Robert Burns’s narrative poem mischievously reimagined by Gary McNair

1/2. Fate Takes A Hand. By David Ashton. Starring Brian Cox. San Francisco, 1849. At the height of the California Gold Rush, McLevy sets himself up as a private investigator hoping for a rich client. But his first case turns out to be less than lucrative – a poor black cook accused of murdering his wealthy white employer.MCLEVY ..... Brian Cox JEAN ..... Siobhán Redmond GEORGE TAYLOR ..... Bryan Dick ISAAC ..... Ben Onwukwe SARAH ..... Ayesha Antoine HENRIETTA ..... Nicole Ansari PIERCE ..... Sandy Grierson MALACHI FALLON ..... Forbes Masson SAM BARTON ..... Gerard McDermott Other parts played by the cast. Producer/Director: Bruce Young

Amira Ghazalla reads a new short work from Leila Aboulela, as a woman remembers a childhood gift from her vibrant and beloved grandmother. Produced by Eilidh McCreadie Leila Aboulela is the first-ever winner of the Caine Prize for African Writing. Nominated three times for the Orange Prize (now the Women’s Prize for Fiction), she is the author of novels, including Bird Summons, The Kindness of Enemies, The Translator (a New York Times Notable Book of the Year), Minaret and Lyrics Alley, Fiction Winner of the Scottish Book Awards. Her collection of short stories Elsewhere, Home won the Saltire Fiction Book of the Year. Leila’s work has been translated into fifteen languages, and her plays The Insider, The Mystic Life and others were broadcast on BBC Radio. She grew up in Khartoum, Sudan, and now lives in Aberdeen, Scotland.

Maita goes to see her dad for her birthday, but he's not in...and there's something strange about his flat. When she goes to look for him down the docks where he works, she discovers there is more than just her dad that has gone missing.Series creators Eno Mfon and Darragh MortellEpisode 1 by Eno MfonORIGINAL MUSIC by Kaidi TathamCASTMaita - Saffron CoomberJulian - John PfumojenaBevin - Tonderai MunyevuKat - Caitlin RichardsTony - Dean RehmanMeditation voice, TikToker - Kitty O'SullivanNewsreader, TikToker - Rhiannon NeadsNot Jehovahs, TikTokers - Tyler Cameron and John LightbodySound: Catherine Robinson and Nigel LewisDirector: John NortonA BBC Audio Drama Wales Production

Yemen. 2023. In one of the poorest countries in the world, with civil war raging, life isn’t exactly easy, and most days the fishermen return with barely enough to live off, let alone to sell.But fisherman’s son Yusuf is an eternal optimist, and dreamer, who keeps the community’s spirits high with tales of whales and his dreams of the Gulf’s glorious past. Plus, he’s secretly in love with his best friend. But when disaster strikes, and Yusuf’s optimism is tested to the limit, he ends up at sea in the strangest of scenarios.A heart-warming tale of faith, hope and rizq (the Islamic concept that Allah is responsible for all sustenance provided to us).CAST Yusuf ..... Bilal Hasna Zulaikha ..... Danusia Samal Fatima ..... Sirine Saba Khaled ..... Stewart Scudamore Abdo ..... Fayez Bakhsh Nabil/Mahdi ..... Yassine MkhichenWritten by maatin Directed by Anne Isger Sound by Pete Ringrose and Ali Craig A BBC Audio Production for BBC Radio 4.An EcoAudio certified productionAbout the writer: maatin is a London-based playwright who focuses on Muslim storytelling. In 2023, maatin's play Duck was performed at the Arcola, following a run at Jermyn Street Theatre. His play Friday at the masjid was selected for the RSC 37 Plays project, and longlisted for the The Bruntwood Prize for Playwriting 2022 and the Soho Theatre’s Verity Bargate Award 2022. Previously, his work was nominated for the Edinburgh TV Festival’s New Voice Awards 2021 and longlisted for BBC Comedy Room 2020. He was selected for the Hampstead Theatre’s INSPIRE Programme 2020/21.

