This Hip Deep episode presents the stunning radio premiere of "Oh, David," the traditional song of the annual Easter Rock in Winnsboro, Louisiana. The Easter Rock is in fact a surviving ringshout—the oldest known form of African American music—but it's about 600 miles west of the ringshout's heartland in Georgia. It's located across the Mississippi River from Vicksburg in the Louisiana Delta, where they don't call it a "ringshout," but a “rock.” And it totally rocks. Producer Ned Sublette attends the Easter Rock ceremony and talks with Dr. Joyce Marie Jackson, a scholar and Louisiana native, who has been working with the Rockers for almost 20 years and confirms their tradition as a direct musical link to slavery days. In Athens, Georgia, Sublette visits Art Rosenbaum, producer of recordings by Georgia's McIntosh County Shouters, and more. Produced by Ned Sublette. APWW #734

In today’s pop music, everybody is a composer. But what about the classics? The songs that last? In this program we survey African musicians reinterpreting each other’s songs, as well as songs from far outside their traditions. And we hear foreign takes on African diaspora music. From Louis Armstrong’s “Skokiaan” to Alpha Blondy’s “Whole Lotta Love,” it’s a journey of discovery and rediscovery. Produced by Banning Eyre. APWW #854

Moh Kouyate is a Guinean guitarist/singer/songwriter descending from a line of griots (jalis) in West Africa. As listeners heard in the Afropop Worldwide program Global Griots in France, he has lived in Paris since 2006, collaborating with a wide range of artists from genres far outside his traditional art. In this episode, Banning Eyre speaks with Moh about his adventurous life, and particularly, his ground-breaking, new acoustic album, Mokhôya. Also, fellow Guinean artist Natu Camara gives a shoutout about her upcoming visit to Camp Afropop, May 28-31, 2024 near Woodstock, New York.

In 2018, the renowned music journal Fact boldly claimed that “the world’s best electronic music festival is in Uganda.” In only a few years, Nyege Nyege has indeed become one of the hottest artistic hubs in East Africa, birthing two music labels that propelled local scenes, such as Ugandan acholitronix or Tanzanian singeli, across the globe. At the heart of this explosive universe lies a big house, known as “the Villa,” that almost constantly vibrates with sounds as musicians from the region and beyond tirelessly produce, exchange skills, and frenetically party until dawn. Despite reducing the Villa’s bubbling flow, COVID-19 didn’t silence it, and the house kept on nurturing its community of underground musicians. In this episode, producer Basile Koechlin takes us to the Villa to meet current residents and other members of the Nyege Nyege nebula. Through a patchwork of stories, soundscapes, and fresh musical releases, we hear more about this unique and strange place that came to host and generate a seminal part of the avant-garde of electronic music production in East Africa. APWW #843

Calypso and reggae have been mainstays of Grenada’s musical culture, until the emergence of the distinctive Carnival-based offshoot known as jab-jab soca, and more recent hybrid forms embraced by a younger generation of musical practitioners. On this program, we explore how the island’s tempestuous history has influenced its dynamic music scene, with testimony from leading Grenadian music figures, including calypso kings Ajamu and Black Wizard, members of the innovative group Moss International, jab-jab soca pioneers Tallpree and Mr Killa, and upcoming artists such as Sabrina Francis, a rising star who draws on soul, jazz, R&B and folk elements. Produced by David Katz APWW #856

Okwy Osadebe is the son of Nigerian Igbo highlife legend Chief Stephen Osita Osadebe. In this lively conversation with Georges Collinet and Eme Awa, of WOWD Radio in Takoma Park, we learn about the life, music and legacy of Okwy’s late father. We also learn about Okwy’s life in the United States, and his new album Igbo Amaka, and hear tracks from both father and son. It’s a Nigerian highlife extravaganza for the 21st century.

In 1809, the population of New Orleans doubled almost overnight because of French-speaking refugees from Cuba. You read that right-- French-speaking refugees from Cuba -- part of a wave of music and culture that emigrated from east to west in the wake of the Haitian Revolution. We'll look at the distinct African roots of these three regions, and compare what their musics sound like today. This Hip Deep program, originally broadcast in 2005, is being repeated in memoriam the pathbreaking historian Gwendolyn Midlo Hall (1929-2022), who gave us the tools to understand the making of Afro-Louisiana. Produced by Ned Sublette. APWW #467

Jazz legend, Randy Weston, more than any contemporary jazz artist, understood, honored and explored the roots of American music in Africa. He lived there, traveled there often, and spoke of his connections to his African ancestors in every interview during his 92 years. In this program, we revisit our musical conversation with Weston in 1998, and sample some of his late solo piano recordings. Produced by Sean Barlow and Banning Eyre. APWW #789

Planet Afropop closes out 2023 with a focus on celebratory music from the Democratic Republic of Congo. First, Mukwae notes some of the year’s trends in global African pop. Then we go to the streets of Kinshasa with live music from Kin’Gongolo Kinyata, recorded at WOMEX 2023 in Spain. And we end at the 35th Anniversary Dance Party at SOB’s in New York City, with Samba Mapangala and Soukous Stars. It’s a rollicking finale to an eventful year in African music.

Tarab, the ecstatic feeling associated with listening to and playing great music, is a fundamental characteristic in many varieties of Arab music. In this program, we explore tarab with special guest UCLA ethnomusicology professor A.J. Racy. Racy draws on his lifelong study of music and musicians, and also his insights as a virtuoso performer on the nay flute and the buzuq. Racy guides us through the experiences of listeners and players, providing deep insight into many varieties of tarab. We hear works by A.J. Racy, Sabah Fakhri and Ensemble Al-Kindi of Syria. APWW #424

In 1999, almost 30 years before ethnomusicologist Paul Berliner began his research on Zimbabwean mbira music, he organized a U.S. tour with mbira artists he had worked with over the years. Billed as the Mbira Masters of Zimbabwe, the ensemble presented Shona spiritual music as never before on American stages. Revered vocalists Hakurotwi Mude and Beulah Dyoko fronted an ensemble that also included Cosmas Magaya, Chaka Chawasarira and Berliner himself. Afropop Worldwide documented the tour and took it as an opportunity to take a deep dive into one of the most beautiful traditional music traditions in Africa. Produced by Banning Eyre. APWW #327

Burkina Faso in West Africa is a nation on the rise. Amid recent political turmoil, it faces the challenge and opportunity of managing vast mineral wealth, including gold. As promising as these riches are, Georges, Mukwae and Banning focus here on the country’s multicultural musical riches. We hear music from the late Baba Commandant and the Mandingo band, as well as interviews and live music from Dicko Fils and the Sahel punk experimental outfit, Avalanche Kaito. Open your ears to a too-often-overlooked major player in West African music. Episode #007

Gnawa musicians have carved out a unique niche within Moroccan society, as people with revered spiritual power who use music and movement to heal the sick. The Gnawas’ ancestors came to North Africa as slaves. Today they are an elite class of musicians and spiritualists, celebrated in an annual festival that attracts some 400,000 fans, and invited to collaborate with such notable international artists as jazz legend Randy Weston. In this program, originally produced in 2009, author and scholar Deborah Kapchan guides us through the history, practices, music, lore and unique contemporary stature of the Gnawa, both in Morocco and on the world stage. Interviews with Hassan Hakmoun, historian Mohammed Ennaji, and gnawa scholar Tim Abdella Fuson. Produced by Banning Eyre. APWW #580

Changüí is a little understood, loose and lively, community-based music of eastern Cuba. In this program we sample recordings from the 2021 box set Changüí: The Sound of Guantánamo, and hear from Gianluca Tramontana, the man who made the recordings. Rooted in Afro-Haitian music, pan-Caribbean styles, Spanish poetic traditions and more, Changüí emerged in the mid 19th century in plantations, not unlike the blues. We also hear from musician and scholar Ben Lapidus, author of the only English language book on Changüí, and we update the story with Changüí fusions into jazz, salsa and hip-hop. Prepare to dance! Produced by Banning Eyre. APWW # 840

Mr. Eazi stands out among today’s Nigerian pop stars in a number of ways. For starters, in a world of musical dreamers and schemers, he never set out to be a musician. Now, the 29-year-old is one of the most innovative and respected artists in the Afrobeats universe. His 2023 album The Evil Genius is an ambitious concept album recorded in a variety of mostly African countries. Each of its 16 tracks has an accompanying artwork by a different African visual artist. And there’s more, as you will hear in Eazi’s extensive interview with Planet Afropop’s Banning Eyre. Episode #006

Tony Allen is among the greatest drummers of the past century. His sudden death at 79 in April, 2020, was a shock felt around the world. In addition to his seminal work with the king of Afrobeat Fela Kuti, Allen had a prolific solo career and performed and recorded with artists from Angelique Kidjo, Ray Lema, Ernest Ranglin and Oumou Sangare to Damon Albarn, Brian Eno and Jeff Mills. In this program we salute a towering career in global music, with insights from Michael Veal, co-author of Allen’s autobiography. Produced by Banning Eyre. APWW #815

Cameroonian musician and composer Manu Dibango passed away on March 24, 2020 at his home in France, an early victim of Covid 19. This episode is a tribute to the exceptional man who, by chance, as he says, gave us the famous Soul Makossa, a tune that opened the Disco era. In this episode of Afropop Worldwide, Georges Collinet goes back in time to recollect his friendship with his fellow Cameroonian. He explores the many ways their lives paralleled and intersected after they were sent to France by their parents for an education. This musical journey is enhanced by the wisdom and sonorous laughter of Manu Dibango and by the mesmerizing music culled from over 200 records that Manu produced over a 60 year career. We'll sample some Maxi Voom Voom - as Georges Collinet on the Voice Of America was known - and have a taste of Andouillette and Suya in Yaoundé, Cameroon. And we'll finally know how to correctly say "Ma Ma Ko, Ma Massa, Ma Ma Makossa." This episode is definitely a multi-sensory delight! APWW #814

On this episode of Planet Afropop, we focus on Ghana at WOMEX 2023. But first, Mukwae updates us with South African sensation Tyla, and her hit "Water." Banning has a conversation and informal jam session with Ghanain musician Kyekyeku - recorded by the EBU at WOMEX in Spain. And we wrap up with Ghanain singer, Florence. She shares her origin story and we hear her music. Episode #005

Zimbabwe’s Oliver Mtukudzi, one of the most beloved singer/composer/bandleaders out of Africa in the last century, died in Harare on Jan. 23 2019 after a long battle with diabetes. Tuku, as his fans knew him, composed countless songs that cut to the heart of life in Zimbabwe, from its struggle for freedom in the 1970s through the rocky road of independence ever since. In this program, we look back at our conversations with Tuku going back to our first visit to Zimbabwe in 1988, and hear his wonderful music at various points in his epic career. We also speak with his biographer, ethnomusicologist Jennifer Kyker, and take a deep dive into what made Tuku's music so special and the stories behind some of his most important songs. Produced by Banning Eyre.

Fela Anikulapo-Kuti would be 85 years old today had he not died from complications of AIDS in 1997. By the time of his death, Fela was the inventor of the enduring and influential Afrobeat music style, the composer of an enormous body of music, and one of the bravest political voices in 20th century African music. It is fair to say that no African musician before or since has sacrificed more for the principles he believed in. Nigerian history and music have barreled forth during the two decades since Fela left us. A powerful new generation of Nigerian musicians have emerged in that time, and the music they now champion has been dubbed “Afrobeats,” an appropriation of the name Fela gave his original sound during its heyday. The youngest artists on the scene today have no direct memory of Fela, though his legacy is impossible to escape. In this program, we hear from current day Nigerians from multiple generations and genres—fuji, juju, hip-hop, Afrobeats, and highlife - on how they remember this musical giant, and how they reckon with his complex and challenging legacy. Produced by Banning Eyre and Morgan Greenstreet. Hosted by Sahr Ngaujah. APWW #764

In this edition of Planet Afropop we focus on Brazil - especially with regard the the challenges facing indigenous people within the country. We speak with musical icon and now Minister of Culture, Margareth Menezes. We have a conversation with Brazilian musical legend Carlinhos Brown backstage at Central Park Summer Stage in NYC. We also have a fascinating, free-wheeling conversation with musician, rapper, cultural activist, and deep-thinker, Emicida. Episode #004

When we talk about the influence of American performers on African music, we usually think about a few obvious examples, legends like Michael Jackson, Jimi Hendrix or James Brown. In this episode, we go beyond these stars to explore the legacy of some lesser-known inspirations. We’ll learn how the fluid guitar playing of ’70s rock band Dire Straits became massively popular in the Sahel, influencing Tuareg rockers like Tinariwen and Tamikrest. We’ll hear about the American country superstar Jim Reeves’ African career, and the unlikely story of how the pedal steel made it from Hawaii to Lagos. Finally, we’ll travel to Angola with the help of director Jeremy Xido, to explore that nation’s death metal scene. And along the way, we will try to understand just how to account for taste. Produced by Sam Backer with help from Jesse Brent. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #703

Africa Seven (Steven Maecs) Producer Steven Maëcs speaks with with Rich Elson, the label manager of the fast-growing cult record label Africa Seven. Officially launched in 2015, based in London and Paris and with an outlet in New York. Africa Seven focuses on releasing curated remastered vinyl albums and eclectic painstakingly researched compilations, mixing big and big “ish” hits with thoughtful deep cuts.

Sometimes music can take you to places you've never imagined! That’s what Afrofuturism does.… Afrofuturism is a cultural aesthetic that explores the intersection of African culture with science fiction, technology and the future - fusing magical realism with the beauty of Africa, beyond the clichés. The term was originally coined by Mark Dery (an American journalist working for The Washington Post & Rolling Stone). From the start, Afrofuturism was a child of music, born in the ‘60’s in the boundless mind of Sun Ra, and it still shines in today’s music of American artists such as Janelle Monae. Nowadays, Afrofuturism is flourishing in Europe and in Africa, constantly revitalized by artists who offer new perspectives to expand our idea of Africa. In this episode, we explore this boundless inner space and George Collinet is trans-connected to a futuristic nebula through a patchwork of stories, soundscapes, and various avant-garde music productions from the cosmos and elsewhere. The episode includes interviews with Ibaaku, Blick Bassy, Ikoqwe, Djely Tapa, Shabaka, Mélissa Laveaux, Afrotronix, plus Angélique Kidjo & Yemi Alade. Produced by Elodie Maillot. APWW #857

Banning, Georges, and Mukwae speak with Tuareg rocker Bombino; and Ugandan musician and politician, Bobi Wine. Episode #003

The confederations and clans collectively known as the Tuareg descend from the oldest inhabitants of North Africa. They lead a mostly nomadic existence across the Sahara Desert, in the lands we now know as Algeria, Libya, Niger and Mali. Tuareg communities have long felt neglected by independent African governments, especially in Mali, which has endured a succession of rebellions. In 2012, a Tuareg uprising led to a year-long crisis in which the Malian north separated from the country and fell under harsh control by Islamic extremists. Ironically, these extremists banned music, which in the hands of modern bands like Tinariwen had been a crucial means for expressing Tuareg aspirations. This broadcast unravels this complex history and provides a vivid portrait of the Tuareg predicament in Mali today. The program samples a rich variety of Tuareg music and includes conversations with Tuareg musicians and cultural authorities in the wake of Mali’s crisis, as well as with University of Houston anthropologist Susan Rasmussen, who has been researching and writing about Tuareg culture for over 30 years, and veteran journalist and author Andy Morgan. APWW #727 Originally aired in 2017

Saudade In Ethiopia -0.5dB by Afropop Worldwide

Planet Afropop - Lagos update with Fay Fay and a conversation Las Hijas Del Rap by Afropop Worldwide

Ghana Must Go by Afropop Worldwide

Planet Afropop is the latest offering from Afropop Worldwide. Every two weeks, this podcast will feature lively conversations among the three hosts--Georges Collinet, Banning Eyre and Mukwae Wabei Siyolwe—as well as interviews, new music, trending African cultural news and much more. This is the maiden voyage for this podcast. It includes an introduction to the hosts, an interview with Afrobeats star Yemi Alade, and a conversation with author and producer Ned Sublette about Afropop’s recognition of Hispanic Heritage Month. Episode #001

We honor the late Joe Cuba with this portrait of "Bugalú," produced for Afropop Worldwide by Ned Sublette. Bugalú is the Spanish spelling of boogaloo, and was also known as “Latin soul.” Joe Cuba was one of bugalú’s most popular artists, best known for the major hit “Bang Bang” that his band created on the spot one night at a New York club. Joe was a mesmerizing storyteller, and we’ll hear some of the major bugalú stars tell their stories, including Johnny Colon (“Boogaloo Blues”) and Tony Pabón (lead singer with Pete Rodriguez of “I Like It Like That” fame), and of course Joe Cuba himself. Originally produced by Ned Sublette in 1991 APWW #93

Beny Moré and Ismael Rivera are national heroes in their home countries, Cuba and Puerto Rico respectively. They were soneros of the highest order, masters of the art of improvised singing. We'll hear some of the songs that made them famous and follow their development as artists. Produced by Ned Sublette. APWW #134

Bachata is a music of the people. Recalling the American blues, bachata was infamous as the anthem of the hard-drinking, womanizing, down-on-his-luck man, vilified as the entertainment of the brothels and the cabarets, and worshipped by the down-trodden poor as the deepest expression of their feelings. Today it is an international sensation. Alex Wolfe, director of the film "Santo Domingo Blues: The Story of Bachata" brings us live ambience and stories of bachata stars Luis Vargas, Antony Santos, Luis Segura, and Aridia Ventura.

Veteran Afropop producer Banning Eyre visits the Zawose family compound in Bagamoyo, Tanzania, to experience the magic of the hypnotic music of the Gogo people, the Wagogo. Msafiri Zawose, son of the late Tanzanian music legend Hukwe Zawose, describes the music and the emergence of the new Zawose Reunion Band.

In this episode, we find out how cumbia left Colombia in the ‘60s and ‘70s and traveled to other countries. Everywhere it went, it transformed itself, adapting to its new environment. In Peru, it mixed with psychedelic guitar effects and Andean sounds to become chicha. In Argentina, it became the expression of a new generation of restless youth in the burgeoning slums of Buenos Aires. And in Mexico, it became so instilled in the local culture that some have forgotten that it came from Colombia in the first place.  Produced by Marlon Bishop APWW #606

In the early 2000s, Afropop told the story of “Four Generations” in Congolese music—from rumba and rumba-rock to soukous and ndombolo. Now time has marched on, and once again, thrilling new sounds are emerging from Kinshasa and its global diaspora. We’ll hear hyperkinetic roots-rock from Jupiter and Okwess, Fally Ipupa’s embrace of the current Afrobeats trend, experimental innovations from Pierre Kwenders in Montreal, and more. We’ll also speak with Congolese music connoisseur Lubangi Muniania for insights into the latest trends from one of Africa’s greatest musical powerhouses. APWW #777

To make this unprecedented program, producer Ned Sublette traveled to Mbanza-Kongo, the ancient seat of the Kongo empire located in present-day northern Angola, where he spoke to Dr. Bárbaro Martínez Ruiz, professor of art and art history at Stanford. We’ll learn about the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; and talk to Pedro Lopes, a nganga mawuko (traditional healer). With C. Daniel Dawson and Angolan composer and musicologist Victor Gama, we’ll explore Kongo-Ngola culture in the diaspora – in Brasil, Haiti, Cuba, and more. A SPIRITUAL JOURNEY TO MBANZA-KONGO is supported by a 2012 Knight Luce Fellowship for Reporting on Global Religion. The fellowship is a program of the University of Southern California's Knight Chair in Media and Religion. APWW #651 Originally produced by Ned Sublette in 2012

Movement: A Conversation with Jesus Diaz: Meklit Hadero is a singer and composer and the host of a new podcast called Movement, which tells the story of global migrations through music. In this shared episode, Meklit speaks with Cuban-American percussionist Jesus Díaz about his journey from playing homemade drums in Havana to performing on the biggest stages in the world Diaz. Produced by Ian Coss and Meklit Hadero. #cuba #jesusdiaz #meklithadero #iancross #afromusic #storyteller #afropopworldwide #worldmusicproductions #habana #percussion #boleros #rumba

Congo has always played an oversized role in entertaining dance lovers on the continent and beyond with greats like Franco, Tabu Ley, Doctor Nico, Zaiko Langa Langa, Papa Wemba, Pepe Kalle, and others. We start in pre-independence Congo with the beloved "Papa" Wendo Kolossoy, the grandfather of rumba, as he talks with us at his home in Kinshasa. We talk to the man and listen in on a recording session. After sitting out most of the 3-decade Mobutu era, Wendo put together a band of veterans with stories to tell, and sweet melodies and rhythms to share. We also talk with the legendary singer and composer Simaro Lutumba who sat at the right hand of Franco. We catch Simaro rehearsing his band, Bana OK. We also check in with dueling superstars Werrason and JB Mpiana. APWW #389

Stambeli is traditional healing music in Tunisia. It is related to Moroccan gnawa music using similar instrumentation and generally for the purpose of healing a person during a ritual ceremony. But Stambeli also stands on its own at a time of cultural and generational change in Tunisia. Producer Tasha Goldberg touches down in Tunisia to connect with young and old generations who value and honor the culture of Stambeli. #tunisia #stambeli #ritual #tashagoldberg #sufi #sidialilasmar #alchaabania #nologoproject #labulle #afropopworldwide #worldmusicproductions #mounirhentati #gombri #africaninstrument #elouergli #yenna #master #trance #preislam #animism #musicheals #soundarchive #dancetrance #spiritualmusic

The World Sacred Music festival in Fes, Morocco fully delivers on its promise of bringing together profound, spiritual music from around the globe. In one edition of the Festival, Youssou N'Dour debuted his Egypt project, backed by an orchestra from Cairo; whirling dervishes from Turkey and qawwali singers Meher Ali and Sheher Ali from Pakistan revealed contrasting faces of Sufi music and dance; the Orchestra of Fes showcased Andalusian and Jewish traditions and the art of Arab maqam; and Sufi Nights showcased many varieties of Morocco's rich, Islamic folklore. This program brings you all that and more, including a behind-the-scenes glimpse of spiritual life in the medieval city of Fes. APWW #447

Producers Jayme Stone and Cory Seznec take us on a fingerstyle guitar journey through Africa.

The oud is the ancestor of many modern string instruments, including the lute and the guitar. Its origins may lie in Persia or ancient Arabia, but now, it is played all over the world, used in spiritual and secular music, in classical, pop, and jazz settings. In this program, we hear oud music from Lebanon, Egypt, Tunisia, Morocco, Iraq, and elsewhere, exploring the instrument’s history, lore, and rich variety of styles and sounds. We will talk with oud masters and innovators, and delve into mysteries surrounding this seminal string instrument.

The 700-year period of Muslim courts and conquerors in Medieval Spain (711-1492) leaves behind many mysteries. In the first of a three-part look at the musical legacy of Andalusia, this program presents period recreations of medieval Spanish music and considers the lasting influences the era would have on Europe. This program takes a provocative look at instruments--the lute and the violin--at the tradition of troubadours, European poetry and vocal styles, and much more, all informed by the insights of Al-Andalus scholar Dwight Reynolds (University of California, Santa Barbara). Many enigmas remain, but you may never hear European music in quite the same way after this venture into the heritage of Al-Andalus. This is part of Afropop Worldwide's "Hip Deep" series exploring the historical roots of musical cultures of the Afro-Atlantic world. Produced by Banning Eyre. APWW #432

Carnival in Trinidad is a feast for the senses – sights, smells, sounds, all blend together into a colorful celebration that you just have to see to believe. Trinidad born trumpeter Etienne Charles has composed an ambitious multi-part suite of music honoring the elements of Carnival that he experienced from a young age called Carnival: Sound of a People Vol. 1. Producer Trevor Smith speaks with Charles and we hear excerpts from the work. #etiennecharles #composer #musicalsuite #musicalspectacle #innovation #mas #masquerade #trinidadandtobago #carnival #savannah #jubjub #jazz #trumpet #soundofapeople #freedom #jabmolassie #mokojumbie #worldmusicproductions #africa #afrocaribbean #guggenheim #beaucoupbacchanalbreakfast #afropopworldwide #environmentalsounds #neguejadin #paibana #steelpan #ladysolanacea #liming #musicmasterpiece #lagahoo #douen

In January, 2000, a group of adventurous Afropop listeners accompanied by local artists including Habib Koite and special guest Bonnie Raitt toured Mali to hear the country’s extraordinary music. This program recaps the adventure with vivid live recordings of Habib, Khaira Arby, the Super Rail Band, Lobi Traore and others in nightclubs, private homes and in the dunes of the Sahara. It was a trip that could never happen today, but close your eyes and listen, and you’ll feel the magic. Produced by Sean Barlow and Banning Eyre. APWW #329

If you’ve followed the news out of Mali since 2012, you may be discouraged by the conflict, violence and political turmoil in the headlines. But Mali has a long and profound history. It has met many challenges in the past. In this program, Professor Cherif Keita expertly guides us through the early history of Mali, up through the end of the 20th century, told through the music of the country’s great musical artists, Salif Keita, Toumani Diabate, Ali Farka Toure and others. It’s a classic! Produced by Banning Eyre in 2010 APWW #588

In this episode, we make our annual trek to Miami to record the Afro Roots Festival. To celebrate its 25th anniversary, Mali's Amadou & Mariam headlined. Over four decades, Amadou & Mariam have managed to joyfully combine their love story with a musical career. Touring the globe, they have become some of the most famous ambassadors of African music. Collaborations with Damon Albarn, Manu Chao, Santigold, TV On The Radio, and the Yeah Yeah Yeahs have been well received. The duo have played the world’s biggest festivals, from Coachella to Glastonbury, and opened for huge bands such as Coldplay and U2. Also in this episode, to celebrate Afro Roots at 25, are some of our favorite festival performances by Noura Mint Seymali of Mauritania and Dayme Arocena from Cuba. Produced by Sean Barlow. APWW #876 Image by: Edwin Cardona

Inspired by Jamaica’s dancehall music from the 90s and early 2000s, Zimbabwean dancehall music (Zimdancehall) started out as an underground subculture in the ghettos of Zimbabwe and is now the country’s most popular genre. In this episode we’ll trace the subgenre’s rocky rise to the top and meet some of its founding pioneers: the likes of producer, Jusa Dementor, and recording artist, Sniper Storm. We’ll also explore the hidden layers behind the upbeat party tunes to reveal questions about: social class, language, originality and cultural authenticity; and how these underlying factors may play into Zimdancehall’s prospects in the international music market. It’s a fascinating story of resistance and persistence—it’s the Zimdancehall story. Produced by DJ Kix in 2021

On "Breaking Into Afrobeats" Georges Collinet and Lagos-based producer producer FayFay, shed light on the challenges faced by aspiring artists in the Afrobeats music industry in Nigeria. This episode introduces listeners to emerging talents like Romi, Bayanni, Boy Spyce, Lady Donli, Young John and Kidd Carder - highlighting their journeys, obstacles, and aspirations. Through interviews and music, "Breaking Into Afrobeats" offers a glimpse into the diverse experiences and challenges faced by emerging artists in the Afrobeats industry. It highlights the financial hurdles, unscrupulous practices, and gender disparities that exist in the industry. The episode also emphasizes the importance of being a timeless creative, making music that can resonate for years to come. With a focus on talent, perseverance, and the power of social media - this episode showcases the dreams and aspirations of these artists, aiming to inspire listeners and promote a deeper understanding of the global phenomenon that is Afrobeats. APWW #875

Traditional Manding (Mande) griots living in France sit at the crossroads between Africa and Europe. Historically, their role has been to weave traditional, oral histories, often within music, to promote a united, peaceful society. As they have become part of the modern global community, each griot has their own way of staying true to these historical roles, while also broadening their appeal to multicultural audiences. In this program, we hear how these international troubadours spread their messages to the world by blending European music with the kora, the balafon, the guitar, and their own voices. Produced by Lisa Feder. APWW # 864

The 21-string harp, the kora, is a signature instrument of West Africa. Complex and beguiling, kora music was long the exclusive domain of griots, musical historians by heritage. But once recordings began to circulate in the 1970s, the instrument went international, finding its way into jazz, pop, rock and even classical and religious settings. In this episode, we sample a wide range of kora music, and hear tales of its remarkable global journey. APWW #860 Produced by Banning Eyre

Dar Es Salaam, a deep water port on Tanzania’s Indian Ocean Coast, is a musical powerhouse. This on-the-ground report delves into the city's top music styles, Bongo Flava, modern taarab, Swahili rumba, local gospel and the latest craze, breakneck-paced singeli music. We hear from artists and producers, sample rehearsals and live shows, and reveal a rich musical world that is far too often overlooked in coverage of African music. Produced by Banning Eyre. APWW #874

The Oromo are the largest ethnic group in the Horn of Africa, but were relatively little known outside of the region until recently. This episode “Oromo Music: Historical Memory and Competing Visions in Ethiopia” looks into the history of the Oromo people and how music became an integral part of the early Oromo nationalism movement in the 20th century. Georges speaks with Kumera Zekarias, a PhD student in ethnomusicology who is working on an oral history project of the 1977 Oromo Cultural Showcase in Finfinne (Addis Ababa), a landmark two-day event which brought together Oromo musicians and listeners from across the diverse regions of the nation. The showcase was a statement of ethnic unity, which has since influenced how Oromo music is created, performed, and received. Professor Marta Kuwee Kumsa covered the event as a journalist and Damsho Ali, who was the event MC, provide first-hand accounts of how this show was organized and executed. They are joined by other Oromo academics, musicians, and music fans who relate the story of this event to larger themes of colonialism, multiculturalism, and how music continues to serve as an important source of oral history and historical memory in Ethiopia. APWW #858

Johnny Clegg holds a unique place in South Africa’s musical pantheon. From his childhood immersion in Zulu culture, his mastery of Zulu language, dance and guitar playing, some 20 albums with three different bands, his tireless world touring and, finally, his brave public battle with cancer, Clegg was an inspired witness to tumultuous history in South Africa and around the world. Afropop was fortunate to conduct many interviews with the maestro and raconteur over 30 years. In this program, we sample the man’s words and music over a long shape-shifting career. Produced by Banning Eyre in 2020. APWW #809

On March 6, 1971, a group of some of the top musicians from the United States – Ike & Tina Turner, Wilson Pickett, The Staples Singers, Santana, and more – boarded a plane bound for Ghana to perform in a musical celebration that was dubbed the “Soul to Soul Festival”. Thousands of audience members filled Accra’s Black Star Square for a continuous 15 hours of music. The festival was planned in part for the annual celebration of Ghana’s independence, but also an invitation for a “homecoming” for these noted African-American artists to return to Africa. This episode revisits the famed music festival at its 50th Anniversary and explores the longstanding legacy of cultural exchange with African diasporans originally set forth in the 1950s by Kwame Nkrumah, the first President of Ghana. Tune in for interviews with noted musicologist John Collins, poet and scholar Tsitsi Ella Jaji, concert goers and more. Produced by Brandi Howell. APWW #829

They call Sam Mangwana "Le Pigeon Voyageur" - a roaming pigeon. He could also be called a rolling stone because wherever he lays his microphone is his home. In this episode, we behold the amazing return of rumba's living legend - Sam Mangwana. Produced by Georges Collinet.

873 Pura Vida Costa Rica - Musical Hybrids in Central America -24 LUFS by Afropop Worldwide

Papa Wemba, one of the greatest singers of the past African century, died on stage at age 66 in 2016. But his body of work, both in advancing Congolese rumba and innovating new African pop sounds, as well as influencing style, fashion and music production throughout Africa, is immense. In this episode we look back on an iconic career, drawing on some 20 years of interviews with the artist, and insights from Congolese music aficionado Lubangi Muniania. And, of course, the music!

In this episode, we trace the history of country music in Kenya, dating back to the 1920s and 30s when local populations first heard Jimmie Rodgers on early country western 78 records, to the current day, where the clubs of Nairobi are filled with rising stars bringing their own unique sounds to country music. Hear their takes on the hits of Don Williams, Kenny Rogers, Dolly Parton and more. Tune in for an interview and performance from Kenyan country singer Steve Rogers, radio and tv presenters Catherine Ndonye and David Kimitho, music historian Elijah Wald, and Olvido Records founder Gordon Ashworth. Produced by Brandi Howell.

Sauti Za Busara means “sounds of wisdom.” That gives a clue to the music heard at the annual Sauti Za Busara festival in Stonetown, Zanzibar. It’s cool, savvy, surprising but never dull, and often hard-grooving. Afropop Worldwide attended the first edition in 2004. In 2023, we returned for a three-day feast of fantastic performances from the Swahili coast, the Indian Ocean and beyond. Taarab, kidumbak, Bongo Flava, Wagogo tradition and much more were on the menu. In this program, we hear live recordings from and meet artists who may never make it to our shores, but who you’ll be glad to meet. Produced by Banning Eyre.

The 2022 global music exposition, WOMEX, went down in Lisbon, Portugal. For the second year running, most of the African-related showcases featured bands led by women. In this episode we meet Selma Uamusse from Mozambique and Portugal, Djazia Satour from Algeria and France, Pilani Bubu from South Africa, and hear 78-year-old Lia de Itamaracá, Brazil, positively blow away this tough-to-please crowd. And we’ll hear from some guys as well, Fra! with highlife funk from Ghana and Aywa fusing Moroccan, French and Spanish grooves. Produced by Banning Eyre.

The Malawi Broadcasting Corporation recorded a goldmine of local music in the 1960s and 70s, but the tapes were neglected and close to ruined when broadcaster Waliko Makhala raised the alarm. With help from the Norwegian Embassy and Norwegian broadcaster Sigbjorn Nedland, digitization got underway. In this program, we sample the results guided by Waliko, Sigbjorn and Martin White, curator of AfricanPoems, a website dedicated to preserving poetry from around the continent. Produced by Martin White.

The Afro-Roots Fest is Florida’s state-wide celebration of Africa’s global musical heritage. The 2022 edition featured a diva of Afro-Cuban jazz, Daymé Arocena, Sudanese American indie rock band Sinkane, Miami’s own Latin music champions Cortadito celebrating their tenth anniversary, and more. We’ll hear live highlights and interviews with the principles. Produced by Banning Eyre and Sean Barlow.

In today’s pop music, everybody is a composer. But what about the classics? The songs that last? In this program we survey African musicians reinterpreting each other’s songs, as well as songs from far outside their traditions. And we hear foreign takes on African diaspora music. From Louis Armstrong’s “Skokiaan” to Alpha Blondy’s “Whole Lotta Love,” it’s a journey of discovery and rediscovery. Produced by Banning Eyre. APWW #854

Cheikha Rimitti was certainly a queen. For some, she was the queen of raï (pronounced RYE), which means “opinion" in Arabic. For others, she was the queen of freedom, an Algerian Statue of Liberty wielding the fire of independence, as she sang daringly and frankly about love, sexuality, poverty, drinking and oppression. She defied taboos and her music was often banned. She used to say that "misfortune was her teacher” but she became an international star who died at 86, two days after a sold-out show! However, it might be too simple to portray Rimitti only in this iconic role. She was even more than a musical and cultural queen, and she still lives on in many hearts. Rimitti would have been 100 in 2023 - and yet the Algerian diva is still praised and remixed by a young new generation of artists. In this episode, we’ll journey through Rimitti’s rocky life and we’ll meet her musical progeny.  Produced by Elodie Maillot APWW #870

In 2010, to mark the 5th anniversary of the Katrina disaster, we went way way back to honor New Orleans as the unique American treasure it is. This program tells the story of how jazz emerged in the context of all the other African American musics that proliferated in late 19th and early 20th century New Orleans: blues, ragtime, Mardi Gras Indian music, vaudeville and minstrelsy, spiritual church music, and more. With our guides Bruce Boyd Raeburn and Lynn Abbott, we'll comb through a vast world of interviews, recorded music, photographs, ephemera, and curatorial knowledge at one of the great American music collections, the William Ransom Hogan Jazz Archive at Tulane University. Produced by Ned Sublette.

Jazz pianist Maurice Rocco was a star of American nightclubs and Hollywood films in the 1930s-40s, playing in an ecstatic, stand-up style that left a deep impression on rock and roll. But in the 1950s Rocco fell out of fashion. Hoping to reverse his fortune, he went abroad in 1959. Rocco landed in Bangkok, Thailand, where he lived and played in relative privilege, away from American racism and homophobia, in an elite tier of Vietnam War-era nightlife. His murder in 1976 by two young sex workers was a tragic end to a fascinating American life. Produced by Benjamin Tausig.

There’s been a lot of speculation about the chain of musical events that link the blues back to Africa. Most of that chain is unrecorded and shrouded in mystery. But there is one chapter, just before the blues, that we do know something about. And that’s the history of African-American string bands. This program explores that history, with music and memories from a special guest, the late string maestro Howard Armstrong. Along the way, we hear music from Canray Fontenot, Blind James Campbell, Hobard Smith and other legends of this little known chapter of Americana. Originally produced in 2000 by Banning Eyre. APWW #326

Brazilian broadcaster, producer and music aficionado Béco Dranoff returns to Afropop Worldwide with a set of great new music from South America’s music cauldron. We’ll hear current sounds from Bahia, Sao Paulo, Rio and Belo Horizonte, including Caetano Veloso, Afrocidade, Lucas Santtana, Ze Manoel, Da Cruz, Jadsa and more. Produced by Béco Dranoff and Sean Barlow.

Technology is one of the great drivers of musical change, and often one of its least understood. In this episode, we explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety of African musics. Enabled by groundbreaking record reissues by synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African superstar Brenda Fassie, we take you back to the ’70s and ’80s, listening to the birth of a distinctly African electronic sound. Produced by Sam Backer. APWW #676

South Africa is one of the biggest dance music nations, and now it seems like the whole world is dancing along to its amapiano (piano/yanos) beats, a genre that blends its kwaito roots with house, jazz and its signature log drum. Afropop Worldwide first explored amapiano’s origins and growing popularity in October 2020, since then, the genre has seen explosive growth outside of South Africa. A combination of factors, such as: a fresh unique sound, social media, the African diaspora, hard work, and a bit of luck at the right time, has put Amapiano on the global stage. Amapiano is proving to be a genre that has both depth and breadth, but is it here to stay? We tackle this question, and explore how this homegrown sound is winning over the hearts of audiences across the world. We also speak to two of its rising stars: Teno Afrika and Luxury SA. That’s all in this episode, Amapiano to the World. Produced by DJ Kix. APWW #867

From Paris to New Orleans and Boston, Haitian musicians are shaking up the music scene. The island’s powerful Africa-rooted culture—from celebratory rara and sensuous kompa to the deep well of vodun songs—has become a global force. In this program, we spend time with racine music veteran Lolo Beaubrun of Boukman Eksperyans, and his rising star son, Paul Beaubrun, both on a swing through New England. We also meet Paris-based Moonlight Benjamin, and hear recent New Orleans-tinged music from Lakou Mizik and RAM. Finally, we meet Tjovi Ginen, a pan-African band featuring the provocative and humorous spoken words of Boston-based Haitian educator and animator Daniel Laurent. A romping update on all things Haitian. Produced by Banning Eyre. Originally produced in 2019 APWW #806

Afro-Sweden? Who knew? Over the past 60 years, a number of musicians from Africa and its diaspora have come to base themselves, or have been born, in Sweden. And recently, they have emerged as a collective voice in Swedish society. From the acoustic Mande folk of Sousou and Maher Cissoko, to the kaleidoscopic hip-hop of Timbuktu, and the smooth soul-pop of Swedish-born, Gambian-descended Seinabo Sey, there’s definitely something happening in Scandinavia. On this program we speak with and hear recent music from a wide range of African and diasporic artists in Sweden, and get context from ethnomusicologist Ryan Skinner, who has immersed himself deeply in the Afro-Swedish scene for the past 15 years. Produced by Banning Eyre and Ryan Skinner Originally aired Oct 18, 2018 APWW #790

This year, we are launching a new tradition: a year-end episode that looks forward rather than back. We’ll ask artists and others to tell us about something new they discovered in African music this year, something that points to the future. The answers range from rising- star artists, to changes in the industry, to revelations about artists and styles that have been around, just not noticed. We’ll hear from Angelique Kidjo, Oumou Sangare, Fally Ipupa and many of the artists we met at WOMEX 2022. Produced by Banning Eyre. APWW #866

In hard times and boom times, people in Ghana know how to party. In this program, we hear the regional pop and neotraditional music that animates festivals, funerals and community celebrations across the county. We travel to the lush Volta region in the east to hear Ewe borborbor, agbadza and brass band music. In the northern city of Tamale, we hear Dagbani traditional music, hip-hop and pop, and visit the vibrant Damba chieftaincy festival in nearby Yendi. Back in the bustling metropolis, Accra, we get down to the latest pop hits and underground styles moving hips in the capital city. Produced by Morgan Greenstreet in 2018. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #745

DJ Kix returns by taking us on a musical journey across Africa, showcasing some of the continent’s formidable women who are quickly rising in the industry and making their presence known. In this episode we’ll hear from: top Namibian MC, Lioness; Zimbabwean Afro-fusion artist, Gemma Griffiths; as well as Kaleo Sansaa from Zambia with her “sun-drunk” sounds and “solar-based” hip-hop; alongside Hibotep’s experimental East African electro vibes and Rhita Nattah’s Aissaoua-influenced Moroccan tunes. We’re delving deep into what it’s like being a woman in the ever-evolving and fast-paced contemporary African music scene. All this plus an incredible playlist of music by women who are breaking the mold in their own way, and inspiring all. APWW #852 Produced by DJ Kix

Foundational for Broadway and the movies, intertwined with jazz, tap dancing is a Great American Art. Strap on your shoes and shuffle along as we trace the history of tap and celebrate the Black artists and innovators who built--and continue to build this art form. From its murky origins melding African percussion and Anglo-Irish step dancing to tap's golden age and its ongoing evolution. Produced by Ben Richmond APWW #851

The 2022 global music exposition, WOMEX, went down in Lisbon, Portugal. For the second year running, most of the African-related showcases featured bands led by women. In this episode we meet Selma Uamusse from Mozambique and Portugal, Djazia Satour from Algeria and France, Pilani Bubu from South Africa, and hear 78-year-old Lia de Itamaracá, Brazil, positively blow away this tough-to-please crowd. And we’ll hear from some guys as well, Fra! with highlife funk from Ghana and Aywa fusing Moroccan, French and Spanish grooves. Produced by Banning Eyre. APWW #865

Traditional Manding (Mande) griots living in France sit at the crossroads between Africa and Europe. Historically, their role has been to weave traditional, oral histories, often within music, to promote a united, peaceful society. As they have become part of the modern global community, each griot has their own way of staying true to these historical roles, while also broadening their appeal to multicultural audiences. In this program, we hear how these international troubadours spread their messages to the world by blending European music with the kora, the balafon, the guitar, and their own voices. Produced by Lisa Feder. APWW #864

Ladama is a collective of four female musicians and activists from Brazil, Colombia, Venezuela and the U.S. Drawing on traditions from all these countries and beyond, they create original music with the zest of soul, r&b and pop. In this podcast, the group visits the Afropop studio to perform and deconstruct key songs in their repertoire. Narrated and produced by Zubin Hensler.

