It has been a rather tempestuous year so far! Currently, I am many miles from the boat and have not been able to record any podcasts. I have rather rushed this episode out to update you on the reasons why I have been so quiet of late and to bring you up to date with what has been happening.  Apologies for the sound quality of this episode. I do not have my recording gear with me at the moment. Episode Information:In this episode I read parts of the lyrics from ‘Sit Down’ by James, written by Jim Glennie, Larry Gott, Tim Booth, Gavan Whelan (1989).I also read a very short extract from John Moriarty’s (2009) Dreamtime  published by Lilliput Press and featuring the words of Julian of Norwich.With special thanks to our lock-wheelersfor supporting this podcast.Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

You are invited to join us for a very special episode  as we celebrate Christmas Eve onboard the Erica and remember the Christmas Eves of our childhood. Journal entry: 21st December, Thursday, Winter Solstice“The year’s turning And the longest night.There’s a rough wind And angry skies.The polestar oak Finally felled.The ducks don’t seem To notice." Episode Information:Can I take this opportunity to wish you a very MERRY CHRISTMAS and a happy NEW YEAR! With special thanks to our lock-wheelersfor supporting this podcast.Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

You have seen the Instagram photographs/videos of happy boat-dogs gambolling along summer towpaths, dense with colour and sunshine, or happily curled up in front of cosy fires, but what is the reality of sharing a boat with a dog really like, especially in the winter?  Journal entry: 15th December, Friday.“All night, The owls echoed Along the valley In the long tunnel Of the night.This morning, A magpie scratched Her jagged song Across the metalled dome Of first light.”Episode Information:In this episode I read a short extract from Tom Rolt’s (1944) Narrow Boat re-published in 2014 by The History Press  Links to all the vlogs that I mention in this episode can be found in the transcript below. With special thanks to our lock-wheelersfor supporting this podcast.Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

You have seen the Instagram photographs/videos of happy boat-dogs gambolling along summer towpaths, dense with colour and sunshine, or happily curled up in front of cosy fires, but what is the reality of sharing a boat with a dog really like, especially in the winter?  Journal entry: 15th December, Friday.“All night, The owls echoed Along the valley In the long tunnel Of the night.This morning, A magpie scratched Her jagged song Across the metalled dome Of first light.”Episode Information:In this episode I read a short extract from Tom Rolt’s (1944) Narrow Boat re-published in 2014 by The History Press  Links to all the vlogs that I mention in this episode can be found in the transcript below. With special thanks to our lock-wheelersfor supporting this podcast.Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Join us on a stormy December night to listen to the next part of ‘How Mum met Dad’ in celebration of Dad’s 95th birthday. This week, we hear about their crack of dawn wedding and their honeymoon on the Norfolk Broads in the Whippet. Journal entry: 7th December, Thursday“Untidy smoke trail of jackdaws Stream across an iron sky Of scalding wind and rain flail.Maggie and I pick our way Across the sheep field, December sings through the oaks.”Episode Information:For more information, photographs and readings from Mum’s book: The Start of it all.With special thanks to our lock-wheelersfor supporting this podcast.Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

This week is a very special episode as we celebrate Dad’s 95th birthday and we go back in time to hear about how a 1938 Hilman Minx was instrumental in how Mum met Dad.Journal entry:1st December, Friday“Short sections of the canal Are covered in a frosted skim of ice. Wafer thin But firm enough to bear a moorhen’s weight.She walks parallel to the offside bank Left foot raised in a high arc Then place it flat upon the ice Slide it forwards half an inch or so.PivotRight foot raised in a high arc Then place it flat upon the ice Slide it forwards half an inch or so.PivotAnd so on. This is how to adapt When your environment Is suddenly changed Beyond recognition.Skating slowly With an assured deliberation. The canal is still Your home.” Episode Information:Vanessa’s vlog can be viewed here: The Mindful Narrowboat.For more information, photographs and readings from Mum’s book: The Start of it all. With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Autumn is a good time for contemplation and a place by the fireside encourages reflection. Recently I have been revisiting the journals of Thomas Merton and, with the help of John Moriarty, I have found myself relearning some valuable lessons. The Edens of our flourishing are sometimes not quite what we dream them to be. Journal entry:15th November, Wednesday"Across the fields,  A train clatters it's way to Birmingham. The lit carriages flickering like  A procession of glow worms  Through the hedges. A rabbit's tail strobes white in my torchlight. The hill becomes alive with Unblinking ovine eyes."Episode Information:In this episode I read a number of entries from:Thomas Merton’s Dancing in the Water of Life published in 2009 by HarperCollins.For more information on John Moriarty and the ‘yoga of horror’ see his What the Curlew Said published in 2007 by Lilliput Press.    With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

I've always felt that there is something rather singular about the month of November. Tonight I try to find out what it is and end up recounting the time when Guy Fawkes wore my old dressing gown (which might or might not have anything to do with it!). Journal entry:8th November, Wednesday.“Look down for the healing. A reluctant dawn this morning, South wind plays with stray raindrops And birch leaves. Scars of grey paving slabs lined with green. Willowherb, spurge, dandelion. Green healing the grey. Always there's the healing. Look to the healing Beneath your feet.”Episode Information:In this episode I read very short extracts from: Ruth Binney’s (2010) Weather Lore published by David and Charles. Miles Hadfield’s (1950) An English Almanac published by Dent and Sons.I also read a brief extract of John Clare’s ‘November’ from his The Shepherd’s Calendar (1827).   ‘Norfolk Greg’s’ blog post on Banbury Canal Day.    With special thanks to our lock-wheelers for supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

It’s a foul November night, so why not come and join me aboard the Erica by the warm glow of fire light. I have with me a lovely book that I found last year in a second-hand bookshop and think that it's perfect for a night like this.   Journal entry: 1st November, Wednesday.“November is born brave This morning.The dark water is alive With movement And a scatter Of light.The walk from the boat To car Is under a starfield and A bold moon.”Episode Information:In this episode I read the following poems:‘The Chilterns’ by Rupert Brooke (extract)‘Cotswolds’ by David Ashby‘Cotswold Roads’ by Eva Dobell‘Tewkesbury Road’ by John Masefield‘The High Road’ by John Haines‘Dedicatory Ode’ by Hillaire Belloc (extract)‘The Ancient Wall’ by Brian Waters‘The Cotswold Farmers' by John DrinkwaterAll poems (excluding Brooke’s) are found in Forest and Vale and High Blue Hill: Poems of Gloucestershire, the Cotswolds and Beyond collected by Johnny Coppin (1991). I finish with an extract from LTC Rolt’s Narrow Boat.   With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

I am not sure if it is just me, but so far autumn doesn’t feel quite so ‘autumny’ as it usually does. Therefore, I think that it is a perfect time to savour a reading from one of my most favourite childhood books, Brendon Chase by BB.  Journal entry: 26th October, Thursday.“Darkness. Mizzle transforms the water Into star-fields of pinpricks of light. Evanescent.Like walking Through the tangle Of watery Spiders’ webs.A dance of tiny droplets In the torchlight’s beam. Cloud-walking Beside the canal.”Episode Information:In this episode I read an extract from BB’s (1944) wonderful Brendon Chase republished in 2016 by Puffin Books. I also refer to Miles Hadfield’s An English Almanac (1950) published by Dent and Sons. With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

It is easy to feel overwhelmed by the global events of the last couple of weeks. Following the battering of Storm Babet, this week’s episode offers a space for us to reflect on a world that can be often violent and far from perfect. Journal entry:13th October, Friday“Battered by the winds of the world I stop to watch the free-flight of rooks Diving from an oak into the full force Of a westerly gale.Gothic wings outspread, They surf the blast Hanging on its back In a rage of ecstatic life.I stand alone below Looking upwards And for a short while My feet have left the ground And I master the gale.”Episode Information:In this episode I read Seán Street’s poem ‘Listening with a spider’ from his 2021 collection The Sound Recordist  published by Maytree Press.I also read an extract from Melanie Challenger’s (2023) essay: ‘Animals in the room: Why We Can and Should Listen to Other Species’.I also refer to Thomas Hobbes’ (1651) Leviathan, Tennyson’s (1850) ‘In Memoriam’, and Max Richter’s (2003/2018) album The Blue Notebooks. With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

The temperature outside is dipping down towards zero, so join us for a cosy night by the glow of a hot stove, as we chat about two subjects close to my heart and the surprising way that living on a boat has altered my attitude to them. Journal entry:13th October, Friday“Battered by the winds of the world I stop to watch the free-flight of rooks Diving from an oak into the full force Of a westerly gale.Gothic wings outspread, They surf the blast Hanging on its back In a rage of ecstatic life.I stand alone below Looking upwards And for a short while My feet have left the ground And I master the gale.”Episode Information:In this episode I answer the following questions from listeners:10:59 = How did we decide which books to include in our library on the Erica?19:39 - Will you do an episode on writings about the canals?21:09 - Did you have a record collection and how do you listen to music on the canal?28:48 - Have you considered recreating the first voyage of the 'Kathy'?Click link to order a copy of Ruthie Windsor-Mann’s 12 months of 12 Acres. With special thanks to our lock-wheelersfor supporting this podcast.Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.  Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

There's an old and trustworthy adage on the canals: when two or more boaters meet up it is only a matter of time before the conversation will turn to the subject of toilets. So guess what the topic of this week's episode is?! Journal entry: 3rd October, Tuesday“Light fades. Dew Falls. Maggie follows a rabbit’s scent-trail Through the long, wet grass. Two rooks head east into darkness.I struggle in the half-light  With the padlock on the gate So we head upwards over the hill Then down to the line of boats With their windows shining into the night.”   Episode Information:In this episode I answer the following questions from listeners:11:33 - What are the pros & cons of pump-out toilets?22:55 - Can boaters use compost toilets?29:39 - Is drinking tap water safe & how do you know when the water tank needs filling?To watch the episode when Maggie meets Zephyr on The Mindful Narrowboat: Come Here For A Narrowboating Break. With special thanks to our lock-wheelers for supporting this podcast.Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A week of serious problems with our internet has meant that I have been unable to record the episode answering listeners’ questions. However, join us tonight to enjoy a special meeting under the ‘ghost’ of a harvest moon. Journal entry: 29th September, Friday“Early this morning, We met the swan slipping Light upon the night-time mists.Behind us, Cows stood knee deep in milk- white meadows.This is the stillness that falls After the storm.”Episode Information:In this episode I read a section from Neil Young’s Harvest Moon published in 1992 by Big Deal Music.I also read poems 137 and 42 by Ryokan from The Zen Fool Ryokan by Misao Kodama and Hikosaku Yanagishima published in 199 by Charles E Tuttle. I also read a short passage from Eido Frances Carey’s biography Kakurenbo published 2013 in by Temple Ground Press. You can find Vanessa and Zephyr on The Mindful Narrowboat vlog. With special thanks to our lock-wheelersfor supporting this podcast.Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

There’s a chill in the air tonight and there will be mist on the water in the morning. Join me tonight as I answer some hard questions about how viability is a long term in the Erica on the canals? Journal entry:21st September, Thursday“For a short while this evening The crescent moon and the setting sun Shared the same length of skyline. A fiery bronze heart and the ghost of bone.Then a robin sings as rain drops fall. Here is tranquillity and peace. The horned moon And evensong among the patter Of elder leaves.”  Episode Information:In this episode I answer the following listener’s questions: Have we burnt our bridges?What do we do about dentists and GPs?How will the funding cuts affect us?With special thanks to our lock-wheelersfor supporting this podcast.Derek and Pauline Watts Anna V. Sean James Cameron Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

On a dark night that is damp with an autumnal chill, join us as tonight I answer some of the questions posed by the listeners of this podcast which range from the decisions and motivations behind our choice to live afloat to canal etiquette. Journal entry: 14th September, Thursday“Thin drizzle. The jackdaws sound like Monosyllabic gulls this evening. Woundwort heals the breach between The canal and me. Red berries. Some days that is all you need: Rain and red berries.”Episode Information:In this episode I refer to Jim Batty’s book Narrowboat Life published in 2016 by Adlard Coles. I also mention Peter Warnett and Alan Thornhills’ The Three Mile Man published in 1980 by Harper Collins.   With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

It's a hot sultry night in the late eve of summer. Join us tonight as we spend time with the gentle words and wisdom of a friend of mine.  Journal entry: 6th September, Wednesday“This evening The wool of traveller’s joy has caught afire With the westward Apricot sun.  And look at how the nettles glow Translucent with the touch Of unspeakable wonder.” Episode Information:In this episode I read Chasing the Wind by Tony Bell ©2020If you have a question, drop me a line on nighttimeonstillwaters@gmail.com or got to the noswpod.com website and click on the contact form or record a voice mail by clicking on the microphone icon. Or leave a comment/message me via Facebook page, Instagram, Mastadon, or X (formerly Twitter). With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The hedges are ablaze with colour and they call to us of lessons that we have long forgotten. Journal entry:2nd September, Saturday“At the edgings of the day. A delinquent V of geese Transect a sinking sun. As they reappear Another flight has joined them. They continue in a loose straggle North.A cool whisper of air As we round the base of the hill. Distant voices float across the water. As the sun sinks below the west The chant of jackdaws.”Episode Information:In this episode I read extracts from:Tristan Gooley’s (2018) Wild Signs and Star Pathspublished by Hodder & Stoughton. Sharon Blackie’s (2018) The Enchanted Life published by September Publishing. William Carleton (1830) The Hedge School open access text.  With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.For more information about Nighttime on Still WatersYou can find more information visit our website at noswpod.com wher you can become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Rain has a quality to touch us both physically and emotionally. Thomas Merton and Tristan Gooley are two very different people, but both offer insights into the language of rain and what we can learn through listening to it. Journal entry:24th August, Thursday "We drop down the hill To field-edge and thistledown smoke. A moorhen scatters at our approach Leaving only a fading trace in the water. Maggie methodically sniffs the undergrowth While I search for gold in the clouds. A bee crawls into a hole in the bank. Evening."Episode Information:In this episode I read extracts from:Elizabeth-Jane Burnett’s (2023) article ‘It’s a pause between seasons as the skylarks fall silent’. Thomas Merton’s (2003/2015) When the Trees Say Nothing  published by Ave Maria Press.  Tristan Gooley’s (2022) The Secret World of Weather published by Hodder and Stoughton.  With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, we celebrate and enjoy a special August evening at the moorings, filled with golden light, gentle chatter, a rolling wind, duck call and church bells. A rare ‘August-coloured’ evening. Journal entry:15th August, Tuesday“Chasing clouds and sunshine. The ground still wet from yesterday's rain We walk the loop, Maggie reacquainting herself With familiar places. Me too. It seems a while. It's good to be out again. The air smells green and fresh."Episode Information:In this episode I read an extract from Tov Jansson’s classic The Summer Book: A novel republished (2003) by Sort of Books. I also read ‘Piping Pebworth’ attributed to Shakespeare. Videos on the boatman's cabin refit of Narrowboat Precious Jet. With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Life afloat can throw up some rather singular challenges from being frozen in to sinking, running aground, being attacked by wild kittens and the dangers of runaway working boats!! Join us tonight as we ride out Storm Antoni (apologies for some background rain patter) for the concluding reading of The Kathy Chronicles, where the decision is made to leave life on the canal and embrace new adventures.      Episode Information:You can see some family photographs from this time by going to the noswpod website. Listen to part One, Two, and Three.With special thanks to our lock-wheelersfor supporting this podcast.Anna V. Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What was it like to give birth on small 30 ft boat in the 1960s? Mum continues her account of her life afloat on the Kathy in this week’s instalment of ‘The Kathy Chronicles’. We hear about the some of the challenges and joys of bringing up two very small children on a boat as well as Dad’s battle with the Pithers stove and a strange event that remains a mystery.     Episode Information:You can hear earlier episodes of 'The Kathy' Chronicles here: One, Two.  You can see some family photographs from this time by going to the noswpod website. With special thanks to our lock-wheelersfor supporting this podcast.Anna V Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What was it really like to live on board a 30ft canal boat in the late 1950s before there were such things as service points and fully equipped marinas?This week we continue with ‘The Kathy Chronicles’ where Mum describes how they began to settle into life afloat, whilst making extensive alterations, as well their plans for the arrival of a new baby. She provides a fascinating picture of the realities of what it was like to live-aboard a canal boat in the late 1950s and early 1960s.     Episode Information:You can listen to part 1 - here. You can see some family photographs from this time by going to the noswpod website. With special thanks to our lock-wheelersfor supporting this podcast.Sean James Cameron Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

It’s a wild and wet July night of wind and rain. So why not step aboard for a while as we meander down some fox trails and contemplate the pleasure of sunshine and dark skies.Journal entry:11th July, Tuesday“A quarter to midnight. Lying in bed and listening To the drum of rain On the cabin roof.All day I have watched the dark Clouds boil in the cauldron Of the west. Storm heads tower In castle greys.Maggie and I stood On the hill with no name Watching the ragged veils Of cloud-tear Sweep towards usIt falls like brush strokes Played on a snare drum.”Episode Information:In this episode I read a very short extract from the Ladybird Book What to look for in Summer by E.L. Grant Watson (1960) published by Wills and Hepworth. I also read the following Sabbath Poems XXII and XXIII by Wendell Berry (2013) published by Catapult.With special thanks to our lock-wheelersfor supporting this podcast.Sean James Cameron Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join us tonight on a hot sticky night of lingering light and stubborn twilight. With the summer’s tilt shifting wider and deeper changes are felt. "Life is a motion. Life is growth. It is never static," says the corner of a field.Journal entry: 4th July, Tuesday"Goldfinch carnival  Among the teasel heads And early sun.Dark clouds to the west Bringing rain. Spindrift of fine drizzle Freewheels on the breeze.The cows are in no hurry Neither am I." Episode Information:In this episode I read ‘The Summer Day’ by Mary Oliver first published in House of Light (1990) published by Beacon Press.With special thanks to our lock-wheelersfor supporting this podcast.Sean James Cameron Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This has been rather an unexpected and eventful week. This is a special episode where we welcome a board a new fellow traveller (along the canals and through life).Journal entry: 30th June, Friday“Endless motorways. Endless traffic. Red lights all the way. A frightened face and soulful eyes. I sit on the stairs out of sight; out of the way.A short drizzle of rain. The smell of hay in fields. Sitting as darkness falls, My arm is licked by a new friend."Episode Information:Photographs of Maggie can be found on the podcast’s website: noswpod.com.In this episode, I mention this episode from Heidi’s narrowboat vlog: The Narrowboat Pirate. For those experiencing pet bereavement you might find an earlier episode of this podcast helpful: ‘No Small Gift’.With special thanks to our lock-wheelersfor supporting this podcast.Sean James Cameron Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Watching the sun sink below the horizon, particularly after long sunny days such as these, can evoke a mass of mental and emotional responses that seem to tap into something deep within us. Join us this week as week count down a setting sun and reflect on the rich culture it created.  Journal entry: 23rd June, Friday.“The alder saplings are growing thick at the water’s edge Vying with the green spears of teasel And purple knapweed plumes.This time last year Some of them were forming as catkins On its parent tree, under a sun That fiercely blazed and under which We welcomed its shade And the coolness of grass.”Episode Information:For those interested in reading a bit more about the different solar myths and legends across the globe, Stanford Solar Centre have produced a useful and nicely presented overview. With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