by A.L. KennedySimon Pratt ..... Bill Nighy Joyce Zani ..... Amelia Bullmore Ben Vane ..... Sebastian CroftDirected by Sally AvensCelebrating 100 years of Radio Drama, A.L. Kennedy's play is an homage to the inventiveness of radio and the world of sounds.Simon Pratt has always wanted to be part of a double act but he has ended up a single man. Now his damaged grandson needs Simon but he can't seem to connect with him nor his neighbour Joyce, with whom he has had an aborted affair. Could the magic of conjuring laughter out of sounds be the key to a happier life for all three of them?Bill Nighy is an academy award nominee for the film Living, he appears regularly on Radio 4 in the titular role of Charles Paris. Amelia Bullmore is an actress and playwright. She has appeared in Coronation Street, I'm Alan Partridge and Scott and Bailey. Sebastian Croft has appeared in Game of Thrones, Horrible Histories - the Movie and HeartstopperA.L. Kennedy is an award winning novelist,. She also writes for stage, screen and radio and performs occasionally as a stand up comic.A BBC Audio production for BBC Radio 4.

At the outbreak of war in 1939, the BBC evacuated its newly-formed Radio Drama Company of actors, led by Val Gielgud, to Worcestershire. To mark a hundred years of radio drama at the BBC, a cast of current and former members of the RDC perform this new drama by Hannah Khalil. So how do you record a play in the stables of a Victorian stately home?Val Gielgud ..... Carl Prekopp Laurence ..... Joel MacCormack Audrey/Wendy ..... Clare Corbett Pete/Bill ..... Ben Crowe Gladys ..... Jessica Turner Leonard ..... John Lightbody Mary ..... Kitty O’Sullivan Charles Siepmann ..... Michael Bertenshaw Warden ..... Tyler Cameron Marius Goring ..... Josh Bryant-JonesSound design by Peter Ringrose with Alison Craig and Mike Etherden Production Co-ordinator - Maggie OlgiatiDirected by Toby Swift A BBC Audio production for BBC Radio 4

By Tonderai MunyevuA touching story based on true events. Tonde returns to his place of birth in Zimbabwe to bury his mother as she wished. But traditional funeral rites mean this is far more difficult than he ever imagined.This unique drama, with original music is a powerful meditation on grief, tradition, and love.Cast:Tonde ..... Tonderai Munyevu Aunty/Mo ..... Pamela Nomvete Sekuru ..... Femi Elufowoju Jr. Dee ..... Chipo Kureya Medium/Cousin ..... Estella Daniels Partner ..... John LightbodyOriginal music by Tendai Humphrey SitimaSinging by the cast and Tendai Humphrey SitimaProduced and directed by Jessica Mitic Sound by Alison Craig, Andy Garratt and Sue Stonestreet Production co-ordination by Pippa DayA BBC Audio Drama North production An EcoAudio certified production

By Roy Williams. We have followed the lives of Caribbean-born Hope and Faith (Eunice) and British-born Gloria since 1946. It’s now 1978, and Hope is struggling with life in a society in which she feels unwelcome and also at home now all her children have flown the nest. Her family are worried and frustrated. Not even the planning for her first grandson’s christening interests her. Can a voice from her distant past jolt the usually ebullient Hope out of her despair?Hope .... Danielle Vitalis Rodney .... Lloyd Thomas Faith .... Shiloh Coke Sheila .... Keziah Joseph Jimmy .... Michael Ajao Jean ..... Cecilia Appiah Gabriel ..... Darren Hart Errol ..... Joshua-Alexander Williams Boy ..... Tyler CameronProduced and directed by Pat CumperA BBC Audio Production for BBC Radio 4********************Faith Hope and Glory returns to Radio 4. We began following the lives of Hope, Faith (Eunice) and Gloria in the UK in 1946; three generations of three families bound together by the fate of one baby lost and found on Tilbury Dock. They are now firmly established in their lives in late 1970s Britain.This series is set in 1978. Although racial tensions continue to simmer, black Britons are taking practical measures to help themselves. Some are standing for election as councillors. Saturday schools are springing up all over the country to support black students suffering discrimination in the education system.Hope still works at the hospital as a Sister but feels increasingly unwelcome in the UK. Her children have all left home - Sheila is now a teacher, Jean is studying fashion design and Jimmy has just become a father. Despite her strong marriage to second husband Rodney, Hope is struggling and her family have no idea how to help her. It doesn’t help that memories of the loss of her first child have become stronger with the passing of the years.

