In this episode with Matt Merkovich of The Matchmoving Company, we talk about the importance of 3D tracking/matchmove in the VFX industry and what it means to be a matchmove artist. Matt is an expert user of Syntheyes and has been a great influencer in getting it where it is today.  He also uses it for almost all of his work, spiralling almost three decades in the VFX industry.Matt believes #Syntheyes is by far the best 3D tracking software out there and has by far "the best 2D tracking system in the world!", so in this episode, I sit him down to find out why he believes so.Being a Matchmove artist myself, having been a user of PFTrack in the past and an ongoing user of  3DEqualizer I was very curious to hear why Matt thinks so.3D tracking or Matchmove as you may call it, ties perfectly with all the other departments in the VFX pipeline, to complete VFX shots in the biggest visual effects movies out there, making this episode an important one, to gain insights from an industry veteran like Matt.Matt's filmography spars from Minority Report, Star Trek Voyager, Doctor Dolittle 2, The Amazing Spider-Man and more. Here's Matt's IMDB.Matt's company The Matchmoving Company provides 3D tracking services globally and can currently be reached through https://www.mattmerk.com/ As always, if you liked this episode, please 👍 like, 📝 comment, 📢 subscribe, and 📣 share!Listen to all episodes on our websiteWatch our other videos📣The Importance of Matchmove within the VFX pipeline | TVAP EP54 (P-1)📣Inside VFX Recruitment with Melissa Blakey, Global Head of Talent at Crafty Apes | TVAP EP53 (P-1)📣Inside VFX Recruitment with Melissa Blakey, Global Head of Talent at Crafty Apes | TVAP EP53 (P-2)📣Behind The Desk with Hugo Guerra | TVAP EP47Follow Us 👍👍📌📌◉ Instagram◉ Twitter◉ LinkedInSubscribe to us on YouTubeChapters00:00:00 Coming Up  00:02:19 Introductions  00:03:54 Who is Matt Merkovich  00:07:17 Where my interest for film originated  00:14:59 From Lightwave to Matchmoving on Minority Report  00:23:28 Minority Report Matchmoving Pipeline in the 2000's  00:26:24 Evolution of Aspect Ratios00:30:18 Comparing Syntheyes, 3dequalizer, Boujou, PFTrack and more  00:35:13 Good & Bad Tracking Markers  00:38:54 Staying relevant in an evolving industry  00:44:36 Being a VFX artist in the mid 90's  00:46:45 Shot talk - Challenges  00:48:38 The future of 3D tracking  00:53:41 Comparing 3dequalizer and Syntheyes  01:01:01 Matchmove Artists - The underappreciated department  01:03:53 About The Matchmoving Company  01:04:11 Unionize the VFX industry  01:04:11 Conclusion Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

Inside VFX Recruitment with Melissa Blakey, Global Head of Talent at Crafty Apes | TVAP EP53 (P-1)For many VFX Recruitment is a bit of a black box - we send off our reels and CV and then hope for the best. This week we go behind the curtain with Crafty Apes, Global Head of talent, Melissa Blakey.We cover Melissa's own fascinating career - she started working on-set before moving into post and then worked for almost 20 years in VFX Production before moving into Recruitment! We discuss why she decided a career on set was not for her and start to unpick the way recruiters and VFX houses select candidates.Next we laser in on her best practices for candidates as well as the Crafty Apes philosophy for hiring and retaining staff.WFH resumes, showreel interviews, changing departments we will be discussing all this and more.Unusually for many VFX Houses, Crafty Apes tends to focus on Generalists and on permanent positions so we go into what that means in a market largely dominated by specialists and freelancing.Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In the first episode of 2023, we felt it quite important to start the year right, by bringing you some much necessary tips from a VFX recruiter, should you be looking to take on a new role.We are therefore pleased to have Sophie Maydon, former VFX Global Head of HR, Recruitment and PR at DNEG (Double Negative), and Director, VFX Talent & Recruitment Consultant  at her firm PXL TalentSophie has over a decade's experience recruiting 100's of VFX and animation artists across many levels and departments. In this episode, we discuss many topics to do with recruitment, focusing on the perspective of a VFX recruiter, as well as the applicant. We discuss and find out about the best practices and ways one could go about successfully coming on top in an interview, the do's and don'ts, try to understand if there are recruitment