These are the days when the nights are short and the days are long. On the cusp of the summer solstice, the year's turning reaches its zenith, join me tonight in celebrating the unique joys (and challenges) of the long days with a special visit to Windmill Hill (Grid reference SP 33 42).Journal entry:14th June, Wednesday“Sun down. A lone swan swims up the canal. Serene strokes from strong feet. Each ripple she makes catches fire. The goldcrests’ chatter falls silent And the bank-side grasses blaze With the sun’s dying flame.”Episode Information:I highly recommend Greg Chapman’s website on his life boating on Britain’s canals and waterways is Greg Afloat. It is well worth a visit!With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly.Tony Rutherford. Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Travel back in time to the scorching summer of 1959. Although the canals were still mainly used by working boats, leisure cruising was growing in popularity and so too the idea of living on a canal boat. Tonight, I take us back to that world as I read Mum’s reminiscences of the decision to live on a boat with a young baby, eventually finding their future home, the Kathy, and their nail-biting journey taking her to their home mooring. Some of which could sound all too familiar to modern canal users!     Journal entry: 5th June, Monday“Hawthorn petals turn pink and brown Little tidal laps of autumn In the great surge of spring.A chiffchaff scissors the morning Neatly into squares.”Episode Information:In this episode I an extract from Mum’s book Life and Erica (unpublished) that describes the time when she (with Dad and Wendy) decided to live on a boat and having found the Kathy she relates the adventurous journey to her mooring at Hampton Hall Farm, Rickmansworth.     With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

There’s something almost indefinably special about canal and river locks. Tonight, I relate my struggle to outwit the ghost of Odd Lock as well as take time to celebrate the lock-keepers of old and their newer iteration – the volunteer lockie (I’m guessing at the spelling!) Journal entry: 2nd June, Friday“North easterly winds Grey skies. But there are five ducklings Braving the bluster And a swallow scissors low over A meadow of buttercups. This light makes the yellow Irises blaze."Episode Information:In this episode I read short extracts from:Ernest Temple Thurston’s (1911) The Flower of Gloster re-printed (1972) by David and Charles. Julian Dutton’s (2021) Water Gypsies: A history of life on Britain’s rivers and canals, published by Coles Books.Ivan Broadhead’s (editor) (1994) Up the Cut: An anthology of inland waterways, published by Alan Sutton Publishing. LTC (Tom) Rolt’s (1944) Narrow Boat now re-published by History Press.  I also refer to:Sue Wilkes’ (2011) Tracing your Canal Ancestors: A guide for family historians published by Pen and Sword. With special thanks to our lock-wheelersfor supporting this podcast:Laurie and Liz,  Phil Pickin,  Orange Cookie, Donna Kelly, Mary Keane, Arabella Holzapfel, Rory and MJ., Narrowboat Precious Jet,  Linda Reynolds Burkins,Richard Noble, Carol Ferguson, Tracie Thomas, Mike and Tricia Stowe, Madeleine Smith.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Come with me for a walk by the canal and I will show you something wonderful! This week we explore how names and memories have the power to root and reinforce our connections with home and tell us something very important about ourselves. Journal entry: 27th May, Saturday“Late afternoon sun slants into The tobacco-coloured waters. Fifteen or more carp weightless Among the cow pastures of weed-drift.With a flick of a tail, they all glide as one In a lithe piscine murmuration Look! They’ve formed the shape of a starling Flying in a tobacco-coloured sky!”Episode Information:In this episode I refer to the work of Elinor Gwynn and Keith H Basso’s (1996) book Wisdom Sits in Places: Landscape and language among the Western Apache published by University of New Mexico Press.With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week marked the anniversary of what has been considered by many to be one of the most important cultural events of the twentieth century. Tonight, we try to recapture that moment and explore why its power to move still remains today. Journal entry:18th May, Thursday,“Is there anything more beautiful Than the softness Of April and May light While the clouds scramble For height Amid a sky of towering blue?”Episode Information:In this episode I read from:Charlie Connelly (2020) Last Train to Hilversum: A Journey in the search of the magic of radio published by Bloomsbury Press.Seán Street (2012) The Poetry of Radio: The colour of sound published by Routledge.The nightingale song was recorded by ‘reinsaba’. You can access the full recording at Freesound. With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life on the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

We are back! Spring sunshine and showers are transforming the fields and the canal and it is wonderful to be behind the microphone once again! The roof of a narrowboat can acts as a special extra room offering you panoramic views of a world of thee worlds. Why not climb up here and join us up on the roof of the Erica to enjoy rook play and the approach of a thunderstorm.This episode is dedicated especially to Stu and Vania.    Journal entry:10th May, Wednesday“A game of Pooh-sticks and listening for the train. The level-crossing gate feels warm in the sun. The ground is spongy with rainfall and forget-me-not.  Rumours of thunder to the west. Water dropwort and young leaf The minglings of sunlight and water. Chiffchaffs’ scissoring notes. Erica among the bluebells.” Episode Information:All sound recordings for this episode were recorded canal-side in April and May 2023. With special thanks to our lock-wheelersfor supporting this podcast.Orange Cookie Donna KellyTony Rutherford  Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, the clouds are racing and the young moon has already dipped below the horizon. Spring comes roaring on the back of a raging southwesterly. Join the Erica on a windy March night as, with the help of Rory's favourite book, we explore the significance of the conclave of oaks on the hill top. Journal entry:21st March, Tuesday.“Long day. Darkness has long since fallen. On the bank, the two swans emerge, Glowing ghostly white. Their beaks quietly nibbling the grass. Night-time snacks. They are my harbour lights That guide me home.”Episode Information:In this episode I read an extract from Shel Silverstein’s (1964) The Giving Tree now republished in 2010 by Particular Books. I also read a very short passage from Suzanne Simard’s (2022) Finding the Mother Tree: Uncovering the wisdom and intelligence of the forest published by Penguin Books.    With special thanks to our lock-wheelers for supporting this podcast:Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clickiSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

After a blustery week of wild, mad, March weather, why not join us tonight as we enjoy a sunny moment beside the canal and contemplate on the powerful word-play of some very old Celtic bards. Journal entry: 17th March, Friday“The sun is warm To the west the clouds are Prussian blue Like mountains of the imagination. A woodpecker laughs From somewhere across the fields Which fill with lambs And the sound of young Calling to old. A branch hangs whose scars are unhidden.”Episode Information:In this episode I read extracts from the following poems:Amergin Glúingel: ‘The song of Armergin’Taliesin: ‘An Unwelcome crowd.’In also briefly refer to the following:Miles Hadfield’s (1950) An English Almanac published by JM Dent and Sons. Alexandra Harris’ (2015) Weatherland published by Thames and Hudson.  Hana Videen’s (2022)  The Wordhord: Daily Life in Old English published by Princeton University Press.  With special thanks to our lock-wheelersfor supporting this podcast.Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon.Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Curl up with us tonight as we enjoy the warmth of a cosy cabin as snow gives way to sweeping rain and our stove glows brightly in the gathering darkness.Journal entry:10th March, Friday“The convocation of oaks rises to my view From a swirling mist of snow and blown spindrift. Their trunks wrapped white. Icicles hang from their branches.I want to say, “Don’t worry, Spring is on its way.”But they know that. They have known that before I was born They have known that for centuries. What can you tell trees that they don’t know?”Episode Information:In this episode I briefly refer to the following: Christiane Ritter’s A Woman in the Polar Night originally published in 1938 and republished by Pushkin Press in 2019. Tom Hennen’s Darkness Sticks to Everything published in 2013 by Copper Canyon Press. With special thanks to our lock-wheelersfor supporting this podcast.Mary Keane.Arabella Holzapfel.Rory and MJ.Narrowboat Precious Jet.Linda Reynolds Burkins.Richard Noble.Carol Ferguson.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This episode is dedicated to my pair of walking boots who has shared life with me for nearly 45 years (and both of us are still going strong). We have walked miles together. Where have they taken me and to what (and to whom) will they take me in the future?  Journal entry: 24th February, Friday“The jackdaws' chant hangs Among the eaves of the ancient wood. Aconite, anemones, and ransoms, Green spears among rich leaf mould.A church on a hill Swims among deep drifts Of snowdrops A sky lark sings in mizzly rain.”Episode Information:There are some old photographs featuring my ‘lumberjack’ shirt and desert boots, as well as some early backpacking pictures on the NoSWPod page for this episode.   With special thanks to our lock-wheelersfor supporting this podcast. Mary Keane, Arabella Holzapfel,Rory and MJ,Narrowboat Precious Jet.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon.Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Blustery late winter nights are perfect for retelling old stories. Tonight we listen again with new ears to the ancient story told in the 'hymn of the pearl' and explore how old myths and folktales can weave such powerful tales if we just allow them tell their own stories.  Journal entry:15th February, Wednesday“An old moon leans back against the dawn. Gulls scythe and cry Between street lamps and traffic noise.Chaos above and chaos below. But between the concrete There is green.”Episode Information:In this episode I retell the story of the quest for the pearl which is based on the ancient Syrian (possibly Indian) song, ‘The Hymn of the Pearl’.You can find the text in English here: The Hymn of the Pearl.The song is part of a much longer late second/early third century gnostic text, the ‘Acts of Thomas’. You can read the full text here translated into English from the Syriac: The Acts of Thomas. With special thanks to our lock-wheelers:Mary, Arabella, and Stephen.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/TwiSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Any boater who is faced with the prospect of numerous locks ahead will know how wonderful it is to find someone who is prepared to take on ‘lock-wheeling’ duties. This episode takes some time out to reflect on the podcast as well as explore the many listeners who have become tireless lock-wheelers for it. Journal entry: 10th February, Friday“Ice skates lines across the water. A thin brittle veneer that cannot hold The oak’s reflection.The morning sun sets fire to the reeds. I am dazzled by their flame. My own, canal-side, burning bush, Sans angel.”Episode Information:If you want to become a lock-wheeler for Nighttime on Still Waters or would like to know more about it, you can find more information here: ‘Lock-wheeling’ for Nighttime on Still Waters. In this episode I refer to the work of Tim Dee. He discusses ‘Adam’s curse’ in his book The Running Sky published in 2009 by Penguin Books.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPod·       Mastodon: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

All along the canal side, the wintery tees and hedgerows are filling with spring song and life. Subtle shifts and changes, the play of light through the trees, the shimmering reflection of an old oak, auger new seasons awaiting us. It might still be winter and cold weather is on the way, but why not join me tonight in a ‘secret’ spot, canal-side, where we can listen together to February dawning? Journal entry: 1st February, Wednesday."The conclave of oaks at the top of the hill Bask in this golden morning. Their tiny buds touching the sunlight Alive with the chilling south-westerly wind.The hill rolls down towards The owl-chapeled oak Who stretches tall shadow shapes On a velvet gown of grass."Episode Information:In this episode I read Philip Larkin’s ‘Coming’ from his collection The Less Deceived (1955).The recording used for ‘February Dawning’ was taken in the early morning near ‘Mile 19’ on the Stratford upon Avon Canal on 4th February 2023 using an Edirol R-09HR sound recorder.  For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPod·       Mastodon: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Canals and railways are often very close near neighbours and so trains can be a frequent part of the canal soundscapes. This week we explore why the sound of a train in the distance (thanks to Paul Simon) can be so evocative which gives me the opportunity to reminisce about my childhood and revisit some wonderful poems. Journal entry:  24th January, Tuesday.“Racing head. Not much sleep. So I am out here, trying to walk it out.The ground crunches and splinters into Icy shards. The kingfisher pool has now frozen over. Today, the ice, the cold, seem to exhibit a deliberate malevolence.In front of me the morning sun emerges above the trees Making the canal ice and frosted towpath glitter with golden fire. I stride out of the woods. Today, for a while, I walk on jewels and sun light. Episode Information:In this episode I read the following poems:Philip Larkin – ‘Whitsun Weddings’ (excerpt) Edward Thomas – ‘Adlestrop’ Paul Simon – ‘A Poem on the Underground Wall’ (excerpt) Robert Louis Stevenson – ‘From a Railway Carriage’ WH Auden – ‘Night Mail’You can watch the film, Night Mail, free (and I highly recommend it!) at the BFI website: Night Mail. You can watch Vanessa and Zephyr on The Mindful Narrowboat.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded toSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join us around the warmth of a glowing stove tonight as ice once more grips the boat and freezing fog thickly mantles the winter-naked trees. On nights like these, it is good to remember summer days and so, tonight’s episode takes us back to one particular day late last summer. Journal entry: 16th January, Monday“A westering sun paints the opposite bank in amber, Soil and bark glow warm with gold. A tangle of twisted roots, bramble brush and rabbit holes.Eight ducks emerge from the undergrowth And march in single file across the muddy slime of the towpath. Each, in turn, drops down into the water with a little splash.  A crocodile line of school children.” Episode Information:All the recordings for this podcast were taken on location.  The soundscape for ‘One day last summer’ was recorded in September 2022 on the towpath of the Stratford upon Avon canal.  For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodMastodon: https://mastodon.world/@nosw  I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a lSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Rain and mud are all around us at the moment, but there is wonder there too. The ancient myth of ‘The Voyage of Bran’ helps us to find the extraordinary within the ordinary and (with apologies to Simon and Garfunkel) the beauty of Tuesday Morning, 5.30am.Journal entry: 13th January, Friday“Boggy ground, although I am high on the hill. Standing in the cluster of four oaks waiting. Waiting for I don’t know what.I turn, and behind me, the sunrises in red and gold Through the dense brush of woodland that lines the horizon. How wonderful is that?What is even more wonderful is that, further to the west, Another sunrise will break over other woodlands, but this one Will be through the lattice work of these trees I stand under.And so the sunrise is shouldered across the land from tree to tree And the one human who is waiting…  … for something.”Episode Information:In this episode I read extracts from ‘The Voyage of Bran’ (Imram Brain). I use the Kuno Meyer’s translation of it which can be read here: Voyage of Bran.I also read the first lines of William Blake’s ‘Auguries of Innocence.’ You can read more about Sharon Blackie’s ‘sit spot’ challenge in her book The Enchanted Life published in 2019 by September Publishing. John Moriarty’s (2011) Nostos: An autobiography is published by Lilliput Press. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performedSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Happy New Year! New Years can be exciting times, marking new beginnings, a clean page, awakening dormant dreams and ambitions. However, sometimes it is not always like that. This year, in particular, many face the new year with trepidation, filled with anxieties, a sense of being overwhelmed and unable to cope. What do we do when the future looks dark?*Please note that this episode candidly discusses issues of mental health*  Journal entry:4th January, Wednesday."Silver light on Cotswold stone. The raucous clamour of rook song over sedge and bog grass. The wind is filled with flung bird and winter sounds.Damp gusts bully down alleyways. That particular smell you get on entering an art shop. Outside the pavements glisten with the darkness of the sky." Episode Information:In this episode I read the opening to Minnie Louise Haskin’s (1912) poem ‘God Knows’ [often called ‘The gate of the year’].I also refer to Bede’s (ca.627 CE) account of King Edwin’s conversation and the lesson of the sparrow from his Ecclesiastical History of the English People Book 2 Chap 13.Vanessa’s beautiful Mindful Narrowboat vlog can be viewed here: The Mindful Narrowboat. The episode featuring the Hatton Flight can be viewed here: #131: Narrowboating towards Birmingham.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ConSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

It’s Christmas Eve and the perfect time for a canal-side story. Have you ever heard of the Christmas Heron? No? Well, there’s probably a very good reason for that, but I will tell it to you anyway. So, curl up in your special armchair by the stove and I will tell you all about the Christmas Heron.Journal entry:                       24th December, Saturday (Christmas Eve).“Christmas Eve dawns with a silvered light. The canal is mirror calm.A choir of rook song. A lone swan flying south. The cormorant, cruciform, ornaments the ash.Tinsel ribbons of memories stream away into the distant Christmases of my childhood.” Episode Information:In this episode I sample the following recordings:‘Harsh cries by one Grey Heron’ recorded by ‘Dobroide’ near Caño de Guadiamar, Doñana National Park (Spain): https://freesound.org/people/dobroide/sounds/65264/ Swans in flight recorded by ‘Dibko’: https://freesound.org/people/dibko/For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPod·       Mastodon: https://maSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join us around the stove tonight, on a very cosy NB Erica that is currently ice-locked into a frozen landscape, as we think about the Fimbulwinter of old, and why Midwinter might be mid-winter after all!Journal entry: 14th December, Wednesday.“Ridges of frost form ribs on the sweep of hills. Two rooks throw calls against a sky Marbled by the setting sun. Beyond the horizon, a pheasant startles a distant wood. My fingers and toes burn.Episode Information:In this episode I read very short extracts from:Christiane Ritter’s beautiful A Woman in the Polar Night republished in 2019 Pushkin Press.Christina Rosetti’s poem ‘In the Bleak Midwinter’ (1872).The section on seasons from the Anglo-Saxon collection: Maxims II.Bede's The Reckoning of Time (11th-12th century)I also refer to:Alexandra Harris’ (2016) Weatherland: Writers and artists under English skiespublished by Thames and HudsonEleanor Parker’s (2022) Winters in the Word: A journey through the Anglo-Saxon year published by Reaktion Books. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of EricSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

“Those eyes of old look at me and, through the haze of your futures, I look back at you…” On this freezing December night, snuggle closer to the stove as I reflect on the strangeness of coming across an old photograph of me as a small child as well as the adventures of the Archdeacon on ice.    Journal entry: 9th December, Friday“The scent of wood smoke and cold air. The warm, dry sound of someone splitting firewood. Each teasel head is framed in a perfect halo of sunlight. Today, at least, their sainthood is revealed.” Episode Information:In this episode I read an extract from the Anglo-Saxon poem Andreas and I refer to Eleanor Parker’s book Winters in the Word: A journey through the Anglo-Saxon year published in 2022 by Reaktion Books. You can see and buy a copy of Dru Marland’s wonderful ‘Canal Ice Scale’ from her Etsy site: Dru Marland ‘Canal Ice Scale’ (postcard).Please go to nowspod.com to see copy of the photograph featured in this week's episode.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at htSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The night is chill and crisp, a bright moon rides the racing clouds and stars shimmer on the surface of the canal. It’s a perfect night for a night walk. Snuggle down and wrap up warm as you join me on a canal walk washed by moon light.   Journal entry:29th November, Tuesday“Reluctant daylight. The sun's cold shoulder. Three ducks bob on ruffled water. I walk on uphill Grateful for thick socks.” Episode Information:In this episode I read an extract from Niall Mac Coitir’s retelling of the myth of Halcyone and Ceyx in his (2015) book Ireland’s Birds: Myths, legends and folklore published by Swift Books. The book by Alexander Porteous that I refer to on the walk is The Forest in Folklore and Mythology first published in 1928 and subsequently republished by Courier Corporation (2001). I also cite a portion of Ralph McTell’s song ‘Streets of London’ released in 1969. You can listen to the complete song here: Ralph McTell – Streets of London. The first NoSW ‘Nightwalk’ can be heard here: Episode 5: Nightwalk. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by KSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, we enjoy the special beauties of a rainy town in central England as darkness begins to fall, listen to Thomas Merton on city rain, and spend awhile at a window seat in a small café and create for while our own version of Edward Hopper’s Nighthawks. Journal entry: 26th November, Saturday"Sometimes, all it takes To make a day full  Is to have breakfast in a half-empty cafe filled with chandeliers And crescent moons With someone you love As a watery sun Climbs into the morning sky.”  Episode Information:In this episode I refer to Edward Hopper’s (1942) painting Nighthawks and Thomas Merton’s (1966) essay ‘Rain and the Rhinoceros’ from his book Raids on the Unspeakable published by New Directions. An open access copy of it can be found here: Piefurcation: Rain and the Rhinoceros by Thomas Merton.  The sounds for this episode were recorded on Henley Street and York’s Café, Stratford upon Avon on 24th November 2022.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