Fifty-two years ago, the president of Senegal’s nephew was putting together a band for his new, upscale Dakar nightclub, and he recruited a handful of musicians who are still together today. Bringing together elements from their homes across West Africa to the Afro-Cuban style of the time, the Orchestra Baobab became one of Dakar’s top bands. From the rough recordings made in Club Baobab, to their 21st century revival, their music ranges from slow folk ballads to wah-pedal heavy psychedelia. We’ll talk to members Rudy Gomis, Barthelemy Attisso, Theirno Kouyate, Balla Sidibe and more, and hear selections from a truly one-of-a-kind group, the specialists in all styles, half-a-century old and still evolving: the mighty Orchestra Baobab. Produced by Ben Richmond.

Nigeria is today the undisputed powerhouse of African pop music. Call it Naija Pop, Afrobeats, Afropop or what have you. The likes of Burna Boy, Wizkid, Yemi Alade and Tiwa Savage are giants on the scene. In this program we hear the latest from these and others, and sample action on the Afrobeat and Alté scene. We also speak with key artists in Nigeria and the U.S. about the rising social activism among Nigerian artists in the era of the EndSARS movement against police violence. Produced by Banning Eyre.

Currulao is the traditional music of Colombia’s majority-Black, southern Pacific coastal region. In this episode, professor Michael Birenbaum Quintero describes how this performative practice has been used to grapple with modernization, dramatize Black politics, demonstrate national heritage and generate economic development. Currulao connects the past to an emerging future as the identification and role of race in Colombia has changed across multiple generations of musicians. Produced by Nathaniel Braddock.

They call Sam Mangwana "Le Pigeon Voyageur" - a roaming pigeon. He could also be called a rolling stone because wherever he lays his microphone is his home. In this episode, we behold the amazing return of rumba's living legend - Sam Mangwana. Produced by Georges Collinet. APWW #863

Papa Wemba, one of the greatest singers of the past African century, died on stage at age 66 in 2016. But his body of work, both in advancing Congolese rumba and innovating new African pop sounds, as well as influencing style, fashion and music production throughout Africa, is immense. In this episode we look back on an iconic career, drawing on some 20 years of interviews with the artist, and insights from Congolese music aficionado and African Art Historian Lubangi Muniania. And, of course, the music!

Bacardi Beats Of Pretoria by Afropop Worldwide

In 1809, the population of New Orleans doubled almost overnight because of French-speaking refugees from Cuba. You read that right-- French-speaking refugees from Cuba -- part of a wave of music and culture that emigrated from east to west in the wake of the Haitian Revolution. We'll look at the distinct African roots of these three regions, and compare what their musics sound like today. This Hip Deep program, originally broadcast in 2005, is being repeated in memoriam the pathbreaking historian Gwendolyn Midlo Hall (1929-2022), who gave us the tools to understand the making of Afro-Louisiana. Produced by Ned Sublette. [APWW #467] [Originally aired 2006] Additional material: *) Read Gwendolyn Midlo Hall's autobiography, Haunted by Slavery: A Memoir of a Southern White Woman in the Freedom Struggle. *) May 13, 2021 conversation between Gwendolyn Midlo Hall and Kalaamu ya Salaam: https://www.youtube.com/watch?v=vIxq2msJsLQ *) March 5, 2021 conversation between Gwendolyn Midlo Hall and Kalaamu ya Salaam: https://vimeo.com/526784305/c853f32608 *) See the transcription of Ned Sublette's interview with Gwendolyn Midlo Hall: https://afropop.org/articles/gwendolyn-midlo-hall

The golden age of vinyl records is long past in Africa, but the market for rare and reissued African vinyl outside the continent has been growing steadily since the early 2000s. DJs and collectors have turned an obsession with rare records and forgotten gems from Cape Town to Tangiers into an international reissue and compilation industry, led by record labels such as Soundway, Strut and Analog Africa. This program explores some of the complex and shifting dynamics of neocolonialism, cultural ownership and audience in the African vinyl market. We’ll hear stories from label owners, DJs and artists, touching on controversies around Nigerian disco funk reissues, new career opportunities for sometimes-obscure African artists, the unique vinyl culture in South Africa, and much more. Produced by Morgan Greenstreet and Alejandro Van Zandt-Escobar, with Nenim Iwebuke. APWW #749 Originally produced in 2017

Suso: Gambia's Global Griots by Afropop Worldwide

Toots Hibbert was a titan of Jamaican popular music. With his harmony group the Maytals he indelibly changed the island’s music scene in the early 1960s by infusing ska with gospel and went on to captivate overseas audiences by blending blues and funk with reggae, becoming one of Jamaica’s best-known performers. Never Grow Old: A Salute To Toots And The Maytals is an homage to Toots, whose incredible career only ended when he tragically died of Covid-19 in September 2020, aged 77. On this show, producer David Katz will trace his evolution, using select archive interviews with the man. APWW #861

Yes, it’s the age of South African House, Afrobeats, Afro R&B and the likes, but roots music lives on in South Africa. This show updates the Zulu pop music known as maskanda, with a look back at its history and a survey of the current scene--rich musically, but troubled by fan rivalry that can lead to violence and even deaths. We’ll hear nimble ukapika guitar playing, heavy Zulu beats and bracing vocal harmonies. We’ll meet maskanda legend Phuzekhemisi and veteran South African radio broadcaster Bhodloza “Welcome” Nzimande, long a champion of maskanda music and a would-be peacekeeper in the fractious current scene. We’ll also hear from Zulu guitar legend Madala Kunene, and check out some of the recent gqom music that has largely replaced maskanda and other roots styles in the lives of young South Africans. Produced by Banning Eyre. [APWW #803] [Originally broadcast in May 2019]

The Indian Ocean island of Mauritius is perhaps best known for sandy beaches and, recently, a catastrophic oil spill. It is also home to a unique folkloric pop music called sega. Sega is a product of an unusual history on an island that has been populated by humans for less than five centuries. In this episode we meet three musicians traveling the world to highlight environmental issues through music as part of the Small Island Big Song project. They take us deep into the history and current state of sega music. Narrated and produced by Banning Eyre

On a visit to the U.S. Virgin Islands in winter 2018, we took the pulse of the national music of St. Croix – quelbe. Rarely recorded, rarely exported, quelbe is an energetic form, led by sax or flute with percussion and banjo, and it fuels the traditional dance style, quadrille. St Croix is the largest of the U.S. Virgin Islands, and sits alone 42 miles south of St. Thomas and St. John. That’s part of why traditional music and dance forms have remained strong on St. Croix. Meet bandleaders Stanley Jacobs of Stanley and the 10 Sleepless Knights, and Dmitri Copemann of the Renaissance Band, who are cultivating a vibrant next generation. Produced by Marika Partridge and Banning Eyre. APWW #782 Originally produced in 2018

The latest music craze to hit South African dance floors is a dark, pulsating and energetic sound called gqom. For the past seven years, a young and technologically skilled generation in Durban, KwaZulu Natal, has created and finessed a sound that has the world hooked and wanting more. It is an entire cultural movement complete with distinctive dance moves and styles. We talk to some of the deejays and young producers of this genre, like DJ Lag, Citizen Boy and Distruction Boyz, as well as Gqom Oh! record label owner Francesco Nan Kolè to understand where gqom originated, how it’s made and where it’s going. We also look at how this rough and raw party music has evolved to accommodate a more commercial market. Produced by Akornefa Akyea in 2018 APWW #784

The square gumbe frame drum was created centuries ago by enslaved Africans in Jamaica. It traveled to Sierra Leone with freed Maroons from Jamaica’s highlands in 1800. From there, the drum and its evolving, pan-ethnic music spread to 17 African nations. In this program we trace the history and legacy of this joyous and surprising music with field work in Jamaica, Sierra Leone, Ghana and Mali. Produced by Banning Eyre in 2020. APWW #817

When Ugandan American writer and producer Jessica Kariisa moved to the San Francisco Bay Area early in 2022, she did not expect to find a thriving African music club scene where DJs spin the latest hits, be they Afrobeats from Nigeria or Amapiano from South Africa. In this episode, she goes deep to tell the story of how this scene emerged. Narrated and produced by Jessica Kariisa

In its 36th year, the Nuits d’Afrique festival in Montreal pulled out all the stops to meet the expectations of an audience that was hungry to see and hear some of the world’s biggest stars. The Afropop team was there recording two nights of kora mastery, plus Gnawa roost from Moktar Gania, Haitian pop from Wesli, Femi Kuti & The Positive Force and more. The program is a deep dive and a solid salute to North America’s best African music festival. Produced by Banning Eyre. APWW #859

When Siama Matazungidi first heard soukous music on the radio in Kinshasa, Congo, it was as if the keys to a technicolor world of sound had landed in his lap. Though Siama’s father wanted him to pursue the pious (and stable) life of priesthood, it was the guitar that became his place of prayer, and the dream of soukous stardom his calling. Of course, the pathway to manifesting a dream is never without detours and diversions. This is the story of Siama reaching beyond himself to create African music in America that connects audiences across time, traditions and generations. Produced and narrated by Abë Levine.

Changüí is a little understood, loose and lively, community-based music of eastern Cuba. In this program we sample recordings from the 2021 box set Changüí: The Sound of Guantánamo, and hear from Gianluca Tramontana, the man who made the recordings. Rooted in Afro-Haitian music, pan-Caribbean styles, Spanish poetic traditions and more, Changüí emerged in the mid 19th century in plantations, not unlike the blues. We also hear from musician and scholar Ben Lapidus, author of the only English language book on Changüí, and we update the story with Changüí fusions into jazz, salsa and hip-hop. Prepare to dance! Produced by Banning Eyre in 2021 APWW #840

Inspired by Jamaica’s dancehall music from the 90s and early 2000s, Zimbabwean dancehall music (Zimdancehall) started out as an underground subculture in the ghettos of Zimbabwe and is now the country’s most popular genre. In this episode we’ll trace the subgenre’s rocky rise to the top and meet some of its founding pioneers: the likes of producer, Jusa Dementor, and recording artist, Sniper Storm. We’ll also explore the hidden layers behind the upbeat party tunes to reveal questions about: social class, language, originality and cultural authenticity; and how these underlying factors may play into Zimdancehall’s prospects in the international music market. It’s a fascinating story of resistance and persistence—it’s the Zimdancehall story. APWW #844 Produced by Christine "DJ Kix" Mwaturura

858 Oromo Music: Historical Memory and Competing Visions in Ethiopia by Afropop Worldwide

In the age of slick, international Afrobeats music, and especially its epicenter, Lagos, Nigeria, one would not expect to find a group of 20-somethings composing and performing classic highlife music. But that is exactly what the two brothers known as The Cavemen do. And they’re finding success with the formula as well. Produced and narrated by Fay Fay.

Sometimes music can take you to places you've never imagined! That’s what Afrofuturism does.… Afrofuturism is a cultural aesthetic that explores the intersection of African culture with science fiction, technology and the future, fusing magical realism with the beauty of Africa, beyond the clichés. The term was originally coined by Mark Dery (an American journalist working for The Washington Post & Rolling Stone). From the start, Afrofuturism was a child of music, born in the ‘60’s in the boundless mind of Sun Ra, and it still shines in today’s music of American artists such as Janelle Monae. Nowadays, Afrofuturism is flourishing in Europe and in Africa, constantly revitalized by artists who offer new perspectives to expand our idea of Africa. In this episode, we explore this boundless inner space and George Collinet is trans-connected to a futuristic nebula through a patchwork of stories, soundscapes, and various avant-garde music productions from the cosmos and elsewhere. The episode includes interviews with Ibaaku, Blick Bassy, Ikoqwe, Djely Tapa, Shabaka, Mélissa Laveaux, Afrotronix, plus Angélique Kidjo & Yemi Alade. Produced by Elodie Maillot.

As in so many African countries, Malawian hip-hop evolved from a marginalized and often disparaged form of music, to an underground sensation, to a mainstream phenomenon. In Malawi, it has also come to play a role in the nation’s quickly evolving politics, serving as the voice of a burgeoning youth population. Ethnomusicologist Kenneth Lipanga unpacks the story, which he has studied deeply and experienced first-hand. Narrated and produced by Banning Eyre

Toronto is Canada’s most cosmopolitan city--“like New York but mellower” in the words of Kofi Akah, son of the Ghanaian highlife legend Jewel Akah. Kofi is one of many superb African artists who have made Toronto their home over the years. That list is long, and it has included highlife star Pat Thomas, South Sudanese rapper Emanuel Jal, rising Congolese star Blandine, Malagasy guitarist Donné Roberts, and a hidden treasure of Ethiopian music, Fantahun Shewankochew. In this program, we take the pulse of Toronto’s African scene through music and interviews with Kofi, Emanuel, Blandine, Fantahun and many more. Produced by Banning Eyre APWW #830

"Dakar Muse" takes us to one of the most exciting musical cities in Africa. We'll meet young stars on the Mbalax scene, Senegal's national music, including Tarba Mbaye, Sidy Diop, Sidy Samb and Pape Diouf. And we'll hear rappers making their mark in the huge Hip Hop scene including Dip Doundou Guiss and Ngaaka Blinde. Finally, we pay tribute to the brilliant Mbalax pioneer Thione Seck, who recently died of Covid-19. APWW #832 Produced by Sean Barlow

"The New York Sound of Latin Music" demonstrates how the metropolis transformed the music. Guest Ben Lapidus, author of New York and the International Sound of Latin Music 1940-1990, talks to Georges Collinet and Ned Sublette about how innovations in rhythm and instrument design joined with folklore, jazz, New York's education system, and urban multiculturalism to make a new, world-changing music. We'll hear Eddie Palmieri, Sonny Bravo, Larry Harlow, Jerry González and Fort Apache, Eydie Gormé, and many more. APWW #845 Originally produced in 2021 by Ned Sublette

Botswana is a large, landlocked country in Southern Africa, a vast stretch of desert and savannah between South Africa, Zimbabwe and Namibia with a population of only 2.2 million. While widely overlooked internationally for their music, over the past 20 years Batswana have steadily built a diverse and fruitful local scene that includes traditional choirs, hip hop and kwaito, R&B and jazz and even heavy metal. While the biggest star in the country, Franco, packs stadiums with his Congolese-derived Setswana kwassa kwassa, Vee Mampeezy, Charma Gal and a host of aspiring stars champion a distinctly local fusion called house kwassa: a mix of rumba guitars, house beats and kwaito vocals. In this program we hear from Kabelo Mogwe of the popular cultural troupe Culture Spears; hip hop star Jujuboy; the metal band Skinflint; Afro soul singer Mpho Sebina and reformed house kwassa badboy Mingo Touch. We also head to a midnight recording session with young producer Zolasko and singer Naisi Boy and learn the insides of the Botswana music video industry with videographer Jack Bohloko. Produced by Lollise Mbi and Morgan Greenstreet in 2020 APWW #813

In 2018, the renowned music journal Fact boldly claimed that “the world’s best electronic music festival is in Uganda.” In only a few years, Nyege Nyege has indeed become one of the hottest artistic hubs in East Africa, birthing two music labels that propelled local scenes, such as Ugandan acholitronix or Tanzanian singeli, across the globe. At the heart of this explosive universe lies a big house, known as “the Villa,” that almost constantly vibrates with sounds as musicians from the region and beyond tirelessly produce, exchange skills, and frenetically party until dawn. Despite reducing the Villa’s bubbling flow, COVID-19 didn’t silence it, and the house kept on nurturing its community of underground musicians. In this episode, producer Basile Koechlin takes us to the Villa to meet current residents and other members of the Nyege Nyege nebula. Through a patchwork of stories, soundscapes, and fresh musical releases, we hear more about this unique and strange place that came to host and generate a seminal part of the avant-garde of electronic music production in East Africa. Originally aired in 2021 APWW #843

Calypso and reggae have been mainstays of Grenada’s musical culture, until the emergence of the distinctive Carnival-based offshoot known as jab-jab soca, and more recent hybrid forms embraced by a younger generation of musical practitioners. On this program, we explore how the island’s tempestuous history has influenced its dynamic music scene, with testimony from leading Grenadian music figures, including calypso kings Ajamu and Black Wizard, members of the innovative group Moss International, jab-jab soca pioneers Tallpree and Mr Killa, and upcoming artists such as Sabrina Francis, a rising star who draws on soul, jazz, R&B and folk elements.

Known as Australia’s music and cultural capital, Melbourne is a hub of creativity boasting a diverse arts scene. The African community in Melbourne has been growing with Africans from all parts of the continent bringing their fashion, food and music to the city. In this episode we’ll explore African musicians and music curators who are making their mark in Melbourne. Expect to hear a blend of traditional African instruments by the Melbourne African Traditional Ensemble (MATE); funky jazz fusion by Black Jesus Experience; South-Sudanese modern rock by Ajak Kwai, and hip-hop from IJALE and Sampa the Great. We’ll also meet the presenter of the longest running African radio program in Australia, Stani Goma. Guiding us through our journey of Melbourne’s African music scene will be DJ Kix, bringing to light some of the nuances of migration, identity and life in Melbourne. APWW #836

The Afro-Roots Fest is Florida’s state-wide celebration of Africa’s global musical heritage. The 2022 edition featured a diva of Afro-Cuban jazz, Daymé Arocena, Sudanese American indie rock band Sinkane, Miami’s own Latin music champions Cortadito celebrating their tenth anniversary, and more. We’ll hear live highlights and interviews with the principles. Produced by Banning Eyre and Sean Barlow.

On this program, we look at Puerto Rican protest songs over the past two centuries, including Paracumbé's subversive bomba dances from the time of slavery, Las Barrileras 8M, an all-women drumming group demanding an end to violence against women and a new plena from Hector Tito Matos about the death of George Floyd. The past three years have been incredibly traumatic for Puerto Rico: two hurricanes followed by slow recovery efforts that led to the death of 3,057 on the island, a text message scandal mocking women’s rights that eventually brought down a governor, the deaths of more unarmed Black men, women and children across the United States and of course the coronavirus pandemic. Producer Dan Rosenberg looks at how artists across Puerto Rico including Plena Libre helped in the healing process after Hurricane Maria by performing for those who lost their homes in the storm. We’ll hear music from marches that led to the resignation of Governor Ricardo Rosello. “We’ve been under attack from nature and bad governments and so many things since 2017, and from before, but 2017 made us more aware,” explains Nelie Lebron-Robles. “Here we are. One nation with a very distinct Latin American identity, very proud of who we are. We’ve discovered we can do anything that we propose ourselves to do.” APWW #816 Originally broadcast in 2020

When it comes to popular music, it's hard to top Brazil for variety, excellence and sheer volume. On this program, Georges Collinet welcomes co-host Béco Dranoff in Brazil. Béco is a producer, broadcaster and lifelong connoisseur of Brazilian music. He recently returned to Sao Paulo after some three decades in New York City. He takes us on a whirlwind tour of music produced during the pandemic, from funk to hip-hop, to mangue beat and cool singer-songwriters, it's a feast of new talent for Brazilian music fans everywhere. Produced by Sean Barlow. APWW #838 Originally broadcast in 2021

Salegy may be the most popular dance music of Madagascar. It’s a churning, harmonious groove with spine-stiffening vocal harmonies that emerged from towns and cities of northern Madagascar in the mid-20th century. On a trip to Diego Suarez, we learn that salegy’s older origins are both fascinating and mysterious. We meet young salegy stars Ali Mourad and Jacs, and speak with the genre’s reigning legend, Jaojoby, on the roof of his nightclub in Antananarivo. Along the way we visit a music school in Diego and hear blazing guitar riffs and get a fingerpicking tour of the entire island from guitar maestro Hajazz. Originally produced by Banning Eyre in 2014

In today’s pop music, everybody is a composer. But what about the classics? The songs that last? In this program we survey African musicians reinterpreting each other’s songs, as well as songs from far outside their traditions. And we hear foreign takes on African diaspora music. From Louis Armstrong’s “Skokiaan” to Alpha Blondy’s “Whole Lotta Love,” it’s a journey of discovery and rediscovery. Produced by Banning Eyre. APWW #854

In Jamaica, sound systems are more than just a stack of speakers blasting the latest tunes to an eager crowd. Over the last 70 years, they have come to represent the most common way that Jamaicans experience music. Sound systems have touched all levels of society in Jamaica, determining the island’s popular taste and profoundly influencing the daily lives of its citizenry. This program explores the evolution of sound system culture, from the Jamaican genesis of the 1940s to its gradual impact on diaspora communities, and ultimately, its undeniable influence on the popular culture of nations overseas. Produced by David Katz and Saxon Baird. APWW #758

This Hip Deep edition, based on field work in Ghana, tells the story of how highlife turned into Afro-funk. Guitarist/composer/bandleader Ebo Taylor, at 77, is our principle guide, taking us to his hometown Saltpond to explore the roots of his complex sound, and recounting his highlife years, and his deep study of American jazz in London in the early 60s—all part of a remarkable mix. We also hear from Ghanaian Afro-funk pioneer Gyedu Blay Ambolley and other observers and veterans of this history. Among the figures that interweave this story are James Brown, his most successful African successor Geraldo Pino, and, of course, the creator of Nigerian Afrobeat (a variety of Afro-funk), Fela Anikulapo Kuti. Produced by Banning Eyre. [APWW #667] [Originally aired 2013]

In this episode, we trace the history of country music in Kenya, dating back to the 1920s and 30s when local populations first heard Jimmie Rodgers on early country western 78 records, to the current day, where the clubs of Nairobi are filled with rising stars bringing their own unique sounds to country music. Hear their takes on the hits of Don Williams, Kenny Rogers, Dolly Parton and more. Tune in for an interview and performance from Kenyan country singer Steve Rogers, radio and tv presenters Catherine Ndonye and David Kimitho, music historian Elijah Wald, and Olvido Records founder Gordon Ashworth. Produced by Brandi Howell. APWW #853

In the 70s and 80s Ivory Coast’s capital Abidjan was a major musical hub in West Africa. After a series of political crises, Abidjan is back. The Zouglou sound of the 1990s and the coupé decalé rage that followed are being reinvented in the era of Afrobeats and African hip-hop. The group Magic System is now invited to play major events in France—including President Macron’s election victory party! The group’s front man Asalfo has launched an annual music festival in Abidjan, FEMUA. On this program, we attend the festival and hear the sounds and stories of Abidjan’s cultural and commercial renaissance. Produced by Elodie Maillot and Alejandro Van Zandt-Escobar. Originally aired in 2019 APWW #802

The Covid-19 pandemic forced musicians everywhere to step off the stage and stay home, reflecting. Now, as the world gradually opens up, they are reemerging with powerful new music, and lots of it. This program focuses on four female artists whose 2021 music is full of challenging messages for a challenged world. Climate change, womens’ empowerment, police brutality, official corruption… All that and more in new work from Angelique Kidjo, Dobet Gnaore, Fatoumata Diaouara and Shungudzo, plus a dive into Octavia Butler’s prescient cautionary tales with Toshi Reagon. Produced by Banning Eyre.

In celebration of Women’s Month, DJ Kix returns by taking us on a musical journey across Africa, showcasing some of the continent’s formidable women who are quickly rising in the industry and making their presence known. In this episode we’ll hear from: top Namibian MC, Lioness; Zimbabwean Afro-fusion artist, Gemma Griffiths; as well as Kaleo Sansaa from Zambia with her “sun-drunk” sounds and “solar-based” hip-hop; alongside Hibotep’s experimental East African electro vibes and Rhita Nattah’s Aissaoua-influenced Moroccan tunes. We’re delving deep into what it’s like being a woman in the ever-evolving and fast-paced contemporary African music scene. All this plus an incredible playlist of music by women who are breaking the mold in their own way, and inspiring all. APWW #852 Produced by Christine 'DJ Kix' Mwaturura

Much has been made of Mexico's rich Spanish and indigenous heritage, but until recently, there's been little talk of Mexico's so-called "Third Root": Africa. Africans came to Mexico with the Spanish as soldiers and slaves - so many that by 1810, the black population of Mexico was equal to that of the United States. Today, African heritage persists throughout Mexico, yet for a variety of reasons, black history has long been silenced. In this Hip Deep episode, we use music to explore that history as we take a road-trip across the country in search of sonic traces of Afro-Mexico. We visit the state of Veracruz to learn the history of the Afro-Mexican son jarocho sound, made famous by Ritchie Valens' 1958 hit cover of La Bamba, a traditional jarocho tune. Then, we visit the Costa Chica of Guerrero, where Afro-Mexican communities are fighting for government recognition to help preserve faltering musical traditions. And we'll stop by the golden-age halls of Mexico City, where the Afro-Cuban danzón thrives far from it's ancestral home in Havana. Along the way, we hear from top scholars in the field such as Ben Vinson III and Alejandro Madrid, as well as Afro-Mexican music stars past and present, from Los Cojolites to Las Cafeteras. ¡Que padre! Produced by Marlon Bishop. APWW #658 Originally aired in 2013

What is Afrobeat … what is Afrobeats? Maybe that’s a question for the ages! Is Afrobeats a new strain of Afrobeat? Is Afrobeats just a Lagos thing? From a hub of intense creative activity, Afrobeat (without the “s”) exploded out of The Shrine in Lagos, Nigeria - Fela Kuti’s shamanic musical church and political soapbox. The funky music and radical message spread and gained an audience worldwide. It was deliciously exciting for fans, while viewed as threatening to those in power in Nigeria. After the destruction of the Shrine and the moment of silence that ensued, Fela Kuti’s followers mourned the end of an era. It did not last. A new musical generation has emerged, demonstrating that it is capable of swooning a world that tends to neglect all things African. And like Afrobeat before it, Afrobeats now demands tremendous respect beyond the borders of Nigeria. Is it coincidence that this new style tips its hat to Fela by adding an “s” at the end of his Afrobeat? In this episode of Afropop Worldwide, WOWD’s Jolly Papa Radio (Eme Awa and Michael Shereikis) along with Afrobeats stars Wunmi Olaiya, Seun Olata, David Dzizonou and more try to extricate an answer out of this prickly question: What Is The S Factor? APWW #850 Produced by Michael Shereikis, Eme Awa, and Georges Collinet

Tony Allen is among the greatest drummers of the past century. His sudden death at 79 in April, 2020, was a shock felt around the world. In addition to his seminal work with the king of Afrobeat Fela Kuti, Allen had a prolific solo career and performed and recorded with artists from Angelique Kidjo, Ray Lema, Ernest Ranglin and Oumou Sangare to Damon Albarn, Brian Eno and Jeff Mills. In this program we salute a towering career in global music, with insights from Michael Veal, co-author of Allen’s autobiography. Produced by Banning Eyre.

As Egyptians struggle to forge a new, post-revolution identity, some will look to traditions. The country is rich in indigenous culture from the amorous odes of desert Bedouins to the keening boom and blare of a Zeffa wedding procession. New Cairo venues now present Nubian music, ancient sounds from the Delta and Suez regions, and even the music of the zar healing ritual—elevating these forms above touristic fare found on Nile Cruises and in old Cairo. This Hip Deep edition, rich with recordings made in the field, offers a sonic map of Egypt’s traditional life, culminating in the ecstasy of a Sufi saint celebration—a mouled. (Produced by Banning Eyre) APWW #635

WOMEX 2021 in Porto, Portugal, delivered the event’s trademark extravaganza of live showcases from around the world. But given the location, there was a special focus on Lusophone acts from Brazil, Angola, Cape Verde and Guinea-Bissau. This program features highlights and interviews from Pongo (Angola), Neuza (Cape Verde), Lucas Santana (Brazil), Bandé Gamboa (Guinea-Bissau/Cape Verde), Ayom (Spain) and more. Produced by Banning Eyre and Sean Barlow APWW #849

Jamaican record producer Lee 'Scratch' Perry is widely celebrated as one of the most important creative figures to emerge in the late-20th Century. In 'I Am The Upsetter: The Sonic Innovation of Lee 'Scratch' Perry,' producer David Katz, who is Perry's authorized biographer, draws on archive interviews to explore his incredible career, which began in the early 1960s and continued until August 2021, only ending when Perry died, aged 85. One of Bob Marley's most important mentors, Perry's Black Ark studio used substandard equipment, but the innovative work he produced there with Max Romeo, Junior Murvin and others inspired a range of artists active in other genres, including Paul McCartney, the Clash, and the Beastie Boys. APWW #848 Produced by David Katz

Off the Beaten Track - Burkina Faso, Malawi, and Beyond This program ventures into corners of Africa we hear from rarely, guided by adventurous field recordists and crate diggers. The Zomba Prison Project is a set of recordings by inmates at a maximum security prison in Malawi, currently the poorest nation on earth. The project’s debut CD was nominated for a Grammy Award. Here, we speak with the producer, Ian Brennan, and hear tracks from a new volume of soulful, even heartbreaking, songs from the prison. Then, we go back to the 1960s and ‘70s in the city of Bobo-Dioulasso in Burkina Faso (then Upper Volta) to sample a gorgeous set of newly revealed recordings by Volta Jazz, Dafra Star, Les Imbattables Leopards and more. We hear from Florent Mazzoleni, the author and intrepid vinyl collector behind the new box set, Bobo Yéyé: Belle Époque in Upper Volta. APWW #738 Originally Produced by Banning Eyre in 2016

One of the spiritual fathers of Afropop Worldwide has joined the ancestors. After an extraordinarily rich and full life, Dr. Robert Farris Thompson -- or, as he preferred to be called, "T" -- passed on November 29, 2021, at the age of 88. Through his books, lectures and mentorship, T revolutionized the study of African art and culture beginning in the 1950s, and he inspired generations of students and scholars. While his academic discipline was art hisotry, music was central to his conception. This program was produced as an Afropop Worldwide Hip Deep episode in 2005 to celebrate his book Tango: The Art History of Love. In it, T talks to Ned Sublette about the erotic Afro-Argentine dance whose Kikongo-derived name he renders as "moving in time to a beat." With musical examples galore. We present it in loving memory. APWW #479 Produced by Ned Sublette

Georges Collinet and Banning Eyre close out 2021 with a wide ranging tour through music that touched them in 2021, and a look ahead at 2022. No top ten lists or “best of the year” lists, but rather a taste of things overlooked, and a few surprises. Featured is Georges’s and Banning’s interview with American music icon Herb Alpert, and a sneak preview of Georges’s upcoming salute to a giant of Congolese music, Sam Mangwana. Expect a few laughs, and plenty of fantastic music to savor as 2021 winds to a close. Produced by Banning Eyre and Georges Collinet. APWW #847

On today’s edition, “Afropop Jam,” we’ll groove on cool new releases by artists from Congo, Ivory Coast, Nigeria, Martinique, Cuba and more. APWW #835

After the pandemic forced it to go virtual for a year, the WOMEX world music expo was back in 2021 for its 27th edition in Porto, Portugal. In this program we hear live performances and interviews from key showcase artists, including Gnawa innovations from Bab l’Bluz, Uganda’s Nakibembe Xylophone Troupe, brassy Ghanaian gospel from Algote Oho & His Sounds of Joy, Afro-funk bass virtuoso Manou Gallo, Egypt’s Mazahar, and Sudan’s Ebo Krdum, plus the world’s hottest fusion of Afro-Cuban music and funk from the one and only Cimafunk. Produced by Banning Eyre and Sean Barlow. APWW #846

Zimbabwe’s Oliver Mtukudzi, one of the most beloved singer/composer/bandleaders out of Africa in the last century, died in Harare on Jan. 23 2019 after a long battle with diabetes. Tuku, as his fans knew him, composed countless songs that cut to the heart of life in Zimbabwe, from its struggle for freedom in the 1970s through the rocky road of independence ever since. In this program, we look back at our conversations with Tuku going back to our first visit to Zimbabwe in 1988, and hear his wonderful music at various points in his epic career. We also speak with his biographer, ethnomusicologist Jennifer Kyker, and take a deep dive into what made Tuku's music so special and the stories behind some of his most important songs. Produced by Banning Eyre. APWW #807

Since the 1960s in Jamaica, iconic figures such as Bob Marley have gathered in backyards to write reggae anthems that conquered world charts. The yard remains a cornerstone in Jamaican culture. Musicians withdraw from the violence of the city to create and play songs in their yards. In Jamaican patois, “mi yard” means “my home,” and many songs, proverbs and colloquialisms hinge on the word “yard.” More even than the music itself, the yard evokes a state of mind and a physical space wherein artists create amid the warmth of acoustic sound, raw emotion of voices and a collective energy. In this program, we move yard to yard in Jamaica, listening to acoustic music being written and recorded, smelling trees and flowers, and meeting legendary artists like Ken Boothe, Winston McAnuff, Cedric Myton of the Congos, Kiddus I, Robbie Lyn, Viceroys, or Nambo Robinson, as well as a number of young and emerging reggae artists like JAH9, Var, and Derajah, who grew up and found their artistic voices in ghetto yards. You've never heard Jamaica sound like this before! Produced by Elodie Maillot and Banning Eyre. APWW #753

THE SOUND OF NEW YORK LATIN MUSIC takes a deep sonic dive into the great New York Latin discography, with host Georges Collinet and guest host Ned Sublette, who produced and megamixed. Special guest Dr. Ben Lapidus, author of New York and the International Sound of Latin Music 1940-1990, tells us stories of the musicians and the conditions that made the city's music unique. With nonstop music by Ray Barretto, Jerry González and the Fort Apache Band, Markolino Diamond, a snippet of Joe Quijano's bugalú version of "Fiddler on the Roof," and about a thousand more.

Inspired by Jamaica’s dancehall music from the 90s and early 2000s, Zimbabwean dancehall music (Zimdancehall) started out as an underground subculture in the ghettos of Zimbabwe and is now the country’s most popular genre. In this episode we’ll trace the subgenre’s rocky rise to the top and meet some of its founding pioneers: the likes of producer, Jusa Dementor, and recording artist, Sniper Storm. We’ll also explore the hidden layers behind the upbeat party tunes to reveal questions about: social class, language, originality and cultural authenticity; and how these underlying factors may play into Zimdancehall’s prospects in the international music market. It’s a fascinating story of resistance and persistence—it’s the Zimdancehall story. Produced by Christine "DJ Kix" Mwaturura APWW #844

Producer Brandi Howell speaks with DJ Lynneé Denise, an artist and scholar of underground cultural movements and the electronic music of the African diaspora. This podcast explores “DJ Scholarship” and the evolving music and cultural conversation of the Black Atlantic.

Flamenco as we know it was “born” in Spain in the mid-19th century. But for centuries before that, Roma (Gitanos, Gypsies) had been living in Spanish cities, often rubbing shoulders with the descendants of Africans (Moors), who had been there as both citizens and slaves going back to Medieval times and earlier. This overlooked pre-history of flamenco is explored in Miguel Angel Rosales’s groundbreaking film Gurumbé. In this program, we meet Rosales and learn to hear flamenco in a new way. We also meet maverick flamenco artist Raul Rodriguez, inventor and master of the tres flamenco. Rodriquez’s solo concert, sampled in this program, is a tour de force and an anthropology master class, all in one. Produced by Banning Eyre. APWW #792 Originally broadcast in 2018

"Yaa Amponsah" is a song from Africa's earliest guitar tradition, palmwine music. Dating to the late 19th or early 20th century this style developed in port cities across the continent's western coast as Africans traveled to trade goods and music. Yaa Amponsah is also what Ghanaian musicians call a "rhythm"—a blueprint of harmonies, rhythms, and melodies that has informed thousands of songs from its first recording in 1928 through to contemporary music. In this Afropop Closeup, guitarist Nathaniel Braddock takes you inside his journey to dig into the rhythm's roots and influences through conversations with Koo Nimo, Akablay, Kofi Elektrik, and John Collins. Afropop Closeup Season Six

In 2018, the renowned music journal Fact boldly claimed that “the world’s best electronic music festival is in Uganda.” In only a few years, Nyege Nyege has indeed become one of the hottest artistic hubs in East Africa, birthing two music labels that propelled local scenes, such as Ugandan acholitronix or Tanzanian singeli, across the globe. At the heart of this explosive universe lies a big house, known as “the Villa,” that almost constantly vibrates with sounds as musicians from the region and beyond tirelessly produce, exchange skills, and frenetically party until dawn. Despite reducing the Villa’s bubbling flow, COVID-19 didn’t silence it, and the house kept on nurturing its community of underground musicians. In this episode, producer Basile Koechlin takes us to the Villa to meet current residents and other members of the Nyege Nyege nebula. Through a patchwork of stories, soundscapes, and fresh musical releases, we hear more about this unique and strange place that came to host and generate a seminal part of the avant-garde of electronic music production in East Africa. Produced by Basie Koechlin APWW #843

Foutanga Babani Sissoko, known also as Baba Sora, was one of the most generous patrons of Malian musicians, particularly griots, in modern times. His gifts of cash, gold, cars and houses are legendary, and the amount of music he inspired was voluminous. But the source of all those riches turned out to be dubious, to say the least. And when he died in March 2021, he had spent his latter years a poor man. In this episode we hear the man, the music and the remembrances of those whose lives were changed by his extraordinary generosity. Produced by Banning Eyre. APWW #842

Congolese guitar is one of the pearls of African music. Intricate, joyful and seriously challenging, it’s long been a passion of producer/guitarist Banning Eyre. Through an innovative new online learning website—the World Music Method—he met guitarist Niwel Tsumbu, a brilliant guitarist and teacher, who delves here into Congo guitar history. Produced by Banning Eyre.

We trace the history of this most American of instruments from its ancestors in West Africa through the Caribbean and American South and into the present, as a new generation of Black women artists reclaim the banjo as their own. Rhiannon Giddens, Bassekou Kouyate, Bela Fleck and more talk claw-hammers, trad jazz, Appalachian folk, African ancestors and the on-going story of American music, which would be woefully incomplete without a Black history of the banjo. Produced by Ben Richmond

Toronto is Canada’s most cosmopolitan city--“like New York but mellower” in the words of Kofi Akah, son of the Ghanaian highlife legend Jewel Akah. Kofi is one of many superb African artists who have made Toronto their home over the years. That list is long, and it has included highlife star Pat Thomas, South Sudanese rapper Emanuel Jal, rising Congolese star Blandine, Malagasy guitarist Donné Roberts, and a hidden treasure of Ethiopian music, Fantahun Shewankochew. In this program, we take the pulse of Toronto’s African scene through music and interviews with Kofi, Emanuel, Blandine, Fantahun and many more. Produced by Banning Eyre APWW #830

In 1985, Sean Barlow made his first trip to Africa to check out musical life there. Afropop Worldwide was still a dream at that point, but the experiences he had on that trip put wind in his sails. One highlight was the afternoon he spent interviewing Luambo Makiadi a.k.a. Franco at the bandleader's home in the Limité neighborhood of Kinshasa. Franco had recently played his first concerts in the United States. Although few outside the African diaspora community had any idea who he was, Franco was by then a legend, a superstar in Africa. In this podcast we hear from the man himself, nestled on a porch swing, his acoustic guitar cradled on his lap, in conversation with a somewhat green American journalist with a bright future. Produced by Banning Eyre. Afropop Closeup Season Six

During the last 60 years, Jamaican music has constantly reinvented itself, a handful of innovators pioneering distinct musical genres such as ska, rock steady, reggae and dancehall, as well shorter-lived subgenres. But Jamaica's musical trendsetters did much more than just shake up the island's music scene. At crucial intervals, their inventiveness has dramatically changed or even spawned a range of popular forms overseas—sewing seeds for rap via the deejay style and stimulating remix culture through dub. In "The Gorgon, The Originator and The Dub Master," producer David Katz leads a tour of indelible changes brought about by producer Bunny "Striker" Lee, Deejay U Roy and the engineer and sound system owner, King Tubby, to demonstrate how they changed popular music worldwide. All photos ©David Katz. Produced by David Katz. APWW #841

Kenya’s Kakuma Refugee Camp is a virtual city of people displaced by three decades of war in East and Central Africa. Kenyan music producer Treynor Tumwa and American musician/scholar Mark LeVine founded Kakuma Sound to provide traditional instruments to the camp’s talented artists. Hosted by Banning Eyre.