By Helen Cross.Rose has made a fresh start in the City of Angels and life feels good. But she can't ignore the past, and now it's starting to bite.Her ex-boss Maya is loving never getting older and has Rose to thank for that. Maya has big plans for a 'rejuvenation' spa in the California hills, but Rose suspects all is not what it seems. On top of that she's worried that someone, or something, is trying to send her telepathic messages. But are they to warn her, or frighten her?Stylish and surprising fantasy horror with a comic twist, starring Alexandra Mardell (Coronation Street) and Demetri Goritsas (Ten Percent). With music by Dana Margolin and Sam Yardley of Mercury-nominated band, Porridge Radio.Helen Cross wrote ‘My Summer of Love’ which won a Betty Trask award and was made into a Bafta-winning film with Emily Blunt (recently rated her best film in The Guardian top ten Emily Blunt films). Mary Ward-Lowery won Best Director in 2020 Audio Drama Awards.Rose ... Alexandra Mardell Maya ... Miranda Braun Austin ... Demetri Goritsas Siobhan ... Deirdre Mullins Delphine ... Yasemin Özdemir Mam ... Jane Thornton Jack ... Tyler Cameron Gym owner ... Don Gilet Dakota ... Rhiannon Neads Alina ... Kitty O'Sullivan Englishman ... Martin Bonger Angry Man ... Douglas Hodgson Gully ... Bruce CasswellOriginal music written and performed by Dana Margolin and Sam Yardley of Porridge Radio.Sound design by Ilse Lademann and Mary Ward-Lowery Assistant Producer ... Alison Crawford Director ... Mary Ward-Lowery

By Samantha Harvey. Mum drives through the Dark Hedges, crossing a threshold into a different world. Read by Deirdre Mullins. Topical fiction inspired by the story, in this week's news, that some of the beech trees that line the Bregagh Road in Armoy, County Antrim, have been felled amid concern for public safety. The trees, a landmark in their own right, were made more famous after featuring in the fantasy drama Game of Thrones. Samantha won the Betty Trask Prize for her first novel The Wilderness, which was longlisted for the Man Booker, and shortlisted for the Orange Prize and the Guardian First Book Award. Her work has been described by critics as 'spectacular', 'beautiful' and 'profound', and her latest novel, 'Orbital', an 'awe-inspiring and humbling love letter to Earth', has been selected by The Guardian as one of the most important books of 2023. Producer: Mary Ward-Lowery

by Sebastian Baczkiewicz Claudius, Prince of Denmark, has lived as an exile in Spain for the past sixteen years but an attempt on his life causes him to reassess his position. Meanwhile in Denmark, civil disobedience and political unrest are leading King Hamlet to take ever more authoritarian measures. Claudius . . . John Light King Hamlet . . . John Heffernan Polonius . . . Clive Hayward Gertrude . . . Lyndsey Marshal Catalina . . . Laura Christy Olsson . . . Rupert Holliday Evans Kabanova . . . Jessica Turner Schroeder . . . Neil McCaul Directed by Marc Beeby and Sasha Yevtushenko Set in an alternative Europe in the 1950s, Elsinore imagines the turbulent world of the Danish Court in events that take place some years before the story told in Shakespeare's Hamlet. It explores the relationships at the Danish court, particularly the troubled, not to say murderous relationship between King Hamlet and his brother Claudius. Series 2 picks up the action 16 years after the first series, in an alternative Europe in the early 1950s. Denmark is a powerful, militarised country with a small Empire around the Baltic which it is fighting hard to maintain. There is more than a hint of totalitarianism in the air.

The story of a mistake that caused one of the crucial turning points of the 20th century

Phyllis Logan and Brian Vernel star in a new drama by Philip Palmer about finding redemption. Glasgow Social Worker, Jenny, makes it her personal mission to save a young offender from making the same mistakes she did. Jenny ….. Phyllis Logan Finn ….. Brian Vernel Anne ….. Anna Spearpoint Directed by Gemma Jenkins

A specially commissioned story from the award-winning author Katherine Rundell.