prejudices and more.This is a very insightful, useful and long awaited episode, and we hope you find it so. As always, if you liked this episode, please 👍 like, 📝 leave us a comment, 📢 subscribe, and 📣 share!PXL Talent on LinkedInConnect with Sophie Maydon on LinkedInListen to all episodes on our websiteWatch our other videos📣What does it take to be a lighting artist? with Jasmine Katatikarn | TVAP EP49📣Behind The Desk with Hugo Guerra | TVAP EP47Follow Us 👍👍📌📌◉ Instagram◉ Twitter◉ LinkedInSubscribe to us on YouTubeChapters00:00:00 : Coming Up    00:00:29 : Intro    00:01:48 : Overview    00:02:21 : A bit about Sophie Maydon    00:05:59 : Sophie's background as a recuiter at DNEG    00:10:32 : Power comes with pressure, as a recruiter    00:12:42 : Are generic applications a good idea?    00:14:57 : Going through job portals vs LinkedIn DM    00:17:41 : Are Resume's necessary in the VFX industry?    00:21:19 : Showreel advice from a VFX recruiter    00:27:37 : Showreel advice for returning mothers into the industry    00:31:17 : Flexible/Part-Time hours for Mothers in the VFX industry    00:33:41 : In-person vs remote interviewing advice    00:35:25 : Salary expectations - How to respond    00:41:39 : Budget vs experience    00:44:39 : Artists demand by studios    00:47:26 : Should I go to university before working in VFX?    00:52:48 Discrimination in recruiting    00:59:33 Leave a question in the comment section    00:59:55 How to get in touch with Pixel Talent    01:01:28 What not to do, as an applicant    01:03:19 ConclusionSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

What does it take to be a lighting artist? with Jasmine Katatikarn | TVAP EP49This week we catch up with Jasmine Katatikarn, lighting artist and co-founder of the Academy of Animated Art.We discuss finding your career path at any stage in life, what it takes to be a lighting artist, what makes a successful lighting application to top VFX, and animation studios, working in the VFX and animation as a woman and POC, diversity in the industry and more.Without a doubt, we also go on to find out about Jasmine's career path in the industry, as well as how she co-founded the Academy of Animated Art, and what her academy teaches lighting artists.Jasmine has over two decades of industry experience as both, being a lighting artist in the VFX industry, and the feature animation industry. Jasmine has gone to work for studios such as Blue Sky Studios (Disney), The Mill, Framestore, and many more incredible studios, stamping her signature on shows such as Ice Age: Dawn of the Dinosaurs,  Rio, Rio 2, Spies in Disguise and more.  Enjoy!◉ Academy of Animated Art◉ Academy of Animated Art Courses◉ Diversity Action ProgramSocial Media:◉ Instagram◉ LinkedInConnect with Jasmine on ◉ LinkedIn ◉ InstagramAs always, if you liked this episode, please 👍 like, 📝 comment, 📢 subscribe, and 📣 share!Listen to all episodes on our website 🔊🔊🎧🎧https://www.thevfxartistspodcast.com/Watch our other videos📣The Effective Freelance Compositor, with Shonda Hunt | TVAP EP31      📣Becoming a mother made me an efficient VFX Animator - Part 1 | TVAP EP35     Follow Us 👍👍📌📌◉ Instagram◉ Twitter◉ LinkedInSubscribeListen on 🔊🔊🎧🎧◉ Apple Podcasts◉ Amazon Music◉ Google Podcasts◉ StitcherSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

Behind The Desk with Hugo Guerra | TVAP EP47Hugo Guerra, Director,  VFX supervisor, and creator of Hugo's Desk.In this episode, Kofi chats to Hugo about his career in the VFX industry. Uncovering decisions and steps that have made Hugo the Director and Supervisor he is today.With an incredible industry footprint, Hugo has a huge voice across the VFX industry, and I felt it quite relevant to learn more about the man behind the glasses, or as our title says, 'Behind The Desk'.In this episode, we discuss the creative and VFX industry in Portugal, and Sweden, remote working, industry overtime, Hugo's VFX journey in London during his time at The Mill, mistakes VFX artists to make when looking for work, steps they could take to protect themselves from being taken advantage of, best video games, movies, series of 2022, industry-wide issues, how we could tackle them, and many more.It was a packed and insightful discussion worth listening to the end, as well as one to be shared!A massive thank you to Hugo for his time and for being such a gem to the industry.As always, if you liked this episode, please 👍 like, 📝 comment, 📢 subscribe, and 📣 share!Listen to all episodes on our websiteWatch our other