Changüí is a little understood, loose and lively, community-based music of eastern Cuba. In this program we sample recordings from the 2021 box set Changüí: The Sound of Guantánamo, and hear from Gianluca Tramontana, the man who made the recordings. Rooted in Afro-Haitian music, pan-Caribbean styles, Spanish poetic traditions and more, Changüí emerged in the mid 19th century in plantations, not unlike the blues. We also hear from musician and scholar Ben Lapidus, author of the only English language book on Changüí, and we update the story with Changüí fusions into jazz, salsa and hip-hop. Prepare to dance! Produced by Banning Eyre. APWW #840

With a style all her own, Yasmin Williams has gone from video game virtuoso to one of the freshest and most original solo acoustic guitarists today. She talks to producer Ben Richmond about her influences, her unique instrumentation, and forging her own path as a young Black woman artist in a genre dominated by white dudes. Afropop Closeup Season 6

The Kenyan capital is roaring into the 2020s. On this program singer/songwriter/producer Eric Wainaina introduces us to a rising cadre of artists rocking the Nairobi scene. From hip-hop and dancehall to r&b and Gengetone, the city’s cultural melting pot is coming to a boil at a time of political change when artists are finding their voices to speak out against government corruption and champion social justice movements. We meet artists on the front line--Juliani, Karun and Blinky Bill—and take a side trip to Kakuma, one of Africa’s largest refugee camps where music, including hop-hop, is literaliy a matter of survival. Produced by Banning Eyre. APWW #831

On March 6, 1971, a group of some of the top musicians from the United States – Ike & Tina Turner, Wilson Pickett, The Staples Singers, and more – boarded a plane bound for Ghana to perform in a musical celebration that was dubbed the “Soul to Soul Festival”. Thousands of audience members filled Accra’s Black Star Square for a continuous 15 hours of music. The festival was planned in part for the annual celebration of Ghana’s independence, but also an invitation for a “homecoming” for these noted African-American artists to return to Africa. This episode revisits the famed music festival at its 50th Anniversary and explores the longstanding legacy of cultural exchange with African diasporans originally set forth in the 1950s by Kwame Nkrumah, the first President of Ghana. Tune in for interviews with noted musicologist John Collins, poet and scholar Tsitsi Ella Jaji, concert goers and more. Produced by Brandi Howell. APWW #829

Special guest Dr. Ivor Miller, back from a 2021 research trip to Cameroon, takes us into the complexities of south Cameroonian spiritual tradition and its connection to the Cuban Abakuá secret society for men. Featuring Abakuá-themed music from Cuba, ceremonial music from Cameroon, and Batanga pop by Chief Eko Roosevelt, Pablo Gabbana, and Emily Sadey. Produced by Ned Sublette.

Known by names like krar, kisara, tambur, simsimiyya and masinkob, the lyres of East Africa represent some of the world’s oldest string instruments. The Otaak Band is dedicated to uplifting and advancing these traditions. Otaak founder Miguel Merino tells the story with audio from his work in Egypt during the pandemic. Produced by Miguel Merino. Afropop Closeup Season Six.

When it comes to popular music, it's hard to top Brazil for variety, excellence and sheer volume. On this program, Georges Collinet welcomes co-host Béco Dranoff in Brazil. Béco is a producer, broadcaster and lifelong connoisseur of Brazilian music. He recently returned to Sao Paulo after some three decades in New York City. He takes us on a whirlwind tour of music produced during the pandemic, from funk to hip-hop, to mangue beat and cool singer-songwriters, it's a feast of new talent for Brazilian music fans everywhere. Produced by Sean Barlow and Beco Dranoff. APWW #838

It’s a truism that jazz has roots in Africa, but compared with other forms of Black American music, it doesn’t have a large audience there. Just the same, African musicians have long been smitten with jazz, and have always found inventive ways to incorporate jazz elements into their sounds. On this program we meet young artists forging new paths in Afro-Jazz: Etuk Ubong from Nigeria, Awale Jant Band from Senegal by way of London, Afrikan Protokol form Burkina Faso by way of Belgium. It’s a freewheeling musical joyride. Produced by Banning Eyre. [APWW #827]

Producer Matthew Key—AKA DJ M-Point goes deep with a rising South African artist/producer on the evolution of kwaito and hip-hop in one of Africa’s most exciting contemporary music scenes. Afropop Closeup Season Six

The dembow, the beat behind reggaetón, is much more than just a backdrop for a night of partying and dancing. The style of music, widely associated with Puerto Rico and forged from a mixture of Jamaican dancehall, Panamanian reggae en español, and American hip hop, has always existed as a form of social and political resistance, and continues to do so in 2020. And as such, it has endured constant attempts to criminalize, censor, and police both the music and those who consume it, from the early tape-confiscations by Puerto Rican law enforcement in the 1990s underground scene to the present day, arguing its hypersexual content. In this episode we speak with Latin and Caribbean music scholars and social workers to break down the racist and sexist undertones of the genre's constant policing, as well as examples of songs by artists such as Tego Calderón and Ivy Queen, that counter these assumptions. We also take a couple of detours to explore how this music, and these criticisms, manifest in the Dominican Republic and Cuba. Produced by Luis López. APWW #824

Belo Horizonte is Brazil’s sixth largest city and including its surrounding districts, the country’s third largest metropolitan area. The capital of Minas Gerais, a state built on mining, dairy products and coffee production, Belo Horizonte is often seen as a parochial, conservative backwater, yet its thriving alternative arts scene provides robust forms of musical and cultural resistance to the exclusionary policies of reactionary president, Jair Bolsonaro, especially through local variants of hip-hop and reggae. Produced in Belo Horizonte by David Katz, this program explores the intricacies of the city’s homegrown resistance movements, based in squatted buildings and public spaces in the city center and peripheral favelas on the outskirts. It reveals the surprising complexities of the renowned Belo Horizonte rap scene, which is intricately linked to improv theatre and urban poetry movements, with a revived Carnival culture, African-Brazilian Candomblé and baile funk all part of the local form’s very distinctive musical backdrop; the smaller reggae scene also addresses issues such as social exclusion, income disparity, racial bias, gender discrimination, transphobia and environmental crises. In the show, we’ll hear from rappers such as Roger Deff, Samora Nzinga and the leftfield duo of Hot e Oreia, as well as Leo Vidigal of the Deska Reggae sound system and Zaika dos Santos of Salto, the city’s first female-run sound; Tiago Lopes of the Rastafari collective Roots Ativa and former rapper Kdu dos Anjos and guide us through the permaculture and upcycled fashion projects they have established in the massive favela complex of Aglomerada da Serra, providing employment and social integration to some of the city’s most disenfranchised residents. Produced by Matt Katz in 2020 APWW #812

Prior to the pandemic, London’s jazz scene was blooming and gaining a worldwide reputation for innovation. The folks at Jazz Refreshed had everything to do with that. Jazz singer and producer Tess Hirst tells the story. Afropop Closeup Season 6

Live from the Archive When Afropop Worldwide launched back in 1988, a key goal was to capture the live energy of incredible artists emerging from Africa, the Caribbean and beyond. Most of those recordings were preserved on reel-to-reel tapes. The coronavirus lockdown has given us a chance to start revisiting and preserving. And we have been amazed to rediscover the energy of that thrilling era. On this music-rich program, we hear live music from Congo’s Papa Wemba, South African township heroes Mahlathini and the Mahotella Queens, a queen of Algerian rai music Chaba Fadela, Martinique zouk stars Marce and Tumpac and more. It’s a riveting blast from the past! Produced by Banning Eyre. APWW #819

Pat and Vincent Chin founded VP Records, one of the world’s biggest and most consequential reggae record labels. At 80, Miss Pat looks back on a legendary life. This Afropop Closeup Season 6 premiere is hosted by Banning Eyre.

Known as Australia’s music and cultural capital, Melbourne is a hub of creativity boasting a diverse arts scene. The African community in Melbourne has been growing with Africans from all parts of the continent bringing their fashion, food and music to the city. In this episode we’ll explore African musicians and music curators who are making their mark in Melbourne. Expect to hear a blend of traditional African instruments by the Melbourne African Traditional Ensemble (MATE); funky jazz fusion by Black Jesus Experience; South-Sudanese modern rock by Ajak Kwai, and hip-hop from IJALE and Sampa the Great. We’ll also meet the presenter of the longest running African radio program in Australia, Stani Goma. Guiding us through our journey of Melbourne’s African music scene will be DJ Kix, bringing to light some of the nuances of migration, identity and life in Melbourne. Produced by DJ Kix APWW # 836

The 27 year-long Angolan civil war was also an international crossroads of the Cold War as well as a regional resource war, involving Cuba, the Soviet Union, Zaire, South Africa, and the U.S. When it was over, Namibia was independent, apartheid had fallen, Angola was a nation, and the Soviet Union had ceased to exist. Through music, interviews, and historical radio clips, producer Ned Sublette, author of Cuba and Its Music, tells the story of Cuba’s massive commitment in Africa, from the Cuban Revolution in 1959 and the subsequent independence of Congo, to the end of the Soviet Union in 1991. We’ll talk to guest scholar Piero Gleijeses, foreign policy specialist at Johns Hopkins University School of Advanced International Studies and author of Conflicting Missions: Havana, Washington, and Africa 1959-1976 and the forthcoming Visions of Freedom, and to Marissa Moorman, author of the forthcoming Tuning in to Nation: Radio, State Power, and the Cold War in Angola, 1933-2002, who will share with us rare archival recordings. We’ll talk to Cuban trovador Tony Pinelli, who traveled in a brigada artística playing music for Cuban soldiers and for Angolans, and to Angolan composer, instrument builder, and musicologist Victor Gama, who traveled in remote areas of the interior recording music. And from Cuba, Angola, Zaire, and Portugal, we’ll hear some of the music that accompanied the struggle. Produced by Ned Sublette. [APWW #653] [Originally aired 2012]

For over 10 years, Eric Nelson Efa and members of his association, the Azania Way Culture, have crisscrossed almost half of Cameroon's 10 regions: the deep North, around Lake Chad, the central region, the Adamawa and the south, to record traditional musicians who are getting very old and are the last repository of traditional music in Cameroon. In this episode of Afropop Worldwide, Georges Collinet takes us to Eric's village in the deep forest of southern Cameroon to listen to his story. We also meet young musicians influenced by the art of their ancestors - including an opera singer! APWW #834 Produced by Georges Collinet

Central America, a narrow, mountainous, and largely impoverished stretch of land spanning seven countries, is a surprising and underexposed Latin American musical hot zone. The region’s bizarre and tumultuous history has led to a fascinating mix of cultural influences – Spanish conquistadors, British pirates, and American banana companies have at one time or another vied for power. Add to this mix the presence of large indigenous enclaves, Anglo-Caribbean migrants, the Afro-Arawak Garifuna and Miskito peoples, and the many musical influences of the Caribbean, and you have the makings of a very interesting musical tapestry. Salsa and merengue, soca and calypso, reggae and reggaeton—it all comes together in Central America. In our program, we visit Panama, a little-known musical treasure trove. Here on the isthmus, music from around the Americas mixed together in a unique stew: American, Cuban, Colombian and Jamaican influences combine to form a highly complex and unique musical culture. We’ll hear interviews from Spanish reggae star Kafu Banton, Afro-Spanish linguist John Lipski, traditional Afro-Latino princess Marcia Rodriguez, the dancehall duo Los Rakas, and many more. APWW #596 Produced by Marlon Bishop

Miami’s Afro Roots Fest is back on stage at the North Miami Beach Bandshell. Mostly. The 2021 edition featured live performances by Afro-Nicaraguan singer/songwriter Philip Montabán and by sacred steel guitar master Roosevelt Collier, with special guests Richard Bona and Weedie Braimah. There were also remote concert sets from Vieux Farka Toure in Mali and Fulu Miziki in Uganda. The Afropop team was there to capture the excitement of socially distanced live music under the stars. The program features recordings and interviews as we look to the dawn of a new post-pandemic era. Produced by Banning Eyre and Sean Barlow.

To make this unprecedented program, producer Ned Sublette traveled to Mbanza-Kongo, the ancient seat of the Kongo empire located in present-day northern Angola, where he spoke to Dr. Bárbaro Martínez Ruiz, professor of art and art history at Stanford. We’ll learn about the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; and talk to Pedro Lopes, a nganga mawuko (traditional healer). With C. Daniel Dawson and Angolan composer and musicologist Victor Gama, we’ll explore Kongo-Ngola culture in the diaspora – in Brasil, Haiti, Cuba, and more. A SPIRITUAL JOURNEY TO MBANZA-KONGO is supported by a 2012 Knight Luce Fellowship for Reporting on Global Religion. The fellowship is a program of the University of Southern California's Knight Chair in Media and Religion. APWW #651 Originally produced by Ned Sublette in 2012

The Money Show Every day, money changes hands in Ghanaian cedi, South African rand, and Brazilian real as music is created, traded, performed, purchased and pirated. In this episode we look at the business side of African music, through a series of vignettes from around the continent and diaspora that illuminate the deep connections between musical creation and the economies that sustain it. We start with the story of how cellphones are transforming Africa's music industries. Then, we see how economic competition drove the creation of Colombian champeta music. We take a look at the role of copyright in Jamaican dancehall, and follow the legal struggle over royalties from "The Lion Sleeps Tonight" in South Africa. Originally produced in 2014 by Marlon Bishop Assistant Producers: Briana Duggan, Joe Dobkin, Ryan Kailath APWW #685

"Dakar Muse" takes us to one of the most exciting musical cities in Africa. We'll meet young stars on the Mbalax scene, Senegal's national music, including Tarba Mbaye, Sidy Diop, Sidy Samb and Pape Diouf. And we'll hear rappers making their mark in the huge Hip Hop scene including Dip Doundou Guiss and Ngaaka Blinde. Finally, we pay tribute to the brilliant Mbalax pioneer Thione Seck, who recently died of Covid-19. APWW #832 Produced by Sean Barlow

When you think punk, a few locations tend to come to mind- New York, London, LA. But Durban? Jo’Burg? South Africa? In this program, we are taking a trip to a time and a place where punk had a very different meaning, exploring the music and the legacy of the mixed race bands that challenged apartheid. Little known to the outside world, and often overlooked even within South Africa, groups like National Wake, The Genuines, and The Kalahari Surfers used music to articulate their disgust with the society around them, calling out the conformity, repression, and political hypocrisy that defined the apartheid era. As time went on and theory was put into practice, the music became increasingly adventurous, drawing from the full diversity of South Africa’s musical culture, and fusing it to the raw energy of punk. In doing so, they created a model that continues to inspire bands to the present day. APWW #656

On this program we survey the careers of two giants within their genres. Bunny Wailer is the last surviving member of the original Bob Marley and the Wailers trio. Right up to his 2016 tour, where we met him, this architect of reggae music has continued to carry the banner with new concerts and recordings. And he tells his story with bracing poetic candor. Meanwhile in Egypt, Hakim, the lion of shaabi music, remains a superstar and a player in that country’s turbulent pop scene. On a rare visit to New York, Hakim gives us a tour through his post-revolution songs, and offers personal insights into Egypt’s equally turbulent politics. APWW #737 Originally produced in 2016 by Banning Eyre

On March 6, 1971, a group of some of the top musicians from the United States -– Ike and Tina Turner, Wilson Pickett, the Staple Singers, and more -– boarded a plane bound for Ghana to perform in a musical celebration that was dubbed the “Soul to Soul Festival.” Thousands of audience members filled Accra’s Black Star Square for a continuous 15 hours of music. The festival was planned in part for the annual celebration of Ghana’s independence, but also as an invitation to a “homecoming” for these noted African-American artists to return to Africa. This episode revisits the famed music festival on its 50th anniversary and explores the longstanding legacy of cultural exchange with African diasporans originally set forth in the 1950s by Kwame Nkrumah, the first president of Ghana. Tune in for interviews with noted musicologist John Collins, poet and scholar Tsitsi Ella Jaji, concert goers and more.

We trace the history of this most American of instruments from its ancestors in West Africa through the Caribbean and American South and into the present, as a new generation of Black women artists reclaim the banjo as their own. Rhiannon Giddens, Bassekou Kouyate, Bela Fleck and more talk claw-hammers, trad jazz, Appalachian folk, African ancestors and the on-going story of American music, which would be woefully incomplete without a Black history of the banjo. Produced by Ben Richmond. [APWW #828]

We explore the rich period in the 1970s when soul flourished in Brazil. We’ll hear standard bearers of the movement such as Tim Maia, Ed Motta, Toni Tomado, Sandra de Sá and others. Tales by participants from back in the day plus commentary by author Christopher Dunn. [APWW #436] [Originally aired 2004]

Our Hip Deep edition “A Tale of Two Rebellions,” recounts the stories of two remarkable military campaigns in early Islamic history. Both uprisings take place in the late 9th century, both involve Africans as key players, and both set the scene for the crystallization of the Sunni-Shi’ite divide in Islam, which of course continues to this day. By Joseph Browdy and Banning Eyre. [APWW #535]

A vast, new world of DJs, record collectors and producers are going to far reaches of the Earth to find forgotten records and new styles of music. Their discoveries are then brought back home, remixed, repackaged and re-released to be heard by an entirely new audience. We speak to some of these globetrotting DJ and producers Chief Boima and Geko Jones to hear about their experiences, the music they’ve discovered and how they go about remixing some of these styles in order to create a new and updated sound. Produced by Saxon Baird. [APWW #636] [Originally aired 2012]

Afro-Cuban and Afro-Brazilian musical giants have long enjoyed the spotlight, yet throughout Latin America there are other black enclaves producing some of the New World's most vibrant music. Their stories have gone untold for far too long. In this episode, Afropop explores these lost sounds, starting in an Ecuadorian desert valley where African and Andean traditions have mixed seamlessly into fiery dance music. Then we're off to mangrove-studded Esmeraldas to search out the last marimba legends living on the jungle waterways. We continue to Bolivia, where a tiny black minority uses their music to fight for recognition by the indigenous government and last, we'll listen to the driving carnival music of Uruguay, candombe. Tune in for exclusive interviews and recordings by everyone from marimba master Papa Roncon to Candombe-jazz legend Hugo Fattoruso. Produced by Marlon Bishop. [APWW #565] [Originally aired 2009]

Umm Kulthum has been called the greatest singer in the Arabic speaking world in the 20th century. Born in 1904 the humble daughter of an Egyptian village imam, she went on to become a glamorous Cairo celebrity in her 20s, and soon after that, a cultural icon whose monthly live radio broadcasts brought much of Egypt to a standstill. She turned high poetry into popular culture. She extended musical forms with her virtuoso, extended vocal improvisations. Combining historical, religious, literary and musical passions, she inspired an enduring sense of national pride and left a legacy for the ages. Millions gathered for her 1975 funeral. With Umm Kuthum biographer Virginia Danielson as guide and guest, this program explores the life and music of a musical legend. Produced by Banning Eyre. [APWW #465] [Originally produced in 2005]

2020 has been a year like no other. Tours and concerts have been cancelled, and future plans remain up in the air. Just the same, a great deal of fantastic music has emerged from Africa and the diaspora. In their annual tradition, Georges Collinet and Banning Eyre take stock of the year’s offerings, covering an ever-growing array of styles and artistic movements. Not exactly a “best of the year” show, but you can be sure to hear artists and sounds you won’t find anywhere else! Produced by Banning Eyre. APWW #826

Brazil’s economic and artistic powerhouse, São Paulo is a true megapolis, being the largest city in Latin America and fourth largest city in the world. Built on successive waves of immigration, it’s a melting pot of cultures, viewpoints and musical beats with a flourishing alternate arts scene that includes vibrant poetry slams, renowned street art and an incredible array of music forms that push against established hierarchies of race, class, gender and sexual orientation. In this dramatically unequal city, hybrid cultural expression happens spontaneously, fusing ancient and modern, local and foreign, traditional and avant-garde. Produced in São Paulo by David Katz (and completed remotely following travel bans), this program surveys the São Paulo soundscape to explore dynamic facets of its musical resistance. Beginning with some background information provided by historian Rodrigo Bonciani, we hear songs from northeast migrants that tried to make sense of their adopted city in the 1950s, 60s and 70s, including Tom Zé and Caetano Veloso, as well as Itamar Assumpção of the resident Vanguarda Paulista movement. Then, committed hip-hop specialist DJ Dandan guides us through the rap scene of the 80s, 90s and beyond, before acclaimed artists explore the influence of soul, funk and other global forms on their work, including the producer BiD and singers Aricia Mess and Curumin, the latter taking a closer work at the challenges and rewards of living and working in such a place. The reggae underground is revealed through testimony from Yellow P of Dub Versão sound system, Dani Pimenta of Feminine Hi-Fi and Lys Ventura of Fresh Dancehall, along with producer/bassist Victor Rice and drummer/producer Bruno Buarque. Then, the rich avant-garde scene is illuminated by words and music from Anelis Assumpção and members of Bixiga 70 and Metá Metá, and there are musings on the Covid-19 pandemic, as well as the city’s hopeful future. Overall, the listener is immersed in the broad diversity of São Paulo’s intense music scene, making it entirely clear that the city has become the most important site of contemporary music culture in Brazil during the new millennium. Produced by David Katz All images copyright ©David Katz

The Amazon River basin has long been a mystery to Brazil. Located far from the centers of business and power in the nation's southeast, the jungle provinces of the Brazilian north have long been ignored by the nation at large. But recently, Brazilians have discovered that the cities and waterways of the Amazon are home to some of the nation's hottest music. In this Hip Deep episode—a musical history of Pará state, where Afro-Caribbean influences have created a unique local flavor that connects the dots between Brazilian music and the rest of Latin America, we check out the guitar heroes of old-school Amazonian dance bands, investigate the origins of the early '90s lambada dance craze, and explore the bubblegum bass culture of tecno brega. Featured interviews with singer Gaby Amarantos, lambada revivalist Felipe Cordeiro and ethnomusicologist Darien Lamen, among others. Lead Producer: Marlon Bishop Assistant Production: Saxon Baird, Joe Dobkin APWW #691 Originally produced in 2014

In this episode, Georges Collinet inaugurates a traveling talent search introducing guest deejays and producers with unique perspectives on global African music. First up is Matthew Key—a.k.a. DJ M-Point—host of "The Loxion Music Mix Show" on WESU FM in Middletown, CT. Key has been absorbed in South Africa’s post-apartheid pop music for 22 years, and he takes us on a tour through a succession of genres, starting with kwaito, the country’s joyous, jazzy response to long awaited freedom, and leading up to the latest SA music craze, Amapiano. Produced by Georges Collinet, Matthew Key and Banning Eyre. [APWW #821]

Miami is still in lockdown mode for large gatherings but we don't let that stop us as we travel, virtually, to Miami's beautiful open air, art deco North Beach Bandshell right across from the Atlantic Ocean. Enjoy highlights from the just completed Afro Roots Virtual Fest featuring the city's leading globally grooving artists. Crank it up! Johnny Dread of Cuban/Rasta heritage opens up with his original mix of classic reggae, rock and international sounds. Cortadito, called the best Latin act by the Miami New Times in 2019, offers an updated version of 19th century son montuno from the mountainous region of northeastern Cuba while its two lead singers--one from Havana and one from Santiago de Cuba in the east--take turns performing originals from these two distinct traditions. The Spam All Stars stretch out with quirky spoken word, Latin and eclectic combinations. Venezonix perform Venezuelan roots music enlivened by electronic textures. And Alsarah of the Nubatones beams in a soulful duet from Brooklyn of her songs in Nubian and Arabic, reflections on diaspora and displacement, with her oud player Brendan Terzig. Remember the joy of dancing to live music ?! Ah yes. [APWW #820]

When Afropop Worldwide launched back in 1988, a key goal was to capture the live energy of incredible artists emerging from Africa, the Caribbean and beyond. Most of those recordings were preserved on reel-to-reel tapes. The coronavirus lockdown has given us a chance to start revisiting and preserving. And we have been amazed to rediscover the energy of that thrilling era. On this music-rich program of concerts recorded live at S.O.Bs in New York City, we hear from Congo’s Papa Wemba, South African township heroes Mahlathini and the Mahotella Queens, the royal couple of Algerian rai music Chaba Fadela and Cheb Sahraoui, and Martinique zouk stars Marce and Tumpa. It’s a riveting blast from the past! Produced by Banning Eyre.

Baaba Maal has toured the world, backed by his electric group, Daande Lenol. Sometimes he has performed as an acoustic duo with his longtime musical partner, Mansour Seck, on guitars and vocals. And rarely, Baaba has assembled a large acoustic group featuring guitars and traditional instruments. We caught such a moment at one of our all time favorite live recordings, Baaba and his acoustic big band performing at Joe's Pub in New York City. Beautiful! [APWW #383] [Originally aired in 2014]

In 1991, Thomas Mapfumo and the Blacks Unlimited made their second tour of the United States. It was a fascinating transitional moment in the band’s history. Mapfumo had recently added two musicians playing the metal-pronged, Shona mbira, enriching the band’s lineup of guitar, bass, drums, keyboards, brass and percussion. The band had now evolved into a kind of folk orchestra in which everyone sang, allowing for beautifully layered vocal arrangements. This recording, made by Afropop Worldwide at S.O.B.'s in New York City during that historic tour, is a true gem in the Afropop archive. It captures one of Africa’s most innovative and unusual artists and bandleaders at the height of his powers. One listen to this sublime recording and you will understand why producer Banning Eyre devoted some 15 years to writing the new book Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe. [APWW #55] [Produced by Sean Barlow in 1991]

Soul singer and multi-instrumentalist Ralph Weeks left Panama for Brooklyn, New York, when he was 17. Today he's a hearty 77, and still takes the stage with his finely honed falsetto to offer the enduring classic of a song he wrote more than 50 years ago, "Something Deep Inside." The song has passed through various renditions over the years and, in this podcast, Weeks lifts the hood on the creative process that led to a classic, with enthusiasm and an easy laugh. Produced by Steve Burkholder.

For all those stuck at home or stressed out during these uncertain times, here’s an hour of uplifting music from Mali, Cuba and South Africa. Vusi Mahlasela, Alex Cuba, Afel Bocoum and Oumou Sangare have all known the travails of personal pain and political turmoil. And yet all find the strength and vision to create music that soothes and reassures even as it moves dancing feet. On this program, we hear fresh music and words from all four. Produced by Banning Eyre and Sean Barlow.

Two new bands, one from Morocco and one from Tunisia, are mixing jazz, funk, and rock with centuries-old ritual music with roots in the trans-Saharan slave trade. It rocks, but what does it mean for the tradition? Afropop talks with both bands about the divergent ways that they negotiate innovation and conservation. Produced by Sebastian Bouknight and Lauren Shenkman.

In Africa, drums don't only play rhythms, they send messages. “Ancient Text Messages: Batá Drums in a Changing World” explores an endangered tradition of drum speech in Nigeria, and how that tradition changed and thrived in Cuba, where large numbers of enslaved Yoruba arrived in the 19th century. Producer Ned Sublette speaks with ethnomusicologist Amanda Villepastour, language technician Tunde Adegbola, and drummer Kenneth Schweitzer about how language and music overlap. Produced by Ned Sublette. [APWW #724] [Originally aired in2016]

North African music receives very little coverage in the United States. There are no high-profile mixes of recent Tunisian underground dance music from hip DJs, and no young Algerian musicians with major distribution deals in the U.S. So we decided to explore what exactly is going on today in this part of the world. We trace the origins of some of the region’s most interesting current music to the banlieues of Paris, like raï ’n’b--a new autotuned and synth-heavy offshoot of raï. We also explore the Gnawa reggae movement, which finds common ground between Sufi trance and the message of Marley. Returning to familiar traditions, we present a live recording of Kabyle mandoleplayer Hamid Ouchène from Montreal’s Nuits d’Afrique festival, backed by a group of Montreal-based musicians with origins throughout the African continent. We next turn to the North African metal scene that developed during Algeria’s civil conflict to meld Berber folk music with black metal. Finally, we check out the new chaabi revival. Produced by Jesse Brent. [APWW #692] [Originally aired in 2014]

One of the most important performing artists to emerge on the Brazilian music scene in the new millennium, Criolo has crafted a diverse and eclectic body of work. Moving between rap, reggae, Afrobeat, samba, electronic music and other genres, Criolo has constantly used his music to address the dramatic issues of race, social inequality and governmental corruption that have blighted contemporary Brazil. In this podcast, Criolo tells producer David Katz about his early struggles in the peripheral favelas of Sao Paulo, the evolution of his life and work and the liberating nature of art. Photo: ©David Katz

The square gumbe frame drum was created centuries ago by enslaved Africans in Jamaica. It traveled to Sierra Leone with freed Maroons from Jamaica’s highlands in 1800. From there, the drum and its evolving, pan-ethnic music spread to 17 African nations. In this program we trace the history and legacy of this joyous and surprising music with field work in Jamaica, Sierra Leone, Ghana and Mali. Produced by Banning Eyre.

On this program, we look at Puerto Rican protest songs over the past two centuries, including Paracumbé's subversive bomba dances from the time of slavery, Las Barrileras 8M, an all-women drumming group demanding an end to violence against women and a new plena from Hector Tito Matos about the death of George Floyd. The past three years have been incredibly traumatic for Puerto Rico: two hurricanes followed by slow recovery efforts that led to the death of 3,057 on the island, a text message scandal mocking women’s rights that eventually brought down a governor, the deaths of more unarmed Black men, women and children across the United States and of course the coronavirus pandemic. Producer Dan Rosenberg looks at how artists across Puerto Rico including Plena Libre helped in the healing process after Hurricane Maria by performing for those who lost their homes in the storm. We’ll hear music from marches that led to the resignation of Governor Ricardo Rosello. “We’ve been under attack from nature and bad governments and so many things since 2017, and from before, but 2017 made us more aware,” explains Nelie Lebron-Robles. “Here we are. One nation with a very distinct Latin American identity, very proud of who we are. We’ve discovered we can do anything that we propose ourselves to do.”

Johnny Clegg and Sipho Mchunu formed the South African crossover band Juluka in the mid-1970s. But by then, the two had been palling around apartheid South Africa, playing music, dancing and getting into trouble with the police for years. And even though Juluka disbanded in 1985, the two remained close friends until Clegg died in 2019. In this podcast we hear both artists reflecting on a remarkable friendship. Produced by Banning Eyre.

The massive Niger River Delta is a fantastically rich cultural region and ecosystem. Unfortunately, it has been laid low by the brutal Biafran War (1967-70) and by decades of destructive and mismanaged oil exploration. This program offers a portrait of the region in two stories. First, we chronicle the Biafran War through the timeless highlife music of Cardinal Rex Jim Lawson, perhaps the most popular musician in Nigeria at the time. Then we spend time with contemporary musical activists in Port Harcourt’s waterfront communities and in oil-ravaged Ogoniland to hear how music is providing hope for these profoundly challenged communities. The program features new and classic music, the words of Nigerian scholars, musicians, activists and veterans of the Biafran War, concluding with an inspiring live highlife concert on the Port Harcourt waterfront in which rappers and highlife graybeards come together to imagine a better road ahead. Produced by Banning Eyre. [APWW #754] [Originally aired in 2017]

When this episode first aired, the recent death of Malian guitar legend Ali Farka Touré inspired a new round of speculation about the roots of the blues in Africa. Touré famously argued that the beloved American genre was "nothing but African," a bold assertion. Among scholars, Gerhard Kubik's book Africa and the Blues has gained recognition as the most serious and penetrating examination of the subject. This program in our Hip Deep series was produced in collaboration with Kubik, allowing a rare opportunity to delve into his vast collection of recordings. We listen to Ali Farka Touré and John Lee Hooker through Kubik's ears, and hear from many lesser-known artists on both sides of the Atlantic. Even though the blues is a central component of American music, it is one of the most mysterious, and least understood aspects of our popular music culture. This program gives us new insight. Produced by Banning Eyre. (Originally aired 2007)

​Brazil’s Grupo Didá, is an extraordinary ensemble of Afro-Brazilian women who use music to fight against injustice and racial inequality. Producer Dan Rosenberg speaks with the group's founder, percussionist Adriana Portela, about how Didá is working to redefine gender roles in Salvador da Bahia, and anthropology professor Andrea Allen (University of Toronto) on the history of slavery in Brazil, and the horrific violence inflicted upon enslaved women.​

In 2004, Youssou N'Dour joined forces with Egyptian master-musician Fathy Salama for a sonic adventure, Egypt (2004, Nonesuch). Through the differing forms of expression from east and west of the Sahara, Youssou and Fathy explore the shared spiritual bonds that unite Muslims across the continent. The result is a soulful retracing of their common roots. [APWW #437]

​Cameroonian musician and composer Manu Dibango passed away on March 24 at his home in France, an early victim of Covid 19. “My Friend Manu” is a tribute to the exceptional man who, by chance, as he says, gave us the famous Soul Makossa, a tune that opened the Disco era. In this episode of Afropop Worldwide, Georges Collinet goes back in time to recollect his friendship with his fellow Cameroonian. He explores the many ways their lives paralleled and intersected after they were sent to France by their parents for an education. This musical journey is enhanced by the wisdom and sonorous laughter of Manu Dibango and by the mesmerizing music culled from over 200 records that Manu produced over a 60 year career. In “My Friend Manu” you will not only sample some Maxi Voom Voom, as Georges Collinet’s show on the Voice Of America was called, but also have a taste of Andouillette and Suya in Yaoundé, Cameroon. And you will finally know how to correctly say Ma Ma Ko, Ma Massa, Ma Ma Makossa. “My Friend Manu” is definitely a multi-sensory delight! Photos by Pierre René-Worms​, used with permission.

Even before the expulsion of Jews (1492) and converted Muslims, or Moriscos, (1610) from Al Andalus, many Andalusians crossed the Straight of Gibraltar to resettle in North Africa, and as far east as Syria. All these centuries later, Andalusian art forms and communities persist, especially in Morocco, Algeria, Tunisia, Libya, and Syria. This Hip Deep program examines the intriguing variety of Muslim "Andalusian" music traditions, especially in Morocco, Algeria, and Syria. Once again, our guide is Andalusian scholar Dwight Reynolds. We'll also hear from Moroccan musicians, a specialist on Syrian Andalusian traditions, and of course, we'll hear lots of music, including the Orchestra of Fes, Ensemble Essoundoussia of Tlemcen, Algeria, and legendary Syrian singer Sabri Moudallal. Produced by Banning Eyre. [APWW #440]

The 700-year period of Muslim courts and conquerors in Medieval Spain (711-1492) leaves behind many mysteries. In the first of a three-part look at the musical legacy of Andalusia, this program presents period recreations of medieval Spanish music and considers the lasting influences the era would have on Europe. This program takes a provocative look at instruments--the lute and the violin--at the tradition of troubadours, European poetry and vocal styles, and much more, all informed by the insights of Al-Andalus scholar Dwight Reynolds (University of California, Santa Barbara). Many enigmas remain, but you may never hear European music in quite the same way after this venture into the heritage of Al-Andalus. This is part of Afropop Worldwide's "Hip Deep" series exploring the historical roots of musical cultures of the Afro-Atlantic world. Produced by Banning Eyre.

Botswana is a large, landlocked country in Southern Africa, a vast stretch of desert and savannah between South Africa, Zimbabwe and Namibia with a population of only 2.2 million. While widely overlooked internationally for their music, over the past 20 years Batswana have steadily built a diverse and fruitful local scene that includes traditional choirs, hip hop and kwaito, R&B and jazz and even heavy metal. While the biggest star in the country, Franco, packs stadiums with his Congolese-derived Setswana kwassa kwassa, Vee Mampeezy, Charma Gal and a host of aspiring stars champion a distinctly local fusion called house kwassa: a mix of rumba guitars, house beats and kwaito vocals. In this program we hear from Kabelo Mogwe of the popular cultural troupe Culture Spears; hip hop star Jujuboy; the metal band Skinflint; Afro soul singer Mpho Sebina and reformed house kwassa badboy Mingo Touch. We also head to a midnight recording session with young producer Zolasko and singer Naisi Boy and learn the insides of the Botswana music video industry with videographer Jack Bohloko. Produced by Morgan Greenstreet and Lollise Mbi.

Some countries are embedded in our collective memory for their trademark rhythms--samba for Brazil, rumba for Cuba, Afrobeat for Nigeria, mbalax for Senegal. We'll celebrate these beats with some of their seminal practitioners. Produced by Sean Barlow. APWW #787 Originally broadcast in 2018

On a return trip to Madagascar, we catch up with and hear new music from tsapiky maestro Damily, the “King of Salegy” Jaojoby, an exciting new duo starring Sammy of Tarika Sammy, Toko Telo and more. This music-rich edition is filled with entrancing and hard-to-find roots pop. In the wake of 2018’s hard-fought presidential election, Madagascar faces a new era with former DJ Andry Rajoelina at the helm. Word is his theme song was a major boost. We’ll hear it. We’ll also sample rare field recordings from this spectacularly musical and often overlooked Indian Ocean island. Produced by Banning Eyre. APWW #800 Originally broadcast in 2019

Century Yes, it’s the age of South African House, Afrobeats, Afro R&B and the likes, but roots music lives on in South Africa. This show updates the Zulu pop music known as maskanda, with a look back at its history and a survey of the current scene--rich musically, but troubled by fan rivalry that can lead to violence and even deaths. We’ll hear nimble ukapika guitar playing, heavy Zulu beats and bracing vocal harmonies. We’ll meet maskanda legend Phuzukhemisi and veteran South African radio broadcaster Bhodloza “Welcome” Nzimande, long a champion of maskanda music and a would-be peacekeeper in the fractious current scene. We’ll also hear from Zulu guitar legend Madala Kunene, and check out some of the recent gqom music that has largely replaced maskanda and other roots styles in the lives of young South Africans. Produced by Banning Eyre. [APWW #803] [Originally broadcast in May 2019]

Belo Horizonte is Brazil’s sixth largest city and including its surrounding districts, the country’s third largest metropolitan area. The capital of Minas Gerais, a state built on mining, dairy products and coffee production, Belo Horizonte is often seen as a parochial, conservative backwater, yet its thriving alternative arts scene provides robust forms of musical and cultural resistance to the exclusionary policies of reactionary president, Jair Bolsonaro, especially through local variants of hip-hop and reggae. Produced in Belo Horizonte by David Katz, this program explores the intricacies of the city’s homegrown resistance movements, based in squatted buildings and public spaces in the city center and peripheral favelas on the outskirts. It reveals the surprising complexities of the renowned Belo Horizonte rap scene, which is intricately linked to improv theatre and urban poetry movements, with a revived Carnival culture, African-Brazilian Candomblé and baile funk all part of the local form’s very distinctive musical backdrop; the smaller reggae scene also addresses issues such as social exclusion, income disparity, racial bias, gender discrimination, transphobia and environmental crises. In the show, we’ll hear from rappers such as Roger Deff, Samora Nzinga and the leftfield duo of Hot e Oreia, as well as Leo Vidigal of the Deska Reggae sound system and Zaika dos Santos of Salto, the city’s first female-run sound; Tiago Lopes of the Rastafari collective Roots Ativa and former rapper Kdu dos Anjos and guide us through the permaculture and upcycled fashion projects they have established in the massive favela complex of Aglomerada da Serra, providing employment and social integration to some of the city’s most disenfranchised residents. Produced by David Katz. Image: copyright David Katz [APWW #812]

When we talk about the influence of American performers on African music, we usually think about a few obvious examples, legends like Michael Jackson, Jimi Hendrix or James Brown. In this episode, we go beyond these stars to explore the legacy of some lesser-known inspirations. We’ll learn how the fluid guitar playing of ’70s rock band Dire Straits became massively popular in the Sahel, influencing Tuareg rockers like Tinariwen and Tamikrest. We’ll hear about the American country superstar Jim Reeves’ African career, and the unlikely story of how the pedal steel made it from Hawaii to Lagos. Finally, we’ll travel to Angola with the help of director Jeremy Xido, to explore that nation’s death metal scene. And along the way, we will try to understand just how to account for taste. Produced by Sam Backer with help from Jesse Brent. [APWW #703] [Originally aired in 2015]

Highlife—West Africa’s pioneer popular music of the late colonial and independence periods—has mostly faded from popularity in 21st century Nigeria. However, highlife is alive and well in Edo State, 300 kilometers east of Lagos, and the center of the former Benin Kingdom. Edo highlife musicians fill the role of traditional musicians by animating community ceremonies such as weddings and funerals, and praising prominent members of the community, in exchange for “financial love.” This traditionalism is also progressive: Edo highlife music draws on traditional genres like asonogun, ojeke, agbi, ivbiagogo, and ekassa, and musicians continue to incorporate instruments and styles from neighboring Yoruba communities and Western popular music. In this Hip Deep program, we'll hear how Edo highlife musicians have found sustainable careers by simultaneously rooting their music in their local communities and appealing to diasporic enclaves in Europe and the United States. Their local support has even allowed certain musicians to broach political themes, singing in support or in critique of specific politicians, a rare occurrence in contemporary Nigeria. We’ll hear from legends and innovators including Sir Victor Uwaifo, Ambassador Osayomore Joseph, and Alhaji Waziri Oshomoh as well as current stars including Dr. Afile, Akogbehian and Johnbull Obakpolor. Produced by Morgan Greenstreet and Austin ‘Maro Emielu. [APWW #751] [Originally aired in 2017]

The cancellation of South by Southwest was one of the early shocks in the global coronavirus pandemic. Countless artists, fans, vendors, nightclub owners and festival staff were devastated. Afropop Worldwide had been scheduled to host 12 bands at an SXSW showcase. We decided to reach out to some of these artists and make a radio show with their music just the same. This program features Skype interviews and music from RAM (Haiti), Blaya (Portugal) and BLK JKS (South Africa), and music from Ghana, Cape Verde, Colombia and more—all artists we had hoped to feature. The music is uplifting, and the stories illustrate the global reach of the ongoing crisis. Produced by Banning Eyre [APWW #811]

more of the musical artists who are making a difference cannot be pinned down to any one national identity.Migration, intermarriage, and the hurly burly of our globalized planet are creating new and growing generations of change-makers with hyphenated identities. In this program we hear from Ayo (Nigerian/Roma/German), Meklit Hadero (Ethiopian-American), Weedie Braimah (Ghanaian-American), La Dame Blanche (Cuban-French), Pascal Danai of the band Delgres (Guadeloupean-French) and others, as we sample the rich music and hear the stories, challenges and triumphs of this fascinating new generation of global musical creators. Produced by Banning Eyre. [APWW #772]

New York City's globalFEST is a landmark musical event every January, a sonic feast featuring 12 artists on three stages in a single winter night. In this program, we hear extended live tracks from Senegal's Cheikh Lo, also Meklit, Les Amazones D'Afrique and dynamic new sounds from Turkey and South Korea. Rising star in Algerian rai music Sofiane Saidi makes his U.S. debut. In a season when we are being denied live music experiences, a virtual soiree at 2020's globalFEST edition may just be the next best thing.