As the nights draw in and the cosy glow of a fire gets evermore inviting, it is the perfect time to share stories. It is not surprising that ghost stories have an enduring appeal. Many stories of the canal feature them. Ghosts like the canal networks themselves create a link between our worlds and the past. Tonight we enjoy the skill of Ian Douglas’ retelling of a ghostly encounter at Blisworth tunnel and why these stories are important.  Journal entry:18th November, Friday.“Stainless steel An empty room. The stark coldness of strip lighting. The white skirting board is scuffed. The head-swimming bite of the scent of Eugenol and dentistry.I look around for old copies of Giles cartoon annuals And dog-eared editions of Punch,  But there are none.Outside oak leaves shimmer Against an ocean of sky blue.”Episode Information:In this episode I read Ian Douglas’ account of the ghostly encounter in Blisworth Tunnel (and his epilogue) as told in his (2021) Folk Tales from the Canal Side published by The History Press.  You can watch David Johns’ (Cruising the Cut) own ‘ghostly’ encounter at the tunnel here: Is this a ghostly encounter at the Blisworth tunnel?I also read a short extract from Storm Dunlop’s (2021) Weather Almanac 2022 published by Harper Collins and make a reference to Allan Scott-Davies’ (2010) book Shadows on the Water: The Haunted Canals and Waterways of Britain also published by The History Press. The earlier episode on the liminal nature of canals is: Ep 5 ‘Down the cut’.The soundtrack for the tunnel story was recorded cruising through Shrewley Tunnel in August 2021.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org oSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week saw the return of the cormorant which prompts a visit to Ernest Ingersoll to find out why they have no voice. A fairly severe reaction to the Covid jab meant that I missed attending this year’s graduation ceremony so join me as I think about past ceremonies and reflect on the journey of those passaging from graduand to graduate.Journal entry: 9th November, Wednesday“Here they come’ Like a stream in spate, Rolling black pebbles in its wake.Half a dozen tree-fulls of rooks, Crows, jackdaws pouring across a skyline of dying embers And mauve.Their chatter rises up to me, intense, busy with life and the most serious of pleasures.Their words are full of comfort.”Episode Information:In this episode I read an excerpt from Ernest Ingersoll’s (1923) Birds in Legend, Fable and Folklore published by Longmans, Green and Co. (link will take you to free open access text). For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a liSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This weekend the clocks change (in the UK). These small markers in our calendars can touch us in deep ways. Join me tonight as we stop the clock, step out of time, and savour together the unspent, untouched hour as the world around us sleeps on.  Journal entry:28th October, Friday“Wild winds race ragged As starlings sport and shoal.Golden leaves, sherry warm, Stream head height across the canal. A flash of brave blue. A kingfisher Swims the leafy cataracts of air.”   Episode Information:In this episode I read a couple of short extracts from Susan Hill’s (1983) The Magic Apple Tree published by Penguin Books. Photographs of the clock I used to wind and the words for ‘Today I held back time’ can be found on the nowspod.com website. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspoSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, as the evenings draw in and autumn takes a firmer hold of towpath and fields, let's gather close beside a woodland campfire for some unabashed romanticism. For life teaches us two things: 1. Romance does the heart good and brings a smile to the soul - and, on these darker and chillier evenings, who would deny us that?  2. Small boys will always be totally captivated by a wild heart and a gypsy smile ;)Journal entry:  18th October, Tuesday“Low cloud, like smoke, sweep down the weeping slopes Turning fields and woods to smudgy greys. Scattered below the wordless wood blurred sheep graze like finger marks in window putty.Above, cirrus clouds float like flamingo islands in chalk-blue oceans. Dry leaves rattle. This morning I walked beneath a cave of stars And now I see the sun.”Episode Information:In this episode I read a couple of short extracts from two poems ‘The Adventures of Tom Bombadil’ and ‘Errantry’ that featured in JRR Tolkien’s (1962) The Adventures of Tom Bombadil and Other Verses from the Red Book published by George Allen and Unwin. I also briefly refer to John Masefield’s (1903) ‘Cargoes’.Bonfire recorded by ‘Kyster’ and uploaded to Freesounds on 17th June 2010: https://freesound.org/people/Kyster/sounds/99280Fox call recorded in Jersey on 14th May 2020 by ‘Ionskwad2020’. https://freesound.org/people/lonskwad2020/sounds/518135/#For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The colours of autumn this year promise to be spectacular and the towpaths are being transformed by the brush of autumn’s artistry. Join us tonight as we drink in some of the sights and ponder why this season can evoke such a mixture of emotions within us.  Journal entry: 11th October, Tuesday“A wash of gold afternoon light That fresh clean scent of damp earth And falling waterThe sluices are full and running, Laced with curtains of pearl and crystal.A yearling ewe, with her forelegs Knee deep in the water. A heron, a couple of feet away, A statue centre stream, watches her.Their eyes meet and for a moment, The world pauses. Face to face Eye to eye.They drop their gaze and the world Is once more filled with the sound Of falling water.”    Episode Information:In this episode I read a very short extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.I also refer to Jacque’s monologue, ‘All the world’s a stage’ from Shakespeare’s As You Like It  (Act II Scene VII). For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

For many, these are not easy days in which to live and our futures can appear so uncertain. How do we live through such times? Join us tonight as we listen to some deeper wisdom offered by a magpie and an alder tree. Journal entry:7th October, Friday“Day off. First a few jobs around the boat in the gold of autumn sunshine. The alders are beginning to drop their leaves I kick them up as I walk through them Their sound reminds me of when I was young Conker hunting By the A41 In huge drifts of whispering leaves.”Episode Information:You can read an account of King Rehoboam’s reign in 1 Kings 12.In this episode I read a short extract from the Anglo-Saxon poem ‘Deor’ and talk about the Old English phrase ‘þæs ofereode, þisses swa mæg’ (‘that passed over… so may this’). There is a beautiful recitation of this poem in its original form (with subtitles) performed by John Farrell: Deor: The Anglo-Saxon Poem.  I make a passing reference to the final lines of Mary Oliver's 'The Summer Day' and end with a reading from her poem, ‘Whelks’. We look at more Anglo-Saxon poetry in episode 58: 'Winter Wisdom (Wintrum Frod)'.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This episode is especially for our youngest regular listener to the podcast, Rory, who had her 6th birthday a couple of weeks ago. So tonight, we explore the narrowboat Erica and what it is like to live on a boat, and then, especially for Rory listen to a story about another little girl who met some rather strange and wonderful people.   Journal entry: 29th September, Thursday.“The reservoir is grey and slabby today, Crests form on wavelets the colour of old ice.Ghosting veils of low cloud sweep mizzly rain On a wind that lifts the gulls and redeems my world With their cries.”Episode Information:This episode is dedicated to Rory Braso (aged 6) who lives in Massachusetts, USA – and, of course, her dad, MJ.Photographs of the Erica can be found on our website at noswpod.com. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week much of the country fell silent for a while and that stillness was the occasion for a chance encounter and finding within the silence the music of bells among crow song. Join us aboard the Erica tonight as we are touched by the enigmatic qualities of bells and stillness.    Journal entry: 21st September, WednesdayDew, the smell of sheep and wet grass. Rooks jostle the lightening sky. The company of ducks hunched at the water’s edge Shake themselves awake And drop into the pool of water The colour of dawn. Episode Information:fAll field recordings made on 19.09.2022 and features the bells of St Peter's church,  Wootton Wawen. In this episode I read short extracts from:SeánStreet’s (2012) The Poetry of Radio: The colour of sound published by Routledge. Seán Street’s (2019) The Sound inside the Silence: Travels in the Sonic Imagination published by Springer.I also read two short extracts from John Betjeman.John Betjeman (1958) Introduction to English Country Churches  John Betjeman (1960) Summoned by Bells originally published by John MurraySteve Tyrell’s vlog recording his adventures on the NB Precious Jet can be viewed here: Narrowboat Precious Jet. David Keating’s Instagram account to view his photographs: david_keating.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard inteSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The second of our reading this year takes back to the working-boat families of the First World War. Geoffrey Lewis’ beautifully detailed and cleverly structured tribute to the people who worked the boats through this turbulent period is a lovely and moving tribute to their hard work, sacrifices, and bravery. The Longest Trench follows the lives of two families as they work their boats and provides an intimate and carefully-researched window into their lives, charting not just the hardships, but also their joys. As such, it is a touching and heartfelt celebration on an aspect of British life that has been long over-looked. The novel is framed in such a clever way that allows Geoffrey to contrast the wide range of experiences working boaters encountered, from running multiple boats, being No. 1s (owners), different types of cargo. It also shines a light on the practical challenges that this life raised. For example, how do you conduct a courtship when the two parties are on different boats and on different routes? What happens when a young child becomes seriously ill?   Publisher’s (SGM Publishing) blurb:“Careful research and Mr Lewis’ of the canals make this novel a realistic picture of boating people in the days of horse-drawn narrowboats, and once again his characters become real people whose fortunes matter to his ardent readers: Joy and sadness meet them along the way as news from the various theatres of war is received, while the burgeoning romance between a boy and girl carries us along towards Armistice Day.”In this episode I also read as short section from Tom Rolt’s Narrow Boat. More information and bibliographic details.  Lewis, Geoffrey (2014) The Longest Trench. Kidlington: SGM Publishing.Rolt, LTC. (1944) Narrow Boat. London: Eire and Spottiswoode.I have found that the best site to locate Geoffrey Lewis’ books is at The Canal Shop.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFacebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The first of our ‘Summer’ readings this year is from Andy Griffee’s meticulously researched, fast-paced, crime thriller Canal Pushers.Set on the West Midlands canals from Stratford-upon-Avon up to Birmingham and down to Hanbury (a handy map is included at the front of the book). The detail of the canal systems travelled is beautifully captured as is life aboard a narrowboat for would-be owner Jack Johnson. I initially started the book with some slight apprehension, being drawn by the canal setting and the rave reviews. However, I was quickly hooked. If crime thrillers are your thing, you are going to love this. If canals and narrowboating are more your thing, I think you will love this too.  The publisher’s blurb provides the following synopsis:“Book 1 in the Johnson & Wilde crime mystery series, featuring ex journalist Jack Johnson, the enigmatic Nina Wilde, and a narrowboat with a top speed of 4 miles per hour… Jack Johnson is newly divorced, recently made redundant and in search of a fresh start. But when a young boy he meets on the canals turns up drowned, trouble seems determined to follow him. With the encouragement of Jack’s unlikely companion, Nina, who’s come aboard his narrowboat, Jumping Jack Flash, to help him navigate the waterways of the Midlands, Jack is soon tangled up in a police investigation that doesn’t quite add up. Is there a serial killer stalking the towpaths? Jack’s got more pressing problems too: can a canal boat outrun an organised crime syndicate and a media manhunt?” More information and bibliographic detailsGriffee, Andy (2019) Canal Pushers. Leominster: Orphans Publishing.Andy has written (to date) two further adventures featuring Jack, Nina and Eddie (the border terrier); River Rats (set on the Kennet and Avon) and Oxford Blues (based around the Thames at Oxford). More information about Andy can be found on his website: Andy Griffee.You can follow Andy on Twitter @AndyGriffee to find many pictures of the real-life Eddie!More information on all the Jack Johnson and Nina Wilde mysteries can be found by going to the Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

There’s a warm welcome awaiting you under the heavy night skies of summer’s hinterlands. Tonight we meet a very special person with a lop-sided smile and who might be able to teach us to walk with elephants.   Journal entry:30th August, Tuesday.“Day’s end. I stand up here and try to see what is Infront of me. But the future is just a confused blur of uncertainty. When I look back, I can so easily draw-out the most intricate constellations that map the chaos of my footsteps of the paths that I have walked. In them I begin to see order and meaning. Why can’t I do the same for my futures? But now, all I see is the hunch of the owl-chapelled oak, in its small bowl of nettles and the sheep whose shadows stretch long across the sunny curve of the hill. Perhaps one day, looking back from some future vantage point, I too will be able to find lines of connection and clarity. The clear path that was taken through my future uncertainty.”Episode Information:This episode is dedicated to Angela Oliver who, with her husband Roger, through extraordinary sacrifice enabled an unlikely man to continue to walk carefree and tall with elephants.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Although a little delayed, the long-awaited rain and thunder did eventually arrive. Join us tonight as we hunker down beside a young willow and enjoy, with a field full of crows, the wonder of a thunderstorm as it roars overhead and all the richness it brings. Journal entry:19th August, Friday.“An impulse forage among the brambles on a Blustery day of tall clouds and sunshine. I pick the high berries, you the lower ones. I extricate you when a bramble thorns your sleeve. Thirty-seven years fall away   And my heart melts once more, Like it did When we first met.We have done this hundreds of times before And will do again. But not like this. Never again, will it be exactly like this.  These few spontaneous moments Pouring blackberries into our bag Will somehow be the most cherished memory I take from this holiday.Both instinctively aware of its special quality A golden moment that joins us. Those few moments when we Completely filled the world with our quiet presence.” Episode Information:In this episode I read two of Wendell Berry’s Sabbath poems:XIX – ‘Some Sunday afternoon’XXI – ‘I was awakened from my dream of the ruined world’You can listen to the MIND Station using the imbedded player at Mind Station. Recording of the rain and thunder recorded on Erica: South Stratford Canal (16.08.2022).For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

It has been a sweltering hot week with temperatures in the 30s (90F). Join me onboard NB Erica, on a hot August night just as the heatwave is about to break, as we listen for the rolling sound of distant thunder. Journal entry:10th August, Wednesday“The last of today’s sun slowly climbs  the dolphin-backed ridge of hill, colouring the broad cluster of oaks and tawny grass with long shadows.A few hundred yards from me A barrel-roofed lock cottage,  Its red door peeling And windows now blind.My notebook lies empty beside me  While my head is filled with so many thoughts That have track of words to convey them. Bats fill my silence.”  Episode Information:In this episode I refer to the music of the jazz singer Cassandra Wilson and refer specifically to versions of Darkness on the Delta and the achingly beautiful Love is Blindness.The field recording of distant thunder was recorded by ‘sagetyrtle’ and uploaded to Freesound in October 2010.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join me this week as we moor on a still August night, under a proud stand of poplars studded with starlight and moonlight. Tonight, we explore the evocative power of scents and smells. Journal entry: 6th August, Saturday."The sun is three fingers above the horizon and washes the bankside reeds with golden fire.Three ducks cast perfect wakes of Vs Slowly, swimming the channel of molten bronze.There is something ethereal about this light Like stepping from one world into another.The sun has always been an alchemist at heart."Episode Information:For more information about Noctule bats (Nyctalus noctula), which is the largest bat in the UK, there is an excellent article on the Woodland Trust's website: Noctule Bat.For photographs relating to this episode, please go to our website – details immediately below. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

There is a spot of ground that is special to me. Perhaps you have one too. They often are not particularly attractive, but somehow they are places we can go to find quietness. Join me to tonight when we visit one of my special places as we go down to the cattle pond with the help of Wendell Berry.    Journal entry:27th July, Wednesday“Drifts of mist rise and ghost upon the water In the pre-dawn light. The air is deliciously cool.The heron is in the cow-splash down by the oaks I climb the hill And look down on dawn.   And wish for rain.” Episode Information:In this episode I read a very short extract from Simon Barnes’ excellent, quirky, and altogether wonderful, A Bad Birdwatcher’s Companion published (2005) by Short Books.  I also read Wendell Berry’s poem ‘A Standing Ground’ which can be found in his volume The Peace of Wild Things: And other poems published (2018) by Penguin Books. You can listen and watch Mary Berry read this poem here: ‘A Standing Ground.’ For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nigSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The forecast hot weather has come and gone, but its psychological, as much as physical, effects feel a bit harder to shift. So join with me tonight as we gaze deeply into the mirrored dome of the night sky and its web of starlight, to discover what stories they tell and their challenge for us to begin to create newer ones.   Journal entry:22nd July, Friday“Every day shakes the kaleidoscope. Lift it to your eye. Twist the base and look.Today, three young jackdaws chase each other Through the feathery green of the ash tree In a carnival of silver rain.It calls to somewhere deep inside of us, Doesn’t it? You, me, and whatever is behind Our biggest questions And lies beyond the heathlands of right and wrong.”Episode Information:In this episode I quote a section from Jack Johnson's song ‘Constellations’ which was released on his album In Between Dreams on Bushfire Records in 2005. You can listen to it here: ‘Constellations’.   I also read an excerpt from Susan Hanson’s essay ‘Deep in the Heart’ found in Let There Be Night edited by Paul Goodard (2008) published by Uni of Nevada.John Moriarty talks about the impact of western mythology on the psyche and culture of western civilisations in many of his books; particularly, Nostos, An Autobiography (2001) and What the Curlew Said: Nostos Continued (2007). The best introduction to John’s writing is the excellent John Moriarty: Not The Whole Story (2018) written by Mary McGillicuddy. All these books are published by Lilliput Press. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The SwanSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

These are the long days. The days of heat and dust. The days of quiet skies and dulled colours. Days of eclipse and renewal. These are the dog days of summer.Journal entry:23rd July, Saturday [Should be 16th July - blame the heat!!]“Martins twist and flit around the large ash,  Clustering in the branches like cockney parakeets.  En masse they drop, forking down to the water surface,  Swimming the air with dolphin-like grace.We slip the mooring ropes and leave.”Episode Information:In this episode I read two short extracts from Miles Hadfield’s (1950) An English Almanac published by J.M. Dent and Sons.Soundscape of dusk, recorded at Wilmcote (South Stratford upon Avon Canal) at 21.15 on 16th July 2022.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form oSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

 Old stories can lift an unfamiliar mirror up to our lives so that we see ourselves anew and as we really are. Tonight, I will tell you an old story. It’s a story about a silvery day of sea fret (mist), rolling ocean waves, empty fishing nets, and a solitary herring. Journal entry:6th July, Wednesday“I sit on the bank, one leg hanging down.  A drake mallard in eclipse, treads water,  with slow, lazy strokes of his feet.He watches me.  I watch him.      We are both waiting for something...                      but what?I smile, but it means nothing to him. He softly chuckles, but I hear only sounds and intent, But not what that intention is. He could be Penny - a little soul staring at each move I make. Trying to read me, as I try to read him, Or the sheep in the neighbouring field. Or the horses, frozen,                 on the dolphin-backed curve of the hill.I want to tell him 'it'll be alright'. But we both know, it isn't. But that is the point, isn't it?Neither of us live in a world of fairy tale endings. We're just trying to find our ways in a crooked world. Not so that others will follow the paths we make,But that they may hear our songs (you, duck, and me) and  Know that they are not on their own.”Episode Information:In this episode I read a very short extract from Roy Vickery’s (2019) Vickery’s Folk Flora, published by Weidenfeld and Nicolson.  I also refer to Sharon Blackie’s (2019) Foxfire, Wolfskin and other stories of Shapeshifting Women, published by September Books where you can read her (much briefer) version of the story of the herring and the fisherman. Field recordingThe waves on a shingle beach was recorded by ‘ermine’ at Felixstowe (14/10/2006) and can be found here. The herring gull was recorded in Scheveningen, the Netherlands (05/10/2020) by ‘Canardo55’ and can be found here.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the RiveSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

With apologies for sounding like an asthmatic badger, tonight we explore the special qualities of an unremarkable dusk and why we can feel so at peace with it and the darkness it can bring.Journal entry:28th June, Tuesday.“I stop work to breathe in the storm-wind And bathe in the whirlpool of its noise.My shoulders feel heavy       As If I alone am holding               up the blanket clouds       That sag grey above my head.The water hose, snakes and hisses around my feet.Head upright, neck relaxed, the cob swan pushes towards me, Lazily, doggy paddling a V of disturbance on the water’s surface.My day begins to smile.” Episode Information:In this episode I refer to an interview with John O’ Donohue recorded by Krista Tippett (2008/2022) ‘The Inner Landscape of Beauty’ on the On Being podcast. I also read a very short extract from John O’ Donohue’s (1999) Anam Cara: Spiritual wisdom from the Celtic world published by Penguin Random House. I also refer to Robin Wall Kimmerer’s article ‘Nightfall’ published in Paul Bogard’s (2008) Let There Be Night: Testimony on behalf of the dark published by University of Nevada Press. I also refer to the following works:Matthew Beaumont (2016) Nightwalking: A nocturnal history of London published by Verso Books.Roger Ekirch (2004/2013) At Day’s Close: Night in times past published by Weidenfeld and NicholsonThe episode finishes with a reading of Tom Hennen’s short poem ‘Summer Night Air’ from his Darkness Sticks to Everything: Collected and New Poems published (2013) by Copper Canyon Press. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, CheSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