videos📣Building the Biggest VFX Asset Library in The World! ActionVFX CEO Rodolphe Pierre-Louis | TVAP EP46     📣Share Knowledge - Keep Learning with María Carriedo | TVAP EP43    You can find Hugo on the following platforms:Hugo's DeskBefores & AftersHugo's Desk LinkedInHugo's LinkedInHugo's TwitterHugo's Desk TwitterListen on 🔊🔊🎧🎧◉ Apple Podcasts◉ Amazon Misuc◉ Google Podcasts◉ Stitcher#thevfxartistspodcast #vfxpodcast #hugoguerra #hugosdeskChapters00:00:00 Coming up...    00:01:32 Introductions    00:03:11 Who is Hugo?    00:10:24 The Portuguese creative industry could be better    00:16:30 Reminiscing the London, Soho VFX industry in the 2000's    00:19:27 The unhealthy traits of the VFX industry - Overtime work    00:32:16 Chasing The Goal    00:37:05 How I ended up in the VFX & creative industry    00:39:37 Love-Hate relationship with the VFX industry    00:46:37 What I teach Nuke Compositors    00:49:49 What Junior compositors need to know when job seeking     01:02:41 Achieving targets on a creative journey    01:05:25 Films on Hugo's list for 2022    01:09:29 Where to find Hugo!    01:10:46 Thank you for watching! Subscribe!Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

AI in the VFX & Creative Industry: Impact, Issues & Solutions | TVAP EP45 Join us, as we discuss the impact of AI in the VFX & Creative industry. With the rise of platforms such as Midjourney, Dalle-2, and Stable Diffusion influencing artists, we bring forth this open discussion about what the impact could be for our industries if certain laws and rules aren't put into place to protect artists and creators worldwide. We look to touch on copyright ownership and rights, privacy, ethics, and more! Join us this Wednesday, Nov 2nd, 2022, for the discussion and to take part in our Q&A session with industry professionals in the VFX & creative industry. Our guests are, in no particular order:Simon Legrand - Realtime Supervisor at Untold Studios LondonJustin Braun - FX TD at Untold Studios LondonVladimir Venkov - Modeler/Texture ArtistCarlo Santoriello - 3d artist, Animator & Graphic designerAnthony Martin - Senior Lecturer & Course Leader for Concept Art at Staffordshire UniversityJamie Bakewell - Company Owner / Creative Director (Visualisation for Film, Game & TV) at Bigtooth StudiosTom Paton - Writer // Director // Producer focused on integrating AI, UE5.Artwork created by Carlo SantorielloListen to all episodes on our website#thevfxartistspodcast #vfxpodcast #aiart #midjourneySometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we chat to Rebecca Holdstock, senior matchmove and rotomation artist at Cinesite London about her VFX career, spiralling over a decade in some of London's well known and biggest studios, through to becoming a mother of two and the change that comes with being a working mother.I had the privilege of working with Rebecca at Cinesite on The Witcher season 2, and for the first time in my life, I was working with a mother, who was signing on in the middle of the day, on a customised working hours.This blew my mind, and triggered my interest in the topic to which we sat down to discus. Becoming a working mother, or choosing to become a working mother in any industry is often times a big challenge and decision that affects women in all sorts of life and industries. Whilst Rebecca's story focuses on the VFX industry, it very much is relatable to all women and working mothers in every industry, and will be for every generation to come.It therefore is a rightful and important subject to be discussing and brining it to light, to create awareness, and hopefully encourage and or prepare other women in the VFX and wider working industries.Chapters00:00:00  Ident        00:00:05  Introductions        00:01:40  A bit about Rebecca        00:02:31  Journey into the VFX industry        00:09:32  Getting foot in the door of the VFX industry        00:13:19  Settling in the Matchmove department        00:23:49  Motherhood and being an artist in the VFX industry        00:31:59  Managing kids and shots during early days of covid        00:51:46  Planing to start a family, vs having kids unexpectedly        00:54:10  What can be improved for women working in the VFX industry        01:03:15  Advice to any artists looking to start a family        01:05:59  What should women look out for, when applying to join a VFX studio  01:10:51  Conclusion   As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websitehttps://www.thevfxartistspodcast.com/#vfxindustry #workingmom  #vfxartist Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, I had the biggest opportunity to chat to Rolf Schneider, owner of Science-D-Visions,  about how he Created 3DEqualizer For The VFX Industry.Looking back at the evolving digital scene in the 80's and 90's, we discuss working on the Commodore 64 and Amiga, to creating the first version of 3DEqualizer in 1996, to MPC and ILM purchasing their first licenses in 1996 and '97. We do a deep dive about the whole journey and how it all happened.An episode not to be missed!As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websitehttps://www.thevfxartistspodcast.com/3DEhttps://www.3dequalizer.com/Chapters:00:00:00 Ident    00:00:05 Introducing Rolf    00:00:35 A bit about Rolf, his background and role at Science-D-Vision    00:02:15 Working on the Commodore & Amiga in the 80's    00:04:32 How we started building 3DEqualizer    00:07:06 Coming up with a name for 3DEqualizer    00:08:07 The team    00:11:35 Developing animation & (ray tracing) rendering software in the 80's    00:16:09 Getting the first studio to buy 3DEqualizer    00:22:42 Tools over interface?    00:27:07 Playing a major role in the VFX industry    00:32:17 The future of matchmove & motion tracking within 3DE alongside AI    00:36:40 Industries outside of VFX using 3DE    00:38:50 Is it easier to impliment tools into 3DE    00:42:52 How 3DE became the industry standard for the VFX industry    00:46:21 Best Wins till date    00:49:13 What keeps you going and innovative    00:53:01 What should the industry expect in the future    00:53:18 Appreciation & Conclusion#3dequalizer #matchmove #rolfschneiderSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, I chat to Yin Wu, a Junior CG Artist at The Mill, Shanghai, about his experience and journey into the Chinese VFX industry.My curiosity of the Chinese industry, leads me to chase for comparisons between the U.K. VFX industry - Finding similarities and differences on topics like work-life-balance and how the industry differentiates itself between Beijing and Shanghai. Yin's story is that of dedication and merit. As a developing CG artist, with background in Blender, we dive in to find out why Blender stands out for him. We also discuss his transition into Unreal engine, and Houdini.As always, if you liked this episode, please like, comment, subscribe and share!Connect with Yinhttps://www.linkedin.com/in/yin-wu-b8804aa9/Subscribe to our channelhttps://www.youtube.com/c/TheVFXArtistsPodcastListen to all episodes on our websitehttps://www.thevfxartistspodcast.com/Chapters:00:00:00 Ident    00:00:05 Intro    00:00:46 Get to know Yin    00:01:04 How I got into the VFX industry    00:05:20 Getting my first VFX job in China    00:06:44 Becoming an artist at The Mill Shanghai    00:10:06 A bigger picture of the VFX industry in China    00:11:04 Work-life-balance in the Chinese VFX industry    00:14:20 Regulations for better work-life balance in the Chinese VFX industry    00:15:33 Working in Blender    00:18:23 Inspiration behind the cityscape    00:19:55 Transition to Unreal Engine    00:21:49 Typical route to entry into the Chinese VFX industry    00:23:50 Freedom of career direction in the Chinese community    00:25:14 What inspired your journey into the creative industry    00:26:10 Need for change in the Chinese VFX industry    00:31:48 Advice for aspiring VFX artists    00:33:16 Commercials vs Film, Shanghai vs Beijing    00:34:31 Conclusion #vfxpodcast #chinesevfxindustry #vfxartistchinaSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we chat to Atem Kuol about how he became a VFX coordinator. Starting up as a witness camera operator and venturing into VFX production before embarking on 'Death on the Nile' as assistant coordinator, Atem gives us the low down on his experiences and how he made it into the VFX industry from his early beginnings in the live TV industry.One not to be missed, from anyone looking to understand what VFX coordinators do, and the ins and outs of how one gets to be one.As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websitehttps://www.thevfxartistspodcast.com/Connect with Atemhttps://www.linkedin.com/in/atemkuol/Chapters00:00:00 Ident    00:00:05 Intro    00:00:10 A bit about Atem    00:03:19 The role of a VFX coordinator explained    00:06:54 VFX journey - The inspiration    00:10:01 What's the entry route for VFX coordinators    00:11:35 Coordinating alongside covid    00:13:01 Working with departments on a day-to-day basis    00:14:05 Coordinator's relationship & process with VFX vendors    00:16:10 What's the best way to understand every department's needs    00:19:02 Features or Episodics    00:20:14 Advice for aspiring coordinators    00:21:40 Advice for coodinators looking to move between vendor side and production company    00:22:43 Humble Beginnings Films    00:23:58 Conclusion#vfxpodcast #vfxcoordinator #vfxcareer Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