The first time Puerto Rican bandleader Willie Rosario heard the word salsa applied to the Cuban-style music he played was in Venezuela, where DJ Phidias Danilo first popularized it. Subsequently applied as a marketing tool by Fania Records in New York, the word quickly became a marker of Puerto Rican identity. This 1995 production talks to the founding bandleaders of the genre -- Rafael Ithier (El Gran Combo), Quique Lucca (Sonora Ponceña), and Willie Rosario -- and presents immortal hits of early Puerto Rican salsa. Produced by Ned Sublette with José Mandry. [APWW #207]

In 2019, Afropop Worldwide hosted a stage at South by Southwest in Austin, TX, for the first time. Our lineup featured innovative new sounds out of Africa, including Jojo Abot from Ghana, Adekunle Gold from Nigeria, groundbreaking DJ AfrotroniX, Sauti Sol from Kenya and more. In this episode, we meet the artists, sample their sets, and take in the growing presence of African music at America’s most essential pop music expo. The start of a fine tradition! Produced by Banning Eyre. [APWW #801] [Originally aired in 2019]

Producer Morgan Greenstreet follows the trail of West African Vaudou spiritual music to a very unlikely place–Utrecht, Netherlands–for the first edition of the Voodoo To Go Festival. The three-day festival, pioneered by Togolese entrepreneur Leopold Ekué Messan, set out to demystify Vaudou/Vodun/Voodoo spiritual practices by featuring music and dance from Togo, Benin, Haiti, Cuba and Suriname and bringing people together for films, food and a panel discussion about “Good and Evil in Voodoo.” From the opening ceremony, to the climactic final moments of the festival, the music at Voodoo To Go was filled with the spirit: Trance-inducing traditional music from Togolese/Beninois diaspora group Djogbé; heavy, retro Vaudou funk from Togolese musician Peter Solo and Vaudou Game, based in Lyon, France; Surinamese Kawina music from Rotterdam-based dance band Dray-ston; Late-night Haitian Vaudou-jazz from Erol Josué; and, finally an intense collaboration between Cuban jazz maestro Omar Sosa and Togolese musician and dancer Ayaovi Kokoussé. Alongside the excellent music, we hear from various participants in the festival discussing what Voodoo means to them: a Winti priestess; fascinated Dutch music fans; and, of course, the musicians who make music inspired by the spirit. [APWW # 717] [Originally aired in 2014]

Competition between communities of Indian and African descent has been a mainstay of politics and culture in the former British colonies of Trinidad and Tobago, and Guyana. This rivalry plays out in institutions from the University of the West Indies to the West Indies cricket team, and of course, popular music. At the time of Trinidad's Independence, the Afro-Caribbean political elite of the day sought to enshrine calypso as the country's national music, but new genres have emerged, from the steel-pan jazz and calypso of the 1960s to soca and its successor, chutney-soca, which for the first time in the 1980s fully integrated Indian and African influences in a local popular music. This Hip Deep edition explores all of these styles, and also the music of diaspora communities in the U.S. and the U.K.. Ethnomusicologist Peter Manuel of the City University of New York shares his ground-breaking research on Indo-Caribbean music in all of its geographic and social contexts. His music and insights reveal a fascinating, overlooked story of hybrid Caribbean culture. Produced by Siddhartha Mitter. [APWW #556] [Originally Aired 2008]

This guitar-focused program presents a series of mostly acoustic sessions with Garifuna star Aurelio Martinez, griot guitar master Aboubacar "Badian" Diabate, Malagasy tsapika phenom Damily, and Abdramane Toure, the 17-year-old guitarist for Khaira Arby of Timbuktu. These four uniquely talented players talk about their careers, their learning process, and their highly personal guitar styles. Along the way we catch up with a rich selection of beautifully guitar-filigreed music, from Honduran soul to Sahara desert blues and the uniquely boogieing funerals of southern Madagascar. Produced by Banning Eyre in 2011. [APWW #608]

Technology is one of the great drivers of musical change, and often one of its least understood. In this episode, we explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety of African musics. Enabled by groundbreaking record reissues by synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African superstar Brenda Fassie, we take you back to the ’70s and ’80s, listening to the birth of a distinctly African electronic sound. Produced by Sam Backer.

In this Hip Deep edition, Afropop producer Wills Glasspeigel heads to South Africa to reveal the story of the inimitable Hugh Tracey, a field recordist born at the turn of the 20th century in England. A wayward youth, Tracey found himself in Africa in the 1920s where he became fascinated with music from Zimbabwe. Tracey became a pioneer field recordist, making over 250 LPs of traditional African music for the Gallo label in South Africa. Like John and Alan Lomax in the US, Tracey was instrumental in preserving hundreds of songs that have since gone extinct. Glasspiegel speaks with Dianne Thram, director of Tracey library in Grahamstown, South Africa; Tracey's son Andrew, a musician and field recordist in his own right; Michael Baird, an expert on the Tracey catalog; and esteemed South African anthropologist David Coplan. We'll also head to Malawi to make a field recording of our own with the help of Malawian singer, Esau Mwamwaya. [APWW #590] Originally aired 03-25-2010

On a 2018 return visit to the archipelago of Cape Verde, we find all sorts of fresh musical activity, global and local. We hear some spectacular young female vocalists in this program, including Fatou Diakite, descended from a Malian family, but raised in Cape Verde and Guinea Bissau, and a master of styles from morna to gumbe. We also meet Lucibela, now based in Lisbon, and one of the most talked about Cape Verdean singers today. And we hear new work from Nancy Vieira, Jenifer Solidade and Elida Almeida. We also meet local artists unknown on the local scene, including producer and cutting-edge songwriter Wilson Silva, and high school-aged singer Maya Neves—already a diva! The great Cesaria Evora may be gone, but Cape Verde’s musical spirit is thriving! [APWW #779]

We go to Miami to enjoy highlights from the 21st annual Afro Roots Fest at the North Beach Bandshell. Co-headliners are the sublime griot singer Noura Mint Seymali from Mauritania and the Grammy nominated diva Fatoumata Diawara from Mali. Noura graces us with special backstage performance of the ancient harp, ardine. And Fatoumata sings a capella, showing us what she says is her voice as a traditional instrument. We also hear local artists Jose Elias of Cortadito and the Grammy nominated Danay Suarez. Along the way, we take a tour of Miami's lively local radio. Afro Roots indeed! Produced by Sean Barlow and Banning Eyre. Live mix by Niall Macaulay.

While others look back on 2019 and the decade of the 2010s, Georges Collinet and Banning Eyre choose instead to look ahead to the 2020s in their annual year-end conversation. It's an hour of African music that points to the future: new styles, new hybrids, artists to watch, and glimpses of upcoming Afropop Worldwide projects and productions. Georges and Banning take a moment to acknowledge some greats who have left us, but whose music will surely live on. And they put out a challenge to listeners regarding the future of our program.

Sweet accordion riffs, the steady twang of the triangle, and the off-beat pounding of the zabumba drum make forro a favorite for all Brazilians. The infectious tunes and syncopated beats have been described as "a mixture of ska with polka in overdrive." This edition of Afropop Worldwide's Hip Deep will profile forro creator Luiz Gonzaga--from the wanderlust that led him from his rural birthplace in northeastern Brazil to a pumping career in the capital, Rio de Janeiro, in the 1940s. Conversations with Brazilian artists, recorded on location in the forro capital of Recife, following in Gonzaga's footsteps. Co-produced by Harvard's Megwen Loveless. APWW #457

On this program, we follow Caribbean steel-pan bands and Haitian rara groups through their preparations for Brooklyn's West Indian Day Parade and Carnival, into the special jouvert celebration that kicks off carnival with revelers and performing groups dancing through the pre-dawn streets of Brooklyn; to the intense Panorama steel-pan competition, the daylight parade and beyond. We also hear how members of these Caribbean communities keep their cultural activities alive and thriving despite the considerable challenges they are facing in a rapidly gentrifying city. APWW #739

If Americans hear about Brazil's president Jair Bolsonaro at all, he's usually described as a "Brazilian Donald Trump." But on this week's CloseUp, we step out of the American bubble, and look at who Bolsonaro is, who his targets are, and how he rose to power. We also hear the first round of songs written to protest his hard, right-wing politics.

Jazz legend, Randy Weston left us on September 1, 2018. He, more than any contemporary jazz artist, understood, honored and explored the roots of American music in Africa. He lived there, traveled there often, and spoke of his connections to his African ancestors in every interview during his 92 years. In this program, we revisit our musical conversation with Weston in 1998, and sample some of his late solo piano recordings. APWW #789 Produced by Banning Eyre

France has a pretty unique relationship to its former colonies, sharing a strong common history and a common language, but also painful episodes not really taught at school—neither in France nor in Africa. In France and in French-speaking African countries today, there is a new generation of artists and promotors who are ready to tell history with music. They are unearthing unknown periods of French colonial history. In this show, we'll hear about dark times of Franco-African history, specifically from Cameroon before its independence. We'll dig into memories and secrets, and hear echoes from the tropical forest where bodies and facts were hidden, with artists who are tackling fault lines of France's colonial past and unearthing harsh reality with sweet voices such as singer Blick Bassy who released a new album 1958, a tribute to the freedom fighter Rubem Um Nyobe.

As Afropop Worldwide marks the week of its 30th anniversary on the public airwaves, we take a look at the story that led up to the program’s creation. We hear excerpts from the podcast A Show of Hearts profiling the program’s founders Sean Barlow and Banning Eyre. And host Georges Collinet recalls his audition for the job that has shaped three decades of his storied life. And of course, we will hear highlights from the music that has made Afropop Worldwide one of the longest running music programs in public radio history. Produced by Banning Eyre APWW #791

The clave cuts the air, the drums triangulate in endless conversation, the singers push their voices over the rhythm, competing with daring improvisations, while a pair of dancers tease and provoke, shifting across the small space between singers and drummers: This is an Afro-Cuban rumba, a communal form of Afro-Cuban folkloric music that continues to be a crucial part of the musical life of New York City. From the inclusive to the exclusive, we also experience an original group interpreting Afro-Cuban sacred music through jazz explorations. In this podcast, we hear from two Cuban musicians, Anier Alonso and Melvis Santa, who are adding their unique voices to the New York Afro-Cuban music scene, pushing things forward with tireless creative energy. Produced by Ricardo Luiggi and Morgan Greenstreet. Photo by Carla A. Tomassini Quijano www.carlaojo.com Hear full interviews, in Spanish with Anier and Melvis: https://soundcloud.com/zonalibredjs/anier-alonso-entrevista https://soundcloud.com/zonalibredjs/melvis-santa-entrevista

At the 2019 Atlantic Music Expo in Cape Verde, Afropop's Sebastian Bouknight met Manolo, a longtime rapper who is trying to find a foothold in the country's overcrowded music scene.

Move over salsa and merengue–cumbia is the most popular music in Latin America. Today, cumbia is played from the borderlands of Texas down the spine of the Andes to the tip of Tierra del Fuego. In this Hip Deep edition, we find out how cumbia left Colombia in the ‘60s and ‘70s and traveled to other countries. Everywhere it went, it transformed itself, adapting to its new environment. In Peru, it mixed with psychedelic guitar effects and Andean sounds to become chicha. In Argentina, it became the expression of a new generation of restless youth in the burgeoning slums of Buenos Aires. And in Mexico, it became so instilled in the local culture that some have forgotten that it came from Colombia in the first place. Through extensive interviews with experts and musicians, we discover how cumbia and its many transformations tell us the story of Latin America in the late 20th century. APWW # 606 [Produced by Marlon Bishop. Originally aired Jan. 3, 2011]

Reporter Dan Rosenberg takes us to the Grammy Awards ceremony in Los Angeles and speaks to the nominees in the World Music category, Fatoumata Diawara, Bombino, The Soweto Gospel Choir, Seun Kuti and Yiddish Glory, about how they are using their voices to combat human rights abuses, political corruption, genocide and violence against women.

The guitar music of Africa is eternal! Despite the rise of Afrobeats, Afro-house, hip-hop and techno, the continent still turns out inventive and thrilling string pickers. This music-rich program features shredding desert-rock axemen and filigree griot guitarists from Niger and Mali, as well as new sounds from the Congo, Zimbabwe and Madagascar. We’ll also travel to rural Botswana to meet itinerant guitarists who have gained a worldwide following through eye- and ear-popping YouTube videos. Some of their new music is now out on a unique compilation called I’m Not Here to Hunt Rabbits. We’ll hear the sweet, raw sounds and their surprising stories, and discover a whole new way of playing the world’s most versatile string instrument. APWW #786 Produced by Banning Eyre

The plight of albinos in Africa is a sad story. Occult beliefs make them the targets of kidnapping, killing and mutilation. But in Malawi, an exceptionally talented street musician named Lazarus is making a stand in defence of fellow albinos, and he's doing it with music. Lazarus's debut album Stomp the Devil will be released in August, 2019. Producer Banning Eyre takes us inside Lazarus's life and music and explores his surprising tale of survival and activism. This is the season premiere of Afropop Closeups--shorter pieces made specifically for podcasting, which will come out every other week over the summer.

The annual WOMEX gathering is a feast for the eyes and ears. At the 2018 edition in Las Palmas, Gran Canaria, over 300 artists performed in 60 official showcases. Afropop Worldwide recorded both intimate exclusive sessions and official showcases. We also interviewed globetrotting artists: Moonlight Benjamin (Haiti/France), Dawda Jobarteh(Gambia/Denmark), Tita Nzebi (Gabon/France) and Serge Ananou (Benin/France). And, we collected a load of new releases from artists you know, like Salif Keita, and some you don’t, but will be happy to discover. This is our second WOMEX 2018 program, a music-filled hour of music and impressions from the world’s greatest gathering of global music movers and shakers. Produced by Banning Eyre. APWW #796

From Paris to New Orleans and Boston, Haitian musicians are shaking up the music scene. The island’s powerful Africa-rooted culture—from celebratory rara and sensuous kompa to the deep well of vodun songs—has become a global force. In this program, we spend time with racine music veteran Lolo Beaubrun of Boukman Eksperyans, and his rising star son, Paul Beaubrun, both on a swing through New England. We also meet Paris-based Moonlight Benjamin, and hear recent New Orleans-tinged music from Lakou Mizik and RAM. Finally, we meet Tjovi Ginen, a pan-African band featuring the provocative and humorous spoken words of Boston-based Haitian educator and animator Daniel Laurent. A romping update on all things Haitian. [APWW #806] Produced by Banning Eyre.

São Luís do Maranhão is one of the poorest and most ethnically-diverse cities in Brazil. In this old slave port, located in the far northeast of the country, a thriving reggae scene has wielded disproportionate influence since the 1970s, based on an overarching taste for obscure roots reggae from the Jamaican countryside and vintage lover’s rock from the urban spaces of black Britain. The music spread through the local sound systems, known as radiolas, fueling a bolero-like dance style which has contributed to the construction of a unique local identity in a city now dubbed the “Brazilian Jamaica.” Produced in São Luís by David Katz, this program explores how reggae became embedded in São Luís’ consciousness, cutting across boundaries of race, class, age, gender and language. Photo © David Katz​ APWW #805

We go to Miami to enjoy highlights from the 21st annual Afro Roots Fest at the the North Beach Bandshell. Co-headliners are the sublime griot singer Noura Mint Seymali from Mauritania and the Grammy-nominated diva Fatoumata Diawara from Mali. Noura graces us with special backstage performance of the ancient harp, ardine. And Fatoumata sings a capella, showing us what she says is "her voice as a traditional instrument." We also hear local artists Jose Elias of Cortadito and the Grammy-nominated Danay Suarez. Along the way, we take a tour of Miami's lively local radio. Afro Roots indeed! Produced by Sean Barlow and Banning Eyre.

Afro-Sweden? Who knew? Over the past 60 years, a number of musicians from Africa and its diaspora have come to base themselves, or have been born, in Sweden. And recently, they have emerged as a collective voice in Swedish society. From the acoustic Mande folk of Sousou and Maher Cissoko, to the kaleidoscopic hip-hop of Timbuktu, and the smooth soul-pop of Swedish-born, Gambian-descended Seinabo Sey, there’s definitely something happening in Scandinavia. On this program we speak with and hear recent music from a wide range of African and diasporic artists in Sweden, and get context from ethnomusicologist Ryan Skinner, who has immersed himself deeply in the Afro-Swedish scene for the past 15 years. Produced by Banning Eyre and Ryan Skinner.

A lot has happened since Afropop last visited Zimbabwe. The 37-year regime of Robert Mugabe has ended, and Thomas Mapfumo, the Lion of Zimbabwe, has staged a triumphant return concert after a 14-year absence. Meanwhile, the country’s youth now moves to the groove of Zim-Dancehall from the likes of reigning star Winky D, and gospel-trad roots music from Jah Prayzah. On this program, we catch up with all these new sounds, hear the latest from Oliver Mtukudzi, and meet one of the most creative singer/songwriters on the scene these days, Victor Kunonga. Produced by Banning Eyre. APWW #781 Originally broadcast June 2018.

In the early 2000s, Afropop told the story of “Four Generations” in Congolese music—from rumba and rumba-rock to soukous and ndombolo. Now time has marched on, and once again, thrilling new sounds are emerging from Kinshasa and its global diaspora. We’ll hear hyperkinetic roots-rock from Jupiter and Okwess, Fally Ipupa’s embrace of the current Afrobeats trend, experimental innovations from Pierre Kwenders in Montreal, and more. We’ll also speak with Congolese music connoisseur Lubangi Muniania for insights into the latest trends from one of Africa’s greatest musical powerhouses. Produced by Morgan Greenstreet APWW #777

The 2018 edition of the world music exposition WOMEX went down in Las Palmas, Gran Canaria, in the Canary Islands with 300 artists and 2700 delegates from 92 countries. There was a lot to chew on. But one of the hidden wonders of WOMEX is the intimate European Broadcast Union radio studio. That’s where Afropop Worldwide and KEXP, Seattle, hosted four of the showcase acts up close and personal. On this program we hear radio sessions with Bakolo Music International, the oldest Congolese Rumba band alive; the Garifuna Collective, the band created by Garifuna music legend Andy Palacio; and Harouna Samake with Kamele Blues, a brand new band from a veteran Malian instrumentalist. Plus one or two surprises. This is the first of Afropop’s two-part coverage of the musical extravaganza that is WOMEX. Produced by Banning Eyre. [APWW #795]

The latest music craze to hit South African dance floors is a dark, pulsating and energetic sound called gqom. For the past seven years, a young and technologically skilled generation in Durban, KwaZulu Natal, has created and finessed a sound that has the world hooked and wanting more. It is an entire cultural movement complete with distinctive dance moves and styles. We talk to some of the deejays and young producers of this genre, like DJ Lag, Citizen Boy and Distruction Boyz, as well as Gqom Oh! record label owner Francesco Nan Kolè to understand where gqom originated, how it’s made and where it’s going. We also look at how this rough and raw party music has evolved to accommodate a more commercial market. Produced by Akornefa Akyea APWW #784

Trinidadians call their annual Carnival "the greatest show on earth," and with good reason. The Carnival season brims over with art and music: steelpan, calypso, soca and extravagant masquerade costumes. In this program, we take a look at how these Carnival arts are kept alive in today's Trinidad. At this moment in time, Carnival is in flux. Commercialism is in tension with creativity; global outlooks conflict with local identity. But, through it all, life goes on and excellent music flows. Open your ears to some life-giving music and conversations about Trinidad and its brilliant bacchanal. Produced by Sebastian Bouknight APWW #774

With Mardi Gras Indians straight out of New Orleans, Afro-Futurism coming from Mozambique via Dusseldorf, dub-inflected Colombian cumbia , gritty psychedelic South African punk and a grand Cuban mambo band, New York’s annual celebration of cultural music was back with a vengeance at the Copacabana. Sit down with Gato Preto, Orquesta Akokan and BCUC and stand up to dance with the rest. Produced by Ben Richmond. 799 globalFEST 2019

Afropop returns to Dakar, Senegal to catch up with the latest in that country's dominant music style, the bracing, dynamic genre known as mbalax. We'll hear the latest from Youssou N'Dour, Wally Seck, Pape Diouf and others, and meet lesser known artists working the Dakar scene. We'll also meet a remarkable artist from Senegal's southern Cassamance region, where Mande culture akin to that in Gambia, Mali and Guinea prevails. Noumoucounda Cissoko is a brilliant kora player and singer who now makes his home in Dakar, fusing his Mande roots with sabar drumming, mbalax energy and other influences. We'll speak with him, sample his diverse work and hear him rocking a Dakar street wedding. The thrilling ambiance of this most creative musical city comes alive in this program. Produced by Banning Eyre. APWW #798

The DJ crew Zona Libre take a break from throwing genre-defying parties and producing their own live events and podcasts to team up with Afropop for another edition of Cuts from the Crypt. Frequent Afropop producer Morgan Greenstreet (modrums) and Brooklyn-based Puerto Rican DJ Ricardo Luiggi (tres dos) dig through Afropop's extensive vinyl archives, selecting Afro-diasporic music that defies borders and boundaries and sharing their digging experiences along the way. Zona Libre is a #NoBorders tropical dance party, podcast and cultural movement. dj tres dos and modrums spin dance music from the Caribbean, Latin America, Brazil and across the African continent and diaspora. They currently hold down a monthly residency at Mad Tropical every third Thursday. This month will be February 21st ZL: Carnival en Colombia with many special guests! tres dos and modrums frequently host live podcast/listening sessions in Brooklyn and turn out deep dive mixes all the time: APWW #797

Since at least the 1980s, when this program first aired, Paris has been one of the most important incubators of African music on the planet. That’s why we’ve visited there to take the pulse so often. On this program, we look back on 30 years of adventures with African music in Paris. We’ll hear studio sessions with Congolese guitar ace Diblo Dibala and zouk stars Kassav, interviews, live concerts, and that special ambiance that only Paris can provide. APWW #770

APWW #636 A vast, new world of DJs, record collectors and producers are going to far reaches of the Earth to find forgotten records and new styles of music. Their discoveries are then brought back home, remixed, repackaged and re-released to be heard by an entirely new audience. We speak to some globetrotting DJ and producers Chief Boima and Geko Jones to hear about their experiences, the music they've discovered and how they go about remixing some of these styles in order to create a new and updated sound. [Produced by Saxon Baird. Originally aired March, 29th, 2012 ]

The annual WOMEX gathering is a feast for the eyes and ears. At the 2018 edition in Las Palmas, Gran Canaria, over 300 artists performed in 60 official showcases. Afropop Worldwide recorded both intimate exclusive sessions and official showcases. We also interviewed globetrotting artists: Moonlight Benjamin (Haiti/France), Dawda Jobarteh (Gambia/Denmark), Tita Nzebi (Gabon/France) and Serge Ananou (Benin/France). And, we collected a load of new releases from artists you know, like Salif Keita, and some you don’t, but will be happy to discover. This is our second WOMEX 2018 program, a music-filled hour of music and impressions from the world’s greatest gathering of global music movers and shakers. Produced by Banning Eyre.

As the Ottoman Empire waned in the late 19th century, there was scarcity, economic stress, and political oppression in Lebanon. The once lucrative silk industry died. Factories closed. Families in search of better lives emigrated, or sent children abroad. Today, diaspora communities of Lebanese and Lebanese descendants far outnumber the 4-million people who actually live in the country. This program surveys the legacy of Lebanese diaspora in two surprising location: Brazil and Ghana. Brazil, home to Lebanon’s largest diaspora population, became an important center for immigrant literature, music and film from the Eastern Mediterranean. And in Ghana, Lebanese descendants played important roles in the development of Afro-rock and highlife in the 1960s and 70s. This Hip Deep edition of our program tell these stories with a rich array of music, and the insights of three scholars, AJ Racy, Robert Moser, and John Collins. APWW #673

The 2018 edition of the world music exposition WOMEX went down in Las Palmas, Gran Canaria, in the Canary Islands with 300 artists and 2700 delegates from 92 countries. There was a lot to chew on. But one of the hidden wonders of WOMEX is the intimate European Broadcast Union radio studio. That’s where Afropop Worldwide and KEXP, Seattle, hosted four of the showcase acts up close and personal. On this program we hear radio sessions with Bakolo Music International, the oldest Congolese Rumba band alive; the Garifuna Collective, the band created by Garifuna music legend Andy Palacio; and Harouna Samake with Kamele Blues, a brand new band from a veteran Malian instrumentalist. Plus one or two surprises. This is the first of Afropop’s two-part coverage of the musical extravaganza that is WOMEX. Produced by Banning Eyre. [APWW #795]

APWW #794 We’re hopeless at making Top-10 lists--or even top-40s—so you’ll have to settle for this: a whole hour of some of our favorite tunes of 2018. Casting the net deep and wide, Banning and Georges spin new records by our old favorites, the freshest cuts from new artists and reissues that have gone unheard for years. If you’re looking for gifts for the African-music lover in your life—even if that’s you!—you’ll find something to love here. From Parisian Afro-trap to Angelique Kidjo’s reimagined Talking Heads record, from buzzing Saharan blues to swaying Cape Verdean song, 2018 is leaving us richer in music. Produced by Banning Eyre

We just wrapped up our third season of our podcast series Afropop Closeups, and it may have been the best season yet. Afropop producers traveled from watching reggae artists in chilly Berlin to Thomas Mapfumo’s triumphant return concert in Harare, Zimbabwe. They witnessed how digital technology is changing carnival in Haiti and how--for centuries--the cutting edge in long-distance communication was Asante drumming in what is now Ghana. For this week’s program, we picked three shows from season 3 that will give you a taste of what an Afropop Closeup is all about. From an interview with the pioneering Caribbean feminist Calypso Rose, to the homegrown music scene African immigrants are creating outside Lisbon, to the story of a mysterious kidnapping of a musical legend--pull back the curtain and see the stories behind the music and see them close up. Produced by Dan Rosenberg, Morgan Greenstreet and Sebastian Bouknight.

712 Sounds Like Brooklyn At Afropop, we have gone far and wide, from Brazil to England to Madagascar to Egypt, tracking down incredible music to bring back home to our headquarters in Brooklyn. For this program, "Sounds Like Brooklyn," we stay closer to home, tracing a hidden music economy of CD vendors in bodegas, copy shops and food markets around the five New York boroughs. Accompanying us on our travels is poet and "Bodega Pop" WFMU radio host Gary Sullivan. Along the way, we check out a Caribbean gospel rap performance in Bed-Stuy's Restoration Plaza, dust off some cassettes at VP Records in Jamaica, and chat with DJ Wow at his African CD store in Harlem. New York is a city of immigrants and we salute the creativity they bring with them from all corners of the world! Produced by Jesse Brent.

New Orleans, Louisiana is home to some of America's greatest musical traditions, and plays an outsized influence on the evolution of everything from jazz through to r&b, rock and funk. Today, the city is still legendary for its second line brass bands and brightly costumed Mardi Gras Indians. But if you've rolled through New Orleans on pretty much any night in the last 30 years, you've probably heard another sound—the clattering, booming, hip-shaking, chant-heavy roll of bounce, a form of hip-hop music, dance and culture unique to the Crescent City. Pulling from the national mainstream but remaking it the way that only New Orleans can, bounce has become a sonic touchstone for an entire generation of residents. For this Hip Deep edition, Afropop digs into the close-knit scene, talking to dancers, producers, MCs, and managers from over 30 years of bounce, all to explore the beat that drives New Orleans—and to find out what it means to the people who bring it to life. Produced by Sam Backer and Jessi Olsen.

As Afropop Worldwide marks the week of its 30th anniversary on the public airwaves, we take a look at the story that led up to the program’s creation. We hear excerpts from the podcast A Show of Hearts profiling the program’s founders Sean Barlow and Banning Eyre. And host Georges Collinet recalls his audition for the job that has shaped three decades of his storied life. And of course, we will hear highlights from the music that has made Afropop Worldwide one of the longest running music programs in public radio history.

Fela Anikulapo-Kuti would be 79 years old this month, had he not died from complications of AIDS in 1997. By the time of his death, Fela was the inventor of the enduring and influential Afrobeat music style, the composer of an enormous body of music, and one of the bravest political voices in 20th century African music. It is fair to say that no African musician before or since has sacrificed more for the principles he believed in. Nigerian history and music have barreled forth during the two decades since Fela left us. A powerful new generation of Nigerian musicians have emerged in that time, and the music they now champion has been dubbed “Afrobeats,” an appropriation of the name Fela gave his original sound during its heyday. The youngest artists on the scene today have no direct memory of Fela, though his legacy is impossible to escape. In this program, we hear from current day Nigerians from multiple generations and genres—fuji, juju, hip-hop (Afrobeats) and highlife—on how they remember this musical giant, and how they reckon with his complex and challenging legacy. Produced by Banning Eyre and Morgan Greenstreet. Hosted by Sahr Ngaujah. APWW #764

Gael Faye is a musician and best-selling author, born in Burundi and living in France. In this podcast, Elodie Maillot introduces Faye’s music and breakthrough book Petit Pays (Small Country). Faye speaks about his precarious life as an exile, and about the growing community of Afropean artists in France. Faye now spends a lot of time in Rwanda, and reports on the growing impact of diaspora artists like himself, Congolese rapper Baloji and the Belgian-Rwandan singer Stromae and others are having in Africa, where they now mount major tours. Maillot updates the story of Africa’s artistic European diaspora with surprising and moving developments. Produced by Elodie Maillot and Nina Pareja

Matanzas, Cuba has long been regarded as the source (la fuente) of many rich Afro-Cuban folkloric traditions. These ceremonial and secular Afro-Cuban musics are, for the most part, alive and well, and being documented for the first time by Matanceros themselves, rather than exclusively by Havana-based or non-Cuban imprints. The Matanzas record label and artist collective, Sendero Music/El Almacén, faces several challenges: oversight from the state, limited access to resources, curating which groups to record while paradoxically convincing the folkloric community of the value of their endeavors, and the conundrum of establishing meaningful connections outside of Cuba to disseminate the city’s music to the world. Produced by Harris Eisenstadt.

Jazz legend, Randy Weston left us on September 1, 2018. He more than any contemporary jazz artist understood, honored and explored the roots of American music in Africa. He lived there, traveled there often, and spoke of his connections to his African ancestors in every interview during his 92 years. In this program, we revisit our musical conversation with Weston in 1998, and sample some of his late solo piano recordings. [APWW #789]

In 2008, before Sudan became two separate countries, Afropop explored the country’s troubled history through music. After all, Sudan was once a musical powerhouse in East Africa, producing richly swinging orchestral pop. In recent years, much has changed. Sudan is now two countries, still troubled, but still inheritors of great musical traditions. In this program we revisit and update Sudan’s musical history, including recently released gems from a remarkable musical past, and new sounds from the Sudanese diaspora. [APWW #788]

Ambassador Osayomore Joseph is a living legend of Edo highlife music, well known and respected in Benin City for a long career of creative music and activism, so his kidnapping in October 2017 was particularly shocking to his fans. Producer Morgan Greenstreet brings us the story of Osayomore's ordeal, in the Ambassador's own words.

Kano State in northwest Nigeria is a land of paradox. The ancient home of the Hausa people, it has ties back to the oldest civilizations in West Africa. Muslim since around the 12th century, the region remained largely self-administered during the era of British colonialism, and never significantly adapted Christianity or Western culture and values as in other parts of Nigeria. In 2000, Kano instituted Shariah law. But by that time, the city of Kano was also the center of a large and active film industry, dubbed Kannywood. And it would soon be home to a nascent coterie of hip-hop artists. There have been a series of high-profile conflicts and crises between these forces of religion, politics and art in the years since. But as the Afropop crew discovered, Kano has achieved a delicate balance that allows film and music to continue apace under the watchful eye of clerics and a censorship board. We visit studios producing local nanaye music, with its echoes of Hausa tradition and Indian film music. We also meet young Hausa hip-hop artists striving to develop careers under uniquely challenging circumstances. Produced by Banning Eyre and Sean Barlow

The massive Niger River Delta is a fantastically rich cultural region and ecosystem. Unfortunately, it has been laid low by the brutal Biafran War (1967-70) and by decades of destructive and mismanaged oil exploration. This program offers a portrait of the region in two stories. First, we chronicle the Biafran War through the timeless highlife music of Cardinal Rex Jim Lawson, perhaps the most popular musician in Nigeria at the time. Then we spend time with contemporary musical activists in Port Harcourt’s waterfront communities and in oil-ravaged Ogoniland to hear how music is providing hope for these profoundly challenged communities. The program features new and classic music, the words of Nigerian scholars, musicians, activists and veterans of the Biafran War, concluding with an inspiring live highlife concert on the Port Harcourt waterfront in which rappers and highlife graybeards come together to imagine a better road ahead. Produced by Banning Eyre.

The guitar music of Africa is eternal! Despite the rise of Afrobeats, Afro-house, hip-hop and techno, the continent still turns out inventive and thrilling string pickers. This music-rich program features shredding desert-rock axemen and filigree griot guitarists from Niger and Mali, as well as new sounds from the Congo, Zimbabwe and Madagascar. We’ll also travel to rural Botswana to meet itinerant guitarists who have gained a worldwide following through eye- and ear-popping YouTube videos. Some of their new music is now out on a unique compilation called I’m Not Here to Hunt Rabbits. We’ll hear the sweet, raw sounds and their surprising stories, and discover a whole new way of playing the world’s most versatile string instrument.

This spring, Afropop returned to Fes, Morocco, for the 23rd annual World Sacred Music Festival, a sumptuous spread of music from across the globe that blurs the boundaries of what is sacred. Interwoven with Morocco’s ornate history and fertile fabric of daily life is a mosaic of many musics: Gnawa, Arabic pop, Amazigh ahwach, classical Andalusian, Issaoua, raï, rap, chaabi, jazz, metal and so much more. At the World Sacred Music Festival, we heard many of these sounds, as well as those of international artists from China to Mali to Kuwait. Join us as we revisit these concerts—the late night music of Sufi brotherhoods, Moroccan fusion with Taziri and Inouraz, traditional Kuwaiti pearl diving music with Salman El Ammari, a stunning bit of Mali-Spain fusion with Toumani Diabate and Ketama, and more. Beyond the festival, we sit in with a respected Gnawa mâalem in Rabat and sample the array of tunes heard in cars, shops and CD stores around Fes.

Vinyl is back! But there’s a difference between the world of glossy reissues and the format’s golden age. Skippy White’s record store in Boston has been selling records since 1961, and he’s seen it all—er, heard it all, maybe. Brian Coleman and Noah Schaffer produced this check in with a music lifer.

Brazil has seen its ups and downs since it became an independent empire in 1822: strongman leaders, military rule, populist democracy and more. In 2018, a politically weary nation faces a stark electoral choice between radically different futures. But whatever was happening in the halls of power, Brazil has always produced powerful, beautiful and ecstatic music, and always known how to party. On Afropop’s 2018 return trip to Brazil, We take a deep dive into the music and evolution of Carnaval in Salvador, Bahia, and dig into new developments in MPB, roots and rock from Pernambuco, Baile funk, new sounds from Amazonia and more from one of the most prolific musical nations on earth.

Borrowing the title from Cuban polymath Fernando Ortiz, producer Ned Sublette takes a group of travelers, including you, to multiple sites in western Cuba to analyze the musical impact of what Ortiz called the "Cuban counterpoint" of tobacco and sugar. We'll hear endangered species of drums in mountain farms and sugar towns, drilling down into the deep culture of the Afro-Cuban world. We'll hear sacred drumming as handed down from Kongo sources, from Yorubaland, from Dahomey, and more, in sites that are indelibly stamped with the imprints of Africa, above all in music. We'll hear an incredible poetic improviser, go to a block party in Matanzas, and talk to our guest scholar, Latin Grammy-winning record producer Caridad Diez, about the power of rumba and its meaning in Cuban society in the wake of UNESCO's designation of rumba as world heritage. Produced by Ned Sublette.

On a hill in the northern suburbs of Lisbon, Portugal sits the neighborhood of Cova da Moura. Only a highway and a forest park separates it from the city center, but it could be an ocean away. Built in the 1970s by immigrants from former Portuguese colonies in Africa (namely Cape Verde and Angola) Kova M, as locals call it, is a community brimming with life. Cape Verdean Kriolu, not Portuguese, is the lingua franca, and funana, Kriolu rap and afro-house dominate the streets. We take a walk through the neighborhood and visit the local community center, Moinho da Juventude, whose free-to-use music studio has become a launchpad for an abundance of young talent. Here, the youth of Kova M turn out potent rap and afro-house and produce their own music videos. In doing so, they speak their truths of living in a neighborhood harshly kept in the margins of Portuguese society.

In West Africa, women are on the cutting edge of musical and cultural progress. This program looks at four singer/composers with roots in tradition and unique ideas about how to keep them current in the fast-changing milieu of today’s African music. Mali’s Fatoumata Diawara keeps her focus on messages, mixing traditional sounds and rock idioms to reach young audiences. Senegal’s Aida Samb is finding new avenues for that country’s trademark mbalax sound, including collaborations with Afrobeats stars like Wizkid. Elida Almeida of Cape Verde has emerged as a freewheeling composer, able to draw on whatever influences she likes, and it’s working for fans of all generations. And Benin’s Angelique Kidjo, never one to sit back on her many successes, has covered Talking Heads’ 1980 album Remain in Light, in its entirety, re-Africanizing a rock classic for a new time. We’ll speak with all four artists, and hear their latest music. Produced by Banning Eyre.

As work continues on the vast Afropop archive, producer Banning Eyre takes a deep dive and comes up with some gems. On the vinyl front, the focus is on South African and Zimbabwe, where the Afropop team collected a good deal of rare vinyl in the 1980s. Then Banning samples some his favorite field recordings from Zanzibar to Mali. In the age of YouTube, Pandora and Spotify, you might have the impression that all the music ever recorded is there at your finger tips. Here's proof that's not so. You'll hear music on this program you can't find anywhere else. Originally aired in 2015 [APWW #714]

For some 50 years, Leo Sarkisian was a worldwide staple on the overseas radio broadcast of Voice of America. A talented musician, raised in the Armenian community around Boston, Leo began traveling the world with his Nagra tape recorder and microphones for Tempo International, a Hollywood record label. His intrepid work in remote corners of Afghanistan and in newly independent Ghana and Guinea won him the attention of Edward R. Murrow, then at VOA. So began Leo’s epic career as a documenter, archivist and popularizer of African music. He once said he had worked in every African country but one. In recognition of his passing in June, 2018, we revisit Leo’s rich, fascinating conversation and music-sharing session with our own Georges Collinet. Expect lively exchanges between two radio icons, and some rare audio, including Leo's 1965 recording of Fela Kuti during his jazz years. APWW #783

A lot has happened since Afropop last visited Zimbabwe. The 37-year regime of Robert Mugabe has ended, and Thomas Mapfumo, the Lion of Zimbabwe, has staged a triumphant return concert after a 14-year absence. Meanwhile, the country’s youth now moves to the groove of Zim-Dancehall from the likes of reigning star Winky D, and roots gospel from Jah Prayzah. On this program, we catch up with all these new sounds, hear the latest from Oliver Mtukudzi, and meet one of the most creative singer/songwriters on the scene these days, Victor Kunanga. APWW #781 Produced by Banning Eyre

Singer and bandleader Thomas Mapfumo is an icon in his home country, Zimbabwe. But he last performed there in 2004. He moved his family into exile in Oregon to escape the turmoil, scarcity and harassment they faced in the late years of President Robert Mugabe’s regime. But in April , 2018, with Mugabe out of power since November, Mapfumo returned to Harare to perform an all-night stadium concert for an estimated 20,000 people. Banning Eyre, author of Lion Songs, Thomas Mapfumo and the Music that Made Zimbabwe, was there and this podcast is his report on a historic homecoming concert.

