper themes and meanings.One of the biggest challenges of adapting "Fight Club" for the screen was finding a way to translate the unconventional and fragmented structure of the novel into a cohesive and compelling film. To achieve this, Uhls worked closely with Fincher to develop a visual and narrative style that would capture the book's spirit while making it accessible to a wider audience.Uhls' hard work and dedication resulted in a film that was both a critical and commercial success. "Fight Club" was praised for its bold and innovative style, darkly humorous tone, and powerful themes of individuality and rebellion.The film has since become a cult classic, and Uhls' screenplay is widely regarded as one of the best adaptations of a novel to the screen.In addition to his work on "Fight Club," Uhls has also written and produced several other successful films and television shows. Despite his success, he remains humble and dedicated to his craft, always striving to push the boundaries of storytelling and create unique and impactful works of art.Overall, Jim Uhls is a talented and innovative writer who has significantly impacted the entertainment industry. His approach to the writing process, which emphasizes research, dedication, and a deep understanding of the source material, has earned him a reputation as one of the best screenwriters of his generation.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This episode might give you a better understanding of How To Sell A Movie To Netflix?In this age of streaming platforms, knowing your distribution route and your audience's comfortable viewing habits as filmmakers is crucial. Today on the show returning champion and film industry data analyst ninja Stephen Follows, breakdowns the build-up process and goal of his newly-launched data analysis platform, VOD Clickstream. The first phase of Stephen's VOD Clickstream is an independent research of Netflix streaming history between 2016-2019 of two-thirds billion data points that reveal what folks have been watching on Netflix. The research provides insights into the streaming sector by anonymizing browsers and users' history through a plugin to analyze clickstream data from Netflix. Being an entrepreneur himself, he explores, through this project, the future of VOD Clickstream's impact on independent filmmaking and creates a feedback loop with the audience to gauge films and television show performances.Stephen and I discuss the interlink between the upswing of film and television content, the growth of streaming platforms, and the challenges this situation poses for indie films to succeed on these platforms.Enjoy my conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Brendan McCarthy is a legend in the world of comics and now the world of Mad Max. His series Freakwave was inspired by Mad Max 2, The Road Warrior, and was later copied by the film Waterworld (without giving credit to McCarthy). In this episode, we talk with McCarthy about his relationship with Mad Max and how he went from being a film of The Road Warrior to actually co-writing the most INSANE installment with writer/director George Miller.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meets Craven and decided to make a comedy-romance film called Together (1971).Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny's Orphans (1978) and Here Come the Tigers (1978) .Struggling in Hollywood Cunningham saw John Carpenter's Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films.Friday the 13th (1980) was a shocking, gory and violent film about camp counselors being slashed by a killer and had Betsy Palmer in the lead role. Little did Cunningham know that Friday the 13th would have never ending sequels. Cunningham gladly avoided all of them and Friday the 13th remains one of the most popular horror films in history. Instead Cunningham wanted to make it big when he brought a best-selling novel to the screen, A Stranger Is Watching (1982) with Rip Torn, but it was a disappointment. Cunningham went downhill with the over sexed teen comedy Spring Break (1983) and The New Kids (1985). Cunningham then produced House (1985) and several of its sequels. Cunningham next entered the world of underwater terrors after The Abyss (1989) was released. Cunningham did a follow up called DeepStar Six (1989), but it was a flop, however it beat another 1989 underwater thriller Leviathan (1989) at box office receipts.Cunningham was finished with directing and moved on to producing films and teaching. He produced The Horror Show (1989), My Boyfriend's Back (1993) and Friday the 13th's last sequel Jason Goes to Hell: The Final Friday (1993). Cunningham then did yet another follow up to Friday the 13th with Jason X (2001).Enjoy my conversation with Sean Cunningham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we have a special CROSSOVER episode of the BPS Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.I wanted to bring this amazing episode to the BPS Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

After over 20 years of achieving what he thought were his dreams of being a headlining touring comedian and actor, Kyle Cease suddenly discovered that the belief “When something happens, I will be happy” is a complete lie.Following the calling of his heart, he decided to quit his stand-up career at its peak, and now—as a transformational comedian and New York Times bestselling author of I Hope I Screw This Up—he brings his one-of-a-kind wisdom to sold-out audiences around the world and reaches millions online.Kyle Cease has made more than 100 different TV and movie appearances, including 10 Things I Hate About You, Not Another Teen Movie, Jimmy Kimmel Live, The Late Late Show With Craig Ferguson, Chelsea Lately, The Martin Short Show, Comics Unleashed, and numerous VH1 shows. He has two #1 Comedy Central specials to his credit and, in 2009, Kyle earned the #1 ranking on Comedy Central’s Stand-up Showdown.Enjoy my conversation with Kyle Cease.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have filmmaker Andrew Kortschak. In today’s digital age, where ‘releasing’ a film involves putting it on Vimeo, new filmmakers often struggle to rise above the noise and break into the exclusive industry.Andrew has a unique approach to this problem and in fact joined forces with a Silicon Valley venture capitalist to build End Cue like a tech startup: via a bi-coastal incubator model where directors cut their teeth and build their portfolios doing commercial work.On such alum of this approach is Jon Watts – Andrew co-produced his NBR award-winning film Cop Car Spiderman: Homecoming.To further address the pain points of young producers, End Cue even sprouted groundbreaking Artificial Intelligence (AI) technology to save time during the scriptwriting process. This was a fascinating conversation.Enjoy my talk with Andrew Kortschak.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In 2002, Jon Erwin founded a production company with his brother, Andrew. Their first ventures were commercials, documentaries, and music videos. The brothers soon were directing videos and producing concerts and television programs for platinum recording artists such as Amy Grant, Michael W. Smith, Casting Crowns, Switchfoot, Skillet, and others.They received 11 GMA Dove Awards nominations and 3 wins for Music Video of the Year. Jon and Andrew have also produced and directed several documentaries, including the multiple award-winning 9/11 story, THE CROSS AND THE TOWERS. In 2010, Jon and Andrew began exclusively developing dramatic feature films. In August 2018, they partnered with Kevin Downs and Tony Young to launch Kingdom Story Company, in an exclusive partnership with Lionsgate, which creates life-changing content from a variety of talented storytellers.Their features have all opened in the top-ten box office and they have received the coveted A+ CinemaScore® three times. Early hits include OCTOBER BABY, MOMS’ NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $86 million at the box office. Others include I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by the 2021 release of THE JESUS MUSIC, sharing the untold story of how Jesus Music transformed into the multi-billion-dollar industry of Christian Contemporary Music.AMERICAN UNDERDOG followed in 2021, which told the story of NFL MVP and Hall of Famer, Kurt Warner. JOHNNY CASH: THE REDEMPTION OF AN AMERICAN ICON, is a documentary that details the true story of a music legend’s spiritual quest and releases Dec 2022. Their latest film, JESUS REVOLUTION based on The Jesus Movement that changed the course of history and comes to theaters Feb 2023.Jon is also the author of the book Beyond Valor: A World War II Story of Extraordinary Heroism, Sacrificial Love, and a Race Against Time, which tells the amazing true story of his grandfather Red Erwin, who received the Congressional Medal of Honor in World War II. Beyond Valor was published in August 2020.Enjoy my conversation with Jon Erwin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

So insane and talent Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self distributing his remarkable debut film Monsters of Man. After getting offered bad and predatory distribution deals he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money Making Business. When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film.After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars.I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020.A must watch!"In this conversation Mark is completely transparent on how he made millions with his film. He also reveals not only his successes but also some failures he dealt with along the way. This is truly a one in a decade indie film experiment that you now have access to see how it was done.Enjoy my conversation with Mark Toia.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I have an epic conversation in store for you all today. Our guest is an Oscar-nominated screenwriter, filmmaker, John Lee Hancock. While working as a lawyer by day back in 1986, John moonlighted as a screenwriter, writing script after script. His spec script A Perfect World caught the eye of Steven Spielberg and eventually was directed by Clint Eastwood. After that success, he went on to direct the crowd-pleasing The Rookie.A true story about a coach who discovers that it's never too late for dreams to come true. Jim Morris (Dennis Quaid) never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim's team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization.After the box-office success of The Rookie, John tackled the epic story of The Alamo.A semi-historical account of the standoff at an abandoned mission during the Texas fight for independence. The Texans, led by Colonel Travis, managed to temporarily hold off the Mexican army of Santa Anna. The Texans were outnumbered 183 to 2000 and eventually succumbed. After the fall of the Alamo, General Sam Houston led another group of Texans against Santa Ana's army in San Jacinto where they defeated the Mexican army, which eventually led to an independent Texas.Hancock’s famous five-year hiatus comeback film, The Blind Side, an adaptation of Micheal Lewis’s 2006 book, The Blind Side: Evolution of a Game yield and performed outstandingly. The film received countless major awards nominations including an Academy Award nomination for Best Picture and a win for Best Actress for Sandra Bullock.The Blind Side is the story of Michael Oher, a homeless and traumatized boy who became an All-American football player and first-round NFL draft pick with the help of a caring woman and her family.The Blind Side went on to make $309.2 million internationally on a $29 million budget. Not too bad.Just this year, Hancock released his latest HBO Max neo-noir crime thriller, The Littel Things, starring Academy Award winners and heavyweights Denzel Washington, Rami Malek, and Jared Leto.Kern County Deputy Sheriff Joe Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a serial killer who is terrorizing the city.John also tackled bring the legendary Walt Disney to the big screen in Saving Mr. Banks starring Tom Hanks and Emma Thompson.Author P.L. Travers travels from London to Hollywood as Walt Disney adapts her novel Mary Poppins for the big screen.The Highwaymen bring John together Kevin Costner and Woody Harrelson to the tale that follows the untold true story of the legendary lawmen who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers must rely on their gut instincts and old-school skills to get the job done.I had a ball talking with John about filmmaking, how he almost broke Steven Spielberg's Rosebud prop from Citizen Kane when they first met, and so much more. He really goes into detail about his creative process, how he was able to navigate Hollywood, how to deal with the highs and lows of the business and so much more.Enjoy my conversation with John Lee Hancock.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Katie Aselton. She is an acclaimed actor and filmmaker based in Los Angeles. She may be best known for her starring role as Jenny in the FX comedy “The League.” Aselton can next be seen in Bill Burr’s comedy Old Dads. She was recently seen in The Unholy, opposite Jeffrey Dean Morgan, and appeared in Tiller Russell’s Silk Road, with Jason Clarke. Aselton was also seen in the second season of the hit Apple + series “The Morning Show.”Aselton’s breakout acting role came in the indie darling The Puffy Chair, directed by Mark and Jay Duplass. The film was nominated for two Independent Spirit Awards. Aselton’s other feature credits include Book Club, Father Figures, She Dies Tomorrow, Synchronic and Bombshell. Her small-screen work includes “Legion,” “Animals,” “Togetherness,” “Curb Your Enthusiasm,” “Veep,” “The Office,” “Room 104” and “Casual.”Aselton made her directorial debut with The Freebie, in which she also stars. The film premiered to much critical acclaim at the 2010 Sundance Film Festival and was released theatrically by Phase 4. She also directed and starred in the survivor thriller Black Rock, opposite Kate Bosworth and Lake Bell. The film premiered at the 2012 Sundance Film Festival and was released by LD Entertainment.Katie's new film is Mack & Rita starring the legendary Diane Keaton.When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita” (Oscar winner Diane Keaton). Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack (Dustin Milligan). A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.Enjoy my conversation with Katie Aselton.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The film industry has had to adjust a lot since the hit of COVID. Thanks to streaming services, the hit wasn’t as volatile as possible. Now that society seems to be reaching the end of the pandemic, the future of the filmmaking and film experience post-COVID has become part of the conversation. To help us explore the subject, I have on the show today seasoned Filmtrepreneur and award-winning producer Anne Marie Gillen.Anne Marie is the CEO of Gillen Group--- an entertainment consulting firm in Los Angeles. Production-wise, she’s credited for producing commercially and critically successful films and television shows. Coupled with an international network of studios, distributors, and talent, one may call her, The Plug.During the stages and succession of my career, she's ranked in C-suite executive positions at big entertainment companies like Development & Production at Entertainment Business Group, Electric Shadow Productions, and Revelations Entertainment.Her comedy-drama film, Fried Green Tomatoes, produced in 1991, is an all-time classic and stands to have been a Box office success. It grossed $119.4 million on an $11 million budget and was nominated for two Academy Awards. The film tells the story of a housewife, Evelyn Couch, who is unhappy with her marriage, befriends an elderly lady in a nursing home and is enthralled by the tales she tells of people she used to know.Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny. Anne Marie compiled her industry business expertise and production experience to write The Producer’s Business Handbook (2010, 3rd edition). The book was followed by her next film, Parallel Man: Infinite Pursuit, in 2014.Chased by commandos, Agent Nick Morgan is on the run in the multiverse! To escape, he jumps between parallel Earths including a polluted industrial hellscape, a planet where dinosaurs evolved into humanoids, and a fungi world with giant mushrooms.Your corporate minds will definitely enjoy this interview. I’ve linked Anne Marie’s book, The Business of Show Business for Creatives, in the show notes for you to check out.Enjoy my conversation with Anne Marie Gillen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts. His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington).How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show, we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans, Sons of the Prophet, and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award, and is a two-time Pulitzer Prize finalist.Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021. He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which Sony Pictures Classics released.His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award, and Hull-Warriner Award.Stephen and I had a great conversation about how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process, and much more.Enjoy my conversation with Stephen Karam.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest on today's episode is Emmy award-winning filmmaker, actor, Filmtrepreneur, best-selling author, and instructor Shane Stanley. Shane's been in the business way before he could walk. He started off as a child actor at 9 months old when his father, who was a working actor volunteered him for national TV commercials, starring in commercials and films and even going on to win his first two Emmy Awards at age 16 and 19 for his role in the Desperate Passage (1987) series.Along with his outstanding talents in front of the camera, Stanley also had an eye out for the producer's seat. He learned and honed camera and editorial skills and could comfortably find his way around behind the camera by age 10, and has since clocked directing, production, editing, and acting credits for over 58 shows, films, commercials, and music videos.In 2001, he launched his production company, Visual Arts Entertainment under which he executive produced culture hits like the sports drama, and Box Office #1, Gridiron Gang starring Dwayne 'the Rock' Johnson as lead, and critically acclaimed film, A Sight for Sore Eyes which was Shane's directorial debut.The film won several awards in 2004. It bagged a Special Jury Award at Worldfest Houston, won two Telly Awards for Outstanding Achievement in Film & Television as well as winning top honors at the International Family Film Festival, and ultimately won dozens of prestigious awards, and was invited to screen at Cannes Film Festival in 2005.Shane's latest book, What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, offers a wealth of knowledge for anyone who wants an entertainment industry insider's professional guidance on how to create a movie. I loved the book so much I decided to publish the audiobook version through my company IFH Books.The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.Directed and written by Shane, Mistrust is about Veronica enjoys being a mistress. Having no commitments and never being vulnerable, She comes to realize her best friend holds the key to her heart and is the only one capable of extracting her emotions.His latest film, Break Even (2020) tells the story of four adventurous friends who find 50M in cash on a remote island only to discover it was left by the DEA for the Cartel in a rogue deal.Shane is a wealth of information and he drops some MAJOR knowledge bombs on the tribe in this conversation. If you are a filmmaker do yourself a favor and pick up his book What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.Get ready to take notes and enjoy my conversation with Shane Stanley.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Tom Schulman graduated from Vanderbilt University with a B.A. in Philosophy. He studied at USC Graduate School of Cinema, with Jack Garfein at the Actors and Directors Lab, Los Angeles, and with director Joan Darling. He directed the Actors’ Studio first west coast production, Harold Pinter’s The Caretaker.Tom wrote Dead Poets Society for which he received an Academy Award for best original screenplay. He also wrote What About Bob?, Honey, I Shrunk the Kids, Medicine Man, and Holy Man. He wrote and directed Eight Heads in a Duffel Bag He was an executive producer on Indecent Proposal and Me, Myself and Irene. He was the writer/producer of Welcome to Mooseport. He co-wrote and co-produced with Rafael Yglesias and J.J. Abrams, The Anatomy of Hope, a pilot for HBO.He recently wrote, with Callie Khouri, Trae Crowder, and T Bone Burnett, a pilot for Amazon.He recently wrote and directed Double Down South, an indie feature that will be released in April. Tom served on the board of directors and then as vice president of the Writers Guild of America, West. Tom was the president of the Writers Guild Foundation and serves on its board. He serves on the advisory board of the Science and Entertainment Exchange.Please enjoy my conversation with Tom Schulman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

There's no con more satisfying and lucrative than finding a way to make a living as a screenwriter. And Ted Griffin is a man who knows a good con.Anyone who tried to follow the clever criminal head games he built into his screenplays for Ocean's 11 and Ridley Scott's Matchstick Men knows not to trust this guy - except when he talks about screenwriting, which he does with great humor and insight in this enlightening interview.The conversation ranges from his early work on Ravenous and Ocean's 11 through the unexpected pitfalls of trying to direct his first film, Rumor Has It. He was scheduled to make his directorial debut with Rumor Has It..., for which he had written the original screenplay, but was replaced by Rob Reiner 12 days after principal filming began.He did a rewrite of the Ashton Kutcher film Killers. He moved into television by creating Terriers for FX. Griffin played Agent Hughes in The Wolf of Wall Street.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry.Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The crippling student debt crisis in America threatens college the financial freedom of many students. According to Forbes 2020 student loan debt statistics, there are 45 million borrowers who collectively owe nearly $1.6 trillion in student loan debt in the U.S. and student loan debt is now the second-highest consumer debt category - behind only mortgage debt.I was introduced to filmmaker, Zack Morrison’s plight when I read an amazing article in the Wall Street Journal about his $ 300,000 student loan debt from Columbia University film school.Zack is a short film director and writer. Some of his work include Everything's Fine: A Panic Attack in D Major and Captain Cyborg.Everything's Fine: A Panic Attack in D Major is a musical comedy about a woman at the onset of her quarter-life crisis and her existential journey through the various stages of anxiety in song and dance.Captain Cyborg tells the story of a young boy with a hyperactive imagination who creates a superhero alter-ego in order to confront bullying at school. Unfortunately for Jake, the lines between reality and fantasy start to blur, and he is forced to make a decision that will change his life forever.This was Zack's big second-semester project at Columbia University's MFA Film program. It began as a script swap process where everyone signs on to direct someone else's story as an exercise in collaboration and adaptation.Zack’s passion for filmmaking goes back to eight years old after being inspired by a Steven Spielberg Lego movie game He followed through by doing his BSc at Rutgers and his graduate in film at Columbia University. We get into the deep of his choices to attend an Ivy League school for film, the accumulation of debt, and how that has impacted his life. You can watch Zack’s short films on his website or his YouTube channel --- you can find the links in the show notes below. Let’s get this conversation started.Enjoy my conversation with Zack Morrison.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I read an article the other day about a filmmaker who spent the better part of a decade trying to finish a movie due to unforeseen circumstances and spiral depression. I was immediately intrigued because that's part of the package that this line of work comes with that we don't talk about as much.So, I brought on the award-winning filmmaker and writer Lucas McNelly to talk about his movie, Up Country, and how depression affects his life and creativity. Lucas McNelly has written and directed feel-good projects like Blanc de Blanc, A Year Without Rent, L'Attente, Gravida, Maine Noire, and Indies for Indies series.He currently works as Director of Films and Assistant to Marla Singer at Long Winter Soap Company.While his interest was initially in sports broadcasting like basketball and baseball, he pivoted to filmmaking in his sophomore year of college after winning a students' film festival by happenstance. The production of his 2021 movie, Up Country, took almost a decade to complete.Lucas wrote and directed Upcountry--- a true labor of time and passion because he came to the brink of losing this project.The movie plot is about a group of friends from New York City who hires a guide to take them on a fishing trip deep in the woods of northern Maine. But, when the guide takes all their gear, they find themselves stranded in the middle of nowhere.He goes in-depth about the process and all the curveballs he dealt with over the decade.Perseverance is one word I can use to describe Lucas's story and the making of Upcountry, but you have to listen to be your own judge.He has another upcoming project, Maine Noire; you can check it out on his website--- you can find all the details in the show notes below.Not to give too much away, but let's dig into my interview with Lucas McNelly.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, director and actress Carlson Young. Carlson is the creator of the new film The Blazing World.Ever since Margaret (Carlson Young) was six years old, she has been haunted by the memory of watching her sister drown during an explosive fight between her parents. As a young woman, she slides further into her twisted inner life, ultimately finding herself on the brink of suicide. Through an epic journey down the smokiest and scariest corridors of her imagination, she tries to exorcise the demons pushing her closer and closer to the edge.The Blazing World is Carlson Young’s debut feature; it is based on her short of the same name, which premiered at the 2018 Sundance Film Festival.Young brings to life in striking vibrancy an internality that is at once darkly beautiful and entirely terrifying.Blending horror and fantasy, this film is imaginative and gutsy, painting Margaret’s inner life as at once an alien realm and a devastatingly familiar emotional landscape. Manifesting her trauma through a series of lusciously unnerving locations and moving, bizarre interactions, Young unearths something often quietly, privately buried in our struggles toward the light. As the writer, director, and star, Carlson took her decade of on-set acting experience appearing in film directorial debut, THE BLAZING WORLD MTV’s SCREAM TV Series, KEY AND PEELE, and Netflix’s EMILY IN PARIS, and developed the feature which was shot during the height of the pandemic in Austin, Texas and also held its premiere at the Sundance Film Festival in 2021.The film co-stars Dermot Mulroney, Vinessa Shaw, and horror icon Udo Kier. The Blazing World premiered at the Sundance Film Festival 2021 to rave reviews.We discuss the difficult process of bringing this personal film to the screen, how she used a short to get the feature film made, how she got financing, shooting durning COVID and much more.Enjoy my conversation with Carlson Young.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we have the award-winning actress, director, producer, entrepreneur, and activist by the name of Eva Longoria.Eva Longoria has long established herself as one of Hollywood's most sought-after television directors. Named by Variety as one of their most anticipated directors of 2021, Longoria continues to hone her craft, seek new projects, and expand opportunities for others by paving the way for future women and minority producers, directors, and industry leaders in Hollywood and beyond.Her strong work ethic, coupled with her passion for storytelling, has led to a pivotal moment as she prepares for the release of her feature film directorial debut with Flamin’ Hot. She recently wrapped production for the highly anticipated Searchlight biopic about the story of Richard Montañez and the spicy Flamin’ Hot Cheetos snack, for which she beat out multiple high-profile film directors vying for the job.Eva became well known worldwide thanks to Desperate Housewives, where she played the main character, Gabrielle Solis.In my journeys as a colorist, VFX, and post-production supervisor, I had the pleasure of working on a film Eva starred in and produced Without Men years ago. I had a ball working on it.The women of a remote Latin American town are forced to pick up the pieces and remake their world when communist guerrillas forcibly recruit all the town's men. The only men left in town for years are the priest and Julio, who was disguised as a woman.As a trailblazing actress, director, producer, entrepreneur, and activist, Eva Longoria has become one the most significant trailblazers behind the camera. For over a decade, she has been directing and choosing projects that have a purpose and are focused on elevating the stories of the Latinx and other underrepresented communities.Eva past television directing credits include the ESPN 30 for 30 documentary Versus, as well as episodes of Ashley Garcia: Genius In Love, Grand Hotel, Black-ish, The Mick, LA to Vegas, Jane the Virgin, Telenovela, Devious Maids, Latinos Living the Dream, and the short films Out of the Blue and A Proper Send-Off.She was also nominated for a 2021 Daytime Emmy for her directing work on Ashley Garcia: Genius In Love.As a Global Brand Ambassador for L’Oreal Paris for over 15 years, Longoria has become a frequent director of the brand’s commercials, she recently upped the ante by self-directing the first ever hair color TV commercial created at home on a smartphone at the start of the COVID-19 pandemic.Eva has also contributed writing to publications on the subject of education. She also has a contract with L'Oreal and has been named one of the most beautiful people. Her latest documentary La Guerra Civil, is in this year's Sundance Film Festival.This feature-length documentary follows the epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican Americans. A chronicle of a battle that was more than a boxing rivalry and examines a fascinating slice of the Latino experience in the process.Here are some of why Eva took on this film:“In the Mexican and Mexican-American communities, boxing is so much more than a sport.It is a cultural expression of who we are. The 1996 “Ultimate Glory” fight between Julio César Chávez and Oscar De La Hoya will forever be an iconic memory in our lifetimes. At the time, Chávez was a Mexican national hero entering the 100th professional fight of his career and De La Hoya was a Mexican-American boxer about to enter his prime.Given the distinct differences between these two men and their respective fandoms, nowhere has a rivalry been more intense while also transcending borders to bring everybody together to root for the art of boxing.Many of these same issues of cultural identity dramatically parallel what we are dealing with in our world 25 years later.This is why I wanted to tell this story: to remind people that we can find commonalities amid our differences to bring us back together.”Eva and I discuss her struggles coming up as an actress, transitioning into directing and producing and her new film La Guerra Civil.Enjoy my conversation with Eva Longoria Bastón.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion RB Botto.For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Austin Trunick is a Connecticut-based film historian and author of The Cannon Film Guide, a series of books about the beloved (and infamous) '80s b-movie studio, Cannon Films. He also serves as an editor for the nationally-distributed music and entertainment magazine.Under the Radar. He has written about movies and pop culture for Mental Floss and Consequence of Sound.Enjoy my conversation with Austin Trunick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You are in for a treat today. We have legendary 80's action director Sam Firstenberg.At a young age Sam began to "create" movies to entertain his friends. Horrifying his mother, he would cut up books, stringing together the pictures and rolling them up. He would then put the roll into a box with a cut out window, shine a flashlight from behind, and manually pull the roll, revealing the pictures through the window in sequence.Sometimes he would plan a special show in which his sister narrated the "film" based on a script Sam would concoct, and his father would accompany on the violin. As he grew up he found a hobby in photography and by high school had turned his bedroom into a darkroom where he would earn pocket money by developing pictures for his friends.After serving three years in the Israeli army, Sam came to the US in 1971, began to study and work in films, and culminated his studies with “One More Chance," the graduate film thesis which turned into a feature-length film."After Golan bailed us out, our film premiered at the Cannes Film Festival in 1981, then went on to become the official US entry at the prestigious Locarno Film Festival in Switzerland, and won a Silver Plaque at the 17th Annual Chicago Film Festival. This film became my calling card, and launched my career." recalls Sam.By then Menahem Golan and Yoram Globus had acquired Cannon Films. They hired Sam to direct “Revenge of the Ninja." Sam knew nothing about martial arts, but learned quickly and the film, which starred Sho Kosugi, was shot in Salt Lake City, Utah. Distributed by MGM to a great box-office bonanza, it set the stage for Sam's next directing assignment, “Ninja III - The Domination," also starring Kosugi. The film was shot in Phoenix, Arizona and was also tremendously successful.Both Ninja films directed by Sam were sequels to the highly successful “Enter the Ninja” directed by Golan. "Then came a pleasant opportunity," Sam smiles."Golan wanted me to direct ' Breakin 2 - Electric Boogaloo," another sequel, which then made me the king of sequels, but also gave me a break from directing Ninja action films."In fact, each of the sequels directed by Firstenberg resulted in better reviews and box office draws than the originals. “Breakin 2 - Electric Boogaloo " was a musical that featured major dance production numbers, filmed in Los Angeles. Distributed by TRI-STAR it was critically acclaimed; and a box office success, one of the reviews hailed it as"The most exuberant musical of the decade."Soon after the release of " Breakin 2 - Electric Boogaloo " Sam was on his way to the Philippines to direct "American Ninja" a major action picture starring Michael Dudikoff and Steve James, who would team up with Sam for two additional motion pictures, "Avenging Force," shot in New Orleans and the swamps of Louisiana, and "American Ninja II"’Avenging Force’ was one of the most physically grueling productions I ever worked on,"comments Sam."We spent days and nights in water, mud up to our waists, with snakes crawling between our legs."The film opened to rave reviews. The LA Times called Firstenberg"... a rockin' young action director who's pulled off a series of rave up pictures for Cannon including ' American Ninja ' and ' Electric Boogaloo,' and now in ' Avenging Force ' shows off his savvy style, which combines a keen sense of pacing with brawny punch...it marks the emergence of a truly gifted movie talent."The next picture for Sam was “Riverbend”, a controversial drama with Steve James and Margaret Avery from "The Color Purple." The picture explored race relations in 1966 Georgia, and was an opportunity for Firstenberg to work with strong dramatic material. In sharp contrast, Sam's next picture was an all-out comedy, “The Day We Met,” which proved to him that his directorial talents were easily extended."Delta Force III” came next, a military action picture with Nick Cassavettes, Eric Douglas, Mike Norris, and Matthew Penn, and was followed with a breakthrough approach to martial arts in “American Samurai” introducing hot young martial artists David Bradley and Marc Dacascos. Firstenberg then got his first taste of TV work with a nighttime crime show for CBS, directing six episodes of “Sweating Bullets"With the creation of Nu Image, principles Avi Lerner and Danny Dimbort recruited Firstenberg to direct their first production, "Cyborg Cop," and then the sequel, "Cyborg Soldier," both sci-fi action flicks with David Bradley. In addition, Firstenberg completed with Bradley and Frank Zagarino the action picture "Blood Warrior." Next came “Operation Delta Force” a military style action / adventure with Ernie Hudson, Jeff Fahey, Joe Lara, Frank Zagarino, and Hall Halbrok.1997 brought Firstenberg to explore new directorial areas; “McCinsey’s Island” is a comedy for children, a treasure hunt movie with Hulk Hogan, Robert Vaughn, and Grace Jones, and “Motel Blue” with Sean Young, Soleil Moon Frye, and Seymour Cassel, is a psychological thriller with two women in the lead.Sam and I had an amazing conversation about all things Cannon Films, Ninjas, Break Dancing, and 80's action films. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is writer and showrunner, Daniel Knauf. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show Carnivàle to HBO.The series, an intricate blend of meticulously researched period detail and secret-history fantasy, purported to tell the tale of what happened when the last two “Avatars”—superpowered beings of light and darkness—met in the United States on the eve of World War II. The series attracted a cult audience that remains devoted to this day, but a mass audience wasn’t sure what to make of the program, and HBO canceled it after two seasons, saying the show’s story was finished, in spite of Knauf’s plan for a six-season run.We go deep inside the writer's room, what it takes to be a showrunner and many of his misadventures in Hollyweird!Enjoy my conversation with Daniel Knauf.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

At age five, Bruce Rubin had a spiritual experience playing in a sandbox in the middle of the afternoon. The sun disappeared, and a dense night sky appeared in its place. Infinite galaxies were swirling in the vastness of his own head, and he sensed the entire universe was contained within him. He knew instantly he was one with all there was. In the years that followed, Bruce became an Oscar-winning screenwriter, a spiritual teacher, and, most recently, a photographer. Each aspect of his life has been a conscious effort to explore and reveal what he learned in that sandbox.Bruce was born in the middle of WWII and raised in Detroit, Michigan, the son of Sondra and Jimmy Rubin. He has a younger brother and sister, Gary and Marci. There was very little remarkable about him. He wanted to be an actor, writer, and director but had no talent to speak of. In 1965 he took a massive (and accidental) overdose of LSD and began a journey that lasted between 3 and 4 billion years. When he returned, he knew he would have stories to tell. He also knew he needed to find a teacher, so he hitchhiked around the world for nearly two years in search of one. After living in ashrams in India and in a Tibetan monastery in Kathmandu, he met his teacher Rudi in New York City just blocks from where he had begun his journey. Rudi taught a meditation practice that became the foundation for Bruce’s spiritual life. He has meditated every day since. Bruce’s screenwriting career began late in his life. Earlier, he had been an assistant film editor for the NBC Nightly News and Curator and Head of the Film Department at the Whitney Museum in New York. When Rudi died, Bruce gave up his museum career to continue his spiritual practice with a disciple of Rudi’s in Bloomington, Indiana. While there, he was also writing movies, twice locking himself in a hotel room and refusing to emerge without a finished script. He also began teaching meditation to an expanding community of fellow seekers and continues holding classes to this day. After 44 years of daily meditation, Bruce experienced what is referred to as a spiritual awakening. For him, it was a revelation that no one could awaken. The illusion of a separate ego dissolved and left him in a state of extraordinary emptiness and inexplicable expansion. It was a profound step in a journey that began in a sandbox and continues to this moment. Bruce continues to share his evolving experience with his students. His talks can be found on YouTube and on his site. Recently, he also discovered photography as an unexpected opportunity for communicating his spiritual vision. The result of always having an iPhone in his pocket, he describes this new phase in his creative life as the discovery of seeing. As Bruce explains, “The mystery and magic of the world are not hidden. It is under our feet, on old walls, and in rusting garbage cans. The beauty, the wonder, never ends.”Please enjoy my conversation with Bruce Joel Rubin.Originally aired on my other show, the Next Level Soul Podcast with Alex Ferrari.What is NLS?Next Level Soul founder Alex Ferrari is a #1 best-selling author, podcaster, speaker, conscious entrepreneur, and award-winning filmmaker. His industry-leading podcasts, the Webby award-nominated Indie Film Hustle and Bulletproof Screenwriting, have been downloaded 30 million+ times collectively.He has had the pleasure of speaking to icons like Oscar® Winner Oliver Stone and Billy Crystal, music legends like Bruce Dickinson (Iron Maiden) and Moby (Grammy® Award Winning Music Icon), actors like Guy Pearce (Iron Man 3), Edward Burns (Saving Private Ryan) and Eva Longoria (Desperate Housewives), thought leaders like Rich Roll (Best-Selling Author & Ultra Endurance Athlete), 2X Noble Prize Nominee Dr. Ervin Laszlo, Mindvalley Founder Vishen Lakhiani, and New York Times Best-Selling authors Dan Millman (The Way of the Peaceful Warrior), Neale Donald Walsh (Conversations with God), Bruce Lipton (The Biology of Belief), Gregg Braden (The Wisdom Codes) Dr. Eben Alexander (Proof of Heaven) and Dr. Raymond Moody (Life After Life).Alex always asked the big questions; Why are we here? Is this all there is? What is my soul's mission in this life? He developed Next Level Soul to help people worldwide get closer to their higher power and look inward for the answers they are searching for.The Next Level Soul Podcast discusses all aspects of life's journey; Spirituality, Mindset, Relationships, Health & Wellness, Longevity, Creativity, Business, Entrepreneurship, and Money.We help answer those questions by having raw and inspiring conversations with some of the most fascinating and thought-provoking guests on the planet today.Learn more at Next Level Soul Podcast with Alex FerrariThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have director, producer, screenwriter, actor and YouTube sensation Darious Britt I had the pleasure of meeting Darious at the Mammoth Film Festival. At the festival, we were snowed in and pretty much stuck in our hotel. We sat down and talked for hours about indie film, his journey, my journey, the state of indie film, fear, setting goals and so much more.I knew I had to have him on the show to talk shop. What you are about to listen to is a DEEP DIVE into the psychology of a standard indie filmmaker. We break down the brutal and raw truth of what it takes to make it in today's world.We also discuss how to build and engage with an audience.His amazing channel D4Darious is a MUST for any and all filmmakers. I've been a fan of his work for years. I love his approach and teaching style. Here's a bit about the man.He attended film school at the University of Arizona and graduated in May of 2012 with a bachelors in Media production. He toured his short film “Seafood Tester” to four international film festivals including the Oscar-qualifying Aspen Shorts fest in 2012.Darious created the youtube channel D4Darious, in August of 2013 and it has since grown to over 340,000 subscribers and over 10 million views in five years.He has toured his first feature film “Unsound” on the film festival circuit screening at over 20 international film festivals, winning 7 awards including best director at The Pan African Film Festival in 2015. He loves telling stories and helping other filmmakers learn the craft to reach their highest potential as storytellers.Now I warn you, this episode runs nearly two hours but I promise you it will be worth it. I lost count of how many knowledge bombs went off in this episode.Prepare to get your mind BLOWN and enjoy my conversation with Darious Britt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

NEW YEAR'S BONUSAfter months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Damon Thomas is well known for making documentaries. He's documentaries includes Pulp Fiction, Reservoir Dogs and David Beckham: A Footballer's Story. He also directed the hit shows Killing Eve (2018), Beethoven (2005) and Dracula (2020). His latest film "My Best Friend's Exorcism" is a 2022 American supernatural comedy horror film from a screenplay by Jenna Lamia, based on the 2016 novel of the same name by Grady Hendrix. In 1988 best friends Abby and Gretchen navigate boys, pop culture and a paranormal force clinging to Gretchen. With help from a mall exorcist, Abby is determined to compel the demon back to the pits of hell -- if it doesn't kill Gretchen first.The film stars Elsie Fisher, Amiah Miller, Cathy Ang and Rachel Ogechi Kanu. The film was released on Prime Video on September 30, 2022.]Enjoy my conversation with Damon Thomas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is Paul Dudbridge, author of Making Your First Blockbuster: Write It. Film It. Blow it Up! Paul Dudbridge is a British director, producer, cinematographer, and educator, who makes feature films, television, commercials, and music videos.Paul started producing at the age of 11 when he roped in his father to shoot his first short film. When the resulting footage didn’t match up to what he had seen in his head, Paul decided to go behind the camera himself, and from there, the whole notion of making films, directing, scripts, shots, and angles started to emerge.With over 20 years of experience in the business, Paul has numerous film and television credits to his name.His first broadcast credits include producing and directing ITV’s The Christmas Storybook, featuring legendary actor Joss Ackland, as well as directing music promos for MTV. His work as a cinematographer includes the action thriller By Any Name, based on the best-selling book by Katherine John.As a producer and director, he helmed the science-fiction series Horizon, which went on to win a number of awards at international film festivals, as well as earning Paul a Best Drama Director nomination at the Royal Television Society (WoE) awards in 2016. When not filming, Paul guest lectures at various universities and colleges around the country.Most recently, he ran the Writing and Directing module for the Master's course at the University of Bristol, taught Cinematography at Falmouth Film School, and Advanced Cinematography workshops for BECTU, the UK’s media and entertainment trade union.Here's some info on his new book Making Your First Blockbuster: Write It. Film It. Blow it Up!Everything you need, from getting the script right to the edit being tight, is laid out in an informal and easily digestible style. Making Your First Blockbuster covers not only all the major components but delves deep into the nuances that make the big blockbusters really deliver. The book uses examples from older and modern blockbuster movies, as well as the author’s own experiences on set to help demonstrate points clearly and make them easy to understand. Aimed at the professional filmmaker, this comprehensive new book also covers how you can shoot and utilize special and visual effects in your films, as well as the techniques on how to shoot and edit action sequences safely, all whilst producing epic results on the screen.Please enjoy my conversation with Paul Dudbridge.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns. Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon’t shoot with any more than a three-man crewActor’s use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Academy and Emmy Award-winning writer/director/producer Alan Ball is among our generation’s most important creative voices. Born in Atlanta, Ball studied Theatre Arts at Florida State University. In March 2000, AMERICAN BEAUTY, Ball’s first screenplay to get produced, won five Academy Awards, including Best Picture and Best Original Screenplay. Ball went on to create and executive produce the groundbreaking HBO drama SIX FEET UNDER. The series ran for five seasons and received two Golden Globes, six Emmys, and an Emmy and DGA Award for Ball’s direction of the pilot.In 2007, Ball made his feature film directorial debut with TOWELHEAD, distributed by Warner Independent Pictures. In 2008, Ball continued his successful collaboration with HBO by creating and executive producing the series TRUE BLOOD.The series received two Golden Globe nominations for Best Television Drama Series, as well as an Emmy nomination for Outstanding Drama Series, a Producer’s Guild nomination, and a Grammy soundtrack nomination for Ball. Then, in 2018, he created, and executive produced HERE AND NOW for HBO.Most recently, in 2020, Ball wrote, directed, and produced UNCLE FRANK for Amazon Studios, which was nominated for an Emmy.Please enjoy my conversation with Alan Ball.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today guest is the legendary writer and educator Judith Weston. Her book Directing Actors: Creating Memorable Performances for Film & Televisionand The Film Director's Intuition: Script Analysis and Rehearsal Techniques is a must-read for any film director.Judithconsults one-on-one with directors and writer-directors of film and television as they prepare to bring their projects to life.Some of her students include Alejandro Iñárritu, director of The Revenant, Academy Award winner for Best Director, and Birdman, Academy Award winner for Best Picture and Best Director; Ava DuVernay, nominated for 16 Emmys and six Critics Choice Awards, and Selma, nominated for Best Picture Oscar; Steve McQueen, director of Best Picture Academy Award winner12 Years a Slave; Taika Waititi, writer-director of Jojo Rabbit, Thor Ragnarok, Hunt for the Wilderpeople and many more.Literally thousands of film and television directors, screenwriters, writer-directors, and actors around the world have attended Judith's workshops or consulted with her in preparation for their projects. Judith's reputation and influence are international and well-established.After 30 years of teaching workshops and classes, Judith, in 2015, closed her studio space and shifted her focus to one-on-one consultation for directors and writer-directors.Her ground-breaking book Directing Actors was published in 1996. Judith's second book, The Film Director's Intuition, was published in 2003. Both books are written from the point of view of film directors. And directors all over the world have come to rely on them. But so many others have told me they have found them helpful—screenwriters, actors, professionals in film, television, photography, theater—and really anyone who wants to live creatively. She recently undertook a thorough revision and updating of her signature work, Directing Actors (FREE AUDIOBOOK VERSION), in order to make it available as an Audiobook. Judith herself is the narrator.Enjoy my insightful conversation with Judith Weston.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have been on a major roll lately on the podcast and this episode keeps that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion for theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.You can read Edward Wick's Screenplay collection here. Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer.Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss how he made the jump from a low-budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world, and much more.Prepare to take notes on this one tribe. Enjoy my conversation with Edward ZwickThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show, we have director, Raja Gosnell. He directed comedy classics like Big Momma's House, starring Martin Lawrence. Never Been Kissed, starring Drew Berrymore, and Yours, Mine & Ours starring Dennis Quaid.Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box office.Raja wasn't always a director; he started his film career as an assistant editor in the late 1970s.His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.For Chris Columbus, he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990.He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he chose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?Enjoy my conversation with Raja Gosnell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.In the heart of Times Square, radio DJ Rick Weider is driven to the edge of insanity as he tries to break the 11-day world record for staying awake, under the threat of a deranged caller who will kill him if he fails. In his quest to stay awake, he endures a harrowing physical, mental and emotional ordeal while summoning the will to survive against all the odds.Rapid Eye Movement was given unprecedented access to Times Square by New York City to shoot the majority of the film right in the heart of the “crossroads of the world”. This included closing a lane of traffic for several weeks to accommodate the placement of the main set – Rick Weider’s mobile radio broadcast booth where he takes on the 11-day struggle to stay awake. No film has ever had this extensive shoot in Times Square.The mandate of the film was to create absolute authenticity. A custom-made soundproof windowed booth was built to allow live audio recording, eliminating the need for ADR. Literally thousands of “extras” were always on hand to give the film scope and realism. The majority of the film was shot using an ultra-fast 18mm Zeiss lens, creating a much bigger visual space within the confined setting. No green screens were used for any of the Times Square scenes. It is a true New York film.Canadian-born actor François Arnaud takes the lead role of radio DJ Rick Weider. He embraced the challenge of shooting on location in Times Square, having to undergo a difficult emotional journey in the middle of the intensity of New York’s famous landmark area. We always strove to be authentic and nothing is more real than portraying mental and physical torment in the midst of thousands of real people, the cacophony of the city and the dazzling neon lights all around.With the cooperation of New York City’s Mayor’s Office, The Times Square Alliance, a band of determined filmmakers, an exceptional cast and the enthusiasm of thousands of passersby who clamored to appear in the film, Rapid Eye Movement has become a unique and thrilling movie experience about pushing the limits of human endurance.Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, producer, actor, director and Emmy® winning show runner Danny Strong. Danny started his career as an actor in numerous classic films and TV shows such as Buffy The Vampire Slayer and Gilmore Girls, then transitioned into screenwriting, exploding onto the scene with his 2007 script Recount which was #1 on the Hollywood Blacklist and became an award winning HBO Film.Since then he has become a prolific film and TV writer, director and producer, garnering numerous awards for various projects, including two Emmys, a Golden Globe, two WGA awards, a PGA Award, and the Peabody Award.Through out his career he has shown a wide range and versatility moving between mediums and genres with films like the political docudramas Recount and Game Change, the civil rights epic The Butler and the big budget action blockbusters Hunger Games: Mockingjay (Part I and II).He co-created the smash hit TV show Empire which won him the NAACP Image Award and he produced the civil rights drama The Best of Enemies starring Taraji P. Henson and Sam Rockwell. He has also written numerous theater projects having made his theatrical debut with a new book to the musical Chess that premiered at the Kennedy Center.Strong transitioned into directing with several episodes of Empire. He made his feature directorial debut with Rebel in the Rye that premiered at the Sundance Film Festival and was distributed by IFC Films.Over the years he has continued his acting career with recurring roles in many highly acclaimed TV shows including Mad Men, Girls, Justified, Billions and The Right Stuff. He grew up in Manhattan Beach, California and attended the USC School of Dramatic Arts.Enjoy my enlightening conversation with Danny Strong.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now. I can't tell you how fun it was talking to Ian and Eshom.We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.Enjoy my conversation with filmmakers Ian and Eshom Nelms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.Franco is a wealth of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.Here's a bit about today's guest.Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and “Paid” starring Corbin Bernsen and Tom Conti.  Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were greenlit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends. Marta’s expansive and successful career includes creator, director, EP and showrunner credits on a number of television series, films, digital series and projects. In 2015, Kauffman started her production company, Okay Goodnight, with industry veteran Robbie Tollin and Hannah KS Canter. Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix’s longest-running original ever. The series has received multiple Emmy and SAG nominations and is premiering the final episodes of its seventh and last season later this year. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix. Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety’s TV Producers Impact Report for consecutive years in 2019 and 2020. Okay Goodnight and Kauffman currently have numerous projects in various stages of development at multiple networksThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have a director who shot a time travel feature film in two days, his name is Grant Pichla and his film is called Making Time. Making Time's 110 pages were shot in just two crazy, fast-paced days, separated by seven months and a house renovation.After traveling back in time, a divorced workaholic must repeat his past footsteps in order to return to an unaltered present but struggles when it means re-proposing to his ex-wife. How'd they shot​ a full movie in 2 days? This documentary series explains it all.This remarkable documentary is available on Indie Film Hustle TV. Grant and I discuss the insanity of shooting a film in two days, how he came up with this crazy idea, and what it took to put this beast together.Enjoy my conversation with Grant Pichla. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I can't be more excited to bring you this episode. On today's show, we have the legendary writer/director Alex Proyas, the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, and I, Robot.Alex Proyas had a huge influence on my filmmaking life. The Crow was one of those films I watch a thousand times, in the theater, when I was in film school. He began his filmmaking career working in music videos with the likes of Sting, INXS, and Fleetwood Mac before getting the opportunity to direct The Crow.The Crow was one of the first modern comic adaptations but as Alex puts it..."The Crow was my anti-comic book movie." - Alex ProyasBoth The Crow and Dark City had such a HUGE influence on films and filmmakers for years after their initial releases.Alex's films are visually dazzling and have the voice of a true artist. You can see a direct line from his genre-defining work to films like The Matrix, Alita: Battle Angel, Equilibrium, Underworld, The Dark Knight, Inception, and many others.I feel Alex's contributions to the visual aesthetics of modern cinema have been extremely undervalued. Director's like Christopher Nolan point at Alex's films as inspiration when he was putting together The Dark Knight Trilogy. The Matrix has Dark City visuals and style oozing from the screen.Alex and I discuss his career, working within the studio system, dealing with insane interference in his creative vision, why he is shooting short films at this stage of his career, his new film studio The Heretic Foundation, and his misadventures in Hollyweird.He has also launched a YouTube channel called Mystery Clock Cinema where he showcases his short films and amazing filmmaking tutorials, philosophies, and live streams.Prepared to be inspired. Enjoy my thoroughly entertaining conversation with filmmaker Alex Proyas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week, I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on. The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994. The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States. The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards. With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School. While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooper and Lady Gaga brought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Ali and Taraji P. Henson. The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft. Enjoy my conversation with Eric Roth.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Imagine you are in a film school and you make a student film. Then that student film get's seen by Steven Spielberg and he calls you into his office to offer you a deal to direct a feature film version of that short. Well, that is exactly how today's guests go his start.On the show, we have the legendary writer/director Kevin Reynolds. Kevin directed the worldwide blockbuster Robin Hood: Prince of Thieves, the epic Rapa Nui, and the infamous and misunderstood Waterworld.Kevin Reynolds made his big career leap from election lawyer and political speechwriter to pursue his childhood passion for writing - enrolling into film school at the University of Southern California.In 1980, Reynolds’s debut film Proof landed him a shot right out of USC to work with Steven Spielberg. The film was later produced as Fandango in 1985, written and directed by Reynolds.Five college buddies from the University of Texas circa 1971 embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures in Vietnam and otherwise.In 1991, Reynolds directed the $48 million action-adventure film of the time, Robin Hood: Prince of Thieves, that grossed $390 million worldwide. This action-filled fan favorite follows Robin and his Moorish companion’s adventure to England and his fight back against the Sheriff of Nottingham’s tyranny.He followed up Robin Hood with the epic Rapa Nui. The film the love between the representatives of two warring tribes changes the balance of power on the whole of the famous Easter Island. The film failed to find an audience in its initial release but has since become a cult favorite.His next directorial outing is the legendary Waterworld starring Kevin Costner. Waterworld was labeled the most expensive movie ever made ($175 million) until Titanic dethroned it a few years later. The press said it was the biggest flop of all time as well but nothing could be farther from the truth.When the film was finally released it made $264 million worldwide. The film went on to become one of the most valuable IPs in the Universal Studios library. The company created a theme park out of the film that has last over 25 years in multiple parks around the world and has generated hundreds of millions of dollars for Universal.In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.Reynolds’s critically acclaimed historical adventure film adaptation of The Count of Monte Cristo novel in 2002, which starred versatile actor James Caviezel, was a remarkable comeback project after a five-year hiatus. The film is about revenge after a man, falsely accused by three jealous friends, sought to avenge his wasted years of somewhat imprisonment serving a wealthy Italian cleric.Kevin and I discuss the highs and lows of directing in Hollywood, working with Steve Spielberg, his ever-changing relationship with friend Kevin Coster, how he dealt with directing Waterworld and so much more.Enjoy my conversation with Kevin Reynolds.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Well, I put out an episode back in 2019 putting my dream list of guests out into the universe, and in the past four months, I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today.We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. As a bonus, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos, the filmmaker behind the film I Dream Too Much. If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood ecosystem.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career, Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical undercurrent to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw, and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells a long and transformative coming-of-age story over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between becoming transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Cat which premiered at SXSW.  Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990).  She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film: Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC two hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today. As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV. Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards. Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!Let’s get into the chat, shall we?Enjoy my entertaining conversation with David Chase.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.His new book Anatomy of Genres is NOW Available!A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers who want to succeed professionally must write the stories these businesses want to buy. Simply put, the storytelling game is won by mastering the structure of genres.The Anatomy of Genres: How Story Forms Explain the Way the World Works is the legendary writing teacher John Truby’s step-by-step guide to understanding and using the basic building blocks of the story world. He details the three ironclad rules of successful genre writing, and analyzes more than a dozen major genres and the essential plot events, or “beats,” that define each of them. As he shows, the ability to combine these beats in the right way is what separates stories that sell from those that don’t. Truby also reveals how a single story can combine elements of different genres, and how the best writers use this technique to craft unforgettable stories that stand out from the crowd.Just as Truby’s first book, The Anatomy of Story, changed the way writers develop stories, The Anatomy of Genres will enhance their quality and expand the impact they have on the world.Enjoy my conversation with John Truby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, producer, director, actor, and Filmtrepreneur Steven Luke. Steven and I discuss how he attaches bankable movie stars like Dolph Lundgren, Mickey Rourke, Chuck Liddell, James Cromwell, Thomas Jane, Sam Worthington, Tom Berenger, Ron Perlman, and Billy Zane to his independent films. We also discuss his misadventures in film distribution, how he presells his films and if he actually makes any money with film distributors.Steven also has a Filmtrepreneur mind when it comes to his film productions. He has found his niche, war films. Understanding his niche market he uses the films he produces to advertise his company Man the Line. It is the internet’s number one source of recreating war!Man the Line is a small South Dakota business offering original militaria and quality reproduction uniforms and headgear for collectors, reenactors, and film productions. By doing this Steven has created additional revenue streams for himself by using his films. This is the Filmtrepreneur way.His most recent works include "Souvenirs" starring Academy Award nominee James Cromwell and "The Deep End," for which he earned a Best Actor recognition at the 2011 Fischgaard Short Film Competition.Steven's work in the short film 'Paper People,' has also earned him the Best Actor in a Short film, for the 2012 Best Actors in a Film Festival. When not in front of the camera, Steven utilizes his skills as a historic military technical adviser and supplier for the motion picture and television industries.Enjoy my conversation with Steven Luke.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