Part 2 of our discussion with Christina Mandia continues, with this last part focusing on Christina's VFX industry journey, going all the way back to her first interests and influence, education, as well as showreel and general advice for current and aspiring mothers and animators.Christina’s journey as a VFX animator, begun with an entry into the VFX industry as a runner, following the completion of an animator degree at Ravensbourne university, leading on to a progression into the matchmove department, and finally into the much anticipated department she’d always been aspiring for - animation.We hope you find this episode useful as we did.Special thanks to Christina for kindly taking time out to share her experiences with us.Subscribe and turn notifications on to be alerted when part 2 comes out!Find Christina onIMDBLinkedInAs always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websiteChapters:00:00:00 Welcome to Part 2    00:00:05 What inspired your interest in Animation and VFX    00:09:26 Thoughts on Runner's positions as part-entry into the VFX industry    00:20:20 Filmography review    00:29:41 Advice for animators, and transitioning artists into maternal roles    #vfxartist #animation  #vfxcareerSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

This week, we have the amazing Christina Mandia, animator at Cinesite London, giving us an insight into how she tackles her maternal role, whilst being a better, more efficient animator.Christina goes on to share some very important information on maternity leave pay for employees and freelancers through the government schemes, as well as employee entitlements. Some really useful info for employees and freelancers in any career.Christina’s journey as a VFX animator, starts with an entry into the VFX industry as a runner, following the completion of an animator degree at Ravensbourne university, leading on to a progression into the matchmove department, and finally into the much anticipated department she’d always been aspiring for - animation.In this two-part episode, Christina shares her journey, her expertise advice as an animator & mother, and gives invaluable advice for aspiring animators and aspiring & existing parents in the working industry, more specifically, the VFX industry.We hope you find this episode useful as we did.Special thanks to Christina for kindly taking time out to share her experiences with us.Subscribe and turn notifications on to be alerted when part 2 comes out!Find Christina on:IMDBLinkedInAs always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websiteChapters:00:00:00 Intro    00:00:38 How it all started    00:07:04 Becoming pregnant as an artist    00:09:23 Deciding to speak to HR at 26 weeks of pregnancy    00:16:33 Confronting HR and recruiters about pregnancy    00:17:29 Maternity leave and pay laws in the U.K.    00:20:36 iAnimate during maternity leave    00:28:22 WFH - Mother's opinion    00:35:15 School!    00:39:36 Prove yourself and know your worth!    00:43:56 Hesitancy & Pressure on women choosing between work and starting a family    00:56:24 Getting back into work after Maternity leave    Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we chat to Jeremy Lasky & Danny Gonzalez, founders of Perception to learn more about the creation of what's become one of the most influential and important VFX & creative studios globally.Perception has brought us title sequences and HUD's (heads up displays) for films such as Iron Man, Black Panther, Loki, Wandavision, Spiderman Homecoming, Eternals, and many more. In fact, the list is endless!Title sequences and great HUD's play a great part in the story-telling of movies, as well as real-world applications, and Perception is at the forefront of some of the most cutting-edge and most successful ones.In this episode, we learn about the reason behind the creation of the studio, the ins and outs, the hustle and the failures turned to wins.As always, if you liked this episode, please like, comment, subscribe and share!Visit PerceptionChapters:00:00:00 Intro 00:00:16 Why we created Perception 00:08:47 Differentiating Perception from VFX studios 00:14:11 Considering ethical concerns when designing 00:16:18 Can too much creative freedom be negative? 