Afropop producer Banning Eyre takes us on a surprise-filled tour of his 30-some years of covering African music. Through conversations with Georges Collinet and producer/agent/DJ Rab Bakari, the program reflects on how the world, the music, the culture and the media have changed and keep on changing throughout Africa and the diaspora. Along the way we hear some of the tunes that have most inspired Banning and Georges, sample the latest Afrobeats and Naija pop, and speculate on where African music is heading next. Great music, provocative thinking! [APWW #740]

Afropop Closeup Season 3 - Episode 2 Produced by Ian Coss

DO YOU LOVE BRASS? WELL, WE HAVE A SHOW FOR YOU… GANGBE BRASS BAND, REBIRTH BRASS BAND, FELA, FRANCO AND T.P.O.K. JAZZ. JOIN GEORGES COLLINET FOR “ALL THAT BRASS” - PART OF AFROPOP’S CELEBRATION OF OUR 30TH ANNIVERSARY! [APWW #780]

For six decades Calypso Rose has been one of the Caribbean’s leading feminists and human rights advocates. Now, at the age of 78, she's touring the world with songs about sexual assault, workplace discrimination, and some thoughts on Donald Trump. In this report, Afropop correspondent Dan Rosenberg talks with Calypso Rose about using music as a weapon for social change, and how Rose collaborated with fashion designer Anya Ayoung Chee to transform "Leave Me Alone" into a political movement. We will also go behind-the-scenes with her producer, Ivan Duran, bandleader Drew Gonsalves of Kobo Town, and filmmaker Pascale Obolo. S3:E1

In honor of Afropop's 30th anniversary on public radio, we are proud to present "Afropop Divas - Live." These are artists of extraordinary artistic talent and larger than life personalities - recorded by Afropop Worldwide. Featured artists include Oumou Sangare from Mali, Cesaria Evora from Cabo Verde, Uum Kulthum from Egypt, and Marie Daulne born in Congo. Produced by Sean Barlow. [APWW #778]

Lagos and the Rise of Nigerian Afrobeats Heavy, percussive club beats with irresistible hooks and street-wise raps in Yoruba, Igbo or pidgin English—Nigerian pop music, increasingly known by the much-debated term Afrobeats, is the sound that moves Lagos and the sound of Lagos that moves the world. But it wasn’t always this way! Starting in the early 1990s, a new musical movement was born in Nigeria. Ten years into a series of military dictatorships that almost completely destroyed the Nigerian music industry, artists including Junior & Pretty, the Remedies and Plantashun Boiz brought a new, youth-centric style drawing heavily on r&b, hip-hop and reggae, with plenty of local style. Twenty years later, this music has exploded from the margins to the Nigerian mainstream and grown into an international pop music phenomenon, spreading across the African continent and influencing U.S. and U.K. tastes. Musical, political, cultural, technological and economic developments have turned the sound of Lagos pop music into a massive industry of artists, labels, radio and television stations, video directors, PR firms and more. We’ll hear the story of the birth and development of this scene straight from the influential and foundational figures who lived it, including 2Face Idibia (2Baba), DJ Jimmy Jatt, Sound Sultan, Eedris Abdulkareem, and Kenny Ogungbe of the legendary Kennis Music label and Ray Power FM. We will also hear from current stars including Iyanya, Yemi Alade, Adekunle Gold and Flavour, visit Clarence Peter’s music video studio, and hear from the producers who define the sound, including Young John, Ikon and Cobhams Asuquo. Produced by Morgan Greenstreet. Hosted by Siji Awoyinka. Photo by Kazeem Akinpelu APWW #765

Beneath the gloss of Nigeria’s contemporary pop, older roots styles, mostly derived from Yoruba tradition, still thrive. In this program, we meet four top stars of fuji music, the percussion-driven, message-heavy, and occasionally profane trance music that animates weddings and parties on a daily basis in hidden corners of Lagos. Rival “kings” K1 da Ultimate and Saheed Osupa, and a rare woman of fuji, Salawa Abeni, take us inside the rough and tumble of an exciting musical subculture little known outside Nigeria. We also meet juju legend Shina Peters and meet up-and-comers on the Lagos roots scene. This program fills out our Hip Deep portrait of a vibrant African city where music holds the keys to a tumultuous collision of cultures and peoples. Produced by Banning Eyre and Sean Barlow APWW #763

In the early 2000s, Afropop told the story of “Four Generations” in Congolese music—from rumba and rumba-rock to soukous and ndombolo. Now time has marched on, and once again, thrilling new sounds are emerging from Kinshasa and its global diaspora. We’ll hear hyperkinetic roots-rock from Jupiter and Okwess, Fally Ipupa’s embrace of the current Afrobeats trend, experimental innovations from Pierre Kwenders in Montreal, and more. We’ll also speak with Congolese music connoisseur Lubangi Muniania for insights into the latest trends from one of Africa’s greatest musical powerhouses. Produced by Banning Eyre APWW PGM #777

One of the glories of Afropop’s 30-year run has been joining our host Georges Collinet in the kitchen as he creates delicious concoctions, while grooving to his favorite tunes. This episode looks back on two classic “Cooking with Georges” episodes: Yassa Chicken from Senegal, and Yoruba soul food with guest chef Baba John Mason—all accompanied music to make you move, from wherever George’s insatiable culinary curiosity takes him. Get your apron and your dancing shoes ready! Produced by Banning Eyre APWW #776

Barbados recently celebrated its 50th anniversary of independence. We look into the rise and mysterious fall of the funky Bajan spouge beat which ruled the island in the ’70s, and discover a few underground musicians who are trying to keep it alive. Calypsonians Mighty Grynner and Red Plastic Bag detail their contributions to the lyrically potent kaiso scene. Soca stars Alison Hinds and Edwin Yearwood talk about the pros and cons of the island's competition circuit, and we learn about the hot new "soca bashment" scene. Produced by Saxon Baird and Noah Schaffer in 2017. APWW #746

Crabs with Brains In the early 1990s, mangueboys and manguegirls stimulated fertility in the veins of Recife, Brazil. They were interested in hip-hop, the collapse of modernity, chaos and marine predator attacks (mainly sharks). Armed with boundless creativity, they turned one of the world’s most poverty-stricken cities into one of Brazil’s greatest centers of culture. Mangue artists mixed hip-hop, Jamaican raggamuffin and punk rock with traditions from Brazil’s northeast like maracatu and embolada. In this program, we explore the legacy of the mangue bit movement and its biggest star, Chico Science of Nação Zumbi. We also take a look at a new generation of adventurous musicians in Recife. Join us as we connect the good vibrations of the mangue with the world network of pop! Produced by: Jesse Brent April 5, 2018: Crabs With Brains APWW PGM #704

Look around today’s musical mainstream, and you’ll quickly realize that dance styles are everywhere, filling stadiums, topping charts, and gathering tens of thousands in festivals around the country. Yet few know their full history. Building on prior Hip Deep explorations of the origins of house and techno in the American Midwest, “Roots and Future” explores how a community of (primarily) black British musicians, fans, DJs and radio pirates recreated dance music in the United Kingdom during the 1990s and 2000s. Connected to the musical mainstream during 1989’s drug and rave-fueled “second summer of love,” these once-segregated musicians learned to combine American hip-hop, dancehall toasting, dub bass, and techno euphoria to create style after chart-topping style, from drum-twisting jungle to the slick sounds of garage, the ferocious rhythms of grime, and the all-encompassing low end of dubstep. In this episode we’ll speak to legendary pirate radio DJs, underground label owners, and groundbreaking producers. We’ll check young MCs spitting their bars on illegal frequencies, and hear veterans playing to their beloved audiences. And most importantly? We’ll rave. See you on the dance floor. Produced by Sam Backer. APWW PGM #733

​Trinidadians call their annual Carnival festivities "the greatest show on earth" and with good reason. The Carnival season is overflowing with art and music: steelpan, calypso, soca and extravagant masquerade costumes. On this Afropop program, we take a look at how the Carnival arts are kept alive in today's Trinidad, in an untidy, evolving cultural, economic and political landscape at home and abroad. Open your ears to some life-giving music and conversations about Trinidad and its brilliant bacchanal. Produced by Sebastian Bouknight. APWW PGM #774​​

Since the launch of the second Afropop Closeup season in the summer of 2017, we’ve taken you through the stories of producers, lovers, activists, poets and musicians from Africa and the diaspora finding their respective ways in the world and connecting through music. Since this series is only available online, we are bringing you highlights of some of the most captivating stories in this season. You will hear the voices of our regular Afropop producers and some newcomers narrating these stories from around the world. Produced by Akornefa Akyea. APWW PGM #772

When this episode first aired, the recent death of Malian guitar legend Ali Farka Touré inspired a new round of speculation about the roots of the blues in Africa. Touré famously argued that the beloved American genre was "nothing but African", a bold assertion. Among scholars, Gerhard Kubik's book Africa and the Blues has gained recognition as the most serious and penetrating examination of the subject. This program in our Hip Deep series will be produced in collaboration with Kubik, allowing a rare opportunity to delve into his vast collection of recordings. We will listen to Ali Farka Touré and John Lee Hooker through Kubik's ears, and hear from many lesser known artists on both sides of the Atlantic. Even though the blues is a central component of American music, it is one of the most mysterious, and least understood aspects of our popular music culture. This program will give us new insight. Produced by Banning Eyre. (originally aired 2007)

As the 21st century rolls on, more and more of the musical artists who are making a difference cannot be pinned down to any one national identity. Migration, inter-marriage, and the hurly burly of our globalized planet are creating a new and growing generations change-makers with hyphenated identities. In this program we hear from Ayo (Nigerian-Roma-German), Meklit Hadero (Ethiopian-American), Weedie Braimah (Ghanaian-American), La Dame Blanche (Cuban-French), Pascal Danai of the band Delgres (Guadeloupan-French) and others as we sample the rich music and hear the stories, challenges and triumphs of this fascinating new generation of global musical creators.

Musicians everywhere adapt stage names. They can be profound, grandiose or simply humorous, but they always represent a way of distinguishing the artist from the person. In Nigeria, there’s something special going on with stage names. For one thing, they are nearly universal. They can also change over the course of an artist’s career. And they reflect the realities of Nigeria’s complex history, under British colonialism, military rule and the recent democratic period. Stage names riff on the domains of business, religion, politics, the military and the far reaches of the unique Nigerian imagination. This podcast offers a whimsical tour of contemporary artist names in this diverse musical nation. Produced by Banning Eyre.

In recognition of the recent death of South African maestro Hugh Masekela, we revisit a program that touches on one of his earliest musical landmarks, The Jazz Epistles. It’s no secret that the distant roots of American jazz lay in Africa. But how did Afro-America’s revolutionary sound reshape African music? On this Hip Deep edition, we examine how African artists found a modern, global voice using jazz as inspiration. Author Carol Muller tells the story of Abdullah Ibrahim, whose prolific career was launched with “Duke Ellington Presents the Dollar Brand Trio” followed by “Anatomy of a South African Village Suite.” We dig into the political significance of the U.S. State Department tours of Louis Armstrong and Duke Ellington, and how their visit to Africa underscored the greater fight for social justice for blacks around the world. Senegalese music scholar Timothy Mangin explains West Africa's attraction to American big band music. Finally, jazz and African music scholar Ingrid Monson tells the story of jazz in Ethiopia and Nigeria, and how this American tradition sculpted the sounds of such luminaries as Mulatu Astatke and Fela Kuti.

As we begin our year of celebrating Afropop Worldwide's 30th anniversary on the air, we take a special look back at some highlights of our long run on public radio. We return to our past visits to South Africa, Congo, Senegal, Mali, Cuba, and check in with the hippest hip-hop artists we caught performing at Nuits d'Afrique and Mawazine. Produced by Sean Barlow and Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #771 Distributed 1/25/2018

The songs of Betsayda Machado, the leading voice of Afro-Venezuelan music, address many of the most painful topics of daily life of her country: hunger, poverty, shortages of basic medicine, and deadly street riots – stemming from the current economic and political crisis in Venezuela. They talk about its consequences on a gut level: empty store shelves, and the devastation of parents unable to feed their children. Some in Venezuela who have spoken out have faced retribution, but that hasn’t deterred Betsayda Machado. Produced by Dan Rosenberg. About the producer: Dan Rosenberg is a journalist and music producer based in Toronto, Canada. He reports and music and culture for The Huffington Post, The Times (UK), The Rough Guides and various public radio programs including “Afropop Worldwide” and “Café International”. He also has produced over 60 albums including Yiddish Glory and dozens of releases for the Rough Guide to World Music series. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E11 Afropop Closeup Distributed 1/23/2018

Amal Hussein and Hamdi Mohamed have a lot in common. Both were born in Kenya, where their parents fled as refugees during the Somali Civil War, and both came to Boston when they were just a few years old. They’re both poets — and equally important for this story — both their grandmothers are poets. But there’s one crucial difference in the two women's stories. Hamdi grew up with her grandmother ("ayeeyo" in Somali") in the house, whispering poems in her ears. Amal has only known her grandmother on the phone — she stayed behind when the rest of the family fled. Nevertheless, it is the distant words and stories of her grandmother that inspire Amal to take on the challenge of writing her first Somali poem. Produced by Ian Coss. This program was produced in partnership with The New American Songbook podcast from The GroundTruth Project. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E10 Afropop Closeup Distributed 1/09/2018

This program presents a musical portrait of Bamako in the wake of crisis. In 2012-13, Islamists occupied the north and a coup d’etat threatened a recent history of functioning democracy. With borders restored and a new elected government in place, we find musical life returning with festivals, nightclub shows and street weddings. But that picture hides darker realities. Ethnomusicologist Lucy Durán has been studying the oral transmission of music in various countries, notably among griot families in Mali. With her guidance, we explore the precarious lives of griots in today’s Bamako, focusing on the upbringing and education of children in these hereditary families of historian-entertainers. Elders and traditionalists say the griot tradition has been corrupted beyond hope, and even advise their young to pursue different professions. Others persist, within an environment where growing religious conservatism puts increasing pressure on the lives and careers of all musicians. We meet three extraordinarily talented griot children, and hear music and reflections from kora master Toumani Diabaté and his massively popular songwriter son, Sidiki. And we get a fascinating historical perspective from Gregory Mann, professor of history at Columbia University. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #731 Distributed 1/11/2018

In hard times and boom times, people in Ghana know how to party. In this program, we hear the regional pop and neotraditional music that animates festivals, funerals and community celebrations across the county. We travel to the lush Volta region in the east to hear Ewe borborbor, agbadza and brass band music. In the northern city of Tamale, we hear Dagbani traditional music, hip-hop and pop, and visit the vibrant Damba chieftaincy festival in nearby Yendi. Back in the bustling metropolis, Accra, we get down to the latest pop hits and underground styles moving hips in the capital city. Produced by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #745 Distributed 12/28/2017

Underneath the streets of New York City, in the tunnels and stations of the busiest subway system in the country, there is a thriving music scene. Amidst the noise of passing trains, we meet Papa Fara, a Cameroonian xylophonist and singer, who plays for tips and captures the love of strangers and makes friends with his quick, warm smile. But, behind the smile and beautiful melodies, something is troubling Papa Fara. There’s a reason he’d rather be underground. Produced by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E9 Afropop Closeup Distributed 12/26/2017

Paris has been a thriving capital for African music for decades. Since the 1980s, many major musicians such as Mory Kanté, Khaled and Amadou and Mariam launched their international careers there. Today, as migration patterns evolve, borders tighten and the world becomes increasingly connected via the Internet, Paris remains more than ever a city of encounters and innovations for artists of African origin. With new generations experimenting and new audiences emerging, the term “world music” has lost relevance as artists explore outside geographic and industry-dictated boundaries. In this program, we explore the new "Afropolitan" sounds of Paris, from concert halls to studios, from the heart of the city to immigrant neighborhoods in the banlieues. We hear from Mauritanian singer Noura Mint Seymali, and instrumentalists Ballake Sissoko and Lansiné Kouyaté exploring alongside classically trained French musicians. We catch up with Nigerian Afrobeat pioneer Tony Allen to hear about his life in Paris and his new jazz project, drop in on a recording session with young Algerian raï singer Sofiane Saidi, and meet Sudanese flautist Ghandi Adam, who provides a musical platform for migrants and refugees with his Lamma Orchestra. The sounds of tomorrow are in the making in Paris today! Produced by Elodie Maillot and Alejandro Van Zandt-Escobar Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #769 Distributed 12/21/2017

In recognition of the end of Robert Mugabe's 37-year rule in Zimbabwe, we are rebroadcasting our program on the career of Thomas Mapfumo during the Mugabe years. Part two of the story of Zimbabwe’s most consequential singer and bandleader picks up at the dawn of the country’s independence in 1980. The program focuses on key songs from Thomas Mapfumo’s vast post-independence catalogue, beginning with his celebration of victory, and his warnings about “dissidents” out to destabilize a young nation struggling for unity. The 1988 song “Corruption” officially opens Mapfumo’s rift with the regime of Robert Mugabe, turning a government financial scandal into a pop culture sensation. 1999’s “Mamvemve” accuses leaders of betraying the promises of the liberation struggle and reducing a rich country to tatters, and 2003’s “Marima Nzara” takes on the government over Zimbabwe’s most prolonged and vexing challenge—reclaiming land stolen from Africans by Rhodesian settlers over a century of colonial rule. In all, this is an amazing saga of a popular singer’s evolution from enthusiastic booster to caustic critic of a young African government. Zimbabwean historian Mhoze Chikowero contextualizes all these songs with vivid descriptions of the issues and events that Mapfumo’s work both responded to and shaped. At the time this program was recorded, Afropop producer Banning Eyre had been researching a biography of Mapfumo for more than 15 years, and the broadcast draws upon his, and Afropop’s, wealth of archival interviews and rare musical recordings, resulting in a persuasive portrait of a brilliant musical innovator and an under-recognized titan of African post-colonial cultural politics. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ Produced by Banning Eyre. APWW #657 Distributed 12/14/2017

During the 2016 U.S. presidential election, some foreign observers were puzzled by groups of Nigerians who showed support for Donald Trump’s campaign. The most prominent supporters were the IPOB (Indigenous People of Biafra), a controversial, fervently Christian, mostly Igbo, nationalist organization that is still fighting for independence from Nigeria. On Jan. 20, 2017 a rally in Port Harcourt celebrating the inauguration of Donald Trump turned violent, and a number of people were shot dead by Nigerian security forces. In order to understand Trump’s appeal to the IPOB, we hear from current Biafra activists and dissenting voices in the Port Harcourt community, and examine how the unresolved issues that triggered the devastating Biafran War in the 1960s still resonate and persist in the Niger Delta today. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E8 Afropop Closeup Distributed 12/12/2017

It's time once again for Georges Collinet and Banning Eyre to spin through our favorite African and African diaspora releases of the year. 2017 has been a knockout, with spectacular new albums, including a collaboration between Mali's Trio da Kali and Kronos Quartet (Ladilikan), the debut of Madagascar's super trio Toko Telo (Toy Raha Toy), Oumou Sangare's comeback (Mogoya), a killer live set of Garifuna pop from Aurelio (Darandi) and the long-awaited second album from Zimbabwe's hottest young band Mokoomba (Luyando.) Plus we sample new recordings by legendary African big bands--Afrisa, Baobab, Les Mangelepa—Afro-Americana from Ranky Tanky to the Preservation Hall Jazz Band, Latin roots music from Cuba, Colombia and Venezuela, and of course lots of kicking Afrobeats tunes from the bustling cities of West Africa. Female artists dominate the stage in our 2017 year-end roundup. More disciplined media outlets might give you a Top 10. Not us. We're doing our best to give the nod to some 50 great releases! A whirlwind feast for the ears, and a wide range of gift suggestions for the holiday season. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #768 Distributed 12/7/2017

Back in the day, host Georges Collinet and producer Sean Barlow (A.K.A. Prince Segue Segue) dragged stacks of vinyl all over the country to deejay for station-produced Afropop Dance Parties. We'll dig into the past to retrieve some of our favorite gems from the Congo, Zimbabwe, Colombia, Brazil and Cote d'Ivoire. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #767 Distributed 11/30/2017

Kizito Mihigo is one of Rwanda’s most beloved singers, yet he is currently imprisoned, serving a 10-year sentence for treason. In 2014, Mihigo released a song which criticized the wartime actions of Rwanda’s governing political party. The song went viral, sparking a nationwide dialogue around the genocide, and weeks later, Mihigo was arrested on charges of conspiracy to assassinate the president of Rwanda, Paul Kagame. Is Mihigo truly guilty of conspiracy, or only of speaking (and singing) truth to power? Produced by Charulata Sinha. About the producer: Charulata Sinha is a writer and radio producer based in New York City. She has worked with WNYC’s Radiolab and Vice’s Radio Motherboard. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E7 Afropop Closeup Distributed 11/28/2017

Funk is a perennial favorite. In this panoramic history of the grooviest of genres, we hear track after track of absolute boogie-down classics. Everything from Sly and the Family Stone to James Brown, with a few stops to hear legends like the Meters, Kool and the Gang, and Parliament. We’ll also hear the great Bobby Byrd explain the rhythmic motor behind the JB’s, and Georges Clinton talk about the roots of his funk. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #124

Sound clashes have been a mainstay of reggae culture for decades. Mobile sound system teams face off to see who can best move the crowd with their selections of records and exclusive "dub plate" jingles. On a recent late night in Queens, seven sounds competed for the U.S. champion title, and many were surprised by the winner. We meet the sound-system operators and talk to fans about why they love the clash scene. About the producer: Noah Schaffer is an award-winning music journalist based in Boston. He produced the 2017 Afropop Worldwide episode "Barbados at 50: Spouge to Soca" and is the roots and world music columnist for ArtsFuse.org. He is currently working on a story about southern soul for Living Blues magazine and a full-length oral history project with gospel legend Spencer Taylor Jr. and his group, the Highway QCs. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E6 Distributed 11/14/2017

Join producer Ned Sublette on the streets of Angola’s big, smoggy, oil-booming capital city of Luanda. Peace came to Angola in 2002 after 42 years of war, and now everything is different, with construction under way everywhere. The post-war generation of the last 10 years communicates via text messaging and electronic music: The biggest of which is the techno-meets-rap-meets-African-dance style known as kuduro (literally, “hard-ass”). But there’s also the zouk-like couple dance of kizomba, a phenomenon that began in the ‘80s and still packs in dancers to Luanda clubs and, on amore underground level, the computer-driven style called Afro-house. We’ll talk to kuduro stars Titica, Cabo Snoop, and the charismatic comic duo of President Gasoline and Prince Black Gold, and ride to the bairro of Marçal to visit the studio of Afro-house beatmaker DJ Satelite. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #648 Distributed 11/9/2017

We explore the role music played in the creation of a uniquely Angolan consciousness as the country struggled toward independence in the 1960s and ‘70s after centuries of colonialism. Our guides will be producer Ned Sublette, on the ground in Angola, and Dr. Marissa Moorman, historian of southern Africa, and author of Intonations: A Social History of Music in Luanda, Angola from 1945 to Recent Times. We’ll hear the pathbreaking group Ngola Ritmos, who dared sing songs in Kimbundu publicly when it was prohibited by the Portuguese. We’ll hear immortal voices from the age when the guitar-driven style called semba ruled, as well as some snazzy ‘60s guitar instrumentals. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW # 647

Sibo Dube and Maureen Nabisere met inside the U.K.’s most notorious immigrant detention centre, Yarl’s Wood. In the midst of captivity and uncertainty, the two women bonded in the detention center choir group; they had come to the U.K. seeking liberation from the emotional imprisonment they had faced in Zimbabwe and Uganda respectively, where their sexuality is illegal. Their relationship would be their emotional salvation, and potentially, their ticket to freedom in the U.K., which places a heavy burden of proof on LGBT asylum seekers to show they’ve had same-sex relationships. Produced by Hannah Harris Green and David Waters. About the producers: Hannah Harris Green is an independent writer, reporter and radio producer interested in gender and globalization. Her work has appeared in How We Get to Next, Quartz, The Guardian and VICE News and has aired on KPCC, WHYY, Pacifica and KUNC. David Waters, who produced the interviews for this piece, is a journalist and radio producer based in London, U.K.. David produces the Voices podcast coming soon on Audible. More on Sibo’s story will be featured in an upcoming episode this fall. Collaboration: The Voices podcast, forthcoming on Audible Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E5 Distributed 10/31/2017

Heavy, percussive club beats with irresistible hooks and street-wise raps in Yoruba, Igbo or pidgin English—Nigerian pop music, increasingly known by the much-debated term Afrobeats, is the sound that moves Lagos and the sound of Lagos that moves the world. But it wasn’t always this way! Starting in the early 1990s, a new musical movement was born in Nigeria. Ten years into a series of military dictatorships that almost completely destroyed the Nigerian music industry, artists including Junior & Pretty, the Remedies and Plantashun Boiz brought a new, youth-centric style drawing heavily on r&b, hip-hop and reggae, with plenty of local style. Twenty years later, this music has exploded from the margins to the Nigerian mainstream and grown into an international pop music phenomenon, spreading across the African continent and influencing U.S. and U.K. tastes. Musical, political, cultural, technological and economic developments have turned the sound of Lagos pop music into a massive industry of artists, labels, radio and television stations, video directors, PR firms and more. We’ll hear the story of the birth and development of this scene straight from the influential and foundational figures who lived it, including 2Face Idibia (2Baba), DJ Jimmy Jatt, Sound Sultan, Eedris Abdulkareem, and Kenny Ogungbe of the legendary Kennis Music label and Ray Power FM. We will also hear from current stars including Iyanya, Yemi Alade, Adekunle Gold and Flavour, visit Clarence Peter’s music video studio, and hear from the producers who define the sound, including Young John, Ikon and Cobhams Asuquo. Produced by Morgan Greenstreet. Hosted by Siji Awoyinka. Photo by Kazeem Akinpelu Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #765 Distributed 10/26/2017

For almost a month, the fate of Puerto Rico and its inhabitants has remained unknown due to the devastating effects of Hurricane Maria during the unusually active hurricane season of 2017. There are still many people on the island living without electricity or potable water and in desperate need of assistance. This week we are airing a special Hip Deep encore presentation of “Riqueza del Barrio: Puerto Rican Music in the United States” produced by Ned Sublette to help raise awareness and celebrate the vibrant music and culture of Puerto Rico. To find out how you can help, please visit http://www.afropop.org/39658/hurricane-relief/. Once Puerto Ricans became U.S. citizens in 1917, El Barrio sprang up in New York. By the 1930s, they were the dominant Latin group in the city. Tito Puente, born on 110th St. in 1923, was the first important Latin star who was a native speaker of English. Puerto Ricans’ distinctive way of playing popular Cuban styles became, almost paradoxically, an expression of Puerto Rican national identity, even as traditional Puerto Rican bomba and plena became a familiar sound in New York, and as Ricans invented a unique jazz style. In the last few years, reggaetón has dominated Latin radio internationally. “Riqueza del Barrio” will explore Puerto Rico’s distinctive cultural identity as expressed through flavorful music. Produced by Hip Deep cofounder Ned Sublette, author of Cuba and Its Music, with guest scholar Juan Flores, author of From Bomba to Hip Hop. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #509 Distributed 10/19/2017

As Europe closes Greece’s borders in an attempt to stem the seemingly never-ending flow of refugees, immigrant artists are finding it tough to survive in an increasingly xenophobic environment. Ghanaian-Greek rapper Negros Tou Moria is carving out new territory and challenging stereotypes with rap music that is deeply rooted in Greek language and culture. Produced by Heidi Fuller-love. About the producer: Heidi Fuller-love is an award-winning freelance travel writer and radio producer based in Spain and Greece. She travels for five months of the year and regularly contributes to radio outlets including BBC and Deutsche Welle. She also writes for dozens of print outlets worldwide, and she produces and hosts “British Airways City Guides” to the airline’s short haul destinations. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E4 Distributed 10/17/2017

Fela Anikulapo-Kuti would be 79 years old this month, had he not died from complications of AIDS in 1997. By the time of his death, Fela was the inventor of the enduring and influential Afrobeat music style, the composer of an enormous body of music, and one of the bravest political voices in 20th century African music. It is fair to say that no African musician before or since has sacrificed more for the principles he believed in. Nigerian history and music have barreled forth during the two decades since Fela left us. A powerful new generation of Nigerian musicians have emerged in that time, and the music they now champion has been dubbed “Afrobeats,” an appropriation of the name Fela gave his original sound during its heyday. The youngest artists on the scene today have no direct memory of Fela, though his legacy is impossible to escape. In this program, we hear from current day Nigerians from multiple generations and genres—fuji, juju, hip-hop (Afrobeats) and highlife—on how they remember this musical giant, and how they reckon with his complex and challenging legacy. Produced by Banning Eyre and Morgan Greenstreet. Hosted by Sahr Ngaujah. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #764 Distributed 10/12/2017

When we talk about the influence of American performers on African music, we usually think about a few obvious examples, legends like Michael Jackson, Jimi Hendrix or James Brown. In this episode, we go beyond these stars to explore the legacy of some lesser-known inspirations. We’ll learn how the fluid guitar playing of ’70s rock band Dire Straits became massively popular in the Sahel, influencing Tuareg rockers like Tinariwen and Tamikrest. We’ll hear about the American country superstar Jim Reeves’ African career, and the unlikely story of how the pedal steel made it from Hawaii to Lagos. Finally, we’ll travel to Angola with the help of director Jeremy Xido, to explore that nation’s death metal scene. And along the way, we will try to understand just how to account for taste. Produced by Sam Backer with help from Jesse Brent. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #703 Distributed 10/5/2017

The San Francisco Bay Area is a unique cultural space that has given birth to some of the most iconic countercultural American music. It is a place where identities can be fluid and hyphenated, where new voices emerge to speak to their times. Two very different Bay Area artists, Meklit Hadero and Zena Carlota, use their music to explore what it means to live on two sides of a hyphen: African-American, black-artist, Ethiopian-American, female-musician, to name a few. Produced by Lisa Bartfai About the producer: Lisa Bartfai is a freelance radio journalist, writer and translator based in Brunswick, ME. As a senior producer at award-winning Blunt Youth Radio, Lisa shares her love of radio with the next generation of noisemakers. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ S2:E3 Distributed 10/3/2017

Beneath the gloss of Nigeria’s contemporary pop, older roots styles, mostly derived from Yoruba tradition, still thrive. In this program, we meet four top stars of fuji music, the percussion-driven, message-heavy, and occasionally profane trance music that animates weddings and parties on a daily basis in hidden corners of Lagos. Rival “kings” K1 da Ultimate and Saheed Osupa, and a rare woman of fuji, Salawa Abeni, take us inside the rough and tumble of an exciting musical subculture little known outside Nigeria. We also meet juju legend Shina Peters and meet up-and-comers on the Lagos roots scene. This program fills out our Hip Deep portrait of a vibrant African city where music holds the keys to a tumultuous collision of cultures and peoples. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #763 Distributed 9/28/2017

Junkanoo, an annual communal parade held in the Bahamas, is a labor of love for the Bahamian people that dates back centuries. The parade, which has Akan cultural roots, emerged in the time of slavery, but it has since moved from the margins to the very center of society, becoming the bedrock of national culture. When the government wanted to invest millions into the development of a major cultural festival designed to attract tourists, Junkanoo seemed like the obvious choice. In this podcast, we hear what happened when the government chose to use Trinidad Carnival as the model instead.  Produced by Gabrielle Misiewicz Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ Distributed 9/19/2017 Afropop Closeup S2:E2

New York City is home to the earthshaking Latin dance music known as salsa. From the mid-1960s through the 1980s, Fania Records released many of the landmark albums of the era, creating a salsa boom that reverberated around the world. In 2014, Fania celebrated 50 years in the business; and to celebrate, we dug into the label’s history. We’ll hear from some of the principal players, including Aurora Flores, Nicky Marrero and Larry “El Judio Maravilloso” Harlow, and tell a few Afropop-centric stories along the way. Produced by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #696 Distributed 9/14/2017

To celebrate the launch of the second season of the Afropop Closeup podcast, this special radio program features some of the stories from the inaugural season. We’ll hear about the plight of Haitian radio stations in New York; the story of Mabiisi, a unique transnational collaboration be-tween a Burkinabe rapper and a Ghanaian roots musician; and the surprising popular resurgence of U.K. grime music. Subscribe to our podcast and follow the second season of the Afropop Closeup podcast to hear intimate stories of the struggles and triumphs of human life in Rwanda, Nigeria, Haiti, the Bahamas and the African diasporas of Greece, the U.K., Paris, New York and San Francisco. Produced by Morgan Greenstreet, Ian Coss and Sam Backer. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #762] Distributed 9/7/2017

Life in the music business has its ups and downs—especially in Haiti—and Serge Turnier (A.K.A. Powersurge) has lived both extremes. As a producer he makes his living from recorded music, not from concerts, and so many of those ups and downs have revolved around the question of copyright: a legal system for controlling who can copy, record and perform a piece of music. The concept can seem abstract, but in Ternier’s story it makes all the difference as he decides whether to give up on the Haitian music industry entirely. Produced by Ian Coss. This program was produced in partnership with Life of the Law. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ Distributed 9/5/2017

*Music in this show contains some explicit language* New Orleans, Louisiana is home to some of America's greatest musical traditions, and plays an outsized influence on the evolution of everything from jazz through to r&b, rock and funk. Today, the city is still legendary for its second line brass bands and brightly costumed Mardi Gras Indians. But if you've rolled through New Orleans on pretty much any night in the last 30 years, you've probably heard another sound—the clattering, booming, hip-shaking, chant-heavy roll of bounce, a form of hip-hop music, dance and culture unique to the Crescent City. Pulling from the national mainstream but remaking it the way that only New Orleans can, bounce has become a sonic touchstone for an entire generation of residents. For this Hip Deep edition, Afropop digs into the close-knit scene, talking to dancers, producers, MCs, and managers from over 30 years of bounce, all to explore the beat that drives New Orleans—and to find out what it means to the people who bring it to life. Produced by Jessi Olsen and Sam Backer. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #761] Distributed 8/31/2017

The island of Hispaniola, located in the western Caribbean, is divided in two by an invisible line that snakes down its central mountain range. On one side is Haiti, the other the Dominican Republic: one colonized by the French, the other by Spain. The island was the first place in the Americas colonized by Europeans, and was the place where trans-Atlantic slavery was first implemented. It was also home to the first--and only--successful slave revolt when Haiti rebelled against France in 1791. Yet there has frequently been a tremendous amount of tension between the two countries. For decades, Eurocentric elites in the Dominican Republic have painted Haitians as inferior and threatening. Today, there is an uproar around the issues of Haitian immigration to the D.R., and politicians who are lobbying to build a wall between the two countries. Despite the conflicts, Dominicans and Haitians are linked by deeply interwoven histories, economies and cultures. In this episode of Afropop Worldwide, we tell the story of the relationship between Haiti and the Dominican Republic through music, from the Haitian Revolution to the 1937 massacre perpetrated by Dominican dictator Rafael Trujillo. We also visit a batey community in the sugarcane fields, where residents play Haitian-Dominican gagá music, explore the relationship between race and music on the island, and meet young people using music to bring the people of Hispaniola closer together. Produced by Marlon Bishop. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #760] Distributed 8/24/2017

Working closely with Christopher Kirkley, the writer and recordist behind the Sahel Sounds blog and label, we will meet the newest generation of musicians from Mali. With their possibilities transformed by technology and their musical tastes reshaped by an exposure to sounds drawn from across the world, these young musicians are radically rethinking centuries-old traditions. Get ready for the fast-paced guitar bands of the north; the MP3 markets in which digital music passes from cellphone to cellphone; and the Balani Show music of Bamako. Produced by Sam Backer. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #666] Distributed 8/17/2017

In the 1930s, infamous Dominican dictator Rafael Truillo ordered the burning of the country’s palos drums, hoping to erase the powerful vestiges of African culture in the Dominican Republic. Luckily for us, the breakneck, trance-inducing sound of palos still reverberates at Afro-syncretic religious parties across the Caribbean nation almost a century later. This week, Afropop revisits the home of styles such as merengue and bachata, but this time we’ll be looking towards the most deeply African side of Dominican music—little known outside of the island. Afro-Dominican music is a secret treasure, filled with virtuosic drumming styles, heart-stopping grooves, and mystic dance parties. We’ll listen to traditional genres like palos, salve, and gaga, a uniquely Dominican take on rara music from neighboring Haiti. Throughout, we’ll be looking at artists who have drawn on Afro-Dominican styles to make infectious pop music, from wizened veterans of the folklore movement such as Luis Dias, to a host of hip young bands who use Afro-inspired rock, reggae and hip-hop to redefine what it means to be Dominican. We’ll also check out the Afro-Dominican scene in New York City—home to more than a half-million Dominicans—where we’ll find a Dominican gaga group in Brooklyn that is mending cultural fences at a weekly Haitian celebration. Produced by Marlon Bishop. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #579] Distributed 8/10/2017

This spring, Afropop returned to Fes, Morocco, for the 23rd annual World Sacred Music Festival, a sumptuous spread of music from across the globe that blurs the boundaries of what is sacred. Interwoven with Morocco’s ornate history and fertile fabric of daily life is a mosaic of many musics: Gnawa, Arabic pop, Amazigh ahwach, classical Andalusian, Issaoua, raï, rap, chaabi, jazz, metal and so much more. At the World Sacred Music Festival, we heard many of these sounds, as well as those of international artists from China to Mali to Kuwait. Join us as we revisit these concerts—the late night music of Sufi brotherhoods, Moroccan fusion with Taziri and Inouraz, traditional Kuwaiti pearl diving music with Salman El Ammari, a stunning bit of Mali-Spain fusion with Toumani Diabate and Ketana, and more. Beyond the festival, we sit in with a respected Gnawa mâalem in Rabat and sample the array of tunes heard in cars, shops and CD stores around Fes. Produced by Sebastian Bouknight. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #759] Distributed 7/27/2017

Every year on Sierra Leone’s Independence Day in late April, musicians and revelers descend upon Freetown from throughout the country. Parades and celebrations traverse the city, joining diverse neighborhoods with processional music, including one particular local style called bubu, a trance-inducing sound played by groups of young men blowing interlocking hocketed breath patterns into bamboo tubes. Bubu resonates with other African diasporic horn traditions, rara and gaga especially. It has long been a part of the cultural fabric of Sierra Leone, yet its deeper story has so far eluded scholarly examination. This program, supported by original fieldwork and by interviews with scholars Connie Nuxoll, David Skinner, Michael Gallope and John Nunley, begins a serious exposition and investigation of the intriguing mythology and history that surrounds this unique, hypnotic music, through a focus on musician Ahmed Janka Nabay, widely recognized in Sierra Leone and beyond as “the Bubu King.” Georges Collinet is away on assignment: Our guest host is Sahr Ngajuah, the musician and actor who starred in the Broadway show, Fela!. Produced by Wills Glasspiegel and Drew Alt. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #690] Distributed 6/20/2017 [Originally aired in July 2014]

Louis Sarno, an American original who lived for 30 years among Bayaka Pygmies in the Central African rainforest and recorded their polyphonic music more completely than any audio adventurer or ethnomusicologist could dream of, died where he was born, in New Jersey, on April 1, 2017. In his memory, we bring you this encore Hip Deep program. Read more of Banning Eyre's tribute to Louis Sarno at http://www.afropop.org/37016/remembering-louis-sarno/ A new season of Hip Deep kicks off with a remarkable journey among the forest people of the Central African Republic. The polyphonic, hocketing vocal style of this region's forest peoples ("pygmies") is one of the most singularly beautiful musical expressions in Africa, one that has entranced outsiders since the time of the pharaohs. Ethnomusicologist Michelle Kisliuk has spent nearly 25 years immersing herself in this music, and wrote a landmark book about the lives and music of the BaAka people in the Central African Republic. Kisliuk believes deeply in the performance experience--learning by doing--and this program will initiate listeners into one of the most enchanting and mysterious musical practices in Africa. The program also deals with the BaAka's problematic encounters with neighboring ethnic groups, Christian missionaries, and modernity in general. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #603] Distributed 7/13/2017 [Originally aired in 2010]

Technology is one of the great drivers of musical change, and often one of its least understood. In this episode, we explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety African musics. Enabled by groundbreaking record reissues by synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African superstar Brenda Fassie, we take you back to the ’70s and ’80s, listening to the birth of a distinctly African electronic sound. Produced by Sam Backer. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ Distributed 7-6-2017. Originally aired in 2013. [APWW #676]

We honor the late Joe Cuba with this encore portrait of "Bugalú," produced for Afropop Worldwide by Ned Sublette. Bugalú is the Spanish spelling of boogaloo, and was also known as “Latin soul.” It hit the scene in 1966 with the original and organic concept of combining black and Puerto Rican music. The dance club crowd went crazy and then the fad quickly faded. But what a ride along the way! Joe Cuba was one of bugalú’s most popular artists, best known for the major hit “Bang Bang” that his band created on the spot one night at a club. Joe was a mesmerizing storyteller, and we’ll hear some of the major bugalú stars tell their stories, including Johnny Colon (“Boogaloo Blues”) and Tony Pabón (lead singer with Pete Rodriguez of “I Like It Like That” fame), and of course Joe Cuba himself. Produced by Ned Sublette in 1993. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #93

Afropop producer Banning Eyre takes us on a surprise-filled tour of his 30-some years of covering African music. Through conversations with Georges Collinet and producer/agent/DJ Rab Bakari, the program reflects on how the world, the music, the culture and the media have changed and keep on changing throughout Africa and the diaspora. Along the way we hear some of the tunes that have most inspired Banning and Georges, sample the latest Afrobeats and Naija pop, and speculate on where African music is heading next. Great music, provocative thinking! Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #740] Distributed 6/15/2017 [Originally aired in 2016]