Lucy Catherine's supernatural thriller returns to Harland, the new town haunted by its bloody past. Six weeks have passed and Dan is under house arrest, suspected of murder, arson and abducting a baby. His search for missing police detective Sarah Ward and the answer to the mystery of the Hare Witches seems to be at an end. Dan ..... Tyger Drew-Honey Morris ..... Rupert Holliday Evans Sadie ..... Melissa Advani Sarah ..... Ayesha Antoine Janis ..... Fiona Skinner DCI Cummins ..... John Lightbody Security Guard ..... Tyler Cameron DJ ..... Don Gilet Tool Voice ..... Kitty O’Sullivan Production Co-ordinator ..... Jenny Mendez Technical Producer ..... Andrew Garratt Sound Design by Peter Ringrose and Caleb Knightley Directed by Toby Swift A BBC Audio Production for BBC Radio 4

Trust by Jonathan Hall. Ep 1 - Only Fit for Elmfield Street. There's a new build being finished at East Salford Academy, but the campus is still a building site. And on top of that there is a new system of teaching being introduced that uses the latest technology. Some teachers are coping better than others. Comedy drama starring Julie Hesmondhalgh. YVETTE ..... JULIE HESMONDHALGH TIM ..... ASHLEY MARGOLIS SIR KEN ..... JONATHAN KEEBLE CAROL ...... SUSAN TWIST DHRUTTI ...... MINA ANWAR LIZZIE HOPE-LLOYD ..... VERITY HENRY GLORIA ..... EMMA GREGORY Production Co-ordinator - Pippa Day Technical Team - Sharon Hughes & Amy Brennan Sound Design - Sharon Hughes Producer/Director - Gary Brown. A BBC Audio Drama North Production.

Sebastian Baczkiewicz's drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end? June ….. Deborah Findlay Mason ….. Adam Gillen Sooz ….. Ruth Everett JJ ….. Asif Khan Man from Amity ….. Gerard McDermott Donna ….. Rosie Mellett Announcer ….. Hasan Dixon Sound design by Keith Graham Directed by Toby Swift A BBC Audio production for BBC Radio 4. Sebastian Baczkiewicz is one of the UK's leading audio writers and the creator of the long-running Radio 4 series, Pilgrim.

Drama-documentary by Sarah Woods, inspired by Alexis de Tocqueville's Democracy in America, one of the most influential political texts ever written, transposed to the UK of today and featuring members of the British public. In 1831, Alexis de Tocqueville travelled to North America on a nine month trip that led him to conclude that democracy was unstoppable and would spread across Europe. His concerns about democracy - the dangers of self-interest and materialism; the tendencies towards mediocrity; the risk of populist, despotic leaders and the silencing of minorities - echo clearly into the present day. In this drama, set in today's UK, an elderly man checks himself out of a Preston hospital and hitchhikes south. He says his name’s Alexis de Tocqueville and that he needs to find out what has happened to democracy. As he travels around the UK, he talks to ordinary people about their perceptions of the current state of democracy and the challenges it faces. Can democracy offer us the world - and the leaders - that we need? Tocqueville ..... Philippe Spall Erica ..... Catherine Ayers All other parts played by Kezrena James, Aaron Anthony, Karen Paullada and Charles Dale. Featuring voices of real people from across the UK. Written by Sarah Woods, assisted by Lil Woods Production co-ordinators, Eleri Sydney McAuliffe and Lindsay Rees Assistant Producer, Fay Lomas Technical Producers, Catherine Robinson and Nigel Lewis Directed by Emma Harding, BBC Audio Drama Wales Sarah Woods is an award-winning playwright and systems thinker who has written over 30 plays, series, adaptations and drama-documentaries for BBC Radio, including Borderland, which won the Tinniswood Award for Best Audio Drama at the 2018 BBC Audio Drama Awards.

Award-winning thriller returns with a third and final season.