On today's show, I'm going to discuss screenwriting scams that ALL screenwriters should be aware of and avoid at all costs. It never surprises me how predatory people can be with screenwriters and filmmakers in this business.I did an episode exposing ways screenwriters can get screwed on writing assignments. I do a deep dive into each of the following scams in the show.The Free Option - Optioning your screenplay for freeAgent Reading FeesScript Consults That Ask for a Backend CutScreenwriting Marketing ServicesScreenwriting Contests - PromisesScreenwriting Contests - Milking TechniqueGhost Writing ScreenplaysAny Deal That Gives Your Rights AwayRepresentation Retainer FeeScreenwriting Contests Warning SignsStay safe out there guys. Sharks are everywhere. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have producer Bradley Gallo. His production company, Amasia Entertainment, is behind the upcoming Wild Mountain Thyme, starring Emily Blunt, Christopher Walken, Jon Hamm, and Jamie Dornan.His 2019’s Official Sundance Selection Them That Follow, starring Olivia Coleman, Jim Gaffigan, Walton Goggins, Kaitlyn Dever, Lewis Pullman, Alice Englert, and Thomas Mann is now on Showtime.Amasia has also recently acquired the rights to the Green Hornet franchise. Bradley's other credits include Mr. Rightwith Anna Kendrick and Sam Rockwell (available on Netflix); The Call with Halle Berry; and Careful What You Wish Forwith Nick Jonas and Dermot Mulroney.Bradley and I discuss the ever-changing film marketplace, how he is positioning his new project to adapt to the new rules of the game, and much more.Enjoy my conversation with Bradley Gallo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guests this week are stars from the early 2000s teen drama television hit show, One Tree Hill, James Lafferty, and Stephen Colletti. The buzz the show had was undeniable, and if you were a fan of the show, then you would be glad to know that your favorite characters, Nathan Scott and Chase Adams have a new project together and they talk all about it this week’s episode. But first, a summary of our guests’ track records in the industry. Both James and Steven landed their first acting gigs in their late teens and have since expanded their skills to writing, producing, and directing. James, started out as a series regular on One Tree Hill in 2003, having appraised one of the lead roles of the show for which he was nominated four times by the Teen Choice Awards. Actor and television personality. Stephen joined as a regular after recurring his role as Chase Adams since the show’s premiere.Half-brothers Lucas and Nathan Scott trade between kinship and rivalry both on the basketball court and in the hearts of their friends in the small, but not so quiet town of Tree Hill, North Carolina. Here’s a first look at the characters in its pilot episode:Steven has consistently worked in film and television hosting MTV specials Beach House, Spring break and the VMAs backstage live among others. He’s made appearances on TV shows MTV reality television series Laguna Beach: The Real Orange County, VH1 2013 romance drama, Hit The Floor, and Taylor Swift’s White Horse music video.Between 2009 to 2012, James began testing out the directing pond. He directed four episodes of the nine-season run of One Tree Hill and five episodes of The Royals, which he played another lead role on. In 2016, he briefly graced our screens in six episodes of Underground, the series, as Kyle Risdin.With the country on the brink of the Civil War, the struggle for freedom is more dangerous than ever. Underground follows the story of American heroes and their moving journey to freedom.The guys creatively reunited to create an original comedy television series, Everyone Is Doing Great that’s streaming on Hulu. They co-directed, produced, and wrote the show.  What was remarkable was that they sold an independently produced show to a major streamer, which never happens. We dive in on how they were able to do that. The seven episodes show follows Seth and Jeremy, two guys who enjoyed relative success from 'Eternal', a hit television vampire drama. Five years after their show has ended, they lean on each other as they struggle to reclaim their previous level of success and relevance, awkwardly navigating the perils of life and love amidst a humorously painful coming of age.  I had lots of laughs with these two and can’t wait for you to listen.Enjoy my conversation with James Lafferty & Stephen Colletti.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have award-winning producer, film executive, educator, and industry story analyst Christopher Lockhart. Christopher is renowned for his script editing acumen. He has read over 60,000 screenplays.  He is also an award-winning filmmaker and member of the WGA, PGA, and the Television Academy.Chris got his start at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr.He later moved to the venerable William Morris Agency, which merged with Endeavor to form WME.  At WME Chris has worked on award-winning projects for A-list clients like Denzel Washington, Russel Crowe, and Rachel McAdams among others.Chris branched off into film producing with the cult horror hit The Collector and its sequel The Collection, which opened in the top ten American box-office.   He wrote and produced the award winning documentary Most Valuable Players, which was acquired by Oprah Winfrey for her network.  Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.As an educator, Lockhart shares his talent and 30+ years of industry experience as an adjunct professor at Screenwriting program and at UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television and earned him an Emmy Award nomination.Chris and I also teamed up for a new webinar from IFH Academy called How to Become a Hollywood Script Reader from Industry InsidersHOW TO BE A HOLLYWOOD READER is a webinar focusing on the secrets of one of Hollywood’s most vital and mysterious jobs. A reader evaluates screenplays and stories, practicing quality control through “coverage” – a written report that judges creative success. The reader wields huge influence that empowers Hollywood chiefs to greenlight film, television, and new media.This webinar examines the core components of coverage, how to write it, and provides tools and pro tips to navigate the reading profession – led by two preeminent Hollywood readers. By pulling back the curtain on this creative process, the webinar also gives writers, directors, actors, and producers a rare look inside the mind of those who decide the fate of their material. Chris prioritizes emotionality and his client's character role and development ahead of the overall story solidity. He shared some tips for new writers, some lessons learned from bad scripts, what goes on behind the agency curtain and the blessing of untapping a story's best version from re-writes.Enjoy my conversation with Christopher Lockhart.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we welcome back returning champion the legendary director John Badham. If you didn't already know John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80's hits like War Games, Short Circuit, & Stakeout to 90's action classics like Bird on a Wire, Point of No Return, Nick of Time, and Drop Zone.John's second edition of his second book continues with more stories from filmmakers and actors working in TV, movies, and streaming content.John Badham on Directing also includes sections detailing methods for working with action and suspense, hallmarks of Badham's Filmography, as well as a 12 step "Director's Checklist" for comprehensively analyzing any scene and how best to approach it with your actors.Sit down and get ready to take a TON of notes on this epic conversation with John Badham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I have been a fan of today’s guest since I first saw his mind-blowing film, Night Watch years ago. Timur Bekmambetov is an established director, producer, and writer who has built a name for himself both in his home country, Russia, and here in the U.S., making films, music videos, and commercials. At first glance at his film, I became obsessed with Timur’s work and his filmmaking style.He is the producer and director of Day Watch (2006), Wanted (2008), Abraham Lincoln Vampire Hunter (2012), Profile ( 2021), and many many more.Timur is a jack of all trades. His journey in the industry started with theater production design and soon he got the directing bug. While honing his directing skills, he took up producing which then led to movie production.  One of my favorite of his films is the genre-bending Wanted, starring Angelina Jolie, James McCovey, and Morgan Freeman.Wesley Gibson (James McAvoy) is an office worker whose life is going nowhere. After his estranged father is murdered, he meets Fox (Angelina Jolie), who recruits him into the Fraternity, a secret society of assassins that takes its orders from Fate itself. Fox and Sloan (Morgan Freeman), the Fraternity's leader, teach Wesley to tap into dormant powers. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.Abraham Lincoln is reinvented as a vampire-killing president in this Timur Bekmambetov-directed action picture starring Benjamin Walker, Mary Elizabeth Winstead, Rufus Sewell, and Dominic Cooper. Pride and Prejudice and Zombies author Seth Grahame-Smith adapts his own book for 20th Century Fox. Tim Burton produces alongside Bekmambetov and Jim Lemley.Timur's latest project is Profile. The film was initially released in Russia in 2018 and is set to be released in the US on May 14, 2021.Based on Anna Erelle's non-fiction book, In The Skin of a Jihadist, the film contextualizes our digital life and fears. It explores the role of digital spaces in the recruitment of young European Women by ISIS. British journalist, Amy Whittaker sets on this investigation by creating a Facebook profile under the alias of Melody Nelson along with a persona online of a woman who has recently converted to Islam. The results are thrilling and eye-opening.Profile was shot in a new film language called Screenlife.What is Screenlife?Screenlife is a new format of visual content that has grown from independent projects to full-length, world-renowned films, documentaries, and TV shows. Its main idea is that everything that the viewer sees happens on the computer, tablet, or smartphone screen. All the events unfold directly on the screen of your device. Instead of a film set — there’s a desktop, instead of the protagonist’s actions — a cursor.If you are involved in video production, cinema, or even video games, Screenlife is a new expressive environment for you, the potential of which is yet to be discovered. Before your eyes, there will be new tools to work with, such as the screen life recorder.Bekmambetov produced the Screenlife film Unfriended, in which the action takes place on the screens of protagonists’ computers. With a budget of only $1 million, the movie raised $64 million at the box office worldwide. This new film language is extremely exciting. Timur and I discuss Screenlife, his visual style, his directing process, Hollywood politics, and much more.Enjoy my conversation with Timur Bekmambetov.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg.John has been named by American critic Roger Ebert as"one of the few genuinely independent American filmmakers",which John modestly denies!John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.John also discusses his career path, including his decision to become a screenwriter, the difficulties he faced working as a screenwriter in Hollywood and his experience of writing for other directors such as Steven Spielberg.John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Sundance-winning producer Jonathan Baker. His new film Sylvie's Love is the talk of Sundance 2020. Sylvie's Love is an upcoming American drama film, written and directed by Eugene Ashe. It stars Tessa Thompson, Nnamdi Asomugha, Ryan Michelle Bathe, Regé-Jean Page, Aja Naomi King, and Eva Longoria. It will have its world premiere at the Sundance Film Festival on January 27, 2020.Jonathan is a wealth of information. In the episode, I pick his brain on what it was like winning the audience award at Sundance, how the indie film market place is changing, and much more. His last Sundance-winning film was Crown Heights which was later sold to Amazon Studios.In 1980, police in Brooklyn, N.Y., wrongfully charge Trinidadian immigrant Colin Warner with murder. Convicted for a crime he didn't commit, Colin spends 20 years in prison while his friend Carl King fights for the young man's freedom.He made his directorial debut with the stoner comedy Manifest Destiny Down: Spacetime. Check out the trailer below.In this absurdist satire, an awkward OCD physics genius and a hot ex-Catholic sorority girl wake up after blacking out Halloween night to discover they missed the evacuation of Earth. A mysterious agent pursues the feuding couple as they figure out how to work together to solve the recently entangled multi-verse and ultimately try to save humanity from AI.Here's a bit more info on today's guest.Jonathan Baker (JB) is an independent filmmaker, adjunct professor, and artistic coach. His company JB Productions, Inc. has many partnerships with artists JB develops and produces. He is a member of the Producer's Guild of America.JB worked at Sony Pictures Entertainment, first in television research, then at Screen Gems and TriStar Pictures as Marketing Manager. He marketed over forty major theatrical releases, of which ten films achieved #1 at the box-office status. He Co-Producer the documentaries Fang vs. Fiction (airing on AMC), The Real Exorcist (A & E), and Real Premonitions (A & E). Films of note include Closer (dir. Mike Nichols), Adaptation (dir. Spike Jonze), Big Fish (dir. Tim Burton), Boogeyman (#1 at the box office), Underworld (#1 at the box office), In The Cut (dir. Jane Campion), You Got Served (#1 at the box office), the Resident Evil franchise, and Exorcism of Emily Rose. While at TriStar, Lords of Dogtown (dir. Catherine Hardwicke), Oliver Twist (dir. Roman Polanski), Running with Scissors (dir. Ryan Murphy) and Silent Hill.Johnathan's new film The Banker starring Sam Jackson and Anthony Mackie comes out March 2020 on Apple TV+.Two African American entrepreneurs in the 1950s hire a white man to pose as the head of their company while they posed as a janitor and a chauffeur and ran the business.Enjoy my conversation with Jonathan Baker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer/director Martin Villeneuve. Martin is the filmmaker behind the impossibly epic Canadian sci-fi film Mars et Avril. Martin didn't have the $100 million+ budget needed to produce a film of this epic size. He used his skills, hustle, and passion to bring the film to life.Mars & Avril is probably the first Québécois film to be adapted from two graphic novels. It is set in a futuristic Montreal where humanity is preparing to set foot on the planet Mars. The charismatic musician Jacob plays on musical instruments inspired by the female form and designed by his best friend Arthur. Both men fall in love with Avril, a young photographer who has problems with her breathing.This original cosmic fairy tale brings together the themes of art, spirituality, the world of inventions, and love; and it’s here that distinguished Canadian filmmaker Robert Lepage returns to the silver screen – as a hologram.The film received 10 nominations including one for “Best Adapted Screenplay” at the Canadian Screen Awards, and toured in 20 festivals worldwide, starting with a World Premiere in Karlovy Vary. “Mars & Avril” has been described by io9 as“one of the most beautiful, and immersive, sci-fi worlds ever put on film.”His TEDTalk is an absolute must for any filmmaker who wants to get the filmmaking juices flowing. In this inspiring talk, he explains the various ways he overcame financial and logistical constraints to produce his unique and inventive vision of the future in Mars et Avril.And I know you are all wondering, yes Martin is the younger brother of famed director Denis Villeneuve. It was a pleasure chatting with Martin. He is truly an inspiration.Enjoy my conversation with Martin Villeneuve.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have award-winning filmmaker, actress, author, speaker, women in film activist and force of nature Naomi McDougall Jones. Many of the IFH Tribe might remember Naomi from her first appearance on the show talking about her distribution adventures with her film Bite Me. You can listen to that episode here: Making Money Self Distributing Your Indie Film with Naomi McDougall JonesBite Me, is a subversive romantic comedy about a real-life vampire and the IRS agent who audits her. The film premiered at Cinequest, won Best Feature Film at VTXIFF, and then went on to the innovative, paradigm-shifting Joyful Vampire Tour of America in summer 2019, a 51-screening, 40-city, three-month, RV-fueled eventized tour that involved Joyful Vampire Balls, capes, a docu-series and a whole lot of joy. Naomi's first book, The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood, is now available wherever books are sold in hardcover, audiobook, and e-book. It debuted as the #1 New Release on Amazon. It is a brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard.Naomi has been a vocal advocate for bringing gender parity to film, both on and off-screen. She has spoken at film festivals and conferences around the world and written extensively on this subject. Naomi's TEDTalk on these issues and what to do about them, “What it's Like to Be a Woman in Hollywood, has been viewed over a million times. Enjoy my eye-opening conversation with Naomi McDougall Jones. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Ever wanted to know how to build a large following on social media? Today's guest Brendan Kane was able to get over 1 million followers in 30 days. His new book, One Million Followers: How I Built a Massive Social Following in 30 Days breaks down how he was able to achieve such a feat. Brendan Kane is a growth hacker for Fortune 500 corporations, brands and celebrities. He thrives on helping brands systematically find and engage new audiences who reward relevant content, products and services with their attention and spend.Over 60 billion online messages are sent on digital platforms every day, and only a select few succeed in the mad scramble for customer attention.This means that the question for anyone who wants to gain mass exposure for their transformative content, business, or brand or connect with audiences around the globe is no longer if they should use social media but how to best take advantage of the numerous different platforms.How can you make a significant impact in the digital world and stand out among all the noise?Digital strategist and “growth hacker” Brendan Kane has the answer and will show you how—in 30 days or less. A wizard of the social media sphere, Kane has built online platforms for A-listers including Taylor Swift and Rihanna. He’s advised brands such as MTV, Skechers, Vice and IKEA on how to establish and grow their digital audience and engagement. Kane has spent his career discovering the best tools to turn any no-name into a top influencer simply by speaking into a camera or publishing a popular blog—and now he’ll share his secrets with you.In One Million Followers, Kane will teach you how to gain an authentic, dedicated, and diverse online following from scratch; create personal, unique, and valuable content that will engage your core audience; and build a multi-media brand through platforms like Facebook, Instagram, YouTube, Snapchat, and LinkedIn.Enjoy my conversation with Brendan Kane.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.Enjoy my spooky conversation with Jeffrey Reddick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This successful American screenwriter of comedies, many of which are remakes or adaptations of novels (i.e., "Brewster's Millions" 1985, "Pure Luck" 1991), had worked in collaboration with Timothy Harris. The Wisconsin-born Herschel A. Weingrod and his British-born partner have generally met with commercial approval for their efforts like "Twins" (1988) and "Kindergarten Cop" (1990), both of which benefited from headliner Arnold Schwarzenegger."Falling Down" (1993), which they co-produced, also became a box-office success, but their only real critical success to date has been "Trading Places" (1983), which paired Dan Aykroyd and Eddie Murphy.He has written and co-written a number of Hollywood blockbusters including Space Jam with fellow writer Timothy Harris.Enjoy my conversation with Herschel Weingrod.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today’s guest Eduardo Sanchez goes back to the late 90’s and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood…for a period of time.We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.Who hasn’t heard of the now legendary indie film rags to riches tale of  The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called “found footage.” Without The Blair Witch Project, there is no Paranormal Activity, Cloverfield, The Last Exorcism.The marketing of The Blair Witch Project was equally as important as the film itself. Below you can watch the FAKE documentary that helped fuel the belief that the Blair Witch Curse was real and that the kids in the movie were dead.Just BRILLIANT marketing!Enjoy my conversation with Eduardo Sanchez.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I was glad to take a deep dive into the deep end of horror screenwriting with writer and producer, Devin Watson, notably known for writing and producing The Cursed (2010) which was the first draft he wrote in only two days. He’s also written several books, the latest of which is Horror Screenwriting: The Nature of Fear. Horror has, among all of the genres in film and written works, one of the longest, most distinguished, and often misunderstood bloodlines in history. It is often overlooked by critics who don't see anything more than blood and guts on the screen or a collection of cheap scares.But what is missed is the hard-hitting commentary on society and life contained in those works.Devin got his start working with the website, 'moviepartners.com' in the late 90s which was one of the first websites out there that really had any kind of information on independent filmmaking.Eventually, he decided to try out writing some scripts. But reading what every he could find to prepare him for scriptwriting. He was influenced in a big way by Lew Hunter's book, Screenwriting 434. Here, Lew Hunter shares the secrets of his course on the screenwriting process by actually writing an original script, step by step in Screenwriting 434.When he felt ready, Devin wrote his first five scripts, all of which turned out not very good. Not until November 2006 that he wrote a script in 2 days for his friend, Phil Melfi. That was when he felt confident in his work. That script became his debut production and writing, The Cursed, which is still a sci-fi channel Halloween rotation regular.Devin’s book Horror Screenwriting really dives into the craft of horror and screenwriting pretty deeply.Enjoy my conversation with Devin Watson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.Enjoy my eye-opening conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Guy Edward Pearce was born 5 October, 1967 in Cambridgeshire, England, UK to Margaret Anne and Stuart Graham Pearce. His father was born in Auckland, New Zealand, to English and Scottish parents, while Guy's mother is English. Pearce and his family initially traveled to Australia for two years, after his father was offered the position of Chief test pilot for the Australian Government. Guy was just 3-years-old. After deciding to stay in Australia and settling in the Victorian city of Geelong, Guy's father was killed 5 years later in an aircraft test flight, leaving Guy's mother, a schoolteacher, to care for him and his older sister, Tracy.Having little interest in subjects at school like math or science, Guy favored art, drama and music. He joined local theatre groups at a young age and appeared in such productions as "The King and I", "Fiddler on the Roof" and "The Wizard of Oz". In 1985, just two days after his final high school exam, Guy started a four-year stint as "Mike Young" on the popular Aussie soap Neighbours (1985). At age 20, Guy appeared in his first film, Heaven Tonight (1990), then, after a string of appearances in film, television and on the stage, he won the role of an outrageous drag queen in The Adventures of Priscilla, Queen of the Desert (1994).Most recently, he has amazed film critics and audiences, alike, with his magnificent performances in L.A. Confidential (1997), Memento (2000), The Proposition (2005), Factory Girl (2006), The Hurt Locker (2008), The King's Speech (2010) and the HBO mini-series, Mildred Pierce (2011). Next to acting, Guy has had a life-long passion for music and songwriting.Guy likes to keep his private life very private. He lives in Melbourne, Australia, which is also where he married his childhood sweetheart, Kate Mestitz in March 1997.His latest film The Infernal Machine is a psychological thriller feature film, written and directed by Andrew Hunt. The film released on September 23, 2022.Bruce Cogburn, a reclusive and controversial author of the famed book "The Infernal Machine," is drawn out of hiding when he begins to receive endless letters from an obsessive fan. What ensues is a dangerous labyrinth as Bruce searches for the person behind the cryptic messages, forcing him to confront his past and ultimately reveal the truth behind the book.Please enjoy my amazing conversation with Guy Pearce.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Let’s pivot a bit, shall we? I have with me today, entertainment triple threat, Iliza Shlesinger. The award-winning standup comedian, actor, writer, producer, and author, is one of the most natural entertainers there is, out here. Her new film Good on Paper premieres on Netflix on June 23.After years of putting her career ahead of love, stand-up comic Andrea Singer has stumbled upon the perfect guy. On paper, he checks all the boxes but is he everything he appears to be?The Girl Logic author has not allowed the pandemic to slow her down. She’s appeared in eight films between 2020 until now and executive produced her six-part series, The Iliza Shlesinger Sketch Show.  A secret world filled with absurd characters, insight into the female experience, and irreverent yet poignant social commentary. Shlesinger’s comedic genius has catalysized her very successful career – currently streaming five specials on Netflix, including her 2018 masterpiece, Elder Millennial which remains a top contender on Netflix’s 2021 best standup comedy specials list.Besides being known as a phenomenal comedian, Shlesinger shared more strength and fearlessness in her 2018 book Gil Logic: The Genius and the Absurdity to empower other women and girls. Girl Logic is a characteristically female way of thinking that appears contradictory and circuitous but is actually a complicated and highly evolved way of looking at the world. The fact is, whether you’re obsessing over his last text or the most important meeting of your career, your Girl Logic serves a purpose: It helps push you, question what you want, and clarify what will make you a happier, better person. Girl Logic can be every confident woman’s secret weapon, and this book shows you how to wield it.Enjoy my entertaining conversation with Iliza Shlesinger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This is one of the most insane stories I've ever had on the show, and I have a small part in making it happen. In 2008, Sacha Gervasi made his documentary directorial debut and executive produced Anvil! The Story of Anvil. Anvil! The Story of Anvil is a 2008 Canadian rockumentary film about the Canadian heavy metal band Anvil. The film is directed by screenwriter Sacha Gervasi, in his directorial debut, and features interviews with other musicians who have been influenced by the band, including Slash, Tom Araya, Lemmy, Scott Ian, and Lars Ulrich.The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.I was invite to a screening at Sacha's house to watch Anvil in 35mm. After the film I told Sacha you should rerelease it to the world because the planet needs this film right now. Well he did just that and man did he ever.Enjoy my entertaining conversation with Sacha Gervasi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Kaye Singleton is an award-winning writer, producer, and actress that is well on her way to making her own footprint in this industry, or as the much-respected Tyler Perry would say, created her own seat at the table. As a multi-faceted creative talent, she is committed to telling culturally authentic stories for, about, and that explore, the beautifully diverse experiences of Black Women.To date, as an actress she has taken on a variety of roles on hit shows and films. She's best known for her series regular role beginning in Season 3 of Tyler Perry's The Oval on BET as Simone, the beautiful, smart, and cunning wife of the Vice President of the United States, and her Six Season recurring role as the long-suffering, loyal - but problematic - "Josie" on Saints & Sinners, BounceTV's #1 Show. She's also had memorable roles on Sistas (BET), Claws (TNT), Don't Waste Your Pretty (TV One), Tales (BET), American Soul (BET), and Dumplin (Netflix).In 2020, Kaye secured her first production deal as a first-time Showrunner and Creator for the highly-rated anthology series - Covenant'' which premiered on October 14th, 2021 on AMC's allblk. Covenant's unique take on bible stories is a stand out for the network as it's quoted to "create a world of thrilling, suspenseful drama where characters and stories of the bible are thrust into a vicious dystopia of present-day, real-life situations. Each episode will reimagine a classic story as it would take place in the modern world - challenging viewers to examine how sacred lessons of faith and love fit into today's society.Enjoy my epic conversation with Kaye Singleton.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is 80s star, multiple-awards film, and theater actor, and activist, Edward James Olmos.Olmos’s roles in films or TV shows like Stand and Deliver, Battlestar Galactica, broadway musical and film Zoot Suit, Blade Runner as detective Gaff, and many others are some of the most memorable of all time and he’s still dominating our screens.While I could not resist talking about his iconic roles over several decades, we mainly discussed Olmos’ new must-see film, Chasing Wonders.The picturesque Australian/British drama was the official selection at the Adelaide film festival in 2020. The beautiful cinematography of the film was shot over a five years period to authentically capture the coming of age story by screenwriter, Judy Morris. Chasing Wonders is a story of hope, possibility adventure, and overcoming your past – a heart-warming story of a young boy, who, encouraged by his grandfather (Olmos) to live a life of hope and possibility, takes off on the adventure of a lifetime to find the magical Emu Plains. His journey through the lush landscapes of Australia and Spain leads him to the heart of the human condition – learning to acknowledge the complexity of what comes before us but struggling not to be defined by the past.The Hollywood Walk of Famer earned an Academy nomination for Best Actor in the 1988 drama, Stand and Deliver. He gave a stellar lead performance as Bolivian- American educator Jaime Alfonso Escalante Gutiérrez.Olmos filmography is quite extensive. Literally, the man has stayed booked and busy since 1974. He’s appeared in over 130 films, TV shows, and plays.One of his outstanding roles is perhaps,  Lieutenant Martin Castillo in the Miami Vice (1984) as a series regular. A fan-favorite for sure.But if we do talk about Lieutenant Castillo we must mention Olmos’ role as Detective Gaff in Blade Runner (1982) and a brief reprise in the sequel Blade Runner 2049 (2017). Gaff is the Los Angeles police officer who detains and escorts Deckard (Harrison Ford) throughout his mission as a ‘Blade Runner’ to track down bioengineered humanoids known as replicants and terminally “retire” them.Olmos showed the world his versatility in both the Broadway play and film adaptation of the musical comedy, Zoot Suit. The story weaves the real-life events of the Sleepy Lagoon murder trial – resulting in the racially fueled Zoot Suit Riots throughout Los Angeles. Olmos portrays El Pachuco, an idealized Zoot Suiter, who functions as narrator throughout the story and serves as Henry’s conscience in both adaptations.Honestly, I could go on and on down Olmos’ filmography, but we can’t spotlight all of his other spectacular films right now. So, let’s get into this interview, shall we?Don’t forget to click the links in the show notes to watch Chasing Wonders.Enjoy my epic conversation with Edward James Olmos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Naomi Beaty is a screenwriting teacher, screenplay consultant, and former development exec with 10+ years in the entertainment industry.Naomi is based in Los Angeles, CA. She has worked on American productions and on projects in Taiwan and Australia, including the feature film "Ghost Boy", based on the novel by award winning Australian author Felicity Pulman, produced by Morning Starr Productions.Earlier, Naomi worked on the other side of the desk at Madonna and Guy Oseary's Maverick Films, where she helped develop projects including "Twilight" and "Percy Jackson".She just released her new book "The Screenplay Outline Workbook".The Screenplay Outline Workbook is designed to give you a clear and manageable set of tools, steps, and exercises so you can turn your ideas and inspiration into an outline and write your best screenplay – whether it’s your first or your tenth.With this workbook as your guide, you can start with just an inkling of an idea – or nothing at all, even! – and end up with a solid story premise, compelling characters, and an outline that provides a blueprint for writing an emotionally satisfying screenplay.Inside you’ll find enough instruction and theory so that you know what you need to know, but not so much that it overwhelms you before you even get started. Room to work through your story ideas and collect your notes and flashes of brilliance. A place to organize what you discover about your story as you develop it so that you can easily reference it when needed.Use the workbook to design a new story from scratch, or jump straight to the topic you need to get your work-in-progress unstuck. With 30+ tools, exercises, and prompts honed through years of teaching workshops and working one-on-one with writers, this workbook will help you:Generate new story ideasChoose a strong idea as the first step in writing a great screenplayBuild a sturdy foundation for your screenplay by finding the essential elements of the storyDiscover the organic three act structure and major plot points that create the framework for the story and screenplayDesign compelling characters that help push the protagonist along a meaningful character arcTry one or more suggested outlining methods for mapping out your story…and so much more!The workbook lays out a process that’s flexible enough that you can use it for every screenplay you write, yet designed to specifically address the issues readers commonly find in aspiring screenwriters’ screenplays.With each exercise, you’ll explore ideas and make choices to build your story, piece by piece. You’ll craft an outline that does all the heavy lifting, and be confident in the story you’re telling – which frees you to get creative with characters and dialogue, and discovering the kind of magical, cinematic moments that made us all fall in love with movies in the first place.If you’ve tried to write a screenplay before but found yourself stuck somewhere in Act 2, having an outline that serves as a map of your screenplay can make all the difference. Consider this workbook the wise but gentle guide that will meet you where you are and lead you to your destination so you can finally make real progress turning the movie in your head into a fully developed story that you’re ready to set down onto the screenplay page.When you’re done you’ll have more than an outline — you’ll have a rock-solid foundation for your screenplay.Please enjoy my conversation with Naomi Beaty.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I had the pleasure of watching acclaimed director, Edson Oda's knockout feature directorial debut, Nine Days. And I absolutely loved it. With the COVID shock, the world has experienced and still going through, this film centers the conversation of existentialism and depicts it quite distinctly. Oda's supernatural drama film, Nine Days was shot at the peak of the Pandemic in isolated Utah, starred Black Panther's star, Winston Duke, Zazie Beetz, Benedict Wong, Tony Hale, Bill Skarsgård, David Rysdahl, and Arianna Ortiz.The film is about an interviewer named Will, who spends his days in a remote outpost watching the live POV on TVs of people going about their lives. He interviews five unborn souls to determine which one can be given life on Earth, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates - unborn souls - arrive at Will's to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma, a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.Oda who is a Sundance Screenwriters Lab Alumni took the film home (to Sundance) and premiered Nine Days there in January 2020. It went on to win the Waldo Salt Screenwriting Award in February of 2020 and earned two Independent Spirits Awards nominations.The Japanese-Brazilian director and writer made his start in São Paulo advertising scene and later completed his master’s at USC in Film and Production. Oda has produced and directed several films, commercials, and music videos. In 2013, he directed and wrote a short film, Malaria which is about a young mercenary who is hired to kill Death. Malaria combines Origami, Kirigami, Timelapse, nankin illustration, Comic Books and Western Cinema.Besides top-notch commercials for companies like Philips, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda, Nokia, he's also a Latin Grammy-nominated director for best music video Tempos de Maracujá.Nine Days was released in the US on July 30th, 2021 and I am excited to see how well-received it is about to become. I am predicting it may even win an Academy Award. Yes. It is that fantastic!Please enjoy my conversation with Edson Oda.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Kim Hudson grew up in the Yukon, a Hero’s daughter with a Cinderella Complex. Basically life taught her many of the things ahe needed to know to write this book. Kim spent the first half of her career exploring her masculine side, first as a field geologist and later as a federal land claims negotiator. Exploring her feminine side became important to her as she raised her two daughters. This lead me to study Writing for Film and Television at Vancouver Film School, and take courses on mythology, feminism and psychology including a Jungian Odyssey in Switzerland. This theory was developed by closely observing the archetypal expressions that are all around us in movies, music, television, advertisements and stories of personal growth, including her own. The Virgin’s Promise is her first book.The Virgin’s Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin’s Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin’s Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action. Please enjoy my conversation with Kim Hudson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Aitch Alberto is a writer/director born and raised in Miami, Florida. She is a Sundance Episodic Lab fellow, recipient of a Skowhegan Artist Residency, a Yaddo fellowship, a Latino Screenwriting Project Fellowship, and an alumnus of the Outfest Screenwriting Lab. Aitch has written on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and WBTV.She also served as a writer on AppleTV+’s BAFTA and Film Independent Nominated anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Most recently, Aitch has adapted and directed the award-winning young adult novel ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE with Lin-Manuel Miranda and Eugenio Debrez producing, from Limelight.Aristotle and Dante Discover the Secrets of the Universe is a 2022 coming-of-age romantic film that is an adaptation of the 2012 novel of the same name by Benjamin Alire Sáenz. Aristotle and Dante had it premiere at the 47th Toronto Film Festival on September 9, 2022.She has been included on The Black List's inaugural Latinx List, as well as the Tracking Board's Hit List and Young & Hungry List, and NALIP's list of "Latinx Directors You Should Know". Aitch has most recently been featured on Variety’s 10 Directors To Watch for 2022 and Indiewire’s 22 Rising Female Filmmakers to watch in 2022.Enjoy my conversation with Aitch Alberto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Robert McKee, A Fulbright Scholar, is the most sought after screenwriting lecturer around the globe. He has dedicated the last 30 years to educating and mentoring screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors internationally. Those who have learned from McKee have called him "the Aristotle of our time" because of his insight into the substance, structure, style, and principles of the grand art of story.Peter Jackson (writer/director of The Lord of the Rings Trilogy, The Hobbit) has lauded him as "The Guru of Gurus." For the writers of Pixar (creators of Toy Story 1, 2, & 3, Finding Nemo), McKee's Story Seminar is a rite of passage. Emmy Award-Winner Brian Cox also portrayed McKee in the Oscar-nominated film Adaptation.McKee's former students include over 60 Academy Award Winners, 200 Academy Award Nominees, 200 Emmy Award Winners, 1000 Emmy Award Nominees, 100 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, and 50 DGA (Directors Guild of America) Award Winners, 100 DGA Award Nominees.A winner and nominee of BAFTA for his popular Channel Four series Reel Secrets, McKee also wrote and hosted 12 episodes of BBC's Filmworks series. He was profiled by Bob Simon of 60 Minutes for CBS news.McKee's articles on Story have also appeared in hundreds of newspapers and magazines around the world including Harvard Business Review, The Wall Street Journal, Vanity Fair, The New Yorker Magazine, Swiss Business Magazine, Sueddeutsche Zeitung, CBS Morning News, BBC, Channel 4 in UK, RAI (Italy), CBN Weekly News & Morning Glory (China), MBC TV, KBS & Arirang TV, Korea Times (South Korea), Kiev Weekly, Kultura Moscow, all major TV, Radio and/or newspapers of Argentina, Australia, Belgium, Brazil, Canada, Chile, Colombia, Germany, France, India, Israel, Mexico, New Zealand, Portugal, Russia, Turkey, Singapore, South Africa, Sweden, and Switzerland and given seminars in all of the above countries.Since 1984, more than 100,000 students have taken McKee's courses at various cities around the world: Los Angeles, New York, London, Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Tel Aviv, Auckland, Singapore, Madrid, Beijing, Shanghai, Barcelona, Lisbon, Malaga, Hamburg, Berlin, Johannesburg, Rome, Stockholm, São Paulo, Santiago, Buenos Aires, Bogota, Beijing, Brussels, Rio de Janeiro, Moscow, Seoul, Istanbul, Hyderabad, Mexico City and many cities regularly.McKee continues to be a project consultant to major film and television production companies such as 20th Century Fox, Disney, Paramount, & MTV. In addition, Pixar, ABC, BBC, Disney, Miramax, PBS, Nickelodeon, Paramount, GLOBOSAT, MNET and other international TV and Film companies regularly send their entire creative and writing staffs to his lectures.His new book is Action: The Art of Excitement for Screen, Page, and Game.ACTION explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of The Story Toolkit, Bassim El-Wakil, legendary story lecturer Robert McKee guides writers to award-winning originality by deconstructing the action genre, illuminating the challenges, and, more importantly, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity.Topics include:Understanding the Four Core Elements of ActionCreating the Action CastHook, Hold, Pay Off: Design in ActionThe Action MacguffinAction Set PiecesThe Sixteen Action SubgenresA must-add to the McKee storytelling library, ACTION illustrates the principles of narrative drive with precision and clarity by referencing the most popular action movies of our time including: Die Hard, The Star Wars Saga, Dark Knight, The Matrix, and Avengers: Endgame.Also join Robert McKee's Legendary STORY Seminar LIVE in Los Angeles, New York & LondonIn an intense 3 days, Robert McKee teaches the substance, structure, style and principles of Story. Learn how to apply classical story design – the kind that has resulted in masterpieces of all kinds – to your own cinematic, theatrical or literary premise.👉 McKee STORY Seminar (10% OFF - Coupon Code: HUSTLE)Enjoy my conversation with Robert McKee.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jessica Thompson is an Emmy-nominated filmmaker who made her feature writer-directorial debut with "The Light of the Moon". The film won the Audience Award for Best Narrative Film at the SXSW Film Festival. "The Light of the Moon", starring Stephanie Beatriz (Brooklyn Nine-Nine, In The Heights, Encanto), enjoyed a limited theatrical release to sold-out screens in both New York and Los Angeles and heralds a 97% Rotten Tomatoes score. Critics called the film "harrowingly effective" (Variety), "honest and complex" (The Hollywood Reporter), and Film Inquiry stated, "for any filmmaker this would be an unmitigated triumph, but for a first time filmmaker this is revelatory."Jess was the lead director on Showtime's original series, "The End", produced by the Academy Award-winning See-Saw Films (The Power of the Dog, The King's Speech). "The End" is a dramedy, told through three generations of a dysfunctional family who are trying to die with dignity, live with none, and make it count. The series received five-star reviews from The Guardian and The Times.In 2021, Jess directed her second feature, "The Invitation", a Sony Picture's thriller-horror, written by herself and Blair Butler. It will have a worldwide cinematic release on August 26th, 2022.After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the unsettling intentions behind their sinful generosity.In 2010, Jess founded Stedfast Productions, a collective of visual storytellers who use film to explore the complexity of the human story.Jess is an Australian filmmaker who resides in Los Angeles. She is repped by CAA, Kaplan/Perrone Entertainment, and Independent Talent Group (UK).Enjoy my conversation with Jessica M. Thompson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Niceole grew up under the bright stars of the Mojave Desert before swapping them for bright lights of Los Angeles. Studying acting at the American Academy of Dramatic Arts yielded the epiphany that she preferred writing. She worked as a police dispatcher to pay her way through undergraduate USC, and then completed the Master of Professional Writing program, also at USC. An alum of the CBS Writers Mentoring Program, NBC’s Writers on the Verge, and the WGAw Showrunner Training Program, Niceole has written on Ironside, Allegiance, The Mysteries of Laura, Shades of Blue, Cloak & Dagger, Fate: the Winx Saga, and S.W.A.T.She also co-wrote a feature, The Banker, with former Allegiance showrunner and director George Nolfi, available on AppleTV+. Niceole is currently a co-executive producer on Graymail, which will air on Netflix, and has several TV and feature projects in development. The Writers’ Room Survival Guide is her first book.Writers’ rooms can be a heaven or hell, depending on a few things. The best rooms foster inclusive and productive creative flow. The worst create a toxic stew of bad feelings and doubt. Both kinds and everything in between require basic knowledge of how the room works. These fundamentals are best learned before you go in. The mystery box of the writers’ room need not stay sealed shut forever. Consider this book your crowbar.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.His new film is Easter Sunday.Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).  Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault."When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."Enjoy my conversation with Jay Chandrasekhar.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Born in Indonesia and raised in Singapore, Margaret Kerrison received my Master of Fine Arts degree in Screenwriting from the University of Southern California School of Cinematic Arts. Her career spans television, film, digital media, games, brand storytelling, location-based entertainment, and immersive experiences.Margaret worked as a Story Lead, Story Consultant, and Writer for multiple projects around the world, including Star Wars: Galaxy’s Edge, Star Wars: Launch Bay, Hyperspace Mountain, Star Wars: Galactic Starcruiser, Avengers Campus, Guardians of the Galaxy: Cosmic Rewind, National Geographic HQ, NASA Kennedy Space Center Visitor Complex’s Journey to Mars: Explorers Wanted, Heineken Experience, StoryGarden by AMOREPACIFIC, and the Information and Communications Pavilion (Expo 2010 Shanghai).Margaret was the writer for five projects that received Themed Entertainment Association (THEA) Awards. She appeared in the Disney+ series Behind the Attraction, the Freeform television special Star Wars: Galaxy's Edge – Adventure Awaits, and the online educational program Imagineering in a Box. Margaret has been invited to speak at prestigious conferences and universities including SXSW, Star Wars Celebration, D23, IAAPA Expo, FMX Conference, University of Southern California, and Johns Hopkins University. Her projects have been featured around the world in The New York Times, Good Morning America, The Los Angeles Times, Entertainment Weekly, Wired magazine, and the official site for Star Wars. Margaret Kerrison was a Disney Imagineer from 2014-2021 and was recently featured in a blooloop article.Margaret is currently a Senior Experiential Creative Lead in Airbnb's Experiential Creative Product team.Enjoy my conversation with Margaret Kerrison.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion Adrian Martinez.Adrian Martinez has over 100 television and film credits including several standout sidekick roles -“Focus,” opposite Will Smith and Margot Robbie, “The Secret Life of Walter Mitty,” opposite Ben Stiller, “Casa de mi Padre,” opposite ‘Mexican’ Will Ferrell, “I feel Pretty,” as Amy Schumer‘s office buddy, ‘Mason,’ and as ‘Elliot’ the dog catcher in the CGI and live-action re-imagining of Disney’s Lady and the Tramp.Adrian also co-stared with Will Smith and Margot Robbie in the film Focus.Will Smith stars as Nicky, a seasoned master of misdirection who becomes romantically involved with novice con artist Jess (Margot Robbie). As he’s teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of the high stakes racecar circuit. In the midst of Nicky’s latest, very dangerous scheme, she throws his plans for a loop…and the consummate con man off his game.On the television front, Adrian recently starred in ABC’s crime drama series “Stumptown” alongside Cobie Smulders, Jake Johnson, and Michael Ealy, and in the CBS all access comedy, “No Activity,” produced by Will Ferrell and Funny or Die. Adrian was also a series regular playing computer hacker, ‘Dumont’ in “The Blacklist: Redemption,” on NBC, opposite Famke Janssen and Ryan Eggold.Adrian’s directorial debut, “iGilbert,” a drama he wrote starring himself, Dascha Polanco (“Orange is the New Black”) and Raul Castillo (”Looking”) was recently released by Gravitas Features and currently available on demand and in select theaters.iGilbert is a future fairytale about being seen and feeling unseen. Gilbert feels isolated from the world, life, and people, and is starving for human connection, as he reaches for his cellphone to connect with the world, with dangerous consequences.“There is beauty among the broken in writer/ director Adrian Martinez’s iGilbert, a dreamlike ode to human connection at a time in which our phones keep us safely cradled in our own bubble of safety….”  — Filmthreat.com Enjoy my conversation with Adrian Martinez.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Henry Joost and Rel Schulman are a directing and writing team, producers and best friends. They founded the New York City production company Supermarché in 2007. Their most recent feature, SECRET HEADQUARTERS, premiers summer 2022 on Paramount+ and stars Owen Wilson, Michael Peña and Walker Scobell. The film is produced by Jerry Bruckheimer Films..In 2020 Henry and Rel directed PROJECT POWER, a Netflix sci-fi action film starring Jamie Foxx and Joseph Gordon Levitt. The film debuted at #1 in over 90 countries. It held the #1 spot in the USA for over 2 weeks. It remains one of Netflix’s top ten original features of all time.Their first feature documentary, CATFISH, premiered at the 2010 Sundance film festival where it received critical acclaim and went on to a nationwide release. Their second feature, PARANORMAL ACTIVITY 3, released by Paramount Pictures, opened to rave reviews and had the highest grossing horror opening weekend in history. Their second film in the franchise, PARANORMAL ACTIVITY 4 was released in October, 2012, and the two combined have grossed $350 million. Henry and Rel directed two films in 2016: NERVE, a summer hit released by Lionsgate, starring Emma Roberts and Dave Franco; and VIRAL, a prescient low budget horror movie with Blumhouse, starring Sofia Black-D'Elia. They also executive produced the 2016 Sundance Film Festival hit WHITE GIRL, directed by Elizabeth Wood, which was acquired by Netflix for worldwide distribution.Henry and Rel are executive producers on the long running series CATFISH: The TV Show, now in it’s 8th season, and have directed dozens of commercials and short films for companies like Nike, Google, Facebook, and Vogue. They directed the short film A BRIEF HISTORY OF JOHN BALDESSARI, commissioned by LACMA, narrated by Tom Waits, which has been screened at over 100 film festivals worldwide. Henry and Rel’s Google commercial DEAR SOPHIE was named Time magazine's Best Commercial of the Year in 2011. In 2020 they fulfilled a lifelong dream of directing the season opening short film for the NEW YORK KNICKS.Henry, Rel, and their in-house producer Orlee-Rose Strauss maintain an active development slate. Features in the works include: an adaptation of Capcom's MEGA MAN which they wrote and are directing for Netflix; an adaptation of Edward Abbey's novel THE MONKEY WRENCH GANG, produced by Ed Pressman, which they wrote and are directing. They are also signed on to direct a bio-pic about KEITH ADAMS, the deaf football coach who made history leading an all-deaf high school football team to an undefeated season against all-hearing teams. The film is being written by Josh Feldman, and produced by Freddy Wexler, DJ Kurs and Eryn Brown.Enjoy my conversation with Henry Joost and Rel Schulman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I am pleased to have on the show this today, the gracious Rebecca Eskreis.Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she’s surpassed her childhood dream.Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society’s Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor’s Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released byCinedigmin the fall of 2021.As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too.Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes’s online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme.Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films includeNoodling, The Wicked Waltz, The Argument, etc.Please enjoy my conversation with Rebecca Eskreis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready to have your mind blown! I'll be releasing a 3-Part Limited Series of conversations between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider just to name a few, and some of the top screenwriters in the game.First up is the screenwriter that took the world by storm with his Oscar-Winning screenplay Get Out, Jordan Peele. If you have been living under a rock for the past few years here is what the film is about.In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series, and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.This was recorded before Jordan's next hit film Us was released. Listening to these two masters discuss character, plot, theme, and more is a rare treat. It's like being a fly on the wall.Enjoy this rare conversation between James V. Hart and Jordan Peele.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have film producer Sunil Perkash. He's responsible for blockbuster films like Salt starring Angelina Jolie, Premonition starring Sandra Bullock, and the Disney classic Enchanted just to name a few.Sunil is an independent producer in Hollywood who holds a B.A. in economics and communications from Stanford University.  He began his career in 1992 working as the U.S. Production Coordinator on CRONOS, Guillemo Del Toro's directorial debut.  He developed a number of projects at various major studios throughout his career including Second Defense with Arnold Kopelson, Exit Zero with Renny Harlin at New Line, Second Time Around at Dreamworks, Suburban Hero with Scott Rudin at Paramount, Al and Gene with Adam Shankman at Walt Disney Studios, amongst others.In 1999, he produced  BLAST FROM THE PAST for New Line, starring Brendon Frasier, Alicia Silverstone, Sissy Spacek and Christopher Walken. He followed up with  PREMONITION for Sony, starring Sandy Bullock, which grossed more that 85 million worldwide.Next, he produced Disney’s ENCHANTED which became a worldwide mega blockbuster grossing $340million  and received rave reviews and numerous awards, including multiple oscar and golden globe nominations. In 2009, he began principal photography on SALT, a vehicle originally developed for Tom Cruise, but transformed into a female lead for Angelina Jolie.  The film also became a worldwide blockbuster in summer of 2010, grossing $300mil!The Wrap listed Sunil in their exclusive list "Producers Who Are Making a Mark on Hollywood" and Fade In Magazine named him one of the  prestigious ”Top 100 people to know in Hollywood."He is currently in post production on the big budged DISENCHANTED, a sequel to ENCHANTED for Disney Plus starring Amy Adams and Patrick Dempsey. He is also in  preproduction on BACK HOME, a science fiction thriller to be directed by award winning director Ivan Mena with ICM on board to represent for festivals/sales.Perkash is also developing a number of projects including a sequel to SALT at Sony with producer Lorenzo Dibonaventura, the Western biopic with award winning director Hughes William Thompson and Travel Back East written by Enchanted scribe Bill Kelly and to be directed by Alan Ritchson.As the film landscape has changed Sunil has changed along with it. He decided to start producing independent films while he still worked and developed studio projects.His latest indie film is Last Survivors.Last Survivors takes place in a post-apocalyptic world where Troy (Stephen Moyer) raised his now grown son, Jake (Drew Van Acker), in a perfect wooded utopia thousands of miles away from the decayed cities. When Troy is severely wounded, Jake is forced to travel to the outside world to find life-saving medicine. Ordered to kill any humans he encounters, Jake defies his father by engaging in a forbidden relationship with a mysterious woman, Henrietta (Alicia Silverstone). As Jake continues this dangerous affair, Troy will do anything to get rid of Henrietta and protect the perfect utopia he created.We discuss what is was like jumping from $100+ budgets to $1.5 million, how he attaches talent and how he packages his indie films for investors.Enjoy my conversation with Sunil Perkash. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jocelyn Jones was raised in an artist's community on the Hudson River just 30 minutes north of Manhattan. This idyllic hamlet is home to some of the most influential artists of our time and it was here that her interest in art, artists and their process began.She is the daughter of Henry Jones, a character actor whose credits include some 40 films and over 300 televisions shows. Mr. Jones started out as a Broadway actor, most known for "The Bad Seed", "Advise And Consent" and his Tony Award-winning performance in "Sunrise at Campobello". Ms. Jones began her career at the age of 12, appearing alongside her father and E.G. Marshall in an episode of "The Defenders." Her work in motion pictures includes Clint Eastwood, "The Enforcer" "The Other Side of the Mountain" with Beau Bridges, Al Pacino's "Serpico" as well as starring in the cult classics "Tourist Trap" and "The Great Texas Dynamite Chase."Ms. Jones has appeared on stage in both New York and Los Angeles, most notably at The Mark Taper Forum, playing Greta Garbo in the world premiere of Christopher Hampton's "Tales From Hollywood." She has also appeared with Joe Stern's Matrix Theatre Company, where she played the delightfully insane Violet in George M. Cohan's farce "The Tavern" and as Constance Wicksteed, a spinster with a passion for large breasts, in Alan Bennett's farce "Habeas Corpus". She received critical acclaim for her role as Lucy Brown in Ron Sossi's groundbreaking production of "The Three Penny Opera", which famously utilized all three theaters of The Odyssey Theatre Complex for that same production.An in demand acting teacher for over 25 year, Ms. Jones has shepherded hundreds of actors from novice to starring careers and currently works with over a hundred hand picked actors, directors and writers at The Jocelyn Jones Acting Studio.Known as a "secret weapon" to some of the biggest stars in the industry, she has served as a confidential Creative Consultant, working on some of the highest-grossing pictures of all time. From advising artists on which projects to choose, to working with writing teams, to develop current and future projects, Ms. Jones' consultant work has been considered an invaluable asset to many.As a script doctor, she has served in every capacity, from page-one rewrites to final polishes- confidentially contributing to blockbuster films and television series alike. Her production company, Mind's Eye Pictures, is dedicated to producing her own original content.Her new book is Artist: Awakening the Spirit Within.Jocelyn Jones is one of Hollywood’s most prized secret weapons. A legendary acting teacher, coach, and artistic advisor to the stars, she has served as a confidential Creative Consultant on some of the highest-grossing pictures of all time.Now, she shares her personal journey—and the secrets behind her unique methodology—in Artist: Awakening the Spirit Within.How do you tap into the power of creation? A great teacher doesn’t just tell you; they show you! With forthright vulnerability, Jones shares the memories and lessons that shaped her, both spiritually and as a world-class teacher—proving beyond question that the same creative process she offers actors can help you discover andmanifest a life in coherence with your own heart.Whether you’re an actor looking to elevate your craft or a fellow human traveler pursuing your dreams, Artist shows you step by step how to awaken to your higher self and move confidently into the life you were born to live.Enjoy my conversation with Jocelyn Jones.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We've all read in Variety or The Hollywood Reporter of some no-name screenwriter selling his or her screenplay for a million bucks. Ever wonder how they did it? What structure did they use? What "tricks of the trade were" employed?May I introduce Paul Castro, the original writer of one of my favorite films August Rush. Paul Castro is a produced, award-winning screenwriter and world-renowned screenwriting professor."Structure...is the canvas on which we paint with words." - Paul CastroHis project, August Rush was produced by Warner Brothers and starred the late great Robin Williams, Keri Russell, Freddie Highmore and Jonathan Rhys Meyers. The film took Paul Castro into the belly of the Hollywood beast.The business of screenwriting can be tough, but while a student at the UCLA School of Theater, Film, and Television, he was a finalist for the Coca-Cola Refreshing Filmmaker's Award for directing and producing his original screenplay Healing, and landed a three-picture screenwriting deal worth $1 million.The lessons he learned not only from selling August Rush but many other Hollywood screenwriting adventures were invaluable. He later went back and became a screenwriting professor at UCLA School of Theater, Film, and Television, teaching thousands of students over his ten years of teaching.“Paul Castro teaches screenwriting from the inside out.” - Richard Walter, UCLA Screenwriting Chairperson.Enjoy this whopper of a podcast episode and if you haven't seen August Rush do yourself a favor and watch it. It's worth watching for Robin Williams alone!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Steve Pink's career as a writer, producer, and director is inextricably linked to his pal John Cusack. Pink co-wrote the screenplay for the 1997 black comedy "Grosse Pointe Blank," where Cusack played a deadpan assassin, and also worked on the adaptation of Nick Hornby's novel "High Fidelity," which was made into a film for Cusack in 2000.Pink had co-producer credits on both movies, and, in 2010, he finally directed Cusack in the '80s flashback comedy "Hot Tub Time Machine." Pink got his start as an actor in the Cusack movie "The Sure Thing" in '85; he also appeared in "Grosse Pointe Blank" and played a limo driver in the comedy "America's Sweethearts," where Cusack was paired with Julia Roberts and Catherine Zeta-Jones. Fittingly.Pink has worked as a co-executive producer on the TV series "Entourage," a tribute to male friendship in show business, and he has stepped up as producer on the Tom Cruise vehicle "Knight and Day."His new film is The Wheel.Albee and Walker, a young couple on the brink of divorce, rent a mountain getaway to save their fledgling marriage. Before long, their personal drama creates tension between their newly engaged AirBnB hosts -- Ben & Carly — leaving us to wonder if either couples’ relationships will survive the weekend. Cast: Amber Midthunder, Taylor Gray, Bethany Anne Lind, Nelson Lee, Carly Nykanen, Kevin Pasdon. Available on DIGITAL and ON DEMAND, July 22nd.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is a triple threat. Actress, filmmaker, and writer, Zoe Lister-Jones, who made headways in 2017 with her all-female crew directorial debut, Band-Aid. The decision was inspired to foster new creative experiences amidst the staggering inequity on sets.A couple who can't stop fighting embarks on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.  The comedy-drama film, starring Zoe, Jesse Williams, and her New Girl co-star, Hannah Simone premiered at the 2017 Sundance Festival.Some of Zoe’s most known acting roles include some of your favorite sitcoms like New Girl, Whitney, or Life In Pieces. I have watched Life in Pieces with my family many times and it remains a favorite. Zoe’s love for performing and writing goes back to high school which set the foundation for a scholarship ride in NYU. Even though the film is what she’s most known for now, Zoe has a background in music and theater. In 2009 she co-wrote and produced, her first screenplay, Breaking Upwards with Daryl Wein on a $ 15,000 budget. The film explores a young New York couple who, battling codependency, strategizes their own breakup. Operating on a thin budget like that turned the experience into a crash course or a production management Bootcamp in filmmaking for her and Daryl as described during our chat. A couple more production gigs later and she was ready for the director’s chair. Last year, Zoe wrote, directed, and produced the sequel to The Craft (1996), a supernatural horror titled, The Craft: Legacy. A group of high school students forms a coven of witches.Wein and Zoe paired up again to bring a Sundance 2021 official selection cinematic experience to our isolated-covid-locked-down screens with what is described as a serene apocalyptic comedy, How It Ends. Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way.It was chill and fun chatting about Zoe’s indie filmmaking journey and navigating the minefields of live sets. Please enjoy my conversation with Zoe Lister-Jones.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Can you imagine having a front row seat to the start of the filmmaking careers of Will Smith, Bruce Willis and Michael Bay? Well this week's guest Screenwriter Doug Richardson did just that. In 1989 20th Century Fox hired Doug to adapt Walter Wager’s novel 58 Minutes into the first sequel to the hit franchise Die Hard. In 1990, it was released as Die Hard 2, Die Harder.Around the same period, Doug Richardson and his one-time writing partner, Rick Jaffa, garnered national attention when their spec screenplay, Hellbent…and Back was the first in Hollywood to sell for a million dollars. Doug has since written and produced feature films including the box office smash Bad Boys (1995), Money Train (1995), and Hostage (2005).In addition to writing for the screen and print, Doug posts a weekly blog on his website, dougrichardson.com, where he shares personal anecdotes and insight from his thirty-year showbiz career. The first collection of his blogs, The Smoking Gun: True Tales from Hollywood’s Screenwriting Trenches was published in 2015.I had a ball chatting with Doug and his stories from the set had been mesmerized. He dropped some major knowledge bombs in this interview. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