00:17:30 Secret In-house technologies 00:19:14 How to stay original 00:21:25 Expanding offices beyond North America 00:23:06 Learning from mistakes 00:28:46 Aspirations for the next decadeListen to all episodes on our website#vfxpodcast #perception #titlesequenceSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we chat to VFX generalist and author, Vicki Lau, about her take on being a female multi-disciplinary artist in the VFX industry. We also find out why she chose to write two books about her experience in the VFX industry, titled 'Why I Do VFX' (The untold truths about working in visual effects) and 'Not your starving artist' (Making money in the arts).Vicki also gives us a look into the misconception of the industry by the asian community, based on her own experience and what kept her determined to pursue her goals.As always, if you liked this episode, please like, comment, subscribe and share!Chapters:00:00:00 Intro 00:00:41 How I got into the VFX industry 00:07:36 Being a compositor for Postvis and finals 00:08:57 Volumetric and Stereoscopic compositing 00:11:05 Pro's and cons of being a generalist 00:13:10 Pro's and cons of being a postvis Compositor 00:15:43 Favourite show worked on 00:16:18 Being an oriental woman in the VFX industry 00:18:47 VFX industry in Singapore 00:19:56 What drives you? 00:21:45 Teaching others 00:24:35 Why I wrote these VFX books 00:29:53 Benefits of putting your VFX industry experience into a book 00:31:02 Where to find Vicki's books 00:31:34 Words of advice 00:34:48 ConclusionFind Vicki:Website: https://www.lauvicki.com/IMDB: http://www.imdb.com/name/nm5130924/Print book on Amazon: https://amzn.to/33Ye3xrE-book on Amazon: https://amzn.to/3u31onmAudiobook on Amazon: https://bit.ly/VFXaudiobookAll other stores: https://books2read.com/whyidovfxListen to all episodes on our websitehttps://www.thevfxartistspodcast.com/Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

With credits including The Batman, Walking Dead: Worlds Beyond Thor, Love and Thunder its's no wonder  we've been wanting to catch up with Freelance Compositor, Shonda Hunt. But in the end she got in touch with us after we asked about the issues facing mothers working in the VFX industry.So in this two pronged interview Daniel and Shonda discuss the challenges of parenting while working compositing. We also discuss Shonda's career and inspirations. This interview gives valuable insights for working more efficiently in Foundry Nuke, building trust and credibility with producers and supervisors and tips for continual learning and improvement.If you are interested in upping your compositing career you will not want to miss this one!00:54 : How I got started04:52 : Tutorials and Books06:07 : Depper understanding09:19 : Freelancing vs staff28:33 : Advice to up your game30:33 : Don't be afraid to test things out31:32 : Read read read33:50 : Custom tools and gizmos37:35 : Being a parent in the VFX industry40:44 : WFH and childcare44:09 : Growing as an artist while working from home45:24 : The value of blogging49:37 : Hard greenscreens please!56:30 : The value of feedback58:45 : Becoming the go-to person for hard shotsRendered: 2022-05-02 21:38:54Powered by [Chaptered.app](https://Chaptered.app)Sometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we chat to Baptiste Jaquemet, a senior Houdini FX TD and generalist, about his journey into the VFX industry and how his journey has led him to work at the studio that inspired his interest in VFX - Weta.Baptiste's journey is an interesting one, and we talk about his early beginnings, his love for Blender, and Houdini, negative experiences in the VFX industry, and his dreams for the future.We hope you enjoy!  