As work continues on the vast Afropop archive, producer Banning Eyre takes a deep dive and comes up with some gems. On the vinyl front, the focus is on South Africa and Zimbabwe, where the Afropop team collected a good deal of rare vinyl in the 1980s. Then Banning samples some his favorite field recordings from Zanzibar to Mali. In the age of YouTube, Pandora and Spotify, you might have the impression that all the music ever recorded is there at your finger tips. Here's proof that's not so. You'll hear music on this program you can't find anywhere else. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #714 Distributed 6/8/2017

[Extended Online Version] Kano State in northwest Nigeria is a land of paradox. The ancient home of the Hausa people, it has ties back to the oldest civilizations in West Africa. Muslim since at least the 12th century, the region remained largely self-administered during the era of British colonialism, and never significantly adapted Christianity or Western culture and values as in other parts of Nigeria. In 1999, Kano instituted Sharia law. But by that time, the city of Kano was also the center of a large and active film industry, dubbed Kannywood. It was also nurturing a nascent coterie of hip-hop artists. There have been a series of high-profile conflicts and crises between these forces of religion, politics and art in the years since. But as the Afropop crew discovered, Kano has achieved a delicate balance that allows film and music to continue apace under the watchful eye of clerics and a censorship board. We visit studios producing local nanaye music, with its echoes of Hausa tradition and Indian film music. We also meet young Hausa hip-hop artists striving to develop careers under uniquely challenging circumstances. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [APWW #757] Distributed 6/1/2017

Summer is always the most active season for African and diaspora touring artists. We’ll clue you in to what we think are the best. So wherever you are, enjoy the fun fun fun free open-air concerts at Central Park SummerStage, Celebrate Brooklyn, Nuits d’Afrique in Montreal, Concert of Colors in Detroit, Grand Performances in L.A. and more. Artists we’re looking forward to seeing perform in New York City this summer include Youssou N’Dour, Toto La Momposina, Seun Kuti and Mulatu Astake. Check their websites to see if they’re coming to your town. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #756 Distributed 5/25/2017

Cape Verde, land of the the playful coladeira, the entrancing batuque, the high-energy funaná, and of course the sensual morna that Cesaria Évora helped bring to the world. At the intersection of Africa, Europe, and the Americas, Cape Verde's creole identity is reflected in the richness of its musical output, one which continues to uphold traditions while maintaining a youthful energy and demonstrating an open-mindedness fitting for an archipelago whose diaspora outnumbers its inhabitants. In this program, we travel to Cape Verde’s capital, Praia, for the Atlantic Music Expo, a yearly gathering of music professionals and local and international artists. As the city center bursts with live music, we check in on some of the most exciting sounds coming out of Cape Verde right now, hearing from talented young singer-songwriters such as Elida Almeida and Lucibela; rappers Helio Batalha, Kiddye Bonz, and BigZ Patronato; traditional batuque ensemble Tradison di Terra; and many more. Produced by Alejandro Van Zandt-Escobar. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #755 Distributed 5/18/2017

The massive Niger River Delta is a fantastically rich cultural region and ecosystem. Unfortunately, it has been laid low by the brutal Biafran War (1967-70) and by decades of destructive and mismanaged oil exploration. This program offers a portrait of the region in two stories. First, we chronicle the Biafran War through the timeless highlife music of Cardinal Rex Jim Lawson, perhaps the most popular musician in Nigeria at the time. Then we spend time with contemporary musical activists in Port Harcourt’s waterfront communities and in oil-ravaged Ogoniland to hear how music is providing hope for these profoundly challenged communities. The program features new and classic music, the words of Nigerian scholars, musicians, activists and veterans of the Biafran War, concluding with an inspiring live highlife concert on the Port Harcourt waterfront in which rappers and highlife graybeards come together to imagine a better road ahead. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #754 Distributed 5/4/2017

Live from Brooklyn, it’s Afropop Worldwide! In collaboration with Brooklyn Internet radio station Stewart Avenue, Afropop invited New York-based artists from Africa and the diaspora to our office for a unique live broadcast on Sat., Feb. 11. In case you missed it, we have highlights from the six-hour broadcast which featured interviews with singer and keyboardist Jean Gnonlonfoun of Beninois band Jomion and the Uklos; urban dancer, teacher and choreographer Kim D. Holmes from New York; bandleader and percussionist Courtnee Roze from New York; and bandleader, singer and composer Nkumu Katalay from Congo. In the first half of the show, Alejandro Van Zandt-Escobar, Afropop writer, producer and DJ from duo Eko’ fo Show, set the tone with music from Afropop’s in-house record collection and producer Morgan Greenstreet interviewed our director of new media, Akornefa Akyea, for a throwback discussion on Ghanaian hiplife music. Enjoy music and voices from Brooklyn, the place Afropop has called home for over 20 years. Produced by Akornefa Akyea. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW #752 Distributed 4/20/2017

This Hip Deep episode presents the stunning radio premiere of “Oh, David,” the traditional song of the annual Easter Rock in Winnsboro, Louisiana. The Easter Rock is in fact a surviving ringshout—the oldest known form of African American music—but it’s about 600 miles west of the ringshout’s heartland in Georgia. It’s located across the Mississippi River from Vicksburg in the Louisiana Delta, where they don’t call it a “ringshout,” but a “rock.” And it totally rocks. Producer Ned Sublette attends the Easter Rock ceremony and talks with Dr. Joyce Marie Jackson, a scholar and Louisiana native, who has been working with the Rockers for almost 20 years and confirms their tradition as a direct musical link to slavery days. In Athens, Georgia, Sublette visits Art Rosenbaum, producer of recordings by Georgia’s McIntosh County Shouters, and more. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #734 Distributed 4/13/2017

The music being made in Puerto Rico before and during the salsa years had its own sabor, even while the salsa boom was exploding out of New York. We talk to three of Puerto Rico’s all-time most important bandleaders: Rafael Ithier, founder of El Gran Combo; Quique Lucca, founder of Sonora Ponceña; and Willie Rosario, and hear key tracks from the island. Produced by Ned Sublette with José Mandry. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #207 Distributed 4/6/2017

Highlife—West Africa’s pioneer popular music of the late colonial and independence periods—has mostly faded from popularity in 21st century Nigeria. However, highlife is alive and well in Edo State, 300 kilometers east of Lagos, and the center of the former Benin Empire. Edo highlife musicians fill the role of traditional musicians by animating community ceremonies such as weddings and funerals, and praising prominent members of the community, in exchange for “financial love.” This traditionalism is also progressive: Edo highlife music draws on traditional genres like asonogun, ojeke, agbi, ivbiagogo, and ekassa, and musicians continue to incorporate instruments and styles from neighboring Yoruba communities and Western popular music. In this Hip Deep program, we'll hear how Edo highlife musicians have found sustainable careers by simultaneously rooting their music in their local communities and appealing to diasporic enclaves in Europe and the United States. Their local support has even allowed certain musicians to broach political themes, singing in support or in critique of specific politicians, a rare occurrence in contemporary Nigeria. We’ll hear from legends and innovators including Sir Victor Uwaifo, Ambassador Osayomore Joseph, and Alhaji Waziri Oshomah as well as current stars including Dr. Afile, Akobeghian and Johnbull Obakpolor. Produced by Morgan Greenstreet and Austin ‘Maro Emielu. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #751 Distributed 3/30/2017

In our visit to Addis Ababa, Ethiopia, we go beyond the handful of artists who have achieved international careers and dive into the local scene. We visit azmaribets, down-home music clubs featuring vivacious women artists and their ensembles of traditional players. We catch Mimi and Besat live. Competition between the leading music producers in Addis is fierce: We visit the recording studio of Abegasu Shiote, who breaks down the Ethiopian pop sound track by track, and for the finale, we attend a performance by the revered elder singer of the classic Addis sound--Mamoud Ahmed. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #532 Distributed 3/23/2017 [Originally aired in 2007]

In recent months, three Afropop Worldwide producers--Sean Barlow, Banning Eyre and Morgan Greenstreet--have been working in four different regions of Nigeria to gather material for the upcoming five-part Hip Deep in Nigeria series. In this program, the producers sit down to talk about their experiences, share favorite stories and tracks, and preview Afropop Worldwide’s most ambitious field project in our 30-year history. We’ll hear Naija pop, fuji, nanaye film songs and Hausa hip-hop from the north, and highlife from Edo and Rivers States. Produced by Banning Eyre, Morgan Greenstreet & Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #750 Distributed 3/16/2017

The “Black Pacific” is a term coined by our guide, ethnomusicologist Heidi Carolyn Feldman. She describes the circumstance of African descendants displaced not only from their ancestral homes in Africa, but also from the Atlantic coast nations where their enslaved ancestors were originally brought. This Hip Deep edition explores the sonically vibrant realm of Afro-Peruvian music, a young genre identification that has flourished since the 1950s and has now produced artists of international renown, such as singer Susana Baca, and the black folkloric company Peru Negro. The music is sensuous and deeply beautiful, and represents a fascinating and little-understood history. We will hear from Juan Morillo, who represents Peru Negro, from Susana Baca, and from other artists and community scholars Feldman has worked with during her extensive research of this topic. Produced by Simon Rentner and Wills Glasspiegel. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #558 Distributed 3/9/2017

We visit one of the world's last untamed natural and musical wildernesses: The Guyanas. Riding along bumpy jungle roads and in dugout canoes, Afropop producer Marlon Bishop travels from Suriname to French Guiana for the Transamazoniennes Festival, located in the remote border town of Saint-Laurent-Du-Maroni. We enjoy the region's fascinating cultural stew, where French Creole, Maroon, Amerindian, Hindu, Javanese, and Dutch elements all mingle together on the outer fringes of the Amazon and hear styles like kaseko, bigi pokoe, aleke and kawina. We'll speak with local stars Prince Koloni, Little Guerrier and Chris Combete, as well as visiting acts such as self-proclaimed "African gypsy" Wanlov the Kubolor and polyglot rap crew Nomadic Massive. Originally aired March 2012. Produced by Marlon Bishop. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #630 [Distributed 3/2/2017]

Every September, millions of people celebrate Carnival in Brooklyn. From the pre-dawn J’ouvert bacchanal in the streets, to the intense Panorama steel pan competition, to the massive Labor Day Parade on Eastern Parkway, central Brooklyn is transformed into a Caribbean cultural haven. But before the fun comes months of preparation and centuries of history. We follow Caribbean steel pan groups, masquerade bands and Haitian rara groups through their preparations and celebrations and we hear how members of these Caribbean communities keep their cultural activities alive and thriving despite considerable challenges: violence and political backlash associated with Carnival, and soaring rents and cultural changes in Brooklyn due to gentrification. Produced by Morgan Greenstreet, Saxon Baird and Sebastian Bouknight. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #739 [Distributed 2/16/2017]

Every January, New York's Webster Hall jams to the music of 12 bands on three stages in one wild night. globalFEST has become an annual kick-off ritual for music-minded New Yorkers. This program samples the 2017 lineup with dynamic live recordings from Cuba (Septeto Santiguero), Congo (L'Orchestre Afrisa International), Ghana (Jojo Abot), Sudan (Alsarah and the Nubatones), Morocco (Hoba Hoba Spirit), and more. We also speak with Modero Mekanisi about the revival of Afrisa International, and with Reda Allali about Hoba Hoba Spirit's Moroccan roll. Produced by Banning Eyre and Sebastian Bouknight. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #748 [Distributed 2/09/2017]

On this program we survey the careers of two giants within their genres. Bunny Wailer is the last surviving member of the original Bob Marley and the Wailers trio. Right up to his 2016 tour, where we met him, this architect of reggae music has continued to carry the banner with new concerts and recordings. And he tells his story with bracing poetic candor. Meanwhile in Egypt, Hakim, the lion of shaabi music, remains a superstar and a player in that country’s turbulent pop scene. On a rare visit to New York, Hakim gives us a tour through his post-revolution songs, and offers personal insights into Egypt’s equally turbulent politics. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #737 [Distributed 2/02/2017]

Borrowing the title from Cuban polymath Fernando Ortiz, producer Ned Sublette takes a group of travelers, including you, to multiple sites in western Cuba to analyze the musical impact of what Ortiz called the "Cuban counterpoint" of tobacco and sugar. We'll hear endangered species of drums in mountain farms and sugar towns, drilling down into the deep culture of the Afro-Cuban world. We'll hear sacred drumming as handed down from Kongo sources, from Yorubaland, from Dahomey, and more, in sites that are indelibly stamped with the imprints of Africa, above all in music. We'll hear an incredible poetic improviser, go to a block party in Matanzas, and talk to our guest scholar, Latin Grammy-winning record producer Caridad Diez, about the power of rumba and its meaning in Cuban society in the wake of UNESCO's designation of rumba as world heritage. Update: Ned Sublette's group was in Cuba at the time of Fidel Castro's death. Ned, who covered the story for Billboard, tells us what he experienced as Cuba went for nine days without live music. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #747 [Distributed 1/26/2017]

Barbados recently celebrated its 50th anniversary of independence. We look into the rise and mysterious fall of the funky Bajan spouge beat which ruled the island in the ’70s, and discover a few underground musicians who are trying to keep it alive. Calypsonians Mighty Grynner and Red Plastic Bag detail their contributions to the lyrically potent kaiso scene. Soca stars Alison Hinds and Edwin Yearwood talk about the pros and cons of the island's competition circuit, and we learn about the hot new "soca bashment" scene. Produced by Saxon Baird and Noah Schaffer. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #746 [Distributed 1/19/2017]

New York City is home to a diverse community of Colombian musicians and groups who create in a wide range of traditional, popular and experimental music styles for diasporic communities and beyond. Our “Colombia in NYC” program takes us from independence day celebrations in a chic Manhattan club with accordion virtuoso Gregorio Uribe, to vallenato parties and outdoor festivals. We’ll hear from experimental groups Combo Chimbita and Delsonido; traditional Afro-Colombian bullerengue group Bulla en El Barrio; salsero, folklorist and educator Pablo Mayor; innovative dance bands MAKU Soundsystem and Grupo Rebolú; harp virtuoso Edmar Castañeda, and many more amazing performers. Along the way, musicians weave in stories about nationalism, identity, place and diaspora, and discuss the challenges and opportunities New York offers for Colombian musicians. Produced by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #736 [Distributed 1/12/2017]

The confederations and clans collectively known as the Tuareg descend from the oldest inhabitants of North Africa. They lead a mostly nomadic existence across the Sahara Desert, in the lands we now know as Algeria, Libya, Niger and Mali. Tuareg communities have long felt neglected by independent African governments, especially in Mali, which has endured a succession of rebellions. In 2012, a Tuareg uprising led to a year-long crisis in which the Malian north separated from the country and fell under harsh control by Islamic extremists. Ironically, these extremists banned music, which in the hands of modern bands like Tinariwen had been a crucial means for expressing Tuareg aspirations. This broadcast unravels the complex history and provides a vivid portrait of the Tuareg predicament in Mali today. The program samples a rich variety of Tuareg music and includes conversations with Tuareg musicians and cultural authorities in the wake of Mali’s crisis, along with University of Houston anthropologist Susan Rasmussen, who has been researching and writing about Tuareg culture for over 30 years, and veteran journalist and author Andy Morgan. Produced by Banning Eyre and Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #727 [Distributed 1/05/2017]

Ethiopia was the first Christian nation in Africa, and the only African country never to be colonized. With ethnomusicologist Kay Kaufman Shelemay and Ethiopian music scholar and compiler Francis Falceto as guests, this Hip Deep program explores the role of the Ethiopian church and monarchy in building the country's unique brassy pop music. We sample the hot sounds of "swinging Addis" on the eve of the 1974 revolution. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #512 [Distributed 12/29/2016]

In hard times and boom times, people in Ghana know how to party. In this program, we hear the regional pop and neotraditional music that animates festivals, funerals and community celebrations across the county. We travel to the lush Volta region in the east to hear Ewe borborbor, agbadza and brass band music. In the northern city of Tamale, we hear Dagbani traditional music, hip-hop and pop, and visit the vibrant Damba chieftaincy festival in nearby Yendi. Back in the bustling metropolis, Accra, we get down to the latest pop hits and underground styles moving hips in the capital city. Produced by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #745 [Distributed 12/22/2016]

An Afropop Closeup Encore. Originally distributed on 11/08/2016. The Caribbean island of Jamaica has long been blighted by unacceptably high levels of politically motivated violence, a nightmarish by-product of its firmly entrenched two-party political system. This podcast reveals the early beginnings of Jamaica’s dramatic partisan divisions, and highlights the role that the island’s music has played in commenting on and challenging such divides. Produced and hosted by David Katz and Saxon Baird. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [Distributed 12/20/2016]

Every year, the world-famous Apollo Theater and New York’s World Music Institute pack the house for a stellar lineup of established and emerging artists from the African continent. This year was especially impressive. We bring you concert highlights and interviews with artists from Ghana, Sudan, Niger and Zimbabwe. You’ll hear Alsarah and the Nubatones, inspired by the rich cultures of Nubia, Jojo Abot’s arty, dancehall-meets-Afrobeat grooves, Bombino’s joyous Tuareg rock, and the discovery of the night for many Afropop fans: Mokoomba from Zimbabwe, featuring phenomenal lead singer Mathias Muzaza, who spanned nods to Salif Keita, Ladysmith Black Mambazo, as well as a Congolese soukous animation that had the crowd up and dancing. Special bonus: a taste of the acoustic “traditional” set Mokoomba performed the next day up the Hudson. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #728 [Distributed 12/15/2016]

Georges Collinet and Banning Eyre survey the best African and African diaspora music of 2016: from desert blues to Afrobeats and neo-cumbia, vintage reissues, and groundbreaking experiments. This fast-moving conversation interweaves juicy clips from over two dozen albums. Lots of musical ideas for your holiday shopping list. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #744 [Distributed 12/08/2016]

Producer Jake Hochberger brings us to the southernmost island in the Caribbean, Trinidad. Trinidad is the birthplace of the steel drum, calypso and soca music, and is home to the largest Carnival celebration in the world. Here we encounter the musical and philosophical movement called rapso--an infectiously danceable rhythmic oration style that comes with a philosophy championing a Trinidadian identity in the face of a colonial history and a globalized present. We meet three generations of artists, from the founding King of Rapso, Brother Resistance, to the emerging musicians behind the American hip-hop influenced trapso sound. Brother Resistance shares stories of how local rhythms and participation in Trinidad’s Black Power movement influenced him to define his music as the most recent manifestation of an ancient oral tradition, as passed down from the West African griot. Omari Ashby of Kindred, Wendell Manwarren of 3Canal, and Ataklan bring us into the Trinidadian cultural matrix, where speed-rapping Carnival masquerade characters come to life through this music of rebellion and social uplift. Producer: Jake Hochberger Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ Afropop Closeup [Distributed 12/06/2016]

Afrobeats is the new urban music of Africa. Not to be confused with the funky sound of the ‘70s in Nigeria (Afrobeat), Afrobeats (with an "s") is 21st century dance pop, with a wide variety of programmed beats, rapping and singing, stylistic use of autotuned vocals, and catchy pop hooks. The music is part of a brave new media world where Nigeria is listening to South Africa, Kenya is listening to Angola, Ghana is listening to Tanzania, and Africans in the diaspora are listening to all of it. In 2016, large scale Afrobeats concerts were staged in Brooklyn and Houston, and greeted by large young, rapturous crowds. In this program we hear the new sounds of Lagos, Nairobi, Angola and beyond and talk with artists and others about the thrilling rise and unfolding future of the newest African pop. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #743 [Distributed 11/24/2016]

In a context of ongoing violence and N.G.O. intervention in Eastern Congo, a festival culture is emerging based on the concept of “peace-building” through the arts. With the guidance of professor Chérie Ndaliko and local artists, we explore the ways in which these festivals can negatively or positively affect the local arts community. (Note: Salaam Kivu International Film Festival is now Congo International Film Festival.) Produced and hosted by Morgan Greenstreet. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [Distributed 11/22/2016]

The crowd grows restless until finally the lights go down and the artist takes the stage, and that's when things come alive. It's “Afropop Live! 2016”--an anthology of some of the best performances we had the honor to see and record this year. From our home base in New York to the Festival on the Niger in Mali, this show goes global, bringing you music from across Africa and the diaspora: Kenyan pop, traditional Colombian bullerengue, Haitian compas and more. We'll get intimate performances by NYC-based Colombian-rooted groups Bulla en el Barrio and Combo Chimbita, a festival set from Abdoulaye Diabate, and music from Sauti Sol, Tabou Combo and Mokoomba in New York concert halls. For more live music from this year visit www.afropop.org to see our programs on Colombia in NYC, globalFEST, Africa Now!, MASA, Hakim and Bunny Wailer, and Carnival in BK. Produced by Ben Richmond and Sebastian Bouknight. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #742 [Distributed 11/17/2016]

Move over salsa and merengue–cumbia is the most popular music in Latin America. Today, cumbia is played from the borderlands of Texas down the spine of the Andes to the tip of Tierra del Fuego. In this Hip Deep edition, we find out how cumbia left Colombia in the ‘60s and ‘70s and traveled to other countries. Everywhere it went, it transformed itself, adapting to its new environment. In Peru, it mixed with psychedelic guitar effects and Andean sounds to become chicha. In Argentina, it became the expression of a new generation of restless youth in the burgeoning slums of Buenos Aires. And in Mexico, it became so instilled in the local culture that some have forgotten that it came from Colombia in the first place. Through extensive interviews with experts and musicians, we discover how cumbia and its many transformations tell us the story of Latin America in the late 20th century. Produced by Marlon Bishop. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #606 11-10-2016

The Caribbean island of Jamaica has long been blighted by unacceptably high levels of politically motivated violence, a nightmarish by-product of its firmly entrenched two-party political system. This podcast reveals the early beginnings of Jamaica’s dramatic partisan divisions, and highlights the role that the island’s music has played in commenting on and challenging such divides. Produced and hosted by David Katz and Saxon Baird. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ [Distributed 11/08/2016]

This program presents a musical portrait of Bamako in the wake of crisis. In 2012-13, Islamists occupied the north and a coup d’etat threatened a recent history of functioning democracy. With borders restored and a new elected government in place, we find musical life returning with festivals, nightclub shows and street weddings. But that picture hides darker realities. Ethnomusicologist Lucy Duràn has been studying the oral transmission of music in various countries, notably among griot families in Mali. With her guidance, we explore the precarious lives of griots in today’s Bamako, focusing on the upbringing and education of children in these hereditary families of historian-entertainers. Elders and traditionalists say the griot tradition has been corrupted beyond hope, and even advise their young to pursue different professions. Others persist, within an environment where growing religious conservatism puts increasing pressure on the lives and careers of all musicians. We meet three extraordinarily talented griot children, and hear music and reflections from kora master Toumani Diabaté and his massively popular songwriter son, Sidiki. And we get a fascinating historical perspective from Gregory Mann, professor of history at Columbia University. Produced by Banning Eyre. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at http://www.afropop.org/newsletter/ APWW PGM #731 11-3-2016

In Morocco today, artists draw from a huge variety of styles and traditions, creating music that takes from previously neglected history in order to create new and innovative sounds. In Agadir and Casablanca, two of Morocco's most vibrantly musical cities, musicians have embraced Morocco's Amazigh and sub-Saharan roots. On this program, we explore how artists are preserving styles like Gnawa, brought to Morocco by slaves from West Africa, and rwayes, Amazigh troubadour music of southern Morocco. We will also hear everything from Amazigh black metal to a band covering Bob Marley songs with Moroccan instruments, along with some female artists who are powerfully staking out their place in male-dominated genres. Produced by Jesse Brent. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at http://www.afropop.org/newsletter/ APWW #741 10-27-2016

While the musical networks that connect English, French and Spanish-speaking nations together are well known, far less attention is paid to the links between the Afro-Lusophone world—from Cape Verde to Angola to Brazil. This podcast offers a lightning tour of some of the most important groups that helped pull together this often-overlooked sonic universe. Produced and hosted by Sam Backer. [Distributed 10/25/2016]

African Music at the Crossroads: Afropop producer Banning Eyre takes us on a surprise filled tour of his 30-some years of covering African music. Through conversations with Georges Collinet and producer/agent/DJ Rab Bakari, the program reflects on how the world, the music, the culture and the media have changed and keep on changing throughout Africa and the diaspora. Along the way we hear some of the tunes that have most inspired Banning and Georges, sample the latest Afrobeats and Naija pop, and speculate on where African music is heading next. Great music, provocative thinking! 10/20/2016 Show #740 Producer: Banning Eyre

Africa in Matanzas, Cuba: El Almacén is Walking Matanzas, Cuba has long been regarded as the source (la fuente) of many rich Afro-Cuban folkloric traditions. These ceremonial and secular Afro-Cuban musics are, for the most part, alive and well, and being documented for the first time by Matanceros themselves, rather than exclusively by Havana-based or non-Cuban imprints. The Matanzas record label and artist collective, Sendero Music/El Almacén, faces several challenges: oversight from the state, limited access to resources, curating which groups to record while paradoxically convincing the folkloric community of the value of their endeavors, and the conundrum of establishing meaningful connections outside of Cuba to disseminate the city’s music to the world. #726 Airdate: 10/13/2016 Producer: Harris Eisenstadt

The music of Mali is a powerful force in the international music market. It has been critically shaped by the changing role of the griot class in Malian society and Mali's politics in general. Columbia University historian Gregory Mann shares insights into Malian politics—from the French colonial era to the present— providing fascinating context for musical developments from traditional griot songs to the latest hip-hop. Produced and hosted by Banning Eyre. [Distributed 10/11/2016]

Show # 723 Airdate: 10/06/2016 Produced by Saxon Baird and David Katz Music is a powerful means of expression in Jamaica--a platform for fierce commentary, and a bellwether for the social and political climate on the island. In Jamaica, when local newspapers, broadcast media and elected representatives don’t tell the whole story, you've got to listen to the music! With the help of scholars and artists like Max Romeo and King Jammy, this program delves into the way that Jamaican popular music has always sharply commented on partisan politics in Jamaica while also revealing that Jamaican politicians have often attempted to co-opt and subvert reggae’s liberating messages for their own purposes. Particular attention is paid to the turbulent Cold War era of the mid-1970s, when foreign influence led to what was basically an undeclared civil war and reggae’s popularity was at its highest.

Every September, millions of people celebrate Carnival in Brooklyn. From the pre-dawn J'ouvert bacchanal in the streets, to the intense Panorama steel pan competition, to the massive Labor Day Parade on Eastern Parkway, Central Brooklyn is transformed into a Caribbean cultural haven. But before the fun comes months of preparation and centuries of history. We follow Caribbean steel pan groups, masquerade bands and Haitian rara groups through their preparations and celebrations and we hear how members of these Caribbean communities keep their cultural activities alive and thriving despite facing considerable challenges: violence and political backlash associated with Carnival, and soaring rents and cultural changes in Brooklyn due to gentrification. Produced by Morgan Greenstreet, Saxon Baird, & Sebastian Bouknight [APWW #739] [Air date: 9/29/2016]

All over the world, the music business as we know it is crumbling. But in the Democratic Republic of Congo, musicians have found a new (and very old) method of survival. Through a system of shout-outs called libanga, Congolese pop musicians call on rich people to sponsor their music. Singers use the metaphoric language of love to discuss power, politics and money in one of the world's poorest countries. Produced and hosted by Morgan Greenstreet in conversation with John Nimis, linguist and scholar of Congolese popular music.

[APWW #570] [Originally aired 2009] In the music of the French Antilles—the islands of Martinique and Guadeloupe—you can hear influences that range from the traditional béle and gwo ka drumming of the islands’ rural communities, to European additions like polka and French chanson. But when these islands produced a pop genre that took much of the Caribbean and African world by storm—the smooth and sexy dance music known as zouk, which exploded in the 1980s—it was an entirely new blend that uniquely reflected the complex layers of identity in these Caribbean communities that are, administratively, a full-fledged part of France. Still colonies? Many think so. Either way the Antilles have long produced artists and thinkers with deep sensitivity to the gradations of race, class, migration, and relationship to a powerful, distant metropolis. Now, musicians in Guadeloupe and Martinique are re-exploring their roots, celebrating rhythms that go back to slavery days without pulling back from the cosmopolitanism of recent years. Our guide to this music—and the rich history and ongoing debates that it reflects—is Brenda Berrian of the University of Pittsburgh, whose book, Awakening Spaces: French Caribbean Popular Songs, Music and Culture, is a definitive—and enthusiastic—treatment of the subject.

Cuban master musician Pedrito Martínez talks about his career playing jazz, pop, original music and sacred Regla De Ocha ceremonies in New York City. Produced and hosted by Ned Sublette with Kenneth Schweitzer [Distributed 9/13/2016] Listen to Part One here: http://bit.ly/2bQXRFT

Show #722 Producer: Sam Backer Distributed Sept. 8 2016: Hip Deep: Afro-Lisbon and the Lusophone Atlantic: Dancing Toward The Future In the last few years, a small network of DJs in the suburbs of Lisbon, Portugal has been consistently producing some of the world’s best dance music. The children of African immigrants, these young musicians have combined a hemisphere of musical influences and distilled them down into a single astonishing style. But how did Lisbon start to make such great African music? And what does that say about the identity of the city, or the country, or the continent? On this special Hip Deep edition, we take a journey to Lisbon, a city facing both the sea and 600 years of its own history. We’ll go to African club nights, hang out with obsessive record collectors, learn how to dance kizomba, and visit the projects that have produced a musical revolution. And through it all, we will try to answer a seemingly simple question: Just where did this music come from?

Martínez, the superstar New York-based percussionist and vocalist, talks with Ned Sublette and drum scholar Kenneth Schweitzer about how he got started in sacred and popular music in Havana, Cuba. Produced and hosted by Ned Sublette [Distributed 9/06/2016] Listen to Part Two here: http://bit.ly/2cTjtma (photo by Petra Richterova)

[APWW #712] [Originally aired in 2015] At Afropop, we have gone far and wide, from Brazil to England to Madagascar to Egypt, tracking down incredible music to bring back home to our headquarters in Brooklyn. For this program, “Sounds Like Brooklyn,” we stay closer to home, tracing a hidden music economy of CD vendors in bodegas, copy shops and food markets around the five New York boroughs. Accompanying us on our travels is poet and “Bodega Pop” WFMU radio host Gary Sullivan. Along the way, we check out a Caribbean gospel rap performance in Bed-Stuy’s Restoration Plaza, dust off some cassettes at VP Records in Jamaica, and chat with DJ Wow at his African CD store in Harlem. New York is a city of immigrants and we salute the creativity they bring with them from all corners of the world!

[APWW # 737] Two Lions: Bunny Wailer and Hakim On this program we survey the careers of two legends and giants within their genres. Bunny Wailer is the last surviving member of the original Bob Marley and the Wailers. Right up to his 2016 tour, where we met him, this architect of reggae music has continued to carry the banner with new concerts and recordings. And he tells his story with bracing poetic candor. Meanwhile in Egypt, the lion of shaabi music, Hakim, remains a superstar and a player in that country’s turbulent pop scene. On a rare visit to New York, Hakim gives us a tour through his post-revolution songs, and offers personal insights into Egypt’s equally turbulent politics.

Grime, the hard-edged, M.C.-led U.K. dance style that flourished in the early 2000s, seemed long gone. Its best rappers had moved on, and its fans increasingly abandoned hope. But then… something astounding happened: 2016 became grime’s biggest year ever. Produced and hosted by Sam Backer. [Distributed 8/23/2016]

New York City is home to a diverse community of Colombian musicians and groups who create in a wide range of traditional, popular and experimental music styles for diasporic communities and beyond. Colombia in NYC takes us from independence day celebrations in a chic Manhattan club with accordion virtuoso Gregorio Uribe, to vallenato parties and outdoor festivals. We'll hear from experimental groups Combo Chimbita and Delsonido; traditional Afro-Colombian bullerengue group Bulla En El Barrio; salsero, folklorist and educator Pablo Mayor; innovative dance bands MAKU Soundsystem and Grupo Rebolú, harp virtuoso Edmar Castañeda and many more amazing musicians. Along the way, musicians weave in stories about nationalism, identity, place and diaspora, and discuss the challenges and opportunities New York City offers for Colombian musicians. Producer: Morgan Greenstreet APWW #736 Air Date 08/17/2016

Jorge Ben Jor first began to experiment with fusions of samba, bossa nova, rhythm ‘n’ blues and soul in the early 1960s. Together with Caetano Veloso and Gilberto Gil, he participated in the watershed cultural movement, Tropicália, in the late 1960s. In the 1970s, he further explored Afro-Brazilian history and culture in a series of popular albums that have since become key points of reference for a contemporary neo-soul movement. Jorge Benjor continues to be an active presence in Brazilian popular music. He grants us a rare interview to tell his story. The program is produced by Sean Barlow and co-produced with Christopher Dunn, author of Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (University of North Carolina Press, 2001) as part of Afropop Worldwide’s “Hip Deep” series

On one stretch of Nostrand Avenue in Flatbush, Brooklyn, there’s a Haitian radio station on every block—Radio Soleil, Radyo Panou, Radio Triomphe—each broadcasting the sounds of Kreyol conversations and konpa music. Haitian immigrants have brought a deep love of radio from their native land, where a strong oral culture, high illiteracy rates, and poor infrastructure have made radio the media of the masses—even in diaspora. Produced and hosted by Ian Coss. [Distributed 8/9/2016]

In part one of our 2012 Hip Deep Brazil series, we travel back in time to Rio de Janeiro in the early 20th century to explore the birth of Brazil’s most iconic sound: samba. Beginning with the arrival of poor nordestinos in the city after the end of slavery in 1888, we follow the exploits of the early sambistas as they forged the genre that would come to represent the nation. Brazilian scholar Carlos Sandroni shows us how Afro-Brazilian religious music and popular styles like modinha transformed into the syncopated samba beat. Then, media scholar Bryan McCann guides us through the glamor and political intrigue of 1930s Rio as samba explodes as the popular music of choice throughout the country. We speak with samba greats from the old guard to the young bloods, including Dona Yvone Lara, Heitorzinho dos Prazeres, Paulão 7-Cordas and Luciana Rabelo. In closing, we find out how samba, an ambitious radio station and a populist dictatorship worked together to shape Brazilians’ ideas about race, society and the Brazilian nation itself

We meet 21-year-old Gigi Lamayne of South Africa, a singer/rapper who finds herself at the center of her country’s most important debate and social movement in decades: the #FeesMustFall movement. The day she graduated from university, Gigi dropped a protest song about rising education costs that effectively bar the majority of black South Africans from access to higher education: A new cause for a new time. Produced by Simon Rentner and hosted by Sarah Geledi.

show number #438 Airdate: July 18th 2016 We travel to Zanzibar to enjoy highlights from the Sauti za Busara Festival, focused on Swahili sounds from coastal East Africa, then north to the Fes Festival of Sacred World Music in Morocco, where we hear the ecstatic sounds of Sufi artists performing late into the night. We go to Dakar, Senegal for the Coca-Cola Ebony Festival to enjoy Afropop headliners, and wind up in Mali for rousing performances at the Festival Sur le Niger this past winter.

We meet 21-year-old Gigi Lamayne of South Africa, a singer/rapper who finds herself at the center of her country’s most important debate and social movement in decades: the #FeesMustFall movement. The day she graduated from university, Gigi dropped a protest song about rising education costs that effectively bar the majority of black South Africans from access to higher education: A new cause for a new time. Produced by Simon Rentner and hosted by Sarah Geledi.

Airdate: 7/21/2016 Producer: Banning Eyre Show # 735 Our recent Hip Deep in Mali series explored fascinating stories of art and life in post-crisis Mali. On this program, it's just the music. We hear new sounds from veteran maestros Djelimady Tounkara and Cheikh Tidiane Seck, Wassoulou music star Nahawa Doumbia, mesmerizing Songhai songs from Baba Salah and Samba Toure, and balafon pyrotechnics from Bassidi Kone. We also meet some new ensembles: the Afrojazz of Mamadou Barry, and the bracing roots-pop of Bamba Wassoulou Groove, and sample the latest in Malian rap.

[APWW PGM #452] [Originally broadcast in 2005] "Escaping the Delta" is the title of a provocative book by award-winning author Elijah Wald that explores how a mythology of the blues grew around the figure of Robert Johnson. On this Hip Deep episode, Wald talks with producer Ned Sublette, and plays lesser-known recordings by Peetie Wheatstraw, Lonnie Johnson, Leroy Carr and others, who provided source material for some of Johnson’s classic tunes.

The story of a boundary-breaking collaboration between rapper Art Melody from Ouagadougou, Burkina Faso, and kologo player Stevo Atambire from the north of Ghana. United by common languages and cultural traditions, but divided by national borders and colonial heritage, the two artists meet in Accra to find the space between traditional roots music and cutting-edge urban music. Produced by Morgan Greenstreet [Distributed 7/12/2016]

[APWW PGM #720] [Originally broadcast in 2015] In the city of Goma, in eastern Democratic Republic of Congo, far from the rumba-soaked nightlife of the capital, Kinshasa, an artistic renaissance is going on. After two decades of devastating factional wars, ongoing mineral profiteering, a volcanic eruption, and other extreme circumstances, internationally minded youth are expressing themselves through diverse, socio-politically engaged music, film and dance. Artists must also navigate the influence and patronage of international NGOs and humanitarian organizations that use local music and musicians as mouthpieces for their projects and campaigns. This Hip Deep edition examines how musicians approach topics of politics, peace and war, collaboration with NGOs and cultural centers, and artistic autonomy.

#734 airdate 6/30/2016 Producer: Ned Sublette The Ring and the Shout. At one time thought to have died out, the ring shout is the oldest known form of African American music. Producer Ned Sublette travels to Winnsboro, Louisiana, to record the Easter Rock, an annual ritual with a direct connection to antebellum slavery days, in an endangered plantation church with a wooden floor that serves as a drum when the Rockers are in charge. And we visit Athens, Georgia, to speak with Art Rosenbaum, co-producer of the McIntosh County Shouters' forthcoming album.

Look around today’s musical mainstream, and you’ll quickly realized that dance styles are everywhere, filling stadiums, topping charts, and gathering tens of thousands in festivals around the country. Yet few know their full history. “Roots and Future” explores how a community of (primarily) black British musicians, fans, D.J.s, and radio pirates recreated dance music in the United Kingdom during the 1990s and 2000s. Connected to the musical mainstream during 1989’s drug and rave fueled “second summer of love,” these musicians learned to combine American hip-hop, dancehall toasting, dub bass, and techno euphoria to create style after chart-topping style, from drum-twisting jungle to the slick sounds of garage, the ferocious rhythms of grime, and the all-encompassing low-end of dubstep. We’ll speak to legendary pirate radio D.J.s, underground label owners, and groundbreaking producers. We’ll check young M.C.s spitting their bars on illegal frequencies, and hear veterans playing to their beloved audiences. And most importantly? We’ll rave. See you on the dance floor. #733 Roots and Future: A History of U.K. Dance Producer: Sam Backer Airdate: June 23rd 2016

In the wake of the 2012-13 political crisis in Mali, the nation is working to repair its celebrated tradition of multiethnic harmony. The promise and pitfalls of this process play out dramatically in a public discussion during the Festival on the Niger in Segou. Artists, music professionals, and public figures weigh in with passion! Produced and hosted by Banning Eyre.

APWW #717 Voodoo To Go Festival Producer Morgan Greenstreet follows the trail of West African Vaudou spiritual music to a very unlikely place–Utrecht, Netherlands–for the first edition of the Voodoo To Go Festival. The three-day festival, pioneered by Togolese entrepreneur Leopold Ekué Messan, set out to demystify Vaudou/Vodun/Voodoo spiritual practices by featuring music and dance from Togo, Benin, Haiti, Cuba and Suriname and bringing people together for films, food and a panel discussion about “Good and Evil in Voodoo.” From the opening ceremony, to the climactic final moments of the festival, the music at Voodoo To Go was filled with the spirit: Trance-inducing traditional music from Togolese/Beninois diaspora group Djogbé; heavy, retro Vaudou funk from Togolese musician Peter Solo and Vaudou Game, based in Lyon, France; Surinamese Kawina music from Rotterdam-based dance band Dray-ston; Late-night Haitian Vaudou-jazz from Erol Josué; and, finally an intense collaboration between Cuban jazz maestro Omar Sosa and Togolese musician and dancer Ayaovi Kokoussé. Alongside the excellent music, we hear from various participants in the festival discussing what Voodoo means to them: a Winti priestess; fascinated Dutch music fans; and, of course, the musicians who make music inspired by the spirit.

[APWW #716] We profile three African musicians who have created significant careers in the face of daunting challenges in their countries. Paulo Flores, champion of semba and kizomba in Angola, came of age in the midst of that country's long post-independence civil war. He's probably done more for Angola's spiritual health during these difficult decades than anyone alive. Emmanuel Jal faced still worse as a child soldier who escaped Sudan under horrific circumstances to become an internationally acclaimed singer and rapper. Today, he must watch as his homeland--now called South Sudan--descends into another brutal, senseless war. The masked man of Nigerian pop, Lágbájá, has created diverse, socially conscious music through a series of military regimes in his homeland, and has new advice for his countrymen in a fragile democracy. We'll meet all three artists and hear an awesome variety of music. Produced by Banning Eyre.