DAVID S. GOYER has earned a reputation for telling character-driven stories adapted from the otherworldly realms of superheroes, fantasy and the supernatural. His breakout came in 1998 when he wrote the action hit BLADE starring Wesley Snipes, based on the Marvel Comics vampire hunter. Since then, he’s solidified himself as writer and producer who elevates genre driven stories to the next level.Most recently, Goyer Executive Produced and served as Showrunner for one of the year’s most epic series, FOUNDATION, which premiered on Apple TV+. Based on Isaac Asimov’s iconic novels, Goyer’s sensibilities brought this world to life with his unique tone.On the film side, Goyer produced the Sundance hit THE NIGHT HOUSE, starring Rebecca Hall, as well as the Scott Derrickson film ANTLERS. Both films are being released by Searchlight this fall. Goyer also produced THE TOMORROW WAR, starring Chris Pratt for Skydance and Amazon.Previously, Goyer scripted and collaborated with Christopher Nolan on the story for the Superman feature MAN OF STEEL. Goyer also worked with Nolan on the mega-hit DARK KNIGHT trilogy, starting with the screenplay for BATMAN BEGINS. Goyer went on to team with Nolan on the story for the billion-dollar blockbuster THE DARK KNIGHT for which they received a Writers Guild of America Award nomination for Best Adapted Screenplay, followed by the story’s conclusion in THE DARK KNIGHT RISES. Additionally, Goyer co-wrote and produced BATMAN V. SUPERMAN, which broke the record for biggest March opening weekend in box office history.In 2002, Goyer made his feature film directorial debut with the drama ZIGZAG for which he also wrote the screenplay, based on the acclaimed novel by Landon Napoleon.  His other directing credits include THE INVISIBLE starring Justin Chatwin and Marcia Gay Harden, and the hit supernatural thriller THE UNBORN, based on his own original screenplay and starring Odette Annable and Gary Oldman. In the same year wrote 2002’s BLADE II on which he also served as an executive producer. In 2004, he directed, wrote and produced the last of the trilogy, BLADE: TRINITY.In addition to screenwriting, Goyer made his debut in video games with the story for the smash hit “Call of Duty: Black Ops,” and penned the story for its blockbuster follow up, “Call of Duty: Black Ops 2” as well as Black Ops: Cold War. Goyer also wrote and executive-produced the groundbreaking VR series VADER IMMORTAL for Lucasfilm and Oculus.In Television, Goyer’s work includes the series DA VINCI’S DEMONS, for which he served as Creator, Director, and Executive Producer, focusing on the life of Leonardo da Vinci; CONSTANTINE, KRYPTON; and the cult classic FLASHFORWARD. Goyer also co-wrote the pilot and serves as executive producer for Neil Gaiman’s SANDMAN, which is currently filming in London.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have filmmaker Leroy Kincaide.With over 15 years’ experience in the entertainment industry, both in front of and behind the camera, Leroy has featured on shows created by companies such as ITV, BBC, WWE and PARAMOUNT.Before turning his creative hand to the film industry, Leroy was one of the UK’s top professional Wrestlers, holding a heavyweight championship and at the peak of his career had a televised match on WWE’s SMACKDOWN at the O2 arena.It was around this point in his life, Leroy realised that he wanted to be the creator of his own destiny, so after what was looking to be a very promising future in the wrestling business, he found his true passion for the film industry, and decided to embark on becoming a film director.Wanting to express his storytelling creativity, he founded Nocturnal Pictures in 2014 and has since written and directed several short films, music videos, and has successfully completed his debut feature film The Last Rite.A medical student suffering from sleep paralysis finds herself plagued by a demonic entity, after moving in with her boyfriend.With a distinctive style, dark vision and thought evoking take on story narrative, Leroy is currently building a slate of genre movies fitting for what his imagination can create in a dark cinematic universe.Following the success of the world premiere of The Last Rite, Leroy was nominated for the Screen International “Genre Rising Star” Award for his debut feature film.Enjoy my inspiring conversation with Leroy Kincaide.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Away along with some of its longest-running television series including The Outer Limits.Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts.I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.Enjoy my eye-opening conversation with Pen Densham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever wanted to learn how to write a screenplay fast? I know I do. This is why I invited on the show award-winning producer/director, best-selling author, film festival organizer and public speaker, Jeff Bollow.He is the author of Writing FAST: How to Write Anything with Lightning Speed. Jeff Bollow began as an actor at age 12 in his native Los Angeles (credits include Don't Tell Mom the Babysitter's Dead and TV's Columbo) before working nearly every job in production, from camera to sound to lighting — and including jobs in development, post-production, and distribution.Jeff has worked on feature films, TV series, commercials, music videos, radio, and corporate productions for companies such as Universal, Castle Rock, Propaganda Films, DNA and the Oxygen Network.After migrating to New Zealand, where he directed television for TV3 and co-founded the Big Mountain Short Film Festival, he moved to Australia, where he launched Embryo Films. Through his company, Jeff has reviewed over 20,000 project submissions and has edited, assessed and/or mentored over 350 projects. He has script doctored in Singapore, Australia, NZ, and the US; and has conducted over 80 live weekend workshops to over 1200 writers in 9 cities in 5 countries, with a unanimous "recommend" approval rating.His students have been optioned, produced and won (and placed) in competitions worldwide. He designed FAST Screenplayin 2004 and began officially building it in November 2009. It was finally completed in July 2016, nearly 7 years later. Alongside it, he created the FASTscreenplay YouTube Channel, which now includes over 30 detailed and insightful free videos to encourage writers and screenwriters around the world.In May 2015, Jeff Bollow delivered his first TED Talk, "Expand Your Imagination... Exponentially" (see video below) at TEDxDocklands in Melbourne, Australia, to prepare for the next phase of the larger plan. Jeff's aim is to build an independent film studio that inspires creativity worldwide, to help prepare humanity for the dramatic changes our future holds. When he's not busy helping writers with FAST Screenplay, he is working on a new book, developing a television series, and planning two feature film projects. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have prolific indie filmmaker Jared Cohn.Jared Cohn is a film/TV director, writer, and producer based in Los Angeles, CA.   He has directed over 40 films that have been produced and distributed by major studios and production companies such as Netflix, Hulu, Showtime, Syfy, Lifetime, and many more.His works have been released theatrically and he has won numerous awards and has been featured in GQ, New York Times, LA times, Variety, The Hollywood Reporter, Deadline and many other press outlets.  I wanted to have Jared on the show to discuss his process, his origin story and what it was like directing over 20 films for the legendary film studio Asylum Films.His new film is Deadlock starring Bruce Willis.Bruce Willis stars as Ron Whitlock, a wanted criminal leading a team of mercenaries on a mission of vengeance. Convinced that the government is working against them, the merciless group brutally seizes an energy plant and holds everyone inside hostage. With a nearby town on the brink of massive flooding and destruction, it’s up to one retired elite army ranger Mack Karr (Patrick Muldoon) to save thousands of innocent lives before it’s too late.vEnjoy my very entertaining conversation with Jared Cohn.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This is Part 2 in a 3-Part Limited Series of conversations I'll be releasing between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider just to name a few, and some of the top screenwriters in the game.Today on the show we have Damien Chazelle, the Oscar® Winning director and screenwriter of La La Land. He bursted on the scene with his debut film Whiplash. The film is about a young musician (Teller) struggles to become a top jazz drummer under the tutelage of a ruthless band conductor (Simmons).La La Land tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.James and Damien discuss how he wrote and structured La La Land and much more. Enjoy this rare conversation between James V. Hart and Damien Chazelle.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Brooks Elms is a screenwriter and independent filmmaker. His specialty is grounded personal characters and writing story tension so thick it knots up your stomach.He's written 25+ screenplays, a dozen of them on assignment, and sold several scripts, including one this year with Brad Peyton as Executive Producer. Brooks was recently hired to rewrite a screenplay started by an Oscar-winning writer. Brooks began his career writing, directing, and producing two indie features (personal dramas) that he screened all over the world.And Brooks also loves coaching fellow writers who have a burning ambition to deeply serve their audiences.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Dean Fleischer Camp is the award-winning filmmaker and New York Times-bestselling author who created viral sensation MARCEL THE SHELL WITH SHOES ON. Since appearing on Filmmaker Magazine’s 25 New Faces of Independent Film in 2011, Camp’s work has been profiled in virtually every major American media outlet. In 2018, his first feature FRAUD was released to widespread controversy and acclaim, described as a "brilliantly provocative”(Filmmaker) and “exhilarating”(Sight+Sound) “masterwork”(Documentary Magazine) that “pushes the boundaries of documentary”(Variety).His first scripted feature, an adaptation of MARCEL THE SHELL WITH SHOES ON starring Jenny Slate, Isabella Rossellini and Rosa Salazar, is slated for a 2022 theatrical release via A24. He has directed for Comedy Central, HBO, TBS, Adult Swim and Disney Interactive. Commercial clients include Atlassian, Pop-Tarts, Clearasil, Maltesers, and many others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is the well-regarded screenwriting lecturer, story consultant, and eminent author, Robert McKee. Reputable for his globally-renowned ‘Story Seminars’ that cover the principles and styles of storytelling.McKee’s work has shaped the way Hollywood movies have been written for years. Particularly, Story: Substance, Structure, Style and the Principles of Screenwriting, written in 1997. A very resourceful guide for screenwriters. In Story, he expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. More than 100 big-name screenwriters have benefitted from his seminars at one point or another. Many of you might have been introduced to McKee's work in the film Adaptation, where the great Brian Cox portrayed him. This is how I began my journey into McKee's game-changing book Story: Substance, Structure, Style and the Principles of Screenwriting.Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald (Nicolas Cage). While struggling to adapt "The Orchid Thief," by Susan Orlean (Meryl Streep), Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.My interview covered discussion on McKee’s latest book which is linked below, Character: The Art of Role and Cast Design for Page, Stage, and Screen. And a combination of his other books Dialogue: the Art of Verbal Action for Stage, Page, and Screen, and Storynomics: Story-Driven Marketing in the Post-Advertising World, which are both linked in the show notes. This interview felt like a free pass to one of McKee's sold out seminars --- packed with knowledge bombs.Enjoy this conversation with Robert McKee.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jill Chamberlain has helped thousands of writers find their stories. She has consulted on projects for major studios, for small independents, and for many, many spec screenwriters.Jill’s Nutshell Technique for screenplay story structure has been praised throughout Hollywood. Producer Callum Greene (Star Wars Episode 9, Crimson Peak, and The Hobbit: The Desolation of Smaug) said “the Nutshell Technique is like the Rosetta Stone: it cracks the code behind why we love the movies that we love. It goes way beyond tired old beat sheet ‘formulas’ and instead guides you to organically write the story you want to tell.”Jill's screenplay story structure guide, The Nutshell Technique: Crack the Secret of Successful Screenwriting, was an instant classic upon its release in 2016. Of the over 3,000 books on screenwriting on Amazon, The Nutshell Technique: Crack the Secret of Successful Screenwriting is one of the highest rated ones. It’s on the syllabus for film schools across the world including the world renowned screenwriting program at Columbia University.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have producer Daniel Sollinger. Daniel and I have fought in the same indie film trenches for years. I had the pleasure of working with him on multiple occassion over the past 1o years.He has a new film coming out called Clean, starring Academy Award® Winner Arian Brody.Tormented by a past life, garbage man Clean (Adrien Brody) attempts a life of quiet redemption. But when his good intentions mark him a target of a local crime boss (Glenn Fleshler), Clean is forced to reconcile with the violence of his past. The film also stars Richie Merritt, Chandler Ari DuPont, Mykelti Williamson, RZA, Michelle Wilson, and John Bianco. It is written by Paul Solet and Adrien Brody. Clean, directed by Paul Solet, arrives in theaters, On Demand, and digital on January 28, 2022.Daniel and I discuss the brutal truth on producing and making indie films in today world. The conversation is full of real-world stories, advice and lessons to help you on your path. Enjoy!!!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

First Rule of Jim Uhls, YOU DO NOT TALK ABOUT Jim Uhls!We I have a MAJOR treat for the tribe this week. I have no other than Jim Uhls, the master screenwriter behind David Fincher's "Fight Club", one of the greatest films in my generation, in my humble option.When Chuck Palahniuk's Fight Club was making the rounds in Hollywood, it was a tough sale to be adapted for the screen. But then Brad Pitt got involved; add David Fincher and Ed Norton, throw Jim Uhls into the mix and you've got a modern classic.Jim’s screenwriting credits include of course the modern classic “Fight Club” the feature-film "Jumper" the NBC television film "Semper Fi" and the SyFy miniseries "Spin".In this remarkable discussion, Jim Uhls breaks the first rule of Fight Club: He talks about it, working with David Fincher, why he hates outlines and why you should interview your characters. Step inside the mind of the man who figured out how to conquer Hollywood as he lays down knowledge bomb after knowledge bomb in this eye-opening interview.Towards the end of the interview, Jim gives easily the GREATEST ADVICE ON HOW TO BECOME A WORKING SCREENWRITER I EVER HEARD! This podcast is not to be missed.Enjoy my conversation with Jim Uhls. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Acclaimed screenwriter and producer Arash Amel is known for writing the critically-lauded motion picture, A PRIVATE WAR (2018), directed by Matthew Heineman and starring Rosamund Pike as celebrated war correspondent, Marie Colvin.He recently served as Executive Producer on the Netflix sci-fi action movie, OUTSIDE THE WIRE (2021), starring Anthony Mackie, which was viewed by 66 million households in its first 28 days. In addition to writing RISE (2022) for Disney + and telling the coming-of-age story of NBA superstar Giannis Antetokounmpo, Amel wrote Paramount Pictures’ feature film, THE MINISTRY OF UNGENTLEMANLY WARFARE, a World War II action adventure directed by Guy Ritchie and produced by Jerry Bruckheimer that is slated to start production later this year. He also wrote the screenplay for SNAFU, an upcoming action comedy starring Jackie Chan and John Cena. Currently, Amel is in pre-production as producer on the Amazon Studios feature film, FRED & GINGER, which is based on his screenplay, directed by Jonathan Entwistle, and stars Jamie Bell and Margaret Qualley as the icon screen pair, Fred Astaire and Ginger Rogers.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Aram Rappaport is filmmaker based in New York. Originally from Los Angeles, he began writing, directing and producing in his late teens including the one-take experimental film HELIX starring Alexa Vega.He later adapted, produced and directed Max Berry's acclaimed novel into the film SYRUP starring Amber Heard, Shiloh Fernandez and Kellan Lutz and wrote, produced and directed the original film THE CRASH starring John Leguizmao, Frank Grillo, Minnie Driver and Dianna Agron.THE GREEN VEIL is his first episodic project. He also runs the hybrid creative agency / production studio The Boathouse for which he's created and directed campaigns for such brands as Apple, Netflix, Victoria's Secret and SingleCare amongst others.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion the legendary Linda Seger. Linda and I discuss her new book You Talkin' to Me?: How to Write Great Dialogue. We do a deep dive into how to write great dialog. Here's a bit about the book.Unlike the chitchat of everyday life, dialogue in stories must express character, advance the story, suggest a theme, and include a few memorable lines that audiences will be quoting for decades to come. The best stories have dialogue that sparkles, but it’s easy for inexperienced writers to fall into common pitfalls like creating dialogue that’s wooden or too on the nose.Other writers end up with exposition awkwardly inserted into conversations, actors tripping over unnatural phrases or characters who all speak exactly the same way. In You Talkin’ to Me? Linda Seger and John Winston Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John, so readers don’t just learn how to recognize when it’s done well―they also learn how to make the dialogue better. Whether you’re writing fiction or nonfiction, for the screen or for the page, this book will get your characters talking.Ron Howard says he never starts a film without her book. Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field. Enjoy my conversation with Linda Seger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Alan Trezza wrote WE SUMMON THE DARKNESS, a horror-thriller set during the "Satanic Panic" craze of the 1980s. It was directed by Marc Meyers (MY FRIEND DAHMER) and starred Alexandra Daddario, Keean Johnson and Johnny Knoxville.The film made it’s US premiere at the 2019 Fantastic Fest film festival in Austin and was released on all digital outlets in early 2020. Alan also wrote the zombie-comedy BURYING THE EX, which was directed by horror icon Joe Dante (GREMLINS) and starred Anton Yelchin, Ashley Greene and Alexandra Daddario. The film premiered at the 2014 Venice Film Festival and received a theatrical run in the summer of 2015.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie's Angels, Charlie's Angels: Full Throttle, Big Fish, Charlie, ​and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire. He hosts the popular screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog and develops screenwriter-targeted software called​ Highland 2.5 through his company, Quote-Unquote Apps.Enjoy my conversation with John August.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In this episode you get a FREE PREVIEW of the IFH Books release of Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End by Karl Iglesias. Enjoy!There are three kinds of feelings when reading a story: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, and this requires writing that engages the reader emotionally.In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes. Now, he breaks new ground by focusing on the psychology of the reader.Based on his acclaimed classes at UCLA Extension, Writing for Emotional Impact goes beyond the basics and argues that Hollywood is in the emotion-delivery business, selling emotional experiences packaged in movies and TV shows.Karl not only encourages you to deliver emotional impact on as many pages as possible, he shows you how, offering you hundreds of dramatic techniques to take your writing to the professional level.Not only does Karl Iglesias "get" emotion, but he also shares insider secrets for moving the reader from tears to laughter and everywhere in between. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Kyra Sedgwick is an award-winning actress, producer and director. She is best known for her Emmy and Golden Globe-winning role as Deputy Chief Brenda Leigh Johnson on the TNT crime drama “The Closer” and most recently starred on the ABC comedy “Call Your Mother.” She recently directed the feature film SPACE ODDITY, which stars Kyle Allen and Alexandra Shipp.In 2018, Sedgwick received a DGA nomination for her directorial debut with the feature STORY OF A GIRL. She then helmed the short film GIRLS WEEKEND, which premiered at the 2019 Sundance Film Festival. She has directed episodes of “Grace & Frankie,” “City on a Hill”, “Ray Donovan,” “Brooklyn Nine-Nine” (on which she also had a recurring role) and many others.Her film roles include THE EDGE OF SEVENTEEN, THE POSSESSION, THE GAME PLAN, SECONDHAND LIONS, WHAT’S COOKING, PHENOMENON, HEART AND SOULS, SOMETHING TO TALK ABOUT, BORN ON THE FOURTH OF JULY and SINGLES.Planets and lives collide in this Kyra Sedgwick-directed feature. Alex (Kyle Allen) longs to travel to outer space and finally gets the opportunity to do so thanks to a privately-funded Mars colonization program. In the midst of his rigorous preparation, he meets Daisy (Alexandra Shipp), the new girl in town who’s trying to start over. The two wayward souls connect in unexpected ways, both of them harboring secrets that they’re desperately trying to overcome. However, when questions about the legitimacy of the program and the future of his parents’ flower farm begin to crop up, Alex finds himself questioning whether it’s easier to confront his past or fly away into the stars.In a time where nihilism about the Earth’s future is rampant, it can be difficult to find optimism about what comes next. However, Space Oddity is a heartwarming film that encourages living life to the fullest with those you love the most.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

IFH has a NEW PODCAST. Introducing The Bulletproof Screenplay Podcast. Today is a CROSSOVER EVENT to introduce you to the new show. Today’s guest blew my mind on his approach to storytelling and screenwriting. John Truby is one of Hollywood’s premier screenwriting instructor and story consultant.Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Called “the best script doctor in the movie industry,” Truby serves as a story consultant for major studios and production companies worldwide, and has been a script doctor on more than 1,800 movies, sitcoms and television dramas for the likes of Disney, Universal, Sony Pictures, FOX, HBO, Alliance Atlantis, Paramount, BBC, MTV and more. Truby’s former students’ work have earned more than $15 billion at the box office, and include the writers, directors and producers of such film blockbusters asRatatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more. Truby’s class is also regularly attended by top fiction writers and novelists who have topped the New York Times’ Bestseller List, won numerous prestigious literary awards, and have sold over 46 million books worldwide. Hollywood’s best-kept secret, Truby’s classes regularly attract everyone from first-time writers to A-list writers, producers, directors, filmmakers, story executives, novelists, fiction writers and more.In addition to his sold-out seminars, John Truby remains on the cutting- edge of technology having created and developed Truby Blockbuster – the bestselling software designed to intuitively help writers learn and understand the art of developing their story ideas into fully realized professionally-structured scripts.Truby’s principles and methods are the most modern, exciting approach to screenwriting and storytelling to be developed in a generation, which is why his classes regularly attract everyone from Oscar winners to first-time writers.We get into the weeds of story in this EPIC conversation. Get ready to take notes. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Sarah Elizabeth Mintz received her BFA from New York University’s Tisch School of the Arts, where she completed her thesis film Transit, starring Dakota Johnson. After graduating she mentored with filmmakers Cary Fukunaga on True Detective, Joachim Trier on Louder Than Bombs, and worked with Alejandro Inarritu on The Revenant. Sarah was a Sundance Fellow in the 2017 Writer’s Intensive and 2018 Sundance Strategic Financing Intensive with her project Good Girl Jane. She completed a short film of the same name starring Rachelle Vinberg (Skate Kitchen, HBO’s Betty) and Travis Tope (American Vandal), with cinematography by Jake Saner (Ghosts of Sugar Land). The short premiered at the Raindance Film Festival in London. Good Girl Jane recently wrapped principal photography in Los Angeles starring Rain Spencer, Patrick Gibson and Andie MacDowell. Good Girl Jane is inspired by events in Sarah’s own life.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Courtney Lauren Penn co-founded and runs the multi-faceted production company Renegade Entertainment with her co-founder Thomas Jane. Courtney oversees content: producing film, series and hybrid new media projects alongside Jane. Renegade is a pioneering outfit that has been among the most active production labels since launching in late 2019. The company is active in several verticals – feature films, streaming and TV series, and comic book and graphic novel publishing and production.Since its inception, Renegade has produced a slew of independent feature films, a short form comedy series, a television and streaming 8 episode series for the ABC in Australia and IMDBtv/Amazon alongside AGC Television, is currently in production on a comic book series THE LYCAN for ComiXology Originals at Amazon; 3 features the duo produced releasing in 2022 and in pre-production on several films for 2022.The first film the duo executive produced was the western thriller THE LAST SON, starring Thomas Jane, Sam Worthington, Colson Baker (Machine Gun Kelly) (released December 2021), followed by horror comedy SLAYERS, starring Abigail Breslin, Thomas Jane and Malin Akerman (releasing September 2022). Courtney and Jane further produced DIG starring Emile Hirsche, Thomas Jane and Harlow Jane, bowing in June 2022, as well as MURDER AT YELLOWSTONE CITY, starring Richard Dreyfuss, Gabriel Byrne, Isaiah Mustafa, and Thomas Jane, set to premiere June 24, 2022. The company just wrapped on ONE RANGER for Lionsgate in March 2022.Among the myriad projects currently being developed by Courtney and Jane is the long-awaited adaptation of Stephen King’s FROM A BUICK 8. The duo have a large slate including several best-selling novels they are in development on. Adopting a material-first, platform agnostic philosophy, Courtney embraces the growing disruption in the entertainment ecosystem and together with Jane have built a selective slate of compelling stories and edgy material with global commercial appeal. She takes a transmedia approach to cultivating IP and collaborating with gifted storytellers and partners to build out her company’s diverse content slate.Courtney attended the University of Pennsylvania and subsequently studied Filmmaking and Direction at NYU’s Tisch School for the Arts. She is a former National Chess Champion, Top 50 Women’s Chess Player, Visiting Committee Member of Hematologic Oncology at the Dana Farber Institute, Platinum Member of New York Women in Film & Television, Member of the Producers’ Council of the Producers Guild of America, and proud mother to her son. Courtney began her career in sell-side mergers and acquisitions and corporate restructuring on Wall Street.Renegade participates annually in charitable giving to institutions who directly participate in “research to bedside” care for children with cancer and vulnerable children in high conflict zones. In March 2022, Courtney & Jaime King teamed up and used Instagram to promote the booking of AIRBNB’s in conflict zones in the Ukraine as a means of getting funds directly to the people mid-conflict.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

On today's show, I wanted to give you a sneak peek of Bulletproof Screenwriting's first official audiobook Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End, published by IFH Books. You'll get to listen to a free chapter covering how to craft complex and memorable characters, which is over one hour, from this amazing audiobook.You can’t have a great plot without having amazing characters. Strong character development will evoke emotions in your audience whether you’re writing a comedy, drama, or any other genre. To create great characters, you need your audience to connect in some way. Even if you love your characters, there is no guarantee your reader will connect with them.If you want to elevate your scripts and stories – AND your screenwriting or filmmaking career-- to the highest possible level, this class is a must. Creating characters that people connect with is no easy feat, but it is the key to writing amazing work.If you don't know who the author is here's a bit about him. Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and his second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.Enjoy your sneak peek of BPS newest audiobook in our on-going screenwriting series. If you want to get a FREE copy, I'll be telling you how to do that at the end of the show.I know you'll love Karl. I hope this helps you on your screenwriting journey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Marcus Dunstan’s screenwriting with his partner, Patrick Melton, include such horror films as FEAST 1-3, SAW IV-V-VI& SAW 3D THE FINAL CHAPTER, PIRANHA , GOD OF WAR, FINAL DESTINATION 6, and SCARY STORIES TO TELL IN THE DARK. Marcus Dunstan’s directing credits include THE COLLECTOR, THE COLLECTION, THE NEIGHBOUR, BLUMHOUSE’S PILGRIM and this summer’s BLUMHOUSE PRESENTS: UNHUMAN.Dunstan is a producer of THE CANDIDATE, and executive producer of 2022’s horror-thriller TAKE BACK THE NIGHT. Currently Dunstan and Melton are collaborating once again with Blumhouse and Disney + on a soon to be announced suspense thriller series, as well as the horror film ESCAPE: HALLOWEEN with Live Nation and Insomniac.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In this episode you get a FREE PREVIEW of the IFH Books release of I Made A Short Film Now WTF Do I Do With It audio book on Audible.Written by award-winning filmmaker Clarissa Jacobson, I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.What Others Are Saying:"I Made a Short Film Now WTF Do I Do With It is jam-packed with first-hand knowledge, tips, and secrets on how to enter film festivals, promote your movie, and achieve your wildest filmmaking dreams. It’s required reading for every indie filmmaker who wants to gain an audience, stand out on the festival circuit, and work towards a career as a filmmaker." -- Film Daily"Ultimately, Clarissa’s book is a very thoughtful reflection on her experiences making and marketing her successful and hilarious horror comedy “Lunch Ladies.” This reflection is a wonderful knew resource for filmmakers who are making or have already completed a new short film, but are looking for some help maximizing its audience-seeking potential." -- Horrible Imaginings Film Festival blogThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Why would you want to 'Save the Cat'? If you are a screenwriter or aspiring one you should have heard by now of Blake Snyder's game-changing screenwriting book.In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of was published in November 2009.Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake's work.I had the pleasure of interviewing one of Blake's main pupils Jose Silerio. Jose is carrying the torch of Blake's work and travels around the world well...saving the cat.Enjoy my informative interview with Jose Silerio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Naren Shankar is the Executive Producer/Showrunner of the critically acclaimed television adaptation of the international best-seller science fiction novel series, The Expanse, an Amazon Prime Original Series from Alcon Television Studios.Naren spent eight seasons as a Writer-Executive Producer and Co- Showrunner of the most-watched show in the world, CSI:Crime Scene Investigation. In 2011 he helped launch NBC's Grimm as a Writer- Executive Producer.Prior to CSI, Naren was an Executive Producer on the SyFy Channel cult hit series Farscape for The Jim Henson Company, and spent three seasons as a writer-producer on Showtime's The Outer Limits.Naren began his career as a writer and science consultant for Star Trek: The Next Generation, and he holds a PhD in Applied Physics & Electrical Engineering from Cornell University.Naren has been honored with multiple Emmy nominations for Best Series, a WGA Award nomination for CSI's two-hour event "Grave Danger" directed by Quentin Tarantino, and has received WGC and Saturn Awards for The Outer Limits, CSI, and Farscape. The Expanse won a Hugo Award for "Leviathan Wakes" in 2017 and was nominated in 2019 for "Abaddon's Gate."This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Originally from Philadelphia, David attended that city’s “Fame” high school, Creative And Performing Arts, where his classmates included QuestLove and Boyz II Men. He then graduated from Parsons School of Design in New York, and worked as a graphic designer for ad agencies, designed book covers, movie posters, and indie film titles.He impulsively moved to Los Angeles in 2000 and became a stand-up comic for a while, performing at The Improv, The Vancouver Comedy Festival, and in sketches on “The Late Late Show With Craig Ferguson” and “The Showbiz Show with David Spade”. But he tired of comedy clubs after a few years and focused on writing instead. In 2006, his “Will & Grace” spec made it to the semi-finals of the Warner Bros. Comedy Workshop.Switching to drama, he optioned the book “Minamata” (and the life rights of the author), about the experiences of journalist W. Eugene Smith photographing mercury poisoning victims in Japan. He wrote the screenplay in six weeks, and it got him a literary manager. Then Johnny Depp’s company came on board to produce with Depp himself as the star. Filming on MINAMATA completed in the Spring of ’19, with an expected release in Fall 2021. “Minamata” premiered at the Berlin Film Festival in 2020 and has since been picked up by Samuel Goldwyn Films for domestic distribution. It also stars Bill Nighy, Hiroyuki Sanada, Tadanobu Asano, and the singer Katherine Jenkins.His follow up, DREAMERS (based on the book John Lennon Vs. The US), is about John Lennon’s immigration battle with the Nixon administration which legally set the stage (many years later) for DACA/The Dream Act. David was recently hired by the director of “Minamata”, Andrew Levitas, to rewrite a script about the two brothers who owned Adidas and Puma and who battled each other for decades. That project, “Adidas V Puma”, is currently out to actors and mentioned in “The Hollywood Reporter” in early March 2021.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