It is funny how, looking back, distinct paths and interconnections can be found. It is, sometimes, tempting to see them as clear paths that we are destined to follow. However, sometimes, they are coincidence or simply a case that one can spot significance after the event. But they can also be 'love letters written in canal water'. Journal entry: 21st June, Tuesday, Summer Solstice.“Mist burns off the water, baptising the canal in red and gold.Three newly hatched moorhens, a chaos of fluff and bald-headed,       walk on water on a broken iris leaf. On the opposite bank, a smallish carp, asleep in death,       lies in the middle of the towpath,             light flecking off the lively scales. Just down from here the body of a vole floats on the listless current. How do I make sense of all this?        Can I really live kindly and with joy on this earth?Those three moorhen seem to know.  They walk on water.”  Episode Information:For those wanting to watch Steve Tyrell’s wonderfully soothing and informative cruise click this link: Cruising the Ashby Canal!!! The sound of a Gardner 2LW. You can see more of Steve’s videos on his YouTube channel: Narrowboat Precious Jet. It is well worth a look if you are interested in the more practical aspects of boat-life (which I tend to stay away from!).I also refer to the lyrics of ‘Society’ written by Jerry Hannan and, probably, most famously sung by Eddie Vedder as part of the OST for the film Into the Wild. There are numerous YouTube videos of this song. The official version is: ‘Society’ OST. A version featuring the lyrics (with rather idiosyncratic spelling) is: ‘Society’ with Lyrics.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at aSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The heat of the past few days has broken with sweeping skies filled with rain and lowering clouds. Join me tonight, as we reflect on life on water in the heat of summer, listen to the poetic words of one of our listeners, and discover the wisdom of making bread through the words of another listener and Robin Wall Kimmerer.  Journal entry: 14th June, Tuesday.“The day starts fresh with clean skies and grasses that glitter with rainbows. Beneath the rushes, a moorhen fusses. The air is scented with summer wine.”Episode Information:This episode features the writing of two listeners; Margaret Jacobson and Sue ‘Breadlady’.I read the poem ‘The Colour of Water’ by Margaret Jacobson and a post by Sue on her love of bread. I also read a small extract from:Robin Wall Kimmerer’s (2020) Braiding Sweatgrass published by Penguin Books. I also refer to a video created by boat vlogger 'CountryHouseGent' that features the soothing sound of a vintage canal boat accompanied by video of a cruise along a canal. The video cn be viewed on YouTube and is titled: Relaxing Vintage Engine Sound Canal Boat Sleep ASMRFor more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week has been one of extremes that encompasses the splendour of solitude and an onboard visit by three very enthusiastic police dogs (and a puppy)! Alongside all this, we took time to listen to some bats, watch the cygnets as the grow ever stronger and contemplate the hidden depths of the most surprising people.  Journal entry: 8th June, Wednesday"The wind is kicking up among the branches of the ash and oaks while clouds as heavy as wet blotting paper begin to gather. There is that excitement in the air that portends change though the barometer stays level. The rooks are playing up and large spots of rain fleck the towpath. It is the time to stride across the ridgeways and old greenways in seven-league boots and drink in every second of the howling night... it is the time to close the hatches and listen to the rain as it rakes the cabin roof and batters on the window by my bed." Episode Information:I am planning to feature bats more fully in a future podcast. However, if you are interested in finding out more about bats, there is a very good introductory guide to (British) bats on the Woodland Trust website: Bats.The bat sounds featured in this episode were a type of pipistrelle. We are not too sure which, but most probably (through population size) they were Common Pipistrelle. For more information: Common Pipistrelle. The recoding was made using a Magenta Bat5 bat detector and a Edirol R-09HR sound recorder.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.orgSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

On the week that the cygnets of our swan pair hatched, we explore the rather contradictory nature of the canal through the eyes of poets Jo Bell, Nancy Campbell, and Ian MacMillan. We find romance amidst the unromantic and beauty in the unbeautiful.  Journal entry: 1st June, Wednesday"Heron, streak of grey light,  Standing on the bank,  Coverletted in Moon's-Eye And the first flush of poppies of the season.Rain falls as needles of sunlight.  The heron preens for a while And then is gone."Episode Information:In ‘News from the Moorings’ I refer to Mark Nicolaides’ beautiful and exceptionally informative website on the swan: Swan Life. You can read more about swans’ nesting and hatching behaviours in the section: Incubating Eggs.There is a very good collection of canal-themed poetry on the Poetry Society’s website where, in conjunction with the Canal and River Trust (CRT), there is a section that includes works from past and present ‘Canal Laureates’: Waterlines.In this episode I read the following poems:Jo Bell - ‘How to Live on a Boat’Jo Bell – ‘Frozen In’Nancy Campbell (2018) – ‘Recipe for a Towpath Garden’Ian MacMillan – ‘Canal Life’For information about Pete Tuffrey’s paintings see his Etsy page.I am not sure how current Pete’s Etsy page is as most of his more recent artwork appears to be on his Facebook page: https://www.facebook.com/TuffreyArtist.You can also follow Pete on Twitter: https://twitter.com/PeteTuffrey For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

May slowly rolls into June, but is summer really here? The towpaths and hedgerows are garlanded in summer colours and the ducks (and swans) are beginning to move into their time of eclipse. Some of the mallard drakes are beginning to look very travel-worn! Meanwhile, days like these seem to bring a lot of childhood memories to mind.    Journal entry:27th May, Friday"Two hours until sundown and a stillness already settles. Shadows creep low and long through the sedge and long grasses on the bank. The swan stretches in her nest under an alder that shimmers with blackbird song.Later the peace will be disturbed and the sky explode with shouts and light. But not now.  Now all is still." Episode Information:All birds moult (‘molt’ – US spelling) or go into ‘eclipse’. You can find more information about the eclipse or moult that ducks and swans experience on this site: Understanding Waterfowl: The amazing molt. More information can be found here: What is eclipse plumage?For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

I want to describe to you what I saw today, but I can't. We have so many words to describe and represent the most complex of concepts. Why then is it almost impossible to describe something so simple and ordinary as the colour of the water earlier today? Kathleen Jamie and Thomas Merton (with a little excursive with Hana Videen) help us to find some answers. Journal entry:17th May, Tuesday"The hills are painted a dusty grey and the world is filled with the quietness of sheep, the cry of distant crows and drip and splash of rain upon young oak leaves. The warm touch of bark beneath my hand and the shiver of a silvery mist. A perfect way to watch the slow dance of dawn."Episode Information:In this episode I cite or read extracts from:Kathleen Jamie’s (2004) Dublin Review article ‘Sabbath’ (open access), which can also be found in her (2005) book Findings published by Sort Of Books.Hana Videen’s (2022)  The Wordhord: Daily Life in Old English published by Princeton University Press. Thomas Merton’s (2015) When the Trees Say Nothing: Writings on nature published by Ave Maria Press. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The Greek myths tell us that there are times when the gods come down from Olympus to walk amongst mortals. We had a very similar experience when, on a sunny day in late March, David Johns came to visit us and record an episode for his canal-based vlog Cruising the Cut.  Journal entry:11th May, Wednesday “The carp are spawning! May rain casting rings on thrashed water,  The flash of fin,       And a watery thunder            That rumbles along the side of the hull.I lie in the half-light of dawn,       Suspended above the silty jungles           Filled with so much life.”  Episode Information:Cruising the CutDavid Johns’ canal-based YouTube channel is Cruising the Cut.You can view David’s episode on Nighttime on Still Waters (via YouTube) here: 265. Evoking the spirit of pirate radio - on a canal.Wooden Writer's BoxFor information about the wooden writer’s box: Blue Star Crafts. I have the smaller A5 version of the Messenger Wood Box. There are a number of companies producing this type of box. Another popular maker is: Galen Leather and their Portable Writer’s Box and Desk.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts orSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Banbury has a significant place in the history of canals, most notably for being the location of Tooley’s boatyard and its association with canal restoration campaigner LTC (Tom) Rolt. However, the relationship between town and canal has not always been easy. Join me today, as we explore the town through the eyes of Temple-Thurston, Rolt, and Pearson, from the comfort of a coffeeshop window seat on a rainy Saturday afternoon.   Journal entry:7th May, Saturday"Another early start. At least it is now beginning to get light when Donna leaves for work, Chalky whites and greys leaching the darkness and stars from the night. A busy day lies ahead. One from which I shrink.  And so I make another cup of tea and sit on the stern in the chill of first dawn.The swans are still asleep. The cob tucked beside his mate on the nest. A breeze ruffles the deep umber water. A mallard swims over.  Chuckling to me, he eyes me with curiosity and caution. A swallow swims the air above the water and then alights on a boat's aerial. I stare at nothing. Hear nothing. Lost on the still waters of the mind. I want to hold this fragile moment forever, drink deeply from it, But I don't know how." Episode Information:You can find out more about the history and current workings of Tooley’s Boat Yard at: Tooley’s Boatyard Trust. In this episode I cite or read short extracts from:Michael Pearson (2003) Pearson’s Canal Companion: Oxford and Grand Union, published by Central Waterways Supplies.L.T.C. Rolt (1944) Narrow Boat, first published by Eyre and SpottiswoodeE. Temple Thurston (1911) The Flower of Gloster, published by William Norgate.Linda Aubry’s narrowboat themed fabric designsLinda’s fabric designs, many of which have been inspired by traditional narrowboat canal art, including her toile designs, can be seen on her Spoonflower site: Designs by orangecookie. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Why are canal boats and traditional canal-ware so colourful? When did the custom of painting working boats in bright colours begin and why? This week we explore our attraction to bright colours and what Tom Rolt describes as the ‘working boaters’ inborn gypsy love of colours.’Journal entry:25th April, Monday"Heavy grey clouds, ragged and torn       drift overhead.Two women sit cross-legged on their cabin roof.A blackbird scissor the sky     above forest green conifers.A hint of Earl-Grey tea.     Two dandelions fierce in their growling yellows.There is something freeing about     dark skies like these.The water shivers in the skittering breeze." Episode Information:For more information about Soundcamp’s livestream, environmental, sound project: Soundcamp – Reveil.You can watch Vanessa’s progress on creating her ‘daisy’ stern cabin panel art on her YouTube channel: The Mindful Narrowboat. She begins her work in Episode 91In this episode I cite:Julian Dutton (2021) Water Gypsies published by History Press.  Jim Batty (2019) Narrowboat Life: Discover life afloat on the inland waterways published by Adlard Coles/Bloomsbury.L.T.C. Rolt (1944) Narrow Boat, first published by Eyre and SpottiswoodeJohn Hassel (1819) Tour of the Grand Junction. London: Printed for J. Hassell.John Hollingshead (1860) Odd Journeys In and out of London. London: Goombridge and Sons.Sue Wilkes (2011) Tracing you Canal Ancestors, published by Pen and Sword Family History. E. Temple Thurston (1911) The Flower of Gloster, published by William Norgate.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The archdeacon is one of the colourful local characters who live here.  Irascible and combative, he is nevertheless an important part of the social life of this small portion of the watery world. He’s a feral domestic duck with a chequered past and a strong sense of his own importance. A rather restless, listless day resulted in me drinking a lot of tea and reflecting on him and the work of Donna Haraway. Journal entry:16th April, Saturday"I like it up here. It's not miles away from anywhere, but it certainly feels like it. The broad sky. The rise of hill. The tawny dried stems of last year's grass that rustle in the breeze that surfs over the hill's crest. I could walk to the top and look down on the world beyond but I won't, because then I'd know I am not on a fellside in Teasdale, buttoned with gentians and quartz, with the smell of tent canvas and crushed grass and the brassy shine of a primus stove. And I'd know that the world is waiting for me, even now, seeping across the borders of my mind."Episode Information:In this episode I read the first verse of John Betjeman’s poem ‘Upper Lambourne’. You can read the full poem here: Upper Lambourne. You can also hear John Betjeman read it on this video: John Betjeman reads ‘Upper Lambourne’. I also refer to the work of Donna Haraway. She has written a lot on this subject, but arguably she is best known for her essay 'A Cyborg Manifesto'. There are also numerous short (and long) videos on YouTube in which she presents her ideas in an accessible way.  For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboaSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

“It is no small gift” wrote the poet Mary Oliver about the joy a dog brings into our lives. . Journal entry:“It is no small gift” wrote the poet Mary Oliver about the joy a dog brings into our lives. In the week that we had to say goodbye to Penny, we remember the many gifts this timid lttle whirlwind brought into our lives and made them so much richer. We also explore why so many of us find grieving for a pet so difficult.  5th April, Tuesday"The trees are still here;         Broken reflections crookedly oiling                         the surface of the canal.And the blackbird still sings                    his river of song from his alder tower.  The sun, when it appears,                     still shines its green spring warmth. But I stand, incomplete, without a shadow...No, that is not how it feels.  It’s is as if I have found that I am just a shadow, thin and grey,  cast adrift on the dried mud and fallen twigs.  No longer tethered to the warmth of a living soul."Episode Information:Please go to noswpod.com for photographs of Penny. In this episode I read a couple of short extracts from Mary Oliver’s short essay ‘Dog Talk’ published in her book Dog Songs (2013 and 2021) published by Hachett UK. I also refer to Guy Winch’s article ‘Why We Need to Take Pet Loss Seriously’ from the Scientific American (May, 2018).    For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Just as the wind swung north with its sting of sleet and hail, the first batch of ducklings were hatched this week. It was a far from simple event! However, as winter attempted to reassert itself with some biting winds and sharp frosts, we are reminded that winter’s growl is no match for the roar of Spring. Journal entry:1st April, Friday"Penny looks up at me, hunched and quizzical,           As snow pellets and plum blossom fall. There is nothing remotely romantic about these driven, windblown, thin needles of ice,            But I cannot escape their beauty or the assurance of life they give." Episode Information:In this episode I read an extract from Simon Barnes’ wonderful book A Bad Birdwatcher’s Companion. Simon Barnes A Bad Birdwatcher's Companion: ...or a Personal introduction to Britain's 50 most obvious birds published (2005) by Short Books. I highly recommend the Naxos unabridged audio book version of this which is read by Simon and also includes samples of each bird’s call and suitable music.I also read a very short extract from the Norse Prose Edda written thought to have been written in the early 13th century by the Icelandic writer Snorri Sturluson.   I also refer to Alexandra Harris’ Weatherland which is published (2015) by Thames and Hudson.   For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by HeleSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A week of glorious spring weather has heightened springtime activity along the canal sides and nearby fields. It also coincides with a particularly busy period personally. My response and those of the birds and animals around could not be more different. We dip our toes into the worlds of the polar north and the work of Kosuke Koyama to explore some possible explanations for this.  Journal entry:25th March, Friday“The fresh sun glances off the surface of the canal with a shimmering, silver warmth, that sets the night-time chill a-dance.A clutch of moorhens squabble, fluster, scold, and court, in plain view, transforming the dark waters into a crystal maelstrom. It is so unlike their normally timorous behaviour. A mallard pair doze in the sunshine on the bank.I stand on the stern deck and beat the dust of winter from our rugs. We have stepped into spring.”Episode Information:In this episode I make a brief mention of the work of Knud Rasmussen. You can read his account of his work and explorations in:Knud Rasmussen People of the Polar North: A record published in 1908 by Kegan Paul, Trench, Trübner. I also mention Kathleen Jamie’s beautifully written, insightful, and extremely thought-provoking book Surfacing published in 2019 by Penguin Random House. Kosuke Koyama’s Three Mile an Hour God has just been re-issued (2021) by SCM Press. David Johns’ canals and boating vlog Cruising the Cut can be found here: Cruising the CutMore information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-sSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week’s episode is filled with sunshine, the scent of resin, and the soporific call of pigeon and dove as we explore a little further afield. A visit to Dad on the north Norfolk coast means a change in landscape. Find out why, even though I love walking, I am often very reluctant to talk about it with other walkers!   Journal entry:14th March, Monday"Fog.  Penny and I walk through a soft chilled landscape.The canal is dark and glassy. A small patch of mist boils and parts As Cyril emerges, stately and silent.He eyes me as he glides slowly passed Breasting the Arthurian waters."  Episode Information:For information about the beach and woods at Wells-next-the-Sea (audio soundscapes were recorded there: 17.03.2022) you will find this website helpful: The Wells Guide.   Please visit the noswpod website for photographs of the Corsican Pine woodland at Wells’ beach.In this episode I read the poem ‘March: Pooley Country Park’ by Vanessa Thomas from the wonderful The Mindful Narrowboat vlog. You can listen to Vanessa recite it and watch her creating her beautiful nature journal here: #93 The 8 Things I Brought to My Tiny Home! | Simplifying My Life  More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/nSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Over the last few weeks, we have watched our little swan family slowly begin the new phases in each of their lives. Whilst it can feel sad, it is also a celebration of the life of young Cyril who is now strong enough and equipped with enough skills to begin to make it in the adult world. It is also an endorsement of success for the young parents who, initially, encountered so many problems in nest building and egg laying. Journal entry:12th March, Saturday“Last night I lay awake listening to the rain drum on the cabin roof.Night-time is not a good time to think things through. The shadows grow too dark and too large The dressing gown hanging on the hook can too easily transform into a monster.I could imagine the circles made by the rain on the dark waters beside me And the hunched figures of ducks, heads tucked beneath wings one eye open.  And that, for me, made the difference.”Episode Information:Please go to the noswpod website for recent photographs of Cyril.In this episode I refer to the following books:Malcolm Schuyl’s The Swan: A natural history published (2012) by Merlin Unwin Books. This is probably the most authoritative book on the subject and is accompanied by some wonderful photography.  Simon Barns quirky but indispensable A Bad Birdwatcher’s Companion (2005) published by Short Books. The audio book is excellent, entertaining, lavishly produced and offering samples of each bird call too! More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen ISupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The wind is beginning to lose its raw edge, but the water is still lively and choppy. Join us on a moonless mad March night as memories of Shambala evoke a contemplation of high-wire walking in many of its different guises. The stove is warm, the kettle is on and there is always a warm welcome for you.  Journal entry:“6th March, Saturday."There’s a kerfuffle of rooks around the oak at the top of the hill.  They claw and scold the cold, sombre sky.Two ducks fly low in tight formation Lambs clustered under a tree  Are spooked in a shower of bleats and blossom. There’s a patch of reeds thick the warm rough smell of fox For a short while, Penny and I are lost in another world.”More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