You can find our audio podcast on your favourite podcast player.Chapters:00:00:00 Episode Overview 00:01:24 Intro 00:01:47 Introducing Baptiste 00:03:44 Weta 00:05:10 Who/What inspired your VFX journey 00:08:08 Realisation of creative interest 00:09:28 Journey into the industry 00:13:08 Dark aspects of the industry - Part 1 00:16:20 VFX industry in France 00:17:39 Working as a Freelancer vs Contract 00:20:48 Let's talk Houdini 00:31:20 Watch Baptiste's short film 00:36:50 Best methods for learning Houdini 00:39:24 Pro's & Cons of working at different studios, as an FX TD 00:41:34 creative freeedom when it comes to simulating real world physics 00:43:49 Importance of understanding real world physics 00:45:31 Shading and lighting as an FX TD 00:47:58 FX showreel advice 00:49:51 Dark aspects of the industry - Part 2 00:52:05 OOO and dreams 00:55:37 Conclusion As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our websitehttps://www.thevfxartistspodcast.com/#vfxpodcast #houdini #FXSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, Kofi chats to Filipe Magalhães, Realtime supervisor at NVIZ about Unreal engine and all things realtime.We do a deep dive into Unreal engine in the use for  previs, VFX, and Virtual production, compare it to Unity, and retrace Filipe's journey into the industry.Following up on that, we discus the education, diversity and representation in the VFX industry, neurodiversity and more. A very well packed episode, not to be missed!As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on our website#vfxpodcast #unrealengine #realtimeChapters:00:00:00 Episode Overview 00:02:05 intro 00:02:32 Introductions and a bit about Filipe 00:09:52 When did you realise you had a creative interest? 00:13:10 Differences between unreal and unity and why the previs/postvis, VFX and virtual production industries have adopted unreal over Unity00:18:06 What do you generally use unreal for and how does the workflow differ between previs/postvis, VFX and or virtual production00:32:33 What are the common requests/demands from directors and what does it take to provide the right tools and results in a fast environment00:40:48 Non handheld virtual camera challenges in Unreal 00:42:44 What does Unreal lack or can be improved 00:48:23 How technical does one need to be when using unreal 00:55:44 Is non-realtime rendering a thing of the past 00:58:45 Favourite non-real time renderers and why 01:00:27 Achieving diversification and representation in the VFX industry 01:05:44 Assets and Unreal showreel advice 01:08:10 Career path advice 01:14:29 The importance of parental support in finding self 01:18:31 ConclusionSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode, we conclude our two-part episode with Michael Morgan, a U.K. based senior character animator and animation mentor about his journey into the industry and working with some of the most highly respected studios in the world.Michael has over two decades of experience in the VFX industry, and has contributed to some of your favourite movies and characters on the big screen, ranging from Marvel's Black Panther, Guardians Of The Galaxy: Vol 2, Star Wars: Clone Wars, Venom, Pacific Rim: Uprising and more!In this episode, we discus his journey into the industry, his experiences leading and supervising teams. We also go on to discuss what qualities he looks for in animators, as well as the common practices and mistakes animators do, showreel advice, motion capture, and moreAs always, if you liked this episode, please like, comment, subscribe and share!You can find Michael on LinkedinChapters:00:00 - Pre roll and what to expect in this episode00:38 - Imposters syndrome10:02 - Common mistakes animators make16:16 - What transferable skills or knowledge can be passed on to a 2D animator or a stop motion animator?19:32 - What advice would you give to anyone putting together an animation showreel24:34 - Recommending good universities and courses31:46 - What’s been a memorable highlight of your career so far36:46 - As a family man, how do you organise things with loved ones, when you have to leave for work44:04 - What are you aspiring for in the next few years?48:57 - Working with Daniel Miller on Broken Toy short film50:58 - How to engage with Michael online52:02 - ConclusionListen to all episodes on our website#vfxpodcast #animator #vfxanimationSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

In this episode we chat to Maik Pham Quang, a Matchmove lead at Framestore London, about his career progression, as a runner, through to becoming a matchmove lead, with a decade's experience, to transitioning and changing departments to pursue his interest in the lighting department as a lighting TD.Maik tells us about how it is leading and managing teams, managing pressure and expectations, fitting into a new department, and more.We hope you enjoy the show!Maik's IMDBChapters:00:00 - What to expect in this episode03:19 - Guest intro05:19 - Entry into the industry14:40 - Getting into the matchmove department19:18 - Seniority progression through the matchmove department21:33 - Watch Maik's 2021 Lead Matchmove reel24:50 - What artists think about you as a lead25:41 - What are the common mistakes matchmove artists make27:33 - What do matchmove leads and supervisors expect to see in showreels?29:42 - Which matchmove tasks are requested more lately on shows?33:46 - Switching from matchmove to the lighting department38:50 - Do you see yourself transitioning to another department in the future?44:43 - What advice would you give to the aspiring artists?48:10 - Conclusions48:52 - Should artists work at different studios to validate their skills?51:26 - ExtrasListen to all episodes at https://www.thevfxartistspodcast.com/#vfxpodcast #matchmove #lightingSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