It is an absolute thrill to have Jack Epps Jr. on the show today. The award-winning writer, USC Cinematic Arts professor and filmmaker is a member of the Writer's Guild of America and the Academy of Motion Picture Arts and Sciences. He’s best known for writing Top Gun (1986), Pigs vs. Freaks, The Secret of My Success, Turner & Hooch, and Anaconda 1997 screenplay. Jack first became involved in making films while doing his undergraduate at Michigan State University. Inspired by a student film festival, Epps made his first film the following semester which became Pig vs. Freaks that was later titled Off Sides.Top Gun was Epps’ big break. He partnered with Jim Cash who was his screenwriting professor at Michigan State University, to write several projects and Top Gun was one of those screenplays. Top Gun’s success was seismic. It became a box office number one grossing $ 357.1 million on a $ 15 million budget while also stacking several accolades including an Academy Award, Golden Globes, and a number of other international film awards. Epps is credited for the original screenplay in the sequel, Top Gun: Maverick which will be released this November.Epps shares co-writing credits with Jim Cash and Hans Bauer for the screenplay of the Anaconda adventure horror film series of 1997 and 2004. The first story follows a "National Geographic" film crew in the Amazon Rainforest that is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.While the first film did not receive critical acclamation, it grossed $136.8 million worldwide against a budget of $45 million.In the second film, Anaconda: The Hunt for the Blood Orchid, the premise is quite similar. A scientific expedition team of researchers set for an expedition into the Southeast Asian tropical island of Borneo, to search for a sacred flower for which they believe will bring humans to a longer and healthier life, but soon become stalked and hunted by the deadly giant anacondas inhabiting the island.These are some classics and I couldn’t wait to chat with Jack about his creative journey---from his work as a cinematographer and an assistant cameraman on various local productions, to his love for writing or reviewing romantic comedies films like Viva Rock Vegas, and Sister Act.Let's dig in, shall we? Enjoy this conversation with Jack Epps.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Thomas Jane is a prolific actor, director, and producer, with extensive credits including the series The Expanse and Hung, and the features The Punisher, 61, The Predator and Boogie Nights. Jane recently starred in in the hit thriller The Vanished, and his film Run Hide Fight world premiered at the 77th Venice Film Festival. Jane will next be seen in the anticipated drama series Troppo for IMDb TV/Amazon, based on the bestselling novel by Candice Fox, which he is also executive producing via his Renegade Entertainment banner.Jane founded the production company Renegade Entertainment with Courtney Lauren Penn in 2019. Since its inception, Renegade has produced the soon to be released features Murder at Yellowstone City, starring Jane, Gabriel Byrne, and Isaiah Mustafa; Dig, starring Jane, Emile Hirsch, and Harlow Jane; The Last Son, starring Jane, Sam Worthington and Colson Baker; and Slayers, starring Jane, Abigail Breslin and Malin Akerman.Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, Dreamcatcher, and The Mist.Jane is a writer and director, directing one of the first-ever natively shot films in 3D, the noir thriller Dark Country, as well as the celebrated season 5 episode “Mother” of his hit series The Expanse. He founded the graphic novel company RAW Studios in 2011.Thomas recently opened up his new production company Renegade Entertainment.Thomas Jane and Courtney Lauren Penn’s Renegade Entertainment has been prolific since launching late in 2019. Since the start of the pandemic the company has completed production on Murder at Emigrant Gulch, starring Gabriel Byrne, Isaiah Mustafa, and Thomas Jane; Dig, starring Thomas Jane, Harlow Jane, and Emile Hirsch; The Last Son, starring Thomas Jane, Sam Worthington, and Colson Baker; and Slayers, starring Abigail Breslin, Thomas Jane, and Malin Akerman.Renegade is in production on their first scripted series Troppo, based on the bestselling novel by Candice Fox. Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, The Mist, and Dreamcatcher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I can't tell you how excited I am for today's episode. I had the pleasure to speak to the legendary director Barry Sonnenfeld. We discuss his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events. We also chat about the time he shot nine porno films in nine days. That story alone is worth the price of admission.I don't think Will does get upstaged because his reaction is always funnier than what is actually happening. That is also the reason Tommy is funnier than Will.In his new book Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker shares his laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors.His book is written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature-length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films.Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say,“If this guy could end up as a successful film director on big-budget films, anyone can.”His book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.Barry Sonnenfeld's philosophy is,“Regret the Past. Fear the Present. Dread the Future.”This EPIC conversation is almost two hours and had me on the floor laughing one minute and in absolute shock the next. This is by far one of my favorite interviews I have ever done on the show.So sit back, grab a drink and enjoy my conversation with Barry Sonnenfeld.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Chris Riley is a screenwriter whose first film, After The Truth, an award-winning courtroom thriller written with his wife and professional partner, Kathy, sparked international controversy in 1999 when it was released in Germany.Other credits include 25 To Life, a dramatic thriller for Junction Entertainment and Touchstone Pictures; The Other White House, a political thriller for Sean Connery’s Fountainbridge Films and Intermedia; Aces, an action-adventure romance for Paramount Pictures; and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network. A veteran of the Warner Bros. script department, Riley is the author of The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style. He serves as professor of film at John Paul the Great Catholic University in San Diego and previously taught in the MFA program in writing for screen and television at Pepperdine University.He served as creative director at Yellow Line Studio where he executive produced the web series Bump+ and produced the feature Red Line. He is a founding partner of the online Story Masters Film Academy.His new book is The Defining Moment How Writers and Actors Build Characters.Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character’s formation that they create a distinct boundary of before and after, moments without which the character couldn’t exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans,  Sons of the Prophet and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award and is a two-time Pulitzer Prize finalist.Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021.  He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which was released by Sony Picture Classics.His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award,  and Hull-Warriner Award.Stephen and I have a great conversation on how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process and much more.Erik Blake has gathered three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter’s apartment in lower Manhattan. As darkness falls outside and eerie things start to go bump in the night, the group’s deepest fears are laid bare. The piercingly funny and haunting debut film from writer-director Stephen Karam, adapted from his Tony Award-winning play, The Humans explores the hidden dread of a family and the love that binds them together.Enjoy my conversation with Stephen Karam.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we go through the good, the bad and the ugly of being an indie filmmakers. On the show we have filmmaker Adam White. We discuss the making of his new film Funny Thing About. We discuss financing, casting, how he got Jon Heder (Napoleon Dynamite) to say yes to a supporting role in a romcom, shooting an ensemble cast during the pandemic, how we were filming the movie without having all of the funding in hand, securing distribution and much more. It's a pretty insane story.Samantha Banks is a successful business with a handsome fiancee. But over one crazy Thanksgiving Holiday with her scheming family, her whole world is thrown into a tailspin when they invite her ex-boyfriend, "the one that got away."We also discuss how he financed his first feature Inspired Guns and when that was a box office flop he lost everything including his house. It took seven years for him to bounce back and make another feature.The last thing Elder Fisher expects when he and his brand new companion, Elder Johnson, hit the streets of New York is a couple of seemingly golden prospects. But dimwitted brothers Roger and Larry, low-level Mafioso, think the two Mormon missionaries who approach them have been sent by the “Boss” to deliver their next assignment.So the brothers are willing to listen to anything the young men in dark suits have to say—including a message of salvation—even if Elder Johnson is the most overconfident and underprepared missionary to ever attempt to preach the word of God. Soon the witless brothers are searching through the Book of Mormon in a quest to find a hidden message.But as the missionaries and Roger and Larry continue to meet for discussions, both the mafia and the FBI have their sights set on Elders Fisher and Johnson. The mob thinks the missionaries are FBI; and the FBI believes the young men are hitmen on a mission—and both groups want the elders out of the picture. The Elders come to realize they must rely on each other to survive this case of mistaken identity.Enjoy my conversation with Adam White.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have film producers Jason Armstrong and Rob Goodrich.Armstrong and Goodrich founded Walk Like A Duck Entertainment, a film production company that develops and produces high quality scripted and non-scripted content.With a combined 30+ years in the entertainment industry, Armstrong and Goodrich have held positions in all aspects of production with a focus on IP acquisition, development, packaging and raising capital.The company has forced strong and supportive relationships with filmmakers and talent, advising and collaborating through all aspects of production.Jason and Rob are currently in pre-production on Andy Armstrong’s SQUEALER, and recently completed production on the following films: SLAYERS (starring Abigail Breslin, Malin Akerman, Thomas Jane), DIG (starring Thomas Jane, Emile Hirsch, Liana Liberato), SKELLY (starring Brian Cox, Torrey Devitto, John Palladino), and SALVATION (Claire Forlani, Thomas Jane, Skeet Ulrich, Theo Rossi, Ashley Moore).They have also acquired life rights of John Fairfax, an adventurer who crossed both the Atlantic and the Pacific Oceans in a rowboat, which they’re currently developing with Tiffany Fairfax, widow of John Fairfax.Armstrong and Goodrich puts a premium value on developing creative and strategic partnerships across sales, distribution, co-production and post-production companies. The trajectory of a project varies on a case by case basis, Armstrong and Goodrich are uniquely positioned to manage all aspects of a projects lifespan.As music, publishing and sync-licensing continue to establish increasing revenue streams and relevance in a financial model for a film or TV series, they have established 6 To Midnight Music, an ASCAP / BMI affiliate with a Co-Publishing deal with BMG Music, headed by Walk Like A Duck Entertainment partner, Cameron Goodrich.Film producers Jason Armstrong and Rob Goodrich have created a way to produce profitable feature films in record speed durning one of the craziest and uncertain times in film history. I sat down with both producers to see how they are doing what they are doing, how they ramped up so fast and how they are making money with there system. Enjoy my conversation with Jason Armstrong and Rob Goodrich.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Miranda Bailey is a prolific producer, actor and director, known for producing high quality independent films. Her passion for bringing compelling, well-crafted stories to the screen has been the driving force in her distinguished 15-year filmmaking career. Bailey has produced over 20 films, among them the Oscar®-nominated THE SQUID AND THE WHALE and the Spirit Award-winning THE DIARY OF A TEENAGE GIRL, as well as James Gunn’s SUPER, the Sundance hit SWISS ARMY MAN, the critically acclaimed NORMAN and the indie hit DON’T THINK TWICE.Bailey’s directorial narrative feature debut BEING FRANK, an offbeat family drama/comedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and was theatrically released June 2019. She assembled a decorated cast including Grammy-nominated comedian, actor, writer, producer and New York Times best-selling author Jim Gaffigan, two-time Emmy winning actress Anna Gunn, Samantha Mathis and Logan Miller.  Karen Kehela Sherwood of Imagine Entertainment produced the film alongside Amanda Marshall of Bailey’s Cold Iron Pictures. Bailey’s made her documentary debut GREENLIT – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Bailey’s second documentary, THE PATHOLOGICAL OPTIMIST, the film was released theatrically by The Film Arcade and on VOD by Gravitas.In 2018, Bailey teamed with Gurl.com co-founder Rebecca Odes to launch CherryPicks, a groundbreaking aggregate movie review and rating service by female critics for the female audience. The site went live in 2019 and over 800 female critics are subscribed to provide their reviews on the site.A production powerhouse, Bailey’s Cold Iron Pictures has amassed an extensive list of critical and commercial successes, including SWISS ARMY MAN, starring Golden Globe-nominee Paul Dano and Daniel Radcliffe, theatrically released by A24.  DON’T THINK TWICE, directed by Mike Birbiglia, starring Gillian Jacobs and produced with Ira Glass (This American Life) was distributed by The Film Arcade. NORMAN, directed by Joseph Cedar (BEAUFORD, a Foreign Language Film Oscar nominee), premiered at the Toronto International Film Festival and was released by Sony Classics. Bailey also produced I DO…UNTIL I DON’T, directed by and starring Lake Bell and Ed Helms.  Additionally, in 2019, she produced the Sundance hit documentary, THE UNTITLED AMAZING.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were greenlit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends. Marta’s expansive and successful career includes creator, director, EP and showrunner credits on a number of television series, films, digital series and projects. In 2015, Kauffman started her production company, Okay Goodnight, with industry veteran Robbie Tollin and Hannah KS Canter. Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix’s longest-running original ever. The series has received multiple Emmy and SAG nominations and is premiering the final episodes of its seventh and last season later this year. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix. Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety’s TV Producers Impact Report for consecutive years in 2019 and 2020. Okay Goodnight and Kauffman currently have numerous projects in various stages of development at multiple networksThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have legendary film producer Cary Woods. Cary Woods is a film producer best known for producing worldwide blockbusters such as Scream and Godzilla, the beloved independent films Kids, Cop Land, and Gummo, and modern classics like Rudy and Swingers.Woods is also responsible for producing the breakthrough features of such notable directors as James Mangold, Doug Liman, M. Night Shyamalan, Alexander Payne, Harmony Korine, and Larry Clark, as well as the screenwriting debuts of Jon Favreau, Kevin Williamson, and Scott Rosenberg.Woods' filmography features a lineup of A-List actors, including: Robert Downey, Jr., Robert De Niro, Sylvester Stallone, Marisa Tomei, Christopher Walken, Harvey Keitel, Mike Myers, Laura Dern, Heather Graham, Ray Liotta, Burt Reynolds, Drew Barrymore, Matthew Broderick, Courteney Cox, Timothy Hutton, Andy Garcia, Neve Campbell, Sean Astin, Michael Rapaport, Jean Reno, and Steve Buscemi.Born and raised in the Bronx, Woods graduated from the USC Gould School of Law before beginning his career at the William Morris Agency (now WME). As an agent, Woods represented - and in many cases introduced audiences to - the likes of Gus Van Sant, Uma Thurman, Jennifer Connelly, Milla Jovovich, Charlie Sheen, Matt Dillon, Todd Solondz, and most prominently, Gregory Peck.At WMA, Woods also represented many of the industry's most successful stand-up comedians including Sam Kinison, Andrew Dice Clay, Gilbert Gottfried, Sandra Bernhard, Tommy Davidson, and Jackie Mason.After developing the Indie favorites Heathers and Drugstore Cowboy as an agent, Woods accepted a position at Sony Pictures Entertainment (the parent company of Columbia Pictures and TriStar Pictures) as a Vice President - Office of the Chairman, reporting directly to Peter Guber. Woods later segued to a production deal at Sony, resulting in the release of a succession of iconic films, including So I Married An Axe Murderer, Rudy, Only You, and Threesome.After starting his own production company - Independent Pictures - the explosive release of the 1995 cultural phenomenon Kids (starring then-newcomers Rosario Dawson and Chloe Sevigny) began a streak of culturally significant, critically-acclaimed independent films produced by Woods under his banner.The next few years saw the releases of Citizen Ruth (the first film from future two-time Oscar winner Alexander Payne), Beautiful Girls (which introduced American audiences to Natalie Portman), and Swingers (springboarding Vince Vaughn to comedy mega-stardom).His 1996 film Scream (the most successful film of "Master of Horror" Wes Craven's career) marked a turning point for the entire genre, grossing over $170 million and setting a box office record that would stand for 22 years. The film instantly and single-handedly pivoted horror toward postmodernism, spawning a massive billion-dollar franchise (consisting of successful sequels, a TV series, toys, and Halloween costumes), as well as inspiring countless knock-offs in the years since.Gummo - the directorial debut of Kids' screenwriter Harmony Korine - received the FIPRESCI Prize at the 1997 Venice Film Festival. Bernando Bertolucci, the famed director of Last Tango in Paris, praised the film, calling it "The one revolutionary film of the late 20th century."In 1998, the first US-produced entry of the iconic Godzilla film franchise would become Woods' and Independent Pictures' single highest-grossing film, earning nearly $400 million.Woods would go on to serve as co-Chairman, and Chief Creative Officer of Plum TV, in which he was a founding partner. Broadcasting in the nation's most affluent markets (i.e. Aspen, the Hamptons, Miami Beach), the luxury lifestyle network would go on to earn eight Emmy Awards.Enjoy my conversation with Cary Woods.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Andrew Erwin and his brother Jon are the filmmaking team known by most as the Erwin Brothers. The Birmingham, Alabama born brothers grew up around college football and entertainment. Their father, a local news anchor introduced them to the television industry at a young age. As teenagers they began their career in sports television with ESPN as camera operators.After several years working in sports they transitioned into directing music videos and documentaries. They won music video of the year three years consecutively at the GMA Dove Awards working with some of the top artist in Christian, Country, and Rock music. They went on to produced the award winning 9/11 documentary The Cross and the Towers (2006).In 2010 the brothers shifted their focus exclusively to developing feature films. Their first feature narrative, October Baby (2011), was a coming of age drama about a young girl named Hannah (Rachel Hendrix) trying to find her birth mother. After a strong grass roots campaign the micro budget feature debuted theatrically in the top ten eventually landing on the front page of the New York Times.Andrew and Jon's sophomore release Moms' Night Out (2014), starring Sarah Drew, Sean Astin, and Patricia Heaton, was their first venture into comedy. The crowd pleaser had a successful theatrical run with Sony's TriStar and continues to grow its audience on dvd as a cult classic.Next Andrew and Jon tackled the epic true sports story Woodlawn (2015), starring Jon Voight, Sean Astin, Nic Bishop, and newcomer Caleb Castille. It was a deeply personal story for the Erwins. One of the characters in the Alabama story is their father, played in the movie by Astin. The duo continue to live in the Southeast as they write and develop stories of redemption and hope with a strong emphasis on their faith roots.The inspirational true story of Kurt Warner, who overcomes years of challenges and setbacks to become a two-time NFL MVP, Super Bowl champion, and Hall of Fame quarterback. Just when his dreams seem all but out of reach, it's only with the support of his wife, Brenda, and the encouragement of his family, coaches and teammates that Warner perseveres and finds the strength to show the world the champion that he already is.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, actor and director Sonja O'Hara. You might recognize here from my feature film On the Corner of Ego and Desire where she played an insane director at Sundance.Sonja O’Hara is an Emmy-nominated queer writer, director and actor represented by WME and Management 360. She was chosen as one of the “10 Filmmakers To Watch” by Independent Magazine, selected by a jury from MovieMaker Magazine, the Sundance Institute and Austin Film Festival. (Past recipients include Barry Jenkins of MOONLIGHT.)Sonja just directed two back to back features which are currently completing post-production: MID-CENTURY, a provocative thriller starring Stephan Lang (DON'T BREATHE) and two time Academy Award® nominee Bruce Dern, produced by Jeremy Walton (THE INVENTOR with Marion Cotillard), and ROOT LETTER, an adaptation of the popular Japanese PlayStation game, written by Tribeca Film Festival Narrative Prize winner David Ebeltoft and starring Danny Ramirez of THE FALCON AND THE WINTER SOLDIER.Sonja also created and directed the Webby award winning series DOOMSDAY which was nominated for the 2021 Daytime Emmy Awards. For DOOMSDAY, she was awarded the “Best Director” prize out of 4000 submissions at The New York Television Festival. Sonja sold her original series ASTRAL to Adaptive Studios.I wanted to have her on the show to discuss not only her directing career but also wanted to discuss her remarkable story on how she financed DOOMSDAY...she sold her eggs! This is easily the most unique film financing method I'd ever heard of. She made a film about her experience called Ovum.An offbeat young actress who will do anything for a part, ends up giving up a part of herself when her method acting exercise goes too far and she ends up selling her eggs.Enjoy my conversation with the remarkable filmmaker Sonja O'Hara.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Steven Kane is an American television and theater writer, producer and director.Personal Life: Steve Kane was born in Cherry Hill, New Jersey, where he graduated from Cherry Hill High School West as a proud member of the 1985 and 1986 New Jersey Knowledge Bowl Championship Teams. His rock band, Next Century, almost came in third in back to back "Battle of the Bands" contests (Kane played key-tar) but he did manage to win consecutive "Best Director" awards in the school's annual One Act Play festival. He also had a girlfriend.Flush with these early successes, Kane went on to major in English and French at the University of Pennsylvania before attending graduate film school at the University of Southern California. His USC Masters Thesis, a short film entitled Heroic Symphony, garnered awards at film festivals around the country. He had several girlfriends during this time.Career: Kane got his start in the entertainment industry writing and directing independent film and theater. His first feature film, The Doghouse, won Best Director at the NY Indy Film Festival. His collection of One Act plays, Out of Your Mind, had a successful run in Los Angeles at the GuerriLA Theater.His television credits as a writer and producer include The Closer (for which he received an Edgar Nomination), Major Crimes, Alias, NCIS, and Without a Trace, as well as comedies American Dad and Curb Your Enthusiasm. From 2012-2018, he served as Creator, Executive Producer, and show runner of TNT's The Last Ship, a post-apocalyptic drama based on William Brinkley's novel of the same name.In 2019, it was announced that Steven would join the HALO series at Showtime as Showrunner, Head Writer, and Executive Producer.Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future. In a war for humanity's very survival, our deadliest weapon is our greatest hope.See Master Chief, Cortana, the Covenant, and the other Spartans of Silver Team more in this epic trailer for the new Paramount+ Original Series, Halo. Find the Halo, win the war. Stream the premiere of the new original series Halo on Thursday, Mar. 24, exclusively on Paramount+.In its adaptation for Paramount+, HALO will take place in the universe that first came to be in 2001 with the launch of Xbox®’s first “Halo” game. Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, HALO the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.The series stars Pablo Schreiber (the Master Chief, Spartan John-117), Natascha McElhone (Dr. Halsey), Jen Taylor (Cortana), Bokeem Woodbine (Soren-066), Shabana Azmi (Admiral Margaret Parangosky), Natasha Culzac (Riz-028), Olive Gray (Miranda Keyes), Yerin Ha (Kwan Ha Boo), Bentley Kalu (Vannak-134), Kate Kennedy (Kai-125), Charlie Murphy (Makee) and Danny Sapani (Captain Jacob Keyes).This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now.  I can't tell you how fun it was talking to Ian and Eshom.We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.Enjoy my conversation with filmmakers Ian and Eshom Nelms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show, we have actor, writer, director Brian Petsos. Brian is the writer director of the new film, "Big Gold Brick" starring Andy Garcia, Oscar Isaac, Megan Fox and Lucy Hale just to name a few.After graduating from art school, Brian Petsos eventually began acting and improvising. While in the conservatory at Chicago’s famed SecondCity, he started writing; and later he began making films. Since leaving Chicago for New York City, he has carefully expanded his repertoire to include varying wor ks that he has written, directed, produced, performed in, or some combination thereof.Petsos started his company, A Saboteur, with the mission of producing innovative, original, boundary - pushing films that challenge traditional expectations and underline artistic integrity. His work has run the gamut, from short form content on HBO and spots for commercial clients, to full - length feature films and writing scripts for major studios.But today he is primarily focused on writing, directing, and producing his own distinctly flavored work. Petsos's highly anticipated feature debut, BIG GOLD BRICK, will be released by Samuel Goldwyn Films in North America in winter of 2022.The film recounts the story of fledgling writer Samuel Liston (Emory Cohen) and his exper iences with Floyd Deveraux (Academy Award nominee Andy Garcia), the enigmatic middle - aged father of two who enlists Samuel to write his biography.Golden Globe winner Oscar Isaac, Megan Fox, Lucy Hale, and Shiloh Fernandez round out this incredible cast in key supporting roles. The film was written and directed by Petsos, and produced by Petsos and Greg Lauritano under Petsos’s A Saboteur banner, with Executive Producers Isaac and Kristen Wiig.Prior to BIG GOLD BRICK, Petsos wrote, directed, and produced the highly lauded LIGHTNINGFACE (starring Isaac, executive produced by Isaac and Wiig; lightningface.com). The film was an Official Selection of over 30 festivals around the world — including the 60th edition of the BFI London Film Festival, among other high lights.It received a Best Actor nomination for Isaac at the 2017 Vaughan International Film Festival and a nomination for Best Narrative Comedy at the 2016 Miami short Film Festival, and it was the winner of both the Vortex Grand Prize at the 2016 Rhode I sland International Film Festival and Best Short Film at the 2016 Filmfestival Kitzbühel.The film premiered online in summer of 2017 as a highly coveted Vimeo Staff Pick and received an abundance of press coverage — from The Hollywood Reporter to The Huffin gton Post, from Indiewire to /Film, to Slate, BuzzFeed, Gizmodo, Film Threat, Nerdist, and many other outlets globally — which ignited virulent enthusiasm and a continuing flurry of social media chatter.Film School Rejects referred to it as, “Quite simply one of the most intriguing short films of 2017,” adding that, “if LIGHTNINGFACE is eligible for an Oscar Nomination...the other contenders should look out.”Brian and I had a very raw and open conversation about how difficult it was to get this project.Big Gold Brick recounts the story of fledgling writer Samuel Liston and his experiences with Floyd Deveraux, the enigmatic middle-aged father of two who enlists Samuel to write his biography. But the circumstances that lead up to this arrangement in the first place are quite astonishing—and efforts to write the biography are quickly stymied by ensuing chaos in this darkly comedic, genre-bending film.We really get into the weeds about how difficult it was for them to get it going off the ground. Just because he had major talent involved doesn't mean that it got any easier getting the budget together and so many other little gems.Enjoy my conversation with Brian Petsos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer and director Krystin Ver Linden. She has always steered the course of her career and her life with her love for film, and it shows through her work. She was recently chosen as one of Variety’s2022 “10 Directors to Watch,” a coveted honor. Ver Linden’s script Ride sold to Lionsgate with Joey Soloway attached to direct and was featured on the Black List. She went on to sell numerous scripts as well as the pitch Love in Vain, an unconventional biopic centering around blues music pioneer Robert Johnson. The pitch is set up at Paramount with Lorenzo di Bonaventura, Mike Menchel and multiple-Grammy-winning recording artist Lionel Richie producing.Her new film is Alice.Alice (Keke Palmer) yearns for freedom as an enslaved person on a rural Georgia plantation. After a violent clash with its brutal and disturbed owner, Paul (Jonny Lee Miller), she flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering the year is actually 1973. Rescued on the roadside by a disillusioned political activist named Frank (Common), Alice quickly comprehends the lies that have kept her in bondage and the promise of Black liberation. Inspired by true events, Alice is a modern empowerment story tracing Alice’s journey through the post-Civil Rights Era American South.We discuss how she got Quentin Tarantino became her mentor and much more. Enjoy my inspiring conversation with Krystin Ver Linden. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I have an epic conversation in store for you all today. Our guest is an Oscar-nominated screenwriter, filmmaker, John Lee Hancock. While working as a lawyer by day back in 1986, John moonlighted as a screenwriter, writing script after script. His spec script A Perfect World caught the eye of Steven Spielberg and eventually was directed by Clint Eastwood. After that success, he went on to direct the crowd-pleasing The Rookie.A true story about a coach who discovers that it's never too late for dreams to come true. Jim Morris (Dennis Quaid) never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim's team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization.After the box-office success of The Rookie, John tackled the epic story of The Alamo.A semi-historical account of the standoff at an abandoned mission during the Texas fight for independence. The Texans, led by Colonel Travis, managed to temporarily hold off the Mexican army of Santa Anna. The Texans were outnumbered 183 to 2000 and eventually succumbed. After the fall of the Alamo, General Sam Houston led another group of Texans against Santa Ana's army in San Jacinto where they defeated the Mexican army, which eventually led to an independent Texas.Hancock’s famous five-year hiatus comeback film, The Blind Side, an adaptation of Micheal Lewis’s 2006 book, The Blind Side: Evolution of a Game yield and performed outstandingly. The film received countless major awards nominations including an Academy Award nomination for Best Picture and a win for Best Actress for Sandra Bullock.The Blind Side is the story of Michael Oher, a homeless and traumatized boy who became an All-American football player and first-round NFL draft pick with the help of a caring woman and her family.The Blind Side went on to make $309.2 million internationally on a $29 million budget. Not too bad.Just this year, Hancock released his latest HBO Max neo-noir crime thriller, The Littel Things, starring Academy Award winners and heavyweights Denzel Washington, Rami Malek, and Jared Leto.Kern County Deputy Sheriff Joe Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a serial killer who is terrorizing the city.John also tackled bring the legendary Walt Disney to the big screen in Saving Mr. Banks starring Tom Hanks and Emma Thompson.Author P.L. Travers travels from London to Hollywood as Walt Disney adapts her novel Mary Poppins for the big screen.The Highwaymen bring John together Kevin Costner and Woody Harrelson to the tale that follows the untold true story of the legendary lawmen who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers must rely on their gut instincts and old-school skills to get the job done.I had a ball talking with John about filmmaking, how he almost broke Steven Spielberg's Rosebud prop from Citizen Kane when they first met, and so much more. He really goes into detail about his creative process, how he was able to navigate Hollywood, how to deal with the highs and lows of the business and so much more.Enjoy my conversation with John Lee Hancock.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion RB Botto.For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Award-winning playwright and co-writer of Pixar’s TURNING RED, Julia Cho was born and raised in the arid suburbs of Southern California and Arizona. After a fairly uneventful childhood, she unexpectedly discovered theater as a teen and subsequently foiled her parents’ expectations of a life of respectability and normalcy.Instead, armed with an MFA in writing from NYU and a prestigious fellowship at The Juilliard School, Julia launched herself into the New York theater scene. She soon landed residencies at the Sundance Lab and New Dramatists and productions at high-profile theaters in NYC and across the country. Memorable productions include “The Language Archive” (winner of the Susan Smith Blackburn Award), “Aubergine” and “Office Hour.” For her body of work, she received the 2020 Windham-Campbell Literary Prize for Drama which wrote: “Alternately lyrical and sharp, rigorous and whimsical, Cho’s plays demand that we listen.”Alongside her theatrics, Cho has also cultivated a career as a writer and producer of a broad range of television shows from cult sci-fi (“Fringe”) to character-driven drama (“Big Love,” “Halt and Catch Fire”). She also adapted the critically-acclaimed novel The Madonnas of Echo Park for HBO and Starz, which showcased her ability to transform eloquent fiction into dynamic and propulsive narrative.Driven by keen curiosity and a passion for language, Julia strives to create work that expands our worlds and sparks our deepest empathies. She’s currently under commission for South Coast Repertory to write a new play and is a Co-Executive Producer for the Amazon series, “Paper Girls.” In other words, she’s following a movie about four thirteen-year-old girls with a series about four twelve-year-old girls. A project about four eleven-year-old girls is forthcoming.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories that come to life.We have a 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit, they followed up with the embattled Mallrats. The film was not well received and did no money at the box office. Kevin and Scott were essentially discarded and called a one-hit-wonder. For most filmmakers that would be all she wrote but not for Kevin and Scott.They decided to go back to their roots and make another low-budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.I had a ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane, and much more.Enjoy my conversation with Scott Mosier.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready for a crazy ride! On the show this week we have indie filmmaker and screenwriter, Kevin Lewis. He’s been active on the scene and directed several indie films between 1996 to the present. Kevin's vastest film is the trippy indie (soon to be a cult classic) feature, Willy’s Wonderland, starring the legendary Nicolas Cage. Lewis has definitely paid his dues. He started out making films in Highschool with his VHS and Super 8 comers. Between the short film releases amongst his peers earlier on, to internships at Columbia Pictures, he was in the right position to secure a scholarship into USC Film School where he graduated from.The Method, Lewis’ directorial debut was his first feature film right out of college. It is about four guys' college life centered around a theater production of a bank robbery and how to make it better.In 2003, he directed and wrote Malibu Springbreak, about two Arizonan girls who headed out to the Malibu beaches for a spring break of partying and fun in the sun.He met an actor on the set, Jeremy Daniel Davis who didn’t play a big role in the film, but Lewis stood up to producers and kept Davis's scene. Fast forward to some years later, Davis joined the production team of a project he was working on at the time and the two kept in contact.The universe realigned and Davis popped up with the script of Willy’s Wonderland for Lewis out of the blue. This cosmic aligning of a movie, Willy’s Wonderland was directed by Kevin and released in Feb 2021, after his thirteen years of filmmaking sabbatical.The action-comedy horror film stars Academy Award® Winner Nicolas Cage - A quiet drifter who is tricked into a janitorial job at the now condemned Willy's Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics. Fists fly, kicks land, titans clash -- and only one side will make it out alive.Get ready for a wild ride. Enjoy my entertaining conversation with Kevin Lewis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Sitting down with one of the big names in this business this week was a really cool opportunity. I am honored to have on the show today, Academy Award-winning director, producer, and screenwriter, Taylor Hackford. Taylor's has directed films like An Officer and a Gentleman (1982), White Nights (1985), Proof of Life (2000), Dolores Claiborne (1995), Against All Odds (1984), Parker (2013), the iconic Ray Charles biopic, Ray of 2004, and The Comedian (2016) just to name a few. He also has served as president of the Directors Guild of America and is married to the incomparable acting legend Helen Mirren. Long before gaining popularity, Hackford had an interesting journey on his climb-up.  Taylor served in the US Peace Corps in Bolivia after college. Before then, while pursuing his studies in law there was an odd turn of events. Inspired by mutual friends who were film students, Hackford, quit school and sought out an entry-level position with KCET TV in LA. There, he learned and grew. He did everything. From office assistance to investigative reporting, which earned him two Emmys and an Associated Press Award, to documentaries, short films, and directing. Hackford racked up his first hit directing and writing Teenage Father in 1978. The film won an Academy Award for Best Short Subject. It explores the life of a 17-year-old senior boy who is a soon-to-be father with his girlfriend, a 15-year-old sophomore. They evaluate the decisions about how they got here, and the decisions on what they will do next.He then went on to direct the very successful romantic drama film, Officer and a Gentleman in 1982. Recognized as the best film of the year and grossing $190 million from a $7 million budget. The film also made history at the Academy Awards where a black man, Louis Gossett Jr. won the Oscars for Best Supporting Actor for the first time in Academy history. The film tells the story of Zack Mayo (Gere), a United States Navy Aviation Officer Candidate who is beginning his training at Aviation Officer Candidate School. While Zack meets his first true girlfriend during his training, a young "townie" named Paula, he also comes into conflict with the hard-driving Marine Corps Gunnery Sergeant Emil Foley training his class.Besides winning two Academy Awards, the film also won a BAFTA, two Golden Globes, one Grammy, one NAACP Image Awards, a Japan Academy Film Prize, National Board of Review 10 best films of the year awards, and a Writers Guild of America Awards.If this isn’t every director’s dream, I don’t know what is. Of course, success like this sets the bar even higher for oneself and can make or break any filmmaker. Another of Taylor's classics is 1997 The Devil's Advocate starring Al Pacino, Keanu Reeves, Charlize Theron, Connie Nielsen, Craig T. Nelson, Judith IveyAn exceptionally adept Florida lawyer is offered a job to work in New York City for a high-end law firm with a high-end boss - the biggest opportunity of his career to date.Taylor Hackford delivered another outstanding film in 2004. Ray. The biographical musical film on the three decades journey of the legendary blues musician, Ray Charles---from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s. It starred triple threat actor, Jamie Foxx. Ray received riveting reviews from the critics and multiple awards including Best Actor at the Academy. Hackford’s most recent work he produced or directed is The Comedian, starring Robert De Niro, Leslie Mann, Danny DeVito, and other big names. The film plot has Jackie (Robert De Niro) who is a comic icon, attempting to reinvent himself despite his audience only wanting to know him as a television character he played earlier in his career. It is a look at the life of an aging insult comic named Jack Burke.It was certainly incredible to sit back and chat with Taylor. His Ray Charles story alone is worth the process of admission, trust me. Enjoy my conversation with Taylor Hackford.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today, we are hearing from one of the cultural influencers of the 90s film industry, and that’s non-other but Gary Goldstein, producer of the iconic rom-com, Pretty Woman, starring Richard Gere, and Julia Roberts.A man in a legal but hurtful business needs an escort for some social events and hires a beautiful prostitute he meets… only to fall in love. The film’s story centers on down-on-her-luck Hollywood sex worker Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him.Pretty Woman was most of your introduction to Gary’s work, but mine was Cannibal Women in the Avocado Jungle of Death.I know. After all these years, the title still makes me chuckle. Years later, I would reference the title to people. And in case you were curious, Gary goes into the movie title origin story in this interview.Gary films have generated well over one billion dollars – consistent box office hits. Pretty Woman, for example, grossed $463.4 million – more than 30 times its budget. After the massive success of Pretty Woman, Gary collaborated once more with his filmmaking partner, writer, Jonathan Lawton to produce the action thriller, Under Seige in 1992. Like Pretty Woman, this too performed successfully at the box office and critically – including an Academy Award nomination. An ex-Navy Seal turned cook is the only person who can stop a group of terrorists when they seize control of a U.S. battleshipAs an undergraduate student, Gary briefly did talent scouting for Columbia Records and is credited for producing music concerts and cabarets for Berkeley, where he studied.After college, he practiced law briefly as a criminal defense attorney in San Francisco. Soon, he lost interest in the legal field and sought out a passion. Film and TV became the apparent choice since he had lots of friends who were in the business he could learn from. A year later, Gary opened up a management company where he put his talent scouting skills and experience to work. There, he worked with writers and directors.By cosmic aligning, he met the young brilliant writer, Jonathan Lawton who wrote the script that became Pretty Woman.In 2013 he authored Conquering Hollywood: The Screenwriter’s Blueprint for Career Success, which is a compilation of strategies to help anyone; whether looking to sell a spec script, option a screenplay, land a writing assignment and get hired, attract an agent, or manager of your dreams…or get a producer to take a meeting with you.Gary blessed us with knowledge bombs in this interview, including tips on entrepreneurship and film as a business.Enjoy my conversation with Gary Goldstein.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

If you have ever been interested in directing television or a series on Netflix then this is the episode for you. Today on the show we have legendary television director Dan Attias.Dan has worked as a director in the film and television industry for 37 years. As a director of series television he has received the Directors Guild of America award for outstanding direction of dramatic television and has been nominated for multiple Emmy awards for his comedy directing. He continues to work on some of the most celebrated and critically acclaimed American television shows, including Homeland, The Americans, The Marvelous Mrs. Maisel, Billions, and The Boys.Previously he has directed The Sopranos, The Wire, Six Feet Under, True Blood, Entourage, The Killing, The Walking Dead, True Detective, Ray Donovan, Bloodline, Friday Night Lights, Northern Exposure, House, Lost, Alias, among many others. His first professional directing assignment was the feature film, Stephen King’s Silver Bullet, produced by Dino DeLaurentiis. Dan started his career studying acting, then worked as an assistant director under Steen Spielberg on E.T. The Extraterrestrial, Airplane!, One From the Heart and several other feature films.He has taught acting and directing workshops in the United States, and has appeared as a guest speaker at festivals in Italy, Brazil, Greece, Mexico and Canada. Before working in the film and television industry, Dan was enrolled in a Ph.D. program in English literature at U.C.L.A., then transferred to the Theater Arts Department where he earned an M.F.A. in film production.His new book Directing Great Television: Inside TV’s New Golden Age dives deep into his career, techniques and amazing behind the scenes stories of some of the best television shows in history.Sharing his own process honed over a decades-long career, Emmy-nominated director Dan Attias brings you into the actual experience of directing series television. Whether it’s the high-stakes pressure of solving a last-minute problem on set, or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time.Offering a fundamental focus on story, and eschewing industry language for plain talk, Attias offers in-depth guidance how best to work with actors, how to “speak” through the camera, how to work with a showrunner, and how to be ready for the many ways a director will be challenged, large and small. Directing Great Television is a fascinating window into television’s best shows, compelling to directors and non-directors alike.Attias’s book transcends other filmmaking guides by detailing his journey to a surprising place of self-discovery, one with applications beyond entertainment.Enjoy my conversation with Dan Attias.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.Today on the show we have producer Elizabeth Avellán.Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more.Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every once in a while I have a conversation on this show that blows my mind, this episode did just that. Today on the show we have Oscar® Nominated producer Chris Moore. He produced films like Good Will Hunting, American Pie, Waiting, The Adjustment Bureau, and Manchester by the Sea. Chris' profile grew from his appearance as the producer on the early 2000's filmmaker reality show Project: Greenlight.I have a short, and I mean short, history with Project: Greenlight. You can see below.After graduating from college, Chris Moore moved to Los Angeles after sometime working in the mailroom of a major agency he got promoted to literary agent. He championed projects like: The Stoned Age, PCU, Airheads, Last Action Hero, and My Girl. When Chris' agency was acquired by ICM, he left and became an indie film producer. With some friends, he raised the budget to produce the indie film Glory Daze, which starred an unknown Matt Damon. Damon turned down the leading role in favor of paid work on another paid project but introduced him to his friend Ben Affleck, who ultimately starred in Glory Daze.Afterward, Affleck and Damon wrote the screenplay for what would become the Oscar® winning Good Will Hunting, and they asked Chris help them produce the film that was directed by Gus Van Sant.Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence.His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.Chris and I had a remarkable conversation about how to produce films in today eco-system. We also discuss what it's like working in the studio system, some of the issues he has with the system, how filmmakers are treated, and so much more. This an EPIC 2-hour conversation full of knowledge and truth bombs so prepare to take some notes.Enjoy my conversation with Chris Moore.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today, we are going to be talking all about one of my favorite topics; how to raise money to get our films made. I think every filmmaker wants to know how to make or get money for their films. But it becomes very challenging.My guest is an expert fundraiser, film financing consultant, facilitator, and author, Morrie Warshawski. He’s facilitated a lot of fundraising throughout his 35 years career and has authored Shaking the Money Tree: The Art of Getting Grants and Donations for Film & Video, and The Fundraising Houseparty: How to Party with a Purpose and Raise Money for Your Cause. Shaking The Money Tree demystifies the art of fundraising for independent film and video projects for students, emerging, and seasoned media makers.Morrie has assisted artists, filmmakers, and non-profit organizations with strategic planning, organizational development, and marketing across the entertainment and other sectors. Some of his clients are Habitat for Humanity, The National Endowment for the Arts, and Western States Arts Federation.I really wanted to talk about the mistake filmmakers make when trying to fundraise. Morrie seemed like the right guy for the job and he delivered.It was interesting learning that Morrie initially studied at USC in hopes of going into filmmaking but ended up majoring in English. And followed on with an MA in English and the graduate Writers Workshop at the University of Iowa. He started working with independent videographers and filmmakers through the Bay Area video coalition in San Francisco and that's when he transitioned to fundraising.Morrie was generous with knowledge bombs and tips we all need when it comes to fundraising.He highlights in this interview how vital it is for filmmakers on the look for donors to have good comportment --- the basis of presenting oneself to the world. Another component is, understanding why they're doing the work and having a strong feeling that the work you're making must be made. And lastly, understanding where your strengths lie, and how you can surround yourself with workarounds for your deficits.Our conversation was pretty much enlightening and fun. Check the show notes for links to learn more about the work Morrie does and his books.Get a notebook and pen to jolt down gems and enjoy my conversation with Morrie Warshawski.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Oscar® nominated filmmaker and screenwriter Joe Wright.Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters.  This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.Enjoy my enlightening conversation with Joe Wright.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, producer and director Brad Silberling. I had the pleasure of meeting Brad back in 2005 at my first Sundance Film Festival. He was very kind with his time and gave me some great advice.His feature films include City of Angels starring Meg Ryan and Nicholas Cage, Moonlight Mile, starring Jake Gyllenhaal, Dustin Hoffman and Susan Sarandon; Lemony Snickett’s A Series of Unfortunate Events, starring Jim Carrey and Meryl Streep; 10 Items of Less starring Morgan Freeman, Land of The Lost starring Will Ferrell, as well as his debut film, the family classic Casper, produced by Steven Spielberg.In television, his growing stable of hit series include the critically acclaimed comedy Jane The Virgin as well as the period drama Reign, contemporary reboots Dynasty and Charmed, and the new Disney Plus series Diary of A Future President. He is a graduate of the UCLA School of Theater Film and Television where he earned his masters degree in production, following his bachelor’s degree in English from UC Santa Barbara.Brad and I had an amazing talk about the business, warts and all, what it was like having Steven Spielberg as a mentor and how he built his directing career.Enjoy my conversation with Brad Silberling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have author, filmmaker and screenwriter Mick Hurbis-Cherrier.Mick  is an independent filmmaker and screenwriter. His works have been broadcast and shown around the country and have garnered prizes at many festivals including the Black Maria Film & Video Festival, Ann Arbor Film Festival, Athens Film & Video Festival and the Cin(e) Poems National Film Festival.His work has also been featured at the Robert Flaherty Seminar, the American Film Institute’s National Video Showcase and at the Museum of Modern Art in New York City. His screenplays have also won prizes including the Arthur Miller Award for dramatic writing, the Lawrence Kasdan award for screenwriting and he was twice an award winner in the University Film & Video Association national screenwriting competition.Among his film projects are: River of Things, an alternative film in four parts based on four poems by Pablo Neruda andFearFall, a short narrative satire about paranoia and the squeezing of the American middle class, which he wrote, directed and produced.His recent commissioned feature screenwriting projects include Give Me Five, which he co-wrote (with Ron Bass) for La Petite Reine Productions, Mesopotamia 2020 for Picturesque films and Empire of Dirt for director Steve Ramser. He also penned Better That Way, the official English language stage adaptation of the film Une Liaison Pornographique (U.S. release title An Affair of Love).He is currently completing a gangster genre screenplay set in New Orleans entitled Force of Nature, also for Picturesque films.In 2011 Hurbis-Cherrier published the 2nd edition of his comprehensive narrative film production textbook Voice & Vision: A Creative Approach to Narrative Film and DV Production 2nd ed. with Focal Press (originally published in 2007). In 2013 he published Directing: Film Techniques and Aesthetics 5th ed. (Focal Press) co-authored with Michael Rabiger.Both of these books are among the core film production textbooks in film programs throughout this country and internationally. Hurbis-Cherrier is currently working on the book, Practical Film Analysis and Inspired Filmmaking for the British Film Institute (BFI Publishing, Palgrave/MacMillan) which is scheduled for publication in early 2015.Enjoy my conversation with Mick Hurbis-Cherrier.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready for on heck of a ride. Today on the show we have screenwriter Rich Wilkes.Wilkes’ major-studio debut was as screenwriter of the 1994 film Airheads. The story revolves around a group of loser musicians called The Lone Rangers who take a radio station hostage to get their song played on the radio. Airheads was directed by Michael Lehmann and distributed by 20th Century Fox.This was followed by a co-writer credit (alongside director James Melkonian) for the 1994 comedy The Stoned Age, set in the stoner subculture of Southern California during the 1970s.The same writing and directing team then collaborated with The Jerky Boys to create the 1995 production The Jerky Boys: The Movie, featuring the eponymous comedians (self-described as “low-lifes from Queens”) as New York City youths who get into trouble with the Mafia when one of their prank calls leads them into a money laundering business.Wilkes is credited as the sole screenwriter for the 2002 action-adventure film XXX and a “based on characters created by” credit as being as the creator of the XXX franchise.Wilkes co-wrote the Mötley Crüe biopic The Dirt, based on the New York Times bestselling book by Neil Strauss and Mötley Crüe. The film took 17 years to get made. David Fincher was initially attached to direct in 2004, followed by Larry Charles in 2008.Rich and I had a raw conversation about what it is really like to be a screenwriter in Hollywood, warts and all. This episode should be reqired listening for any screenwriter thinking of getting into the Hollywood screenwriting game.Enjoy my eye-opening conversation with Rich Wilkes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

As our Sundance Film Festival 2022 coverage we have on the show today writer Shaye Ogbonna.When not in pursuit of retro sneakers, Shaye Ogbonna can be found worshiping at the Temple of Story. His most recent feature project is the contemporary western feature GOD’S COUNTRY — starring the incomparable Thandiwe Newton.Based on a short story by acclaimed author James Lee Burke, God’s Country is a character-driven thriller set in the snowy wilderness of the American West. Thandiwe Newton plays Sandra Guidry, a Black professor living and working in a rural college town. She’s also grieving her recently-deceased mother, for whom she'd served as primary caretaker. On the day of the burial, Sandra discovers a mysterious red truck parked in her driveway.She soon learns it belongs to a pair of local hunters seeking to enter the forest behind her house. Sandra turns them away politely but firmly – her experience tells her these are not the sort of men to welcome freely into her world. But they won’t take no for an answer, and soon Sandra finds herself drawn into an escalating battle of wills that puts her most deeply-held values to the test.In the television/streaming space, Shaye is currently developing JUMPMEN -- a one-hour drama set in the cutthroat world of the sneaker industry – with Showtime. He is also staffed on Showtime’s THE CHI and JJ Abrams’s DUSTER on HBO. His feature writing debut — 2017’s genre-bending LOWLIFE — opened the 2017 Fantasia Film Festival and became a darling of the genre festival circuit, culminating in its acquisition and worldwide distribution through IFC Midnight.Shaye’s creative mission is to center marginalized voices within genre storytelling. Enjoy my conversation with Shaye Ogbonna.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week I brought on the show, playwright, screenwriter, director, and actor, John Pollono.  I wanted to go down the road a little bit about his remarkable journey in the business which expands across theatre and short films. John is one of the founders of the Jabberwocky Theatre Company in 2004 which became the Rogue Machine Theatre in 2008 where he produced his earlier plays. His big break came with his screenplay for the acclaimed biographical drama film, Stronger which premiered at the 2017 Toronto International Film Festival.The screenplay, based on Bauman's memoir Stronger, was number two on the Black List (most-liked "motion picture screenplays not yet produced) in 2016.Stronger, starring multiple award-winning actors, Jake Gyllenhaal, is the inspiring real-life story of Jeff Bauman --- an ordinary man who captured the hearts of his city and the world to become a symbol of hope after surviving but losing his legs in the 2013 Boston Marathon bombing and must adjust to his new life.This project came along for John right after signing with Los Angelos - based Creative Artists Agency. Producers, Alex Young and Todd Lieberman were already familiar with Pollono’s work. And they were on the hunt for something. That was when adapting Stronger became a prospect. At the time, the book was not yet published so he had a chance to review the unpublished book. Producer Scott Silver was looking to mentor a more junior writer for the Stronger film and fortuitously, John was a good fit having grown up 20 minutes from where the characters take place, he was the best candidate for the job. So, with a follow-up pitch, the book’s film adaptation screenplay was sold to Lionsgate.Writing Stronger (the film) was a double success for Pollono. Not only was he mentored directly by the incredible Scott Silver and receiving writing directions about theme, structure, etc, but the project brought him some notoriety as well by topping number two on the blacklist a year before production. That script made a big enough splash for his career.Besides Stronger, Pollono is known for writing Small Engine Repair (the play and its film adaptation), Lost Girls (2013 and 2015) Off-Broadway release, Second Of Rules (the play), Lost and Found (2006), Razorback (play, staged in 2008) and his one-act Illuminati play which won Best Play at the 2010 Network One-Act Festival in New York City.  In his career in front of the camera, Pollono made appearances on shows like Grey’s Anatomy, recurring roles on Mob City and NBC's This Is Us TV series, and have worked professionally in entertainment Public RelationsPollono’s love for stories and movies dates back to being a kid who was also a voracious reader -- reading every Stephen King book there is. He picked up short story writing at a pretty young age. Obviously, he had a sort of knack for storytelling and started pursuing that path and passion to become a filmmaker and has been fortunate to shadow so many directors who I really admire in the business.He earned a Bachelor of Arts in 1994 from the University of New Hampshire and did two semesters of film school at NYU on an exchange. His experience in New York City, being surrounded by such a diverse group of artists was the biggest epiphany of his life that helped him decide his filmmaking career.He's guest-starred in the television series, How I Met Your Mother and has had smaller acting credits on film and stage.In 2021 he wrote and directed the black comedy-drama, Small Engine Repair which will premiere this September. The film is based on Pollono's play of the same name. I can not recommend this film enough. It is easily one of the best films I've seen in 2021. Events spin wildly out of control when three lifelong friends agree to do a favor on behalf of the brash young woman they all adore. It follows lifelong friends Frank (John Pollono), Swaino (Jon Bernthal), and Packie (Shea Whigham) who share a love of the Red Sox, rowdy bars, and Frank’s teenaged daughter Crystal (Bravo). But when Frank invites his pals to a whiskey-fueled evening and asks them to do a favor on behalf of the brash young woman they all adore, events spin wildly out of control in this exploration of brotherhood, class struggle, and toxic masculinity.This interview was a pretty cool conversation and I did not hold back getting John to share all the gems of the business he’s learned and fun questions like what it’s like working with Frank Darabont and working on the new Hulk Hogan movie currently in production.Enjoy my conversation with John Pollono.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg. He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide.  Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie. Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing. A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck.The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg’s latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple. Following almost a decade’s worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe. In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman’s film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards. In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp. On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide. In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney’s Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture). In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.” In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others. In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg’s fourteenth film to open number one at the box office. In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain. In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access.  Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks. You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever really wanted to know what goes on behind the scenes at Hollywood's major production companies and studios? How do new screenplays get read, approved and pass on by the script reader? What are the politics behind the scenes that make it almost impossible for a screenplay to make it through the Hollywood System?Today on the show we have a former development executive, current script coverage reader and professional screenwriter. In order for him to be completely honest, he asked to remain anonymous so I just refer to him as Deepthroat. Yes, I know that's a bit on the nose but we both thought the Cloak and Dagger angle would be funny.  He is a screenwriter that has worked in both television and features, a sought-after script doctor (he's worked on some MAJOR studio films), and a script coverage specialist.Deepthroat spills the beans on the inner workings of some of the biggest studios in Hollywood. He discusses how an idea he presented his boss years ago was once stolen from him within the system and was turned into a successful property and shares tips on how to impress those studio readers that are the gatekeepers to getting your screenplay sold and produced.He is one of the amazing script coverage specialists I have working at Bulletproof Script Coverage. Deepthroat agreed to do this interview in order to help screenwriters trying to break into the business. He's tired of seeing so many talented writers get eaten up by the system.The information in this interview is raw, real and will give you a much clearer idea of what happens behind the scenes in Hollywood. If you enjoy this episode, please share it with as many screenwriters and filmmakers as you can. We need to get this information out there.Enjoy my revealing conversation with DEEPTHROAT.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to Youtube in hopes of a big-time film producer sees it and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg.David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring, and scary all at the same time.  He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema.The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about.When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out.The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie.After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box office with a $15 million budget.Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash.David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world.Enjoy my conversation with David F. Sandberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I'm excited to talk to a fellow low-budget independent filmmaker today. Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about low budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions. Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc. Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.The story is about a  teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready to go down the rabbit hole of 80's action cinema. I sat with an iconic 80s & 90s action film director, writer, and producer this week - Sheldon Lettich who brought to our screens some epic actors and fighters like Jean-Claude Van Damme and Sylvester Stallone. He’s the trailblazing director and writer of Lionheart (1990), Bloodsport (1988), Rambo III (1988), and the Cold War drama, Russkies that first introduced us to the phenomenon that is Joaquin Phoenix. An Ex-French Soldier begins participating in underground street fights in order to make money for his brother's family. Lettich’s experience as a Vietnam veteran has inspired much of his films and plays throughout his career. Paired with his academic background in photography and cinematography, he bulldozed the action film scene with other classics like The Order, Double Impact, and The Last Patrol.Between 1983 to 1987, Lettich wrote and directed a couple of short films that did not pick up as much. The following year, he wrote the martial arts classic, Bloodsport - inspired by tall tales from Frank Dux, from which Lettich became a famous name in Hollywood. The film also launched Jean-Claude’s career, the star of Bloodsport who played Frank Dux, an American martial artist serving in the military, who decides to leave the army to compete in a martial arts tournament in Hong Kong where fights to the death can occur.If you love Street Fighter and Mortal Kombat then you have Sheldon to thank. Bloodsport was the first time you have multiple fighters, from around the world, with unique styles fighting in a tournament.The commercial success of Bloodsport, which grossed $50 million on a $2.3 million budget catalyst more trailblazing films. Lettich signed an overall deal immediately with White Eagle Productions that led to his collaboration, co-writing Rambo III alongside Sylvester Stallone in 1988. The movie was a HIT for the Box office. It outperformed his previous project, grossing $189 million on its $63 million budget. One thing I discovered speaking to Sheldon is that Bloodsport was NOT A TRUE STORY. The person that the film was based on, Frank Dux, was apparently a brilliant storyteller. There were lawsuits, books written, just an absolute mess. Either way, the film is a masterpiece of 80's action cinema.Another classic in Sheldon's canon was the highly anticipated sequel, Rambo III starring Sylvester Stallone. Rambo mounts a one-man mission to rescue his friend Colonel Trautman from the clutches of the formidable invading Soviet forces in Afghanistan.Lettich reunited with his friend, Jean-Claude in 1990 for the fan-favorite, Lionheart. This time directing and as a co-writer. He approached the project to allow Jean-Claude to display versatility, compassion, and rises beyond the "Karate Guy", now that he had become a household name. The film made $24.3 million on a $6million budget and became popular amongst his films.The two, Lettich and Van Damme, immediately followed up with their third of several collaborations, Double Impact in 1991 with Jean-Claude playing a set of twin brothers who were separated when their parents were murdered but 25 years later they re-unite in order to avenge their parents' death.Like their initial projects, this one too became a critical and commercial hit.It was a nostalgic thrill chatting with Sheldon about these movies that are part of the beautiful tapestry that is 80's action cinema.Enjoy this throwback entertaining conversation with Sheldon Lettich.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, producer, actor, director and Emmy® winning show runner Danny Strong. Danny started his career as an actor in numerous classic films and TV shows such as Buffy The Vampire Slayer and Gilmore Girls, then transitioned into screenwriting, exploding onto the scene with his 2007 script Recount which was #1 on the Hollywood Blacklist and became an award winning HBO Film.Since then he has become a prolific film and TV writer, director and producer, garnering numerous awards for various projects, including two Emmys, a Golden Globe, two WGA awards, a PGA Award, and the Peabody Award.Through out his career he has shown a wide range and versatility moving between mediums and genres with films like the political docudramas Recount and Game Change, the civil rights epic The Butler and the big budget action blockbusters Hunger Games: Mockingjay (Part I and II).He co-created the smash hit TV show Empire which won him the NAACP Image Award and he produced the civil rights drama The Best of Enemies starring Taraji P. Henson and Sam Rockwell. He has also written numerous theater projects having made his theatrical debut with a new book to the musical Chess that premiered at the Kennedy Center.Strong transitioned into directing with several episodes of Empire. He made his feature directorial debut with Rebel in the Rye that premiered at the Sundance Film Festival and was distributed by IFC Films.Over the years he has continued his acting career with recurring roles in many highly acclaimed TV shows including Mad Men, Girls, Justified, Billions and The Right Stuff. He grew up in Manhattan Beach, California and attended the USC School of Dramatic Arts.Enjoy my enlightening conversation with Danny Strong. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Now, I was scanning the web the other day, and I came across a book about the making of Quentin Tarantino‘s first feature film. Quite fascinated that someone took the time to dig into the unreleased, My Best Friend’s Birthday, which I’ve spoken about a bit on my podcast and also written a couple of articles about the film. So, as per usual, I invited the author, Andy Rausch to the show to talk a bit more about his book.Before this interview, I did not know that Andy has spent years interviewing other prominent industry names and has authored over forty non-fiction on specific works of established entertainment contributors.Writing forty books is no small feat.Some of Rausch’s publications include Turning Points in Film History (2004), The Films of Martin Scorsese and Robert De Niro (2010), Making Movies with Orson Welles, a Gary Graver memoir, and Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (2008).But today, l would like to get into the weeds on Rausch’s 2019, My Best Friend’s Birthday: The Making of a Quentin Tarantino Film book, which is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino’s minimum-wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy.Check out the show notes below for links to some of Andy’s other books, all available on Amazon.Enjoy my chat with writer, Andy Rausch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer, director and producer Lissette Feliciano. She is a Tribeca Film Institute AT&T Untold Stories grant recipient, was named as one of Shoot Magazine's new directors to watch, and has served as an ambassador for The Wraps Power Women Summit.Her production company Look at the Moon Pictures develops original content that shines a hero's lens on underrepresented groups, joining the ranks of creators filling the market gap in storytelling for a new young multicultural audience.Under Lissette's leadership, Look at the Moon was among the first production companies to mandate 50% BIPOC representation across leadership positions on and off-camera - a metric they are proud to consistently achieve. An avid supporter of young women’s education, she sits on several committees for an all-girls high school serving low-income students in her hometown of the Mission District of San Francisco.Her latest film projects is Women is Losers.In 1960s San Francisco, a once-promising catholic school girl, Celina Guerrera, sets out to rise above the oppression of poverty and invest in a future for herself that sets new precedents for the time.The film was produced independently and picked up by HBOMax as a major release on its platform. A true cinderella story. We discuss how she financed the film, her struggles with production, getting her amazing cast and much more.Get ready to be inspired. Enjoy my conversation with Lissette Feliciano.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