February has been a month of storms both meteorological and figurative that have left many of us feeling battered and anxious. Such storms leave their marks upon the landscape and familiar terrains can become strange, alien, and threatening.  The cataclysmic events of the last few days are difficult to process and have catapulted us into what feels lik a much darker and more fearful world. How do we respond to it all and how do we navigate our way through times of intense darkness and confusion?  We look to the misplaced wigeon to help us find some direction. Journal entry:“24th February, Thursday."An old crescent moon hangs in a sky Swept clean by a week of winds.On my car radio News of a more brutal storm to the east.Darkness falls With the rising sun."Episode Information:In this episode I read the following poems (see episode chapters for time locations):Tom Hennen ‘When Night Nears’ from his collection Darkness Sticks to Everything: Collected and new poems(2013) published by Copper Canyon Press.Wendell Berry ‘To Know the Dark’ from his volume The Peace of Wild Things and Other Poems (2018), published by Penguin Books.I also read an extract from his book The World-Ending Fire: The essential Wendell Berry (2018) also published by Penguin books. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttiSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Snuggle up comfortably as you join us on the NB Erica for a wild night and day as we ride the storms Dudley and Eunice. The poems of Ted Hughes, Louis MacNeice, A.A. Milne, William Blake, and John Betjeman keep us company as they take us through a day of roaring wind and rattling rain-squalls.   Please note, the audio for this episode has been intentionally kept ‘dirty’ to capture the ambient sounds of a storm as experienced on a narrowboat and so any bangs, clicks, clunks, and other background noises are entirely deliberate!Journal entry:“16th February, Wednesday.21:15Storm Dudley batters the boat,  The world roars and shakes with a crashing frenzy of noise Like bed linen whipping and cracking on a gale-harried washing line. Curtains of rain laced with twigs sluice against the windows.It is a night for wild souls who can match this night, storm for storm, And who run as free as starlight and hawthorn blossom.”Episode Information:In this episode I read the following poems (see episode chapters for time locations):Ted Hughes: ‘Wind’ from his first collection Hawk in the Rain (1957) published by Faber and Faber.Louis MacNeice: ‘House on a cliff’ from his collection Blind Fireworks (1929) subsequently published in collections by Faber and Faber.A.A. Milne: ‘The wind on the hill’ from his Now We are Six (1927) now published by Egmont (2009). William Blake: ‘Mock on. mock on, Voltaire and Rousseau’ (1796)John Betjeman: ‘Harrow on the Hill’ (1949) published first in A Few Late Chrysanthemums (1953) by in various later collections and anthologies like The Best of Betjeman (1978) published by Penguin Books.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

You join us tonight at the end of a rather windy day. There seems to be a fairly common feeling that we have been encountering a lot of blustery winds recently, both meteorologically and metaphorically. Tonight, we stoke the fire and reflect on the place of the wind in our lives, history and culture.    Journal entry:“11th February, Friday. There’s a wrapping chill to the air And the scent of wet earth. Penny unsuccessfully tries to jump a large puddle.One some late winter days The way the sun slants through the trees And glances of my face and shouldersMake the grey world fold open into a summer’s evening Of long shadows stretching across pub garden lawns And the air is filled with the sigh of collared doves And time not yet spent.”Episode Information:In this episode I read short extracts from;John Marzluff and Tony Angell’s (2005) In the Company of Crows published by Yale University Press.  Anonymous (c.1365) The Chronicle of Anonymous of Canterbury 1346-1365. A recent scholarly edition has been published by Oxford University Press (2008/2019).I also refer to:Storm Dunlop’s (2021) Weather Almanac 2022 published by Harper Collins.For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week we have been joined by a solitary stranger from the north. Probably blown south-west on last week’s northerly storm winds a wigeon has arrived. The appearance of this diminutive figure prompts us to find out a little more about this little duck and we discover his place in the legend of the Seven Whistlers and its association with the end of the world (but, perhaps, not as we know it).   Journal entry:“4h February, Friday. The thermometer falls with the waking sun          and the spirit seems to shrivel with the cold.  Then the Bearley rooks take flight from their inky roost;             assured blue-black wings beat the blood-red raging dawn.  The body feels smaller;            the spirit larger.”Episode Information:In this episode I refer to the following books:Edward A Armstrong's (1958) The Folklore of Birds (Collins New Naturalist Library 39) published by Collins. BB (2008) The Naturalist’s Bedside Book published by Merlin Unwin Books.Stefan Buczacki’s (2002) Fauna Britannica published by Hamlyn Walter Černy’s (2000) Field Guide in Colour to British Birds published by Silverdale Books.Rob Hume (2007) RSPB Complete Birds of Britain and Europe (revised edn.) published by Dorling Kindersley.Recording of Wigeon calls by Stanislas Wroza on 01.01.2022 at Radonvilliers, Aube, Grand Est, France and downloaded from the xeno-canto site. Full recording details and credits: Stanislas Wroza, XC695711. Accessible at www.xeno-canto.org/695711.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Living on a boat has meant that we have had to make some difficult decisions about which books come with us onboard. Tonight, I introduce to you one of my most favourite friends on our bookshelf – the collected poems of Dylan Thomas – and explore why he holds such an important place in my life.  Journal entry:“26h January, Wednesday.A magpie on the top most branch rattles its greetings to the blurred dawn.  A blackbird calls.  The day begins with a bruised sky and bird song.”Episode InformationIf you are on Twitter, you can follow and watch ‘A Minutes Peace’ by clicking on https://twitter.com/minutes_peace. You can also watch them on Colin’s YouTube channel: https://www.youtube.com/user/colsey2003ify/videos  In this episode I read extracts from:Matt Gaw’s informative and touchingly evocative exploration of darkness and the night in his (2020) Under the Stars: A journey into light published by Elliott and Thompson.  The following poems by Dylan Thomas:‘The force that through green fuse drives the flower’ ‘Lament’ ‘Fern Hill’ ‘Poem in October’The episode concludes with a complete reading of his ‘In my craft or sullen art’.More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

As we begin to enter the depths of winter, this episode celebrates with a soundscape of winter at the moorings that tries to capture the life and energy of this season.  Journal entry:“18h January, Tuesday.A rich winter moon hangs between the branches of the ash.  Beneath a sky veiled in ice, sheep  The colour of worn lead face the first glow of dawn.Penny picks up the scent of rabbits We walk together on crystals and silence." Episode InformationAll audio used for this soundscape was recorded on site.  More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The remnants of two days of murk still cling to the hedgerows and trees as you join us tonight on the narrowboat Erica. A very slow thaw is polishing the dulled surface of the water making reflected lights once again dance with life. Curl up and let’s enjoy those little shards of distant memories that still colour out present and fill us with such powerful emotions.  Journal entry:“12th January, Wednesday.This morning the canal looks sluggish and dark. Two rooks throw calls against the marble sky. Beyond the horizon a pheasant startles a distant wood. Penny stands and waits for her friends. My fingers and toes burn." Episode InformationIn this episode I refer to Dru Marland’s ‘Canal Ice Scale’ chart. You can buy it as a postcard at her etsy ‘shop’ here: Canal Ice Scale Chart. More of her terrific work (including her wonderful 2022 calendar – which is selling very fast!) can be seen here: Dru Marland. More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join us on NB Erica on a blustery January night. The cold Wolf Moon is nearing its first quarter and the stars glitter like ice. After an unexpected delayed start to the New Year, we are back on air and with some exciting(-ish) news to tell you. Journal entry:“2nd January, Sunday.Hello New Year - this is me. You seem so big and dark and unknown, but I have known your brothers and sisters and I have learnt to revel in the days of their sunshine and find their special beauties under skies of steel and water. I have some very special friends - so please treat them gently. As for me, I stand here, as I always do, with my pockets full of fear, but also that flutter of hope and excitement which must be your special gift to me. It is raining now, but your sun will soon come, and larks will sweep the skies. Welcome." Episode InformationYou can go to the brand new Nighttime on Still Waters website by going to: noswpod.com. Here you will find photographs and information relating to the podcast and individual episodes. Among other things, you can read and see photographs of our early life on the canal as well as see behind the scenes of the podcasts and an explanation of the terms used in the Weather Log. I finish with the poem ‘Invitation’ by Mary Oliver (2013) from her book A Thousand Mornings published by Penguin.  More information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Curl up with us for this very special Christmas Eve edition of the podcast. Whether you are feeling on your own or just in need of a bit of a breathing space, why not join me tonight for this special Jólabókaflóð inspired edition of Nighttime on Still Water’s? Although the weather may be closer to Greg Lake’s “veil of tears for the virgin birth”, there will always the possibility for “eyes filled with tinsel and fire.”Journal entry:“24th December, Friday. Christmas EveYesterday Four cormorants swung low out of the mist. Unlike ducks, geese and swans Or the parrying cries of the corvids They were silent.  Dark shapes swimming through the dripping air. All the haws were encased in perfect globes of water. Days wrapped in mist hold their own special beauty.”Episode InformationIn this episode I read excerpts from:Dylan Thomas (1954) ‘Memories of Christmas’ from Quite Early One Morning published by J.M. Dent. Everyman’s Library.Laurie Lee (2015) ‘Village Christmas’ from his Village Christmas and Other Notes on the English Year, published by Penguin. Modern Classics. Lucy M. Boston (2000) The Children of Green Knowe published by Faber.Susan Cooper (2019) The Dark is Rising published by Penguin. Puffin BooksFor the episode featuring Lucy M. Boston’s River at Green Knowe where you can find more information about her books and the actual house of Green Knowe (well worth a visit) – Episode 39: Summer Readings 3. For more information about the Icelandic tradition of Jólabókaflóð – Jolabokaflod: Founding Story General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

As tonight’s full moon is shrouded by the fog that rolls down the hill and curls and drifts upon the water join us aboard the NB Erica as we fall once more in love with the commonplace and overlooked things. The hill may not be named, or even be awarded a contour of its own, but it nevertheless is the place of gentle and unremarkable miracles. Journal entry:“17th December, FridayIt didn’t take long     For those three years of growth          To lie cut upon the ground.Penny sniffs the torn and broken stems.     I step over teasel heads            Trodden into the mud. “ Episode InformationIn this episode I read:Gerard Manley Hopkins’ poem ‘Pied Beauty’ from Poems and Prose published by Penguin Classics (1985).Tim Hennen’s (2013) ‘What the Plants Say’ from his Darkness Sticks to Everything published by Copper Canyon Press. I also read a quotation from Arthur Machen’s (1924) The London Adventure: Or the art of wandering. Republished by Tartrus Press. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Following the epic weather of the past few weeks, we go back in time to a period that best celebrated this type of weather. In this episode we explore why the enigmatic appeal of Anglo-Saxon poetry and its fascination (or even obsession) with winter casts such an enduring influence on our culture. It is the perfect type of literature for cold winter nights, but there are also other deeper traits that remain deeply rooted in our shared cultural memories that inform our attitudes to winter.    Journal entry:“8th December, WednesdayStorm Barra is barrelling around the boat    Harrying and jostling us,     So that the roaring world tips and sways.The darkness is flecked silver with rain      As Penny and I walk into a howling dawn. “ Episode InformationIn this episode I mention the following books:Michael Alexander’s (2006) The Earliest English Poems Penguin Classics series, published by Penguin Books.Alexandra Harris’ (2015) Weatherland: Writers and artists under English skies published by Thames and Hudson. I read excerpts from the following poems (Michael Alexander’s translations):The Ruin (alternative translation)The SeafarerExeter riddle 73 (other texts count it as 74) For those wanting to explore the world of Anglo Saxon and Old English literature, you might find this website, created by Dr Aaron Hostetter from Rutgers University, very helpful: An Old English Poetry Project.A digital version of the Exeter Book produced c.970 (in which the above are featured) can be viewed here: Exeter BookI also mentioned Andy Grifee’s narrowboat-based crime series featuring Johnson and Wilde which are published by Orphans Publishing. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

You join us on (another)stormy night, but this one is moonless and black as tar. It is the night of the new moon – the Cold Moon or the Long Night Moon. The phases of the moon give us an opportunity to contemplate the intricate play of cycles all around us and how the mirror, challenge and provide direction for our lives.   Journal entry:“3rd December, FridayThe tops of the trees is Shakespeare’s wood have disappeared in cloud. A defrosted world, smothered in mist and pearled with beads of water.The canal looks opaque. A soup of leaf and silt.      Unfathomable and still.A jackdaw hides in plain sight amongst the wind-left leaves of an oak      As a rabbit sits up and watches us pass.“ Episode InformationFor more information about the phases of the moon and the names given to the moon each month, the Royal Museums Greenwich, have an excellent website: Why do we have special names for full moons?In this episode I read the following poems:RS Thomas ‘The Moon in Lleyn’ from his (1984) RS Thomas Later Poems: 1972-1982 published by Papermac. David Whyte ‘Faith’ from his (1990) Where Many Rivers Meet published by Many Rivers Press. Walter de la Mare (1922) ‘Silver’ multiple publishing. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear fSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The after-effects of the booster jab are just beginning to slam into me and so tonight’s episode is going to be fairly short. However, you join us on a very cold and stormy night as Storm Arwen with its ‘screaming northerlies’ batters the boat and brings with it our first snows of the winter, but the boat is warm, the hatches are battened and, as always, there is a very warm welcome awaiting you.  Journal entry:“27th November, SaturdayMum, you would have loved days like this. And to sit beside the glowing stove and feel the wind hug the boat.But the leaf is now fallen from the tree of my life  leaving silence where there was once an anchor of love       and a stack of dog-eared books.Somewhere on this howling wind rides your love         and it makes it feel a little less cold.Happy birthday.” Episode InformationIn this episode I read Mum’s favourite poem ‘Nicholas Nye’ by Walter de la Mare. You can read the poem here: Nicholas Nye.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The pace of autumn is gathering and a chill is creeping into the air tonight, but the stove is warm. In tonight’s episode we go off to encounter Traveller’s Joy, and explore the potency and importance of names.  Journal entry:“19th November, FridayThe ash tree held its breath as the moon grazed the darkness, Between cirrus sandbanks, in a halo of light.A handful of stars, misplaced and constellation-less, Breadcrumbs, no longer able to lead me home.And now the dawn rises ochre and mauve. The larches stand tall on the horizon. Thank God for sunrise And November buds. “ Episode InformationIn this episode I refer to the following authors:W. Keble Martin (1965) The Concise British Flora in Colour published by Ebury Press.  Roy Vickery (2019) Vickery’s Folk-Flora: An A-Z of the folklore and uses of British and Irish plants published by Weidenfeld and Nicolson.  Niall Mac Coitir (2015) Ireland's Wild Plants: Myths, legends and folklore published by Collins Press. Richard Folkard (1884) Plant Lore, Legends, and Lyric: Embracing the myths, traditions, superstitions and folk-lore of the plant kingdom published by Sampson Low (multiple re-publishers). For more general information and photographs of Traveller’s Joy/Old Man’s Beard, some good sites are:Woodlands.co.uk: Traveller’s Joy Wildflower Finder: Traveller’s JoyGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded toSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Against all odds, this episode comes a little out of time! Events have conspired resulting in a slightly truncated episode recorded in the afternoon!! Nevertheless, duck chatter and babies (with a little help from John Moriarty) help us to find a path through the tangled thickets that many of us are possibly facing. Journal entry:“10th November, WednesdayA light mist, like smoke, has begun to sweep down the hill turning fields and woods to smudgy greys. Scattered across the gentle curve of the hills blurred sheep graze, like clumsily erased pencilled mistakes.Dry leaves rattle.  This morning, Penny and I walked beneath a cave of stars  and now I see the sun.”                Episode InformationIn this episode I refer to the Jo and Vic’s vlog Holly – The Café Boat. The episode featuring the arrival of baby William is ‘The Next Episode.’I also read several passages from John Moriarty’s (2007) What the Curlew Said: Nostos continued published by Lilliput Press. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What is it about fire that holds our fascination? Last weekend the clocks went back and in the span of one night darkness began to lap at the edges of our late afternoons. The encroachment of night leading the tide of winter into our daytimes can no longer be ignored and it is understandable that at this time of year we are so drawn to the image of an open fire. In this episode, with the help of the poet Robert Service, we explore the ways that fire can touch us so deeply emotionally, reawakening old memories and feelings.Journal entry:“5th November, FridayA chill greyness has seeped into the landscape That silvered dawns And sunsets of fiery bronze  Cannot shift. COP26 started this week.  Twitter and newsfeeds are not good places to be. So I stand by the big oak Listening for the raven’s call And the windsong of geese.Above me contrails flower the cobalt sky And, at my feet,  A clover leaf Laced with ice.                  Episode InformationIn this episode I read extracts from a number of poems by Robert W Service (1874-1958). These are:‘The Ballad of One-Eyed Mike’ ‘The Lure of Little Voices’ ‘The Logger’ ‘The Song of the Campfire’There are a number of collections of his works. The one I have been using is Dan McGrew, Sam McGee and Other Great Service Poems published by Taylor (1987).  For more information about Service’s life and work, see: Robert W. Service.For more information on research relating to the psychological and physiological effects of sitting by an open fire:C.D. Lynn. (2014) ‘Hearth and Campfire Influences on Arterial Blood Pressure: Defraying theCosts of the Social Brain through Fireside Relaxation’. Evolutionary Psychology 12(5). 983-1003.   General DetailsSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, you join me on a wild October night with the rain rattling against the cabin roof - so there is a little background noise in some places. But it’s warm and dry inside. Penny is snoring in front of the stove. Settle back as we look at life and Halloweens through the flickering light of a swede-head lantern of my childhood. Journal entry:“26th October, TuesdayGloaming. Civil Twilight. The ash in the south field is losing its denseness;     Filigree silhouette, like a Victorian cut paper artwork.Westerly wind. Buoyant and roguish. All at once, hundreds of leaves lift and rise up Caught on the bandit wind. Slowly transforming into rooks and jackdaws    They take wing and beat strong across          A crowing sky.”       Episode InformationThere is a lovely article about swede and turnip head lanterns on the BBC News website: Do turnip lanterns still haunt Halloween?For those interested in the history behind them, this is an interesting blog post: Jack o’ lantern and Will o’ the wisp. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week Vanessa from ‘The Mindful Narrowboat’ vlog got me thinking and so this week we begin to explore how our knowledge and (perhaps) attitudes to fungi are changing and leading us back to older ways of thinking about the environment and our place within it.Journal entry:“21st October, ThursdayA Hunter’s Moon swinging high Across a highwayman’s sky Of racing clouds.The streets of Birmingham run wet With the glittering jewels of Brake lights and shop front signs. Later,  A gull soars through the  Thermal canyons and valleys Under a sky of cut sapphire. Later still, The Plough silently revolves over the boat Needle sharp shards of light At the moment, tilting north. ”   Episode InformationIn this episode I read the following poems: Emily Dickinson’s ‘The Mushroom is the elf of plants’ Sylvia Plath’s ‘Mushrooms’ ,You can hear Sylvia Plath’s own reading of her poem here: Sylvia Plath reads ‘Mushrooms.’                    I also read excerpts from:John Clare’s (1827) from ‘October’ in The Shepherd’s CalendarWendell Berry’s (2017) The World-Ending Fire: Essential Wendell Berry published by Catapult. Robin Wall Kimmerer (2020) Braiding Sweetgrass: Indigenous wisdom, scientific knowledge and the teachings of plants published by Penguin.  It is also published in the shorter volume:  The Democracy of Species also published by Penguin as part of their ‘Green Ideas’ series.  I also refer to the works of:Suzanne Simard (2021) Finding the Mother Tree: Uncovering the wisdom and intelligence of the forest. published by Penguin. Vanessa’s ‘Mindful Narrowboat’ vlog can be viewed here: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Although the trees and hedgerows here are still holding on to their greens, further afield their transformation into golds and yellows and reds is unmistakable. This time of year never fails to trigger a memory of a young couple I once saw in a park in the middle of England who were entering a world that was turning to gold.     Journal entry:“16th October, Saturday7 degrees and the dawn is still an hour away. Flecks of dew on Penny’s nose. Not a breath of wind. The still air carries distant sounds closer: The jagged gash of the A46; airliners chasing each other to shiny, antiseptic, unwelcoming terminals and grim-eyed immigration clerks. Closer by, nothing stirs. Silence.7 degrees and the sky is washed with 50 shades of mauve. Clouds, like bruises, swim across an alien sky.The hedges chink with blackbirds’ alarms. A solitary raven cronks on big, ragged wings. Crows call back. The pillowy boulders of sheep lying in the tall grass do not move as we pass.Our shadows grow black as the sun climbs. and it is still 7 degrees.”                Episode InformationIn this episode I mention the work of the artist Pete Tuffrey. You can see his work, and his painting ‘Gales in Viking’ (and his newer painting ‘Lessening’ which came out after this recording) by going to his Facebook page or Twitter account. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comUexY8PFQp98iaZsl4tfOSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