Born-Free South Africa: A Kaleidoscope of Colors Produced by Sarah Geledi and Simon Rentner Airdate May 26th 2016 Join us on a modern-day musical adventure into Africa's Rainbow Nation. Now, 20-plus years removed from apartheid, South Africa is a nation deep in transition. And, it's reflected in its music—brimming with enthusiasm and creativity, yet also suffering from the growing pains of a new democracy. On the ground at the 2016 Cape Town International Jazz Festival, we celebrate the country's amazing diversity and discover its hottest local talent: Mafikozolo, the sizzling fashionista Zulu pop duo; Tribute “Birdie” Mboweni, a soulful and socially conscious songbird from the rural north; Gigi Lamayne, a fresh voice from hip-hop’s "born-free" generation; Bokani Dyer, a worldly jazz-cat on 88 keys; and Derek Gripper, a Capetonian guitarist virtuoso making us rethink African classical music as a whole.

Hip Deep in Mali: Growing Into Music in 21st Century Bamako Airdate: 5/19/2016 #731 Produced by Banning Eyre This program presents a musical portrait of Bamako in the wake of crisis. In 2012-13, Islamists occupied the north and a coup d’etat threatened a recent history of functioning democracy. With borders restored and a new elected government in place, we find musical life returning with festivals, nightclub shows and street weddings. But that picture hides darker realities. Ethnomusicologist Lucy Duràn has been studying the oral transmission of music in various countries, notably among griot families in Mali. With her guidance, we explore the precarious lives of griots in today’s Bamako, focusing on the upbringing and education of children in these hereditary families of historian-entertainers. Elders and traditionalists say the griot tradition has been corrupted beyond hope, and even advise their young to pursue different professions. Others persist, within an environment where growing religious conservatism puts increasing pressure on the lives and careers of all musicians. We meet three extraordinarily talented griot children. We hear music and reflections from kora master Toumani Diabaté and his massively popular songwriting son, Sidiki. And we get a fascinating historical perspective from Gregory Mann, professor of history at Columbia University.

We follow a carnival comparsa through the streets of Santiago de Cuba and hear the Haitian-descended Tumba Francesa. Son 14: Fue el Rey de la Rumba. NG La Banda: La Expresiva. Orq. Original de Manzanillo: Comenzó la Fiesta. Revé y su Charangón, live at the amphitheater of Guanabacoa: “Te confundieron con león . . . ¡gallina!” Dan Den: No Me Carezcas. We talk to Carlos Alfonso of Síntesis. Síntesis: Oyá. Mezcla: Ikiri Addá. Los Van Van live: Que Domingo. 1990 Photo via Telemundo

Features Ned Sublette’s exclusive live recording of Los Van Van in February 1990 in Havana, with “Titimanía” and an extended version of “Aquí Él Que Baila Gana.” We talk to Van Van founder Juan Formell and to Elio Revé of Revé y su Charangón, and visit a rehearsal by Los Muñequitos de Matanzas. We talk to Juan Formell. Revé y Su Charangón: Changüí Clave. Revé y Su Charangón: Más Viejo Que Ayer, Más Joven Que Mañana. Son 14: Tal Vez Vuelvas a Llamarme. Grupo Sierra Maestra: El Dulcerito. Los Muñequitos de Matanzas: Congo Yambumba. 1990 Photo by Adalberto Roque via AFP

#730 Afropop Live Highlights Airdate May 12th 2016 Afropop is proud to present live recordings of some of the most glorious moments in musical history–the New York debut of South Africa's Mahotella Queens in 1987; Thomas Mapfumo with his mbira-heavy Blacks Unlimited in New York in 1991; Youssou N'Dour performing his international hit "Set"; the king of rai, Khaled, in a blistering set at Central Park SummerStage; the gorgeous classic Khartoum sound of Abdel Gadir Salim in London; the stadium-filling soukous party singer Kanda Bongo Man; Afro-jazz sax maestro Gyedu Blay Ambolley live in Accra, and the awesome Kenyan dance band Simba Wanyika. Produced by Sean Barlow.

#729 AFROPOP VISITS ABIDJAN, COTE D’IVOIRE FOR MASA 2016 AIRDATE: 5/5/2016 PRODUCER: SEAN BARLOW Georges and Sean head to Abidjan, the commercial and artistic center of Cote d'Ivoire, to cover the 2016 edition of MASA, perhaps the biggest arts festival of its kind on the continent. Over the course of a week, six acts performed on each of three stages every night. And we knew hardly any of them: That's exactly the point! Many of these emerging artists have not toured outside the continent yet. You'll hear concert highlights from Zeynab (Benin), Bella Mondo (Cote d'Ivoire), BANTU (Nigeria), Ile Aiye (Brazil), Charlotte Dipanda, Mingus Group (Mozambique), Ray Lema (Congo), Paco Séry (Cote d'Ivoire), Soum Bill (Cote d'Ivoire). And we'll take a break from the action onstage to visit African reggae megastar Alpha Blondy at his radio station, Alpha Blondy FM. This man is quite a storyteller!

#704 Crabs With Brains Produced by: Jesse Brent Airdate: 4/28/16 In the early 1990s, mangueboys and manguegirls stimulated fertility in the veins of Recife, Brazil. They were interested in hip-hop, the collapse of modernity, chaos and marine predator attacks (mainly sharks). Armed with boundless creativity, they turned one of the world’s most poverty-stricken cities into one of Brazil’s greatest centers of culture. Mangue artists mixed hip-hop, Jamaican raggamuffin and punk rock with traditions from Brazil’s northeast like maracatu and embolada. In this program, we explore the legacy of the mangue bit movement and its biggest star, Chico Science of Nação Zumbi. We also take a look at a new generation of adventurous musicians in Recife. Join us as we connect the good vibrations of the mangue with the world network of pop!

#728 Distributed April 21 Africa Now! 2016 Rocks the Apollo Theater in Harlem Every year, the world-famous Apollo Theater and New York's World Music Institute pack the house for a stellar lineup of established and emerging artists from the African continent. This year was especially impressive. We bring you concert highlights and interviews with the artists--from Ghana, Sudan, Niger and Zimbabwe. You'll hear Alsarah and the Nubatones, inspired by the rich cultures of Nubia, Jojo Abot's arty, dancehall-meets-Afrobeat grooves, Bombino's joyous Tuareg rock, and the discovery of the night for many Afropop fans: Mokoomba from Zimbabwe, featuring phenomenal lead singer Mathias Muzaza, who spanned nods to Salif Keita, Ladysmith Black Mambazo, as well as a Congolese soukous animation that had the crowd up and dancing. Special bonus: a taste of the acoustic "traditional" set Mokoomba performed the next day up the Hudson.

Inside the Nile Project 4/14/2016 [APWW #719] The Nile Project is an ambitious and imaginative attempt to bring about better stewardship of one of the world’s longest rivers by fostering collaboration among artists from the 11 countries the river traverses. It’s an endeavor that spans the Muslim north and the Christian south, as well as the diverse languages, cultures, and music styles in between. This program takes listeners inside the Nile Project’s creative process, letting us hear how artists find common ground and create songs–from first encounters through rehearsal and refinement, all the way to the concert stage. Produced by Ian Coss and Banning Eyre.

Hip Deep In Mali: The Tuareg Predicament #727 Airdate 3/31/2016 Producer: Banning Eyre The confederations and clans collectively known as the Tuareg descend from the oldest inhabitants of North Africa. They lead a mostly nomadic existence across the Sahara Desert, in the lands we now know as Algeria, Libya, Niger and Mali. Tuareg communities have long felt neglected by independent African governments, especially in Mali, which has endured a succession of rebellions. In 2012, a Tuareg uprising led to a year-long crisis in which the Malian north separated from the country and fell under harsh control by Islamic extremists. Ironically, these extremists banned music, which in the hands of modern bands like Tinariwen had been a crucial means for expressing Tuareg aspirations. This broadcast unravels this complex history and provides a vivid portrait of the Tuareg predicament in Mali today. The program samples a rich variety of Tuareg music and includes conversations with Tuareg musicians and cultural authorities in the wake of Mali’s crisis, as well as with University of Houston anthropologist Susan Rasmussen, who has been researching and writing about Tuareg culture for over 30 years, and veteran journalist and author Andy Morgan.

Africa in Matanzas, Cuba: El Almacén is Walking #726 Airdate: 3/24/2016 Producer: Harris Matanzas, Cuba has long been regarded as the source (la fuente) of many rich Afro-Cuban folkloric traditions. These ceremonial and secular Afro-Cuban musics are, for the most part, alive and well, and being documented for the first time by Matanceros themselves, rather than exclusively by Havana-based or non-Cuban imprints. The Matanzas record label and artist collective, Sendero Music/El Almacén, faces several challenges: oversight from the state, limited access to resources, curating which groups to record while paradoxically convincing the folkloric community of the value of their endeavors, and the conundrum of establishing meaningful connections outside of Cuba to disseminate the city’s music to the world.

[APWW #707 - updated for 2016] News bulletins from Havana are appearing daily as Obama’s initiative to defang the U.S. embargo moves forward. Ned Sublette, who frequently travels to Cuba, talks with Sean Barlow about the present moment and recent developments. The program features timba from Havana d’Primera and Pupy y Los Que Son, Son; a master mix of reguetón by Chacal y Yakarta; El Micha, and the timeless music of the late Papo Angarica and Haydée Milanés.

[APWW #709] [Originally broadcast in 2015] Sometimes it’s hard to sit still in the Afropop office. The funkiest, most leg-shakingly infectious music blasts from our speakers on a regular basis. Impromptu dance demonstrations have been known to take place. It’s our mission to share this wealth of musical excitement with our audience. Today, we bring you everything from the latest Chilean electro-pop, to the reggae revival that’s heating up Jamaica, to the psychedelic frontiers of South Africa. Get down with what the future’s dance floors sound like. You’re hearing it here first.

[APWW #594] [Originally broadcast in 2010] Nestled between Togo, Burkina Faso, Niger and Nigeria, Benin is a culturally rich sliver of West Africa too often overlooked. This program focuses Afropop’s spotlight on Benin, starting with the country’s favorite daughter:international star Angelique Kidjo. She looks back on her musical education in the Benin capital, Cotonou, as she walks us through the songs on her album Oyo, which spans covers of songs by James Brown, Aretha Franklin, Miriam Makeba and Benin’s own Bella Bellow. We meet the ’70s vodoun funk band Orchestre Poly-Rythmo, who are still going strong, and recently made their belated U.S. debut. We move forward to present a chat with Lionel Loueke, a Beninois guitarist who has moved on to become one of the most original voices in contemporary American jazz. The program ends with a remembrance of the brilliant Malian guitarist and singer Lobi Traore.

[APWW PGM #725] globalFEST is New York's annual January multi-genre musical kickoff--12 bands on three stages in one wild night at Webster Hall. We hear highlights from the 2016 edition including new roots sounds from Haiti (Lakou Mizik), Colombian champeta (Tribu Baharu), suave Afro-jazz from Somi, Lebanese music maverick Simon Shaheen with his new ensemble Zafir, and lots more. The artists speak, but mostly, we give you a front-row seat for one of New York's most exciting musical happenings.

[APWW #226] [Originally broadcast in 1996] The Harlem Renaissance of the 1920s was an astounding explosion of African-American cultural innovation, producing art, literature, poetry, and of course, fantastic music. In honor of Black History month, we are encoring our tribute to this magnificent period. We’ll hear from stars like Mamie Smith, Fats Waller, Louis Armstrong and Duke Ellington, as we use their music to explore the often-fraught history of Manhattan’s heights.

#724 Produced by Ned Sublette air date 2/11/2016 In Africa, drums don't only play rhythms, they send messages. “Ancient Text Messages: Batá Drums in a Changing World” explores an endangered tradition of drum speech in Nigeria, and how that tradition changed and thrived in Cuba, where large numbers of enslaved Yoruba arrived in the 19th century. Producer Ned Sublette speaks with ethnomusicologist Amanda Villepastour, language technician Tunde Adegbola, and drummer Kenneth Schweitzer about how language and music overlap.

[APWW #632] [Originally aired in 2012] It’s Carnival week again! Which means party time in Trinidad, Haiti, Brazil, Louisiana and much of South America. Below, find links to sites about Carnival, stream it live and/or check it for the road-march contenders. Also be sure to check out past programming on Carnival.

#705 Africa in America: Ladies Edition uplink: 1/28/2016 APWW focuses on 3 remarkable women: Marie Daulne, founder of the genre-bending vocal group Zap Mama, collaborating with Antibalas, and we hear them live in concert. Madagascar-born Razia introduces her new tri-continental CD, Akory. And Somi tells her story from her days as a Midwestern girl with African ancestry, to her musical career in New York, to her adventurous 18-month stay in Lagos, Nigeria, and her new album, The Lagos Music Salon. These stories and more in a music-packed hour of Afro-femininity!

Music is a powerful means of expression in Jamaica--a platform for fierce commentary, and a bellwether for the social and political climate on the island. In Jamaica, when local newspapers, broadcast media and elected representatives don’t tell the whole story, you've got to listen to the music! With the help of scholars and artists like Max Romeo and King Jammy, this program delves into the way that Jamaican popular music has always sharply commented on partisan politics in Jamaica while also revealing that Jamaican politicians have often attempted to co-opt and subvert reggae’s liberating messages for their own purposes. Particular attention is paid to the turbulent Cold War era of the mid-1970s, when foreign influence led to what was basically an undeclared civil war and reggae’s popularity was at its highest. Produced by Saxon Baird and David Katz. {APWW #723}

[APWW #715] [Originally aired in 2015] Join us for a whirlwind tour to hear the hottest artists in Lagos, Accra, Nairobi, Kinshasa, Jo’burg and Cairo. We’ll check out the hits shaking the dance floors for today’s youth. And we’ll get the inside stories and scandals. Produced by Sean Barlow with assistance from Jesse Brent, Morgan Greenstreet, Ferida Jawad, Atane Ofiaja, Ben Richmond and Biranne Sahr.

[APWW #586] [Originally aired in 2010] This week, Afropop celebrates one of the true unsung heroes of African music: the bass. Join us as we slap, pop and thump our way across the African diaspora with our ears tuned to those fat sounds beneath the music and the funky men who make them. Our tour of the global low end will begin with an exploration of virtuosic bass wizardry in Cameroon. Then, we’ll go to Cuba to find out how bassist Israel “Cachao” Lopez invented mambo with the well-placed pluck of a finger. After that, we’ll stop by Detroit and hear how the innovations of funk bass playing got the whole world dancing. Special guests include Cameroon native Richard Bona, thought by some to be the best bassist alive today, and Bakithi Kumalo, one of Africa’s premier bassists and the man behind the groove on Paul Simon’s Graceland. Produced by Marlon Bishop.

[APWW #710] [Originally aired 6/11/2015] Join us on a freewheeling musical excursion. We start in Cape Town, South Africa listening to jazz, rock, and even classical music inspired by the city’s signature sound: goema. Veteran rocker and now-composer Mac McKenzie is our charismatic guide. Then on to Namibia where we meet one of the country’s most innovative and soulful singer/songwriter/bandleaders, Elemotho Galelekwe. We end in Cape Verde to hear old and new sounds from the first Portuguese settlement in Africa—from the vintage crooning of Ze Luis to the new sounds of cola-zouk.

World Sacred Music Festival In Fes #447 12/24/2015 The World Sacred Music festival in Fes, Morocco fully delivers on its promise of bringing together profound, spiritual music from around the globe. In one edition of the festival, Youssou N’Dour debuted his Egypt project, backed by an orchestra from Cairo; whirling dervishes from Turkey and qawwali singers Meher Ali and Sheher Ali from Pakistan revealed contrasting faces of Sufi music and dance; the Orchestra of Fes showcased Andalusian and Jewish traditions and the art of Arab maqam; and Sufi Nights showcased many varieties of Morocco’s rich Islamic folklore. This program brings you all that and more, including a behind-the-scenes glimpse of spiritual life in the medieval city of Fes.

Afro-Lisbon And The Lusophone Atlantic: Dancing Toward The Future - On this special Hip Deep edition, we take you on a journey to Lisbon, a city facing both the sea and 600 years of its own history. We’ll go to African club nights, hang out with obsessive record collectors, learn how to dance kizomba, and visit the projects that have produced a musical revolution. And through it all, we will try to answer a seemingly simple question: Just where did this music come from? Episode #722 Airdate: 12.17.2015

[APWW #509] [Originally aired in 2006] Once Puerto Ricans became U.S. citizens in 1917, El Barrio sprang up in New York. By the 1930s, they were the dominant Latin group in the city. Tito Puente, born on 110th St. in 1923, was the first important Latin star who was a native speaker of English. Puerto Ricans’ distinctive way of playing popular Cuban styles became, almost paradoxically, an expression of Puerto Rican national identity, even as traditional Puerto Rican bomba and plena became a familiar sound in New York, and as Ricans invented a unique jazz style. In the last few years, reggaetón has dominated Latin radio internationally. “Riqueza del Barrio” will explore Puerto Rico’s distinctive cultural identity as expressed through flavorful music. Produced by Hip Deep cofounder Ned Sublette, author of Cuba and Its Music, with guest scholar Juan Flores, author of From Bomba to Hip Hop.

[APWW PGM #721] Tuareg blues, Angelique Kidjo with a symphony orchestra, the return of Les Ambassadeurs and Kandia Kouyate of Mali. New sounds from Zambia and Nigeria, and classic ones from Senegal, Colombia, Zimbabwe, and the Dominican Republic. These are just a few of the musical highlights we'll hear on Afropop's annual roundup of the year's best music. Georges Collinet and Banning Eyre sit down for a lively whirlwind tour of another great year in music. Get out your notebook. There's sure to be a few holiday gift ideas for the music lovers in your life.

Hip Deep: Congo-Goma: Music, Conflict and NGOs Original Air-date: 11.26.2015 Show# 720 Produced by Morgan Greenstreet

#719 Inside The Nile Project Produced by Banning Eyre and Ian Coss Airdate: Nov 19th 2015 The Nile Project is an ambitious and imaginative attempt to bring about better stewardship of one of the world’s longest rivers by fostering collaboration among artists from the 11 countries the river traverses. It’s an endeavor that spans the Muslim north and the Christian south, as well as the diverse languages, cultures, and music styles in between. This program takes listeners inside the Nile Project's creative process, letting us hear how artists find common ground and create songs--from first encounters through rehearsal and refinement, all the way to the concert stage.

[APWW PGM #663] [Originally aired in 2013] "African Sounds of the Indian Subcontinent" In this Hip Deep program, Afropop explores musical connections between Africa and India. First up is the story of the Afro-Indian Sidi community. In the 13th century, Africans arrived in India as soldiers in the armies of Muslim conquerors. Some were able to rise through the ranks to become military leaders and even rulers. Their descendants continue to live in India today, performing African-influenced Sufi trance music at shrines to the Black Muslim saint named Baba Gor. Next, we dive into the swinging jazz era of 1930s Bombay, when African-American jazz musicians arrived by the dozen to perform at the glitzy Taj Mahal Hotel. They trained a generation of Indian jazz musicians who would become instrumental in the rise of India’s Hindi film music industry. Then we head south to the island of Sri Lanka, where Africans have had a presence for almost 500 years. We explore their history through the groovy Afro-Indo-Portuguese pop music style known as baila, popularized by 1960s star Wally Bastiansz and still performed at parties in Sri Lanka today. Finally, we speak with Deepak Ram, an Indian jazz flutist who recounts his experiences growing up Indian in apartheid South Africa. Throughout, we hear from leading experts, and of course, introduce fantastic and often-unexpected music.

[APWW PGM #676] [Originally aired in 2013] Technology is one of the great drivers of musical change, and often one of its least understood. In this episode, we will explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety African musics. Enabled by groundbreaking reissues of synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African bubblegum superstars like Brenda Fassie, we will take you back to the ’70s and ’80s, listening to the birth of a distinctly African electronic sound.

Producer Jake Hochberger brings us to the southernmost island in the Caribbean, Trinidad. Trinidad is the birthplace of the steel drum, calypso and soca music, and is home to the largest Carnival celebration in the world. Here we encounter the musical and philosophical movement called rapso--an infectiously danceable rhythmic oration style that comes with a philosophy championing a Trinidadian identity in the face of a colonial history and a globalized present. We meet three generations of artists, from the founding King of Rapso, Brother Resistance, to the emerging musicians behind the American hip-hop influenced trapso sound. Brother Resistance shares stories of how local rhythms and participation in Trinidad’s Black Power movement influenced him to define his music as the most recent manifestation of an ancient oral tradition, as passed down from the West African griot. Omari Ashby of Kindred, Wendell Manwarren of 3Canal, and Ataklan bring us into the Trinidadian cultural matrix, where speed-rapping Carnival masquerade characters come to life through this music of rebellion and social uplift.

[APWW #718] It's our annual roundup of live recordings Afropop Worldwide has made in the past year. This program includes highlights from the 29th Nuits d'Afrique festival in Montreal including a performance by Cuba's Los Van Van. We'll also hear a selection from Angolan music pioneer Paulo Flores's U.S. debut at Le Poisson Rouge in New York City--rare sound, as this was Paulo's only appearance here so far (though certainly not his last). We'll also hear live sounds from Tal National of Niger recorded at Le Poisson Rouge: Put on your dancing shoes and crank it up! Produced by Banning Eyre and Jesse Brent.

Show number: 692 encore: Oct 22nd 2015 original airdate : 8/14/2014 North African music receives very little coverage in the United States. There are no high-profile mixes of recent Tunisian underground dance music from hip DJs, and no young Algerian musicians with major distribution deals in the U.S. So we decided to explore what exactly is going on today in this part of the world. We trace the origins of some of the region’s most interesting current music to the banlieues of Paris, like raï ’n’b--a new Autotuned and synth-heavy offshoot of raï. We also explore the Gnawa reggae movement, which finds common ground between Sufi trance and the message of Marley. Returning to familiar traditions, we present a live recording of Kabyle mandole player Hamid Ouchène from Montreal’s Nuits d’Afrique festival, backed by a group of Montreal-based musicians with origins throughout the African continent. We next turn to the North African metal scene that developed during Algeria’s civil conflict to meld Berber folk music with black metal. Finally, we check out the new chaabi revival. Produced by Jesse Brent.

Producer Morgan Greenstreet follows the trail of West African Vaudou spiritual music to a very unlikely place--Utrecht, Netherlands--for the first edition of the Voodoo To Go Festival. The three-day festival, pioneered by Togolese entrepreneur Leopold Ekué Messan, set out to demystify Vaudou/Vodun/Voodoo spiritual practices by featuring music and dance from Togo, Benin, Haiti, Cuba and Suriname and bringing people together for films, food and a panel discussion about "Good and Evil in Voodoo." From the opening ceremony, to the climactic final moments of the festival, the music at Voodoo To Go was filled with the spirit: Trance-inducing traditional music from Togolese/Beninois diaspora group Djogbé; heavy, retro Vaudou funk from Togolese musician Peter Solo and Vaudou Game, based in Lyon, France; Surinamese Kawina music from Rotterdam-based dance band Dray-ston; Late-night Haitian Vaudou-jazz from Erol Josué; and, finally an intense collaboration between Cuban jazz maestro Omar Sosa and Togolese musician and dancer Ayaovi Kokoussé. Alongside the excellent music, we hear from various participants in the festival discussing what Voodoo means to them: a Winti priestess; fascinated Dutch music fans; and, of course, the musicians who make music inspired by the spirit.

[APWW PGM #706] [Originally aired April 2015] In this program, we follow producer Morgan Greenstreet on a musical tour of Benin’s roots-pop music and Afro-jazz, while exploring the deep cultural and spiritual traditions that inspire contemporary musicians. We will visit a midnight album launch party for a star of roots-pop music in Abomey, meet Norberka, an acclaimed singer, drummer and dancer, at the home of her patron, his majesty Hounon Behumbeza, a vodun priest. We’ll visit the rehearsals, studios and homes of some of Cotonou’s most creative Afro-jazz musicians, including Jah Baba, Fifi Finder and Vi-Phint; we’ll visit Ouidah for the recently established Vodun Festival, and Porto Novo to meet a living legend, Sagbohan Danialou. Along the way, we’ll hear original live recordings from Les Freres Guedehoungue, Gangbé Brass Band, and some previously unrecorded groups. (Produced by Morgan Greenstreet)

We profile three African musicians who have created significant careers in the face of daunting challenges in their countries. Paulo Flores, champion of semba and kizomba in Angola, came of age in the midst of that country's long post-independence civil war. He's probably done more for Angola's spiritual health during these difficult decades than anyone alive. Emmanuel Jal faced still worse as a child soldier who escaped Sudan under horrific circumstances to become an internationally acclaimed singer and rapper. Today, he must watch as his homeland--now called South Sudan--descends into another brutal, senseless war. The masked man of Nigerian pop, Lágbájá, has created diverse, socially conscious music through a series of military regimes in his homeland, and has new advice for his countrymen in a fragile democracy. We'll meet all three artists and hear an awesome variety of music.

We're back with another installment in our Afropop exclusive mixtape series! This one comes courtesy of Ricardo Vergara, who put together a mix of some terrific Venezuelan music in styles ranging from the African influenced tambor to the folk styles gaita and llanera. Track List: 0:00 Tambor Urbano - El Hacha 5:17 Los Amigos Invisibles - Loco Por Tu Amor 8:59 VHG - La Voy a Tocar a Pie 12:30 María Rivas - El Manduco 15:36 Oscar D'León - Llorarás 19:21 Las Chicas del Can - El Negro No Puede (Waka Waka) 23:24 Reynaldo Armas - La Muerte del Rucio Moro

Africa Now! Join us for a whirlwind tour to hear the hottest artists in Lagos, Accra, Nairobi, Kinshasa, Jo'burg and Cairo. We'll check out the hits shaking the dance floors for today's youth. And we'll get the inside stories and scandals.

[APWW PGM #317] [Originally aired in 1998] Juju maestro Chief Commander Ebenezer Obey recently made a rare U.S. tour in the summer of 2013 which made us want to hear more! In this program, Chief Obey breaks down his band’s sound instrument by instrument—traditional percussion, horns, guitars–which makes his version of juju all the more enjoyable. And he tells us stories behind some of his hit songs. Also telling stories is the other maestro of Nigerian juju, the legendary King Sunny Ade. Continuing our celebration of Afropop’s 25th anniversary, we pay special tribute to KSA whose celebrated 1982-83 U.S. tour played a huge role in inspiring Afropop producer Sean Barlow to develop Afropop Worldwide.

[APWW PGM #681] [Originally aired in 2014] We unravel the complex history of how Jamaican music in the United Kingdom became a major component in navigating the cultural and racial landscape for many blacks in a post-imperial Britain while pushing the genre into new musical soundscapes.

As work continues on the vast Afropop archive, producer Banning Eyre takes a deep dive and comes up with some gems. On the vinyl front, the focus is on South African and Zimbabwe, where the Afropop team collected a good deal of rare vinyl in the 1980s. Then Banning samples some his favorite field recordings from Zanzibar to Mali. In the age of YouTube, Pandora and Spotify, you might have the impression that all the music ever recorded is there at your finger tips. Here's proof that's not so. You'll hear music on this program you can't find anywhere else.

[APWW PGM #669] [Originally aired in 2014] Hiplife, a fusion of hip-hop and highlife, has come of age, spawning subgenres tilting to roots culture, international rap, and boldly humorous satire, not to mention azonto, a dance craze that has rocketed to global renown in just over a year. But for all that, the biggest-selling music in the country, by far, is gospel. On this whirlwind Hip Deep tour of Accra, we meet stars like Reggie Rockstone, M.anifiest, Efya, Soul Winners, and the genre-bending FOKN Bois. Jesse Weaver Shipley, anthropologist and author of the book Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music, helps untangle the complex world of award ceremonies, corporate endorsements, live music in church, and the emergence of women in Ghana’s male-dominated pop world.

[APWW PGM #458] [Originally aired in 2005] Aug. 29, 2015 is the 10th anniversary of Hurricane Katrina, and the catastrophic failure of the Mississippi River levees that put the city of New Orleans under water. In tribute to the city’s struggles of the last 10 years, we are rebroadcasting our Hip Deep program made in spring 2005, a few short months before life in New Orleans was turned upside down. “Living in New Orleans, Part 1″ takes you to the rambunctious street music scene in the Crescent City around Mardi Gras time. This is one town where kids still pick up tubas, and young brass bands have lots of work, parading along the same funky streets where jazz was born. We’ll get inside the world of the Mardi Gras Indians as Hip Deep producer Ned Sublette, who is spending the year on the ground in New Orleans, talks with musician and educator Big Chief Donald Harrison; Sylvester Francis of the Backstreet Cultural Museum; scholar and former New Orleans resident Joseph Roach of Yale University, author of Cities of the Dead; and Vicki Mayer of Tulane University. We’ll hear music from Kermit Ruffins and Rebirth Brass Band, Cyril Neville and the Uptown All-Stars, and Bo Dollis and the Wild Magnolias. Produced by Ned Sublette.

[APWW PGM #693] [Originally aired in 2014] Afropop launched a new and improved podcast, making your favorite world-spanning radio show available in a whole new way. To celebrate, we’ve put together a show featuring some of our favorite moments from the podcast. Previously available only online, these segments are airing for the very first time. We’ll share the story of soul man Geraldo Pino, the “African James Brown.” You’ll hear the musical visions of the eccentric Jamaican guitarist Brushy One String. And much more!

Kadongo Kamu, which literally means "one guitar," is a lyrical genre of Ugandan pop music dating back to the 1950s. For this podcast, producer Ian Coss sits down with the Boston-based DJ Paddy to talk about the music's history and learn the significance of some of its classic tracks.

[APWW #713] [Originally aired 2015] It turns out that the first American city to host a roster of local African bands was not New York, Miami, or Chicago, but the San Francisco Bay Area. Hugh Masekela brought Hedzoleh Soundz from Ghana, and the settled in Santa Cruz. Nigerian maestros O.J. Ekemode and Joni Haastrup lived in Oakland in the 1970s. South African musicians from the touring theatre show Ipitombi also settled in the Bay Area and started the band Zulu Spear. By the early ‘80s, the Bay Area “worldbeat” scene was in full swing, and along with it came Kotoja, Mapenzi, Big City, The Nigerian Allstars and more. Join us for a tour through the sounds and stories of the Bay Area’s catalytic African music scene.

The first Brazilian Underground mix was one of our favorites in the Afropop Exclusive Mix Series, so we asked Rio-based journalist Marcelo Monteiro of Amplificador if he could make us one more. We are very excited to be once again featuring some incredible new songs from the new generation of Brazil. Enjoy! Track List: 01. Ava Rocha - Hermética 02. Metá Metá - Atotô 03. Ive Seixas - Praia no Inverno 04. Mohandas - Your Eyes 05. Abayomy - Obatala 06. Bixiga 70 - Mil Vidas 07. Fukai - Soma 08. The Baggios - Esturra Leão 09. Far From Alaska - Mama 10. Boogarins – Doce 11. Cícero - Camomila 12. Graveola - Lembrete 13. Iconili - Nego Preto 14. Siba - Marcha Macia 15. Carne Doce - Preto Negro 16. Bruna Mendez - Pra Ela 17. Quarto Negro - Orlando 18. Maglore - O Sol Chegou 19. O Terno - Ai, Ai, Como Eu Me Iludo 20. Chapa Mamba - Beleléu 21. Câmera - Till Life Do Us Apart 22. Amplexos - Cai pra Dentro 23. Frevotron e Jorge Du Peixe – Travessia 24. Astronauta Marinho - Negord! 25. I.F.Á. Afrobeat - Suffer 26. The Outs - What Brings Me Down 27. Kung Fu Johnny - Say I Want 28. Burro Morto – Lucifercolombia 29. Fabricio - Feito Tamborim 30. Macaco Bong – Abramacabra 31. Camarones - Silêncio, Barulho a Vista 32. Muñoz - The Flight Of Alligators

[APWW PGM #695] [Originally aired in 2014] The southwest of Madagascar is a land of fishermen, mining prospectors and cattle ranchers—not exactly a homogenous region in terms of lifestyle or ethnicity. But one thing that unites all the people of this region is the giddy, electric guitar-driven boogie music known as tsapiky (pronounced tsa-PEEK). First created in the late 1970s, tsapiky has become the required music at large family ceremonies (circumcisions, weddings, and especially, funerals), where music and partying goes nonstop for three days or more. In this Hip Deep program, we unfold the unique origins of this music, and other traditional styles of southwest Madagascar. And we’ll meet some of tsapiky’s great guitar practitioners: Damily, Teta and Pascal. We’ll hear a song from Damily’s recent public concert in Tulear—his first in 14 years–and sample a variety of beautiful music from this remote and remarkable corner of Madagascar.

At Afropop, we have gone far and wide, from Brazil to England to Madagascar to Egypt, tracking down incredible music to bring back home to our headquarters in Brooklyn. For our newest program, "Sounds Like Brooklyn," we stay closer to home, tracing a hidden music economy of CD vendors in bodegas, copy shops and food markets around the five boroughs. Accompanying us on our travels is poet and "Bodega Pop" WFMU radio host Gary Sullivan. Along the way, we check out a Caribbean gospel rap performance in Bed-Stuy's Restoration Plaza, dust off some cassettes at VP Records in Jamaica, and chat with DJ Wow at his African CD store in Harlem. New York is a city of immigrants and we salute the creativity they bring with them from all corners of the world!

[APWW PGM #696] [Originally aired in 2014] New York City is home to the earthshaking Latin dance music known as salsa. From the mid-1960s through the 1980s, Fania Records released many of the landmark albums in the history of the music, creating a salsa boom that reverberated around the world. In 2014, Fania celebrated 50 years in the business; and to celebrate, we dug into the label’s history. We’ll hear from some of the principal players, including Aurora Flores, Nicky Marrero and Larry “El Judeo Maravilloso” Harlow, and tell a few Afropop-centric stories along the way.

Here's another great edition to the Afropop exclusive mix series! This one comes courtesy of DJ Mundi, who put together a fantastic collection of champeta, soundsystem-based music from the Caribbean coast of Colombia, strongly influenced by African styles like makossa and soukous. The cover art for the mix displays picos, hand-crafted and painted soundsystems of champeta. For more info and music check the links --> http://www.afropop.org/23645/afropop-exclusive-mix-dj-mundis-champeta-mixx/ https://vimeo.com/66570670 https://youtu.be/0RzwcBxoiKg?t=6m19s https://soundcloud.com/dj-champeta-man/lucas-silva-champeta-mixdown PALENQUE RECORDS - https://soundcloud.com/palenque-records https://itunes.apple.com/album/champeta-criolla-vol-2-visionary/id864909986 http://palenquerecords.blogspot.com AFRICOLOMBIA BLOG - https://acbia.wordpress.com DJ MUNDI - https://soundcloud.com/djmundi

[APWW PGM #468] [Originally aired in 2005] King Sunny Adé was, in many ways, the inspiration for what would become Afropop Worldwide. And he was by no means only an inspiration to us! Many fans in America first got hooked on Afropop (and African music in general) through the landmark 1982-83 tour by King Sunny Ade and his African Beats: the propulsive polyrhythms of traditional drums mixed with sophisticated guitar arrangements and pedal steel were like nothing they had ever heard. Topped by graceful choreography and the beaming presence of the “Chairman” himself, the effect was totally intoxicating. In this program, we travel to Lagos to talk to people there who help us fill in the picture of King Sunny Ade’s earlier career in the 1960s and '70s. KSA also granted Afropop Worldwide a three-hour interview. We’ll hear his stories and some classic recordings. Featured in the show are highlights from a sublime acoustic concert Ade and the African Beats gave at Joe’s Pub in New York City.

[APWW PGM #316] [Originally aired in 1999] Celebrating Grand Master Franco

[APWW PGM #331] [Originally aired in 2000] Mama Africa, Miriam Makeba

[APWW PGM #14] [Originally aired in 1989] Franco and Tabu Ley: A celebration of the lives and work of the late giants of Congolese music--Franco and Tabu Ley Rochereau. Afropop visits with two giants of Congolese music, Franco Luambo Makiadi and Tabu Ley Rochereau at their palatial homes in Kinshasa

Afropop Worldwide recently won a highly prestigious Peabody Institutional Award honoring the entire 27-year body of our work. And the Peabody Awards threw a big party at Cipriani Wall Street hosted by Saturday Night Live alum Fred Armisen. Hear highlights of the evening from the Red Carpet and from the stage. And we'll enjoy excerpts from some of our favorite programs over the years: Our meeting with Ali Farka Toure, in his hometown Niafounke; visits with two giants of Congolese music, Franco Luambo Makiadi and Tabu Ley Rochereau at their palatial homes in Kinshasa; and an audience with Mama Africa, Miriam Makeba. Also on parade are our Hip Deep programs on samba in Brazil and the musical legacy of Al-Andalus in medieval Spain.

[APWW PGM #697] [Originally aired in 2014] Antananarivo, known as Tana to the locals is the highland capital of Madagascar. Afropop's Senior Producer Banning Eyre took a research trip to the beautiful Indian Ocean nation. Join us as we delve deep into the modern musical landscape of Antananarivo. We start off with the upbeat and fast stylings of Tence Mena to the dance craze sweeping the nation called Kilalaky to Malagasy diva Black Nadia and to the protest rap of Agrad & Skaiz and much more.

Cultures of Soul has been the source of some of our favorite international disco compilations recently, providing much-needed focus on incredible music of the '70s and '80s from places as far ranging as São Paulo, Guadeloupe and Mumbai. We reached out to the label founder and director Jeff Swallow, who made us a mix, featuring some of the hottest tracks from his recent releases. Tracklist: Joanne Wilson - Got to Have You Camille Hidevert - Caribbean People Tim Maia - Verão Carioca 2001 & Beto - Labirinto Emilio Santiago - Bananeira C.S. Crew - Love Is Peace Shadow - Let's Get Together (Whiskey Barons' Rework) Stanton Davis' Ghetto Mysticism - High Jazz Reprise

Join us on a freewheeling musical excursion. We start in Cape Town listening to jazz, rock, and even classical music inspired by the city’s signature sound: goema. Veteran rocker and now composer Mac McKenzie is our charismatic guide. Then on to Namibia where we meet one of the country’s most innovative and soulful singer/songwriter/bandleaders, Elemotho Galelekwe. We end in Cape Verde to hear old and new sounds from the first Portuguese settlement in Africa—from the vintage crooning of Ze Luis, to the new sounds of cola-zouk.

[APWW PGM #332] [Originally aired in 2000] In Las Vegas in the year 2000, two legends of Arabic art music performed an historic concert. Wadi’ Al-Safi was called “the pure voice of Lebanon" because for decades he had brought the folkloric songs of the Lebanese countryside to the Lebanese airwaves and the grandest stages of the world. Sabah Fakhri, then one of the most celebrated and beloved singers of Syria, powerfully channeled the ecstatic Sufi art music of Aleppo in performances that riveted audiences throughout the region. Soon would come 9/11, rearranging American perceptions of the world; Syria, and especially Aleppo, would be devastated by war a decade later; and Al-Safi would die at 91 in 2013. All the more reason why this brilliant concert, under the musical direction of Simon Shaheen, who also performs with his group Qantara, deserves a fresh listen.

[APWW PGM #55] [Originally aired in 1992] In 1991, Thomas Mapfumo and the Blacks Unlimited made their second tour of the United States. It was a fascinating transitional moment in the band’s history. Mapfumo had recently added two musicians playing the metal-pronged, Shona mbira, enriching the band’s lineup of guitar, bass, drums, keyboards, brass and percussion. The band had now evolved into a kind of folk orchestra in which everyone sang, allowing for beautifully layered vocal arrangements. This recording, made by Afropop Worldwide at S.O.B.'s in New York City during that historic tour, is a true gem in the Afropop archive. It captures one of Africa’s most innovative and unusual artists and bandleaders at the height of his powers. One listen to this sublime recording and you will understand why producer Banning Eyre devoted some 15 years to writing the new book Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe.

Sometimes it's hard to sit still in the Afropop office. The funkiest, most leg-shakingly infectious music blasts from our speakers on a regular basis. Impromptu dance demonstrations have been known to take place. It's our mission to share this wealth of musical excitement with you, our audience. Today, we bring you everything from the latest Chilean electro-pop to the reggae revival that's heating up Jamaica to the psychedelic frontiers of South Africa. Get down with what the future's dancefloors sound like. You're hearing it here first.

[APWW PGM #558] [Originally aired in 2008] The “Black Pacific” is a term coined by our guide, ethnomusicologist Heidi Carolyn Feldman. She describes the circumstance of African descendants displaced not only from their ancestral homes in Africa, but also from the Atlantic coast nations where their enslaved ancestors were originally brought. This Hip Deep edition explores the sonically vibrant realm of Afro-Peruvian music, a young genre identification that has flourished since the 1950s and has produced artists of international renown, such as singer Susana Baca, and the black folkloric company Peru Negro. The music is sensuous and deeply beautiful, and represents a fascinating and little-understood history. We will hear from Juan Morillo, who represents Peru Negro, from Susana Baca, and other artists and community scholars with whom Feldman has worked during her extensive research of this topic.

[APWW PGM #477] [Originally aired in 2013] This Hip Deep edition explores the legendary early career of Thomas Mapfumo, a singer, composer and bandleader whose 1970s music set the stage for the birth of a new nation, Zimbabwe. Using rare, unreleased recordings, and recollections by Mapfumo, key band members, and prominent Zimbabweans who lived through the liberation struggle, this program traces the development of chimurenga music. Central to the program, are research materials gathered by Mapfumo biographer Banning Eyre, and commentary by ethnomusicologist Thomas Turino, author of Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. One of the great stories of African music’s role in history is told here as never before.