CHRISTMAS BONUSAfter months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,"If I'm going to write this I have to tell the entire story, warts and all."The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The Purge franchise is one of the most iconic dystopian action horror series of all time and the man behind it, James DeMonaco is not stopping anytime soon.James is our guest today and even though we talk a great deal about the various Purge films he’s either written or directed, which are all fan favorites, we start off with his most recently released film, This Is The Night, that was digitally released on September 21, 2021, after a prior theater release on Sep 17, 2021.This Is The Night, drama stars Frank Grillo, Lucius Hoyos, Jonah Hauer-King, Bobby Cannavale, and Naomi Watts. It is set in the summer of 1982 Staten Island with the release of Rocky III as its backdrop.The story tells of an average teen who embarks on a quest in his Rocky Balboa-obsessed town that swirls in his family members. Watts and Grillo will play with his parents. His family must confront its greatest challenges and the family realizes that the only way to live is like there's no tomorrow.I have tons of questions for James in this interview, which I am sure you, my tribe will appreciate. I have been a fan of some of his work but clueless he had written other top-ranked films on my list, it came as an exciting shock to discover more that James has written, directed, or produced.Besides screenwriting, directing, and producing projects like the Purge movies,  he’s also written for TV and gets credit for writing The Negotiator, Staten Island, Jack, and Assault on Precinct 13.  As a child of 5 years old, he would beg his more for a pass to watch the 4:30 ABC network movies and would visit the cinema often. At seven years old, he went to see, Apocalypse at the cinema and that changed everything for him. Leaving that theater with the desire to be part of that experience of whatever happened on the screen. Through screenwriting, he landed his first production gig with director Francis Coppola, for the 1996 movie, Jack, starring Robin Williams. The inspiration for The Purge was birthed during James’s time living in Paris and Canada. It came mainly, from his relationship against guns even though he had grown up around cops.The experience in Europe and Canada, in general, were the complete opposites he had observed. This was around the time mass shootings in America were on the rise in the early 2000s. Combined with an aftermath dark thought from a road rage incident curious about what it would be like if we all had a day pass, turned into a masterpiece original screenplay. But dressed in a science fiction dystopian world. The Purge: Anarchy - A couple is driving home when their car breaks down just as the Purge commences. Meanwhile, a police sergeant goes out into the streets to get revenge on the man who killed his son, and a mother and daughter run from their home after assailants destroy it. The five people meet up as they attempt to survive the night in Los Angeles. It was challenging to find someone willing to finance a ‘nihilistic’ and ‘un-American movie life The Purge. James and his partners got about fifty rejections because of how dark the script seemed.   Until finally with help from Jason Blum who said it was a great fit for his low-budget horror model on his deal with Universal Studios, to be produced by Blumhouse Productions and Platinum Dunes.The studio took a shot at it and the first Purge movie in 2013 albeit on a $3 million budget, grossed $89.3 million. The film starred Ethan Hawke, Lena Headey, Adelaide Kane, and Max Burkholder as members of a wealthy family who find themselves endangered by a gang of murderers during the annual Purge, a night during which all crime, including murder, is temporarily legal.The franchise includes The Purge: Anarchy( 2014), The Purge: Election Year (2016), a prequel, The First Purge (2018), The Purge TV series (2018 to 2019), and The Forever Purge (2021).There is a sixth Purge movie in the works. And the franchise has grossed overall over $450 million against a combined production budget of $53 million.We go deep in the weeds on these projects and James’s writing process.Enjoy my conversation with James DeMonaco.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have one-half of the writing team that wrote the record-breaking Marvel film Spider-Man: No Way Home, Erik Sommers.For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.In addition Sommers co-wrote scripts for Spider-Man: Homecoming, Ant-Man and the Wasp, Spider-Man: Far From Home, The Lego Batman Movie and Jumanji: Welcome to the Jungle with Chris McKenna. Erik started his career in television and wrote on the ground-breaking show Community under show runner Dan Harmon (Rick and Morty).Erik tells me how working with Dan changed how he wrote and how he uses Dan Harmon's Story Circle in his writing today.We discuss how he got the Spider-man gig, how he writes with his partner Chris, what it's like working inside the Marvel Studios machine and dealing with the pressure of writing Spider-Man.I watched the new Spider-Man and I have to say it's the best Spider-Man film yet. Get ready to have your nostalgia heart-strings pulled in the best way possible. Erik and Chris did a fantastic job writing the stand-alone film, while still weaving in the larger MCU narrative, not an easy thing to do.Enjoy my conversation with Erik Sommers.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

CHRISTMAS THROWBACK: I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You are in for a treat today. We have returning champion writer/director Sean Baker.Sean Baker is a writer, director, producer and editor who has made seven independent feature films over the course of the past two decades. His most recent film was the award-winning The Florida Project (2017) which premiered at the Cannes Film Festival and was released by A24 in the U.S. Among the many accolades the film received -- including an Oscar nomination for Willem Dafoe for Best Supporting Actor -- Sean was named Best Director by the New York Film Critics Circle.His previous film Tangerine (2015) premiered at the Sundance Film Festival and won an Independent Spirit and two Gotham Awards. Starlet (2012) was the winner of the Robert Altman Independent Spirit Award and his previous two features, Take Out (2004) and Prince of Broadway (2008), were both nominated for the John Cassavetes Independent Spirit Award.His remarkable new film is Red Rocket. The audacious new film from writer- director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny, humane portrait of a uniquely American hustler and a hometown that barely tolerates him.I watched Red Rocket and I have to tell you it's one of the best films I've seen this year.Sean and I discuss his creative process, how he shot Red Rocket with a 10 person crew and a very limited budget, during COVID. Red Rocket opens today in theaters.Enjoy my conversation with Sean Baker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show is Rebecca Windsor, the Vice-President of the Warner Bros. Television Workshop, the premier writing and directing program for professionals looking to start and/or further their careers in television.As an extension of her role developing new talent, Rebecca was recruited to help launch Warner Bros. new digital content brand Stage13, overseeing the critically acclaimed short-form digital series Snatchers, which premiered at the 2017 Sundance Film Festival and is available on Verizon’s go90 platform.Previously, she was the Creative Producing Initiative Manager of Sundance Institute’s Feature Film Program, playing a key role in coordinating the Creative Producing Lab and Summit, Screenwriters and Directors Labs, and Episodic Story Lab.Prior to Sundance, Windsor was Manager of Development at Samuel L. Jackson’s television company, UppiTV, and at Mandeville Films. She started her career as an assistant at the Broder Webb Chervin Silbermann Agency and ICM. A San Diego native, she attended Northwestern University, where she received a BS in Theatre.Write For A Warner Bros. ShowEvery year, the Warner Bros. Television Writers’ Workshop selects up to eight participants out of more than 2,500 submissions, and exposes them to Warner Bros. Television’s top writers and executives, all with the goal of earning them a staff position on a Warner Bros.-produced television show. The Warner Bros. Television Writers’ Workshop consists of three components, all geared towards preparing the writer for a successful career in television writing: lectures, a simulated writers’ room, and staffing. The 2021 Writers’ Workshop application closed on May 31st.Direct On An Active Warner Bros. SetThe Warner Bros. Television Directors’ Workshop is an initiative that introduces up-and-coming directors to prime time television. With the backdrop of active Warner Bros. Television sets as the learning environment, and top television directors, cinematographers and showrunners as the instructors, those selected to the program will have the opportunity to participate in a workshop that is unparalleled in the industry.Directors will be taken through the full process of episodic directing, from what is expected during prep, to working collaboratively with actors and key crew during production, through post-production. The 2022 Directors’ Workshop opens on January 7th.Enjoy my conversation with Rebecca Windsor.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little-known rapper named Tupac Shakur. These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget.Albert followed up that success with Dead Presidents (1995).On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger-than-life experience.An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!Enjoy my EPIC conversation with Albert Hughes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter Brian Nelson. Nelson holds degrees from Yale University and from UCLA. He worked as a drama instructor at Langley High School in McLean, Virginia in the early 1980s, where he taught Gilmore Girls actress Lauren Graham, Little Miss Sunshine screenwriter Michael Arndt, and UCLA screenwriting instructor Brian David Price.Nelson's numerous writing credits include episodes of the television series Lois & Clark: The New Adventures of Superman, Gene Roddenberry's Earth: Final Conflict, JAG and the Disney television series' So Weird and In a Heartbeat as well as the feature film Hard Candy. He also wrote the play "Overlooked" and co-wrote the script for the vampire film 30 Days of Night, which was released in late 2007 and helmed by Hard Candy director David Slade.Nelson wrote the script for the M. Night Shyamalan-produced thriller Devil. Nelson wrote episodes 3 and 8 of the Netflix original series Altered Carbon, as well as executive-producing the show.Brian and I had on heck on a fun time talking shop. Enjoy my conversation with Brian Nelson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have director and screenwriter J. Mills Goodloe.J. Mills Goodloe grew up in Fort Lauderdale, Florida and attended Southern Methodist University in Dallas, Texas. He began his career at Warner Brothers working for director Richard Donner. Goodloe worked from 1992 to 1995 as Donner's assistant on Lethal Weapon 3 and Maverick, both starring Mel Gibson, then segued into producing where he developed and produced Assassins starring Sylvester Stallone, Antonio Banderas and Julianne Moore.In 1996, Goodloe produced Conspiracy Theory, once again starring Mel Gibson, along with Julia Roberts, and Lethal Weapon 4, the fourth installment of the billion dollar grossing Lethal Weapon series.In 2001, Goodloe wrote and directed A Gentleman's Game starring Gary Sinise, Dylan Baker and Philip Baker Hall. In 2005, Goodloe wrote the adaptation for the John Grisham novel Bleachers for Revolution Studios. Goodloe also co-wrote the screenplay for the inspirational sports film Pride, released theatrically by Lionsgate and starring Terrence Howard and Bernie Mac.In 2014, Goodloe's adaptation of Nicholas Sparks' novel Best of Me went into production, starring Michelle Monaghan and James Marsden and directed by Michael Hoffman.Based on the bestselling novel by acclaimed author Nicholas Sparks, The Best of Me tells the story of Dawson and Amanda, two former high school sweethearts who find themselves reunited after 20 years apart, when they return to their small town for the funeral of a beloved friend. Their bittersweet reunion reignites the love they've never forgotten, but soon they discover the forces that drove them apart twenty years ago live on, posing even more serious threats today. Spanning decades, this epic love story captures the enduring power of our first true love, and the wrenching choices we face when confronted with elusive second chances.In 2013, Academy Award nominated director Hany Abu-Assad was hired to direct Goodloe's screenplay Mountain Between Us, a Twentieth Century Fox project based upon the novel by Charles Martin.In the Spring of 2014, Goodloe's original screenplay Age of Adaline began principal photography, starring Harrison Ford, Blake Lively and directed by Lee Toland Krieger. The film will be released by Lionsgate in the Spring of 2015.After miraculously remaining 29 years old for almost eight decades, Adaline Bowman (Blake Lively) has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones (Michiel Huisman) reignites her passion for life and romance. When a weekend with his parents (Harrison Ford and Kathy Baker) threatens to uncover the truth, Adaline makes a decision that will change her life forever.In 2014, Sony Studios hired Goodloe to write the screenplay Christian the Lion with Neil Moritz' Original Film producing. His other projects include a scripted drama for Bravo Television called All the Pretty Faces which he and Jennifer Garner are producing.Enjoy my conversation with J. Mills Goodloe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have television writer and show runner VJ Boyd. VJ is a producer and writer, best known for his work on the critically acclaimed  Justified (2010), the CBS smash hit S.W.A.T. (2017) and creator of Lincoln Rhyme: Hunt for the Bone Collector (2020).Deputy Raylan Givens has his own, Wild West-style methods of upholding justice, putting him at odds with the criminals he hunts and with his bosses in the U.S. Marshals Service. And an incident prompts his reassignment to the Kentucky district where he grew up. The character is based on one created by author Elmore Leonard in several books and short stories.If you ever wanted to know what it takes to get into a writer's room this is the episode for you. Enjoy my conversation with VJ Boyd. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Who are you going to call? Yup that is right, we have on the show today to co-writer of the new installment in the Ghostbusters universe, Gil Kenan.Gil co-wrote Ghostbusters: Afterlife with his friend writer/director Jason Reitman.From director Jason Reitman and producer Ivan Reitman, comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Jason Reitman & Gil Kenan.Now Gil isn't just an accomplished writer but also an Oscar nominated filmmaker (Best Animated Film) for the animation classic Monster House (2006). He also wrote and directed, Poltergeist (2015) and City of Ember (2008) and the new Netflix film A Boy Called Christmas.In ordinary young boy called Nikolas sets out on an extraordinary adventure into the snowy north in search of his father who is on a quest to discover the fabled village of the elves, Elfhelm. Taking with him a headstrong reindeer called Blitzen and a loyal pet mouse, Nikolas soon meets his destiny in this magical, comic and endearing story that proves nothing is impossible. A BOY CALLED CHRISTMAS, on Netflix Nov. 24 in select territories.Gil and I had a great conversation about working with Jason and his dad Ivan Reitman on bring Ghostbusters back to life, the pressure of playing in the Ghostbuster universe and lessons learned from his journey in Hollywood.BTW, I had the pleasure of watching Ghostbusters: Afterlife and all I can say is if you like the originals you're going to love it. Enjoy my conversation with Gil Kenan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg.John has been named by American critic Roger Ebert as"one of the few genuinely independent American filmmakers",which John modestly denies!John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.John also discusses his career path, including his decision to become a screenwriter, the difficulties he faced working as a screenwriter in Hollywood and his experience of writing for other directors such as Steven Spielberg.John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

As we get older it seems that we lose tough with our inner child. We lose touch with that remarkable creative engine. Filmmakers like Steven Spielberg have figured out a way to not only stay in contact with his inner child but also not lose his sense of wonder.Today's guest will be helping us tap into out own sense of wonder that can help you on your creative path. We have on the show author, entrepreneur and human potential expert Jeffery Davis.Jeff approach's life and work as a quest. Everything he does – from building a thriving business to writing books to serving as a branding strategist to designing live Brand Artistry Labs to delivering keynotes to guiding his two girls’ through childhood – are part and parcel of the same quest for integrity, meaning, and making.But like most quests, mine has been neither easy nor straightforward.He has deliberately sought a life of meaning and making since he was 19 and declared in his private notebook that he would become a writer and preserve my imagination. In his 20s, he co-founded The Walden Institute, devoted to studying  human potential through the intersections of neuroscience, existential psychology, and the literary arts. By age 31, though, he was all intellect and drive with a shrinking heart and vanishing imagination.I get to work with top-notch change-makers, and that includes our team of creative renegades at Tracking Wonder consultancy – our boutique consultancy focused on brand story identity, strategy, and asset development.Tracking wonder is not kid’s stuff. It’s radical grown-up stuff.Jeff lives with these burning questions that shape his days:How does Story change us?How is creating a signature brand with integrity a meaningful, creative endeavor?How is wonder the source of every human being’s original creative genius?How are building a family and building a business part and parcel of living a life of making meaning, projects, a livelihood, and a difference?The result has culminated in this quest for tracking wonder.His new book is called Tracking Wonder: Reclaiming a Life of Meaning and Possibility in a World Obsessed with Productivity.Discover how the lost art of wonder can help you cultivate greater creativity, resilience, meaning, and joy as you bring your greatest contributions to life.Beyond grit, focus, and 10,000 hours lies a surprising advantage that all creatives have—wonder. Far from child’s play, wonder is the one radical quality that has led exemplary people from all walks of life to move toward the fruition of their deepest dreams and wildest endeavors—and it can do so for you, too.“Wonder is a quiet disruptor of unseen biases,” writes Jeffrey Davis. “It dissolves our habitual ways of seeing and thinking so that we may glimpse anew the beauty of what is real, true, and possible.” Rich with wisdom, inspiring stories, and practical tools, Tracking Wonder invites us to explore how the lost art of wonder can inspire a life of greater joy, possibility, and purpose. You’ll discover:The six facets of wonder—key qualities to help you cultivate the art of wonder in your work, relationships, and lifeHow wonder can help us fertilize creativity, sustain the motivation to pursue big ideas, navigate uncertainty and crises, deepen our relationships, and moreThe biases against wonder—moving beyond societal and internalized resistance to our inherent giftsWhy experiencing wonder isn’t really about achieving goals—though that happens—but about how we live each dayInspiring stories of people whose experiences of wonder helped them move through the unthinkable to create extraordinary livesPractical exercises, tools, and reflections to help you begin your own practice of tracking wonderA refreshing counter-voice to the exhausting narrative hyper-productivity, Tracking Wonder is a welcome guide for experiencing more meaning and joy in the present moment as you bring your greatest contributions to life.If you are stuck or just need a jump start to your creative process then get ready to take some notes.Enjoy my "wonder" filled conversation with Jeffery Davis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have the showrunning writing duo of Dan Hernandez and Benji Samit. They are responsible for bring iconic character Pikachu to the big screen. The film starred Ryan Reynolds.Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim, to find out what happened. Aiding in the investigation is Harry's former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.Easily one of my favorite projects they worked on is the Netflix show One Day at a Time. On that project they got to work with the television living legend Norman Lear.This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the life of Penelope, a newly single Army veteran, and her Cuban-American family, as they navigate the ups and downs of life. Now a nurse, Penelope is raising two strong-willed children.When faced with challenges, Penelope turns to her "old-school" mother, and her building manager, who has become an invaluable confidant. The series offers a contemporary take on what life looks like in both good and bad times, and how loved ones can help make it all worthwhile.On television, Hernandez and Samit have written for, The Tick, Super Fun Night and 1600 Penn. They were named in Paste Magazine's list of the top 28 comedy writers of 2018. In 2019, Samit and Hernandez signed a long-term deal with 20th Century Fox Television to develop, write and produce animated and live-action seriesWe discussed how they got their big break, how they approach the craft, the world of the writer's room and much more. Enjoy my conversation with Dan Hernandez and Benji Samit.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 millionbudget.District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.Wanting to experiment and have more creative freedom Neill created Oats Studios. Oats Studios makes experimental short films, a testing ground for ideas and creativity leading to full scale feature films based on ideas created here. One of the studios most popular shorts is Rakka.Not to give too much away, let's dig into my interview with our incredible and inspiring guest, Neill Blomkamp.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have head of writer success at Coverfly, Thomas Dever. Thomas has been helping screenwriters for years. I wanted to have him on the show to discuss what he's seeing in the film business, from a street level. Thomas works with all the major agencies, top end producers and managers. If anyone knows what Hollywood is looking or he'd be the one. We also discuss how screenwriters can better position themselves in the marketplace, debunk a few myths many screenwriters believe and much more. Enjoy my conversation with Thomas Dever. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

HALLOWEEN BONUS episode from my other show The Indie Film Hustle Podcast.Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.Enjoy my eye-opening conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

HALLOWEEN BONUS episode from my other show The Indie Film Hustle Podcast.If you have a micro or no budget feature film shooting in one location will make life a lot easier. Now, how do you make that one location look great and not boring through your film? Indie Filmmaker Michael Williams did just that with his new horror film The Atoning. Check out the trailer below. Michael Williams began creating short films in 2004 and since has consistently produced short films and screened them for audiences at annual film festivals and screenings across the U.S.Williams earned his bachelor of arts in film in 2009 from the University of Southern Mississippi and was awarded the Top Film Student of 2009 Award. In 2007 Williams began his professional film career, accumulating a multitude of credits ranging from assistant camera to director of photography for many independent short and feature-length films.After writing, directing and producing more than 20 short films, Williams broke into the feature-length film territory with the award-winning film OzLand". While his desire to tell complex stories visually drew him to a career in cinematography, as an artist and storyteller, Williams writes and directs films like "OzLand" in order to share his stories with those interested in experiencing them while eagerly pursuing the opportunity to bring other people's stories to life as a director of photography.For his 2nd feature film, Williams turned to the horror/supernatural thriller genre for "The Atoning", an award-winning family drama explored through a fresh take on the thriller/horror genre.Today, the filmmaker owns and operates Shendopen films in West Point, Mississippi and continues to write and direct his own independent films, produce films by other regional filmmakers and works regionally in the industry as a director of photography. Enjoy my conversation with Michael Williams.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week I had the pleasure of sitting down with writer, producer, former studio executive and diversity thought leader Kelly Edwards. Many of us want to be able to pitch our shows to a network or studio but just don't know how the game is played. Kelly not only knows how the game is played she wrote a book on how to do it.Her new book is The Executive Chair: A Writer’s Guide to TV Series Development. To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls.The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions. Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script."There are a million ways to break into Hollywood. Your journey will be unique to you. Meet all the people. Work all the angles. But most of all, enjoy the ride." - Kelly EdwardsKelly Edwards recently transitioned from inside the network ranks into a writing and producing deal with HBO under her Edwardian Pictures banner.In her former executive role, she oversaw all of the emerging artists programs for HBO, HBOMax, and Turner. The pilots she produced through the HBOAccess Writing and Directing fellowships have screened at major film festivals including Tribeca and SXSW, and garnered multiple awards.Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.Edwards’ career spans both television and film. Early in her career, she worked as a creative executive in features at both Disney and Sony under such talents as Garry Marshall and Laura Ziskin. After moving to television, she served as a senior executive at FOX where she developed LIVING SINGLE, CLUELESS, and THE WILD THORNBERRYS. While heading up UPN’s Comedy division as the SVP of Comedy Development she developed GIRLFRIENDS, THE PARKERS, and MALCOLM IN THE MIDDLE.In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives in TV, Film, Digital, as well as assistants, all designed to connect current and future industry executives with one another.Kelly and I had an amazing conversation about the business, how to pitch a television project to a studio, and much more. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Brooks Elms has written more than 25 scripts over the term of his career for companies like Gold Circle Films, Base FX, and Broken Road. We connected through a mutual friend and I couldn’t wait to have him on the Bulletproof Screenwriting podcast. Elms is a member of the Writers Guild Of America and a part-time screenwriting instructor at UCLA Extension where he's shared his filmmaking and plot structuring skills with his students since 2016 through two classes he currently teaches; Story Analysis for Film & TV, and Story Development.You may have seen films and television series he's directed such as The Ultimate Fighter, Snapshots from a .500 Season, Montauk Highway, Drew, Trip and Zoey and So Happy Together.Elms have consulted with all levels of creatives across Hollywood, including studio directors, rewrites for the oscar-winning writer while also writing and directing his own indie feature films. In his free time, Elms loves to coach other writers who have a burning ambition to deeply serve their audiences. We both should be working on a project of mine in the near future, so stay tuned.I’m always down for a good screenwriting 101 conversation and my interview with Brooks will not disappointEnjoy my conversation on how to become a professional screenwriter with Brooke Elms.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today. As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV. Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards. Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!Let’s get into the chat, shall we?Enjoy my entertaining conversation with David Chase.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I’ve called this dream the lottery ticket mentally. I always say that someone wins the lottery every week somewhere.Well, today’s guest is that lottery ticket winner. Today on the show we have director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents are what broke the record.The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival.When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.I’ve always wanted to know what it was like to be a fly on the wall during a bidding war at Sundance. In today’s episode, I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books.You can watch Palm Springs on Hulu.Enjoy my conversation with Max Barbakow.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The NO Bullsh*t Guide to Making Your Indie Film with Jeff LeisawitzHave you ever been in a place where nothing is going right creatively? Do you ever feel like you are standing in your own way? Me too. Today's guest is author Jeff Leisawitz who wrote Not F*ing Around— the No Bullsh*t Guide for Getting Your Creative Dreams Off the Ground.  This little pack is quite a punch.I wanted to have Jeff on the show to drop some knowledge bombs to wake up the tribe a bit. To help you get out of your own way; to get you out of any creative rut.This guidebook is a manual for creatives who can't quite get their creative juices flowing? The day job sucking your soul? Fizzled out before you put the finishing touches on your amazing creation? With relentless positivity, full-on authenticity, and a punk rock thunder spirit, author Jeff Leisawitz pulls back the curtain on the creative process and reminds us that we are all creative SuperStars.It's time to get off the couch and get on the path. It's time to tap into the cosmic heartbeat that thumps in your chest and shines from your soul. It's time to get NFA!About Jeff Leisawitz: Jeff is an award-winning musician/ producer, a critically acclaimed author, and an internationally distributed filmmaker who has devoted his life to creativity.As the guy behind Electron Love Theory, Jeff fused interviews with Seattle’s WTO demonstrators into electronic music, garnering more than a quarter-million downloads worldwide. Jeff has released five studio albums and has landed thousands of music placements in film, TV, and multimedia for clients like HBO, MTV, Discovery, Microsoft, NBC, and many others.As the founding writer for Seattle’s taste-making alternative rock station 107.7 The End, he chronicled the alternative grunge scene in the 90s.After training as a Life Coach and practicing NLP (Neuro-Linguistic Re-Patterning) Jeff landed a gig as an adjunct faculty member at Pacific Lutheran University— teaching college students to rock. (Seriously)When creative businesses, schools, and organizations like Brown Paper Tickets, Tacoma School of the Arts, Gage Academy of Art, Northwest Film Forum, and others need to amp up the creativity, Jeff leads workshops and events to fire up the creative spirit and empower people to tap into their true potential.Enjoy my conversation with Jeff Leisawitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed, and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE."She is proof that no film school is needed. Enjoy my conversation with Elizabeth Blake-Thomas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes like Ed Burns and Joe Carnahan and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary.Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes. Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds.Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone.It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films.Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide. Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between. Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green. It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.Enjoy my entertaining conversation with Chris Sparling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have on today, one of the best rom-com and comedy writers and filmmakers of all time a master at visual storytelling. I've been a fan of many of his films growing up, specifically, Father of The Bride. Now that I have two daughters of my own, it is fondly scary to rewatch it.Charles Shyer is an award-winning director, screenwriter, and producer whose work includes some of the best fuzzy-feel good films of all time. Shyer grew up in the film industry where his father worked with D.W. Griffith and was one of the founders of the Directors Guild of America. He is the director and writer of the 1991 comedy film, Father of the Bride starring Steve Martin, Diane Keaton, Kimberly Williams (in her film debut) in this remake of the Spencer Tracy classic, George (played by Steve Martin) and Nina Banks (played by Diane Keaton) are the parents of young soon-to-be-wed Annie (played by Kimberly Williams-Paisley). George is a nervous father unready to face the fact that his little girl is now a woman. The preparations for the extravagant wedding provide additional comic moments. Martin, a businessman, and owner of an athletic shoe company finds out his daughter is getting married, he finds himself reluctant to let go and goes on a spiral. It is one of those movies with a lot of smiles and laughter in it, and a good feeling all the way through. The film grossed $129 million and has had two sequels of it made in 1995 and 2020.He wrote and co-produced one of the most pivotal films in Lindsey Lohan’s career, The Parent Trap (1998). It captured the story of identical twins Annie and Hallie (played by Lohan), separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.People fell in love with the movie and Lohan’s exceptional performance, leading to an instant box-office success with a $92.1 million gross. There are but few writers who are able to master the craft of romantic comedy, and Charles Shyer is one. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), the Father of the Bride sequels, The Affair of the Necklace (2001), etc.Shyer directed Baby Boom and co-wrote it with his long-time writing partner, Nancy Meyers in 1987. It stars Diane Keaton (a super-yuppie J.C) who discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as an inheritance. Like most of his films, this too was a box office success. Her life is thrown into turmoil.J.C. Wiatt is a successful New York businesswoman known around town as the "tiger lady." She gets news of an inheritance from a relative from another country and off the bat she suspects it's money. Well, it's not money, it's a baby girl. At first, she doesn't accept until the lady that gives the baby to her has to catch her flight. J.C. is now stuck with an annoying baby girl. Her boyfriend doesn't like the idea of a baby living with them and he leaves her. J.C. has enough of it and takes her to meet a family ready to adopt her. She leaves but hears the baby cry while walking away and has to go back. The baby is too attached to her now and won't let her go. Later, her baby gets into mischief which causes her to get fired. Now, she sets her eyes on an old two-story cottage in Vermont to get out of New York life. When she arrives, the house needs more help than originally thought. She gets bored one snowy day and decides to make apple sauce. Her baby loves it and she decides to sell it. Pretty soon everyone wants some of the baby apple sauce. J.C. hits it big and falls in love with a local veterinarian.All this happened after he made the switch at the start of his career in the industry, from pursuing directing to writing and landing a gig on the 1970 TV series, The Odd Couple. Where Shyer eventually worked his way up to head writer and associate producer, writing about twenty-four episodes of the show. The sitcom, The Odd Couple was formally titled onscreen as Neil Simon's The Odd Couple. It was broadcasted on ABC from September 24, 1970, to March 7, 1975, starring Tony Randall as Felix Unger and Jack Klugman as Oscar Madison.In our conversation, Shyer tackled the making of some of his well-known films and the changing writing culture in Hollywood. It’s always a good fun day at the office when I can chat up with folks like Charles. Enjoy my chat with Charles Shyer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I was glad to take a deep dive into the deep end of horror screenwriting with writer and producer, Devin Watson, notably known for writing and producing The Cursed (2010) which was the first draft he wrote in only two days. He’s also written several books, the latest of which is Horror Screenwriting: The Nature of Fear. Horror has, among all of the genres in film and written works, one of the longest, most distinguished, and often misunderstood bloodlines in history. It is often overlooked by critics who don't see anything more than blood and guts on the screen or a collection of cheap scares.But what is missed is the hard-hitting commentary on society and life contained in those works.Devin got his start working with the website, 'moviepartners.com' in the late 90s which was one of the first websites out there that really had any kind of information on independent filmmaking.Eventually, he decided to try out writing some scripts. But reading what every he could find to prepare him for scriptwriting. He was influenced in a big way by Lew Hunter's book, Screenwriting 434. Here, Lew Hunter shares the secrets of his course on the screenwriting process by actually writing an original script, step by step in Screenwriting 434.When he felt ready, Devin wrote his first five scripts, all of which turned out not very good. Not until November 2006 that he wrote a script in 2 days for his friend, Phil Melfi. That was when he felt confident in his work. That script became his debut production and writing, The Cursed, which is still a sci-fi channel Halloween rotation regular.Devin’s book Horror Screenwriting really dives into the craft of horror and screenwriting pretty deeply.Enjoy my conversation with Devin Watson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have award-winning author, playwright, actor, teacher, and writing consultant, Catherine Ann Jones on the show today. She’s authored a number of consciousness-raising books, plays, film, and television scripts, including, The Christmas Wife (film), Unlikely Angel with Dolly Parton, The Way of Story: the craft & soul of writing (book), Freud’s Oracle (Play), and several others.Unlikely Angel stars Dolly Parton who plays a self-absorbed singer who meets an untimely death and gets an opportunity to earn her wings if she helps a family lost in the tragic death of their Mother find each other again. This should be a Holiday movie tradition.In our interview, we talk about her book, The Way Of Story which offers an integrative approach to writing all forms of narrative.This illustrated book contains evocative insights from the author's own professional journey. The emphasis on the integration of both a solid craft and an experiential inner discovery makes this writing book unique.She helps others on their writing journeys through workshops, consulting, and writingFollowing her passions for truth-seeking and dramatic self-expression Catherine’s written six books. Her most recent book is a 2013 publication, Heal Your Self With Writing.Catherine was a writer on the popular 90s TV show, Touch by an Angel.The series generally revolved around the "cases" of Monica (played by Roma Downey), an angel recently promoted from the "search and rescue" division, who works under the guidance of Tess (played by Della Reese), a sarcastic boss who is sometimes hard on her young colleague but is more of a surrogate mother than a mentor. The trio of angels is sent to Earth to tell depressed and troubled people that God loves them and hasn't forgotten them.Let's delve into Catherine's writing process and how she helps others achieve excellent stories, shall we?Enjoy my conversation with Catherine Ann Jones.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I’m taking a journey down the rabbit hole of screenwriting psychoanalysis with Professor William Indick, who is a psychology professor at William Paterson University in New Jersey, professor of psychology executive chair of faculty at Dowling College, and author of Psychology for Screenwriters.We take a nerdy dig into the world of psychology and how it affects writers, screenwriters, and characters. With some expert contextualization, William psychoanalyzes some of our favorite films and characters while also breaking down character archetypes and themes he has studied.  How did it all start, you ask?Well, in 2003 he made the decision to incorporate more culturally relevant theories of personality instead of antiquated theories in his psychology classes by sorting references from famous films. Based on his students growing interested and fascination, William researched to find psychology textbooks about films, but none existed. So he wrote one instead. The book was published by Michael Wiese productions in 2004.  Psychology For Screenwriters supports that screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought-provoking exercises, vivid film images, and hundreds of examples from classic movies.Basically, the book takes general psychology theories and applications and adapts them into helpful tools for screenwriters.He delves into various genre archetypal characters and themes that are repetitive in screenplays in the second edition of the book which will be out soon.Just this summer, William published his sixth book, Media Environments and Mental Disorder: The Psychology of Information Immersion. It deals a lot with narcissism, and the notion that all media is a mirror, and how we understand ourselves at a time when we're constantly being reflected in a million ways. The information environments that modern society requires us to master and engage in are based on literacy and digital communication. Mediated information not only passes through our brains, it alters and rewires them. Since our environment, to a large extent, is shaped by the way we perceive, understand, and communicate information, we can even think of mental disorders as symptoms of maladaptation to our media environments.This book uses this "media ecology" model to explore the effects of media on mental disorders. It traces the development of media from the most basic forms--the sights and sounds expressed by the human body--to the most technologically complex media created to date, showing how each medium of communication relates to specific mental disorders such as anxiety, depression, schizophrenia, and autism. As the digital age proceeds to envelop us in an environment of infinite and instantly accessible information, it's crucial to our own mental health to understand how the various forms of media influence and shape our minds and behaviors.My conversation with William was one of those discussions that you come out of, more informed than you went in.We had a blast. Enjoy my very informative conversation with William Indick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I’m sure many of you are familiar with the cult indie film classic The Boondock Saints. But many of you might not know the crazy story of its writer and director Troy Duffy.Well, prepare to get your mind BLOWN. I had an EXCLUSIVE discussion with Troy this week, and let's say, he did not hold back. Nothing was off-limits - from his instant rise to fame to the brutal fate he met - getting blacklisted, all of it. He wanted to set the record straight because there is always another side to the story, and what better side to hear than that of the man who lived this brutal Hollywood adventure?Troy Duffy moved to Hollywood in his twenties to chase the dream of a music career with his band, The Brood. While seeking music gigs, he tended bar at a local Los Angeles dive, where he wrote the screenplay for The Boondock Saints during his break periods.The muse for the script happened one day when he came home from his job to find a dead hooker being wheeled out of a drug dealer’s apartment across the hall. Duffy went and rented a computer (as he couldn’t afford to buy one) and wrote the screenplay for The Boondock Saints based on his feelings of disgust at what he had just seen. As he puts it:I decided right there that out of sheer frustration and not being able to afford a psychologist, I was going to write this, think about it. People watching the news sometimes get so disgusted by what they see. Susan Smith drowning her kids... guys going into McDonald's, lighting up the whole place. You hear things that disgust you so much that even if you're Mother Teresa, there comes a breaking point. One day you're gonna watch the news and you're gonna say,'Whoever did that despicable thing should pay with their life. You think — for maybe just a minute — that whoever did that should die, without any fuckin' jury. I was going to give everybody that sick fantasy. And tell it as truthfully as I could. I wrote Boondock Saints in three sections. I wrote the very beginning and then I started thinking of cool shit for the middle. Then somehow between the beginning and the middle, the ending dictated itself.The screenplay featured two brothers in Boston dedicated to killing Mafia thugs. He successfully got the script into the hands of Harvey Weinstein of Miramax Films, who bought the screenplay for $300,000 intending to film the movie on a $15,000,000 budget.Now what happened over the next three years is a remarkable cautionary tale. I saw this documentary called Overnight, the 2003 documentary that chronicled Duffy’s rise and fall. Troy was portrayed in the film as an egomaniacal maniac, obsessed with the heights of his talent and abusive to his friends. He goes on to lose his mega-deal, with the now conflict sexual predator Harvey Weinstein, his friends, and his Hollywood connections.Of course, there are two sides to every story. Troy took full responsibility for what he did and said in the documentary but as I told him editing can be a bitch. The filmmakers amplified the negative, manufactured storylines and really damaged Troy's film career. I mean the film made Troy look insane. You can watch the film by CLICKING HERE and make up your own mind.Now, this should have been the end of the tale but we all love a great comeback story. After being dropped by Harvey and Miramax, still believing that the film was a hot commodity, Troy Duffy convinced agents at the William Morris Agency to help him market it to other studios.The independent production company Franchise Pictures agreed to finance the project, for $7 million, less than half of Miramax’s original budget. The Boondock Saints grossed over $50 million in domestic video sales, of which Troy Duffy received nothing due to the bad deal he signed with the distribution company but after the debacle of the Miramax deal, he didn’t have many options.According to Troy Duffy, no one on the film got paid; not him, his producers, or the cast. He sued Franchise Pictures for royalties of the first film, merchandise, and sequel rights. After a lengthy lawsuit, Troy, his producers, and the principal cast received an undisclosed amount of The Boondock Saints royalties as well as the sequel rights.Years later, Troy Duffy finally returned for the sequel to The Boondock Saints, titled The Boondock Saints II: All Saints Day which was released on October 30, 2009.The film grossed $11 million at the box office (the film was released limited, never playing on more than 524 screens) and has grossed over $50 million in DVD sales (as of June 2012). The film had an $8 million budget.Currently, Duffy has several projects in development, including “Boondock Saints III.”Troy Duffy receives the golden ticket and then struggled to deal with it but it seemed that was the journey he needed to take as a filmmaker, a person, and a human being. If put on the same path in my early twenties I don’t know how I would have reacted. I would have probably wouldn’t have fared well at all.Troy and I dive into the deep end of the pool in this conversation. He revealed things he never had before. We discuss the making of Overnight, his interactions with the now-disgraced Harvey Weinstein, and where he sees himself going from here.Enjoy my exclusive and entertaining as hell conversation with Troy Duffy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I had a fun chat with our guest today. We hit it off pre-interviewing, geeking out about James Cameron and his latest masterclass, and so much more. On the show this today is Will Hicks who is head of Screenwriting and production at Colorado Film School and an associate professor at the Community College of Aurora.Will had a start in producing and screenwriting earlier in his career until making the shift to teaching few years in --- appreciating more, the elements of studying the craft of form and purity in teaching that he feels are more rewarding.His commitment to academia led to publishing his book, The Screenwriter’s Workout, which we discuss lengthy in this interview. The Screenwriter’s Workout is a training program consisting of over 75 exercises and activities designed for screenwriters. It aims to help screenwriters explore their creativity and strengthen their storytelling skills.The book includes exercises on designing dynamic characters, exploring structure, creating stories, redefining conflict, analyzing the work, craft compelling loglines ad discovering interactive screenwriting.The 2021 Variety Entertainment Impact Report featured Hicks on its Top 50 Film Schools and Instructors from around the world list---revering his 100 plus professional credits nurturing some of the best talents in the country.Besides talking about Hick's career teaching screenwriting, we also do some surface character building and storytelling analysis of some famous films and writers. But also, the complexity of writing the end of a sustaining story for TV.Enjoy this conversation with Will Hicks.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have today, 80s horror icon Michael Myers, also known as, Nick Castle. Director, writer, and actor - notable for directing The Last Starfighter (1984), Major Payne (1995), and Escape from New York (1981) among others.Nick’s fictional character, Micheal Myers, in the Box Office $255 million-grossing Halloween film is possibly one of his most well-known roles that have been strongly supported by fans for years. He appears in the 1978 Halloween film as a young boy who murders his elder sister, Judith Myers. The same role is reprised fifteen years later in the sequel where he returns home to Haddonfield to murder more teenagers. In 1986 he wrote and directed the heartwarming fantasy drama film, The Boy Who Could Fly which tells the story of an autistic boy who dreams of flying and touching everyone he meets, including a new family who has moved in after their father dies.Filmmaking came naturally to Nick for a host of reasons. For one he grew up in a showbiz family. His father choreographed musical comedy films, while an uncle of his worked as a lighting designer on movie sets. At a tender age, his dad introduced him to entertainment through smaller roles in front of the camera and summer internships behind the scenes. There he grew a fondness for directing which inspired him to pursue film school at USC.Notoriety came quickly for Nick. Along with collegemates, Carpenter, Rokos, Longenecker, and Johnston, Nick worked cinematography and co-wrote The Resurrection of Broncho Billy - a short film they created while still in college that blew up and entered the academy consideration and won the academy award for live-action short film in 1970. Nick and Carpenter reunited and worked together again on Carpenter’s 1974 sci-fi comedy, Darkstar, which follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.In 1984, Nick made his second directorial film which was quite groundbreaking. The Last Starfighter, became one of the earliest films to incorporate extensive CGI. The plot centers around video game expert Alex Rogan who, after achieving a high score on Starfighter, meets the game's designer and is recruited to fight a war in space. He’s transported to another planet only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack. Its popularity resulted in several non-film adaptations of the story in musicals, books, comics, games, etcNick was making innovative films long before most of the more popular guys came along. It is appropriate to consider his 80s sci-fi films as pioneering.Please enjoy my fun conversation with Nick Castle.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I wanted to take a deep dive into the marketing side of screenwriting today because it is in fact, a necessity in the industry today. Unfortunately, not many writers bother themselves as much about marketing their work. While I have some course resources on the IFH Academy website to help writers pitch stories or to get past the gatekeepers and so on, I thought it would be favorable to have marketing and development exec, Felicity Wren on the show to delve into the subject. Felicity started off in this business as an actor and now is a producer and VP of Development at the International Screenwriters Association (ISA). ISA (Est 2008), is a screenwriters community and resource platform that allows branding, marketing screenplays to producers and provide learning resources for seasoned and new writers. To date, ISA subscribers include 5,104 Industry Pros, approximately 70000Screenwriters, and 8,039 resources for screenwriters. Definitely, a goldmine!Felicity trained academically across the performing arts sphere (writing, directing, acting technique, and script analysis). She pursued acting and appeared in films like Star Trek Into Darkness, The Battle of Hogwarts, Tales of Uplift and Moral Improvement, and more, but lost interest in the competitive reality and stress of waiting for the callback.So, she pivots. Alongside her partner, she launched a theater company, Unrestricted View (1999) in London that worked primarily with new professional creatives. A decade later, Felicity moved to Hollywood to seek the bigger dream.Some of Wren’s work includes short films like The Trap, Homeless Realtor, Who’s Who, The Force, and several others. At the ISA, she get’s to work directly with the Program Writers, and ISA Contest Winners, ensuring their projects get in front of eminent producers, managers, and agents in Hollywood.For screenwriters trying to sell a script, you have to know your voice and feel comfortable using it beyond your incredible writing. Understanding what you bring to the table is key in every profession. Of course. Coupling that with some marketing tools can propel you for higher success. That’s why this conversation is important.Enjoy my very informative conversation with Felicity Wren.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