When I meet people who listen to this podcast, one of the most frequently mentioned features is the inclusion of the weather log with which I end each episode. This week I talk about what inspired it, one of which is my childhood love of the BBC’s Shipping Forecast. What makes these stark lists of climatic data ring so powerfully in our minds?    Journal entry:“8th October, FridayLaundry-water coloured skies Heavy dews Clumps of willow-herb hang like desolate sodden paper tissues.The sock on my right foot keeps balling Under the arch of my instep. I lean against the brickwork of bridge 65 to readjust it.Penny contentedly sniffs out the worlds  Hidden from me.But my mind is filled with childhood snow scenes And socks that never stayed up in gum boots.”   Episode InformationFor lovers of the Shipping Forecast and, particularly for those outside the UK who might now have heard it, the 99% Visible Blog and podcast has a wonderfully informative online article by Roman Mars, ‘The Shipping Forecast’, that sketches out its history and characteristics, as well as featuring links to recordings of it. You can listen and watch Laurie Macmillan read the Shipping Forecast accompanied with ‘Sailing By’ on: Radio 4 Shipping Forecast (Youtube). Vangelis’ track ‘Albedo 0.39’ can be found on his album Albedo 0.39 (1976) released by RCA. To listen to it: Albedo 0.39 (Youtube).  In this episode I quote excerpts from:Charlie Connelly (2019) Last Train to Hilversum published by Bloomsbury Peter Jefferson (2011) And Now the Shipping Forecast: A tide of history around our shores. published by UIT Cambridge.Nic Compton (2016) The Shipping Forecast: A miscellany. Published by EburySeán Street’s poem ‘The Shipping Forecast: Donegal’ is from his Time Between Tides (2007) published by Rockingham. There is a beautifullySupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This has been a week of blustery winds and storms. Perfect weather for the wild choreographies of the rooks jousting on the wind. The devil has spat upon the blackberries and we (rather hurriedly) mark our first birthday – this podcast is one year old!Journal entry:“2nd October, SaturdayBelow a thrown scatter of rooks South-westerly gusts kick up leaves not yet ready to drop.Rains seeps into the cuffs of my coatAutumn glory.” Episode InformationIn this episode I refer to:John Mazluff and Tony Angell’s (2005) In the Company of Crows and Ravens published by Yale University Press.  Jennifer Ackerman’s (2020) The Bird Way: A new look at how birds talk, work, play, parent and eat. Penguin Press. To hear Amada and Wayne (NB Aecern aka NB Wanabees) interview on  great ‘The Silver Fox Sessions’ podcast: 5. You Know What? Anything Can Happen! Newbie Narrowboaters Wayne and AmandaGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

These are the mornings of mist that ring with the call of geese. What is it about catching sight of the flight of geese and hearing their wind-borne calls that evokes such  feelings restless longing and yearning within us? And yearning for what? We listen to the words of Wendell Berry, BB, David Whyte and Mary Oliver to find ways to capture those powerful emotions. Journal entry:“24th September, FridayA tangle of Victorian girders Russet brown; a lacy filigree  of metal, rivets, and musty glass. Anti-pigeon spikes Repel the reality in which we live. Willowherb smoke, rusty sidings, Bramble fountains – barbed and irrepressible. The sharp-edged wings of a gull, Outstretched, cruciform, alive. And my spirit rises with it,  Soaring into the sunlight above the grime-streaked glass.”              Episode InformationIn this episode I discuss some of the ‘Little Grey Men’ books of the author BB (Denys Watkins-Pitchford). They are:BB (1942) Little Grey Men reissued (2012) by Oxford University Press. BB (1948) Down the Bright Stream (later published as The Little Grey Men go Down the Bright Stream) also reissued (2001) by Oxford University Press. Wendell Berry’s poem ‘Listen!’ can be found in his (2018) volume, The Peace of Wild Things published by Penguin Books. David Whyte’s poem ‘The Journey’ has a number of publications but can be read in his (2018) David Whyte: Essentials published by Many Rivers Press. You can watch him talk about it and recite it here: The Journey. The two poems by Mary Oliver ‘Snow Geese’ and ‘Wild Geese’ are collected in her (2004) Wild Geese: Selected poems. Published by Blood Axe. General Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week we catch up with news of our little swan family and explore the strange word ‘gongoozler’. What does it mean? Where does it come from? In some ways it functions as a shibboleth. Its use identifying the ‘true’ canal people from those outside the community. However, it also shines a light on tensions of modern day living. Journal entry:“15th September, WednesdayDawn filled with the scent of autumn notes. Rooks stream like smoke or falling leaves     Across the ragged sky            Haunted by geese calls                     Flying east into the rising sun.”            Episode InformationThe website to which I refer in this episode is ‘Word Histories’ and the entry for ‘gongoozler’ is here: ‘Meaning and origin of ‘Gongoozler’’.I also refer to the following:HR De Salis (1904/2012)  Bradshaw's Canals and Navigable Rivers of England and Wales republished by Old House Books (among others)L.T.C. Rolt (1944) Narrow Boat first published by Eire and SpottiswoodeGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join me tonight on a journey on the dark waters of Shrewley Tunnel. In this episode we travel not just through the tunnel but also through history and try to capture the life of those who worked the canals by physically 'legging' boats through.   Journal entry:“12th September, FridayHaving Brunch at the Gongoozler’s Rest Café. The smell of wet earth and fallen apples A frisson of rain among rowan leaves Scarlet berries decorating the ground.A sleepy wasp crawls over my hand. I can feel its tiny life vibrating within it.Later we watch a duck asleep in the rain. Days together like this – make the difference.”   Episode InformationAudio recorded at Shrewley Tunnel on 27th August 2021.  Photographs taken during this trip can be viewed on the Nighttime on Still Waters’ Facebook page, Instagram and Twitter accounts. In this episode I read extracts from the following books:J.M. Pearson (2017) Pearson’s Canal Companions: South Midlands. 10th edn. Published by Wayzgoose. L.T.C. Rolt (1944) Narrow Boat first published by Eire and SpottiswoodeSue Wilkes (2011) Tracing Your Canal Ancestors: A Guide for Family Historians. Published by Casemate.John Hollingshead (1860) Odd Journeys In and out of London. Published by Goombridge and Sons.I also refer to Allan Scott-Davies (2010) Shadows on the Water: The haunted canals and waterways of Britain. Published by The History Press.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

How did the willow threaten a powerful king? What has bloody fingers to do with St Withburga? How much does our knowledge of the world dictate the way you see it? The names we give things are useful (vital even), but they are not passive. Names frame the way we view the world. In this week’s episode (with apologies to Henry Reed) we ‘unname the parts’ to find how rediscovering local names and stories can connect us in new (or older) ways with our environment. Journal entry:“3rd September, FridayThe night’s tide is flowing back into the mornings Darkness drifts on the down of thistle and ragwort.Penny and I will soon be needing bat’s eyes. And each morning     We walk out of the friendly darkness Into the cold light      And the one tree that has become my pole star.”         Episode InformationIn this episode I read a short extract from E Temple Thurston’s (1911) The Flower of Gloster. For more details see Episode 38: Temple Thurston’s ‘Flower of Gloster’ (Summer readings 2).The lock keeper’s cottage at Lowsonford, mentioned in the extract, is now owned by the Landmark Trust and can be hired out for holidays. Details and booking can be found here: ‘Lengthman’s Cottage’ at Lowsonford. You can read the story of King Labhraidh Loingseach and his horses ears in (among many other places) Niall Mac Coitir’s (2016) Ireland’s Trees: Myths, legends and folklore published by The Collins Press. I also refer to Roy Vickery’s (2019) magnificent Vickery’s Folk Flora: An A-Z of the folklore and uses of British and Irish plants published by Weidenfeld and Nicolson.You can find more information on the plant cuckoo-pint or lords and ladies at: wildfooduk:lordsandladiesI conclude this episode by reading RS Thomas’ poem ‘The Bright Field’ from his () Later Poems 1972-1982 published by Papermac. You can read it here: The Bright Field. You can also hear RS Thomas reading it here: RS Thomas reads ‘The Bright Field’. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and availablSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week we explore and listen to extracts of Kenneth Grahame's (1908) children's classic The Wind in the Willows.  The story follows of the lives of various (anthropomorphised) animals that live by a river, principally, through Mole (Moley) and the Water Rat (Ratty). Their friend, the wilful, spontaneous, and exuberant Toad (of Toad Hall), acts as (almost literally) the driver of the plot. Toad's escapades and recklessness result in the need for Moley and Ratty and their friend, the wise but curmudgeonly Badger, to come to his rescue. Grahame's writing is lyrical and evocative and in this episode we enjoy his descriptions of the river. However, his work also has great depth to it. This story can read as an exploration of how we should live within our natural environment, challenging the growing disconnection between people and nature felt within the Victorian age. Grahame, like many other writers of his time, was also fascinated with spirituality and religious experiences outside mainstream (Christian) religion. The Wind in the Willows contains a fascinating and powerful chapter ('The Piper at the Gates of Dawn') in which Ratty and Moley have a mystical experience with a transcendent figure. Grahame's description, pre-dates, but beautifully expresses, the ideas of theologian Rudolf Otto and encountering the numinous, which Otto describes as a a non-sensory experience of a mystery that is at once terrifying whilst also being fascinating.      Bibliographic information Kenneth Grahame (2005) The Wind in the Willows. London: Penguin Classics (although multiple publishers.The chapter 'The Piper at the Gates of Dawn' can be read here: 'The Piper at the Gates of Dawn'Rudolf Otto (1924) The Idea of the Holy: An inquiry into the non-rational factor in the area of the divine and its relation to the rational. Eng. Trans. London: Humphrey Milfold. (free open-access)General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to FreesSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Is August high summer, late summer, or early autumn? Does the Queen own our little cygnet that went missing? Who looks after the canal banks? This week’s episode addresses all these pressing questions, as well as dealing with my existential angst at the threat of being robbed of ‘summer’. Journal entry:“19th August, ThursdayThis week, each day fills and swells with the stresses and anxieties of work. Familiar pulses of panic surge up as the seconds tick by.  They overwhelm my skies. It feels as it’s all my world can contain, and even then, it’s not enough.But then, I have also seen damson fruit ripen, and turn all the colours of a tropical sunset, and hang midnight blue and misty on the tree. And, for that, I am glad.”        Episode Information In this episode I read ‘Night Crawls On’ by Tom Hennen which can be found in his (2013) Darkness Sticks to Everything. Washington: Copper Canyon Press. I also read an extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.This episode concludes with an extract from Wendell Berries’ ‘Sabbath Poems’ part XII, ‘I walk in openings’, from his (2018) The Peace of Wild Things and Other Poems published by Penguin.   General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Under the poplars beside milepost 16 is a place of enchantment and quiet sanctuary, particularly in times of broiling heat.  Join me in tonight’s episode as revel in its soundscape and its dappled beauty as we explore its very particular genius loci.  You can also hear about the saga concerning our little swan family and what happened this week to their young cygnet (happy ending). Journal entry:“11th August, WednesdayGeese calls across the dawn skies Haunting echelons        Black against grey. Rooks rise and fall Sharp and jagged silhouettes        Riding a wilder wind than the one that           brushes my skin. Wilder souls in a world that will not be tamed.” Episode InformationFor photographs of this location (and reunited swans), please go to the NoSW facebook page, Instagram or Twitter accounts (links below).In this episode I mention to new YouTube channels that will be of interest to NoSW listeners. Steve May’s (from NB Blue Pheonix) new channel is called “Ramblings of a Mad Man!” Mark Dexter’s videos on life as a captain of a cruise ship is “Excuse Me Captain Mark” and is also on YouTube.All audio soundscapes for this episode were recorded on location at ‘Milepost 16’ on 19 July 2021.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

After a 3 week break, Nighttime on Still Waters is back with episode 40! In this episode we catch up with what has been happening on the moorings and reflect on the place of night walking in history and culture.  Journal entry:“5th August, ThursdayHigh in a tree a blackbird   Sings into the night.A river of notes    Pours into the cabin. There are no stars    Just music.”     Episode InformationIn this episode I refer to:Miles Hadfield’s (1950) An English Almanac published by JM Dent and Sons. Matthew Beaumont’s (2015) Night Walking published by Verso.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

For our final summer readings session we are looking at a very different piece of writing. It is Lucy M. Boston’s The River at Green Knowe. Lucy M. Boston is probably better known for her earlier book The Children of Green Knowe for which she was runner up for the 1954 Carnegie Medal for best children’s literature. She would later win it with her fourth book in the series, Stranger at Green Knowe (1961). The River at Green Knowe is the third of her six books set in the ancient house of Green Knowe, which also served as Boston’s home.               Although published in 1958, the book has a distinctively Edwardian feel about it despite it dealing with contemporary issues of alienation and homelessness experienced by refugees. The book is a series of stories about three children who are staying at Green Knowe for the summer and their adventures in a canoe on the river and canals around the house. Like all her books, The River at Green Knowe is a story filled with light and shadow, enchanting magic, and the threat of danger. More information and bibliographic detailsBoston, Lucy M. (1958) The River at Green Knowe. London: Faber and Faber.Green Knowe is located at Hemingford Grey, near Huntingdon in Cambridgeshire, UK. The house and its enchanting garden are open to the public – although check first before you travel. There is a delightful website where you can find lots of photographs of the house and grounds, as well as information about Lucy M. Boston and her books. The website is here: Green Knowe. For a real treat, Brian Sibley's remarkable and haunting BBC Radio 4 dramatisation of Lucy M Boston's first book, The Children of Green Knowe, is available, free to stream, on SoundCloud. It is spellbinding: SoundCloud - The Children of Green Knowe. Green Knowe also have social media pages which regularly posts updates, information and images relating to the house and books. Facebook: https://www.facebook.com/Green-Knowe-At-The-Manor-157877494323565/ Twitter: https://twitter.com/GreenKnoweManorGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