This week, on The VFX Artists Podcast, we speak to Beaumont Loewenthal about his journey to the industry and delve into his path to VFX assisting and editing at some great studios, on some very familiar feature films, to becoming a VFX editor on Star Wars Andor at Lucasfilm.In this episode, we discuss routes to entry into the VFX industry, and discuss the differences between an editors role compared to a VFX editor, editors assistant and VFX editors assistant's role on both production and VFX side.Beau has had a great career so far, leading him to working on films such as Fantastic Beasts, Maleficent 2, Venom 2, and is still growing into an ever demanding role. A lot to be discovered and learned in this episode. For audio versions on this or our previous episodes, you can listen on our website or on your favourite podcast platform.Chapters:0:00 - Highlights of what to expect in this episode2:37 - Guest intro 3:43 - Where the love for VFX and editing came from6:40 - What’s the difference between a VFX editor and a VFX assistant editor8:51 - Responsibility as a VFX editor9:23 - How I got my first job in the industry11:30 - Shows worked on as a VFX editor12:40 - Day to day life of a VFX editor16:50 - Importance of starting off as a VFX editor’s assistant 17:35 - Who decides how a film should be cut19:15 - How early on are you brought on a show?20:52 - How do you feel about having an integral role in the film industry22:49 - How close tied is the role of a VFX editor tot the director?25:19 - VFX finals coming back through editorial28:41 - Working on retimed shots29:48 - What do VFX editors transition into 34:37 - Favourite show till date35:51 - What are the best things about what you do and what advice would you give?40:00 - Conclusion#lucasfilm #starwars #starwarsandorSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!

This week, on The VFX Artists Podcast, my curiosity with how movies are made and brought to life, brought me to a discussion with London based film director, writer and producer Marcus Flemmings.On this episode, I find out about Marcus’ background and journey to becoming a film director, talk about his new film Blonde Purple, out on November 30th, and discuss realities of inspiration, competition, originality, ego, mistakes and more, in the life of an indie film maker.Marcus’s latest film Blonde purple can be watched on Amazon Prime, Apple TV, Voodoo and on the Xbox.You can also find Marcus on LinkedIn, Twitter, Instagram and IMDBApologies for the occasional echoes in this episode.#indiefilmmaking #marcusflemmings #blondepurpleChapters:00:00:00:00 - What to expect in this episode 00:02:46:23 - Host intro 00:03:23:21 - Marcus introduction & Filmography00:12:01:14 - Filming during covid00:13:11:15 - Process of bringing a film idea to life00:16:14:19 - How to manage responsibilities leading a crew, as a director, during production 00:18:39:10 - How important is it for film makers to have connections to attain budget for a project, or during distribution00:21:42:14 - Competing with other film makers for exposure on streaming channels like Netflix & Amazon00:24:31:09 - What’s the end goal/desire as a film maker/creative00:27:01:02 - Story vs visuals - which takes priority?00:28:48:19 - Competition with other creatives00:31:18:08 - How to produce original content00:34:22:20 - How to catch a break/be recognised for what you do00:37:00:22 - Dealing with the ego from constructive criticism and feedback00:39:30:05 - Challenges of being a black creative00:43:26:05 - Vision for the future00:44:37:05 - Words of advice00:46:17:14 - How to reach out to Marcus00:47:12:23 - Question for the host - My role in the VFX industry00:49:29:15 - ConclusionSometimes you want to see the artists work as they talk. You can watch all our episodes on our YouTube channel. Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!