It is an absolute thrill to have Jack Epps Jr. on the show today. The award-winning writer, USC Cinematic Arts professor and filmmaker is a member of the Writer's Guild of America and the Academy of Motion Picture Arts and Sciences. He’s best known for writing Top Gun (1986), Pigs vs. Freaks, The Secret of My Success, Turner & Hooch, and Anaconda 1997 screenplay. Jack first became involved in making films while doing his undergraduate at Michigan State University. Inspired by a student film festival, Epps made his first film the following semester which became Pig vs. Freaks that was later titled Off Sides.Top Gun was Epps’ big break. He partnered with Jim Cash who was his screenwriting professor at Michigan State University, to write several projects and Top Gun was one of those screenplays. Top Gun’s success was seismic. It became a box office number one grossing $ 357.1 million on a $ 15 million budget while also stacking several accolades including an Academy Award, Golden Globes, and a number of other international film awards. Epps is credited for the original screenplay in the sequel, Top Gun: Maverick which will be released this November.Epps shares co-writing credits with Jim Cash and Hans Bauer for the screenplay of the Anaconda adventure horror film series of 1997 and 2004. The first story follows a "National Geographic" film crew in the Amazon Rainforest that is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.While the first film did not receive critical acclamation, it grossed $136.8 million worldwide against a budget of $45 million.In the second film, Anaconda: The Hunt for the Blood Orchid, the premise is quite similar. A scientific expedition team of researchers set for an expedition into the Southeast Asian tropical island of Borneo, to search for a sacred flower for which they believe will bring humans to a longer and healthier life, but soon become stalked and hunted by the deadly giant anacondas inhabiting the island.These are some classics and I couldn’t wait to chat with Jack about his creative journey---from his work as a cinematographer and an assistant cameraman on various local productions, to his love for writing or reviewing romantic comedies films like Viva Rock Vegas, and Sister Act.Let's dig in, shall we? Enjoy this conversation with Jack Epps.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing screenwriters and man today's guest is high on that list. On the show, we have writer/director Joe Carnahan. Joe directed his first-feature-length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival and won some acclaim.In 2002, Joe directed the neo-noir crime film Narc starring Ray Liotta and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.Narc: When the trial goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.As a response to his Hollywood experience, he wrote and directed the high octane, the insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, is The A-Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, is The A-Team.Joe follows that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers is forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Joe's latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirtbags, writing for other directors, the Colombian government, and much, much more.Getting ready to take an adrenaline-fueled ride with Joe Carnahan.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations. He’s renowned for his screen adaptations of Stephen King’s books like Sleepwalkers (1992) , and creator of 2005, Masters of Horror series.The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s. It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns. Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon’t shoot with any more than a three-man crewActor’s use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I've been working on a new podcast for sometime now. Introduction Next Level Soul. The podcast that asks the big questions about living, evolving and thriving in the world today. The show attempts to answer those questions by having candid and inspiring conversations with thought leaders from every walk of life.Global icon, musician, and animal rights activist, Moby(né, Richard Melville Hall) has lived many lives right before the gazes and judgment of the world. Self-discovery is a continual process that each time, when done right, unravels a new purpose and even newer challenges. This conversation is about the rise and fall of ego, fame, fortune, self-destruction, and eventually self-rediscovery and redemption.Moby came onto the entertainment scene with his 1991 single, ‘Go’ --- the start of a remarkable critical and commercial success. He went on to sell over 20 million records globally; especially with his 1999 album ‘Play’. In the interview, Moby describes the success of the PLAY album as unanticipated. Each track on the record was licensed to films, television shows, and commercials making it one of the most licensed albums in history.The accomplishments brought in a wave, and he rode it. Alcohol and drugs became part of that wave, even missing his mother’s funeral because he was passed out drunk in bed.Moby’s journey to healing, self-peace, and sobriety has not been all unicorns and rainbows. In spite of living the dream life and having the world at his feet, the peak of his career was a period when he suffered deep depression. He sought to turn the course of his fears into a vision of purpose. By, regaining control of his life - sobering up since 2008, finding spirituality that works for him, and crystalizing his imperfect, yet extraordinary life and career in his new documentary, Moby Doc.Moby doc is the creative, offbeat, wry, music-filled chronicle of an eventful life examined. filled with existential discussions, extraordinary concert footage, deep cuts from 30 years of moby’s music, unconventional narrative, quirky animation, rare clips, and thoughts from moby’s friend David Lynch, it’s a vibrant, eclectic conversation between a man and his past. as music and a commitment to veganism and animal rights guide him, moby delves into himself to share honestly what he’s gone through, what it might mean to others, how he turned confusion about life into the beauty of art…and why the answers to some of the deepest questions we can ask as human beings may not be found in the way we’re actually living.It was an honor to have this conversation with this remarkable artist and human being. Please, enjoy my sit-down with the iconic, Moby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is the well-regarded screenwriting lecturer, story consultant, and eminent author, Robert McKee. Reputable for his globally-renowned ‘Story Seminars’ that cover the principles and styles of storytelling.McKee’s work has shaped the way Hollywood movies have been written for years. Particularly, Story: Substance, Structure, Style and the Principles of Screenwriting, written in 1997. A very resourceful guide for screenwriters. In Story, he expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. More than 100 big-name screenwriters have benefitted from his seminars at one point or another. Many of you might have been introduced to McKee's work in the film Adaptation, where the great Brian Cox portrayed him. This is how I began my journey into McKee's game-changing book Story: Substance, Structure, Style and the Principles of Screenwriting.Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald (Nicolas Cage). While struggling to adapt "The Orchid Thief," by Susan Orlean (Meryl Streep), Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.My interview covered discussion on McKee’s latest book which is linked below, Character: The Art of Role and Cast Design for Page, Stage, and Screen. And a combination of his other books Dialogue: the Art of Verbal Action for Stage, Page, and Screen, and Storynomics: Story-Driven Marketing in the Post-Advertising World, which are both linked in the show notes. This interview felt like a free pass to one of McKee's sold out seminars --- packed with knowledge bombs.Enjoy this conversation with Robert McKee.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You should all know this by now. I love bringing on different perspectives on the craft because you never know what might click for someone. At the end of the day, we are all trying to tell a and compelling story. I invited to the show this week Julian Hoxter to talk about his book, The Creative Screenwriter: 12 Rules to Follow and Break to Unlock Your Screenwriting Potential. Julian is a published writer, lecturer, and screenwriting story consultant with extensive experience in scholarly writing.After film school at UCLA, Hoxter returned to his homeland, England, where he served as a senior lecturer at Solent University for some years before starting up at San Francisco State University, where he currently is an associate professor of cinema.Hoxter’s latest textbook, The Creative Screenwriter: 12 Rules to Follow―and Break―to Unlock Your Screenwriting Potential, distills the craft of screenwriting into 12 key elements, from developing your story to revising and rewriting, plus plenty of inspiration to create your screenplay with confidence. It encourages readers to look behind the scenes at iconic films using a classic screenwriting structure, along with experimental films from innovative writers that have transcended the rules and paved their way to the silver screen. Apart from academia, Hoxter has been producing his independent features, documentaries and doing rewrites collaborations with other filmmakers. One of his most known productions is the award-winning documentary feature, Imagine a School… Summerhill, produced in 2009. Other must-read textbooks or scholarly papers written by Hoxter include, Off The Page: Screenwriting in the Era of Media Convergence, The Pleasures of Structure: Learning Screenwriting Through Case Studies, and Theorizing Stupid Media: De-Naturalizing Story Structures in the Cinematic, Televisual, and Video Games. Keep an eye out for Hoxter’s sci-fi novels that will be out soon, The Ballad of Coopy Meakes.I collected a lot of knowledge bombs from chatting with Julian. Enjoy this conversation with Julian Hoxter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

After working in the IFH labs for the first part of 2021 I can finally announce what it is. May I introduce Indie Film Hustle's FILMMAKER PROCESS?Filmmaker Process offers comprehensive professional services for hire to help filmmakers and screenwriters, working at any budget level, get their film project to the finish line. I wanted to put the much-needed services filmmakers need but rarely have access to all under one roof.Filmmakers and screenwriters usually could only get access to these services if they "knew someone." Here are the services and products Filmmaker Process gives you access to:- Pitch Decks- Budget and Scheduling- Domestic and International Sales Estimates- Legal Contracts and Form Templates- Indie Film Investor Package- Consulting and Coaching- Script Coverage- Post Production Services- Trailer Editing- Poster, VOD, and DVD/Blu-Ray Artwork- Film Deliverables (Both Physical and Legal)- Production PayrollIn this episode, I go over what each service is and how you can use it to get your film project to the finish line.For more info go to: www.filmmakerprocess.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

There are performers that impact your life without you even knowing it and today's guest fits that bill. On the show we have comedic genius, multi-award-winning actor, writer, producer, director, and television host, Billy Crystal. We’ve seen Billy’s versatile work across all areas in the entertainment world, stand-up, improv, Broadway, behind and in front of the camera, feature films, television, live stages like SNL, and animated movies. It's fascinating how much the man has done over the span of his career---and his lengthy IMDB page is only the tip of the iceberg.Billy’s career took off for his role in the 70's sitcom SOAP, where he played a gay character, Jodie Dallas. This launched him into box office hits such as When Harry Met Sally, City Slickers, Analyze This and the kids favorite, Mike Wazowski in Monsters, Inc. just to name a few. Aside from hosting the Oscars® a record nine times and being only one step away from an EGOT, he’s a philanthropist. Billy, along with Whoopi Goldberg and the late Robin Williams created the annual fundraiser stand-up comedy show, Comic Relief, in 1986 that has over the years, raised over $60 million to support the homeless. The late 80s and early 90s were a really magical time for Billy's career. He had the box office hits Running Scared and Throw Momma from the Train. He had scene stealing parts in the classics This is Spinal Tap and The Princess Bride. There’s the 1989 box office smash hit When Harry Met Sally, starring Billy alongside Meg Ryan and Carrie Fisher. The story follows Harry and Sally who had known each other for years, and are very good friends, but they fear sex would ruin the friendship.You can’t talk about Billy Crystal classics without mentioning City Slickers for which he won a Golden Globes award for Best Actor in a Motion Picture Musical/Comedy. On the verge of turning 40, an unhappy Manhattan yuppie is roped into joining his two friends on a cattle drive in the southwest.Billy's interest in entertainment started way before college. But his decision to go to NYU put some goals into place for him. He was a member of an improv/comedy group at college and soon he started to host solo standup shows. By 1978, he landed his first starring feature film role in Rabbit Test in which he starred with Joan Rivers. Towards the end of the 90s, Billy joined iconic Robert De Niro and Lisa Kudrow in the box blockbuster hit Analyze This and its sequel to the Analyze That.Billy’s work transcend generations and Gen Z is his newest fandom; distinctively for his role in Monster Inc. and Monsters University, Mike Wazowski. Monsters University revisits the relationship between Mike Wazowski and James P. "Sully" Sullivan during their days at Monsters University, when they weren't necessarily the best of friends.Billy will reprise his role as Mike Wazowski in the Monsters at Work Disney+ series that is set for release later this year.One defining element of Billy’s work, be it writing, acting or directing is that the pulls from real-life experiences and balances funny and hard conversations effortlessly. Having started out in the business since he was 20 years old, it is absolutely thrilling to watch how he’s knitted together diverse platforms and filed into a accomplished career. This Friday, May 7th, Billy’s newest film, in which he wrote and directed, Here Today, stars himself and the incredibly funny, Tiffany Haddish, will be released only in theaters. These two make a seamless pairing and their chemistry is oh so charming. The intergenerational teaming of Billy and Tiffany tells a love story that is of friendship, support, and empathy. I absolutely LOVED the film. Do yourself a favor and go out and catch this gem of a film. When veteran comedy writer Charlie Burnz meets New York street singer Emma Payge, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.Billy has always been there to make me laugh, in good times and bad. I can not tell you what and honor and thrill it was getting to sit-down and speak to a filmmaker, writer and actor that has meant so much to me in my life.Enjoy my entertaining conversation with Billy Crystal.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week, I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on. The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994. The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States. The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards. With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School. While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooper and Lady Gaga brought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Ali and Taraji P. Henson. The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft. Enjoy my conversation with Eric Roth.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week, I invited author, writer, and director, Jamie Nash on the show to discuss his ‘Save The Cats Writes for TV’ formula in his new book, Save the Cat!® Writes for TV: The Last Book on Creating Binge-Worthy Content You'll Ever Need.Jamie is a horror and children’s film screenwriter with fifteen years of experience writing projects for  Nickelodeon, Liongate, Discovery, Amazon Prime, Netflix, etc, and also teaches screenwriting to college students.Some of his most notable horror credits include V/H/S/2, Lovely Molly, and Seventh Moon, A Comedy of Horrors, and Two Front Teeth. And others like Adventures of a Teenage Dragon Slayer, Tiny Christmas, etc.Screenwriting, for Jamie, was a side project he pursued at leisure when he wasn’t working his Computer gaming/programming job. It wasn’t until early 2004 that he sold his first script, a horror feature titled, Altered, to Haxan Films that was later directed in 2006 by one of the Blair Witch Project directors, Eduardo Sánchez. The story premised on a group of men whose lives were forever changed by a strange occurrence who, fifteen years later Now, will spend a night together ... in terror.With some financial success and notoriety from Altered, Jamie quit his computer consultant job with Citigroup and went full-time on screenwriting in 2008.Jamie is one of those writers who stay busy. He writes about five to six scripts a year for pilots, TV shows, podcasts, novels, etc. This justifies why he has a Writers Guild. It takes a lot of brainpower to create multiple plots that are so different in many ways within a short period of time. An example is his 2017 screenplays, The Night Watchman and Tiny Christmas. Two very distinct writing and audiences. He co-wrote The Night Watchman with Ken Arnold and Dan DeLuca. It is basically a story of three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle for their lives against a horde of hungry vampires.Tiny Christmas on the other hand is about a girl and her quirky cousin who are accidentally zapped by a shrinking ray at the hands of one of Santa’s inept elves on Christmas Eve and they must learn to trust and appreciate each other and work as a team to get back home before Christmas, or risk staying tiny forever.On March 30th, 2021, he released his third book, Save the Cat!® Writes for TV in which he shares the essence of writing pilots as pitches for screenwriters considering television because more than 80% of jobs in the Writers Guild of America are skewed towards the television.Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles for both new and experienced writers, including:-How to write and structure a compelling TV pilot that can launch both your series and your TV writing career-All the nuances, tricks, and techniques of pilot-writing: the Opening Pitch, the Guided Tour, the Whiff of Change, and more-The 8 Save the Cat! TV Franchise Types that will improve your story and your pitch-The not-so-secret TV Pitch Template that turns your TV series into the necessary read-over-lunch industry document-a how-to in creating layered characters who are driven by complex internal struggles-Beat sheets of the pilots of Barry, Ozark, Grey's Anatomy, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, This Is Us, Law, and Order: SVU, and more to help you crack your storyCreate your binge-worthy TV series with Save the Cat! Writes for TV We talked some more about his own indie film hustle journey--working overtime to get a headstart in the industry, we also talked about his networking technique that keeps him booked and busy. I could talk another hour more with Jamie. He is so candid about his process and the drive behind it.Enjoy this conversation with Jamie Nash.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today, is expert storytelling educator, author, and UCLA professor, Richard Walter--- bestselling author of Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing.  He recently retired as Professor and Interim Dean of the UCLA School of Theater, Film, and Television where, for more than forty years, he chaired the graduate program in screenwriting.The amazing thing about Richard is he has been the instructor of some of the most amazing screenwriters in Hollywood history. A handful of them has been on the show, including Sacha Gervasi, Jim Uhls, the writer of Fight Club, and Paul Castro, just to name a few. He's written scripts for major studios, television networks, and even wrote the earliest drafts of George Lucas's American Graffiti. Talking to Richard in this conversation was essentially sitting front row at a masterclass of storytelling and screenwriting.It was an absolute treat talking to Richard. Not only has his work been appreciated in the US but in other parts of the world, conducting lectures in London, Paris, Jerusalem, Madrid, Rio de Janeiro, Mexico City, Beijing, Shanghai, Sydney, and Hong Kong.He complains that L.A. has relentless good weather which he says, ‘Is not writing weather’, yet, in 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.Richard is one of the few OG writers who have studied, and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.It contains highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script and sell it.Besides his outstanding career, we chatted about his love for Spike Lee films, we talked about screenplay structuring and many more. It's been an absolute treat talking with Richard.Enjoy this epic conversation with Richard Walter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You guys better get ready for a hell of a ride because our guest today brought a great conversation. We have accomplished screenwriter and director Joe Cornish on the show today. The English comedian and filmmaker burst onto the scene in 2011 with his very successful film directorial debut, Attack The Block, starring John Boyega, who played Moses, a low-level crook, teenage gang leader, an orphan looking for respect around the block. The British sci-fi comedy horror film centers on a teenage street gang who have to defend themselves and their block from predatory alien invaders on Guy Fawkes Night. Commercially, the film did not perform as it was acclaimed critically. It is rated at 90% on Rotten Tomatoes, won the Audience Award for Best Film (Midnights) at SXSW 2011, and many other awards from all major film festivals that year.Cornish and his comedy partner, Adam Buxton form the successful duo, Adam & Joe an ironic pop culture sketch show which gained a lot of success in the UK alongside Cornish’s long-term work in the UK TV entertainment industry. In 2011 he joined iconic directors, Peter Jackson and Steven Spielberg as a writer for the screenplay and story for the 3D animated action-adventure film, The Adventures of Tintin: The Secret of the Unicorn --- co-written alongside Edgar Wright and Steven Moffat.Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.This $135 million budget film grossed $374 million at the box office and received a plethora of nominations including Oscars for Best Original Score, a Golden Globe for Best Animated Feature Film, two BAFTA nominations for Best Animated Film and Best Special Visual Effects.Cornish co-wrote the screenplay for the Marvel Comic character, Ant-Man, along with Wright, Adam McKay, and Paul Rudd in 2015. Rudd, starring as Ant-Man is armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Similar to most Marvel Studio movies, the film carried a big budget of $169.3 million and grossed $519.3 million.His latest film, The Kid Who Would Be King (2019), which I highly recommend everybody to watch, joins a band of kids who embarks on an epic quest to thwart a medieval menace.Joe honestly, was extremely forthcoming and transparent about a lot of things; like what happened behind the scenes of Ant-Man and what it's like to write inside the Marvel machine. And we also discuss his craft, how he is as a director, how he likes to approach his writing and many more.Enjoy this conversation with Joe Cornish.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Being a podcaster now for over 600 episodes I’ve heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today’s guest story is easily one of the most incredible and entertaining origin stories I’ve ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi.Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage. Unlike most writers/directors who go on to produce their debut films, Gervasi’s 1993 entry project wasn’t made until just three years ago. I promise you, Sacha spills every detail of the fascinating story of his encounter with Hervé Villechaize, the famous little person from shows like Fantasy Island and films like James Bond’s The Man with the Golden Gun. Hervé was arguably one of the most famous people in the world in the late ’70s and early 80’s. Sacha sat with Herve in a marathon interview, and the connection they forge during their brief, yet impactful meet.After his life-changing encounter with the Fantasy Island star, which followed Hervé’s abrupt and unfortunate suicide, Sacha was determined to get his story told in its entirety and justifiably. He ditched his mid-level journalism job in England and moved to Los Angeles to attend film school at UCLA after developing the script for My Dinner with Herve. While on the climb-up, Sacha wrote screenplays for The Big Tease (1999) and The Terminal (2004) which was directed by Steven Spielberg and starred Tom Hanks. The comedy-drama film grossed $219.4 million at the Box office with a $60 million budget and has become a holiday classic in the UK.Tom Hanks played an Eastern European tourist who unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there because he is denied entry into the United States and at the same time is unable to return to his native country because of a military coup.In 2008, Sacha made his documentary directorial debut and executive produced Anvil! The Story of Anvil. The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.He also directed the 2012 film Hitchcock, a story about the relationship between Alfred Hitchcock and his wife, Alma Reville during the filming of Psycho (1969). It starred Anthony Hopkins, Helen Mirren, and Scarlet Johansson. I also interviewed Sacha and an old friend of his, Iron Maiden heavy metal band singer, Bruce Dickinson on my new podcast, Next Level Soul that you have to catch up with if you are down for more knowledge bombs and cool stories from Sacha. That episode comes out on Saturday. Here’s a bit on my new podcast Next Level Soul.The Next Level Soul Podcast is a self-help & spirituality podcast that asks the big questions about living and thriving in the world today by having candid and inspiring conversations with thought leaders from every walk of life. The show covers inspirational, motivational, spiritual, health-oriented, yoga, meditation, wellness, and many more topics. New episodes of Next Level Soul air every Saturday anywhere you listen to podcasts. Let’s take your SOUL to the next level.Sasha is such an interesting human being, I had such a ball talking with him. We talk about the film business, his origin stories, his screenwriting craft, what he’s doing now, and so much more.Enjoy my entertaining conversation with Sacha Gervasi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is the former president of the producers Guild of America, established producer, writer, and director, Marshall Herskovitz. Much of his production projects have been in partnership with his long-time filmmaking friend, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of 30 Something. Other projects he’s credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick. The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001. It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.Marshall was the absolute best and an excellent guest. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.Enjoy this conversation with Marshall Herskovitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW.  Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990).  She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I've spoken to many people in the film business over the years but today's guest is one of the hardest working craftman I've had the pleasure of sitting down with. Today on the show we have screenwriter, producer and director, Mark L. Smith. If you look at his IMDB you'll see a list of 15 projects at various stages of development. He's come a long way from entering the Hollywood scene some 15 years ago with his fear-striking horror screenwriting and directorial debut, Séance in 2006.Mark stumbled onto writing as a hobby during off-seasons at his family’s ranch where he worked after college. Self-taught, some workshops and an inventory of specs later, his path crossed Mel Gibson’s - who bought Smith’s first-ever script written in 2001.From then onwards, he’s been credited for successful writing and producing for hits like The Revenant (2015) and Overlord (2018) and The Midnight Sky which was just released in 2020, starring the incomparable, George Clooney.In Overload, a small group of American soldiers finds horror behind enemy lines on the eve of D-Day.While producing his directorial debut horror, film Séance, with friend of the show and veteran producer Suzanne Lyons, Smith was also a writer on Vacancy in 2006. You will hear more in the interview of his experience navigating the world of filmmaking on both sets, as a rookie, and the village of support he received.Vacancy follows the unfortunate adventure of a married couple who becomes stranded at an isolated motel and finds hidden video cameras in their room. They soon realize that unless they escape, they'll be the next victims of a snuff film.After Vacancy, many horror projects started to open up for Smith. He worked those for a while until it felt old and he had the urge to do something different. That's when he co-wrote the revisionist western script for The Revenant with legendary director, Alejandro Gonzalez Iñárritu.  The film was based in part on Michael Punke’s 2002 novel by the same title.Starring Leonardo DiCaprio, Tom Hardy, Will Poulter, and Domhnall Gleeson, the story sets in the 1820s, where a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.The twist and turns that caused delayed production of the film and its eventual success will pique your interest. The Revenant became was an instant commercial and artistic success. It grossed $533 million worldwide, earned 11 Oscar nominations, 3 Golden Globe awards, and 5 BAFTA awardsMark recently wrote The Midnight Sky that released last year, starring George Clooney. It is a screen adaptation of Lily Brooks-Dalton’s novel, ‘Goodmorning, Midnight’ which is a post-apocalyptic tale that follows a lonely scientist in the Arctic, as he races to stop Sully and her fellow astronauts from returning home to a mysterious global catastrophe.I had an absolute ball  speak ing to Mark. He's one of the hardest working screenwriters in Hollywood. We discuss everything from The Revenant, genius-level tips on how to adapt a book to the screen to what it was like work with Quentin Tarantino on the Star Trek script that has yet to be made. If you pray, please pray to the Hollywood Gods that Mark and Quentin's Star Trek gangster film sees the light of day.Enjoy this conversation with Mark L. Smith.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest today is the award-winning screen and television writer, professor, visual artist, and author, Pamela Douglas. Pamela is a member of the Board of Directors of the Writers Guild of America and a USC School of Cinematics Arts tenure professor for screenwriting.  She is credited for her writing on shows/series such as Star Trek: The Next Generation (1987), The Ghostwriter (1992), CBS Schoolbreak Special (1984), Frank's Place (1987), and A Year in the Life (1987).Aside from her awesome career as a screenwriter, she’s an international writer with multi-lingual adaptations of her books (German, Mandarin, Italian, French, Korean, and Spanish). Pamela packed her expertise in her 2018 revised fourth edition of her 2008 book 'Writing the TV Drama Series: How to Succeed as a Professional Writer in TV', (revised) 'Writing the TV Drama Series: How to Succeed as a Professional Writer in TV'.The book is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration. The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15 countries.As you will learn in this episode, Pamela’s passion for writing goes back to her childhood. Even though she’s dabbed in screenwriting for movies, she’s discovered throughout her career that television carries a bigger pull in terms of communicating ideas, stories, characters, life, and experience. Its essence allows for vertical story-telling, expansion, and continuity to reveal newer plots and characters.Star Trek: the next generation is a classic sci-fi series set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before - the exploration of the Milky Way galaxy. The Ghostwriter is an American children's mystery television series that revolves around a circle of friends from Brooklyn who solve neighborhood crimes and mysteries as a team of young detectives with the help of a ghost named Ghostwriter who can only communicate through writing and words.Chatting with a seasoned screenwriter like Pamela, there is so much wealth of knowledge packed in every word. We talked about presentation reelers, the forex structure and her approach to it, and why she thinks the Wire is the best show of all time in terms of character, layering, and sterilized storytelling.Enjoy this conversation with Pamela Douglas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts. His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington).How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

On the show today veteran screenwriter, director, producer, educator, author, Paul Chitlik. Paul has worked on 80's show classics like the Twilight Zone, Small Wonder, Who's the Boss, and Perfect Strangers, among others. He spends his free time as a clinical assistant professor teaching Screenwriting at the Loyola Marymount University in Los Angelos.Small Wonder follows the zany adventures of a suburban family, their next-door neighbors, and an innovative robot designed to look like a human child.Chitlik’s best-selling book, Rewrite 2nd Edition: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay, is a gold mine of expert guidance for every aspiring screenwriter.Veteran screenwriting instructor and award-winning writer Paul Chitlik presents an easy-to-read, step-by-step process to take your script from first draft to submission draft. He reveals the hidden structure of screenplays, sequences, and scenes, as he guides you through the process of examining your draft, restructuring it, and populating it with believable, complex, and compelling characters.Along the way he outlines how to make your action leap off the page and your dialogue crackle. While the first edition was widely used in film school rewriting classes, it was also recommended as an introduction to screenwriting craft by a number of professors and professionals. Paul Chitlik has included, for the second edition, more examples, exercises, and applications for television, the web, and other media, using a wide range of citations in film, television, and the Internet to underline his approach.  Paul shared so much of his creative thought process during our conversation and how he approaches cutting his scene. You don’t want to miss it.Enjoy this conversation with Paul Chitlik.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have been on a major roll lately on the podcast and this episode keeps that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion for theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.You can read Edward Wick's Screenplay collection here. Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer.Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss how he made the jump from a low-budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world, and much more.Prepare to take notes on this one tribe. Enjoy my conversation with Edward ZwickThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Showrunning is a mysterious art form to many so I wanted to bringing he someone who can shine a light on what it takes to be one. Today on the show we have powerhouse show runner, writer, director, producer, and all-around good guy Steven Deknight. Best known for his work across the action, drama, and sci-fi genres on TV shows like Smallville, Spartacus, Daredevil, Buffy the Vampire Slayer, Angel, and Jupiter's Legacy.Realizing his strengths early on in his career, Steven is a jack-of-all-trades who studied acting at the onset of film school transitioned through to writing, playwright, and screenwriting. Buffy the Vampire Slayer was his big break - starting off as writer and story editor on the show, Deknight went on to produce 42 episodes of the Spin-off show, Angel.The vampire Angel, cursed with a soul, moves to Los Angeles and aids people with supernatural-related problems while questing for his own redemption.Steven went on to direct and co-executive produce 66 episodes of the 2001 comics show, Smallville which set a viewers rating record of 4.34 million viewers per episode and had a great 10 seasons run.The series goes along with Clark Kent through his struggles to find his place in the world as he learns to harness his alien powers for good and deals with the typical troubles of teenage life in Smallville, Kansas.In 2009, He briefly wrote, directed, and consulted on the short-lived Dollhouse series. Almost immediately after, Deknight got an offered to executive produce and write the hit sensation and everyone's guilty-pleasure, Spartacus. In this interview, he shares that as the creator of a hit show, it was a major career booster for him.A fictional historical drama series inspired by, Spartacus, the show focused on Spartacus's obscure early life leading up to the beginning of historical records.We do a deep dive on how Steve brought the Marvel universe's darker and grittier character Daredevil to Netflix that help launch The Defenders superhero on the streaming giant.Blinded as a young boy, Matt Murdock fights injustice by day as a Lawyer and as a street-level superhero by night, in Hell's Kitchen, New York City.Deknight finally ventured off into film in 2018 for the big budget. His feature-film directorial and writing debut Pacific Rim: Uprising. We go into the weeds on his experience bring a studio tentpole to the big screen while under extreme pressure and restraints.Steve was a blast to chat. Enjoy this conversation with Steve Deknight.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have award-winning producer, film executive, educator, and industry story analyst Christopher Lockhart. Christopher is renowned for his script editing acumen. He has read over 60,000 screenplays.  He is also an award-winning filmmaker and member of the WGA, PGA, and the Television Academy.Chris got his start at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr.He later moved to the venerable William Morris Agency, which merged with Endeavor to form WME.  At WME Chris has worked on award-winning projects for A-list clients like Denzel Washington, Russel Crowe, and Rachel McAdams among others.Chris branched off into film producing with the cult horror hit The Collector and its sequel The Collection, which opened in the top ten American box-office.   He wrote and produced the award winning documentary Most Valuable Players, which was acquired by Oprah Winfrey for her network.  Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.As an educator, Lockhart shares his talent and 30+ years of industry experience as an adjunct professor at Screenwriting program and at UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television and earned him an Emmy Award nomination.Chris and I also teamed up for a new webinar from IFH Academy called How to Become a Hollywood Script Reader from Industry InsidersHOW TO BE A HOLLYWOOD READER is a webinar focusing on the secrets of one of Hollywood’s most vital and mysterious jobs. A reader evaluates screenplays and stories, practicing quality control through “coverage” – a written report that judges creative success. The reader wields huge influence that empowers Hollywood chiefs to greenlight film, television, and new media.This webinar examines the core components of coverage, how to write it, and provides tools and pro tips to navigate the reading profession – led by two preeminent Hollywood readers. By pulling back the curtain on this creative process, the webinar also gives writers, directors, actors, and producers a rare look inside the mind of those who decide the fate of their material. Chris prioritizes emotionality and his client's character role and development ahead of the overall story solidity. He shared some tips for new writers, some lessons learned from bad scripts, what goes on behind the agency curtain and the blessing of untapping a story's best version from re-writes.Enjoy my conversation with Christopher Lockhart.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This is Part 3 in a 3-Part Limited Series of conversations I'll be releasing between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider and some of the top screenwriters in the game.Today on the show we have Bo Burnham, the director and screenwriter of Eighth Grade. It is a RAW and HONEST look at growing up as a young person today. The film was a run away hit and distributed by A24.Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school.James and Bo discuss how he wrote and structured Eighth Grade, his life as a YouTuber/Stand Up comedian and much more. Enjoy this conversation between James V. Hart and Bo Burnham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have author Pamela Jaye Smith. She is is a mythologist, international consultant-speaker, and award-winning writer-producer-director with 30+ years in features, TV, music videos, commercials, documentaries, web series, corporate and military films. She has worked at major studios and with wildly independent companies in Hollywood and around the world, always enjoying the process of bringing creative ideas to worldwide screens.Credits include Fox, Disney, Paramount, Microsoft, Universal, RAI-TV Rome, UCLA, USC Film School, American Film Institute, Women in Film, Natl. Film Institute of Denmark, LA and Marseille and Roma WebFests, Romance Writers of America, Children’s Book Writers LA, and many media festivals andPamela founded MYTHWORKS a consulting and information resource offering Applied Mythology for individuals, organizations, and the media arts. She teaches and consults on fiction and non-fiction, writes for others, coaches writers and actors, and helps individuals discover and use their personal archetypes.Smith authored "SHOW ME THE LOVE: All Kinds of Love for All Kinds of Stories", "INNER DRIVES: How to Write and Create Characters Using the [chakras] 8 Classic Centers of Motivation", "SYMBOLS.IMAGES.CODES: The Secret Language of Meaning in Media", and "BEYOND THE HERO'S JOURNEY: Other Powerful Mythic Themes".She was the mythologist interviewed on Fox's ICE AGE: CONTINENTAL DRIFT Special Features and has appeared on national TV and radio programs as a mythology expert, including the "Forbidden Secrets" TV series. She was on-camera spokesperson for Microsoft's "Age of Mythology" on-line computer game and designed their "Which God Are You?" quiz.Her book The Power of the Dark Side: Creating Great Villains, Dangerous Situations, & Dramatic Conflict is why I wanted her on the show. I wanted to go deep into what makes a good multidimensional villain. Conflict is the very heart and soul of drama, and Pamela's latest work explores character conflict and the various ways to portray it both in scripts and on the stage.Enjoy my conversation with Pamela Jaye Smith.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This is Part 2 in a 3-Part Limited Series of conversations I'll be releasing between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider just to name a few, and some of the top screenwriters in the game.Today on the show we have Damien Chazelle, the Oscar® Winning director and screenwriter of La La Land. He bursted on the scene with his debut film Whiplash. The film is about a young musician (Teller) struggles to become a top jazz drummer under the tutelage of a ruthless band conductor (Simmons).La La Land tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.James and Damien discuss how he wrote and structured La La Land and much more. Enjoy this rare conversation between James V. Hart and Damien Chazelle.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have award-winning screenwriter, actor, director, producer, sketch comedian Rick Najera. Rick is also an author, playwright, coach and national speaker with an expansive portfolio of credits in all forms of entertainment.From starring in films with Sidney Poitier, George Clooney and most recently Mario Lopez, to writing sketch comedy for Jim Carrey and Jamie Foxx, Najera is best known for starring on Broadway in his award-winning, self-penned stageplay, Latinologues, directed by comedy legend Cheech Marin. Najera is only one of three Latinos to ever write and star in their own play on Broadway.As a screenwriter, Najera has written dozens of scripts for TV, film and the stage, starting out in the industry as a staff writer on the groundbreaking urban comedy series, In Living Color, for which he wrote more than 30 episodes. Najera went on to write for Townsend TV (10 episodes), MAD TV (47 episodes), East Los High – a Hulu original (21 episodes) and more.He penned the feature film Nothing Like the Holidays starring Debra Messing, Alfred Molina, John Leguizamo and Luis Guzman, which won him an ALMA Award. Najera learned from great writers like Spike Lee, Quentin Tarantino and Scorsese to “write what you know’ and has been a pioneer in Hollywood telling his American experience, from a Latino perspective.Rick and I discuss the raw truth about working in Hollywood, writing comedy, working with greats like Jim Carrey and Jamie Foxx and much more. This is a entertaining and informative episode. Get ready to take notes.Enjoy my conversation with Rick Najera.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Get ready to have your mind blown! I'll be releasing a 3-Part Limited Series of conversations between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider just to name a few, and some of the top screenwriters in the game.First up is the screenwriter that took the world by storm with his Oscar-Winning screenplay Get Out, Jordan Peele. If you have been living under a rock for the past few years here is what the film is about.In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series, and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.This was recorded before Jordan's next hit film Us was released. Listening to these two masters discuss character, plot, theme, and more is a rare treat. It's like being a fly on the wall.Enjoy this rare conversation between James V. Hart and Jordan Peele.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have best-selling author and screenwriter Eileen Cook. She is a multi-published, award-winning author with her novels appearing in nine languages. Her books have been optioned for film and TV.She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. She’s an instructor/mentor with The Creative Academy and Simon Fraser University Writer’s Studio Program where she loves helping other writers find their unique story to tell.Her best-selling book Create Story Conflict: How to increase tension in your writing & keep readers turning pages is a must-read for screenwriters. Here's a bit about the book:Conflict is essential to story—regardless of genre. The friction between what a character wants and the lengths they will go to reach that goal is what pulls readers through your book. Great conflict is what leaves readers cheering (or crying) at the end of a story.Using humor and her deep knowledge of human behavior, counselor and award-winning author Eileen Cook will guide you through the causes of conflict, the differences between internal and external conflict, and show you how conflict resolution techniques can be turned upside down to ramp up the tension in your book.Filled with practical tips, examples, and prompts, this is a craft book you’ll keep on your shelf to use again and again.Enjoy my conversation with Eileen Cook.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have literary manager and producer John Zaozirny. He oversees the feature film production slate for Bellevue and the Literary Management Team.John and I discuss the raw truth of the film business, what he is looking for in a client, how screenwriters should approach a manager and he does some Hollywood myth-busting as well. If you are looking for representation in the film industry this is a must listen to episode.His clients’ writing and directing credits include INFINITE, PARALLEL, ELI, BAD MATCH, BETTER WATCH OUT, HEAVY TRIP, OFFICE UPRISING, SPLINTER, A CROOKED SOMEBODY, amongst others. His clients have written feature scripts that are set up at Warner Bros, Paramount, Netflix, Fox, Lionsgate, New Line, Focus Features, Fox 2000, Sony, Universal, amongst others. As well, his clients have had 20 scripts on the last 6 Black Lists, the annual list of the best-unproduced feature scripts. His client Elyse Hollander wrote BLONDE AMBITION, the number one script on the 2016 Black List, and his client Sophie Dawson wrote HEADHUNTER, the number one script on the 2020 Black List.His clients have also written on TV shows such as MR ROBOT, CLOAK AND DAGGER, TRAINING DAY, TINY PRETTY THINGS, LIGHT AS FEATHER, HAWAII FIVE-O, THE MAN IN THE HIGH CASTLE, and HAND OF GOD, amongst others.  He also reps the writer of the Eisner nominated comic book LITTLE BIRD.As a producer, John’s feature film projects include CRISTO (set up at Warner Bros, Black List 2010), WARDEN (set up at New Line) CAPSULE (set up at Fox, Black List 2013), BLONDE AMBITION (set up at Universal, Black List 2016), and LION HUNTERS (set up at Warner Bros, Black List 2017.) He was an executive producer on the feature films ALWAYS WATCHING, PARALLEL and produced ELI,  which was recently released by Netflix. He is producing INFINITE, which has Antoine Fuqua directing, Mark Wahlberg starring and is set to be released by Paramount on May 28, 2021.Enjoy my conversation with John Zaozirny.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The impact that Blake Snyder's Save the Cat® book series has had on Hollywood screenwriting is incalculable. Rarely does a book change the way screenwriters approach story and structure. In his best-selling book, Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told, Blake Snyder provided 50 “beat sheets” to 50 films, mostly studio-made.Now his student, screenwriter and novelist Salva Rubio applies Blake’s principles to 50 independent, auteur, European, and cult films (again with 5 beat sheets for each of Blake’s 10 genres in the book Save the Cat!® Goes to the Indies: The Screenwriters Guide to 50 Films from the Masters.If you're a moviegoer, you'll discover a language to analyze film and understand how filmmakers can effectively reach audiences.If you're a writer, this book reveals how those who came before you tackled the same challenges you are facing with the films you want to write. Writing a “rom-com”? Check out the “Buddy Love” chapter for a “beat for beat” dissection of Before Sunrise, The Reader, Blue Is the Warmest Color, and more to see how Linklater and Krizan, David Hare, and Kechiche and Lacroix structured their films.Scripting a horror film? Read the “Monster in the House” section and discover how 28 Days Later and The Texas Chain Saw Massacre are the same movie – and what you need to do to write a scary story that keeps audiences on the edge of their seats.Want to execute a great mystery? Go to the “Whydunit” chapter and learn about the “dark turn” that’s essential to the heroes of The Big Lebowski, The French Connection, and Michael Clayton.Want your protagonist to go up against an evil “institution”? Consider how Mamet handled Glengarry Glen Ross and Tarantino's famed Pulp Fiction.Writing a “Superhero” story? See how Susannah Grant structured Erin Brockovich, Anderson & Baumbach worked out Fantastic Mr. Fox, and Gilliam & Stoppard & McKeown laid the foundation for Brazil.With these 50 beat sheets, you’ll see how “hitting the beats” creates stories that resonate the world over for these outstanding writers—and how you can follow in their footsteps.Salva Rubio is a novelist, screenwriter, and author. He has been nominated at the Spanish Goya Awards for Best Animation Feature. As a graphic novel writer, some of his works have been published in America, including Monet, Itinerant of Light (nominated for an Eisner Award), and The Photographer of Mauthausen. Salva is an associate member of the WGAW (Writers Guild of America, West) and a member of the Academia de las Artes y las Ciencias Cinematográficas de España.Enjoy my conversation with Salva Rubio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Well, 2020 has been one hell of a year. Our industry has been turned upside down and inside out. The way business is done in Hollywood has been changed forever. There has been so much pain and suffering this year. People lost their jobs.Legendary companies that were thought to be unbreakable filed for bankruptcy. The mear act of being on set became a highly dangerous occupation. So many beloved filmmakers and actors passed away. Film festivals closed their doors. Movie theaters giants shut their doors, some for good. COVID-19 devasted not only our business but the world.2020 just f**king sucked!With all that said I see a light of hope on the horizon. Like every New Years before Jan 1 brings with it a new hope, an opportunity to improve things, and for your life to be better than before. 2021 has a lot of pressure on it for sure. I know so many tribe members have had a rough go of it but the only thing we can do is to take charge of what you can control.You might not be able to control the world, the virus, your employer, or the economy. But you can control what you do on a daily basis, how you act, how you think. You can think everything sucks and there's no hope for you or your dreams or you can think that you have the power to change where you are in life right now.Every dream, every success story started with one thought, I CAN DO THIS. As Henery Ford once said"If you think you can do a thing or think you can't do a thing, you're right."The power of your own thoughts is so much more mighty than you think. Trust me I speak from experience. Looking back on my life I realized that in the roughest moments my thoughts were destructive and when I was experiencing great successes my thoughts were constructive. Whatever you focus on grows so if I were you I'd focus on the positive and not the negative.This year I came to a profound truth that the key to success is to help others. The moment I launched Indie Film Hustle my life began to change. The more I helped others the better my life became. The opportunities I had been chasing for decades just started showing up at my door. Don't get me wrong, as you know I hustled like crazy but not on getting things for myself as much as providing value to other people. As Les Brown said“Help others achieve their dreams and you will achieve yours.”In 2021 make it a goal to help others with their dreams and I promise you that things in your life will change, it did for me. In 2020 I released my second feature film On the Corner of Ego and Desire, created BulletproofScreenwriting.tv, my premium online education platform IFH Academy, launched the IFH Podcast Network and multiple podcasts including The Filmmaking Motivation Podcast, The Directors Series Podcast, Inside the Screenwriter's Mind Podcast, and spoke to legendary filmmakers and screenwriters on my shows like Oliver Stone, Barry Sonnenfeld, Alex Proyas, James V. Hart, and John Badham just to name a few.And most importantly I was inspired by you the Indie Film Hustle and Bulletproof Screenwriting Tribes. Your stories of overcoming obstacles, massive successes, and following your dreams moved me. Getting emails and messages from around the world gave me hope that yes we are in tough times but even with all that you, the tribe, continues to move forward like an unstoppable creative force.In 2021 we will try, fail, and try again because remember..."Failure is simply the opportunity to begin again, this time more intelligently." - Henry FordThe more you might fail the closer you are to succeeding. I'll be trying a ton of new things in the new year and hope they will be a success but am ready if they don't live up to my expectations.In 2021 I'll be launching a couple of new companies, partnering with amazing new instructors for IFH Academy, releasing my new book, adding amazing new content to Indie Film Hustle TV, publishing new audiobooks through IFH Books, producing a few new podcasts for the IFH Podcast Network, and developing new websites to further help filmmakers and screenwriters follow their dreams.I want you to write down what you want to accomplish in 2021 and what steps you will be taking every day to get those goals. Do you want to set a goal of one or two screenplays a year as Oliver Stone does? Do you want to direct your first feature film? What needed tools do you want to put in your toolbox? What need skills do you want to learn to make you a more dangerous and knowledgeable filmmaker or screenwriter?After speaking to hundreds of the industry's most successful artists and business people I found they all had one thing in common, they never gave up! They all just kept going no matter what. Oliver Stone had the script for Platoon in his pocket for years before someone produced it. James V. Hart was in his forties when he had his breakout with Hook and Dracula. Barry Sonnenfeld went from shooting adult films to having his movies gross almost $2.5 billion worldwide.Every successful person you look up to failed and failed often on their way to success. They never gave up and you shouldn't either. Every no is one step closer to a yes. I wish all of you an amazing 2021 and don't forget to keep that hustle going and keep that dream alive!Be well, stay safe, and Happy New Year.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender. Enjoy my epic conversation with Oliver Stone.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion author K.M. Weiland. I wanted to bring her back on the show to discuss her new book Writing Your Story's Theme: The Writer's Guide to Plotting Stories That Matter."Theme Is What Your Story Is Really About."Theme—the mysterious cousin of plot and character. Too often viewed as abstract rather than actionable, theme is frequently misunderstood and left to chance. Some writers even insist theme should not be purposefully implemented. This is unfortunate because in many ways theme is story. Theme is the heart, the meaning, the point. Nothing that important should be overlooked.Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs. This means you can learn to plan and implement theme. In doing so, you will deepen your ability to write not only stories that entertain, but also stories that stay with readers long after the end.Writing Your Story’s Theme will teach you:How to create theme from plot and character.Why every supporting character and subplot should enhance the theme.How to prevent theme from seeming preachy or “on the nose.”What to consider in identifying the best theme for any given story.And much more!Conscious mastery of theme will elevate every story you write and allow you to craft fiction of depth and meaning.Enjoy my conversation with K.M. Weiland.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I have a treat for the tribe today. Last week we had screenwriter Eduardo Cisneros on the show discussing his new film Half Brothers. Today we have his co-writer and producer of the film Jason Shuman. Jason is a writer and producer who has made over 20 motion pictures grossing more than $500 million worldwide as well as produced over 100 episodes of television.Shuman has produced four films that reached number one at the box office with Darkness Falls, The Messengers, Bangkok Dangerous, and the critically acclaimed Lone Survivor. Other well-known films include the 2017 docudrama Rebel In The Rye, Little Black Book, Daddy Day Camp, Middle Men and the beloved comedy Role Models.On the television side, Shuman has also produced shows including TBS comedy Are We There Yet? with Ice Cube, and served as Executive Producer on the FX show Anger Management and the Emmy® nominated TV movie, Dawn Anna. His new film is Half Brothers.Renato, a successful Mexican aviation executive, is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.I first met Jason years ago at the Sundance Film Festival where I spoke to him on the Indie Film Hustle Podcast about the film he had in the fest called Rebel in the Rye. In this episode, we discuss his career as a producer, how he went "all in" to become a serious screenwriter, how Danny Strong (Gilmore Girls, Empire, Billions) helped him become a better storyteller, and his epically funny new film Half Brothers.Enjoy my conversation with Jason Shuman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter, Eduardo Cisneros. He began his screenwriting career in his home country of Mexico. Working on countless television series including Saturday Night Live: Mexico. His career took an upward trajectory when he began working with one of the biggest comedy actor/writer/producer and director in the Latinx world,  Eugenio Derbez. Eduardo help develop the massively successful crossover smash Instructions Not Included.Eduardo Cisneros's latest project hits close to home. Half Brothers, who he co-wrote and produced with Jason Shuman, is based on his experiences as an immigrant from Mexico in America. His father was the basis of the main character's father in the story.Renato, a successful Mexican aviation executive, is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.“Half brothers is about bonding. It’s about empathy. It’s about the challenge of developing the ability to put yourself into somebody else’s shoes and realizing that you have more in common than things that separate you.” - Eduardo CisnerosIt was an absolute pleasure speaking to Eduardo and discuss how he approaches each story, what it was like work on SNL Mexico, how it's like writing with a partner, and how he hopes his films change the conversation on how Latinx people are perceived in our culture. He wants to bring his Spanish-speaking audience a greater representation in Hollywood.Enjoy my conversation with Eduardo Cisneros.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and Emmy-winner Scott W. Smith. Scott is an OG in the screenwriting blogging space. His blog Screenwriting from Iowa has been around since 2008 and has been nationally recognized. His new book Screenwriting with Brass Knuckles is a bare-knuckle approach to the screenwriting process. Here's some info on his book.Every screenwriter faces fear and failure. The legendary screenwriter William Goldman once said he was “programmed to fail.” Yet he went on to have a long career that included winning two Oscar Awards. Susannah Grant put a positive spin on constant failure saying “that free-falling feeling you get right on the knife-edge of total disaster may, in fact, be an essential ingredient to doing anything worthwhile.” Arguably the worst failure for the new screenwriting is either not finishing a script —or not even starting the writing process.You’ll find throughout this book that talent and hard work are essential to succeed at any level. You can’t teach that. But distilled from over 3,000 posts from Emmy-winner Scott W. Smith’s nationally recognized blog Screenwriting from Iowa . . .. and Other Unlikely Places, these 10 chapters will hopefully guide and inspire you to improve your writing and output. Sprinkled throughout these pages are quotes curated from an eclectic and diverse mix of many top screenwriters and filmmakers throughout the history of film and television.Enjoy my conversation with Scott W. Smith.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever wondered how to format your screenplay so Hollywood would take you seriously as a screenwriter before they even read your script? Today's guest Christopher Riley can definitely help you with this.Christopher Riley is an American screenwriter whose first film, After The Truth, a multiple-award-winning courtroom thriller, sparked international controversy when it was released in Germany in 1999. Other credits include 25 To Life, a dramatic thriller written for Touchstone Pictures, The Other White House, a political thriller written for Sean Connery’s Fountainbridge Films, Aces, an action-adventure written for Paramount Pictures and Emmy-winning producer Robert Cort, and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network.A veteran of the Warner Bros. script department, Riley is the author of the screenwriting reference The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style, now in its second edition with a foreword by Antwone Fisher.Enjoy my conversation with Christopher Riley.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I'm so excited to bring this episode to the BPS Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood's biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING,  SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.“No one has a job in our business until you type ‘the end’.” — James V. HartDracula has a special place in my heart as it is one of the major influences that made me become a filmmaker.James has served on the faculty of the Columbia University Graduate Film program. Served as mentor and advisor at the Austin Writer’s Ranch, Sundance Film Labs, and the Equinoxe-Europe Writing Workshops for over 20 years in 11 countries. Hart has also conducted the Puglia Experience for writers and producers held in the Puglia region in Italy.During the making of Dracula Francis Ford Coppola called James up and told him he hated everything about the story and the movie they had shot. James sat down with Francis and beat up the film and story. Frustrated that this happened, James set out to develop a tool that could help him map out the screenplay's emotion before they ever start shooting.  The HART CHART was born.Originally launched online at the 2015 Austin Film Festival, James has developed a proven story mapping tool for serious writers working in television, film, novels, plays, and other literary forms, with a guarantee you will never face a blank page again.James and I discuss THE HARTCHART, his journeys in Hollywood, how he became a 20-year overnight success, what it was like working with master filmmakers like Coppola, Speilberg, and Zemeckis, and how he breakdowns a blockbuster story idea.This is one episode for the record books. Enjoy my conversation with James V. Hart.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and script doctor, John Winston Rainey. John is the co-author, along with legendary script consultant Linda Seger, of the book You Talkin’ to Me?: How to Write Great Dialogue. John has written 25 screenplays of which 3 have been produced and 10 have been optioned. He has been a script consultant since 1989 and is the author of Screenwriting Style That Sizzles: A Primer For Polishing.Enjoy my conversation with John Winston Rainey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we have a special CROSSOVER episode of the BPS Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.I wanted to bring this amazing episode to the BPS Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we bring the legendary story analyst and best-selling author Chris Vogler. Chris wrote the game-changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 25 years ago and it changed the way I look at "story." Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the basis for Star Wars as well as almost every other Hollywood feature film in the past 60 years using what Campbell called the monomyth.Many filmmakers and screenwriters believe that the hero's journey or monomyth is out of date and doesn't work on today's savvy audience. Nothing could be farther than the truth. The hero's journey is the meat and potatoes that all storytellers need to understand. Elements from the monomyth is in every story ever written. As screenwriters, you need to study and understand the monomyth then use it as you wish in your story. Take a look below at some of the monomyth's character archetypes.Chris's ground-breaking book is celebrating its 25-year anniversary so someone is reading it. Enjoy my conversation with Chris Vogler.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.Enjoy my spooky conversation with Jeffrey Reddick.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Ever wonder how Pixar continuously puts out hit after hit? What is the story secret sauce that has created one of Hollywood's most amazing track records? Today's guest might be able to shed some light on the answer. On the show, we have screenwriter and author Dean Movshovitz. Dean wrote the best-selling book Pixar Storytelling: Rules for Effective Storytelling Based on Pixar's Greatest Films.PIXAR STORYTELLING is the first book to offer an in-depth analysis of the screenwriting techniques and patterns that make Pixar’s immensely popular classic films so successful and moving. Each chapter of the book explores an aspect of storytelling that Pixar excels at. Learn what Pixar’s core story ideas all have in common, how they create compelling, moving conflict, and what makes their films’ resolutions so emotionally satisfying.First released in October 2015, the book has sold over 15,000 copies without any marketing or PR. PIXAR STORYTELLING is taught on campuses worldwide, from Norway to Argentina, to Northwestern’s Qatar extension, and is cited in works and books from Finland to the US to Russia. It has been translated into Vietnamese and is being translated into Russian.PIXAR STORYTELLING has proven to be an inspiring, insightful, approachable, and popular book, which can be used as a gift, a manual, and a textbookEnjoy my conversation with Dean Movshovitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter, consultant, and studio executive, Jeff Willis. Jeff has been in the film business for over 15 years as a writer and executive working on films like Avengers: End Game, Spider-Man: Far from Home, Captain Marvel, and Black Panther to name a few.Around 30 minutes into the show we begin to discuss the business of screenwriting and more importantly what screenwriters can do to make money and get their stories out there. There are so many options out there for the entrepreneurial screenwriter. Jeff and I talk about the many options a screenwriter has to make money with his or her stories and unproduced screenplays.Enjoy my conversation with Jeff Willis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have one of the most popular guests to ever be on the Bulletproof Screenwriting Podcast, the legendary John Truby. John is the author of The Anatomy of Story: 22 Steps to Becoming a Master Storyteller.John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films. The Anatomy of Story shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.His is former students’ work has earned more than $15 billion at the box office, and include the writers, directors, and producers of such film blockbusters as Ratatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more.Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Get ready to take some notes. Enjoy my EPIC conversation with John Truby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we bring back author and Story Maps guru Daniel Calvisi. His last episode was one of the most popular in the history of the podcast. The concept of story mapping has been a huge help to so many screenwriters. This is why I wanted to bring him back to discuss how to use his story mapping technique on the television/streaming script. This is based on his best selling book STORY MAPS: TV Drama: The Structure of the One-Hour Television Pilot.Daniel Calvisi brings his Story Maps screenwriting method to television as he breaks down the structure of the TV drama pilot, citing case studies from the most popular, ground-breaking series of recent years, including THE WALKING DEAD, GAME OF THRONES, HOUSE OF CARDS, TRUE DETECTIVE, BREAKING BAD, MR. ROBOT, SCANDAL, and MAD MEN.Story Maps: TV Drama offers the first beat sheet for television screenwriters ("Save the Cat" for TV). This is the structural template that aspiring and professional TV writers have been looking for. A clear, practical, step-by-step method for writing a pilot that adheres to Hollywood standards.How to write a TV pilot has never been easier. Writing a pilot begins here.This book first introduces you to the key formats, genres, and terminology of modern TV shows then details the major signpost beats of a teleplay and the crucial characteristics that must be present in each act, using specific examples from our new "Golden Age of Television."Enjoy my conversation with Daniel Calvisi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have the writer and creator of the legendary film Waterworld Peter Rader. I wanted to bring Peter on the show to discuss what it was like to be a part of one of the biggest budget films in Hollywood history at the time.For those of you who may not know Waterworld was considered one of the biggest box-office flops in history. The production was plagued with production issues, the script was re-written too many times to count and the budget soars from $100 million to $172 million. The film was a punching bag for the press. Waterworld ended up making $265 million at the box office. That with the revenue generated over the years from television rights, VHS, DVD, special editions Blu-rays the film turned out to be one of the most valuable films in the Universal library.Where the money machine really gets turned on is from the Waterworld: A Live Sea Stunt Spectacular attraction at Universal Studios Hollywood. The show has been a mainstay at the park for over 20 years, replacing the Miami Vice Stunt Show. The attraction has also been duplicated four other times around the world including Universal Studios Japan and Singapore and has generated Universal hundreds of millions of dollars over the years.Peter Rader has worked as a film and television writer for 20 years. He has developed numerous projects for other studios, and industry leaders such as Steven Spielberg, Dino De Laurentiis, and John Davis.He has worked as a cinematographer, editor, and producer on a number of award-winning documentary projects, including AWAKE: The Life of Yogananda, which THE GUARDIAN dubbed the Indie sleeper hit of 2014, following its extensive worldwide theatrical run.Peter was raw and candid with me about his amazing journey with Waterworld, which is celebrating its 25-year anniversary this year, and his other Hollywood adventures. Enjoy my eye-opening conversation with Peter Rader.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we go inside the mind of Oscar® Winning co-screenwriter Alex Dinelaris (Birdman). Jason Buff from the Indie Film Academy Podcast and Alex discussed his screenwriting and what it was like working with Alejandro González Iñárritu, Nicolás Giacobone, and Armando Bo. They discuss Alex's process for putting together a story and do a deep analysis of various scenes of Birdman. Alex was in a rare position to be on-set during the filming of Birdman, so of course, Jason took the opportunity to ask about what it was like to watch Alejandro and Chivo on set with Michael Keaton, Emma Stone, Edward Norton, Naomi Watts, and Zach Galifianakis.Enjoy your journey into the mind of Alex Dinelaris.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have studio veteran, story consultant, and best-selling author of The Script Selling Game- 2nd edition: A Hollywood Insider's Look at Getting Your Script Sold and Produced  Kathie Fong Yoneda.The Script-Selling Game is like having a mentor in the business who answers your questions and provides you with not only valuable information but real-life examples on how to maneuver your way through the Hollywood labyrinth. While the first edition focused mostly on film and television movies, the second edition includes a new chapter on animation and another on utilizing the Internet to market yourself and find new opportunities, plus an expansive section on submitting for television and cable.Kathie has worked in film and television for more than 30 years. She has held executive positions at Disney, Touchstone, Disney TV Animation, Paramount Pictures Television, and Island Pictures, specializing in development and story analysis of both live-action and animation projects.Kathie is an internationally known seminar leader on screenwriting and development and has conducted workshops in France, Germany, Austria, Spain, Ireland, Great Britain, Australia, Indonesia, Thailand, Singapore, and throughout the U.S. and Canada.Enjoy my conversation with Kathie Fong Yoneda.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I super excited to bring you today's show. Today on the podcast we have best-selling author Will Storr. Will's latest book The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better is a deep dive into how story affects the brain. Here's a bit about the book:Who would we be without stories?Stories mold who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media. Storytelling is an essential part of what makes us human.There have been many attempts to understand what makes a good story – from Joseph Campbell’s well-worn theories about myth and archetype to recent attempts to crack the ‘Bestseller Code’. But few have used a scientific approach. This is curious, for if we are to truly understand storytelling in its grandest sense, we must first come to understand the ultimate storyteller – the human brain.In this scalpel-sharp, thought-provoking book, Will Storr demonstrates how master storytellers manipulate and compel us, leading us on a journey from the Hebrew scriptures to Mr. Men, from Booker Prize-winning literature to box set TV. Applying dazzling psychological research and cutting-edge neuroscience to the foundations of our myths and archetypes, he shows how we can use these tools to tell better stories – and make sense of our chaotic modern world.His TED Talk is a must-watch for all filmmakers and screenwriters. After interview hundreds of the world's thought-leaders on story it's rare for me to find a completely new way of looking at story.  I can't tell you how fascinating this conversation is. If this episode doesn't spark an idea or two in your screenwriting I don't know what will.Enjoy my conversation with Will Storr.Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer/director Joshua Caldwell. Joshua has been on the Indie Film Hustle Podcast three times before and all his episodes went viral.Joshua and I discuss what it takes to write an indie film, how you need to change your mindset, and how to best position it to actually get produced. His latest film is INFAMOUS starring Bella Thorne, Jake Manley, Amber Riley.Enjoy my conversation with Joshua Caldwell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Miles Chapman, the screenwriter behind the successful action franchise Escape Plan starring the legendary Sylvester Stallone. The premise was simple but great.When a structural-security authority finds himself set up and incarcerated in the world's most secret and secure prison, he has to use his skills to escape with help from the inside.Then add Sly and another legend, Arnold Schwarzenegger to the mix and you have action nirvana. Miles and I discuss how the project came to be, some extremely entertaining stories from the set and what it was like working with legends.The first Escape Plan was such a big international hit that the producers spawn off to more sequels, which Miles wrote as well.Enjoy my conversation with Miles Chapman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Welcome to the newest member of the IFH Podcast Network. May I introduce you to Inside the Screenwriter's MInd: A Screenwriting Archive with Alex Ferrari.Have you ever wondered what it’s like inside a screenwriter’s mind? In this podcast, we explore how successful screenwriters tackle structure, plot, character, dialog, and the film business. Get ready to go down the rabbit hole of story. Let’s travel inside the screenwriter’s mind with your guide Alex Ferrari.I wanted to create a podcast that could not only highlight the in-depth conversations I have done with some of the world's greatest screenwriters in Hollywood but I also wanted to shine a light on other amazing interviews from the IFH Podcast Network.In this podcast, I will be your guide down the rabbit-hole of story as I bring you interviews from the following podcasts:Indie Film Academy PodcastDave Bullis PodcastBulletproof Screenwriting PodcastFilm Trooper Podcastand others from the IFH Podcast NetworkAs the network continues to grow I will hunt for the best screenwriter interviews and bring them to you on the Inside the Screenwriter's MInd: A Screenwriting Podcast. If you like the podcast please share with your friends, subscribe, and leave a review on Apple Podcasts or Spotify. This really helps the show out a lot since we are a new show and I want these amazing interviews to reach as many screenwriters and filmmakers as possible.Thank you for listening and I hope this podcast truly helps you on your screenwriting path. Write. Rewrite. Sell. Repeat. PREVIEW EPISODEToday we go inside the mind of screenwriter Brendan McCarthy (Mad Max: Fury Road). This is a re-broadcast from the Indie Film Academy Podcast. Brendan is a legend in the world of comics and now the world of Mad Max. His series Freakwave was inspired by Mad Max 2, The Road Warrior. In this episode, we talk with McCarthy about his relationship with Mad Max and how he went from being a fan of The Road Warrior to actually co-writing Mad Max: Fury Road with writer/director George Miller.Enjoy your journey into the mind of Brendan McCarthy.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have writer and showrunner Michael Jamin. Michael has been writing for television since 1996.  His many credits include Just Shoot Me, King of the Hill, Beavis & Butthead, Wilfred, Out of Practice, Rules of Engagement, Lopez and Tacoma FD.He’s also served as Executive Producer/Showrunner on Glenn Martin DDS, Maron, and Rhett & Link’s Buddy System. Michael currently lives in Los Angeles where he's working on a collection of personal essays to be released in 2020.Enjoy my conversation with Michael Jamin.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion the legendary Linda Seger. Linda and I discuss her new book You Talkin' to Me?: How to Write Great Dialogue. We do a deep dive into how to write great dialog. Here's a bit about the book.Unlike the chitchat of everyday life, dialogue in stories must express character, advance the story, suggest a theme, and include a few memorable lines that audiences will be quoting for decades to come. The best stories have dialogue that sparkles, but it’s easy for inexperienced writers to fall into common pitfalls like creating dialogue that’s wooden or too on the nose.Other writers end up with exposition awkwardly inserted into conversations, actors tripping over unnatural phrases or characters who all speak exactly the same way. In You Talkin’ to Me? Linda Seger and John Winston Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John, so readers don’t just learn how to recognize when it’s done well―they also learn how to make the dialogue better. Whether you’re writing fiction or nonfiction, for the screen or for the page, this book will get your characters talking.Ron Howard says he never starts a film without her book. Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field. Enjoy my conversation with Linda Seger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Greg Gertmenian, who is the Head of Script Analytics and Film Development at Slated. He is also the co-inventor of the Script Score, the only screenplay evaluation tool proven to accurately predict good films. Helped arrange financing of films like SUPER TROOPERS 2, DEEP MURDER, CRUISE, AT FIRST LIGHT, GOD BLESS THE BROKEN ROAD, BECOMING and WHAT BREAKS THE ICE.Prior to his time at Slated, produced short format content including the fan-beloved short film, BALROG: BEHIND THE GLORY and the award-winning, AFI Fest film THE HAIRCUT.I wanted to bring Greg on the show to discuss Hollywood, screenwriters and the COVID pandemic, and what we all can do to survive and thrive during these crazy and uncertain times. Enjoy my conversation with Greg Gertmenian.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The IFH Podcast Network makes it easy for you to discover, connect, and engage with industry-leading filmmaking and screenwriting podcasts, all in one place. We curate the best podcasts that will help you on your filmmaking and screenwriting journey. You can listen to any of our shows on your favorite podcast platform. #IndieFilmUnitewww.ifhpodcastnetwork.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Do you feel like you have a screenplay inside of you but don’t know how to bring it to life? Today's guest Lisa Cron might be able to help.Lisa is story coach and the best-selling author of Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence and Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere).Lisa has worked in publishing at W.W. Norton, as an agent at the Angela Rinaldi Literary Agency, as a producer on shows for Showtime and CourtTV, and as a story consultant for Warner Brothers and the William Morris Agency.Since 2006, she's been an instructor in the UCLA Extension Writers' Program and she's on the faculty of the School of Visual Arts MFA program in visual narrative in New York City.Some of the things we cover in this conversation are:What your audience’s brain is hardwired to crave in every story they read – and it’s not what you think.Why writing a successful screenplay is not about having the innate “talent” that only a lucky few are born with, but something you can learn!How to become a more confident screenwriter, and make whatever you’re writing now deeper, richer, more compelling, and able to do what all stories are meant to do: change how the audience sees the world, themselves, and what they do in the world.Enjoy my conversation with Lisa Cron.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is a screenwriter, director, professor, and Secretary-Treasurer of the Writers Guild of America West Aaron Mendelsohn.  He is best known for co-creating and co-writing the successful AIR BUD family film franchise, which sired eleven sequels and generated millions of dollars over the years. If you have kids then you probably already have seen an Air Bud spin-off film.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