In this second Summer Reading Special we discover the delights of Ernest Temple Thurston’s The Flower of Gloster. Published in 1911, Temple Thurston is writing about a very different world to the one in which last week’s authors (Hassell and Hollingshead) were writing. It is a nostalgic nod to a world that Temple Thurston recognises is dying. Described by LTC Rolt as unashamedly romantic, it is a lyrical description of his journey aboard the horse boat (pulled by a horse) ‘Flower of Gloster’ from Oxford to Inglesham in the west country. Temple Thurston paints an often idyllic picture of lifeaboard. He is accompanied by the working boatman Eynsham Harry, a quiet contemplative man whose rustic wisdom and ‘hedgerow philosophy’ is the perfect antidote to Temple Thurston’s world weary encounters with academics and business barons of the brave new world of the early 20th century.    The book is also notable for inspiring LTC (Tom) Rolt to renovate an old working boat (‘Chressie’) and live for many months aboard with his newly wed wife cruising up and down the canals of pre-war England. His record of this time in the book Narrow Boat has since become a classic in waterways literature and has often been cited as instrumental in saving the canals and waterways of Britain. Rolt went on to become one of the founders of the Inland Waterways Association and a key player in canal conservation and restoration.           More information and bibliographic detailsTemple Thurston, Ernest. (1911) The Flower of Gloster. London: William Norgate.The book has subsequently been republished a number of times and more recently in the form:Temple Thurston, Ernest (1968) The Flower of Gloster: with introduction by LTC Rolt. London: David and Charles. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This is the first of our Summer Reading Specials devoted to one or two books that are in some way related to waterways or life on them. They replace the normal format while Penny, Donna and I are away, off-line, and having adventures of our own. The first episode explores two very different authors who are writing when the canals were in their heyday. The first is John Hassell’s account of the Tour of the Grand Junction, published in 1819. We then embark on the almost exact journey some 40 years later in the company of John Hollingshead (and his companion Cuddy) under the skilful watch of ‘Captain’ Randle, the master of a flyboat called the Stourport. Hollingshead’s account is much more personable and is interested not just in the sights and sounds he encounters but also the people he meets.  More information and bibliographic detailsCopies of both Hassell and Hollingshead’s accounts can be found in reprinted forms (of varying quality) on book selling sites like Amazon. Hassel, John. (1819) Tour of the Grand Junction, Illustrated in a Series of Engravings; With an Historical and Topographical Description of those Parts of the Counties of Middlesex, Hertfordshire, Buckinghamshire, Bedfordshire, and Northamptonshire, through which the Canal passes. London: Printed for J. Hassell.A free, open-access, scanned and digitized copy of this book can be found on the archive.org site and is downloadable in multiple formats: Tour of the Grand Junction.Hollingshead, John. (1860) Odd Journeys In and out of London. London: Goombridge and Sons. A free, open-access, scanned and digitised copy of this book is available to download in multiple formats on the archive.org website: Odd Journeys in and out of London.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week we explore and reflect upon a wonderful poem by narrowboater Steve May (NB Blue Phoenix), ‘The Magnificent Heron’. There is a growing appreciation of genuine encounters with animals and birds and, with the help of Martin Buber and Jacques Derrida, we reflect upon changing attitudes and understanding about how we relate to the non-human world.  Journal entry:“9th July, FridayThe air is oppressive and sticky. At this hour only jackdaws have the energy to yap.Chance meeting with a stranger. The water is cool while we talk. He speaks with not just his voice but his face and body. I try to follow the coiled labyrinth of his thoughts. What strange creatures we are. We people our cosmos with such gods and monsters that we can scarce tell them apart.” Episode InformationThis episode features the poem, ‘The Magnificent Heron’, by Steve May (from the NB Blue Phoenix). You can follow Steve and read his poem and see the accompanying video on Twitter: @bwannabes.For those interested in reading more about Martin Buber’s writing on ‘I-It and I-Thou’ you might like to read his book I and Thou (1923/1937). There is a free open-access English translation (by Walter Kaufmann) of it on archive.org: I and Thou.Jacques Derrida’s essays featuring his cat can be found in his The Animal That Therefore I Am (2008) published by Fordham University Press. All the soundscapes featured in this episode are all recorded on site apart from the sample of the grey heron (Ardea cinerea) night call. This was recorded at Berkel en Rodenrijs, Lansingerland, Zuid-Holland, Netherlands by Susanne Kuijpers on the night of 10th May 2021. It is available under Creative Copyright licence at Xeno-Canto: Sharing bird sounds from around the world.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of EriSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Did you know that each evening we experience THREE twilights? Each one with distinctive features and that during this period we respond in physiological ways. Similarly, our ancestors appeared to have taken advantage of these liminal periods of transition in ways that we might do well to remember. We finish the episode with a lovely passage from Tom Rolt’s Narrow Boat and there is also some sad news from the moorings.   Journal entry:“1st July, Thursday The day dawns with a silver light that presages a beautiful July day. The hay in the meadow above us has been cut and baled.A heron breaks cover from the little cove umbrellaed with bushes. Around the corner glide the swans. The cob effortlessly swims, one cygnet tucked close to his side. There is a gentle dignity about him. His reflection casts a ghostly figure ‘5’ in the barely stirred water.It is a message I had no heart to read." Episode InformationIn this episode I finish with a reading from LTC (Tom) Rolt’s (1944) Narrow Boat first published by Eire and Spottiswoode. It is a book that has been viewed by many as saving the British waterways.I also read RL Stevenson’s poem ‘Bed in Summer’ published in his volume of children’s verse, Child’s Garden of Verse (1885). You can read the poem here: ‘Bed in Summer’.Extracts are also read from:A Roger Ekirch (2005) At Day’s Close: A history of night time. Norton. Paul Bogard (ed.) (2008) Let There be Night: Testimony on behalf of the dark. Reno, Las Vegas: University of Nevada Press. Jack Byer’s (or perhaps Bayer) informative and beautifully researched vlog series on canals and narrowboats in the United States, American Narrowboater, can be viewed on his YouTube channel: American Narrowboater. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The hot weather has broken with rain and slab-like grey/white skies. While we wait for the sun’s return, it’s probably a good time to remember those lazy sunny days of long ago (and not so long ago). In this week’s episode we explore the sounds of canals in summer from bees to lock sluices and enjoy the words of John Betjeman and E Temple Thurston. We also discover the meaning of the word 'haysel'.Journal entry:“16th June, WednesdayThe summer heat has come, dustily settling across the fields and with it, the weighty, drowsiness that hums and buzzes in the head. The noontime hedges are as still as the night-time ones and the trees click and stretch beneath the sun. But the lethargy is short lived; the summer is still young, it hasn't yet shaken off the new-yeast of spring. The elder that the park-keeper laboured to cut back last month, explodes with green, lacy life, rearing in delight; defiantly laughing at the clean straight edges loved by sheers and humankind.”      Episode InformationIn this episode I read an extract from Miles Hadfield’s (1950) An English Almanac published by JM Dent and Sons. I also refer to a reference about haysel in Ruth Binney’s (2010) Weather Lore for the Wise Words and Country Ways series published by David and Charles. In this Summer Sounds section I read part of John Betjeman’s (Poet Laureate) ‘Inland Waterways’ which he wrote for the re-opening of Stratford upon Avon canal by the Queen Mother in 1964. It is published in The Best of John Betjeman (1978) published by Penguin. However, you can read the complete poem as well as a write up (with pictures) of the opening celebrations and its background on the Canal and River Trust’s Waterfront website: From the archives: A royal visit. I conclude by reading a short extract from E Temple Thurston’s (1911) evocative The Flower of Gloster published by David and Charles. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The hold of early summer along the canal-side grows firmer each day. However, sometimes the changes and shifts in the season can affect us in surprising and sometimes disconcerting ways. This episode reflects on the birth of the idea that would eventually become the Nighttime on Still Waters podcast, and a reflection on radio and encounters in the night-time.    Please note that this episode discusses mental health. Journal entry:“13th June, SaturdayThe lowering sun is now caught in the feathery tops of the ash trees on the bank.  Lone islands of cloud cast adrift on a sea of blue.The light catches the deep drifts of ox eye daisies making their white petals shine.I sit in the dappled sunlight drinking in the cooling breeze and watch the gnats dance on wings made of silver fire.”                 Episode InformationDuring the podcast a read a passage from Charlie Connelly's (2019) The Last Train to Hilversum: A journey in the search of the magic of radio.  Bloomsbury Publishing.I also read extracts from  Seán Street’s (2013) The Poetry of Radio: The colour of sound published by Routledge    General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The world is filled with new life, fledglings of all kinds. It is noisy, messing, sometimes cruel, and so full of vitality and life. It’s an boisterous energy that cannot be contained or ignored. From vetch, to rabbits and birds and even humans, fledglings fill this world with a fragile, exuberant colour.  In this episode we also discover some of your ‘first poems.’Journal entry:“2nd June, WednesdayGreat God, I love this weather.  When mounting, rock-grey slabs of clouds climb into the sky  and that playful wind, that precedes rain,  kicks and blusters the flaccid air that is heavy with  sticky heat and insects and pollen dust and the floral, vegetable scent of life.I could stay in a place like this forever,  balanced on the razor-edge of a coming storm.”                 Episode InformationIn this episode I refer to the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.I also refer to W. Keble Martin’s (1965) The Concise British Flora in Colour published by Ebury Press. It was a book that was much loved (and consulted) by my mother. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What was the first poem that you ever learnt? This week marks the fourth anniversary of my mother’s death and, for some reason, it has brought to mind poems that she loved and that I shared with her as a child. There is something strangely powerful, evocative, perhaps even reassuring, about rhythm and rhymes. Sometimes, it might be, that the rhymes become the reason. Journal entry:“28th May, FridayWe’re together again,  Hands deep in soil.  Planting seedlings Nurturing the earth, Coaxing life.A fine rain spangles the air.This feels good. And, when it comes down to it,  This is really all there is -      Tending the grounding         and helping it grow.”      Episode InformationIn this episode I read a number of poems. A.A. Milne:·         ‘Happiness’ (from When We Were Very Young. 1924 )·         ‘Come Out with Me’ (from Now We Are Six, 1927)  Kenneth Graham:·         Duck’s Ditty (from The Wind in the Willows, 1908) Walter de la Mare·         Nod (from The Listeners and other Poems, 1912) For a taste of cruising (at times) a very different type of waterway on East Anglian washes and levels, you might be interested in the recent episodes of Venessa’s vlog: The Mindful Narrowboat General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/TwitteSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What is ‘dead sleep’ and ‘morning sleep’? Why are 'duck hatches' invaluable? What should we do with the feral ducks?In this far ranging episode. we explore the night-time of history and discover that, perhaps, the importance of the night for our well-being might not be purely as a time for sleep. We also talk about what scenarios we employed for choosing the right boat for us, and the problem of the feral ducks,  So far month has been colder and wetter than the average. However, the world around us continues with its seasonal and geological cycles.   Journal entry:“21st May, FridaySomeone tore the clouds today And the sky      Wept water and           Hawthorn blossom Onto the shining street.”        Episode InformationIn this episode I read an extract from Kathleen Dean Moore’s essay ‘The gifts of darkness’ in Paul Bogard (ed) (2008). Let there be Night: Testimony on behalf of darkness. Reno, Las Vegas: University of Nevada Press.I also refer to Matthew Beaumont (2015) Night Walking: A nocturnal history of London from Chaucer to Dickens. London, New York: Verso.Podcasts mentioned:Patricia Carswell – Girl on the River: The diary of a pint-sized rowerFran and Richard’s Floating our Boat podcast General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What is it about the heron that makes it such a frequent subject for social media posts featuring canal and riverside birds? There is something about it that is strange, singular almost. Spotting one is often felt to be a significant event that should be recorded and remembered. This week we look at the heron in the company of Dylan Thomas, John Moriarty, and Wendell Berry, and explore why it has such an impact on us.  Journal entry:“15th May, SaturdayThere are times, sitting here, that stillness seems to fill the boat Like morning light  Pooling and seeping into every corner and crack.  It’s not silence         Nor even a quietness - Though it is both of those.And all I can hear is Penny softly breathing, My pen scratching on paper, A wood pigeon’s lazy call.Even the second-hand on the clock seems to move slower.”         Episode InformationAll the soundscapes featured in this episode are all recorded on site apart from the sample of the grey heron (Ardea cinerea) night call. This was recorded at Berkel en Rodenrijs, Lansingerland, Zuid-Holland, Netherlands by Susanne Kuijpers on the night of 10th May 2021. It is available under Creative Copyright licence at Xeno-Canto: Sharing bird sounds from around the world.  In this episode I read a passage from John Moriarty’s (2007) What the Curlew Said: Nostos continued. University of Michigan: Lilliput Press. I also read ‘The Heron’ by Wendell Berry that can be found in his (2018) anthology The Peace of Wild Things: And other poems. London: Penguin BooksThe book I refer to by Richard Jeffries (1879) is his Wildlife in a Southern County of which many versions exist. It has recently been republished, with an introduction by Richard Mabey by Little Toller – Wildlife in a Southern County. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week the rains swept in pushed by great fronts of ocean air – moisture from places with magical names that I hear on the shipping forecast and can only imagine. Life around progressed without a murmur and the ground drank heavily. In this episode we listen to the rain and to Thomas Merton. We also thinking about casting clouts and what that might mean.  Journal entry:“7th May, FridayIt was -1⁰ when I got up this morning. The sky was lightening in the east and the trees and hedgerows,  beside the night-edged cut, sang. Buttery waves of golden light  wash over the retreating frost. The sky is blue as Penny and I  Walk on starfields of ice. They glitter and sparkle,  But not as brightly as the notes Of the blackbird’s song, that pour  From that tree, over there,  In the corner.”                            Episode InformationThe Mindful Narrowboat vlog You can enjoy Vanessa’s (and Zephyr, her dog) mindful narrowboat adventures cruising on NB Alice Grace by following The Mindful Narrowboat vlog.  ReadingsIn this episode I read a passage from Thomas Merton’s (2003) When the Trees say Nothing. Notre Dame: Sorin Books.I also read ‘Sheep in the Rain’ by Tom Hennen which can be found in his (2013) Darkness Sticks to Everything. Washington: Copper Canyon Press. I also refer to:Ruth Binney (2010) Weather Lore. Country Words and Country Ways series. Cincinnati: David and Charles.Charles Dack (1911) Weather and Folklore of Peterborough and District. Peterborough: Peterborough Natural history, Scientific, and Archaeological Society. Miles Hadfield (1950) An English Almanac. London: JM Dent and Sons.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A lifetime ago, almost to the day, it turned cooler after an uncustomary warm and dry couple of weeks. Synoptic charts show high pressure moving up the country dragging with it frontal systems. No doubt, on that day, some looked at the clouds and grumbled. And life carried on as it had the days before. Engines shunted in sidings. People waited at bus stops. Shop tills rang out. Dogs barked. And, in the cabin of a small boat moored on the bank of the Grand Union, I took my first breath of air; sweet with cow pasture, and nettles, and paraffin. Journal entry:“27th April, Tuesday.This morning dawned with frost and golden washes of light.  I discovered a new patch of cowslips and hawthorns budding, and the first mallow and bugle clusters shouldering their way into the sunshine.  It should have been perfect.  The birds sang with a brilliant clarity managing to subsume the aural gash of traffic. But it wasn’t. Everything felt a little off kilter.  My shoulders and legs ached.  - Not so much in pain – just an awareness of them being there,  So that walking was not an automatic act,  But a conscious and deliberative one.  Consequently, it felt awkward, clumsy – not natural.The morning chill lost that exhilarating feel and sank into my bones.  A racing mind that gravitates to the dark edges Where formless unease lurks. It was not that I was untouched by the world in which I walked,  Those spots of beauty – touches of joy,  But sometimes perfection and beauty lie in the small details Not the whole. Even Eden had its serpent. Et in Arcadia ego ‘Even in Arcadia , there I am.’”    Episode InformationIn this episode I talk about my mother’s memoirs that she wrote about her time living on the canal. You can hear more about her in Episode 2 The Erica behind the Erica and hear me reading an excerpt from her writing in which she described the harsh winter of 1963 in Episode 9 The Winter of 1962/63.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. PianSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Back where we belong. Under an old ash tree and a full April moon.After nearly five months of restricted movements, we’re back home, out on the canal! Join us as we stop over at one of our most favourite places to tie up for the night. The sun is warm, the air is soft, and the moon is big. Journal entry:“23rd April, Thursday.Sitting up here on the roof of Erica I am surrounded by warmth and the sounds of life.  The water beneath my feet shifts in tessellating patterns of light; It is the taupey brown of old Morris Minors. There’s a slow easterly breeze that has the edge of freshness, But the afternoon sun is warm on my shoulders. I can feel the boat gently move beneath me – like something alive. Erica is back in her natural environment.”                                                           Episode InformationFor some photographs and short videos – see the posts on Nighttime on Still Waters’ Facebook, Instagram and Twitter pages.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

At the beginning of the week we were waking up to snow and each nights the temperatures have been slipping below zero. However, the days are filled with sunshine and warmth, and a vibrancy fills the word. Spring has arrived.  A few years ago, I discovered something wonderful that the isophenes of Spring tell us about the the progress of the season.   We also join the poet, writer, and naturalist, Edward Thomas, at the end of his 1913 bicycle ride in Pursuit of Spring and finds, high on the Quantocks Hills, the grave of Winter.   Journal entry:“15th April, Thursday.Today was one of those perfect Spring days. The air still had that edge of ice to it, But the day was filled with a thick, syrupy, warmth      that was heavy with blossom and insects. And there was that light that you seem to get only in April;      the flooded, chalky, palettes you find      in the paintings of Krøyer and the other Scandinavian artists.  The day, and the season, is as fresh and as sweet as Spearmint Chewing Gum.                                                           Episode InformationIn this episode refer to and read a short passage from Edward Thomas’ (1914) In Pursuit of Spring. A free (open access) copy can be found on the Project Guttenberg site which incidentally features a rather lovely picture of two narrowboats on the Paddington canal as a frontispiece -  Edward Thomas: In Pursuit of Spring.For those interested in Edward Thomas’ wife, Helen, you can read her two lyrical and poignant autobiographies, As it Was and World without End in the collected edition, Under Storm’s Wing (2012) published by Carcanet. I also read a very short extract from Miles Hadfield (1950) An English Almanac published by JM Dent and Sons.For progress on the ducks and swans – see the Nighttime on Still Waters Facebook, Instagram and Twitter accounts.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Boat blacking is when the hull of a boat is painted or sprayed with a protective – usually bitumen-based – paint to help minimise corrosion of the steel hull. For painted blacking, it is a process that occurs every 2 to 3 years. This week it was NB Erica’s turn for blacking, a time of convergence between ‘canal time’ and ‘land time.’  Journal entry:“10th April, Saturday.I’ll show you something wonderful. - Go through the little swing gate in front of you.  Keep straight on. Go through the next gate into the field over which the ravens call.  Keep walking with the canal on your right. Mind your footing, the ground is a bit lumpy and can be boggy when wet.  The sun should be rising in front of you, a little to your left. There you will see a tangled old blackthorn tree,       Fallen in last year’s storms,           Crushing the barbed wire fence beneath it.  Today it is wreathed in the aura of delicate white petals, that smell of honey jars.Even fallen trees can blossom.” Episode DetailsYou can see pictures of the Erica being craned in and out of the canal and the blacking on the Nighttime on Still Waters Facebook page, and on Instagram and Twitter (links below).  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A listener has asked, "After we left the boat and went to live in a house, did canals continue to play much of a part in my life?"After the boat, we moved to Kings Langley, Hertfordshire. It was there I grew up and found my place within the world. At the time it was still a fairly small village. The main industry was the Ovaltine factory that bordered the Grand Union Canal which bisected the village. Working boats were still a relatively common sight. As well as through traffic from London to Birmingham and other cities to the north, they serviced the local industries; Ovaltine, Toovey's Mill, the John Dickinson mills at Nash Mills and Apsley, and Rose’s Lime Juice at Boxmoor Warf, Hemel Hempstead. As time went on, the number of working decreased, but the canal remained as a key part of the village and social topography and geography. “The canal wasn’t part of my life in a deliberate way. But that was because it was unconsciously so much part of our environment; the geographies of growing up. The playground and classroom that we all just took for granted.”Journal entry:“25th March, Thursday.Tonight, the air is warm and still. The cabin doors are open.  The sounds and scents of a spring-time night         fill the boat.It is difficult to tell where the boat ends and the night begins” Episode DetailsIn this episode I read a few lines from John Clare’s (1820) The Shepherd’s Calendar. The text to ‘March’ can be read here - Poem Hunter: The Shepherd’s Calendar - March. I also refer to Ruth Binney’s (2010) Wise Words and Country Ways: Weather Lore published by David & Charles.If you are interested in seeing Captain Mark Dexter’s picture of the Suez Canal, his Instagram account is: The Woodend Wanderer.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the poSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The journey from winter into spring is often messy and ill-defined. Sometimes it feels as if we are making progress and at others the cold and damp of winter days returns. As we are also contemplating moving from lockdown it is not surprising that we can feel a bit of kilter. Reflecting on an encounter in WH Hudson’s book A Shepherd’s Life, there are times when we feel like a small boy lost among the ocean waves of the South Downs and at others the man on the bicycle.      Journal entry:“18th March, Thursday.Today has been filled with the kind of skies in which rooks exalt. Throwing ragged silhouettes upon the beating wind. Ecstatic heraldry. Breathe deep, if you can.Things are not right Nor will they ever be. But there are signals of joy, Like a bush burning in the wilderness.” Episode DetailsIn this episode I read Wendell Berry’s poem ‘Another Descent’ from his collection (2018) The Peace of Wild Things published by Penguin Books.The encounter between the cyclist and the bird-scarer comes from WH Hudson’s (1910) A Shepherd’s Life: Impressions of the South Wiltshire Downs. You can read a digitised copy of this book, as part of the Project Guttenberg site, here: A Shepherd’s Life. I also refer to Lisa Schneidau’s (2018) Botanical Folktales of Britain and Ireland published by The History Press.If you are interested in Patricia Carswell’s Girl on the River podcast, you can listen to it here.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