In early 2015, Afropop relocated its archives from a variety of storage units and apartments, and brought it all together in one place. The goal? Sorting, organizing, and preservation. But along the way, we also found more than a few musical gems. Today, join us as we dig through stacks of vinyl, and quite literal mountains of CDs, for the long forgotten, the often overlooked, the totally classic, and the absolutely amazing, as we play some of the albums that we’ve been spinning in our office for the past few months. Spread love, it’s the Brooklyn way. Right?

What's up in Havana besides tourism? Ned Sublette, who recently traveled to Cuba for Billboard magazine, talks with Sean Barlow about the present moment in the fast-changing music capital. Timba from Havana D'Primera, jazz/son by Pancho and Daniel Amat, and a mastermix of reguetón by Chacal y Yakarta, El Micha, and others.

In Benin, a small francophone country in West Africa, traditional style roots music is extremely popular: artists sell thousands of CDs and DVDs of music videos, pack stadiums for concerts and frequently appear on national television. There are many, many styles of roots-pop, but the baseline of dense percussion and intricate vocals is a constant. Producer Morgan Greenstreet focused on these styles for our program Benin Roots Alive. He also made an exclusive Benin Roots Pop Mix from recordings he collected during his trip to Benin in January 2015. Enjoy!

In this program, we follow producer Morgan Greenstreet on a musical tour of Benin’s roots-pop music and Afro-jazz, while exploring the deep cultural and spiritual traditions that inspire contemporary musicians. We will visit a midnight album launch party for a star of roots-pop music in Abomey, meet Norberka, an acclaimed singer, drummer and dancer, at the home of her patron, his majesty Hounon Behumbeza, a vodun priest. We’ll visit the rehearsals, studios and homes of some of Cotonou’s most creative Afro-jazz musicians, including Jah Baba, Fifi Finder and Vi-Phint; we’ll visit Ouidah for the recently established Vodun Festival, and Porto Novo to meet a living legend, Sagbohan Danialou. Along the way, we’ll hear original live recordings from Les Freres Guedehoungue, Gangbé Brass Band, and some previously unrecorded groups. (Produced by Morgan Greenstreet)

[APWW PGM #666] [Originally aired in 2013] Working closely with Chris Kirkley, the writer and recordist behind the Sahel Sounds Blog and label, we will meet the newest generation of musicians from Mali. With their possibilities transformed by technology and their musical tastes reshaped by an exposure to sounds drawn from across the world, these young musicians are radically rethinking centuries old traditions. Get ready for the fast paced guitar bands of the north, the mp3 markets in which digital music passes from cellphone to cellphone, and the balani show music of Bamako (Produced by Sam Backer)

Encore Mix! In conjunction with our current episode on Christopher Kirkley and his website and label, Sahel Sounds, Afropop offers this exclusive mix from Mr. Kirkley himself. It features some of the most interesting sounds currently coming out of Mali. Enjoy! Tracklist: Alkibar Junior - Homage Le Marchand du Soleil - Laila Je T'aime Mdou Moctar - Nikali Talit Amanar - Alghafiat Lakal Kanaye - Soul Tamashek Yeli Fuzzo - Abande Pheno S. - Souroulouklouk Meleke and MC Waraba - Ado Do Abubakar Sani and Fati Niger - Tofi (Photo By Christopher Kirkley)

[APWW PGM #694] [Originally aired in 2014] While bachata may have originated in the Dominican Republic, its growth in popularity over the past 10 years is not rooted within the shores of the small Caribbean nation but in the outer boroughs of New York City. It was here that the now-legendary bachata group Aventura formed. Aventura would go on to change the sound and style of bachata by mixing the style with the rap and r&b they were hearing on the streets of the Bronx. Christened “urban bachata,” the new style has catapulted the genre to greater international recognition and is starting to make its way into mainstream pop radio. Artists like Romeo Santos have already collaborated with the likes of Drake and Nicki Minaj, sold out numerous shows at Madison Square Garden, Staples Center, Yankee Stadium, and just about every major city in Latin America, while 25-year old New York-based artist Prince Royce already has a slew of chart-topping singles under his belt as well as three albums that have reached number one on the U.S. charts. We trace things back to their origins, talking to producers, artists and industry execs about the growing popularity of bachata and the astounding story of how a couple of Dominican teenagers from the Bronx completely revolutionized the genre and created the most popular Latin music of a generation.

Salsa, the dance, is more popular than ever in New York City, its birthplace. Yet salsa musicians are having a harder time than ever making a living from playing the music. In "After The Money" we explore why this might be: we hear from some of the masters who lived through the golden years and experienced the decline of live salsa, and meet the young bandleaders and DJs who continue to make salsa the center of their lives, even if it means struggling to make a living.

Afropop's occasional series on African music made in America continues with a focus on three remarkable women. Marie Daulne, founder of the genre bending vocal group Zap Mama, collaborates with New York Afrobeat band Antibalas, and we hear them live in concert. Madagascar-born Razia introduces her new tri-continental CD, Akory. And Somi tells her story from her days as a Midwestern girl with African ancestry, to her musical career in New York, to her adventurous 18-month stay in Lagos, Nigeria, and her new album, The Lagos Music Salon. These stories and more in a music-packed hour of Afro-femininity!

Take note: Soca's not just for Carnival anymore. Though this mix from New York-based DJ Chibuikem weaves together the highlights of this year's Carnival in Trinidad, it's fit for any kind of festive occasion. Soca's a genre that's firmly rooted in a time (Carnival) and a place (Trinidad) but this year, it seems poised to make an international breakout.

Lucas Silva, the man behind the always amazing Palenque Records, dropped this dynamite mix of Colombian favorites new, old, and in-between. Dig in! And be sure to check out our interview with Lucas here ==> http://bit.ly/Lucas-Silva-Mix

This special feature is a supplement to the Afropop Worldwide program, “Lebanon 1: Fairuz, A Woman for All Seasons.” The feature introduces two important contemporaries of Fairuz and the Rahbani brothers, namely composer Zaki Nassif and legendary singer Sabah. Want a deeper delve into Lebanese music? This one's for you.

In the early 1990s, mangueboys and manguegirls stimulated fertility in the veins of Recife, Brazil. They were interested in hip-hop, the collapse of modernity, chaos and marine predator attacks (mainly sharks). Armed with boundless creativity, they turned one of the world's most poverty-stricken cities into one of Brazil's greatest centers of culture. Mangue artists mixed hip-hop, Jamaican ragamuffin and punk rock with styles from Brazil's northeast like maracatu and embolada. In this program, we explore the legacy of the mangue bit movement and its biggest star, Chico Science of Nação Zumbi. We also take a look at a new generation of adventurous musicians in Recife. Join us as we connect the good vibrations of the mangue with the world network of pop! Produced by Jesse Brent [APWW PGM #704].

[APWW PGM #671] [Originally aired in 2013] Fairuz is the most popular living singer throughout the Arabic-speaking world and an artist with no real counterpart in Europe or the Americas. Since the ‘50s, she has appealed across boundaries of age, gender, class, religion, nationality, regional dialect, and political persuasion. Creating music as serious and engaged as it is popular, Fairuz—along with her collaborators from the Rahbani family of composer poets—has achieved near-universal appeal during a time of unprecedented division and social strife. This program explores Fairuz’s remarkable biography guided by her biographer Kenneth Habib, and Ghady Rahbani, among others. The deepest understanding of Fairuz’s success carries a message that harmony among the Abrahamic faiths is not a lofty illusion, but something lost in the near past, that can be regained.

When we talk about the influence of American performers on African music, we usually think about a few obvious examples, legends like Michael Jackson, Jimi Hendrix or James Brown. In this episode, we go beyond these stars to explore the legacy of some lesser-known inspirations. We’ll learn how the fluid guitar playing of '70s rock band Dire Straits became massively popular in the Sahel, influencing Tuareg rockers like Tinariwen and Tamikrest. We’ll hear about the American country superstar Jim Reeves' African career, and the unlikely story of how the pedal steel made it from Hawaii to Lagos. Finally, we’ll travel to Angola with the help of director Jeremy Xido, to explore that nation’s death metal scene. And along the way, we will try to understand just how to account for taste. Produced by Sam Backer [APWW PGM #703].

[APWW PGM #552] [Originally aired in 2008] While Sierra Leone is currently in the news for the horrific outbreak of Ebola that has devastated the nation in recent months, the country is no stranger to tragedy. This also means that it has deep reserves of resilience, an ability to come together and overcome great obstacles embedded in its culture. To provide the kind of history that is all too often overlooked when reporting on current events on the African continent, we are encoring this episode of Hip Deep episode, which explores the nation’s past. When Sierra Leone gained independence in 1961, Freetown swayed to the beguiling, breezy lilt of palm wine guitar and danced to the funky pop of Geraldo Pino and the Heartbeats. Once a center of the trans-Atlantic slave trade, Sierra Leone became an improbable amalgamation of indigenous peoples and repatriated Africans freed from slavery. Thirty years of political and economic disintegration led to a horrific civil war that claimed tens of thousands of victims and created a generation of maimed bodies and ruined lives between 1991 and 2002. This program profiles the inspiring story of Sierra Leone's Refugee All Stars, a band formed in war-era refugee camps in Guinea. This band played a key role in giving citizens the courage to return home, and now, along with other young musicians in Freetown, attempt to pick up where others left off before the war. Produced by Simon Rentner with Wills Glasspiegel.

[APWW PGM #452] [Originally aired in 2005] Escaping the Delta is the title of a provocative book by award-winning author Elijah Wald that explores how a mythology of the blues grew around the figure of Robert Johnson. On this episode of Hip Deep, Wald talks with producer Ned Sublette, and plays lesser-known recordings by Peetie Wheatstraw, Lonnie Johnson, Leroy Carr and others, who provided source material for some of Johnson's now more famous tunes. Produced by Ned Sublette.

A playlist of fantastic new tracks from the Brazilian underground, courtesy of Marcelo de Carvalho Monteiro, a Rio-based journalist who writes for Amplificador. Read our interview (and dig into his list of fantastic new bands) here ==> http://bit.ly/Brazilpop Track List: 1. Logun – Metá Metá 2. Gaiola da Saudade – Jam da Silva 3. Dino Vs. Dino – Far From Alaska 4. Lucifernandis – Boogarins 5. Summertime – Luziluzia 6. Sertão Urbano – Carne Doce 7. Você não vai Passar – Ava Rocha 8. Damião – Juçara Marçal 9. Cervejas Populares – Ive Seixas 10. Só sei dançar com você – Tulipa Ruiz 11. Lúcifer Colômbia – Burro Morto 12. Retirantes – Bixiga 70 13. Afro – The Baggios 14. Last Chance Trip – Muddy Brother 15. Essa é pra Tocar no Rádio – BNegão 16. No Shit – Abayomy 17. Faria Lima Pra Cá – Passo Torto 18. Avante – Siba 19. A Melhor Hora – Nação Zumbi 20. Desdenha – Graveola e o Lixo Polifônico 21. Cartão de Visita – Criolo 22. Zumbi – André Sampaio e os Afromandinga 23. Solar – Iconili 24. Paraquedas – Russo Passapusso 25. Leão – Amplexos 26. Iracema – Fino Coletivo 27. Pirraça – Vanessa da Mata 28. Lenda – Céu 29. Legal e Ilegal – Felipe Cordeiro 30. Lobitos Show – Zebrabeat Afro-Amazônia Orquestra 31. Vagabundo Iluminado – Tagore 32. Amigos Bons – Junio Barreto 33. Baggiones – Camarones Orquestra Guitarrística 34. Nobody Likes Me – Kung Fu Johnny 35. Rio Grande – Motormama 36. Tão Além – Maglore

[APWW PGM #226] [Originally aired in 1996] The Harlem Renaissance of the 1920’s was an astounding explosion of African-American cultural innovation, producing art, literature, poetry, and of course, fantastic music. In honor of Black History month, we are encoring our tribute to this magnificent period. We’ll hear from stars like Mamie Smith, Fats Waller, Louis Armstrong, and Duke Ellington, as we use their music to explore the often fraught history of Manhattan’s heights. Produced by Ned Sublette.

[APWW #702] In many communities throughout Africa and the diaspora, music and spiritual life are deeply connected through the experience of trance: ritual possession by ancestors, spirits, deities, or simply the trance of communal dancing—usually accompanied by hypnotic melodies and rhythms. In this program, we explore the phenomenon of trance through a survey of musical and spiritual traditions. We'll discover how different cultural and spiritual ideas are expressed musically, and how innovations from behavioral psychology and neurology give insight into how trance works in the brain.

[APWW PGM #135] [Originally aired in 1993] We take you back in time with this deliciously retro episode. When cassette tapes hit Africa, they hit hard, offering a whole spectrum of musicians access to recording for the first time. And they really took advantage of it! In this show, Georges Collinet shares some of the finest of these sounds, mixing smoking South African pop, astounding mbalax, and much, much more.

[APWW PGM #701] Once again, we pull together some of our best Web-only podcasts for your listening pleasure. To start off with, we join veteran reporter Marika Partridge on the Washington Mall for highlights from the astounding Kenyan edition of the Smithsonian Folklife Festival. Then, producer Sam Backer explores the history of the elusive South African producer DJ Spoko in his first-ever international interview. Finally, Banning Eyre takes us back to Madagascar, where we hear the guitar-heavy style of "Beko and Blues." Production by Banning Eyre, Marika Partridge, and Sam Backer.

Most African-Americans trace their roots to West or Central Africa. But it turns out that since the 17th century, there has been a trickle of migration--involuntary and voluntary--from Madagascar to the United States. Afropop's Banning Eyre delves into that history with Dr. Wendy Wilson-Fall, who has both lived and studied this fascinating history.

On "Afropop Live 2014," we're playing highlights from some fantastic concerts we saw over the past year. At Montreal's Nuits d'Afrique festival, we caught Chinese reggae band Long Shen Dao, who mix dreadlocks with guzheng (a Chinese zither). Also in Montreal: the Haitian-Canadian band Rara Soley put on a rousing set of songs for celebration and protest. And from Joe's Pub in New York, Wake Up Madagascar raised awareness for deforestation with the sweet sounds of salegy.

Shamon Cassette first landed on our radar with Wave Crusher, the brilliant Afro-futurist electro-rap mixtape he made with Spoek Mathambo. He's back in Brooklyn now, but his experience in South Africa led him to create this exclusive mix for Afropop, which starts with a previously unreleased track from the Wave Crusher sessions. Here's Shamon on "A Mix of Things Nonrelated": "This year, a few months back I maxed out my tourist visa in South Africa and really had the blessings to adapt and become closer and in tune with what was going on in the southern region first hand. When i got back to Brooklyn I was asked by Afropop Worldwide to make a playlist of current songs and artist that inspired or caught my attention during the process. Here it goes." TRACK LIST: 1. BORN GREAT (SPOEK x SHAMON CASSETTE) 2.ALLBLACKCLACKKAT (OKMALUMKOOLKAT) 3.LIFE (PUSH PUSH) 4.POP MODELS (BIG FKN GUN) 5.HAND IN DIRT (JUMPING BACK SLASH) 6.ZOMBIE (SPOEK ,EVE RAKOW, SHAMON CASSETTE) 7.WASH YOU SLEEP (BIGSPACE) 8.ONDELA 9.BATAUWENG (DJ SPOKO) 10.WHO YOU KNOW (RVWR) 11.RABUBI (MOONCHILD) 12.SPIN MY WORLD AROUND (THE ARROWS) 13.DISGUISES (CARD ON SPOKES RMX)

In this special podcast extra, Marika Partridge takes the APWW microphone to the National Mall to record music and stories representing the 42 tribes of Kenya. Kenya and China were featured at the festival. We'll hear the latest from Ayub Ogada, Eric Wainaina, John Nzenze, Winyo and other Kenyan music stars.

[APWW PGM #471] [Originally aired in 2005] The “taarab” music of East Africa’s Swahili coast offers an amazing history lesson. Bantu and coastal Africans, Arabs, Portuguese, Germans, Brits, and Indians all figure in. With guest, anthropologist and author, Kelly Askew, this Hip Deep program explores the taarab music of Zanzibar, Dar es Salaam, Tanga, and Mombasa, Kenya. The show features rare recordings by the likes of taarab pioneer Siti Bint Saad, groups Babloom Modern Taarab and Tanzania One Theatre, and Afropop’s own recordings of Culture Musical Club of Zanzibar and Maulidi Musical Party of Mombasa.

Afropop’s annual round up of the hot new releases of 2014. Georges Collinet and Banning Eyre sit down for a music filled survey of African and African diaspora sounds that hit the street this year. Garifuna soul, acoustic and electric roots from Mali and Guinea, Angelique Kidjo, Caetano Veloso, a Mauritanian griot with a voice for the ages, plus new Latin sounds, dancehall, and as many great tunes as these two musical omnivores can cram into an hour of radio. Count on great gift ideas for the holidays!

[APWW PGM #301] [Originally aired in 2000] The rural south has changed profoundly since it served as the birthplace of blues, and in the intervening years, many of the traditional forms so vital to American musical history have disappeared. It’s lucky then, that the record industry (not to mention some intrepid folklorists) got there before everything changed. This program celebrates the deep and essential sounds they captured on tape, vinyl, acetate, Edison cylinder, and piano roll. You’ll hear historic early recordings by black American performers from 1893 forward. The show also includes the first hit blues record, Mamie Smith’s “Crazy Blues,” along with a sampling of Lomax field recordings from the 1930s.

Salegy is a churning, harmonious groove with spine-stiffening vocal harmonies that emerged from towns and cities of northern Madagascar in the mid-20th century. On a trip to Diego Suarez, we learn that salegy’s older origins are both fascinating and mysterious. We meet young salegy stars Ali Mourad and Jacs, and speak with the genre’s reigning legend, Jaojoby, on the roof of his nightclub in Antananarivo. Along the way we visit a music school in Diego and hear blazing guitar riffs and get a finger picking tour of the entire island from guitar maestro Hajazz.

Less talking, more music! This podcast surveys live recordings Afropop Worldwide made in Antananarivo, Madagascar, in spring 2014. From the frenetic dance grooves of Aly Mourad and Thominot, to the acoustic guitar mastery of D'Gary, Sammy, Johnny, and the jazz-fused Silo, to soulful folkloric performances... It's a full-course musical meal from a spectacular and under-recognized destination.

Abdala tells stories with sounds he captures with a tape recorder from his home and the streets of Goîania, a city in Brazil's center. He also runs Propósito Records, home to some of Brazil's most experimentally-minded artists. Abdala just put out his sixth release of 2014, For Those Who Came From Nothing. To celebrate that prolific accomplishment, he's also put together a mix for Afropop, featuring his own music and songs by other artists from Brazil's new avant-garde. Read our interview with Abdala====> http://www.afropop.org/wp/21167/a-matter-of-rhythm-abdalas-experimental-brazil/ Tracklisting: Guilherme Granado - Cooking Zoo Efeito Horizonte: Sinergia Abdala - Bença Pequod_ - Circunstância do instante Desassossego - Prana (record with cellphone) M Takara - aaawww (desmonta records) Holofônica - solidão quatro Carlos Issa - Ordem Jonathan Gall - Revel on the man, kind Diversões Eletrônicas - Live session Abdala - Rompimento

On this Hip Deep edition, we visit nightclubs, cultural centers, radio stations, and the homes of prominent musicians to take the pulse of Madagascar’s lively highland capital, Antananarivo (Tana). Long the seat of power on the island, Tana is now home to spectacular artists from all the country’s ethnic regions. We’ll hear from rappers, traditional musicians, guitar innovators, veterans like Sammy, Hanitra, and Rossy, and lots of newcomers--also a dance band playing the latest club craze—a footloose dance style known as kilalaky. The program is rich with live recordings and acoustic performances created especially for Afropop Worldwide. With insights from Johns Hopkins historian Pier Larson and Duke University anthropologist Margaret Lou Brown, we also reflect on Madagascar’s complex history, politics and troubled governance in recent years.

[Podcast] - Beko (pronounced BEH-koo) is a ceremonial vocal style performed by various ethnic groups in southwest Madagascar. It has also been an inspiration to successful popular musicians, both for it's blues-like emotional qualities, and its social message. In this "Hip Deep in Madagascar" podcast, we hear from Monika and Lala Njava, singer/songwriter Mikea, and the great Antandroy musician Remanindry.

New York City is home to the earth-shaking Latin dance music known as ‘salsa.’ From the mid 1960s through the 1980s, Fania Records released many of the most important albums in the history of the music, creating a salsa ‘boom’ that provided an outlet for many important musicians to share their contributions with the world. In 2014, Fania celebrated 50 years in the business; and to celebrate, we dug into the label’s history. We’ll hear from some of the principal players, including Aurora Flores, Nicky Marrero, and, El Judeo Maravilloso, Larry Harlow, and tell a few Afro-pop centric stories along the way.

DJ Spoko, the South African producer behind some of the country's (and maybe the continent's) wildest electronic sounds, has long been something of a mystery. Aside from a few scattered production credits, a handful of Youtube videos, and one solitary EP, it was pretty much impossible to HEAR the guy. That's why we jumped at the chance to interview Spoko about his new album, "War God," which features a full 20 tracks of "pure disease- and pure love." Spoko told us his story, everything from taxi-driving gangsters and clubs filled with Bacardi to the presence of the divine via Fruity Loops 1.1. We'll hear that, plus some MASSIVE cuts from his discography.

Afropop Exclusive Mix! Tiger's Milk Records is one of our favorite labels, dishing out a helping of Peruvian tunes as delicious as the ceviche they cook in their award winning restaurants. This mix is compiled to celebrate the release of "Peru Bravo," the label's latest compilation. Connecting the dots between the funk, psych, and rock'n'roll featured on the album with more modern strains of Peruvian music (and a few equally tasty geographic outliers.)It's a terrific journey from start to finish. So dig in! Read our interview with Tiger's Milk Founder Martin Morales ==> http://www.afropop.org/wp/20744/peru-bravo-interview/ Tracklisting 1. Tres Lunas – La Noche Boca Arriba (Self Released) 2. Pirana Sound System – Naranja Limones (Tiger’s Milk) 3. Tribilin Sound – Un Hasta Luego (Self Released) 4. Dengue Dengue Dengue – R2 (Auxiliar) 5. Bareto – Bombo Baile (Unreleased) 6. Compadres Del Ande – La Mecedora (Tiger’s Milk) 7. Los Belking’s – Sabata (Tiger’s Milk) 8. Los Destellos – Onsta La Yerbita (Tiger’s Milk) 9. Débruit & Alsarah – Hawya (Soundway Records) 10. Menelik Wesnatchew – Tezeta (Ethiopiques) 11. Lucia de la Cruz – Toro Mata (Tiger’s Milk) 12. Brian Eno & David Byrne – Qu’ran (Polydor)

The southwest of Madagascar is a land of fishermen, mining prospectors, and cattle ranchers—not exactly a homogenous region in terms of lifestyle or ethnicity. But one thing that unites all the people of this region is the giddy, electric guitar-driven boogie music known as tsapiky (pronounced tsa-PEEK). Born only in the late 1970s, tsapiky has become the required music at large family ceremonies (circumcisions, weddings and, especially, burials), where music and partying goes nonstop for three days or more. In this Hip Deep program, we unfold the unique origins of this music, and other traditional styles of southwest Madagascar. And we’ll meet some of tsapiky’s great guitar practitioners: Damily, Teta and Pascal. We’ll hear a song from Damily’s recent public concert in Tulear—his first in 14 years--and sample a variety of beautiful music from this remote and remarkable corner of Madagascar.

And it's guest mix time! For this installment of audio pleasure, we have a selection of Algerian music from the cities of Oran and Algiers compiled for us by Chris Silver, who writes the Jewish Morocco blog. Check out Chris's write-up for the mix here- http://www.afropop.org/wp/20467/guest-mix-for-the-love-of-djazair/ You can also read more of Chris's work here- http://jewishmorocco.blogspot.com/

While bachata may have originated in the Dominican Republic, its growth in popularity over the past 10 years is not rooted within the shores of the small Caribbean nation but in the outer boroughs of New York City. It was here that the now-legendary bachata group Aventura formed. Aventura would go on to change the sound and style of bachata by mixing the style with the rap and r&b they were hearing on the streets of the Bronx. Christened “urban bachata,” the new style has catapulted the genre to greater international recognition and is starting to make its way into mainstream pop radio. Artists like Romeo Santos have already collaborated with the likes of Drake and Nicki Minaj, sold out numerous shows at Madison Square Garden, Staples Center, Yankee Stadium, and just about every major city in Latin America, while 25-year old New York-based artist Prince Royce already has a slew of chart-topping singles under his belt as well as three albums that have reached number one on the U.S. charts. We trace things back to their origins, talking to producers, artists and industry execs about the growing popularity of bachata and the astounding story of how a couple of Dominican teenagers from the Bronx completely revolutionized the genre and created the most popular Latin music of a generation.

This summer, Afropop launched a new and improved podcast, making your favorite world-spanning radio show available in a whole new way. To celebrate, we’ve put together a show featuring some of our favorite moments from the podcast. Previously available only online, these segments are airing for the very first time. We’ll share the story of soul man Geraldo Pino, the “African James Brown.” You’ll hear the musical visions of the eccentric Jamaican guitarist Brushy One String. And much more!

The Mighty Amazon The Amazon has long been a mystery to Brazil. Located far from the centers of business and power in the nation's South-East, the jungle provinces of the Brazilian North have long been ignored by the nation at large. But recently, Brazilians have been discovering that the cities and waterways of the Amazon are home to some of the nation's hottest music. In this Hip Deep episode—a musical history of Pará state, where Afro-Caribbean influences have created a unique local flavor that connects the dots between Brazilian music and the rest of Latin America. We check out the guitar heroes of old-school Amazonian dance bands, investigate the origins of the early '90s lambada dance craze, and explore the bubblegum bass culture of tecnobrega. Featuring interviews with singer Gaby Amarantos, lambada revivalist Felipe Cordeiro and ethnomusicologist Darien Lamen, among others. Lead Producer: Marlon Bishop Assistant Production: Saxon Baird, Joe Dobkin

On Sierra Leone's independence day in late April, musicians descend upon Freetown from rural villages to participate in parades and celebrations throughout the city, traversing and joining diverse neighborhoods together with the sound of processional music including one particular local style called bubu. Bubu is a trance inducing sound played by groups of young men blowing interlocking, hocketed breath patterns into bamboo shoots. Bubu resonates with other African diasporic horn traditions (rara and gaga especially). It has long been a part of the cultural fabric of Sierra Leone, yet its deeper story has so far eluded scholarly examination. This program, supported by original fieldwork begins a serious exposition and investigation of the intriguing mythology and history that surrounds this unique, hypnotic music, through a focus on one Bubu musician Ahmed Janka Nabay, the artist recognized widely in Sierra Leone (and beyond) as "the Bubu King." Written and produced by Wills Glasspiegel and Drew Alt. This program is hosted by Sahr Ngaujah, star of the Broadway musical Fela!.

In part one of our Hip Deep Brazil series, we travel back in time to Rio de Janeiro in the early 20th century to explore the birth of Brazil’s most iconic sound: samba. Beginning with the arrival of poor nordestinos in the city after the end of slavery in 1888, we follow the exploits of the early sambistas as they forged the genre that would come to represent the nation. Brazilian scholar Carlos Sandroni shows us how Afro-Brazilian religious music and popular styles like modinha transformed into the syncopated samba beat. Then, media scholar Bryan McCann guides us through the glamor and political intrigue of 1930s Rio as samba explodes as the popular music of choice throughout the country. We speak with samba greats from the old guard to the young bloods, including Dona Yvone Lara, Heitorzinho dos Prazeres, Paulão 7-Cordas and Luciana Rabelo. In closing, we find out how samba, an ambitious radio station and a populist dictatorship worked together to shape Brazilians’ ideas about race, society and the Brazilian nation itself.

[APWW PGM #689} World Cup mania continues in Brazil. The games are a source of great national pride, as well as bitter dissent due to the fact that billions were spent on stadiums, rather than schools, hospitals and public transport. What does the music community think? We check in with the latest baile funk from Rio’s favelas. Label owner Renato M2 introduces us to a new style–the slowed down Afro-Brazilian tinged rasterhina. In São Paulo, the cosmopolitan city of 20 million where musical innovation is always happening, we hear Ba-Boom–afoxé mixed with dancehall. From Bahia, we hear the latest from tropicália legend Caetano Veloso and introduce Russo Passapusso, who is reviving the 1970’s MPB sound. Long neglected in Brazil, female MC’s are finally getting their due–we check out Karol Conka and Pearls Negras. Up the coast in Recife, we catch up with Siba and Zé Brown, veterans of the mangue bit movement, who are ably mixing local roots music with international sounds. We’re introduced to the active Brazilian avant garde by Chico Dub. Our last stop is Belém on the Amazon River, where we hear innovative brega artist Felipe Cordeiro. Produced by Jesse Brent.

[APWW PGM #678] [Originally Aired in 2013] The legendary Cuban pianist / bandleader / composer Ramón "Bebo" Valdés used to say, el día que me muera, no quiero lloradera. Que toquen una rumba, que tomen ron y coman chocolate, y que toquen mi música más bailable. The day I die, I don’t want weeping. Have a rumba, drink rum and eat chocolate, and play my most danceable music. Bebo passed on March 22, 2013 at the age of 94, and to honor his memory in high spirits, Afropop Worldwide producer Ned Sublette travels to the Voll-Damm Barcelona International Jazz Festival for an exclusive presentation: highlights from the historic Rumba Para Bebo – part concert, part memorial, part Cuban jazz jam, part rumba, and part Kongo ceremony. The show features Bebo's son and former pupil, the reigning grandmaster Cuban pianist / bandleader / composer Jesús "Chucho" Valdés and the Afro Cuban Messengers, and with special guests Jerry González, Omar Sosa and Malongo, Mayra Caridad Valdés, Lázara Cachao, Javier Massó “Caramelo,” Javier Colina, Mauricio Vallina, Paloma Manfugás, Eladio Reinón, David Pastor, and more!

While other forms of music have switched to digital production, gospel remains as the arena for live music, and as the most popular form of live performance in the city of Accra. In this web exclusive podcast, we explore Ghanaian gospel's popularity in a city with thousands upon thousands of churches.

Summer is always the most active season for African and Diaspora touring artists. We'll clue you into what we think are the best. So wherever you are, enjoy the fun fun fun free open air concerts at Central Park SummerStage, Celebrate Brooklyn, Nuits D'Afrique in Montreal, Concert of Colors in Detroit, Grand Performances in L.A. and more.

Cabo Verde (also known as Cape Verde) is undeniably a music powerhouse. Despite its small size (population 500,000), the West African archipelago is the third-largest country in music sales in the “World” market by some estimations. That’s why the islands have become home to the Atlantic Music Expo: a trans-oceanic music fair featuring conferences and concerts that attract musicians and industry professionals from across the globe. In this episode, Afropop drops in on the Expo to check out the latest in Cape Verdean music. We hear from talented singer-composers Neuza and Bino Barros, check out high-energy funaná from Ferro Gaita and Ze Espanhol, and sample other tasty musical fruits from the land that created Cesaria Evora.

And this week? We are proud to debut a new mix from Funk Na Caixa. Hi, here is Renato M2 from Funk na Caixa. I recorded this mixtape for friends of Afropop worldwide to show them more about rasterinha, the new trend in baile funk culture. In this mixtape I played: 2 tracks from our vol. 2 of our rasterinha EP - (it's out now, and has 12 tracks) - and another exclusive track from our friend Munchi. He doesn't know when he will release it, but to give you taste of it, I played in exclusive! I hope you enjoy this mixtape. There is a moment of chill and there is a moment to daance. Abraços, Renato

In our program "Afropop Live! NYC Musical Metropolis" we featured an excerpt from our interview with Brushy One String, the soulful Jamaican singer/guitarist and youtube star. In this podcast, we go further, discussing Brushy's past, his goals, and the development of his unique musical style. Along the way, we try to explain how just how one string can make so much great music.

Banning Eyre presents songs and stories from Somalia's fertile independence era, and up to the present. This podcast is a supplement to Afropop's Hip Deep program "Reconstructiong Somalia, Love Songs at the Birth of a Nation." Somali scholar and former broadcaster Ahmed Ismail Samatar introduces Somali oud virtuoso Hodeidi. Historian Lidwien Kapteijns continues her brilliant and amiable commentary on the love songs in which gender debates played out in the '60s and '70s, and brings the story right up to the present with fascinating reflections on the early career of the rapper/songwriter K'Naan.

In addition to Afropop Worldwide's new show, Benin: Transforming Traditions, we bring you this web exclusive podcast, Angelique Kidjo: The Roots Of Eve, featuring new music and an exclusive interview with the Queen herself. Afropop Worldwide has followed Angelique since she her career first began, and we're always excited to hear what she's up to. Her latest album, Eve, was released on January 28th 2014 by 429 records. It is dedicated to her mother and celebrates African women. Eve features women's choirs from Benin and Kenya, and many of the songs reference the traditional Vodun music featured in this week's program. Our senior producer Banning Eyre interviewed Angelique at her home in Brooklyn, New York. Listen to the podcast to hear Angelique speak about the inspiration for the album, and hear new music from Eve.

[APWW PGM #680] [Originally aired in 2014] This program tells the story of generations of creative musicians from Benin who translate traditional, largely Vodun occult music into popular and experimental music. We hear traditional music styles including tchinkoumé, agbadja, and kakagbo, and explore how, starting in the 1970s, Sagbohan Danialou (a singer, drummer, guitarist and composer known as "l'homme orchestre," the one-man-band) and Tohon Stanislas transformed these styles into popular music. We hear from Samuel "Jomion" Gnonlonfoun, one of the founders of the experimental super-group Gangbé Brass Band, who took the traditional approach further into jazz in the 1990s and 2000s, including new music from Jomion & The Uklos, Gnonlonfoun's current band. Finally, we bring the story to the present with an interview from superstar Angelique Kidjo, and brand new music from her latest album "Eve." Produced by Morgan Greenstreet.

[APWW #676] [Originally aired in 2013] Technology is one of the great drivers of musical change, and often one of it's least understood. In this episode, we will explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety African musics. Enabled by groundbreaking reissues of synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African bubblegum superstars like Brenda Fassie, we will take you back to the 70’s and 80’s, listening to the birth of a distinctly African electronic sound.

Descendants of Lebanese immigrants have had a surprising impact on the development of Ghanaian popular music. This report by Afropop's Banning Eyre digs into the history of the late-60s Afro-rock band, The Psychedelic Aliens, and producer, bandleader, and club owner Faisal Helwani. Helwani's band Hedzoleh Soundz eventually attracted the involvement of South African trumpet legend Hugh Masekela. And Helwani's club, The Napoleon, was the home base for Fela Kuti during his crucial proving years in Accra, Ghana. That means a Lebanese-Ghanaian was an important shepherd of the incipient, worldwide Afrobeat movement.

[APWW #672] [Originally aired 2013] New York City has long had a thriving and populous Jamaican community from Crown Heights, Brooklyn to the south Bronx. And as long as Jamaicans have come to the Big Apple they've brought their culture and music along with them. In this musical exposé Afropop producer Saxon Baird susses out the often overlooked NYC Jamaican music scene with interviews from some of its biggest players from Bullwackies in the Bronx to Brooklyn-based dancehall artists like Screechy Dan. Produced by Saxon Baird

This special feature is a supplement to the Afropop Worldwide program, “Lebanon 1: Fairuz, A Woman for All Seasons.” The feature introduces two important contemporaries of Fairuz and the Rahbani brothers, namely composer Zaki Nassif and legendary singer Sabah. The images below are of Zaki Nassif’s nephew, Nabil Nassif, and ofthe Zaki Nassif archive at the American University of Beirut. This archive is overseen by Giselle Hebbo, seen here displaying some of the archive contents.

[APWW #669] [Originally aired 2013] Hiplife--a merger of hip hop and highlife--has come of age, spawning subgenres tilting to roots culture, international rap, and boldly humorous satire, not to mention azonto, a dance craze that has rocketed to global renown in just over a year. But for all that, the biggest-selling music in the country, by far, is gospel. On this whirlwind, Hip Deep tour of Accra, we meet stars like Reggie Rockstone, M.anifiest, Efya, Soul Winners, and the genre-bending FOKN Bois. Author, scholar, and seasoned Ghana hand Jessie Shipley helps untangle the complex world of award ceremonies, corporate endorsements, live music in church, and the emergence of women in Ghana's male-dominated pop world. Produced by Banning Eyre.

The influence of the James Brown (The Godfather of Soul, Mr. Dynamite, Etc) on the music of Ghana is enormous. In this web-exclusive podcast, producer Banning Eyre, we explore the influence of Brown on an entire generation of Ghanian musicians- a young Fela Kuti included. We also focus on Geraldo Pino, a talented performer who was able to rework Brown's style for a domestic audience. While Kuti and Pino are often depicted as locked in a fierce rivalry, the truth is that the men had a warm friendship for many years. The podcast explores an under-considered moment in the Afrobeat pioneer's early career- and west African music in general.

[APWW # 124] [Originally aired 1993] Funk is a perennial favorite. In this panoramic history of the grooviest of genres, we hear track after track of absolute boogie down classics. Everything from Sly and the Family Stone to James Brown, with a few stops to hear legends like the Meters, Kool and the Gang, and Parliament. We’ll also hear the great Bobby Byrd explain the rhythmic motor behind the JB’s, and Georges Clinton talk about the roots of HIS funk. Produced by Ned Sublette.

[APWW PGM #663] [Originally aired 2013] AFRICAN SOUNDS OF THE INDIAN SUBCONTINENT African Sounds of the Indian Subcontinent In this Hip Deep program, we explore musical connections between Africa and the Indian subcontinent. First, we hear the story of the Afro-Indian Sidi community. Starting in the 13th century, Africans arrived in India as soldiers in the armies of Muslim conquerors. Some were able to rise through the ranks to become military leaders and even rulers in India. Their descendents continue to live in India today, performing African-influenced Sufi trance music at shrines of a black Muslim saint named Baba Gor. Next, we dive into the swinging jazz era of 1930s Bombay, when African-American jazz musicians arrived by the dozen to perform at the glitzy Taj Mahal Hotel. They trained a generation of Indian jazz musicians who would become instrumental in the rise of India's Hindi film music industry. Then, we head south to Sri Lanka, where Africans have had a presence for almost 500 years. We explore their history through the groovy Afro-Indo-Portuguese pop music style known as baila, popularized by 1960s star Wally Bastiansz and still performed at parties around Sri Lanka today. Last, we speak with Deepak Ram, a Indian jazz flutist who recounts his experiences growing up Indian in apartheid South Africa. Throughout, we speak with leading experts, and of course, hear fantastic - and often unexpected - music. Produced by Marlon Bishop.

[APWW #654] [Originally aired 2012] In this episode, Afropop Worldwide travels to São Paulo, the 20-million person Brazilian megalopolis, to report on the explosive music scene stirring among the city's cosmopolitan youth. São Paulo is hardly the Brazil you see on the postcards - it's a city of endless high-rises that stretch on into the horizon, covered in colorful graffiti and snarled with traffic. But it's also a place where people, ideas, sounds, and technologies come together and get scrambled-up like nowhere else in South America. On this program, we delve into the music of being made in São Paulo as a window into the Brazil of the future. First, we head to the city's sprawling outskirts to explore São Paulo's long and vibrant relationship with hip-hop culture. Then we check out the local indie scene, where artists like Holger and Lulina seamlessly mix Brazilian traditions with the latest sounds from the US and Europe. We visit local record shops, an Afro-Brazilian music fair and DIY venue for underground music, and speak with everybody from São Paulo legend Arnaldo Antunes to up-and-coming songwriter Thiago Pethit, hip-hop innovator Rodrigo Brandao and bluesy rockeira Bárbara Eugênia. Produced by Marlon Bishop and Julia Furlan.

[APWW #644] [Originally aired 2012] Our second Hip Deep samba show picks up where we left off the story in the 1960s, tracing the rhythm as it transforms and re-appears throughout the many popular music forms that developed in Rio in the later 20th century. Scholar Frederick Moehn, author of a new book titled Contemporary Carioca, shows us how samba's shadow re-appears in the youth music of MPB-stars Pedro Luis and Fernanda Abreu, and how a samba revival led by young artists in the Lapa neighborhood revitalizes Rio’s urban core. Arriving in the 21st century, we see how samba’s footprint continues to reverberate in Rio today, in the form of the electronic tamborizao beat supporting baile funk recordings, and in the futuristic pandeiros of young percussionists like Marcos Suzano.

In the late spring of 2012, Hukwe's son Msafire Zawose--in every way a chip off the old block--brought his family's musical legacy from Tanzania to the US. Afropop caught a midnight acoustic set at Barbes in Brooklyn, and quickly arranged an interview. Hear the results from our conversation and clips from the live show.

Wrapping up Afropop's Hip Deep series on Egypt, Banning Eyre asks "What Next for Egyptian Music?" To supplement part 5, "Revolution Songs," this podcast focuses on the roots of Egyptian rap, and its surging popularity after the revolution. The future of music in Egypt may be the fusion of rap and another surging, young genre, electro-sha'bi.

Afropop visits a sufi moulid celebration in Upper Egypt and delves into the history of sufi celebration and culture in Egypt.