On today's show, I'm going to discuss screenwriting scams that ALL screenwriters should be aware of and avoid at all costs. It never surprises me how predatory people can be with screenwriters and filmmakers in this business.I did an episode exposing ways screenwriters can get screwed on writing assignments. I do a deep dive into each of the following scams in the show.The Free Option - Optioning your screenplay for freeAgent Reading FeesScript Consults That Ask for a Backend CutScreenwriting Marketing ServicesScreenwriting Contests - PromisesScreenwriting Contests - Milking TechniqueGhost Writing ScreenplaysAny Deal That Gives Your Rights AwayRepresentation Retainer FeeScreenwriting Contests Warning SignsStay safe out there guys. Sharks are everywhere. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

With all the unknowns facing screenwriters due to world events I thought I'd bring on someone who had his ear to the grindstone of Hollywood to see what the town is thinking and doing during this crazy time. I reached out to Stage 32's Jason Mirch, to talk about Hollywood and how to survive and thrive as a screenwriter during and post-COVID.Jason Mirch is a feature film and television producer and executive with over 15 years of experience. Jason also serves as the Director of Script Services at Stage 32 where he works directly with screenwriters, filmmakers, and leading industry executives.In addition to his work with Stage 32, Jason runs production and development for a company which produced low-budget genre pictures for an international audience, as well as serves as a business advisor to a successful post-production VFX company which contributed to The Peanut Butter Falcon, Crawl, Martin Scorsese's Silence, Arctic, and Let them Talk for Steven Soderbergh and HBO.Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Emmy-winner Christopher Lloyd, Oscar-winner Mel Brooks, Emmy-winner Kenan Thompson, and Emmy-winner Carol Kane.Mirch was the Head of Feature and Television Development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of Flight, The Help, The Best Exotic Marigold Hotel, Contagion, Careful What You Wish For, Ghost Rider 2, and 100 Foot Journey.​Prior to his work at Image Nation, Mirch was Co-Head of Development at Storyline Entertainment (Oscar-winning Chicago, Footloose, The Bucket List) where he developed a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime.If you want to know what is currently going on in Hollyweird and how to better position yourself as a screenwriter now and in a post-COVID-19 world then listen up.Enjoy my conversation with Jason Mirch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I always wondered how someone would get into the video game writing business. Today's guest is screenwriter/game development guru Robert Denton Bryant and he answers that question and so much more.Robert Denton Bryant has worked in Hollywood in marketing and production, and in video games as a publisher and a developer. He has been Executive Producer on dozens of games on platforms ranging from CD-ROMs to the iPad, including the bestselling World Championship Poker and Pinball Hall of Fame console franchises.He is the co-author (with Charles P. Schultz) of Game Testing: All in One and (with Keith Giglio) Slay the Dragon: Writing Great Video Games.Writing for the multibillion-dollar video-game industry is unlike writing for any other medium. Slay the Dragon will help you understand the challenges and offer creative solutions to writing for a medium where the audience not only demands a great story but to be a driving force within it. Aimed at traditional writers who want to learn interactive narrative as well as game creators who want to tell better, more emotionally involving stories, the book is written by two creative veterans of both Hollywood and "Nerdyhood." Through lively discussions and self-paced-exercises, Bryant and Giglio step you such topics as the:"No-act" structure of video gamesWriting great game charactersMaking gameplay emotionally meaningfulBringing your game world aliveI can't tell you what an amazing episode this is. Robert takes me down the rabbit hole of writing for video games, the business, how to break in as a writer, and a ton more. Who says you can't write for both video games and the big screen.Enjoy my conversation with Robert Denton Bryant.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

After many requests, I decided to finally tackle the dreaded query letter. I bring back to the show screenwriter, author, and IFH Academy instructor Geoffery Calhoun.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

On today's show, I wanted to give you a sneak peek of Bulletproof Screenwriting's first official audiobook Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End, published by IFH Books. You'll get to listen to a free chapter covering how to craft complex and memorable characters, which is over one hour, from this amazing audiobook.You can’t have a great plot without having amazing characters. Strong character development will evoke emotions in your audience whether you’re writing a comedy, drama, or any other genre. To create great characters, you need your audience to connect in some way. Even if you love your characters, there is no guarantee your reader will connect with them.If you want to elevate your scripts and stories – AND your screenwriting or filmmaking career-- to the highest possible level, this class is a must. Creating characters that people connect with is no easy feat, but it is the key to writing amazing work.If you don't know who the author is here's a bit about him. Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and his second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.Enjoy your sneak peek of BPS newest audiobook in our on-going screenwriting series. If you want to get a FREE copy, I'll be telling you how to do that at the end of the show.I know you'll love Karl. I hope this helps you on your screenwriting journey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You’ve just boarded a plane. You’ve loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him–in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story.We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller.So how can you write a story that audiences will embrace? The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn’t want to hear it.Today's guest Matt Bird can help you. He is a screenwriter and the author of the best-selling book The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers. To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both–and so much more–with The Secrets of Story.I dig into Matt's story system and breakdown the secrets of story. Enjoy my conversation with Matt Bird.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Well, I've been busy during this quarantine. I was racking my brain on how I could provide more value to the Tribe so I create the IFH Academy. The IFH Academy is the home of exclusive online courses on filmmaking, screenwriting, film distribution, cinematography, and more.I wanted to bring you the best film education I could so I partnered with industry powerhouses like award-winning film producer Suzanne Lyons, master cinematographer Suki Medencevic, A.S.C, and screenwriting guru and best-selling author Geoffrey D. Calhoun.Check out Suki's game-changing cinematography course Light and Face - The Art of Cinematography.This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Taught by award-winning cinematographer Suki Medencevic A.S.C.Along with these great instructors I'll be creating exclusive courses as well. After getting bombarded with requests to create this course I finally took action to bring it to you, the Tribe. My first course out of the gate with be: Film Distribution [Confidentail] - The Insiders Look at How to Get Your Film Distributed. This course will be the course I wish I had when I was trying to sell my first film. It will cover how to protect yourself from predatory film distributors and aggregators, what to look for in a distribution agreement, VOD Myths, film deliverables, working with sales agents and producers reps, film markets, and much more.If you are a budding filmmaker/producer and want to learn how to produce a low-budget film then Suzanne's Lyons course The Complete Indie Film Producing Workshop is for you.Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong.Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you. This workshop is unique in that it will literally guide you through the entire process of making your film. If you are a screenwriter we have you covered as well. Screenwriting guru and best-selling author Geoffrey D. Calhoun and I teamed up to create The Screenwriter's Guide to Formatting.Don't let formatting derail your screenplay. Learn how to format your screenplay in the Hollywood Standard. The course walks you through how to properly format your screenplay in the Hollywood standard. We breakdown formatting for the feature film, 30min multi-cam/single-cam television show, documentary, split-screen, scriptments, and the one-hour television drama.Geoffery and I are working on more screenwriting courses cover structure, development, dialog, characters, and more.As you can see I've been busy. I plan to create a Filmtrepreneur Masterclass as well as many more exclusive courses for IFH Academy. So if you are quarantined at home right now, and let's face it you probably are, there is no better time to start adding tools to your toolbox.I truly hope these courses can help you on your filmmaking or screenwriting path. I have big plans for IFH Academy. New courses, world-class instructors, and much more. Take a look around the site and let me know what you think.Be well and stay safe out there. As always keep that hustle going and keep that dream alive. I'll talk to you soon.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have former studio executive turned screenwriting teacher and screenplay consultant Namoi Beaty. She is essentially an on-call development partner to screenwriters, producers, and directors at all levels. From those just starting out, to those firmly established and working in the industry today.She lived and worked in L.A. for over a decade, read thousands of scripts, and worked with hundreds of writers through one-on-one consulting, creating the Idea to Outline workshop, and teaching story structure for Save the Cat. I’ve worked with producers internationally and consulted on the 2016 Raindance Film Festival “Indie Film of the Year” winner, Selling Isobel.As a former development exec-in-training at Madonna and Guy Oseary’s Maverick Films, she worked on projects like Twilight, Percy Jackson and the Lightning Thief, and The Stanford Prison Experiment.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and best-selling author Alan Watt. Alan Watt is the author of The 90-Day Novel, Amazon’s #1 book on writing, as well as The 90-Day Rewrite: The Process of Revision and The 90-Day Screenplay: From Concept to Polish. He runs the publishing company, The 90-Day Novel Press which has also published The 90-Day Play. Watt has written screenplays for numerous production companies and is the author of the L.A. Times bestselling novel Diamond Dogs.He has taught everyone from award-winning authors to A-list screenwriters, USC business school students, journalists, poets, actors, professional athletes, war veterans, housewives, doctors, lawyers, maximum security prisoners, television showrunners, Emmy-winning directors, and first-time writers.Many of his students have gone on to successful careers, writing New York Times and International bestsellers, appearing on Oprah, winning major literary awards, becoming top screenwriters and television show-runners, and most importantly, developing a craft and methodology that delivers consistent results.We get into the weeds on how to write a screenplay in 90 days. Enjoy my talk with Alan Watt.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Many screenwriters thinking is based on two months ago. They believe that the world will go back to exactly how it was before on this pandemic blows over. That might be true and I truly hope it does but hope alone will not pay the rent. Our industry is going through an unprecedented shift. We as filmmakers need to start thinking about how we can pivot your writing skills and knowledge into the new reality that we are living in and very well might be in for some time to come. You have to think about what your customer needs are right now and address them. The companies that are sitting on the sidelines fearful of making any moves will be left behind. You as screenwriters need to change your mindsets. Prepare for the worst and hope for the best. Entire new industries will rise from this turmoil and if you are smart you will be ready to be a part of the new world.In this episode, I breakdown some side hustles that will help screenwriters not only survive the pandemic but thrive in the new world we will be walking into.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest Chris Vander Kaay, breaks down the formulaic and predictable glory that is Hollywood filmmaking and how to avoid it.His new book Spoiler Alert!: The Badass Book of Movie Plots: Why We All Love Hollywood Cliches takes 38 mainstream movie genres, from ‘Teen Sex Comedy’ and ‘Buddy Action Comedy’ to ‘Film Noir Detective Thriller’ and ‘Alien Invasion Thriller’, and through detailed illustrations reveals what makes them so hilariously recognizable: the key lines of dialogue, the essential visuals, the crucial characters and the indispensable cast, scenes, and props.So grab some popcorn and buckle up for a laugh-out-loud ride through the wonderful world of cliché!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show I going to be discussing how NOT to get screwed on a screenwriting assignment. According to Wikipedia isA screenwriter can also be approached and offered an assignment. Assignment scripts are generally adaptations of an existing idea or property owned by the hiring company, but can also be original works based on a concept created by the writer or producer. Screenwriting assignments are the holy grail for screenwriters. The problem is that that shiny carrot sometimes blinds you to the reality of what is going on. I spoke to a very season industry screenwriter with many credits under his belt, who shall remain nameless, and was enlightened by how producers and production companies take advantage of inexperienced screenwriters.The predators are not just in the production and distribution waters, they are also alive and well in the development oceans as well. I hope this episode shines a light into this dark corner of the industry and shows screenwriters how to protect themselves and their work.Get ready to take some notes. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We are living in a crazy world, my friends. I wanted to do an episode on the effect the Coronavirus is having, not only on the film industry at large but also on how it will affect the indie filmmaker. With major events canceled like SXSW, MIPTV, and Cinequest, indie filmmakers are already feeling the effect. Twenty four of the largest theater owners in China have pulled out of CinemaCon, the largest convention of international theatrical exhibitors. Is the Cannes Film Festival and Market next?Production has stopped on Mission Impossible 7, which was shooting in Italy and the extremely popular The Amazing Race reality show has been suspended. The new James Bond film No Time to Die has been pushed until Nov 2020. Disney's Mulan, which is a love letter to the Chinese market has canceled it's China premiere and the release date in the US is up in the air.The Chinese box office has been at a standstill. 70,000 screens have been closed since January with no word when they will open. This has cost $2 billion in lost revenue to the Chinese and world film industry. The worldwide box office has lost $4 billion to date and growing each day. The theatrical box office was down 26.6% vs 2018 and this could be a MAJOR nail in the coffin of an already vulnerable theatrical business. We are in crazy times, my tribe.In this episode, I go over how this event is affecting indie filmmakers, what they can do to prepare, adjust and/or pivot in the coming weeks and months. It has never been more important for filmmakers to adopt the Filmtrepreneurial Method. Diversification of revenue streams is the only way filmmakers can hedge their bets in the uncertain times ahead.Sit back, pull up a stiff drink and take a listen.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter, Michael Lucker. Michael is a writer, director, and producer with twenty years of experience creating film, television, animation and digital media. He began his career writing and directing television commercials while earning his undergraduate degree in broadcasting and film at Boston University’s College of Communication.Soon after he landed in Los Angeles working in production on series and specials for ABC, NBC, CBS and HBO before taking a job as assistant to Steven Spielberg at Amblin Entertainment on feature films Indiana Jones & the Last Crusade, Arachnophobia, Joe Vs. The Volcano, Always, Back To The Future II & III and Jurassic Park.He went onto serve in creative affairs at Hollywood Pictures where he worked on such movies as Crimson Tide, Terminal Velocity, Taking Care of Business and Straight Talk. Michael then embarked on a career as a screenwriter, helping pen more than twenty feature screenplays for Paramount, Disney, DreamWorks, Fox, and Universal, including Vampire In Brooklyn, Home On The Range, Good Intentions and Spirit: Stallion of the Cimarron, which was nominated for an Academy Award in 2002 as best animated feature.His new book Crash! Boom! Bang! How to Write Action Movies. A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.Enjoy my conversation with Michael Lucker.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have million-dollar spec screenplay writer, director, showrunner, and author Jeffrey Alan Schechter. Jeff has been beating up stories for over twenty years. He is a WGA, WGC, Emmy, and BAFTA-nominated writer, a Gemini award-winning producer, director, and a million-dollar spec screenplay writer.In publishing, Jeff is a co-founder of the award-winning ebook publisher PadWorx Digital Media, and his book “My Story Can Beat Up Your Story!” was published by Michael Wiese Books. Jeff is hip-deep in several other screenplays, television series, book projects, and software ventures. In his spare time, he’s married and has 4 kids.Enjoy my conversation with Jeffrey Alan Schechter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Away along with some of its longest-running television series including The Outer Limits.Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts.I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.Enjoy my eye-opening conversation with Pen Densham.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion Karl Iglesias. His last episode is one of the most popular shows ever in the history of the podcast. I wanted to bring him back to dig deeper into his thoughts on writing for emotional impact and breakdown the essential elements of every good story.Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and my second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.Enjoy my conversation with Karl Iglesias.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I can't believe another year has gone by. 2019 was one for the record books. So many things happened to me and to the IFH Tribe this year. In this episode, I breakdown this past year IFH style and also give you a large dose of TOUGH LOVE to get you revved up for 2020.Don’t wake up Dec 31, 2020, and say"Damn I just lost another year."Don’t let anything stop you from making your dream come true. Don’t let people tell you you can’t do it. People told me I was crazy for jumping into this business. Be smart, educate yourself as much as humanly possible and go for it. Don’t be that angry and bitter filmmaker. Don’t wake up when you are 70 and wished you would’ve taken a shot and your dream. Why haven’t you taken the steps needed to make your dream come true? Let 2020 be the YEAR OF THE FILMTREPRENEUR. Take the power back. Take control of your own destiny and make it happen for yourself.I also go over what to expect from all the companies from IFH Industries. IFH, IFHTV, Bulletproof Screenwriting, and Filmtrepreneur. If you thought I did a lot in 2019 you ain't seen nothing yet. Strap in for the episode you need to listen to get your 2020 off to a great start.Happy New Year to the entire BPS Tribe.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today guest is author, publisher, and producer Ken Atchity. Ken recently produced the global blockbuster  (Jason Statham) and is the founder of Story Merchant. Ken wrote the best-seller Sell Your Story to Hollywood: Writer's Pocket Guide to the Business of Show Business. I wanted Ken on the show to discuss the business side of screenwriting, a part of the industry that isn't spoken about enough. We also discuss the "story market."Enjoy my conversation with Ken Atchity.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least.Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant.  And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both.Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories.Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others.As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good.Peter was invited to teach at UCLA in 2004, and it became a passion, too.  He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly.Enjoy my conversation with Peter Douglas Russell.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The day is finally here. My new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business is finally out. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.Here's a bit of what Rise of the Filmtrepreneur has to offerIt’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter Paul Gulino. Paul is the author of Screenwriting: The Sequence Approach and The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies.Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter.In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script. With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.Screenwriting, he says, isn't a craft you can learn from a book. "The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work." There must be something to that. Or at least it's worked for screenwriter Paul Gulino.Enjoy my conversation with Paul Gulino.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter Geoffrey D. Calhoun. Geoffery is the author of the #1 best-selling screenwriting book The Guide For Every Screenwriter: From Synopsis to Subplots: The Secrets of Screenwriting Revealed.Screenwriting made simple. The Guide for Every Screenwriter is one of the most efficient instruction manuals on the craft. This book cuts past the verbose film school expository, and gets straight to work, delivering sample-driven outlines and templates that anyone can follow. It is quick to apply to your work and serves as a side-by-side checklist for the writing process. This is the book for anyone looking to write a screenplay and for any professional needing a refresher. Whether you are learning how to write a screenplay or are a veteran screenwriter, this is the perfect tool for you. This book reveals the mysteries of screenwriting from concept development, subplots, to format and beyond by using easy to follow templates and examples.Geoffrey D. Calhoun (Heroes from Heaven - S.O.S. - Lily) is the founder of WeFixYourScript.com where he and his team mentor indie filmmakers and support them with all aspects of screenwriting from concept to development, polishing a script, one on one consultation, and even write for hire. Geoffrey is a multi-award-winning screenwriter and is sought out as a script consultant and a re-writer for various stages of development and production. He is the director of the Script Summit Screenplay Contest which is listed as one of the biggest Screenplay Competitions by The Script Lab.He is known for his fast-paced thrillers but has also won awards for comedies and dramas. He has received honors in several film festivals and contests including the Louis Mitchell Award for Excellence in Writing. In 2017 Geoffrey was listed as a Top 100 Indie Writer in the World. He believes everyone is a writer at heart and has dedicated himself to help others learn the craft. His seminars are designed to break down the mysteries of screenwriting by using easy to follow templates, outlines, and modern popular films as examples.Enjoy my inspirational conversation with Allen Johnson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter Allen Johnson. Allen has taken a unique path to become​ a working screenwriter. He has been able not only to sell ten screenplays but has been able to do it without an agent and living outside of Hollywood. Allen lives in South Carolina, not exactly a mecca for screenwriting. In this episode,​​ we dive into how he was able to make a living​​ writing screenplays​ys and discuss his tips and tricks to get screenwriting​ gigs. Enjoy my inspirational conversation with Allen Johnson.​This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every other week I'll be posting new Motivation episodes to help the #IFHTribe along their screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

To celebrate the 350th episode of the Indie Film Hustle Podcast I'm launching the first-ever MAKE YOUR MOVIE BOOTCAMP. The Bootcamp is a LIVE two-day intensive designed to show you how to make, market and sell a feature film. I've been working on this for months and I finally get to release it to the world.I wanted to create a workshop that could jump-start people on their filmmaking career but with my flavor of course. Below is a fraction of what I'll be diving into at the Bootcamp.Ideas: Learn how to flesh out your ideas into a marketable film project.Screenwriting Process: We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.Finding Money: Alternate ways to raise money for your film.Crowdfunding: Discuss the dos and don'ts of what makes a successful campaign.Directing Your Film: I breakdown methods and techniques that will jump-start your directing journey.Post Production Workflows: Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.Marketing and Building an Audience: Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.Submitting to Film Festivals: Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.Self Distribution Models: I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.Avoid Predatory Film Distributors: It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.Revenue Streams: I do a deep dive into how to create multiple revenue streams from your indie film.Breaking Through Your Fear: I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.PLUS: Two Surprise film industry heavy hitters will come into Guest Speak and answer questions.Why Do You Need This Bootcamp?Jump Start Your Feature FilmIt takes a lot of time and energy to get a feature film off the ground, but it doesn't have too. I shot my first film in 8 days and completed the entire process, from idea to final product, within 3 months. The film went on to be sold internationally and was licensed by Hulu. I will teach you the techniques I used to make this happen.Marketing and Audience BuildingIn today's world if you do not understand how to get your indie film in front of the right customers you are dead in the water. I've built a large platform with millions of eyeballs. I will teach you my secret sauce for audience building.Avoid Distribution PitfallsThere are a lot of predatory film distributors in the industry today that are all too happy to take advantage of you. If you are not careful you could end up making a non-tax deductible donation to one of these sharks and loss your film for 15 years. I will show you how to avoid these snakes and how to find a good distributor to partner with.Actually, Make Money with Your FilmI will discuss the Filmtrepreneur® Method of filmmaking. Thinking more like an entrepreneurial filmmaker is imperative moving forward in the business. Creating multiple revenue and passive income streams from your film projects is the key to a sustainable career.The MAKE YOUR MOVIE BOOTCAMP will be taking place Oct 26 &27 in Burbank, CA at the Hilton Garden Inn in downtown Burbank. If you want to get 20% off the ticket price CLICK HERE.This will be EPIC. When you finish this Bootcamp you will be ready to make, market and sell your feature film. I go over the details in this episode so take a listen and I hope to meet you in person at the MAKE YOUR MOVIE BOOTCAMP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter Brian Herskowitz. He wrote the book called Process to Process to Product: From Concept to Script: A Practical Guide for the Screenwriter.Like millions before him, Brian Herskowitz moved out to Los Angeles to pursue an acting career.  He soon learned that there was a dearth of roles for shorter leading men and began searching for other outlets for his creative passions.  In 1980 he wrote his first screenplay, an action thriller about a young man who moves to Tokyo to train for the Olympics in Judo and gets caught up in an intrigue with the Yakuza.   Through that script, based on his true-life experience as an international judo competitor, he uncovered a knack and passion for writing.  As a writer, Brian has completed well over a dozen feature films.  His first produced feature was a low budget slasher titled DARKROOM.  He currently has several projects in active development including, THE ABDUCTION, THE EMPRESS OF ELSEWHERE (co-written with Theresa Nelson based on her best selling novel), TAKE A RIDE, and FAIRIES (co-written with Pam Dawber and Andy Tobey).His TV credits include a staff writing position on the NBC sit-com BLOSSOM, multiple episodes of the syndicated series HERCULES: THE LEGENDARY JOURNEYS, and ACAPULCO HEAT, the HBO hit comedy DREAM ON, CBS’s RENEGADE, THE EXILE, MURDER, SHE WROTE, the FOX Network’s YOUNG HERCULES, and CBS’s critically acclaimed was series TOUR OF DUTY (associate producer). Brian co-wrote the FOX pilot MANTIC with Jason Alexander.   In addition, he worked as a punch-up writer on BOB PATTERSON, and LISTEN UP.Brian currently holds the title of lead faculty in screenwriting for the prestigious  BOSTON UNIVERSITY IN LOS ANGELES - WRITER IN HOLLYWOOD PROGRAM.  Brian has taught online for UCLA EXTENSTIONS and has had students from every corner of the earth. Enjoy my conversation with Brian Herskowitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have author Jennifer Dornbush who has written the book Forensic Speak: How to Write Realistic Crime Dramas. We sit down and discuss all thing forensics. We even discuss the im[pact of the OJ Simpson case on the world of forensics. Here's a bit about her amazing book.Crime stories have always intrigued viewers and storytellers. Today, crime shows rule the airwaves and there is truly a procedural drama out there for every personality — and every writer. Born out of the author’s real-life experiences growing up around death investigation, Forensic Speak unlocks the secrets of forensic science for writers and fans alike. With a filmography of 100 film and TV examples and 80 additional resources, the book provides writers direct access to hundreds of ways to make their crime writing more authentic.Enjoy my conversation with Jennifer Dornbush.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have returning champion Heather Hale.  Heather Hale’s new book Story Selling: How to Develop, Market, and Pitch Your Film & TV Projects helps you get your stories out of your head and onto the worldwide stage.From the inspiration and conception of all kinds of creative writing, through the development and refinement of all the elements, to navigating the legal, financial, physical production, distribution and marketing labyrinths of the overlapping businesses of mass media, she explores how (and why) we write, co-create, share and monetize stories around the world today.Pitching is an art form that brings together content and communication channels. Regardless of What you’re pitching . . . Where, When and to Whom . . . the principles are universal. It’s How you pitch that matters ― and there are countless strategies that combine elements in different combinations.Heather's book details all of them, their construction and applications, in a fun and interactive way that inspires readers to create memorable and saleable pitches in order to get their projects made.Enjoy my conversation with Heather Hale.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I've been trying to get today's guest on the show for months. Pilar Alessandra is an author, podcaster, and script consultant. She is the director of the popular writing program “On The Page” and author of “The Coffee Break Screenwriter.” A sought-after teacher and lecturer, she’s traveled the world teaching screenwriting, pitching and story analysis. As a consultant, Pilar has helped thousands of writers create, refine and sell their scripts and was named “Cream of the Crop” in Creative Screenwriting’s Script Consultant Survey.Her students and clients have sold to Disney, DreamWorks, Warner Brothers and Sony and have won prestigious competitions, including the Austin Film Festival and Nicholl Fellowship.Pilar jump-started her career in film as a script reader for Amblin Entertainment. With the formation of DreamWorks, she became Senior Story Analyst and a reader liaison between the studio and Robert Zemeckis’s company ImageMovers.Her expert script analysis was also sought out by The Robert Evans Company, Cineville Entertainment, Handprint Entertainment and Saturday Night Live Studios. Work at Interscope Communications led her to a position as Senior Story Analyst for Scott Kroopf’s production company Radar Pictures.Pilar was later bitten by the “teaching bug” while teaching screenwriting and story analysis at the UCLA Writers’ Program. In 2001, she started her own company “On the Page,” and in 2004 opened the On the Page Writers Studio in Sherman Oaks, California.In the interest of expanding access to her teaching tools, Pilar created the weekly “On the Page Podcast” with guests from within the industry. Recently, Pilar was listed as one of LA Weekly’s top 100 people in their “Best of LA People” issue.Enjoy my conversation with Pilar Alessandra.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We made it to 50 EPISODES! So grateful the show has taken off. Thanks for all the support!Today on the show we have storytelling guru John Bucher, who is a renowned strategist, communicator, and cultural mythologist based out of Hollywood, California. Disruptor named him one of the top 25 influencers in Virtual Reality in 2018.“John Bucher is an influencer. He’s one of our most prolific contributors.” — HBOHe is the author of six books including the best-selling Storytelling for Virtual Reality, named by BookAuthority as one of the best storytelling books of all time. John has worked with companies including HBO, DC Comics, The History Channel, A24 Films, The John Maxwell Leadership Foundation and served as a consultant and writer for numerous film, television, and Virtual Reality projects. Currently, he teaches writing and story courses as part of the Joseph Campbell Writers Room at Studio School in Los Angeles and at the LA Film Studies Center. He has spoken on 5 continents about using the power of story to reframe how products, individuals, organizations, cultures, and nations are viewed.Enjoy my conversation with John Bucher.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is Filmtrepreneur Luke Neumann. Luke has taken a very interesting filmmaking path. He runs a very popular YouTube channel with over 140,000 subscribers. On his channel, you'll see DIY film tutorials, filmmaking tips and tricks, aerial drone videos, short films and vlogs presented in 4K/UHD, 4K/60fps and 8K. What makes him a Filmtrepreneur is that he leveraged his audience and created multiple revenue streams.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I wanted to have an amazing guest for our first episode of the Filmtrepreneur Podcast and I think I did just that. Today's guest is filmmaker and Filmtrepreneur Michael Gallagher. Michael is one of the co-founders of Makers Studio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

After months of preparation, it's finally here, The Filmtrepreneur Podcast! After the success of the Indie Film Hustle Podcast and the Bulletproof Screenwriting Podcast, I felt there was another area of the filmmaking process that I could help filmmakers with, how to actually make money with their films. Filmtrepreneur was born.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie's Angels, Charlie's Angels: Full Throttle, Big Fish, Charlie, ​and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire. He hosts the popular screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog and develops screenwriter-targeted software called​ Highland 2.5 through his company, Quote-Unquote Apps.Enjoy my conversation with John August.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every other week I'll be posting new Motivation episodes to help the #IFHTribe along their screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriters David and Diamond and David Weissman. Their credits include studios movies like Family Man, Evolution, Old Dogs and When in Rome. We discuss their adventures in the screenwriting trade, working with studios and their new book Bulletproof: Writing Scripts that Don't Get Shot Down.The team of Diamond and Weissman have been writing movies and mentoring filmmakers for decades. In this practical guide, they take the aspiring writer by the hand and guide them through the logistics and tools of writing an attention-grabbing, audience-pleasing screenplay. Readers will learn the interests and needs of managers, agents, producers, executives, financiers, directors, and actors. Diamond and Weissman attribute their phenomenal success to a career-long focus on the motives and priorities of film sponsors and benefactors.Whether it’s a theatrical release or a streaming movie, a major, big-budget tent pole or an intimate, character-driven indie drama, Diamond and Weissman apply their time-tested approach. This fresh way of thinking will resonate with writers, industry professionals, and cinephiles excited to peek under the hood at what makes their favorite films tick.Bulletproof: Writing Scripts that Don't Get Shot Down is the rare screenwriting instructional penned by authors with both massive credits and decades of business experience.Enjoy my conversation with David and Diamond and David Weissman.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every other week I'll be posting new Motivation episodes to help the #IFHTribe along their screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Can You Help Me with IFH's Dream Guest List?So I'm conducting an experiment. Can the IFH Tribe and I get some of the most amazing filmmakers in history on the IFH Podcast? Well, let's see if we can make that dream come true. There is a list of filmmakers and screenwriters I would love to have as guests on the show. This list is pretty ambitious but hell if you are going to dream DREAM BIG.If anyone out in the Indie Film Hustle Tribe knows or has a way to contact any of these amazing filmmakers please email me at ifhsubmissions@gmail.comI know this might be a pipe dream but wouldn't it be astonishing if one or more of these filmmakers actually came on the show to share their filmmaking and/or screenwriting knowledge? I want to prove to everyone listening that if you want your dream to come true then you need to put it out into the universe and have the courage to do so.Like I said, this is just an experiment but man wouldn't be cool? Here's my humble list.Dream Directing GuestsRobert RodriguezQuentin TarantinoSteven SpielbergJames CameronMartin ScorseseDavid FincherChristopher NolanKevin SmithPT AndersonFrancis Ford CoppolaSteven SoderberghGeorge LucasGuillermo del TorroJJ AbramsRon HowardSpike LeeDavid LynchRichard LinklaterMark and Jay DuplassLena DunhamTim BurtonMel BrooksDream Screenwriting GuestsAaron SorkinJoss WhedonShane BlackRobert McKeeDream Producer GuestsRobert EvansJerry BruckheimerGale Anne HurdKathleen KennedyFrank MarshallBrain GrazierI know there are so many other amazing filmmakers out there that I would love to have on the show so the faster we can fill this list up the faster I can come up with the next list. LOL.Email me at ifhsubmissions@gmail.com if you have the ability to reach any of these guests.Please share on social media and help get the word out. Thank you for your help IFH Tribe. Let's see what happens = )This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

What if someone could read over 12,000 scripts that were read by professional script readers, who gave the scripts an overall score as well as scores for specific factors including plot, dialogue, characterization, theme, and voice. Then looked for connections and correlations to discover what professional script readers think a good screenplay looks like. Well, today on the show I have that man, Stephen Follows.It's a monster of a report -- 65 pages to be exact -- that examines data from over 12,000 screenplays - mostly written by amateurs, but some of them written by professionals and major Hollywood actors.  Using rigorous data analysis methodologies, Stephen and his team found some fascinating correlations.  Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The New Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington.I just love Stephen and his amazing ability to crunch numbers for the benefit of the filmmaking community. He's truly doing God's work. Get ready to go down the rabbit hole and see what makes a great screenplay.Enjoy my conversation with Stephen Follows.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every week I'll be posting new videos as part of my Bi-Weekly Motivation Series to help the #IFHTribe along with their filmmaking and/or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have million dollar screenwriter Diane Drake. Her produced original scripts include ONLY YOU, starring Robert Downey, Jr. and Marisa Tomei, and WHAT WOMEN WANT, starring Mel Gibson. Her original script for ONLY YOU sold for $1 million, and WHAT WOMEN WANT is the second highest grossing romantic comedy of all time. In addition, both films have recently been remade in China featuring major Chinese stars. And WHAT WOMEN WANT has recently been remade by Paramount Pictures as WHAT MEN WANT, with Taraji Henson starring in the Mel Gibson role.Diane has also been a speaker/instructor for The Austin Film Festival, Atlanta Film Festival, Rocaberti Writers Retreat in Dordogne, France, the American Film Market, Scriptwriters Network, Phoenix Screenwriters Association, Stowe Story Labs, Romance Writers of America, Oklahoma Writers Federation, University Club, Storyboard Development Group and the Writers Store, among others; and a judge for the Humanitas Prize, the Austin Film Festival and the UCLA Writers Program.In this episode, we get into the nitty-gritty of being a screenwriter in Hollywood. Diane is very open about her experiences, the good and the terrible. If you want to be a working screenwriter in Hollywood then get ready to take notes.Enjoy my eye-opening conversation with Diane Drake.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every week I'll be posting new videos as part of my Bi-Weekly Motivation Series to help the #IFHTribe along with their filmmaking and/or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