These are the days of swan nests and duck eggs, but the call of a lone swan circling overhead, perhaps captures more precisely the tensions we feel moving through the seasons. The seasonal shifts in the activity of the swans and ducks are becoming increasingly visible reflecting the wider patterns of movement. Boats leaving and others moving in. Everything is in a state of transition; we are all in a state of transition.    Journal entry:“13th March, Saturday.Sitting here in the well deck, at the messy edge of late winter in the silence before dawn, the world feels as blank as the year, but everywhere is full of life to come that will occur in summer. The life still unborn,        the bees, dragon flies,              the gnats that will dance above the waters.And then there will be the ducks that I will meet          who will perplex me with their behaviour.And the loosestrife flare         and dandelion globe,                the shimmer of light through silver birch leaves that are yet unformed.The smell of rain on hot pavements          the nettle flower I will see                   and the millions I will miss. Do swallows darting across African skies, as I sit here,  dream of English summers as I do?”         General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The fascination of boots and canals. Boots have always been one of the most essential pieces of equipment for canals and canal-life. In this episode we re-join impresario, journalist and social reformer, James Hollingshead on his journey up what would later be known as the Grand Union in the late 1850s. We will discover his fascination with the footwear of those working on the canals and find out that the importance of the boot for canal-life is every bit as true today as it was in Victorian times.   Journal entry:“5th March, Friday.This week, after an absence of some weeks, the cormorant is regularly back. Always circling the tree two or three times, Always alighting on the same branch.The names we give to it sing like a litany or a darkly gothic ballad.Brongie, coal goose, cowe’en elder, lairblade, parson, morvran, carn-hoverer, sea crow, scart.It’s as if we recognise that we can never capture a life like this in a single name; Its strange elusive beauty, Its sleekness, its elegance and poise.Balanced there on that gnarled branch Caught somewhere between darkness and light.”                                                          Episode InformationIn this episode I read some extracts from John Hollingshead’s ‘On the Canal’ published in Odd Journeys in and out of London (1860). I also read excerpts from John Clare’s (1820) The Shepherd’s Calendar. The text to ‘March’ can be read here - Poem Hunter: The Shepherd’s Calendar - March. I also read the last verse of John Masefield’s (1903) ‘Cargoes’. The full poem can be read here: John Masefield – Cargoes. You can view Coalboat Alton’s photographs here On Instagram: https://www.instagram.com/coalboat_alton/ On Facebook: https://www.facebook.com/Coalboat.Alton   General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 201Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Everywhere the world is filled with the whispered spring. The first of this year’s lambs scamper and nuzzle in the field above us and skylarks sing high from under a bowl of Wedgewood blue. A softer, warmer wind blows, and the sun is strong. Humans and non-humans alike emerge to drink in the sunlight and warmth. It’s a spring that the poet John Clare knew well and understood its significance and it’s a spring from which Edward Thomas drew strength. Tonight, the stars of frost garland NB 506812, but we have felt once more the reassuring cycle of seasons and an assurance that spring is on the way.  Journal entry:“24th February, Wednesday. The wind was warm and playful today, boisterously rolling down the hill.  Earlier the cormorant hung piratical to the thrashing, Jolly Rogered branches of the oak.  Later, the Pillerton rooks wheeled and played upon the air; carelessly flung, like heraldic emblems, across the perilous sky.”Episode InformationIn this episode I read excerpts from John Clare’s (1820) The Shepherd’s Calendar. The text to ‘February’ can be read here - Poem Hunter: The Shepherd’s Calendar - February - A Thaw. If you want to find out more about this important, but often overlooked, figure, you can read more about his life and works as the John Clare Society. I also refer to and read a short passage from Edward Thomas’ (1914) In Pursuit of Spring. A free (open access) copy can be found on the Project Guttenberg site which incidentally features a rather lovely picture of two narrowboats on the Paddington canal as a frontispiece -  Edward Thomas: In Pursuit of Spring.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Stormy nights like this, when then wind howls among the reeds under a hunted moon, are perfect for curling up with a ghost story or two. In this episode we hear about two ghost stories set in locations close to where NB 506812 is currently moored and explore what do these stories tell us about the worlds that produced them and us today. Journal entry:“18th February, Thursday.Each dawn and dusk skeins of geese fill the winter-bruised skies; soundscapes of the enclosing nights of autumn. And I am haunted by the one lone goose who, yesterday as the day broke, flew across the charcoal smudged sky in the opposite direction. With each stroke of its majestic wings it cried out into dusky world.  It flew over me. Then its call crumbled into mumbles and squawks.  It flew strong into the southeast and the sun, etched on the dawn. I stood, until I could hear something of its soul no more.” Episode InformationIn this episode I read excerpts from Alan Scott-Davies’ (2010) Shadows on the Water: The Haunted Canals and Waterways of Britain published by History Press Ltd.I also make a reference to John Miller’s (2020) thoughtful introduction to his edited collection Weird Woods: Tales from the Haunted Forests of Britain published by the British Library.You can view Jean Mann’s lovely vlog featuring the gorgeous waters and villages of the Norfolk Broads (East Anglia) here: Jean Mann’s YouTube Channel.You can see Pete Tuffrey’s evocative paintings of canals and night-time scenes at:Twitter: https://twitter.com/PeteTuffrey Instagram: https://www.instagram.com/petetuffreyartist/   General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactForSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Tonight, the NB Erica is locked in ice. There’s a wolfish southeaster blowing and the night is filled with rasping creaks and groans. There are times when the ice sings. Acoustic lightning flashes that dart across the frozen water surface. Journal entry:“9th February, Tuesday.Last night’s snow low uneasily on the ground, like a miser’s blanket, threadbare and uneven. But it’s enough to see the lacework of indistinct and broken-formed tracks of night-time life.  For once, I can see what Penny sees with her nose -  A terrain full of movement and life. For a time my temporal world merges with hers, filled with foil and imagined forms.” Episode InformationYou can see Pete Tuffrey’s evocative paintings of canals and night-time scenes at:Twitter: https://twitter.com/PeteTuffrey Instagram: https://www.instagram.com/petetuffreyartist/   During this episode I read extracts from:Miles Hadfield (1950) An English Almanac. London: JM Dent and Sons. Richard Jeffries (1898) Wildlife in a Southern County. London: Smith, Elder and co.Francis Kilvert (1977) Kilvert’s Diary (1870-1879): A selection edited and introduced by William Plommer. London: Penguin.Laurie Lee (2016) ‘A Cold Christmas Walk in the Country’ in Village Christmas: And other notes on the English Year. London: Penguin Random House. pp 13-16.Mary Oliver ‘Starlings in Winter’ published in Oliver, M. (2004) Wild Geese: Selected Poems. Tarset: Bloodaxe Books. You can read her poem here: Starlings in Winter. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

One of the first things you will experience when you cast off onto the waterways is, what is sometimes referred to as, ‘canal time.’ What is canal time and how is it different to land time?Canal time functions not so much as a marker for time passing as a recognition of the many streams of timelines of things and lives that fall outside the sphere of human control. However, there is also a deep irony about it too... Journal entry:“3rd February, Wednesday.This morning the tangled thicket by the pool bristled with starlings. The air flustered and vibrated with wings and energy as a flight of geese cut low, blading across the field.  The maintain a tight formation. Wing tips almost touching.  The air is filled with a constant movement of sound -          honks and soft grunts and whistles. Gentle rhythms of sounds among the wing-song.  Vocalisations of the lives being lived on the wing.But what are they saying? What is it they feel in their impulse to communicate          to reach out across the span of space to another,          to fill the air with communication? And what feelings and needs are they vocalising?What do the others hear?           Warning?            Reassurance?            Information?            Companionship?                         “Stay close.” “You are needed.” What do they feel hearing those soft purrs and snorts Carried to them on the wind, lifted by the songs of their wings?I recede over their fast-turning horizon. Deaf to their language and so blind to their world.And it seems as if all of my achievements And the great, heavy weight of my worries Dissolved between my fingers.Undone by the closed orbit of their hidden conversation."Episode InformationI refer to Matt and Ali's vlog Boating Beyond and, in particular, their episode 'Why you DON'T want LIVE on a NARROWBOAT!'  It is a great video and well worth a look for those considering a canal-based life.  In this episode I make passing reference to John Hassell's (1819) Tour of the Grand Junction and John Hollingshead's (1860) Odd Journeys in and out of LondonSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

This week the first proper snow of the winter fell. For a while, our world was transformed. If you love snow, a boat is the perfect place to enjoy it. If you hate snow, a boat is the perfect place to escape it!Journal entry:“29th January Friday.The last couple of mornings have smelt fresh.  The trees bordering the canal sharp with bird song,       not just the aural darts of warning calls        but flowing rivers of melody              entwined on the wind.Below our feet, last summer’s oak leaves swim the flooded field.” Episode InformationIn this episode I read an extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.I also read an extract from Josh Billing’s Farmer’s Allminax [sic] (1870-1879) by the American humourist Henry Wheeler Shaw. You can read a digitised copy on the Project Gutenberg website: Josh Billings' Old Farmer's Allminax.To view Andrew Plummer's photographs go to @andrewphotos on Instagram or @AndrewPPhotos on Twitter.To follow NB On A Whim on Twitter, go to @OnAWhim_NB.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Another January storm has passed over us. But, tonight we have a stock of gingernut biscuits and the knowledge that each day the daylight gets longer and the spring is coming. In this episode, with its usual sprinkling weather lore, we answer some more questions about the canals – principally – how deep are they? It is a subject that I have first-hand knowledge about!Journal entry:“21st January Thursday.Waxing moon in a Russian sky.  A flight of gulls high, in clear air. Turned into golden foil by the fire of a setting sun.”  Episode InformationIf you have any sayings or weather-related proverbs in your family, I would love to hear them. You can contact me at nighttimeonstillwaters@gmail.com or via Facebook, Instagram or Twitter (details at the bottom of the page). In this episode I read Edward Thomas’ (1878-1917) poem ‘Thaw’. You can read it here: Thaw.I also refer to Sue Wilkes. Her beautifully researched book, Tracing your canal ancestors: A guide for family historians is full of interesting comments and observations about the history of the canals and the people who worked them. It is well worth a read. Don’t be put off by the title, it is not solely for genealogists or those with past family connections with the waterways. For more information about canal depth and the categorisation of inland waterways: https://www.gov.uk/guidance/inland-waterways-and-categorisation-of-waters General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

January 18th (2021) is 'Blue Monday'. The third Monday in January is considered by many to be the most depressing day in the calendar. As we enter the dark days of January, this episode considers the importance of the hope of spring and how the calendar and weatherlore enabled our ancestors to deal with the uncertainties they faced. Journal entry:“16th January Saturday.This morning the cormorant came on slow deliberate wings, swimming the thick grey porridgy skies. It circled twice before alighting on its usual branch.Does it too long for the summer to come? Is it aware that this season will also pass? Does it too revel in the syrupy, warmth of the summer afternoon’s sun as it treacles through the body?” Episode InformationIn this episode I refer to Melody Gardot’s song ‘Morning Sun.’ It is part of her 2015 album Currency of Man distributed by Decca. You can hear Morning Sun on YouTube by clicking here: Morning Sun.You can read a little more about St Hilary's Day, 13th or 14th January (depending upon liturgical calendars here: Weather Watch - St Hilary's Day.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

What is it like to be on a narrowboat in the grip of a winter’s cold spell? How do you keep warm on a boat?  Living and working on the canal systems in winter has been notoriously difficult and hard. In this episode we reflect on what it entails to live on the canals in winter today. We also hear a piece of Victorian reportage by a journalist travelling on the Grand Union Junction flyboat, Stourport, in the late 1850s. We also find out why liveaboard boaters could be viewed as ‘floating hobbits.’Journal entry:“3rd January Sunday.I went out into the soundless sphere of night as the New Year was dawning and said “This is me and I am here. You seem so big and dark and unknown.” But I have known your brothers and sisters and have learnt to revel in the days of their sunshine and find their special beauties under skies of steel and water.Today is filled with clinging fog that chills the marrow and makes the bones ache, but your suns will soon come, and larks will sweep the skies again.Welcome.” Episode InformationIn the welcome section I mention the work of Andrew Plummer and his magnificent photographs. His Instagram page is: https://www.instagram.com/andrewpphotos/I also refer to the work of Dru Marland and read out a section from one of her posts from her Facebook page. You can view her exquisite artwork, featuring wildlife and canals, on her Etsy page: https://www.etsy.com/uk/shop/DruMarlandIn this episode I read an extract from journalist and impresario John Hollingshead’s (1858) illuminating account of his journey from London to Birmingham in a Grand Union Junction flyboat, Stourport. You can read a digital copy of this in his Odd Journeys In and Out of London.  The article is titled ‘On the Canal’. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures oSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

For most people, 2020 has been a stressful year of frustration, disappointment, fear and anxiety. It is not surprising that we look forward to welcoming in 2021. Join me on Narrowboat 506812 as we reflect on the significance of new beginnings (no matter how arbitrary), and the importance of having opportunities to re-evaluate and reset our lives.  Journal entry:“New Year’s Eve, 31st December Thursday.Another frosty and icy start. This morning, in the dark as I got off the boat, I heard the ice sing. The dawn is softened and blurred by fog. Smudged and half-formed, it feels as if I am walking through a drawing that someone has tried to rub out with an eraser. The cronking call of two distant ravens snuggle into the muffled sky.” Episode InformationMay your coming year be filled with summer light and puddles to jump. The warm hum of bees and the sting of frost. Of courage and companionship. HAPPY NEW YEAR!General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. Contact InformationFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A chance to say to you Merry Christmas.This episode celebrates a Christmas Eve that is different and yet, in a number of important ways very similar to those our ancestors experienced.  Journal entry:“Christmas Eve 24th December, Thursday.Last night’s storms have swept the sky clear. The on-coming tide of sunlight washes the eastern horizon the colour of blood oranges. This morning was the first morning this winter I have really needed gloves. The boat is a haven of warmth when we return. A mug of tea waits, steaming, on the side as I watch a cormorant spread its wings in the sun.”Episode InformationIn this episode I read an extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.I also read a short extract from John Clare’s (1793-1864) poem December. It is part of his epic poem The Shepherd's Calendar..General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. With special thanks to Father Christmas for the sleigh bells!Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

A first-hand account remembering life aboard a small boat with a small family during the harsh winter of 1962/3.The time we lived on the Kathy were always very precious to Mum and she later wrote about them. Her writings evocatively describe life-aboard at a time when the canals were beginning to transition from working to increasingly residential and leisure use. In this week's episode, I read an extract from her writings in which she describes the winter of 1962/63.  Journal entry:“16th December, Wednesday.Venus hangs above Bearley Lock.  A hard diamante stud puncturing the smooth bowl of lacquered blue and satsuma orange fire at the rim We stand above the pool eroded by the summer-pastured cows. The water looks like spilt Indian ink that would go on forever and everPenny sniffs at the torn soil and a lone duck slips into the air.Later today, the lacquered bowl will become roughened and dull, and rain will whip and pit the mirrored surface of the water. But that is later. This is now… and we are both absorbed in our own worlds.”Episode InformationPhotographs of the Kathy and our family on the boat can be found on the podcast’s Facebook page, Instagram, and Twitter accounts.In this episode I mention the delightful Weather Folk-Lore of the Sea and Superstitions of the Scottish Fishermen.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Why is the swan an oxymoron and if it is so unlucky to kill a swan why are there so many recipes for them? In this episode we reflect on the place of the swan within its natural and cultural environments.Lockdown and being located within ‘Tier 3’ has meant that we have been more static this autumn and winter than we had previously intended. However, the positive side of this is that it has enabled us to get to know the local communities that live around our boat. These include my beloved rooks, but has also given me a fresh perspective on a species I have not really thought much about; the swan. Journal entry:“12th December, Saturday.Icy Phaethon tracks the fearless dark and touches the Earth with a scatter of mercurial light. As silent as owls’ wings, as swift as falling angels, the stars fall. Frosted crystal beneath our feet and clouded breath. We walk on in wonder...”Episode InformationPhotographs of our pair of swan and of the ducklings can be found on the Nighttime on Still Waters Facebook page; Instagram and Twitter feeds.For more information on haunting presence of Phaethon, the assumed 'parent' of the Geminid meteor shower, go to: Astronomy.com: Explore Phaethon‘The Swan’ by Mary Oliver was published in The Paris Review 124, (Fall) 1992.I also refer to WB Yeats’ poem ‘The Wild Swans of Coole’. You can read and hear it by following this link: Poetry Foundation.In this episode I read a short extract from page 82 of Richard Jeffries’ (1881) Wood Magic: A Fable published by Cassell and Co.   I also read from An English Almanac written and illustrated by Miles Hadfield (1950) published by JM Dent and Sons. Lots of folklore (and recipes) for the swan can be found in Stefan Buczacki’s (2002) Fauna Britanica published by Hamlyn. [I rather mangled his name in the episode – apologies Stefan!]There is a great website featuring the audio clips of the different sounds swans make: RattlinSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The temperature is just above freezing and the ground is slick with mud. Join me tonight for a night-walk to Bearley (Odd) lock to see what sounds we can hear and feel the quiet stillness of the canal in the depths of winter’s night. Journal entry:“2nd December, Wednesday.The swan is back. Its serpentine reflection ghosts the water. I indulge myself that it is the same juvenile cob that disappeared a month or so ago. It now has a mate and the water carries them effortlessly like two pampered puppies carried on cushions.They take food from me; soft sibilant vocalisations, as I drink my mid-morning tea. One snortles and blows through its nose. I hope it’s normal. Avian flu is attacking swans.I feel rather foolishly protective and invested in their alien lives.”Episode InformationPhotographs of Bearley or Odd Lock can be viewed on the podcast’s Facebook, Twitter and Instagram pages – details below. For pictures and information of Bearley Lock on the Geograph website click here: Bearley Lock General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comSupport the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

As the weather gets increasingly wintery and frosts burn the air, we look at the waterways and the practicalities of boating. How do you turn a 58ft boat in a narrow canal? Can you boat through the night? What happens to the canals during the winter?Journal entry:“27th November, Friday.It would have been Mum’s birthday today.And there’s a November moon sailing in November skies.My breath is silver fire.    My fingers burn deep in the my pockets.The rooks are no longer visible among the branches.So I follow the stars homeward        Always tracking slightly westward.Thank God for the sunrise.          And November buds.”Episode InformationThis episode featured the lovely poem ‘Boatlife in Autumn’ by Julia Pearson onboard NB Omega. You can read her poem on her Instagram account here: https://www.instagram.com/boaty7/ I also mentioned the wonderful photographs of night-time boating taken by the working coal boat NB Alton. You can see their photographs on Instagram: https://www.instagram.com/coalboat_alton/   General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com   Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

‘The cut’ is one of the old vernacular names given to the canal. It was the one most of us used during my childhood. The name reminds us of its history and construction. This episode explores the strange and sometimes ambivalent place that canals inhabit within our natural and cultural environments.Journal entry:“14th November, Saturday.Charcoal sketched tree against a rain faded sky. Clawed branches tangle in the dawn light. The cormorant is back,        Pterodactyl winged, oily slick. A universe that barely touches mine.  It raises its head and looks up into the sky          As the rain falls. At least we hold that much in common.”Episode InformationFloating our BoatFran and Rich’s (Floating our Boat) podcast can be heard here: Floating our Boat podcast. Their vlogs are a great way to experience life when living permanently aboard a narrowboat. You can watch them on their Youtube channel here: Floating our Boat Vlogs.  In this episode I refer to E Temple Thurston’s book The Flower of Gloster, published in 1911. Sadly, it is currently out of print, but second-hand copies are still available. There is also a free-access electronic copy (containing some wonderful illustrations by W.R. Dakin) is available at the Hathi Trust Digital Library . The link to the book is: The Flower Gloster. The reference to John Aiken and Anna Laetitia can be found on pages 40-48.In the intro and outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

The UK enters its second lockdown. Movement on the waterways is once again restricted to 'essential needs only.'  It's the same, but different. This episode reflects on this and what it can teach us about ourselves. There is also more on the language and terms used by the original working boatmen and why to call a boatman ‘a sailor’ was the highest insult. Journal entry:“7th November, Saturday.A quick silver moon ghosting through a glistening night, caught in the branches of the old elm tree where the jackdaws call.”In this episode I read an extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds. You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months. ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com  Episode Information Extract read from ‘November’ in The Kalendar of Shepherds.Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site.  Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

In this episode we walk through NB Erica and answer some of your questions about life aboard a narrowboat. We touch on the vexed question of whether it is 'port and starboard' or 'left and right', and we learn about tumblehome. Journal entry “28th October, Wednesday. Yesterday. More rain. Damp clings to the air. The sky is filled with greys and Prussian blue. The oaks on the skyline still hold on to their full summer shapes even though the ground is a patchwork of sodden leaves. Three Shetland ponies, stoic and comic in their friendly solidity, graze. Rain drips off the manes and coats. Their breath rises in clouds of sweet-smelling steam. We stand in a small group, each of us gazing in a different direction.  Suddenly, the sun, stratus-cataracted, metallic, still wet from the waters of night, breaks through. Everything is transformed; an epiphanal transfiguration. The field shivers silver in the steaming air. The three ponies stand haloed in a fiery-white light, platinum bright, mute and solid. The air is filled with drifts of pearls that run down our faces. Is this Matthew’s field in which was buried a great treasure? How fitting he chose the Greek word θησαυρός [thesaurus] to describe it. Who knew that the treasure of great price was sun… and rain… and dawn’s imagination.”  ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com  Episode Information Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.  All other sound recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

In this episode we explore the history of NB 506812 before she became our home and meet the Erica behind the Erica.Journal entry:  “16th October, Friday. The canal continues to thread its silent way through autumn. There’s a hint now of mist on colder dawns. Today, it lies still and steely. Penny trots ahead, tail up, relaxed, contentedly sniffing the trail and foil of the unseen world. The hedges are garlanded with crimson, rosehip lanterns and bryony’s poisonous fire. The air is filled with the smell of damp earth, leaf mould, wood smoke. Together, we walk through the mystery of autumn.”  Contact detailsFor pictures of Erica and the Kathy can be seen by following me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI have really appreciated the comments and questions and would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com  Episode Information Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes written and performed by Helen Ingram Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

Join me on the first Nighttime on Still Waters podcast. It is really a getting to know you podcast where I introduce you to the Erica 58ft narrowboat and this is the beginning of our audio journal about our life aboard and the changes and shifts we encounter following our move from land to water. These nighttime reflections draw upon our experiences and on life in general. On thing I have noticed is how our nearby ducks call out to each other in the night and in this episode I explore that common need for, what Charlie Connolly describes as, 'voices flung out under the stars.'ContactFor pictures of Erica and images related to the podcasts follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.comEpisode InformationDuring the podcast a read a passage from Charlie Connolly's (2019) The Last Train to Hilversum: A journey in the search of the magic of radio. Bloomsbury Publishing (loc 258)Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.