It's a Test Match between Australia and England. Who will win the Ashes. But the commentary is interrupted by the mysterious and troubling disappearance of one of England's most talented young batters. This young cricketer has walked out of the match and no one knows where he has gone. Or, why. As the cricketer talks to a therapist his story unfolds. The Batter ..... Dan Parr The Dad ..... Ian Conningham The Ex Girlfriend ..... Melissa Vaughan The Bowler ..... Will Kirk The Therapist ..... Tracy Wiles The Test Commentator ..... Jonathan Agnew Written by James Fritz Directed by Tracey Neale Cricket has been part of this young man's life since he was six years old. Growing up in Lancashire he is talented and incredibly ambitious, always proud of the way that he handles pressure. Under the watchful eye of his dad he has risen from school to club to country and finally international level. His mum died when he was seven, so it's always been just him, his dad and cricket. When his first England Test cap is awarded, he takes to international cricket like a duck to water. A high flyer and settled down with a girlfriend who is studying Climate Science. On tour, although older players tell him not to, he googles his own name and constantly reads and watches everything he can about cricket and then this becomes mixed in with climate fears. He begins to read tweets and articles and watch TikTok videos that inflame his worries even more and things begin to get out of control and his ability to play cricket suffers. Then finally, on the biggest stage, something snaps. With millions watching on the television around the world and without saying a word to his teammates, he drives away from the stadium into the Australian outback and ends up locking himself in a wardrobe in a motel in the middle of nowhere. Frightened and alone. As his demons start to overwhelm him, can he find the strength to open the door? As the cricketer talks to a therapist his story unfolds. Cricket has long had a problem with poor mental health. The unique pressures of ‘a team game played by individuals’ have led many prominent players to experience substance abuse, anxiety, depression and at times suicide. It involves extreme scrutiny of talent, technique and mental fortitude combined with extended periods away from the comforts of home and family. The batter who is out for nought is left for days or weeks to stew on their failure: on how it has cost their team, their career prospects, their country. Arguably there has never been a harder time to be a professional athlete. The constant scrutiny of social media means that there is no escape from the public glare for young sports men and women. But this is only reflective of the wider crisis in young men’s mental health in our society. Suicide is the biggest killer of men under 45. Generations of young men are growing up unable to ask for help, trapped in cycles of anxiety and depression, feeling their own pressure to ‘perform’ in a variety of different ways. The Test Batter Can't Breathe is heart-breaking and occasionally terrifying, but hopeful and educational. An honest, unflinching portrayal of a mind under extreme stress that might make those suffering from performance-related anxiety and depression feel a little less alone. The Writer: James Fritz is a multi-award-winning writer from South London, whose plays for BBC Radio include Comment Is Free, Death of A Cosmonaut, Eight Point Nine Nine and Dear Harry Kane. His awards for audio drama include the Imison and Tinniswood BBC Audio Drama Awards – the first time a writer has won both in the same year - and the ARIA award for Best Fictional Storytelling in 2021. He has also been nominated on multiple occasions for Best Single Drama at both the BBC Radio Awards and the BBC Audio Drama Awards. Dear Harry Kane won Best Drama in this year's ARIA Awards. For theatre his plays include Four Minutes Twelve Seconds, Parliament Square and Ross & Rachel. He has won a Bruntwood Prize for Playwriting, The Critics’ Circle Theatre Award for Most Promising Playwright and has been nominated for an Olivier Award. Producer and Director: Tracey Neale Technical Production: Alison Craig and Peter Ringrose Production Co-Ordinator: Hannah O'Reilly

An original short story commissioned by BBC Radio 4 from Northern Irish writer Tara West. Read by Julia Dearden. Tara West is a novelist and Creative Writing Lecturer at Queen’s University Belfast. She is the author of novels Fodder and Poets Are Eaten as a Delicacy in Japan as well as the memoir The Upside of Down. She has short stories published in The Glass Shore and Female Lines. She was part of BBC Writersroom Belfast Voices 2020/21. She won an RTÉ Storyland commission for her first drama ‘The Good Christian Women’s Writing Group’ for which she was nominated for the Royal Television Society’s Debut Writer Award. Writer: Tara West Reader: Julia Dearden Producer: Michael Shannon Editor: Andy Martin A BBC Northern Ireland production.

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May. Have you ever wondered where the term 'gaslighting' comes from? Find out in episode 1 of this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton. To hear the series in full, just search for Gaslight in BBC Sounds. Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel. Jack Manningham has used his wife’s recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times. In this first episode, Jack and Bella find a house that suits them and there's a lot riding on the screening of their latest film. Cast in order of appearance: Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard Lintern Written by Jonathan Holloway, based on the original play by Patrick Hamilton Music: Imelda May with Tim Bran Produced by Sally Harrison with James Purefoy Directed by Johnny Vegas A Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Dan's life is in danger. To what lengths will Jess go to save him? Jess now knows the truth about Ronnie Vaz's relationship to Dan. But she's sucked even deeper into the violent world of his drug gang. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Melissa......Alexandria Riley Petal.....Rina Mahoney Mother.....Christine Kavanagh Ronnie.....Alun Raglan Gallery Director....Jasmine Hyde Magnar.....Neil McCaul Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess now knows the truth about Ronnie Vaz's relationship to Dan. But she's sucked even deeper into the violent world of his drug gang. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Melissa......Alexandria Riley Petal.....Rina Mahoney Mother.....Christine Kavanagh Ronnie.....Alun Raglan Gallery Director....Jasmine Hyde Magner.....Neil McCaul Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess has returned to Dan, despite her misgivings. In revenge for his secretive behaviour, she snorts a line of DMT. And experiences a terrifying trip. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Henry.....Brendan Charleson Janey.....Jasmine Hyde Ronnie.....Alun Raglan Petal.....Rina Mahoney Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess has left Dan, the dockside studio and the grimy, violent world of Ronnie Vaz behind. But something is pulling her back. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Henry.....Brendan Charleson Janey.....Jasmine Hyde Ronnie.....Alun Raglan Petal.....Rina Mahoney News Reader.....Chris Jack Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess starts her first paid commission as an artist, painting a work for Dan's employer Ronnie Vaz. But she also discovers the true nature of Vaz's business empire. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Written by Faebian Averies. Jess.....Holli Dempsey Dan.....Josef Altin Clem…..Francois Pandolfo Melissa.....Alexandria Riley Petal.....Rina Mahoney Security Guard.....Chris Jack Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess discovers more about the shadowy world Dan moves in, but she's also increasingly aware of its benefits. She's moved into the dockside studio owned by Dan's employers - the gangster-run Tactical Security. And though Dan himself remains something of a mystery, the studio is starting to inspire Jess’s art. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Written by Faebian Averies. Jess.....Holli Dempsey Dan.....Josef Altin Clem…..Francois Pandolfo Melissa.....Alexandria Riley Ryan.....Justice Ritchie Petal.....Rina Mahoney Security Guard.....Chris Jack Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Dan has reappeared just as mysteriously as when he vanished. Can Jess trust him.? And is he boyfriend or predator? Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Melissa.....Alexandria Riley Daisy....Grace Cooper Milton Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

When aspiring artist, Jess, is injured during an environmental protest, she’s taken to hospital by a kind stranger. And then the stranger becomes her boyfriend. And then he disappears. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Melissa.....Alexandria Riley Desk Sergeant.....Chris Jack Security Guard.....Jasmine Hyde Mark.....Neil McCaul Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess is an aspiring artist with synaesthesia, which means that she sees colours and patterns when she hears certain sounds. When Jess collapses and hits her head during an environmental protest, she meets the engimatic Dan. This meeting will change both of their lives. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of podcast drama Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Johnny.....Tom Byrne Melissa.....Alexandria Riley Petal.....Rina Mahoney Daisy.....Grace Cooper Milton Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Jess is an aspiring artist with synaesthesia, which means that she sees colours and patterns when she hears certain sounds. When Jess collapses and hits her head during an environmental protest, she meets Dan and falls in love. This relationship changes both of their lives. But Dan has a shadowy career, working for a criminal gang who are running drugs. He’d like to escape from this way of life, but Jess is increasingly pulled towards it. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of podcast drama Tracks). Jess.....Holli Dempsey Dan.....Josef Altin Johnny.....Tom Byrne Melissa.....Alexandria Riley Petal.....Rina Mahoney Daisy.....Grace Cooper Milton Sound design by Catherine Robinson and Nigel Lewis A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding

Exercise your imagination with some of the best writers and actors on radio.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah Wooley Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs. Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim. Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world. The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution. Shura saw it all; Shura lived through it all; Shura, in part, explains it all. Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane Whittenshaw Editing and sound design by Peter Ringrose. Directed by Sasha Yevtushenko.

The first omnibus of Season 15, Onward, set in Folkestone, in the week, in 1918, when the Allies launched their final, and decisive campaign on the Western Front. Adam, meanwhile, is on a mission to the harbour.