I wanted to do an episode on this subject for a long time.“You are the average of the five people you spend most of your time with.” – Jim RohnI wish I had someone to tell me this early on my screenwriting journey. In this episode, I go over what happened to me when I was starting out, how my friends affected me and my ability to move forward in my career and what happened to me when I moved to Los Angeles over a decade ago. I discuss how the people around you affect you on a personal, professional and even spiritual level.I really hope you find some value in this episode.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Every week I'll be posting new videos as part of my Bi-Weekly Motivation Series to help the #IFHTribe along with their filmmaking and/or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have the legendary Linda Segar. Linda was one of my first ever interviews back when I launched Indie Film Hustle and her episode is by far one of the most popular ever. Here's some info on our lovely guest.In 1981, Linda Seger created and defined the career of Script Consultant. She based her business on a method for analyzing scripts that she had developed for her doctoral dissertation project. Since then, she has consulted on over 2,000 scripts including over 50 produced feature films and over 35 produced television projects. Linda was the consultant for Peter Jackson’s breakthrough film, Brain Dead and for Roland Emmerich’s breakthrough film, Universal Soldier.She was the script consultant on Pasttime and Picture Bride–both winners of the Audience Favorite Award at the Sundance Film Festival–as well as for the films The Long Walk Home, The Neverending Story II, Luther, Romero, and television movies and mini-series including The Bridge, the Danish-Swedish mini-series (now playing in the US).Other clients include Ray Bradbury who said, “Linda’s technique is a light to see by,” William Kelley, Linda Lavin, and production companies, film studios, producers, directors, and writers from over 33 countries.Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field. Here new book The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers.Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible “blueprint” for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.“A very thorough and fascinating look at the whole filmmaking process – the art and the craft. Highly readable and interesting for filmmakers or beginners with a special emphasis on the power of collaboration. A well-researched​ insider’s guide – like taking the hand of accomplished filmmakers and learning from the best.”- Ron Howard, Oscar-Winning Director and Co-Founder of Imagine EntertainmentEnjoy my knowledge bomb filled conversation with Linda Seger.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Over the years I have mentioned my meditation practice and how important it is in my daily routine on the show. Many of the #IFHTribe have asked me to do an entire episode on meditation and the importance it has in the creative process. Today is that day.In this episode, I go over:My personal meditation practiceWhy it's impossible to CLEAR YOUR MINDHow to embrace your minds inner voiceHow science view meditationNeuroscience and what actually happens to your brain when you meditateHow meditation can make you more creativeI discuss practical everyday uses for meditation in your creative life. Some of my greatest ideas and thoughts have come to me during my meditations. I'll also teach you how to meditate for 10-15 min to start and then over time, you can grow your practice to 1-2 hours a day like I do. Once you start meditating it becomes addictive.Get ready to open your creative channels to full flow. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have an author, writer, and former development executive, Danny Manus. Danny parlayed his career as a development executive in Hollywood to becoming an in-demand script consultant and founder of No BullScript Consulting.The author of “No BS for Screenwriters: Advice from the Executive Perspective,” which is now in its 2nd Edition, Danny was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine and was named one of Screencraft’s “25 People Screenwriters Should Follow on Twitter.”Danny has taken over 3000 pitches, written almost 250 articles on screenwriting for numerous websites and publications including ScriptMag, for which he is a columnist, and has been a judge for the PAGE Awards four years running. On this episode, I wanted to see what the perspective is from the other side of the desk. Enjoy my conversation with Danny Manus.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We have all heard about Joseph Campbell's Hero's Journey by this point but what is it really. Chris Vogler, the author of The Writer’s Journey: Mythic Structure For Writers and the man who brought the Hero's Journey into the film industry, breaks down the ordinary and special worlds of the hero's journey. Enjoy.These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Before we begin I need to reveal a truth to you."The Matrix is not a movie, it's a documentary"Believe it or not, this is true. Our internal operating system in our mind was programmed years ago when we were children. That programming runs our life through the subconscious. Don't believe me?Did you drive a car today?Did you brush your teeth?Did you think about walking to the kitchen to make breakfast?Did you think about breathing or making sure your heart beats?Probably not. You would be exhaust mentally if you had to think about all of this every day. This is all run by our operating system (aka the subconscious), the problem is many of us are still running Windows 95.In this episode, I go deep down the rabbit hole and discuss how our subconscious can and does stop us from achieving not only our screenwriting dreams but how it affects all areas of our lives. I discuss how my life changed dramatically when I discovered this and made those upgrades. I also go over the two ways you can upgrade the old operating system in your head.“This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes.” - MorpheusLet's all take that Red Pill and see how deep the rabbit-hole goes. Get ready to have your mind blown, literally. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Emmanuel Oberg. Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling his first project to Warner Bros as a co-writer, he went on to be commissioned by StudioCanal and Gold Circle before writing solo for Working Title / Universal and Film4.He has also designed an internationally acclaimed 3-day Advanced Development Workshop - based on the Story-Type Method® - which he delivers with passion to filmmakers all over the world. Emmanuel lives in the UK with his wife and their two daughters. His film agent is Rachel Holroyd at Casarotto in London. He is also the writer of Screenwriting Unchained: Reclaim Your Creative Freedom and Master Story Structure (With The Story-Type Method).In Screenwriting Unchained, Emmanuel Oberg busts many myths and sets out an innovative methodThis practical, no-nonsense guide leaves behind one-size-fits-all story theories and offers a modern approach to story structure, making it a precious resource for anyone involved creatively in the Film and TV industry (or aspiring to be): writers, directors, producers, development execs, showrunners and, more generally, storytellers keen to reach a wide audience at home and abroad.Having identified three main story-types - plot-led, character-led, theme-led - Oberg reveals in a clear, conversational style how each of these impacts on the structure of any screenplay, and how we can use a single set of tools to develop any movie, from an independent crossover to a studio blockbuster.This leads to a powerful yet flexible way to handle the script development process: the Story-Type Method®. A new framework that doesn't tell you what to write and when, but focuses instead on why some tools and principles have stood the test of time, and how to use them in the 21st century.According to readers (see reviews below), Oberg's new approach is a game changer.Here are some of the easy-to-understand concepts explored in Screenwriting Unchained that will help you improve any screenplay:How to identify the story-type of your project to make its development faster, easier and solve most story structure problems.How to leave behind the prescriptive, logistical three-act structure based on page numbers or minutes and replace it with a flexible, dramatic three-act structure that will help you design a rock-solid screenplay.How focusing on emotion, character development and managing information will allow you to go beyond the "protagonist-goal-obstacles-conflict" basic chain of drama.How to use the fractal aspect of structure to design not only the whole story but also its parts in order to avoid the dreaded "sagging middle" syndrome and breathe new life into your script.How to clarify what's at stake and increase your chances of getting the project made with a new take on Maslow's Hierarchy of Needs.How to use subgoals to Sequence the Action and psychological/emotional steps to Sequence the Evolution of your characters.How to keep the audience engaged using tools like dramatic irony, surprise, mystery and suspense, adding a third dimension to your story.How to master these tools and principles in scenes through practical exercises before using them in a short film, a feature film, a TV episode or a whole series following hands-on tips and advice.How to design an attention-grabbing opening and a satisfying ending.How to deal with hybrids and exceptions, as story structure isn't about forcing all narratives into a single formulaic paradigm.With The Rewrite Stuff: 12 Ways to a Stronger Screenplay, how to approach a new draft creatively and efficiently.How to make the difference between selling documents - used to raise development or production finance - and story design tools.Once you've developed a killer script, how to best pitch your project according to its story-type and get enthusiastic partners on board....and much, much more!Using many case studies including films as diverse as Gravity, Silver Linings Playbook, Crash, Billy Elliot, The Intouchables, Birdman, Alien, Groundhog Day, Misery, Edge of Tomorrow, The Secret in Their Eyes, Cloud Atlas, L.A. Confidential and The Lives of Others, Screenwriting Unchained will transform the way you write, read, pitch, design, assess and develop screenplays.Enjoy my conversation with Emmanuel Oberg.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and producer Erik Bork. Erik Bork is a screenwriter best known for his work on the HBO miniseriesBAND OF BROTHERS and FROM THE EARTH TO THE MOON, for which he wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.Erik has also sold series pitches (and written pilots) at NBC and FOX, worked on the writing staff for two primetime dramas, and written feature screenplays on assignment for companies like Universal, HBO, TNT, and Playtone. He teaches screenwriting for UCLA Extension, National University, and The Writers Store, and offers one-on-one consulting to writers.Why don’t most scripts have the kind of success their writers' dream of? Because of problems with the basic idea for their story. Which the writer is usually unaware of. While story structure and scene writing choices do need to be top-notch, writers tend to rush into those parts of the writing process too quickly, without vetting their basic concept.This is a mistake professionals rarely make because their agents and managers insist that ideas be run past them first. And this usually leads to serious notes and development before the outlining process even starts.The "Seven Elements of a Viable Story" in The Idea form an acronym for the word PROBLEM, since every story is really about one, at its core. Each chapter focuses on one of these seven deceptively simple-looking aspects of a strong story, which are anything but easy to master. Mr. Bork highlights his own struggles as a writer, and his arrival at an understanding of how each of these elements works -- and how to know if one's idea really succeeds at each of them. A special section devoted to television writing (and its unique attributes) ends each chapter.Whatever your education and background in writing or story, this book and its unique focus contribute foundationally useful information not covered elsewhere -- which may be the missing piece that leads to greater results, both on the page and in the marketplace.Enjoy my conversation with Erik Bork.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we will tackle the toxic screenwriter mindset. That screenwriting mindset. That artist mindset. We discuss the mindset. How the beliefs we have stop and derail our dreams and life. So many of us have belief systems that limit us. Today we are going to break this down and give you some tools to reprogram yourself into the person and screenwriter you want to be."To have results that very few people have you have to start doing things that very few people do."Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have screenwriter and author Jeff Schimmel. Jeff wrote Maximum Screenwriting: 25 Commonly Asked Questions and Straight Answers.Jeff Schimmel began his Writing/Producing career in the 1980's, while attending law school in Los Angeles. When not studying for the bar exam, Jeff wrote and sold his original Cold War spy thriller, Archangel, to Phoenix Entertainment Group. Soon after, Jeff was chosen by comedy legend Rodney Dangerfield and award-winning Writer/Director Harold Ramis to co-write the full-length Warner Brothers animated film, Rover Dangerfield. This led to a sports comedy screenplay assignment from Orion Pictures and 20th Century Fox, and Jeff’s first TV writing job as Story Editor on ABC’s top ten sitcom, Full House.Next, Jeff co-wrote and produced The Schimmel Papers, a series of several short films for Fox TV's Sunday Comics, then went on to write for the groundbreaking, Emmy Award-winning sketch comedy series, In Living Color, worked as Story Editor on the WB network’s first-ever sitcom, then served as Writer and Producer on Laughing With The Presidents, NBC TV's final comedy special starring Bob Hope, with appearances by Presidents George Bush and Bill Clinton, actors Tom Selleck, Don Johnson, Tony Danza, Ann-Margret, Naomi Judd, and many more.In 2016, Jeff took over as Executive Producer of Fuse network’s music intensive Skee TV series, working with hip hop artists like Snoop Dogg, Tyler the Creator, Post Malone, and T.I.  Also in the rap world, Jeff was credited as a producer on three multi-platinum selling CDs by Busta Rhymes. In 2017, Jeff’s book, “Maximum Screenwriting,” was released and has earned Amazon’s five-star rating. Jeff has appeared as a guest lecturer at L.A.’s famed Screenwriting Expo, is a popular speaker at prestigious universities and film schools, and has worked closely with the Writers Guild of America to protect the best interests of writers.25 COMMONLY ASKED QUESTIONS AND STRAIGHT ANSWERSThe entertainment industry is the toughest business around. To achieve success as a professional screenwriter, you will need every advantage you can get. A writer who faces readers, agents, producers, and creative executives are no different than a soldier going into combat. To have the best chance of survival, both would be wise to bring every weapon they can carry into the fight.This book is ammunition for the battles every screenwriter will face as it teaches: How to create a bulletproof outline, How to build and breathe life into compelling characters, How to defeat crippling procrastination, How to avoid being ripped off, and How to deal with a myriad of situations other books never mention.The one thing this book will not do is tell you what the proper margins are for a screenplay, where to place a parenthetical in dialogue or what is supposed to happen on page 30. There are dozens of books and free online lectures for that. Maximum Screenwriting was written for one reason only: to teach you what other books don’t and to tell you what other writers won’t.Enjoy my conversation with Jeff Schimmel.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

What are you willing to sacrifice to make your screenwriting dream come true? How bad do you want it? These are the questions I'll be discussing in today's episode. If you are looking for something to get you revved up look no further. This is my "tough love" episode. I keep running into filmmakers and people in the business who just like to talk or hide behind excuses. I have two things to say about that.Life doesn’t care about excuses.The film business doesn’t care about your circumstances.There are 24 hours in a day. I breakdown 24 hours and I promise you will find out that you have, at least, 4-6 hours a day to dedicate to your craft and dream. Yes, even for those who have a 2-hour commute, work 8 hours and has a family. The power to make your dream to become a reality is only in your hands. No one else's! I really hope this episode lights that fire in your belly to make your dream come true.Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have comedy legend, author, and writer Steve Kaplan. For years, Steve Kaplan has been the industry’s most sought-after expert on comedy. In addition to having taught at UCLA, NYU, Yale and other top universities, Steve created the HBO Workspace, the HBO New Writers Program and was co-founder and Artistic Director of Manhattan Punch Line Theatre. He has consulted and taught workshops at companies such as HBO, DreamWorks, Disney, Aardman Animation, Sony Pictures Network India, Globo Brazil, and others.In New York, Steve was co-founder and Artistic Director of Manhattan Punch Line Theatre, where he developed writers such as Peter Tolan (Analyze This, The Larry Sanders Show), writer and producer David Crane (Friends, Episodes), writer/producer Tracy Poust (Ugly Betty, Will & Grace), Michael Patrick King (Sex and The City, Will & Grace), David Ives (Venus in Fur), Howard Korder (Boardwalk Empire), David Fury (The Tick, Buffy, The Vampire Slayer), Lisa Loomer (The Waiting Room), Tom Donaghy (The Mentalist), Kenneth Lonergan (Manchester by the Sea) and Mark O’Donnell (Hairspray) and introduced such performers as Lewis Black, Mercedes Ruehl, Oliver Platt, Helen Slater, Fisher Stevens, Veanne Cox, Sam McMurray, Vickie Lewis and Illeana Douglas.In Los Angeles, he created the HBO New Writers Project, discovering HBO Pictures screenwriter Will Scheffer (Big Love), and performer/writer Sandra Tsing Loh (Aliens in America),; and the HBO Workspace, a developmental workshop in Hollywood that introduced and presented performers such as Jack Black and Tenacious D, Kathy Griffin, Bob Odenkirk and David Cross (Mr. Show), Josh Malina and Paul F. Tompkins. At the Workspace, he was Executive Producer for the award-winning HBO Original Programming documentary DROP DEAD GORGEOUS. Steve has directed in regional theaters and Off-Broadway (including Sandra Tsing Loh’s ALIENS IN AMERICA at Second Stage).In addition to private coaching and one-on-one consultations, Steve has taught his Comedy Intensive workshops to thousands of students in the United States and countries around the world, including London, Toronto, Galway, Athens, Paris, Tel Aviv, Sydney, Melbourne, Rio, Munich, New Zealand, and Singapore. This year, he will be presenting seminars and workshops in Los Angeles, Brussels, London, and via Skype, Sweden.His new book The Comic Hero’s Journey. I can’t recommend it enough.A comic hero or heroine also goes on a journey, but for the comic hero, it’s often quite, quite different. The hero decides to go on the adventure; the comic hero often has no choice. The hero has a wise old man; the comic hero often meets an idiot who inadvertently says something that can teach him a thing or two. Steve Kaplan will show you the diverse paths that comedy takes in The Comic Hero’s Journey.This interview is EPIC! If you want to learn how to create funny in your screenplays or projects this episode is for you.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Jim Mercurio. Jim is a filmmaker, writer, and author whose screenwriting instruction has inspired tens of thousands of writers around the world. Creative Screenwriting ranked him as one of the country’s top story analysts:“The best example of how an analyst can give concrete help without veering off the track of your story... (Jim) is not just telling you how to rewrite a particular script... but how to apply it to future work as well.”Jim works with Oscar-nominated and A-List writers as well as complete beginners. He adapts to each writer and script.Jim is a true champion for undiscovered writers and filmmakers. He produced Hard Scrambled which, like the horror-thriller he directed Last Girl, was discovered in a contest. The film stars Kurtwood Smith (That 70’s Show) and indie stalwart Richard Edson. It premiered at Cinequest and won Best Dramatic Feature at Garden State Film Festival. His experience as a filmmaker informs his approach to the material. He helps you to execute your vision with vivid and cinematic storytelling that can attract allies like directors and producers.He directed more than 60 hours of Screenwriting education including the first 40 Workshops in the Screenwriting Expo Series including classes by some of the other top screenwriting teachers in the world. His own course Killer Endings was one of the best sellers from the collection. He wrote and directed Making Hard Scrambled Movies, filmmaking tutorials, as bonus material for Hard Scrambled’s original release. The Washington Post called them “a must for would-be filmmakers.”Inspired by his work on the Expo series, Jim applied his entrepreneurial “go big or go home” attitude to the six-disc DVD set Complete Screenwriting: From A to Z to A-List, a behemoth of screenwriting instruction. It is one of the most comprehensive screenwriting resources in the world. It’s a fast and furious ten hours with an hour of stunning motion graphics that help to explain seldom-discussed topics like theme, concept and character orchestration.Together, Jim’s course and book illustrate his forte, to illustrate advanced craft and nitty-gritty insight essential for mastery of screenwriting craft. Enjoy my conversation with Jim Mercurio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever had writer's block? We all have at one point or another and it sucks! Today's guest, Matthew Kalil, has the cure. He has written a new book called The [easyazon_link identifier="1615932860" locale="US" tag="whatisbroke-20"]Three Wells of Screenwriting[/easyazon_link]. Working from a writer’s perspective, the book explores these Three Wells and helps you consciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.I had such a ball with Matthew that I had to make it a crossover episode with the Bulletproof Screenplay Podcast. Enjoy my conversation with Matthew Kalil.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever wondered what it takes to break into a network television writer's room? Then this episode is for you. Today's guest is Steven Vitolo and he did just that. His latest written episode is on the hit ABC show Black-ish. Steven has over 10 years of experience working in writers rooms, most recently as a script coordinator on the TV series Black-ish, where he co-wrote the episode "Dream Home."Steven Vitolo also is the CEO and founder of Scriptation, the script reading and annotating app for film, television, and video production. Steven developed Scriptation after seeing first-hand the staggering amount of paper that gets consumed on set and is dedicated to promoting sustainable practices that inspire productions to go paperless.Enjoy my conversation with Steven Vitolo.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is writer and showrunner, Daniel Knauf. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show Carnivàle to HBO.The series, an intricate blend of meticulously researched period detail and secret-history fantasy, purported to tell the tale of what happened when the last two “Avatars”—superpowered beings of light and darkness—met in the United States on the eve of World War II. The series attracted a cult audience that remains devoted to this day, but a mass audience wasn’t sure what to make of the program, and HBO canceled it after two seasons, saying the show’s story was finished, in spite of Knauf’s plan for a six-season run.We go deep inside the writer's room, what it takes to be a showrunner and many of his misadventures in Hollyweird!Enjoy my conversation with Daniel Knauf.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

First off thank you for all the support that the IFH Tribe has given to IFHTV. It has been overwelling and that's why I'm so busy acquiring​ and producing amazing new content for you every month.I'll be doing these posts one a month to tell you all about the new releases I have in store for you on Indie Film Hustle TV. I've been a busy beaver and December will have over 20 hours of new content for your streaming pleasure. Also, I'd like to announce IFHTV is now available on Apple TV, Roku and Amazon TV Apps. Just go to the platforms and do a search for "Indie Film Hustle TV" and our app will pop up.Let's get to it.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You walk onto an elevator and just before the door closes Steven Spielberg gets on. You have 60 secs to pitch him your latest screenplay. What do you do? Your goal is to have your audience say “yes, I understand, and I care” after reading or watching your brand story.If your audience just says “now I know” then you have successfully informed them but not enough to make them care, to make them stay to whatever you have to say next. Your career can be made in 60 seconds - if you make the right pitch!Today's guest is returning champion Michael Hauge. He is the best-selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition) and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read. According to Will Smith,“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” – Will SmithWe discuss pitching techniques, the pitch story arch, and much more. After partnering with Michael on the best-selling Udemy Screenwriting course Screenplay and Story Blueprint: The Hero’s Two Journeys I wanted to work with him again. We came up with the NEW online course Pitching Your Screenplay or Novel in 60 Secs. Enjoy my conversation with Michael Hauge.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today is the day. IFHTV is LIVE! Go check it out at www.indiefilmhustle.tv. It's taken me months getting this ready for you and I hope you love it as much as I do. It has been a dream of mine to have a place where filmmakers, screenwriters and content creators could go to get their "fix" of filmmaking behind the scenes, interviews, documentaries, online education, and feature films. This has truly been a labor of love. Here's what you can expect from Indie Film Hustle TV.IFHTV will be the world's first Netflix meets Masterclass style streaming services dedicated to filmmakers, screenwriters and content creators. Thousands of videos to help you on your filmmaking and screenwriting journey. IFHTV is available worldwide and will be accessible on over 1000 devices including, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player. Coming soon iOS devices and Android devices Apps.So what are you waiting for? Head over to www.ifhtv.com, kick the tires and let me know what you think. Please send feedback to ifhsubmission@gmail.com. I really want to make IFHTV the best it can be and I need your feedback.Price is $10.99/month or $120.00/year. After Feb 1st it goes up to the normal price of $13.99/mth and $150/yr so if you are interested sign up now to get that limited time price for the life of your subscription. Go to www.ifhtv.com.Thanks again for all the support and happy streaming!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

If you ever wanted to know some of the secrets of how to write a comedy then today's guest might be able to help. Peter Desberg and Jeffrey Davis are the authors of Now That’s Funny! The Art and Craft of Comedy Writing, a new book that provides an intimate look into the minds of twenty-nine of Hollywood’s funniest comedy writers from movies and TV shows like:Saturday Night LiveFrasierThe SimpsonsEverybody Loves RaymondMonkModern FamilyThe HoneymoonersThere's Something About MaryDumb and DumberCheersHome ImprovementThe writers were asked to develop a generic comedy premise created by the authors, giving readers a window into their writing process. There were no rules, no boundaries, and no limits. What emerges is an entertaining look—illuminating and hilarious—at the creative process behind hit comedy TV shows and movies.Enjoy my conversation with Peter Desberg and Jeffrey Davis.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is author Daniel Calvisi. Dan wrote the book Story Maps: How to Write a GREAT Screenplay. He breaks down stories and shows you how to map out your own by analyzing how the masters construct their screenplays. Here's a bit more on today's guest.Daniel Calvisi is a story analyst, speaker, screenwriter and an author. He is a former Story Analyst for major studios like Twentieth Century Fox, Miramax, Twentieth Century Fox, Miramax Films, and New Line Cinema. He coaches writers, teaches webinars on writing for film and television with The Writers Store and speaks at writing conferences and book signings. He holds a degree in Film and Television from the Tisch School of the Arts at New York University. So stop reading this and listen to the podcast already. Enjoy my conversation with Daniel Calvisi.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

The wait is over! This is what I've been working on for months. May I introduce you to IFHTV (Indie Film Hustle TV), the world's first streaming service dedicated to filmmakers, screenwriters, creatives and content creators.I wanted to create a place where film creatives and storytellers could be informed and inspired, no matter where you lived in the world. When I was younger I would hunt for any content on filmmaking, behind the scenes, screenwriting, etc. Combing through DVDs, Laserdiscs and even VHS.IFHTV is the natural evolution of Indie Film Hustle. My mission is to help as many creatives, filmmakers and screenwriters on their artist path. I hope to grow the platform into a Netflix-style place for people to learn and be inspired.IFHTV will not only be an educational platform but it will also stream content covering the film business, acting, filmmaking, post-production, screenwriting, storytelling:Feature FilmsDocumentariesSeriesDocumentary FilmmakingSocial Media and MarketingDistributionCinematographyFilm HistoryExclusive InterviewsExclusive IFHTV Original Content and ShowsInspirational Films as wellIFHTV will launch worldwide November 1, 2018. It will be accessible on over 1000 devices including iOS devices, Android devices, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player.The launch special will be $10.99 for 90 days. On Feb 1, 20,19 the price will go to $13.99. Take a listen to this episode to get all the low down on what I'm doing with IFHTV, including content, films, and documentaries we'll be launch with. Thanks for your support and I really hope you love IFHTV as much as I do.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Lucy V. Hay from Bang2Write. Lucy is an author and script editor, living in Devon with her husband, three children, and six cats. Lucy is the associate producer of Brit Thrillers Deviation (2012) and Assassin (2015) both starring Danny Dyer.In addition to script reading and writing her own novels, Lucy also blogs about the writing process, screenwriting, genre, careers and motivation and much more at her blog Bang2write, one of the most-hit writing sites in the UK.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever really wanted to know what goes on behind the scenes at Hollywood's major production companies and studios? How do new screenplays get read, approved and pass on by the script reader? What are the politics behind the scenes that make it almost impossible for a screenplay to make it through the Hollywood System?Today on the show we have a former development executive, current script coverage reader and professional screenwriter. In order for him to be completely honest, he asked to remain anonymous so I just refer to him as Deepthroat. Yes, I know that's a bit on the nose but we both thought the Cloak and Dagger angle would be funny.  He is a screenwriter that has worked in both television and features, a sought-after script doctor (he's worked on some MAJOR studio films), and a script coverage specialist.Deepthroat spills the beans on the inner workings of some of the biggest studios in Hollywood. He discusses how an idea he presented his boss years ago was once stolen from him within the system and was turned into a successful property and shares tips on how to impress those studio readers that are the gatekeepers to getting your screenplay sold and produced.He is one of the amazing script coverage specialists I have working at Bulletproof Script Coverage. Deepthroat agreed to do this interview in order to help screenwriters trying to break into the business. He's tired of seeing so many talented writers get eaten up by the system.The information in this interview is raw, real and will give you a much clearer idea of what happens behind the scenes in Hollywood. If you enjoy this episode, please share it with as many screenwriters and filmmakers as you can. We need to get this information out there.Enjoy my revealing conversation with DEEPTHROAT.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have author/veteran script consultant Jill Chamberlain who's book The Nutshell Technique: Crack the Secret of Successful Screenwriting has taken the screenwriting world by storm. Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don't know how to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story.Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams ("nutshells"), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you'll discover how to turn a mere situation into a truly compelling screenplay story.Since its publication in 2016, The Nutshell Technique: Crack the Secret of Successful Screenwriting an instant classic. It is the go-to manual many professionals swear by, and it's on the syllabus at colleges across the U.S. including the world-renowned screenwriting program at Columbia University.Enjoy my conversation with Jill Chamberlain.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today episode is a CROSSOVER between the IFH Podcast and the Bulletproof Screenplay Podcast. I do this every 6-8 weeks when I find a guest that would be great on both podcasts. On this episode, we have Michael Tucker from Lessons from the Screenplay. LFTS is a YouTube channel that analyzes movie scripts to examine exactly how and why they are so good at telling their stories.I've become a HUGE fan of what Micahel is doing and wanted to have him on the show to drop some knowledge bombs on both tribes! I've highlighted some of his work before on the blog: Social Network.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today on the show we have Hollywood Story/Career Consultant and former Studio Executive Jen Grisanti. Grisanti is also a Writing Instructor for Writers on the Verge at NBC, a former studio executive, a blogger for The Huffington Post and author of Story Line: Finding Gold In Your Life Story, TV Writing Tool Kit: How To Write a Script That Sells, and her recent book, Change Your Story, Change Your Life.Over twenty years ago, Jen Grisanti started her career as an assistant to Aaron Spelling, who served as her mentor for 12 years. She quickly climbed the ranks and eventually ran Current Programs at Spelling Television Inc., covering all of Spelling’s shows including Beverly Hills, 90210, Melrose Place and Charmed. In 2004, Grisanti was promoted to Vice President of Current Programs at CBS/Paramount where she covered numerous shows including Medium, Numbers, NCIS, 4400 and Girlfriends.In January 2008, Grisanti launched Jen Grisanti Consultancy, Inc., a highly successful consulting firm dedicated to helping talented writers break into the industry. Drawing on her years of experience as a studio executive where she gave daily notes to executive producers/showrunners, Grisanti personally guides writers to shape their material, hone their pitches and focus their careers.Since launching her consulting firm, Jen Grisanti worked with over 1000 writers specializing in television, features, and novels. Due to her guidance, over ninety of her clients have staffed as writers on television shows, fifty-three have sold pilots, and six of those pilots have gone to series.Enjoy my conversation with Jen Grisanti.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

This week we have a returning guest, screenwriting guru Michael Hauge. On this episode, he discussed The Six Stages of Character Development. A very eye-opening episode. These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

For screenwriters, navigating the shark-infested waters of the Hollywood system can be a daunting task. You never know what the producer or studio is looking for. How do you pitch your story properly? So many questions. I hope today's guest can help guide you a bit through those waters.Scott Myers has been a professional Hollywood screenwriter for over 30 years. Since selling his spec script K-9 in 1987, Scott has written 30 projects for every major Hollywood studio and broadcast network. His film writing credits include K-9 starring Jim Belushi, Alaska starring Vincent Kartheiser, and Trojan War starring Jennifer Love Hewitt.From 2002–2010, Scott was an executive producer at Trailblazer Studios, a television production company. In 2002, he began teaching screenwriting in his spare time. He won the UCLA Extension Writers’ Program Outstanding Instructor Award in 2005 and for eight years taught in the Writing for Screen and Stage program at the University of North Carolina in Chapel Hill.He has hosted Go Into The Story, an amazing screenwriting website, since its launch May 16, 2008, and is partnered with the Black List as its official screenwriting blog.Scott breaks down the Hollywood system, talks about story and structure and just tells it how it really is in the business. Enjoy my conversation with Scott Myers.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Ever wanted to learn the dark craft of being able to pitch your story idea successfully? Stephanie Palmer has made it her life's mission to help people do just that. Stephanie Palmer is a former MGM Pictures executive and best-selling author of the book "Good in a Room: How To Sell Yourself (And Your Ideas) And Win Over Any Audience"Stephanie Palmer was the Director of Creative Affairs for MGM where she supervised the acquisition, development, and production of feature films. During my time at MGM, she was named by The Hollywood Reporter as one of the “Top 35 Executives Under 35.” Prior to MGM, she worked at Jerry Bruckheimer Films.She has heard thousands of pitches. She knows how to and how not to pitch your screenplay or story idea. She worked on films like Legally Blonde, Armageddon, Con Air and was even on an intern on Titanic, there's a very inserting story there.Learn how to pitch your screenplay like a pro with Stephanie Palmer.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

If you were a kid of the late 80s or early 90s then today's guest definitely had an impact on your life. Larry Wilson is the co-creator of the cult classic Beetlejuice (directed by Tim Burton), writer of Addams Family and worked on the legendary television show Tales from the Crypt.Larry Wilson was also a screenwriting teacher at UCLA, arguably one of the best screenwriting programs in the world. He has continued to teach through his very popular workshops.Enjoy my spooky and funny conversation with Larry Wilson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest cracked open a door to a part of the industry I had no idea about, television. Matthew Doyle is a television lit agent at the Verve Talent and Literary Agency. He's an up and comer in the industry and definitely a hustler. My co-host Sebastian Twardos and I wanted to get an "in the trenches" perceptive on the television market and Matthew delivered. He tells a great story on how he got promoted to an agent with a prank by the partners at Verve. Here's a bit on Matthew Doyle:Doyle joined in January as Verve’s first off-desk TV lit coordinator. He implemented a new system for information flow and tracking, redesigned current grids, and helped lead Verve to its most successful staffing season ever, with 80% of clients staffed on broadcast and cable shows. He has been an aggressive recruiter, interviewing and training new employees.Worked with up-and-coming clients such as Arkasha Stevenson and Kirk Sullivan on the television side, and has played an important role in signing clients staffed on upcoming series such as “Pitch” and “Riverdale.” Challenges of the job? “Recognizing that everyone is the protagonist of their own story, and treating them accordingly,” Doyle says. - From Variety - 10 Assistants to Watch 2016All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.Enjoy our conversation with Matthew Doyle.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Have you ever wanted to learn how to write a screenplay fast? I know I do. This is why I invited on the show award-winning producer/director, best-selling author, film festival organizer and public speaker, Jeff Bollow.He is the author of Writing FAST: How to Write Anything with Lightning Speed. Jeff Bollow began as an actor at age 12 in his native Los Angeles (credits include Don't Tell Mom the Babysitter's Dead and TV's Columbo) before working nearly every job in production, from camera to sound to lighting — and including jobs in development, post-production, and distribution.Jeff has worked on feature films, TV series, commercials, music videos, radio, and corporate productions for companies such as Universal, Castle Rock, Propaganda Films, DNA and the Oxygen Network.After migrating to New Zealand, where he directed television for TV3 and co-founded the Big Mountain Short Film Festival, he moved to Australia, where he launched Embryo Films. Through his company, Jeff has reviewed over 20,000 project submissions and has edited, assessed and/or mentored over 350 projects. He has script doctored in Singapore, Australia, NZ and the US; and has conducted over 80 live weekend workshops to over 1200 writers in 9 cities in 5 countries, with a unanimous "recommend" approval rating.His students have been optioned, produced and won (and placed) in competitions worldwide. He designed FAST Screenplay in 2004 and began officially building it in November 2009. It was finally completed in July 2016, nearly 7 years later. Alongside it, he created the FASTscreenplay YouTube Channel, which now includes over 30 detailed and insightful free videos to encourage writers and screenwriters around the world.In May 2015, Jeff Bollow delivered his first TED Talk, "Expand Your Imagination... Exponentially" (see video below) at TEDxDocklands in Melbourne, Australia, to prepare for the next phase of the larger plan. Jeff's aim is to build an independent film studio that inspires creativity worldwide, to help prepare humanity for the dramatic changes our future holds. When he's not busy helping writers with FAST Screenplay, he is working on a new book, developing a television series, and planning two feature film projects. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Why would you want to 'Save the Cat'? If you are a screenwriter or aspiring one you should have heard by now of Blake Snyder's game-changing screenwriting book.In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of was published in November 2009.Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake's work.I had the pleasure of interviewing one of Blake's main pupils Jose Silerio. Jose is carrying the torch of Blake's work and travels around the world well...saving the cat.Enjoy my informative interview with Jose Silerio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

If you have seen Star Wars then you know Joseph Campbell's work. If you ever have seen The Lion King then you have seen one of Campbell's best student's, Chris Vogler, work.Chris Vogler wrote the game-changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 20 years ago and it changed the way I look at story. Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the bases for Star Wars as well as almost every other Hollywood feature film in the past 60 years.What Chris Vogler did so well is that he translated Campbell's work and applied it to movies. The Writer's Journey explores the powerful relationship between mythology and storytelling in a clear, concise style that's made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world. He has influenced the screenplays of movies from THE LION KING to FIGHT CLUB to BLACK SWAN to NOAH."I teach sometimes, and always say that Chris Vogler is the first book that everyone's got to read." -- Darren Aronofsky , Oscar-nominated Screenwriter/Director, Noah, Black Swan, The WrestlerPretty high praise from one of the best filmmakers working today. In this episode, I ask Chris to break down a bunch of concepts of the Hero's Journey, why it resonates with people around the world and what makes an amazing hero and villain.Enjoy my conversation with Chris Vogler.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today we have a special crossover event between The Indie Film Hustle Podcast and The Bulletproof Screenplay podcast. Since I'm the host of both podcasts I thought it would be fun and educational to do these kinds of episodes every once in a while. Today's guest is best selling author K.M. Weiland, the author of Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development.K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY, NIEA, and Lyra Award-winning and internationally published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs, as well as Jane Eyre: The Writer’s Digest Annotated Classic, the historical/dieselpunk adventure Storming, the portal fantasy Dreamlander, the medieval epic Behold the Dawn, and the western A Man Called Outlaw. When she’s not making things up, she’s busy mentoring other authors on her award-winning website Helping Writers Become Authors.We dig in deep on plot, story structure and of course character arcs. Enjoy my conversation with K.M. Weiland.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We all have heard about screenwriter selling a spec script for seven figures (see Max Landis) but who are the power brokers who are helping that process along? Enter Verve Literary Agent David Boxerbaum.David is a senior agent at VERVE Talent & Literary Agency, and his impressive client roster includes the likes of David Guggenheim, writer of Safehouse; Ken Marino, writer/producer of Wanderlust and writer of Role Models; Maria Maggenti, writer of MTV’s Finding Carter; and Ransom Riggs, writer/co-executive producer of the upcoming supernatural horror thriller, Black River.At the age of 26, David was listed as one of the Hollywood Reporter’s “Next Generation 35 Under 35,” making him one of the youngest people ever to make the list. He is known for his impeccable taste and his strong industry relationships which help him garner six- and seven-figure sales for his clients in a shrinking spec marketplace.What is an agent like David Boxerbaum looking for in a screenwriter? How does an agent work with a client to build a career? How do you approach a Literary Agent? All will be answered in this episode. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

You are in for a treat. This week's guest, MICHAEL HAUGE has been one of Hollywood’s top script consultants, story experts, and authors for more than 30 years.He coaches screenwriters, novelists, filmmakers, professional speakers, internet marketers and corporate leaders, helping transform their stories and their audiences using the principles and methods of Hollywood’s most successful movies.Michael has consulted on films starring – among many others - Will Smith, Tom Cruise, Reese Witherspoon, Julia Roberts and Morgan Freeman, and has presented lectures and workshops to more than 70,000 participants worldwide.He is the best-selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition) and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read. According to Will Smith,“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” - Will SmithAfter our interview with Michael Hauge and I decide to bring one of his best courses to the Bulletproof Screenplay Tribe. We called it the Screenplay and Story Blueprint: The Hero's Two Journeys. (Click here for a special discount)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

So how marketable is your film idea or screenplay? I know so many screenwriters and filmmakers who spend months and sometimes years on an idea that is cool to just themselves. Depending on what you are attempting to achieve with your story, you should always figure out if you idea is marketable or if you have a fighting chance of selling the screenplay or final film.Paul Castro, the writer of the Warner Brothers feature film August Rush (Starring Robin Williams) shares with us his thoughts on how to test and find marketable ideas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

How to Make a Good Script Great with Linda SegerLinda Seger is a legend when it comes to screenwriting coaching and script consultant. She's been coaching for over 30 years and pretty much invented the job title. After reading her best-selling book, "Making A Good Script Great" I had to have her on the show.She's  best known for her method of analyzing movie scripts, which she originally developed as her graduate school dissertation on "What Makes a Great Script." She founded the script consulting industry, becoming the first entrepreneur who saw script consulting as a business, rather than an offshoot of seminars or books.Linda Seger has consulted on over 2000 screenplays and over 100 produced films and television shows including Universal Soldier, The Neverending Story II, Luther, The Bridge (miniseries,) etc.“When I arrived I had an idea. Three days later the idea had become a complete and rich outline. Linda’s warmth, guidance and insight helped me structure my story and discover the layers that made it come alive.”  Sergio UmanskyHer clients include Oscar® winning writer and director Peter Jackson, Sony Pictures, and Ray Bradbury. Unlike other screenwriting gurus, Linda Seger is not a screenwriter but has focused exclusively on consulting and teaching.Linda Seger has written 13 books, 9 of them on screenwriting, including the best-selling Making a Good Script Great, Creating Unforgettable Characters, and Writing Subtext. (FREE AUDIO BOOK VERSIONS HERE)Ron Howard has endorsed Making a Good Script Great, saying he uses the book when making all of his movies beginning with Apollo 13. Not a bad recommendation. Take a listen to this master class on screenwriting with Linda Seger and get ready to take notes!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

How to Create an Emotional Impact in Your Screenplay with Karl IglesiasThis week we were lucky enough to have as our guest best-selling author Karl Iglesias. He has written award-winning books including The 101 Habits of Highly Successful Screenwriters, Writing for Emotional Impact, and Cut to the Chase. (FREE AUDIO BOOK VERSIONS HERE)I discovered Karl Iglesias' work reading Writing for Emotional Impact. It really transformed the way I wrote screenplays and created a bunch of new habits that I still use today.Karl is a script-doctor, author, award-winning instructor and story consultant, specializing in the reader’s emotional response to the written page. He helps writers, filmmakers, producers and advertising executives craft better stories that connect emotionally with an audience.It was a major treat to interview Karl on the show. His work is so specific but yet broad. His one rule that can never be broken,"Always be interesting."I think most films coming out of Hollywood today should take that advice. Keep your audience engaged and emotionally invested. So many filmmakers and screenwriters today don't understand that basic concept.I really asked Karl the tough questions so we could fill this episode with amazing content for you. This is one podcast you won't want to miss. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

How a Screenwriter Becomes a First Time Director with Kelly Fremon CraigI'm asked all the time"How does a screenwriter get the opportunity to direct one of their screenplays?"That is the question. In Hollywood, more times than not, writers don't have the power or ability to direct their own material. It took a few screenplays before Quentin Tarantino got the shot with Reservoir Dogs. Today's guest is writer/director Kelly Fremon Craig. She got her shot to director her own screenplay on the 2016 critical darling Edge of Seventeen starring Hailee Steinfeld, Woody Harrelson, and Kyra Sedgwick. Check out the trailer below. Kelly's adventures through Hollyweird is inspiring to say the least. Enjoy my conversation with Kelly Fremon Craig.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

We've all read in Variety or The Hollywood Reporter of some no-name screenwriter selling his or her screenplay for a million bucks. Ever wonder how they did it? What structure did they use? What "tricks of the trade were" employed?May I introduce Paul Castro, the original writer of one of my favorite films August Rush. Paul Castro is a produced, award-winning screenwriter and world-renowned screenwriting professor."Structure...is the canvas on which we paint with words." - Paul CastroHis project, August Rush was produced by Warner Brothers and starred the late great Robin Williams, Keri Russell, Freddie Highmore and Jonathan Rhys Meyers. The film took Paul Castro into the belly of the Hollywood beast.The business of screenwriting can be tough, but while a student at the UCLA School of Theater, Film, and Television, he was a finalist for the Coca-Cola Refreshing Filmmaker's Award for directing and producing his original screenplay Healing, and landed a three-picture screenwriting deal worth $1 million.The lessons he learned not only from selling August Rush but many other Hollywood screenwriting adventures were invaluable. He later went back and became a screenwriting professor at UCLA School of Theater, Film, and Television, teaching thousands of students over his ten years of teaching.“Paul Castro teaches screenwriting from the inside out.” - Richard Walter, UCLA Screenwriting Chairperson.Enjoy this whopper of a podcast episode and if you haven't seen August Rush do yourself a favor and watch it. It's worth watching for Robin Williams alone!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest is screenwriter/podcaster Ashley Scott Meyers from Sellingyourscreenplay.com. Ashley is a working screenwriter in Hollywood. He also spends his time running a popular screenwriting blog and podcast. His focus is on helping you sell your screenplay. Here's a bit of his philosophy in his own words:If you ask 100 different screenwriters how they broke into the business you’re going to get 100 different answers. There is no “right” way to break in. So my philosophy has always been simple: try as many different angles as possible and figure out what works best for you.Below are two short lists of things you should be doing to try and sell your screenplays. I’ve listed them in order of what I think is most effective (your results may vary). One thing to keep in mind, this is not an exhaustive list. You should be thinking of other ways you can market your material and doing those things, too. If you would like to share any of your ideas please email me as I’m always curious to hear how other writers are successfully marketing their material.Also, you may not be able to do everything on these lists, but the more you do the better chances you’ll have. If you’re serious about success, however, you’re going to need to try most of these things, otherwise you’re not going to be giving your screenplay, or yourself, a real chance to succeed.Things you can start doing today.Make phone calls to agents, managers, and producers pitching your materialWrite query letters for your screenplays and snail mail, email, or fax them to agents, managers, and producersScour sites like Craig’s List and other online resources for people looking for screenplays and send them your query letterEnter screenwriting contestsTry and connect with agents, managers and producers on social media sites like Twitter and FacebookLong term items which you should also be doing.We get into it in this interview so take some notes on this epic conversation. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Can you imagine having a front row seat to the start of the filmmaking careers of Will Smith, Bruce Willis and Michael Bay? Well this week's guest Screenwriter Doug Richardson did just that. In 1989 20th Century Fox hired Doug to adapt Walter Wager’s novel 58 Minutes into the first sequel to the hit franchise Die Hard. In 1990, it was released as Die Hard 2, Die Harder.Around the same period, Doug Richardson and his one-time writing partner, Rick Jaffa, garnered national attention when their spec screenplay, Hellbent…and Back was the first in Hollywood to sell for a million dollars. Doug has since written and produced feature films including the box office smash Bad Boys (1995), Money Train (1995), and Hostage (2005).In addition to writing for the screen and print, Doug posts a weekly blog on his website, dougrichardson.com, where he shares personal anecdotes and insight from his thirty-year showbiz career. The first collection of his blogs, The Smoking Gun: True Tales from Hollywood’s Screenwriting Trenches was published in 2015.I had a ball chatting with Doug and his stories from the set had been mesmerized. He dropped some major knowledge bombs in this interview. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

First Rule of Jim Uhls, YOU DO NOT TALK ABOUT Jim Uhls!We I have a MAJOR treat for the tribe this week. I have no other than Jim Uhls, the master screenwriter behind David Fincher's "Fight Club", one of the greatest films in my generation, in my humble option.When Chuck Palahniuk's Fight Club was making the rounds in Hollywood, it was a tough sale to be adapted for the screen. But then Brad Pitt got involved; add David Fincher and Ed Norton, throw Jim Uhls into the mix and you've got a modern classic.Jim’s screenwriting credits include of course the modern classic “Fight Club” the feature-film "Jumper" the NBC television film "Semper Fi" and the SyFy miniseries "Spin".In this remarkable discussion, Jim Uhls breaks the first rule of Fight Club: He talks about it, working with David Fincher, why he hates outlines and why you should interview your characters. Step inside the mind of the man who figured out how to conquer Hollywood as he lays down knowledge bomb after knowledge bomb in this eye-opening interview.Towards the end of the interview, Jim gives easily the GREATEST ADVICE ON HOW TO BECOME A WORKING SCREENWRITER I EVER HEARD! This podcast is not to be missed.Enjoy my conversation with Jim Uhls. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Today's guest blew my mind on his approach to storytelling and screenwriting. John Truby is one of Hollywood's premier screenwriting instructor and story consultant.Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Called “the best script doctor in the movie industry,” Truby serves as a story consultant for major studios and production companies worldwide, and has been a script doctor on more than 1,800 movies, sitcoms and television dramas for the likes of Disney, Universal, Sony Pictures, FOX, HBO, Alliance Atlantis, Paramount, BBC, MTV and more. Truby’s former students’ work have earned more than $15 billion at the box office, and include the writers, directors and producers of such film blockbusters asRatatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more. Truby’s class is also regularly attended by top fiction writers and novelists who have topped the New York Times’ Bestseller List, won numerous prestigious literary awards, and have sold over 46 million books worldwide. Hollywood’s best kept secret, Truby’s classes regularly attract everyone from first time writers to A-list writers, producers, directors, filmmakers, story executives, novelists, fiction writers and more.In addition to his sold-out seminars, John Truby remains on the cutting- edge of technology having created and developed Truby Blockbuster – the bestselling software designed to intuitively help writers learn and understand the art of developing their story ideas into fully realized, professionally-structured scripts.Truby’s principles and methods are the most modern, exciting approach to screenwriting and storytelling to be developed in a generation, which is why his classes regularly attract everyone from Oscar winners to first-time writers.We get into the weeds of story in this EPIC conversation. Get ready to take notes. Enjoy!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

It’s here! The first episode of The Bulletproof Screenwriting Podcast! Now you might be asking..."Alex, why are you launching another podcast dedicated to screenwriting when you cover that on the IFH Podcast already?"Well, it's because I know that screenwriters are really NOT that interested in learning about lenses, self-distribution, or social media marketing. They want to get into the craft and business of screenwriting and storytelling. I found that IFH Tribe members that wanted to learn about screenwriting would have to wait until I had a screenwriting guest.With The Bulletproof Screenplay Podcast, they can get a fresh episode every week dedicated to the craft and business of screenwriting.I'll be grabbing some of my past screenwriting themed interviews and re-publishing them here but I'll also be adding brand new content as well. I already have a bunch of amazing guests lined up for the podcast.So if you're fan of the IFH Podcast you should definitely subscribe to the BPS Screenwriting Podcast as well. That'll be THREE FRESH EPISODES of content every week. Yes, I'm crazy but I'm crazy about providing the best content I can to the IFH Tribe and helping them on their filmmaking and screenwriting journeys.You can download the screenwriting podcast to your computer or listen to it here on the blog. This podcast feed is listed on iTunes, Spreaker, and Stitcher, so you can subscribe there as well.Thanks for Listening!Thanks so much for joining me again this week. Have some feedback you’d like to share? Leave a note in the comment section below!If you enjoyed this episode, please share it using the social media buttons you see on the left of this post.Also, please leave an honest review for The Bulletproof Screenplay Podcast on iTunes! Ratings and reviews are extremely helpful and greatly appreciated! They do matter in the rankings of the show, and I read each and every one of them.And finally, don’t forget to subscribe to the show on iTunes to get automatic updates. Until next time!Special information about the episode such as items mentioned during the session and action items will usually appear below.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement